3 EXTRAORDINARY PARADOXES OF PERSONAL AWAKENING

By Dylan Charles

Source: Waking Times

How do you reconcile the utter madness of the world with the overwhelming joy of being alive in it?

“Paradox: a situation, person, or thing that combines contradictory features or qualities.”

Without question we live in interesting times. The deception, insanity and turmoil in our world has no end, yet when we tune in very closely to life’s pulse, we find softness and connection open to us at every step. These contradictory features of the human experience point to the dualistic nature of the universe, but ultimately offer a glimpse of a middle way, the center, where harmony resides in a sea of chaos. A seeming, but natural paradox.

“When people find one thing beautiful,
another consequently becomes ugly.
When one man is held up as good,
another is judged deficient.

Similarly, being and nonbeing balance each other;
difficult and easy define each other;
long and short illustrate each other;
high and low rest upon one another;
voice and song meld into harmony;
what is to come follows upon what has been.”

~Tao Te Ching 2

This is what personal awakening means. To create a harmonious relationship with your own life. To solve the paradox. Have you experienced any of these 3 extraordinary paradoxes of personal awakening?

1. The Awakening is Triggered by Fear and Supported by Love

Like an invading virus triggers the immune system, fear triggers the awakening. War, strife, turmoil, conspiracy, control, death, suffering, theft, abuse. This is the world we have created for ourselves. The toll of such heaviness manifests as a dense type of contagious fear, a chronic trigger that perpetuates the fight or flight response, but without an immediate or tangible threat to face directly. But there is nowhere to run or hide from the fear. We can confront it or be consumed by it. Or transmute it.

And what is to found beyond the fear? Love. An endless stream of it. In the stream the fear makes sense as a force which guides us into the stream of love.

2. Healing Hurts

The awakening is ultimately a healing process, but it’s hardly free of pain, because it is in a sense a recovery from injury or illness, like a form of forgetfulness of who you really are. As such, it actually hurts. A lot. And just like the agony of having a broken bone set, or the pain of recovering from a difficult surgery, emotional and spiritual pain is a necessary component of healing.

Letting go into whatever it is, depression, sadness, boredom, or even grief, is how healing begins. There is no out, only through. The remembrance of the pain is there to forever color the outcome of the healing process.

“If you desire healing,
let yourself fall ill
let yourself fall ill.” ~Jalaluddin Mevlana Rumi

3. The Void Has Everything We Need

Counter intuitive it may seem, but stepping out of the cultural and mental clutter and into the void, where being and non-being balance each other, reveals everything we truly need. It turns out that silence is the teacher. In silence the universe comes into focus. Time stops and morphs into timelines. Infinite possibilities all become clear at once. Everything we need to know and feel is in this space, but to get there, everything has to be stripped away.

“In the pursuit of knowledge, every day something is added. In the practice of the Tao, every day something is dropped.” ~Tao Te Ching

Final Thoughts

What lies above lies below. A proper life is about balancing the joy of being alive with the terror of being alive. Ignoring either side of the equation leads to chaos.

“Do you want to improve the world?
I don’t think it can be done.

The world is sacred.
It can’t be improved.
If you tamper with it, you’ll ruin it.
If you treat it like an object, you’ll lose it.

There is a time for being ahead,
a time for being behind;
a time for being in motion,
a time for being at rest;
a time for being vigorous,
a time for being exhausted;
a time for being safe,
a time for being in danger.

The Master sees things as they are,
without trying to control them.
She lets them go their own way,
and resides at the center of the circle.”

~Lao Tzu, Tao Te Ching

According to the Father of Propaganda an Invisible Government Controls Our Minds with a Thought Prison

By Sigmund Fraud

Source: Waking Times

“Who are the men who without our realizing it, give us our ideas, tell us whom to admire and whom to despise, what to believe about the ownership of public utilities, about the tariff, about the price of rubber, about the Dawes Plan, about immigration; who tell us how our houses should be designed, what furniture we should put in them, what menus we should serve on our table, what kind of shirts we must wear, what sports we should indulge in, what plays we should see, what charities we should support, what pictures we should admire, what slang we should affect, what jokes we should laugh at?” ~ Edward Bernays [b.11/22/1891, d. 3/9/1995]  Propaganda

Authored by Edward Bernays and published in 1928, the book Propaganda still holds its position as the gold standard for influencing and manipulating public behavior. Drawing on his expertise in psychology while using the language of manipulation, Bernays pioneered social engineering via mass media, and his work lives on in the distorted, statist, consumer world we have today.

But who are the ones behind the curtain telling us what to think by directing our attention onto the things which serve interests?

Interestingly, chapter III of Propaganda is titled, ‘The New Propagandists, and is devoted to explaining why the controls for mass manipulation are so closely guarded by a relatively tiny elite who sit in the shadows, out of the public eye, choosing what we are to see and to think, even controlling the politicians we elect to represent us.

If we set out to make a list of the men and women who, because of their position in public life, might fairly be called the molders of public opinion we could quickly arrive at an extended list of persons mentioned in “Who’s Who…”

Such a list would comprise several thousand persons. But it is well known that many of these leaders are themselves led, sometimes by persons whose names are known to few.

Such persons typify in the public mind the type of ruler associated with the phrase invisible government.

An invisible government of corporate titans and behind the scenes influencers who’s mark on culture cannot be understated today. Bernays continues:

The invisible government tends to be concentrated in the hands of the few because of the expense of manipulating the social machinery which controls the opinions and habits of the masses.

The public relations counsel, then, is the agent who, working with modern media communication and the group formation of society, brings an idea to the consciousness of the public. But he is a great deal more than that. He is concerned with courses of action, doctrines, systems and opinions, and the securing of public support for them.

Ultimately, the goal of this type of mass-produced, pop-culture propaganda is to weaken the individual’s ability to think critically, thereby creating an environment where many people look to one another for approval, always second-guessing their own faculties. When this happens, the strength of the collective group begins to take form and multiply, and ideas can be implanted into the popular culture, taking root in the form of widespread conformist behavior.

Thinking critically means making reasoned judgments that are logical and well thought out. It is a way of thinking in which one doesn’t simply accept all arguments and conclusions to which one is exposed without questioning the arguments and conclusions. It requires curiosity, skepticism and humility. People who use critical thinking are the ones who say things such as, “How do you know that?” “Is this conclusion based on evidence or gut feelings?” and “Are there alternative possibilities when given new pieces of information?””  [Source]

Final Thoughts

The takeaway here is that not much has changed in 100 years of corporate/statist American culture, other than the technical capacity to scale this ever upward. Our lives are still heavily influenced by the likes of the described by Bernays. There is one advantage we do have now, however, as technology has given us greater access to the truth and we are now free to split from the matrix psychologically by understanding what it is and how it influences our lives. If we choose to do so, that is, if we choose to take the red pill.

In order to understand your life and your mission here on earth in the short time you have, it is imperative to learn to see the thought prison that has been built around you, and to actively circumnavigate it. Free-thinking is being stamped out by the propagandists, but our human tendency is to crave freedom, and with the aid of truth, we are more powerful than the control matrix and the invisible government.

Annihilation: Alex Garland’s Bad Trip Through Dis-ease and Over-Reproduction

By Kim Nicolini

Source: CounterPunch

If you go see Alex Garland’s Annihilation (2018) – and I highly recommend you see this film in an actual movie theater with a big screen and big sound –, you are in for a trip. Not a road trip. Not a good trip. But a bad trip. You may ask why I am urging you to see a film that will pull the ground out from under you, defy delivering a tidy narrative, refuse to answer your questions, and leave you in a state of discombobulated horror as if you just experienced a 115 minute very bad trip. There are a lot of reasons to join Garland’s journey into a shaky world where reproduction leads to destruction and where the further you go into the film the further you will find yourself separated from any known reality (just as the further the main characters delve into the ominous and alien Shimmer, the further they come unglued). At one point in the film, female scientist Dr. Ventress (Jennifer Jason Leigh) questions whether all the women who reside at the film’s center have lost their minds. After watching the film, you may very well ask yourself the same thing. But that is the power of the film. By provoking the audience to lose their minds, toss all rational thought to the wind, and deconstruct the most primal notions of stability, this sci-fi horror film unveils the fears that seep through collective humanity like a terminal illness and show the unnatural and terrifying impact of human intervention with the natural world.

The movie is built on the basic sci-fi premise of a team of scientists sent on an expedition to explore an alien anomaly – in this case, the Shimmer. This mysterious form sprouted from an occurrence at a lighthouse and is rapidly devouring a national park and its surroundings, and it is hell bent on eating up all humankind and the earth it occupies (emphasis on the term occupation). Annihilation is astoundingly beautiful while also being exceptionally terrifying. It will take you into an alluring yet unnerving world that reflects our own world through myriad lenses. The Shimmer takes the very substance of all life – DNA – and refracts it into a kaleidoscopic array of mutant variations. Most of them are terrifying, even when they are beautiful, and the realm of this film is one of absolute instability.

Like the characters in the film, we presently occupy an environment of fear, where every day we are confronted with new terrors and new monsters bombarding the airwaves and the internet, a world which is being ripped from the core, where they natural landscape is threatened to be mutated by monster drills, where borders are pushed at us as if they are threats, and where females are both the source of growing power and the source of tremendous social anxiety. These and so many other things are delivered in Garland’s surreal portrait of four women on a scientific expedition into the unknown realm of the Shimmer which is rapidly consuming the southern gulf coast and mutating or killing everyone who enters it.

The film is based on Jeff VanderMeer’s 2014 novel, and your first question may be how well Garland has adapted the book for screen. Well, the book is the first thing he annihilates, so don’t attempt to compare. The material of the book inspired the film, but Garland acts not unlike the Shimmer. He has refracted the DNA of the book into its own species, something that none of us has ever seen before. In the film, the central Scientist Lena (Natalie Portman) discovers that all mutated plant species within the Shimmer are connected to one shared root system. VanderMeer’s book is like the movie’s root system from which Garland has conceived his own lusciously nightmarish film species, growing a whole forest of ideas and visions that multiply in glorious weirdness.

Garland outwardly states that he engages in an anarchistic approach to filmmaking. He resists leadership and debunks the idea of the auteur and refuses to be one (though both films he directed – Ex Machina (2014) and Annihilation bear striking similarities in aesthetics, production, and themes). An Alex Garland film is firmly and concretely an Alex Garland film. There is no way to mistake Garland’s use of glass and reflections (sliding doors as eerie otherworldly portals/prisons) or his cinematic obsession with reproduction (girl-bots and genetic engineering) for the films of anyone else. I commend Garland for his cooperative approach to filmmaking and for stepping back and letting people do what they are good at, trusting the experts he employs to do their job and refusing to interfere with their work. For example, when he partnered with Director of Photography Rob Hardy (also DP in Ex Machina), Garland didn’t dictate what lens or camera to use. He respects his DP as a collaborative artist within a team of collaborative artists, and he trusts that together they will produce uniquely beautiful and unsettling films. Likewise, Garland gives free reign to his actors to improvise, reinvent characters, and add their own unique dimensionality. His anarchistic approach to filmmaking shines through every surface of his films, and the surfaces in Annihilation indeed are magically shiny, slick with water, glistening with reflections, and refracted through glowing prisms.

Perhaps, Garland’s filmmaking anarchy also leads the audience to the sense that we are entering a world that never existed before because it only exists as a result of a distinct collaborative artistic process. It is a movie that can only result from a very specific mutation of elements. Just as the film relies on the image of cellular reproduction to create unique species that did not preexist, the cellular interaction of human creative DNA in Garland’s films creates a new species of movie, and for many, that is unsettling.

People are comfortable with what is familiar, and Annihilation is not like anything we have seen before, though we may recognize elements of its underlying DNA. The initial reference to the lighthouse as the locus for obliterating norms and a destination for the film’s team of women to reach echoes Virginia Woolfe’s desperate plea for female autonomy, creative freedom, and liberation in her 1927 novel To the Lighthouse. The four female protagonists are headed to the source of the reproductive anomaly (representing a breach in the traditional female role as birther and caregiver), and they are mirroring an early work of feminist fiction through the lens of sci-fi horror (because reproduction and all its ramifications both intrigue and terrifify men who want to understand and control something they can’t entirely understand and control). To reach the lighthouse, the women have to trek through Area X, a former national park which has now become a mutated kill zone that bears an eerie resemblance to the infamous Zone in Andrei Tarkovsky’s cinematic masterpiece Stalker (Сталкер, 1979). As in the Zone, Area X jumbles time, seems to be plagued with the aftermath of an environmental catastrophe, seeps water from every surface, glows with a haze of timeless loss, and destabilizes all sense of location (compasses fail), communication (technology signals drop), and unravels logic and reason. It also evokes the sense of some kind of radioactive disaster.  To follow through on the film’s exploration of cancer as an act of self-destruction, radiation can cure (cancer) or kill (bombs). Finally, staying rooted in 1979, the film’s hazy dream/nighmarescape recalls the directorial style of Ridley Scott, and the Shimmer’s central root system – a seething undulating network of organs that combined look like a horrifically alien birth canal – harken back to H.R. Geiger renditions of a monster-breeding alien reproduction system in Scott’s Alien (1979). In other words, though Annihilation is its own cinematic species, it possesses the DNA of its cinematic and literary ancestors, which gives the audience a thread of familiarity even as we are being thrown into a psychedelic whirlwind of confusion and terror.

Both Annihilation and Ex Machina have very solid aesthetic and thematic grounding – the conjoining of the organic and the artificial which creates another dimension of being. Both films obsessively dissect, interrogate, and reconstruct ideas of reproduction and the murky, often shifting, line between reproduction and self-destruction.

Ex Machina explores the traditional horror film approach to reproduction by showing what happens when men try to take on the female role of reproducing through technological and/or scientific intervention. In this film, not only is the man the one reproducing, but he reproduces women as objects of male consumption – porno objects who can cook dinner, suck your dick, and kick up some dust on the dance floor. But in the end, man can’t outdo woman as the great reproducer. The girl-bots win, playing on man’s weak spots – all-consuming lust and ego – the man cancer that causes him to eat himself in an act of selfish self-desctruction. The robo-girls beat both their inventor, who thinks his brains can buy him a pussy (on all fronts), and the nerdy tech geek who likes to believe he’s above fetishizing women when actually his attraction to a girl is ruled more by his hard-on than intellectual intrigue. The only one either of these men is kidding is themselves. And they lose, and . . . they kind of get off on it, which flips us back into that loop that never seems to close.

Annihilation, on the other hand, puts women front and center. Female bodies invade a male genre – a troop of scientists and/or military guys sent on a mission to learn the secrets of and destroy a mysterious alien force – the Shimmer.  We are not accustomed to seeing women in these roles, so the film annihilates traditional male-dominated sci-fi horror narratives. With another nod to Alien and a tribute to Sigourney Weaver’s Ripley, these women righteously bear automatic weapons to fend off the alien forces that threaten them. Remember how adept Ripley was at wielding a blow torch? In one scene Portman’s Lena obliterates a gigantic mutated crocodile without batting an eye. She literally never blinks! Unlike its predecessor Ex Machina which is fixated on male-reproduction of female bodies, Annihilation focuses on a group of women who have somehow failed to reproduce. The central character Lena has destroyed her marriage and therefore snuffed her possible future as a mother. Anya (Gina Rodriguez) has infiltrated her body with drugs and booze instead of babies. Radek (Tessa Thompson) has actually “felt” life through self-destruction (cutting herself to the extent that her arms are mapped with scars) rather than giving life through reproduction. Finally, Ventress has no connections to anyone, projects as if she is an ether trace of a rapidly vanishing body. Ventress is, it turns out, dying of cancer – the film’s stand-in metaphor for toxic reproduction, since cancer is the reproduction of cells to the point of biological annihilation.

The film opens with a close-up of cells multiplying under a microscope. We learn very quickly that they are cancerous cells from a female cervix – the gateway (or gatekeeper) to reproduction. From the film’s onset, reproduction is under attack (being annihilated). As we enter deeper into the Shimmer with the four women, we learn that cellular reproduction can be both beautiful and toxic. As Dr. Ventress states: “It is the source of all life, and of all death.” Therein lies the great conundrum, and the underlying horror of the movie (because this is a Sci-Fi horror film). By vividly exploring multiple angles of Reproduction Gone Wrong – from the Shimmer’s mutated plants and creatures to lethal cancer –, Annihilation taps into some of the most prevalent collective social fears. Over-population (one of the greatest threats to the planet) is shown as both beautiful (“Look at all those gorgeous and strange flowers!”) and as claustrophobic and strangulating (“Look how that mutated corpse is sprouting from a tapestry of flowers!”). Fear of scientific intervention in human creation and the potential horrors of genetic engineering confront us full-body through abominable mutated creatures, some of which literally open their mouths and swallow us. A rampaging bear howls with the voice of a dead woman. A female scientist sprouts stems and leaves and morphs into a cross-species plant.

At its core, the film confronts one of the biggest social fears that has been planted so deeply in the collective unconscious that many people are unaware of it.  Even at this point in the 21st century when you would think people would “know better,” the large majority of the population – both male and female – rely on the traditional role of women as mother caregivers for a sense of stability. This film destabilizes patriarchal order by refusing to put its lead female characters in maternal roles and instead putting them in the traditional male shoes of scientists, and in Lena’s case – Scientist Soldier.

Unlike the women’s bodies, the land in the Shimmer has no problem reproducing. It reproduces itself crazy. It reproduces itself to annihilation, one of the great conundrums of the film – that reproduction (as in cancer) leads to complete destruction. Still, the women push through the Shimmer as it refracts all DNA, reproducing mutant and sometimes terrifying life forms. Climbing through overgrown plants, encountering hybrid animals, and camping out in abandoned houses and military encampments, the women make their way through an iridescent beautifully toxic world. Shimmering wet rainbows resemble the iridescence of a biologically disastrous oil spill. Though terrified and with the very ground of their minds unraveling, the women keep pushing, even as their numbers dwindle, and they confront such images as a live autopsy and its resulting mutation; a psychotic rampaging monster bear; tree-humans/human-trees; alligator-shark hybrids; and myriad other grotesque surprises.

In the end, however, the most terrifying image is the one of reproduction and destruction when Lena confronts herself and births her mutated, alien replicant via a seething, pulsing psychedelic vagina. At once curiously alluring and beautifully horrific, the magnum opus of the film occurs in a scene that defies description but must be experienced on the big screen as the vagina swirls in fleshy prismatic colors, its form both bulging and opening. In the climatic act of self-reproduction and destruction, the screen/vagina opens into a bottomless black birth canal and swallows the audience. There are fewer things more terrifying than a psychedelic vagina the size of a theater screen opening its black hole to swallow you alive while giving birth to your mutated duplicate self.

One of the many reasons this film is so unsettling and delivers such an overwhelming sense of dread is that it refuses to offer any middle ground. Everything is turned on its head. Actions and environments are extreme. Women bear arms instead of children. Interior landscapes are eerily sterile, filled with plastic zippered rooms, stainless steel furniture, and windows reflecting windows reflecting more windows. Not one organic thing lives in the lab, except the women (and one dying man and a few men in hazmat suits). Outside, the landscape is abominably fertile. Creatures are like beautifully terrifying genetic experiments. The land is so pregnant, you could practically barf looking at it. It is both bulging with life and seething with decay. Seemingly lovely flowers evoke feminist fiber art run amok. Humans and nature blend not into a vision of utopian bliss, but into an unnerving psychedelic bad trip. While reproduction is supposed to be the act of life, in this world it is a death sentence where living things reproduce themselves to annihilation, echoing the metaphor of cancer – a disease in which the body actually consumes itself with its own cellular reproduction. The film itself is an act of reproduction, reproducing itself in movie theaters while audiences succumb to, absorb, and are mutated by its toxic beauty. This is the kind of movie you don’t easily forget. It will infiltrate your dreams. Next time you take a hike through a densely wooded forest, you may think twice before exploring that abandoned cabin.

The mismatch between humans and nature and its potential for disastrous consequences leads to some excellent moments of sci-fi horror (you will be terrified) while also questioning the nightmarish impact and consequences of human exploitation of the environment/natural world. Let’s close those national parks and drill! But remember, if you keep on drilling, you may give birth to a monster. Throughout the film, music is critical to the movie’s unsettling hallucinatory delivery. With a soundtrack composed by Portishead’s Geoff Barrow and long-time composer Ben Salisbury, the music is as large and imposing of a character as the mutant bear. Alternating between soft acoustic guitar from another era, full orchestral strings, assaultive horns and bombastically creepy synths, the music doesn’t tell us how to feel, it immerses us in feeling. Complementing the film with orchestral moans and sonic decay, the music tips the scales of this movie toward outright Very Bad Trip. But it’s an entertaining trip!

Annihilation may be the most mind-boggling movie of the century. As it builds and breeds and breathes and opens its mouth and swallows us whole, the movie oozes questions and refuses answers. Told from the single POV of the unreliable narrator Lena, we don’t know what to believe and not believe, what is happening, what is a demented hallucination, what is past, present, or future. In one scene, Anya screams over and over: “Lena is a liar! Lena is a liar!” And maybe she is. We never know. Since the story is strictly told from Lena’s perspective, we don’t know if she is lying to us. When asked to recount what happened in the Shimmer, her most common reply is: “I don’t know.” She doesn’t know, and neither do we, just like in the world outside the Shimmer where we are bombarded with “fake news,” false alarms, and paranoid manufactured distractions to prevent us from getting to answers.

At this point, you may be asking, “But what about Oscar Isaak and his character Kane?” He exists in ghost form, in memory, propped up by life support, leaking blood from mutated organs, or as a reconstituted alien being. In other words, he has been stripped of solidity. The central conjoining entities in the film are Lena and Kane, but Lena destroyed their marriage in an act of self-destruction. Lena, who introduces the cancer cells in the beginning of the film, is a cancer herself, and oddly the lone survivor, perhaps because she is the mutant cell that consumes everything in an act of self-destruction that ironically keeps her alive. I know – what a lot of confusing hogwash.

But the world is confusing hogwash! We live in a time of questions not answers, a time of abstract fear that permeates everything and saturates our very souls with instability. The earth is dying; the System is lying; our hearts and land are crying; and there are no fucking answers.

Launching a cast of women in traditional male roles and playing on the trope of cancer as the ultimate method of lethal reproduction, Annihilation blows a hole through just about everything known and turns it in an unknown. It annihilates preconceptions about conception; rational thought; traditional gender roles; cinematic genre; social expectations; definitions of species; fundamental biology, earth science; the possibility of future; application of human thought to unanswerable questions; and the idea of self itself. And the annihilation is both beautiful and horrific. The movie screen seems to actually breathe with mutated life as it sucks us into its tantalizing bad trip. And I loved every minute of it. Personally, I’d rather be on a bad trip that explores socio-political fears and anxiety through a hallucinatory cinematic lens rather than succumb to the excessively toxic reproduction and biased distortion of an unreal reality.

The Simulacra Democracy

By John Steppling

Source: CounterPunch

… a nation in which 87 percent of eighteen- to twenty-four year olds (according to a 2002 National Geographic Society/Roper Poll survey) cannot locate Iran or Iraq on a world map and 11 percent cannot locate the United States (!) is not merely “intellectually sluggish.” It would be more accurate to call it moronic, capable of being fooled into believing anything …”

— Morris Berman

I cannot remember U.S. culture ever being quite so compromised by ruling class control. Hollywood turns out one jingoistic and militaristic and racist film and TV show after another. Corporate news is completely controlled by the same forces that run Hollywood. It is the complete capitulation of the liberal class to the interests of the increasingly fascistic U.S. elite. And this didn’t start with Donald Trump. Certainly in its current incarnation it goes back at least to Bill Clinton, and really it goes back to the end of World War Two. The ideological trajectory was formed under the Dulles brothers and military industrial complex — representing U.S. business interests and exhibiting a demand for global hegemony. But once the Soviet Union collapsed, the project was accelerated and intensified.

Another starting point might well be the 1960 Bay of Pigs fiasco, or the 1961 CIA (and MI6) assassination of Patrice Lumumba. Or Kennedy’s 1962 speech at American University calling for the end of Pax Americana. We know what happened to Kennedy soon after that. Pick any of these incidents. But it was the fall of the U.S.S.R. that signaled to the governing class, the proprietor class, that the last real obstacle to global domination had been removed. In the interim, one finds the Iran/Contra affair, and the invasion of Iraq. The real and the symbolic meaning of the Soviet Union is forgotten today, I think. Its meaning for the developing world, especially.

The next conscious trial balloon was Clinton’s attack on the former Yugoslavia. A test run for expanding NATO. And it worked. The propaganda machine has never been as successful as it was when it demonized the Serbs and Milosevic. Then came 9/11. And the well honed PR machine spewed an endless barrage of hyper-patriotic rhetoric and disinformation. American exceptionalism was given full credibility. And remember Colin Powell and his cartoon visual teaching aids at the UN? Nobody was going to argue. Certainly not the white liberal class. And Hollywood upped its game in churning out military fantasies. And in just churning out fantasies. A genre that lent itself to obvious neo-colonial messages. By 2007, when Barack Obama announces he will run for President, the master narrative for America was firmly entrenched. The biggest hit from Hollywood in this period is Avatar (2009), a neo-colonial fable that fit seamlessly with Obama’s reconquest of Africa.

Dan Glazebrook recently wrote:

The year 2009, two years before Gaddafi’s murder, was a pivotal one for US-African relations. First, because China surpassed the US as the continent’s largest trading partner; and second, because Gaddafi was elected President of the African Union. The significance of both for the decline of US influence on the continent could not be clearer. Whilst Gaddafi was spearheading attempts to unite Africa politically, committing serious amounts of Libyan oil wealth to make this dream a reality, China was quietly smashing the West’s monopoly over export markets and investment finance. Africa no longer had to go cap-in-hand to the IMF for loans, agreeing to whatever self-defeating terms were on offer, but could turn to China – or indeed Libya – for investment. And if the US threatened to cut them off from their markets, China would happily buy up whatever was on offer. Western economic domination of Africa was under threat as never before.

The US response was to increase base building, upgrade AFRICOM, and then murder Gadaffi. Hollywood hits from this period include The Hurt Locker and The Dark Knight. Meanwhile domestically Obama was giving the OK for militarizing of police departments across the country. On another front….Danny Haiphong wrote…

What isn’t discussed often enough is how Obama has worked tirelessly to protect and fulfill the interests of the corporate healthcare system. In 2009, he collaborated with the monopoly health insurance industry and its pharmaceutical counterparts to repress the demand for single payer healthcare. The conditions at the time appeared ripe for a single payer system. Popular discontent with Republican Party rule was at its highest point. A relatively organized movement for single payer care was represented by organizations such as Healthcare Now. The Democratic Party possessed a majority in both the House and Senate.

Obama came to power as Wall Street went into meltdown, 2008. But instead of hope and change we got almost 5 trillion dollars moving to the top 1% of the financial elite. Poverty increased every year under Obama, as did inequality. Social Network came out in 2010 and Wolf of Wall Street in 2013. Both were big hits. The message from Hollywood never changed. And part of that message is that wealth is its own justification and a symbol of virtue. Hollywood, and U.S. liberals just naturally gravitate toward the rich.

Obama attacked Afghanistan, Iraq, Syria, Libya, Sudan, Somalia, and Yemen. And it is perhaps that last venture that will prove to be his most significant. Arming, training, and coordinating the Saudi aggression (and now that has escalated to boots on the ground) against the helpless Yemen has resulted in the largest humanitarian catastrophe in five decades.

The U.S. now has all but formally criminalized dissent, especially if that dissent is aimed at Israel.

None of this is to create exact corollaries between political action and studio product. But rather that the overriding message of Hollywood in both film and TV is to validate U.S. exceptionalism. And to hedge criticism with faint token protest. But its not just Hollywood, its theatre and fiction and all the rest of the arts. The erasure of the working class is the most pronounced truth in American culture today. There are no Clifford Odets (a high school drop out) anymore; they have been replaced by a steady stream of well groomed compliant MFA grads. Mostly from elite and expensive schools. Hemingway and James Baldwin were not college grads, nor was Tennessee Williams, the son of a traveling shoe salesman. Even more recent authors such as Thomas Pynchon were college drop outs (to join the Navy), but the point is that today mass culture is carefully controlled. Dreiser was a college drop out, and Twain was a typesetters apprentice. Others like Faulkner, went to University, but also worked. In Faulkner’s case as a postman. Same profession as Henry Miller and Charles Bukowski. Stephen Crane and Hemingway worked as journalists, when that was an honorable profession.

The decision makers in mass culture are mostly firmly entrenched in the Democratic Party ethos (witness stuff like House of Cards, Madame Secretary, or Veep). If one only gets one’s news from MSNBC or FOX or CNN then one will take away mostly pure propaganda. Rachel Maddow has a career based on craven parroting of DNC approved talking points and conclusions. Bill Maher, whose show is on HBO, is of late pimping for war. Sunday news talk shows do not invite radical voices, not ever. Michael Parenti isn’t on those shows, nor  are Ajamu Baraka or Glen Ford Mike Whitney or Ed Curtin or Dan Glazebrook or Stephen Gowans. No, but there are plenty of retired generals and politicians. This is a media that exerts absolute control of message.

The loss of the working class, of class diversity, has been a far bigger blow to the health of the culture than anything else. One might argue that culture has always been, in the modern era, a province of the bourgeoisie, and that’s true. But there is still a rather pronounced change that has taken place. But Americans are discouraged from thinking in terms of class. They see individualism and identity. Get me more women directors they cry….which would give us more versions of Zero Dark Thirty, I guess. Gender equality matters, something every single socialist country in history has emphasized. Something Chavez saw fit to write into the Bolivarian constitution on day one. Chavez, who liberal avatar Bernie Sanders dismissed as a “dead communist dictator”. Chavez, who feminist avatar Hillary Clinton worked overtime to oust from power.

People are shocked…shocked I say…that US soldiers are killed in Niger. Darn that Donald Trump. When it is pointed out that it was Obama who sent troops there in his pivot to Africa, one is met with blank stares. The concern over U.S. soldiers dying is simply mind numbing in its hypocrisy and blinkered exceptionalism. I mean just count the numbers of dead civilians due to U.S. drone strikes from just one year. Pick any year you like.

Under Obama, the US African Command (AFRICOM) has penetrated every African country but Zimbabwe and Eritrea. AFRICOM has locked African nations into military subservience. In 2014, the US conducted 674 military operations in Africa . According to a recent Freedom of Information Act request by Intercept, the US currently has Special Forces deployed in more than twenty African nations.

Danny Haiphong

People are terrified today lest they be called conspiracy theorists. No single pejorative term has exercised such disproportionate power. There is a subterranean subject position associated with this, too. A masculine identity that connects with the presentation of those accepting of the official version of things. It is ‘no nonsense, mature, and sort of tough guy’ pose. Only weak and muddled (feminine you see!) would bother to question official narratives of…well, anything. It is staggering, really, why so few ask why is it OK to assassinate people without due process? Why is it whistleblowers, truth tellers, are being locked away and shunned? Why are there 900 plus US military bases around the world. Why, given the growing poverty in the U.S. do we need an updated nuclear arsenal that will cost trillions? In fact why is the defense budget over 4 billion a day? The liberal educated class seem not to ask such questions. Let alone ask is the U.S. arming takfiri jihadists in Syria? Most of what people call conspiracy is just perfectly reasonable skepticism. Given a history that includes COINTELPRO, Operation Northwoods, Gladio, MKUltra, and Operation AJAX. This is also relevant in terms of the coming war on *fake news*. An idea put forward by Obama and now in enthusiastic Orwellian operation by Facebook, YouTube, and Google. In the U.K. Theresa May proudly announces the government SHOULD control what one can see on the internet. Censorship is pitched as protection.

And then we come to NATO and Europe. Why does NATO even exist one might ask? I mean the USSR doesn’t exist anymore. Well, the answer has been under construction for a few years now, and that answer is the extraordinary anti Putin propaganda of the U.S. The “Russian Threat” is now an accepted trope in public discourse. Or the anti Iranian disinformation. In fact Iran is far more democratic and less a global threat (actually its NO global threat) than U.S. boon allies Israel and Saudi Arabia. Which brings us back to Yemen. The utter destruction of Yemen, poorest Arab country in the world, and now one with the largest Cholera outbreak in history, posed no threat to ANYONE. Certainly not to the United States. Are we to believe the House of Saud is worth supporting? They behead homosexuals and witches in Saudi Arabia. The leader of KSA is a 32 year old psychopath named Mohammed Bin Salman. Someone please explain the U.S. support for this country?

Or Venezuela. The U.S. has waged various campaigns against this sovereign nation for over a decade now. A democracy. But a disobedient one. Where is the outcry? When people are going on about Harvey Weinstein, a troglodyte movie producer that literally everyone knew was a serial abuser, I wonder that the women of Venezuela seem not to count. Or of Libya, or Haiti, or Puerto Rico, or hell, the women of Houston right now. Poor women. Ah, but that is class again. Now perhaps the Weinstein affair will yield good results and some form of collective protection and maybe even unionizing will take place to limit the power of rich white men. I doubt it, but maybe. Still, given that the liberal class today applaud the idea of making it OK for women to bomb defenseless villages in Afghanistan or Iraq or Yemen, just like men, and given that most of these horrified by Weinstein were and are solidly behind Hillary Clinton and the DNC, and laud adulation on figures like Maddie Albright, it seems hard to imagine.

David Rosen:

Sexual abuse and violence in the U.S. is as old as the country. America’s patriarchal culture long legitimized sexual abuse and violence toward women — and children — whether conducted at the workplace, at home, a nightclub or on a deserted street. During the nation’s earliest days, the custom of sexual abuse and violence was legitimized through the notion of “chastisement.” This was a feature of Anglo-American common law that recognized the husband as master of “his” household and, thus, permitted him to subject “his” wife to corporal punishment, including rape, so long as he did not inflict permanent injury upon her. Sexual abuse was institutionalized in the rape of African and later African-American female slaves. As the legal scholar Adrienne Davis notes, “U.S. slavery compelled enslaved black women to labor in three markets – productive, reproductive, and slavery – crucial to the political economy.”

One need only note the sexual violence that takes place in the U.S. military (See Kirby Dick’s The Invisible War). But that is not the military you see in this season’s TV shows such as SEAL Team or Valor or The Brave. The current Tom Cruise film American Made is a sort of comedy about Barry Seal who worked as a pilot for the CIA, and with various cartels in South America. Yeah, nothing funnier than squashing a socialist government like in Nicaragua. There is not a single Spanish speaking character who is not either a drunk, a sadist, or just incompetent. This stunningly racist revisionism was called “jaunty and bouncy” by the Hollywood Reporter.

The liberal class will always side with the status quo. Always. They do not care if the status quo is fascist. And its suits them much more to lay out bromides about male abuse of women, as long as this doesn’t mean having to untangle the complexity of women in unfamiliar non tourist visited nations like Yemen or Libya or Honduras. Just like the fact that U.S. domestic police departments murdered over a thousand black men in 2015. And continue to do so, along with increasing numbers of black women. That’s just not a jaunty bouncy story, I guess. Obama has never been comfortable talking about or to black people. He did manage to scold Colin Kaepernick recently though, about the pain he, Kaepernick, might be causing. The pain of white billionaire sports team owners I guess. The Uncle Tomism of what Glen Ford called black misleadership has never been greater. And that’s another crime we can lay, largely, at the feet of Barack Obama.

The U.S. House voted unanimously to sanction Iran and North Korea, an absurdity and a crime, and yet one that barely registered on the media Richter scale. What has Iran or North Korea ever done to hurt anyone in the United States? It is Saudi Arabia and Israel that fear a democratic nation like Iran and the influence they wield in the region. Iran is accused of fomenting instability but evidence is never given. Russia is said to control U.S. public opinion, but evidence is never given. The U.S. doesn’t even bother to really try and make claims about Venzeuela, because its just part of inherited wisdom that they are *bad*. Like Castro was bad, like Gadaffi, like Aristide, like anyone exhibiting independence. The world according to media entertainment is made up of bad guys and good guys. Mike Pompeo, head of the CIA, recently stated that his agency would become a “much more vicious agency” in fighting its enemies. Its actually hard to imagine what that might look like given CIA history. More vicious than rendition, drone killing and black site torture? Remember it was the U.S. and its School of the Americas that trained those death squads in Central America. Hollywood makes comedies about this.

In any event nobody in Hollywood complains. Just as none of the actresses assaulted by Weinstein (and countless others) said anything lest they lose career opportunities. Just as nobody complains about the racism and demonizing of Muslims or Serbs or North Koreans or Russians lest they not get the job. Coercion is silent and a given. It is also absolute. Most actors and directors simply don’t think about it, and most know little beyond what they hear on corporate news or read in the NYTimes. But I understand. People have to eat, have to feed their families. The real problem is that power is ever more consolidated. Distribution of films is monopolized. And for most Americans, foreign policy remains a giant black hole about which they know very little. Tell someone Milosovic was actually a good guy and they will laugh at you (this still happens on the left, too, rather depressingly). Tell them Russia is not threatening the U.S. or Europe, and they will laugh at you. Try to explain what Imperialism is and means, and you get that bored look of irritation. A good rule of thumb is if the U.S. targets a country or leader, then its worth questioning the western generated propagated propaganda in mainstream media about said country or leader (think Syria, Gadaffi, Aristide, Milosovic, Iran, North Korea). The U.S. does not go after countries who welcome western capital.

One of the things I’ve noticed about Hollywood film is the extraordinary amount of self pity from most characters. Self pity, entitlement, and sarcasm. The people who produce and make film and TV today, by and large, tacitly censor themselves. Some don’t have to, of course. But there is a general group think at work. And it extends to the way characters are written. The problems of affluent white people is the template here. Few examine the wider world, and mostly when they do it is seen as a world of threat and menace. An uncivilized place in need of guidance from the civilized white West (The Lost City of Z comes to mind, which made all the approved anti colonial notes while still creating a colonial narrative anyway.). But it is even more narrow than that. Everything resembles a studio; political discussions, even if they take place in outer space, resemble studio executives discussing opening weekend profits, or Neilson ratings. And since Hollywood itself ever more resembles Wall Street, or some corporate headquarters, that is increasingly what the world looks like. It is a profound loss of imagination. Westerns look and sound the same as melodramas set in Santa Monica or New York. Fantasy worlds resemble corporate headquarters or corporate motivational weekends. It is a world created by writers under thirty, largely, and certainly under forty. These are worlds created by people who themselves know very little of the world. They know even less about having to work for a living. The entire universe of film is absent any class awareness. History is simplified the better to appeal to a wider audience. Everything feels and sounds the same. And it is stultifying. There are films and TV from Europe, even from the U.K. that have merit, have heterogeneous sensibilities, but not from Hollywood. Like White House press conferences, the idea is to stay on message. Black characters sound white (or are given caricature *black* dialect and dialogue), brown characters sound white (or are given caricature barrio dialects), and Muslims sound dangerous and devious. Asians seem lifted from Fu Manchu serials or Charlie Chan. Strange when I hear people make fun of ethnic cliches from the 1940s, because it is really no different today (and check the recent TV incarnation of the venerable Star Trek franchise where the Klingon villains are very dark, live in dark spaceships and utter a guttural invented language all of which suggests something oddly racist and like nothing so much as colonial portraits of savages from darkest Africa).

Fixation on Trump’s crimes distracts from a system in which crime is a built-in factor. Clinton, Bush, Obama, and Trump. They are only the figureheads that carry water for the system. And the system is the property of the ruling class. People vote as if it crucially matters, and they vote for who they like. Not for policy because mostly they have no idea of policy. Trump is an obvious target, but that’s the problem in a sense. America didn’t become racist and violent overnight. The forces of social unrest have been building for decades. Trump was inevitable. His lack of basic literacy mirrors the nation he nominally heads, and his vulgarity mirrors the vulgarity of America, as does his misogyny and racism. The same advisors are in place and if Hillary had won, those openly fascist thugs applauding Trump would still be committing hate crimes. Has Trump empowered them? To a degree, yes. But an HRC win would likely have provided motivation of a different sort and the same violence would be taking place. You cannot sustain, as a country, this level of inequality. And as more super hurricanes descend on us, as the bio-sphere collapses, none of this may end up mattering. There is something disturbing, actually, about the relentless attacks on Trump. Its like beating up a special needs kid. Where was this hatred and outrage before? I mean Trump’s America, a term I hear a lot, is just America. We have over 2 million people in prison in the U.S. Far and away leaders in the world. Infant mortality however puts the U.S. between 26th and 51st, depending on who is counting. There is no Universal Heath Care, no union protection for workers, no maternity leave, no free education. What is there to feel so special about, exactly? Trump was very popular on his moronic reality TV show. I’m guessing more than few now outraged by this buffoonish reactionary watched that show. I mean it did last fifteen years I believe. Who did they think he was? There is nothing wrong with identifying the crimes of Trump’s administration. But there is something deeply wrong in not recognizing it as a continuation of prevailing policy. Yes, it is worse in many areas. The environment for one. But then again, 47% of the world’s pollution is caused by the military. And the U.S. has a military bigger than the next ten largest militaries in the world. And every president since the first  Bush has increased the military budget. The nightmare did not begin with the swearing in of Donald Trump. But nobody likes him. They liked Obama. And that is why he was able to do so much harm. Trump is dangerous not because of what he thinks (he mostly doesn’t) but because of his ignorance and weakness (and fear). And that weakness generated his welcoming hand to the Pentagon. Foreign policy is really in the hands of a man nicknamed ‘Mad Dog’. One cannot blame this catastrophic situation on one man. This is the creation of American history.

The Military Industrial Complex Strikes Again: War Spending Will Bankrupt America

By John W. Whitehead

Source: The Rutherford Institute

Why throw money at defense when everything is falling down around us? Do we need to spend more money on our military (about $600 billion this year) than the next seven countries combined? Do we need 1.4 million active military personnel and 850,000 reserves when the enemy at the moment — ISIS — numbers in the low tens of thousands? If so, it seems there’s something radically wrong with our strategy. Should 55% of the federal government’s discretionary spending go to the military and only 3% to transportation when the toll in American lives is far greater from failing infrastructure than from terrorism? Does California need nearly as many active military bases (31, according to militarybases.com) as it has UC and state university campuses (33)? And does the state need more active duty military personnel (168,000, according to Governing magazine) than public elementary school teachers (139,000)?”— Steve Lopez, Los Angeles Times

Mark my words, America’s war spending will bankrupt the nation.

For that matter, America’s war spending has already bankrupted the nation to the tune of more than $20 trillion dollars.

Now the Trump Administration is pushing for a $4.4 trillion budget for fiscal year 2019 that would add $7 trillion to the already unsustainable federal deficit in order to sustain America’s military empire abroad and dramatically expand the police state here at home. Trump also wants American taxpayers to cover the cost of building that infamous border wall.

Truly, Trump may turn out to be, as policy analyst Stan Collender warned, “the biggest deficit- and debt-increasing president of all time.”

For those in need of a quick reminder: “A budget deficit is the difference between what the federal government spends and what it takes in. The national debt, also known as the public debt, is the result of the federal government borrowing money to cover years and years of budget deficits.”

Right now, the U.S. government is operating in the negative on every front: it’s spending far more than what it makes (and takes from the American taxpayers) and it is borrowing heavily (from foreign governments and Social Security) to keep the government operating and keep funding its endless wars abroad.

This is how military empires fall and fail: by spreading themselves too thin and spending themselves to death.

It happened in Rome. It’s happening again.

Not content to merely police the globe, in recent decades, America has gradually transformed its homeland into a battlefield with militarized police and weapons better suited to a war zone.

Since taking office, President Trump—much like his predecessors—has marched in lockstep with the military. Now Trump wants $716 billion to expand America’s military empire abroad and billions more to hire cops, build more prisons and wage more profit-driven war-on-drugs/war-on-terrorism/war-on-crime programs that eat away at the Fourth Amendment while failing to make the country any safer.

Even the funds requested for infrastructure will do little to shore up the nation’s crumbling roads, bridges, railways, highways, power grids and dams.

No matter how your break it down, this is not a budget aimed at perfecting the Union, establishing justice, insuring domestic tranquility, providing for the common defense, promoting general welfare, or securing the blessings of liberty for the American people.

No, this is a budget aimed at pandering to the powerful money interests (military, corporate and security) that run the Deep State and hold the government in its clutches.

So much for Trump’s campaign promises to balance the budget and drain the swamps of corruption.

The glaring economic truth is that at the end of the day, it’s the military industrial complex—and not the sick, the elderly or the poor—that is pushing America towards bankruptcy.

As investigative journalist Uri Friedman puts it, for more than 15 years now, the United States has been fighting terrorism with a credit card, “essentially bankrolling the wars with debt, in the form of purchases of U.S. Treasury bonds by U.S.-based entities like pension funds and state and local governments, and by countries like China and Japan.”

The illicit merger of the armaments industry and the Pentagon that President Dwight D. Eisenhower warned us against more than 50 years ago has come to represent perhaps the greatest threat to the nation’s fragile infrastructure today.

Having been co-opted by greedy defense contractors, corrupt politicians and incompetent government officials, America’s expanding military empire is bleeding the country dry at a rate of more than $15 billion a month (or $20 million an hour)—and that’s just what the government spends on foreign wars.

That does not include the cost of maintaining and staffing the 1000-plus U.S. military bases spread around the globe.

Incredibly, although the U.S. constitutes only 5% of the world’s population, America boasts almost 50% of the world’s total military expenditure,  spending more on the military than the next 19 biggest spending nations combined.

In fact, the Pentagon spends more on war than all 50 states combined spend on health, education, welfare, and safety.

War is not cheap.

Although the federal government obscures so much about its defense spending that accurate figures are difficult to procure, we do know that since 2001, the U.S. government has spent more than $1.8 trillion in the wars in Afghanistan and Iraq (that’s $8.3 million per hour).

That doesn’t include wars and military exercises waged around the globe, which are expected to push the total bill upwards of $12 trillion by 2053.

Mind you, these ongoing wars—riddled by corruption, graft and bumbling incompetence—have done little to keep the country safe while enriching the military industrial complex—and private defense contractors—at taxpayer expense.

Just recently, for example, a leading accounting firm concluded that one of the Pentagon’s largest agencies “can’t account for hundreds of millions of dollars’ worth of spending.”

Just consider the fact that it costs American taxpayers $2.1 million per year for each soldier deployed in Afghanistan.

Imagine what you could do with that money if it were spent on domestic needs here at home.

Unfortunately, that’s not going to happen anytime soon, not as long as the money interests in Washington keep calling the shots and profiting from the spoils of war.

War has become a huge money-making venture, and America, with its vast military empire, is one of its best buyers and sellers. Not only does the U.S. have the largest defense budget, it also ranks highest as the world’s largest arms exporter.

The American military-industrial complex has erected an empire unsurpassed in history in its breadth and scope, one dedicated to conducting perpetual warfare throughout the earth.

For example, while erecting a security surveillance state in the U.S., the military-industrial complex has perpetuated a worldwide military empire with American troops stationed in 177 countries (over 70% of the countries worldwide).

In the process, billions have been spent erecting luxury military installations throughout the world.

For example, the U.S. Embassy built in Iraq, dubbed “Fortress Baghdad,” covers 104 acres and boasts a “city within a city” that includes six apartment buildings, a Marine barracks, swimming pool, shops and 15-foot-thick walls. Camp Anaconda in Iraq, like many U.S. military bases scattered across the globe, was structured to resemble a mini-city with pools, fast food restaurants, miniature golf courses and movie theaters.

While most Americans can scarcely afford the cost of heating and cooling their own homes, the American government spends $20 billion annually just to provide air conditioning for military installations in Iraq and Afghanistan.

In essence, what we’re doing is “we’re air conditioning the desert over there in Afghanistan, Iraq, and other places,” noted retired brigadier general Steven Anderson, a former chief logistician for Gen. David Petraeus in Iraq.

Think about that for a minute.

There’s a good reason why “bloated,” “corrupt” and “inefficient” are among the words most commonly applied to the government, especially the Department of Defense and its contractors.

For instance, a study by the Government Accountability Office found that $70 billion worth of cost overruns by the Pentagon were caused by management failures. To put that in perspective, that equates to one and a half times the State Department’s entire $47 billion annual budget.

Fraud is rampant.

A government audit, for example, found that defense contractor Boeing has been massively overcharging taxpayers for mundane parts, resulting in tens of millions of dollars in overspending. As the report noted, the American taxpayer paid:

$71 for a metal pin that should cost just 4 cents; $644.75 for a small gear smaller than a dime that sells for $12.51: more than a 5,100 percent increase in price. $1,678.61 for another tiny part, also smaller than a dime, that could have been bought within DoD for $7.71: a 21,000 percent increase. $71.01 for a straight, thin metal pin that DoD had on hand, unused by the tens of thousands, for 4 cents: an increase of over 177,000 percent.

Price gouging has become an accepted form of corruption within the American military empire.

And if you think gas prices at home can get high, just consider what the American taxpayer is being forced to shell out overseas: once all the expenses of delivering gas to troops in the field are factored in, we’re paying between $18-30 per gallon for gas in Iraq and Afghanistan.

Incredibly, despite reports of corruption, abuse and waste, the mega-corporations behind much of this ineptitude and corruption continue to be awarded military contracts worth billions of dollars.

The rationale may keep changing for why American military forces are in Afghanistan, Iraq and elsewhere, but the one that remains constant is that those who run the government are feeding the appetite of the military industrial complex.

What began in 2001 as part of an alleged effort to root out al Qaeda has turned into a goldmine for the military industrial complex and its army of private contractors.

Just consider: the Pentagon in 2008 spent more money every five seconds in Iraq than the average American earned in a year.

Yet Congress and the White House want taxpayers to accept that the only way to reduce the nation’s ballooning deficit is by cutting “entitlement” programs such as Social Security and Medicare?

As Martin Luther King Jr. recognized, under a military empire, war and its profiteering will always take precedence over the people’s basic human needs.

Simply put, we cannot afford to maintain our over-extended military empire.

Money is the new 800-pound gorilla,” remarked a senior administration official involved in Afghanistan. “It shifts the debate from ‘Is the strategy working?’ to ‘Can we afford this?’ And when you view it that way, the scope of the mission that we have now is far, far less defensible.”

Or as one commentator noted, “Foreclosing the future of our country should not be confused with defending it.”

Inevitably, military empires collapse.

As Cullen Murphy, author of Are We Rome? and editor-at-large of Vanity Fair writes:

A millennium hence America will be hard to recognize. It may not exist as a nation-state in the form it does now—or even exist at all. Will the transitions ahead be gradual and peaceful or abrupt and catastrophic? Will our descendants be living productive lives in a society better than the one we inhabit now? Whatever happens, will valuable aspects of America’s legacy weave through the fabric of civilizations to come? Will historians someday have reason to ask, Did America really fall?

The problem we wrestle with is none other than a distorted American empire, complete with mega-corporations, security-industrial complexes and a burgeoning military. And it has its sights set on absolute domination.

Eventually, however, all military empires fail.

At the height of its power, even the mighty Roman Empire could not stare down a collapsing economy and a burgeoning military. Prolonged periods of war and false economic prosperity largely led to its demise. As historian Chalmers Johnson predicts:

The fate of previous democratic empires suggests that such a conflict is unsustainable and will be resolved in one of two ways. Rome attempted to keep its empire and lost its democracy. Britain chose to remain democratic and in the process let go its empire. Intentionally or not, the people of the United States already are well embarked upon the course of non-democratic empire.

I would suggest that what we have is a confluence of factors and influences that go beyond mere comparisons to Rome.

It is a union of Orwell’s 1984 with its shadowy, totalitarian government—i.e., fascism, the union of government and corporate powers—and a total surveillance state with a military empire extended throughout the world.

As we have seen with the militarizing of the police, the growth of and reliance on militarism as the solution for our problems both domestically and abroad affects the basic principles upon which American society should operate.

We must keep in mind that a military empire will be ruled not by lofty ideals of equality and justice but by the power of the sword. Those in the military are primarily trained to conduct warfare, not preserve the peace.

Here’s the kicker, though: if the American empire falls and the American economy collapses—and with it the last vestiges of our constitutional republic—it will be the government and its trillion-dollar war budgets that are to blame.

Of course, the government has already anticipated this breakdown.

That’s why the government has transformed America into a war zone, turned the nation into a surveillance state, and labelled “we the people” as enemy combatants.

For years now, the government has worked with the military to prepare for widespread civil unrest brought about by “economic collapse, loss of functioning political and legal order, purposeful domestic resistance or insurgency, pervasive public health emergencies, and catastrophic natural and human disasters.”

Having spent more than half a century exporting war to foreign lands, profiting from war, and creating a national economy seemingly dependent on the spoils of war, the war hawks long ago turned their profit-driven appetites on us, bringing home the spoils of war—the military tanks, grenade launchers, Kevlar helmets, assault rifles, gas masks, ammunition, battering rams, night vision binoculars, etc.—and handing them over to local police, thereby turning America into a battlefield.

As I make clear in my book Battlefield America: The War on the American People, this is how the police state wins and “we the people” lose.

More than 50 years ago, President Dwight Eisenhower warned us not to let the profit-driven war machine endanger our liberties or democratic processes.

We failed to heed his warning.

As Eisenhower recognized in a speech given to the American Society of Newspaper Editors, on Apr. 16, 1953, the consequences of allowing the military-industrial complex to wage war, exhaust our resources and dictate our national priorities are beyond grave:

“Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities. It is two electric power plants, each serving a town of 60,000 population. It is two fine, fully equipped hospitals. It is some fifty miles of concrete pavement. We pay for a single fighter plane with a half million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people… This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron.”

Ecuador Endangered

By John Seed

The tropical Andes of Ecuador are at the top of the world list of biodiversity hotspots in terms of vertebrate species, endemic vertebrates, and endemic plants. Ecuador has more orchid and hummingbird species than Brazil, which is 32 times larger, and more diversity than the entire USA.

In the last year, the Ecuadorean government has quietly granted mining concessions to over 1.7 million hectares (4.25 million acres) of forest reserves and indigenous territories. These were awarded to transnational corporations in closed-door deals without public knowledge or consent.

This is in direct violation of Ecuadorean law and international treaties, and will decimate headwater ecosystems and biodiversity hotspots of global significance. However, Ecuadorean groups think there is little chance of stopping the concessions using the law unless there is a groundswell of opposition from Ecuadorean society and strong expressions of international concern.

The Vice President of Ecuador, who acted as Coordinating Director for the office of ‘Strategic Sectors’, which promoted and negotiated these concessions, was jailed for 6 years for corruption. However, this has not stopped the huge giveaway of pristine land to mining companies.

From the cloud forests in the Andes to the indigenous territories in the headwaters of the Amazon, the Ecuadorean government has covertly granted these mining concessions to multinational mining companies from China, Australia, Canada, and Chile, amongst others.

The first country in the world to get the rights of Nature or Pachamama written into its constitution is now ignoring that commitment.

They’ve been here before. In the 80’s and 90’s Chevron-Texaco dumped 18 billion gallons of crude oil there in the biggest rainforest petroleum spill in history. This poisoned the water of tens of thousands of people and has done irreparable damage to ecosystems.

Now 14% of the country has been concessioned to mining interests. This includes a million hectares of indigenous land, half of all the territories of the Shuar in the Amazon and three-quarters of the territory of the Awa in the Andes.

Please sign the petition and contribute to the crowdfund which will help Ecuadorean civil society’s campaign to have these concessions rescinded.

As founder and director of the Rainforest Information Centre (RIC), I’ve had a long history of involvement with Ecuador’s rainforests.

Back in the late ‘80’s our volunteers initiated numerous projects in the country and one of these, the creation of the Los Cedros Biological Reserve was helped with a substantial grant from the Australian Government aid agency, AusAID. Los Cedros lies within the Tropical Andes Hotspot, in the country’s northwest. Los Cedros consists of nearly 7000 hectares of premontane and lower montane wet tropical and cloud forest teeming with rare, endangered and endemic species and is a crucial southern buffer zone for the quarter-million hectare Cotocachi-Cayapas Ecological Reserve. Little wonder that scientists from around the world rallied to the defense of Los Cedros.

In 2016 a press release from a Canadian mining company alerted us to the fact that they had somehow acquired a mining concession over Los Cedros! We hired a couple of Ecuadorean researchers and it slowly dawned on us that Los Cedros was only one of 41 “Bosques Protectores” (protected forests) which had been secretly concessioned. For example, nearly all of the 311,500 hectare Bosque Protector “Kutuku-Shaimi”, where 5000 Shuar families live, has been concessioned. In November 2017, RIC published a report by Bitty Roy, Professor of Ecology from Oregon State University and her co-workers, mapping the full extent of the horror that is being planned.

Although many of these concessions are for exploration, the mining industry anticipates an eightfold growth in investment to $8 billion by 2021 due to a “revised regulatory framework” much to the jubilation of the mining companies. Granting mineral concessions in reserves means that these reserves aren’t actually protected any longer as, if profitable deposits are found, the reserves will be mined and destroyed.

In Ecuador, civil society is mobilising and has asked their recently elected government to prohibit industrial mining “in water sources and water recharge areas, in the national system of protected areas, in special areas for conservation, in protected forests and fragile ecosystems”.

The indigenous peoples have been fighting against mining inside Ecuador for over a decade. Governments have persecuted more than 200 indigenous activists using the countries anti-terrorism laws to hand out stiff prison sentences to indigenous people who openly speak out against the destruction of their territories.

Fortunately, the new government has signalled an openness to hear indigenous and civil society’s concerns, not expressed by the previous administration.

In December 2017, a large delegation of indigenous people marched on Quito and President Moreno promised no NEW oil and mining concessions, and on 31 January 2018, Ecuador’s Mining Minister resigned a few days after Indigenous and environmental groups demanded he step down during a demonstration. On 31 January, The Confederation of Indigenous Nationalities of Ecuador, CONAIE, announced their support for the platform shared by the rest of civil society involved in the anti-mining work. Then on 15 February CONAIE called on the government to “declare Ecuador free of industrial metal-mining”, a somewhat more radical demand than that of the rest of civil society.

But we will need a huge international outcry to rescind the existing concessions: many billions of dollars of mining company profits versus some of the most biologically diverse ecosystems on Earth and the hundreds of local communities and indigenous peoples who depend on them.

PLEASE SIGN THE PETITION TO SUPPORT THEIR DEMANDS.

From 2006, under the Correa-Glas administration, Ecuador contracted record levels of external debt for highway and hydroelectric dam infrastructure to subsidize mining. Foreign investments were guaranteed by a corporate friendly international arbitration system, facilitated by the World Bank which had earlier set the stage for the current calamity by funding mineralogical surveys of national parks and other protected areas and advising the administration on dismantling of laws and regulations protecting the environment.

After 2008, when Ecuador defaulted on $3.2 billion worth of its national debt, it borrowed $15 billion from China, to be paid back in the form of oil and mineral exports. These deals have been fraught with corruption. Underselling, bribery and the laundering of money via offshore accounts are routine practice in the Ecuadorean business class, and the Chinese companies who now hold concessions over vast tracts of Ecuadorean land are no cleaner. Before leaving office Correa-Glas removed much of the regulation that had been holding the mining industry in check. And the corruption goes much deeper than mere bribes.

The lure of mining is a deadly mirage. The impacts of large-scale open pit mining within rainforest watersheds include mass deforestation, erosion, the contamination of water sources by toxins such as lead and arsenic, and desertification. A lush rainforest transforms into an arid wasteland incapable of sustaining either ecosystems or human beings.

Without a huge outcry both within Ecuador and around the world, the biological gems and pristine rivers and streams will be destroyed.

But it doesn’t have to be this way. Civil society needs an open conversation with the state. Ecuador has enormous potential to develop its economy based on renewable energy and its rich biodiversity can support a large ecotourism industry. In 2010 Costa Rica banned open-pit mining, and today has socioeconomic indicators better than Ecuador’s. Costa Rica also provides a ‘Payment for Ecosystem Services’ to landholders, and through this scheme has actually increased its rainforest area (from 20% to just over 50%).

Ecuador’s society and government must explore how an economy based on the sustainable use of pristine water sources, the country’s incomparable forests, and other natural resources is superior to an economy based on short term extraction leaving behind a despoiled and impoverished landscape. For example, studies by Earth Economics in the Intag region of Ecuador (where some of the new mining concessions are located) show that ecosystem services and sustainable development would offer a better economic solution let alone ecological and social.

The Rainforest Information Centre is launching a CROWDFUND to support Ecuadorean NGO’s to mobilise and to mount a publicity and education campaign and to help advance a dialogue throughout Ecuador and beyond: ‘Extractivism, economic diversification and prospects for sustainable development in Ecuador’.

We have set the crowdfund target at A$15,000 and Paul Gilding, ex-CEO of Greenpeace International is getting the ball rolling with an offer to match all donations $ for $ so that every $ that you donate will be matched by Paul. Donations are tax-deductible in Australia and the US.

When you sign the PETITION you will reach not just to the President of Ecuador and his cabinet. The petition is also addressed to the other actors who have set the stage for this calamity, being:

  • The World Bank who funded a project which collected geochemical data from 3.6 million hectares of Western Ecuador including seven national protected areas and dozens of forest reserves thus doing the groundwork for the mining industry.
  • The international governments and NGO’s who funded the creation and upkeep of these Bosques Protectores and indigenous reserves and other protected sites and who now need to persuade Ecuador to prevent their good work from being undone.
  • The governments of the countries whose mining companies are preparing this devastation.

Australian senator Lee Rhiannon (who was part of helping us create Los Cedros 30 years ago) wrote to the Canadian Environment Minister on our behalf and the Canadian Embassy has expressed concern about the bad name Cornerstone is giving the other Canadian mining projects. They have asked us for a meeting to discuss the reports of bad business practices by the company. Likewise, the Chinese government is beginning to develop some guidance which will come into effect in March 2018. We are lobbying the Australian government to put pressure on BHP, Solgold and other Australian companies preparing to mine protected forests and indigenous reserves in Ecuador.

Visit Ecuador Endangered for more links to the history and causes of Ecuador’s mining crisis. There you will find research, detailed reports and news updates. Contact information can be found for those wanting to be involved in the campaign, which is being run entirely by volunteers. To let the Ecuadorean Government, World Bank and mining companies know you want them to invest in a sustainable future for all, a petition can be found here.

 

Please join, follow and share this campaign on Social Media.

 

Biodata: John Seed is the founder and director of the Rainforest Information Centre in Australia. He has been campaigning to save the world’s rainforests since the 1970s.

 

FOR PRINT MEDIA: A LONGER VERSION OF THIS ARTICLE REPLETE WITH HYPERLINKS MAY BE FOUND AT www.rainforestinfo.org.au/forests/ecuador/article.htm

Our Bigoted Brains

Photo credit: Art Killing ApathyBigotry,

By Eleanor Goldfield

Source: Popular Resistance

If you’ve ever moved beyond small talk and vapid pleasantries in conversation then you’ve likely dealt with the infuriating occurrence of trying to convince someone of a fact they just don’t want to accept. Beyond just avoiding the information, they almost seem hardwired to reject your proof in a phenomenon that I like to call “fact fear.” I noticed a sharp rise in fact fear during the 2016 elections and levels continue to hover at disturbing heights today. So, what gives? Are we really in a new era of idiocy or are we just seeing our particularly vapid and anti-intellectual culture ping off the most base and stubborn aspects of the human psyche? Both, I think.

Daniel Patrick Moynihan famously said, “You are entitled to your own opinions but not your own facts.” But in the post-truth, anti-intellectual, “I read it in a blog post so it must be true” era, our opinions and beliefs run the ever-growing risk of being founded on complete bullshit. Filter bubbles (which we covered in Episode 132) and digital spheres protect us from ideas and facts outside our own personal shit heaps and only serve up the information we want to see – which is not always factually accurate. Our culture of quick “news” and a growing lack of intellectual curiosity drive us further into an echo chamber of our own ideas – facts and information be damned. In turn, a false but far from flimsy crust solidifies around our minds –- and the soft light of truth and knowledge can’t get in.

Our brains are wired to find comfort behind that crust. In what’s known as the backfire effect, our minds reject new information that clashes with our belief systems and opinions. As David McRaney, author of the books You Are Not So Smart and You Are Now Less Dumb explains it: “Once something is added to your collection of beliefs, you protect it from harm. You do this instinctively and unconsciously when confronted with attitude-inconsistent information. Just as confirmation bias shields you when you actively seek information, the backfire effect defends you when the information seeks you, when it blindsides you. Coming or going, you stick to your beliefs instead of questioning them. When someone tries to correct you, tries to dilute your misconceptions, it backfires and strengthens those misconceptions instead. Over time, the backfire effect makes you less skeptical of those things that allow you to continue seeing your beliefs and attitudes as true and proper.” In other words, that crust acts as a shield for facts that threaten your beliefs. And you’ve probably seen this in action online. Someone posts something like “climate change isn’t real” so you face palm and proceed to post ample proof that they’re wrong and that in fact, climate change is very real. The problem is that with each fact you post, the crust hardens – for both you AND the other person. Of course, it doesn’t help that you can find just as much if not more bullshit online than you can actual truth but much of it is actually tied to the inherent laziness of our brains. “The more difficult it becomes to process a series of statements, the less credit you give them overall…In experiments where two facts were placed side by side, subjects tended to rate statements as more likely to be true when those statements were presented in simple, legible type than when printed in a weird font with a difficult-to-read color pattern. Similarly, a barrage of counterarguments taking up a full page seems to be less persuasive to a naysayer than a single, simple, powerful statement.”

So does this mean that we should just stop pointing out when someone is wrong? That we should let all kinds of ridiculous notions from lizard people to “homeless people are dangerous” slide? Of course not. Rather, it means that if we want to educate and engage, if we want people to wake the fuck up then we have to consider how the human mind works – and how it doesn’t. Furthermore, our goal shouldn’t be to win an argument as if to suggest that as soon as we win the argument, justice is at hand. Indeed, if your goal is to simply be right, the religious zeal with which you defend your ideas will only turn you into the very monster you are trying to slay. Being right, in other words, is not the point. Progress is not a church. We are not looking for converts. Our aim should always be to engage and empower; to share our knowledge and embrace the knowledge of others. Seek and speak truth – then act on it. And do not think that because you found a nugget of information you hold moral superiority over those who don’t know it. Our minds are just as susceptible to that crust as anyone else’s. We are not special or better. Indeed, we must constantly question our opinions, compare them with facts and new information. By that I mean actual facts, not “alt facts” sourced from a single Google search or indeed even something from a “trusted” publication.

In an interview last March with Robert Scheer of Truthdig, author Joel Whitney discusses the 60 year history of fake news and how it was used in the Cold War era to sew distrust and hatred of all things “commie” and Russian. Major and well-trusted media outlets were a part of the propaganda ring and Whitney notes “that the fearful political atmosphere at the time led to “secrecy being used to preside over and rule over the free press — which we’re supposed to be the champions of.” “They drank the Kool-Aid and thought they were saving freedom,” Scheer agrees. The discussion underscores the need for analysis of Cold War-era media as a way to avoid propagandized journalism today. Scheer says, “I look at the current situation, where we don’t even have a good communist enemy, so we’re inventing Russia as a reborn communist power enemy.” “I call it superpolitics,” Whitney concludes, “where essentially there’s something that’s so evil and so frightening that we have to change how our democratic institutions work.” The latest red scare is but one example of how easy it is to mold minds when you use something like the hatred of Trump as a trigger. Blend some tried and true anti-Russia sentiment in there and you’ve got yourself a brand spanking new enemy – one that allows you to further mold those democratic institutions just as seamlessly as the minds you’ve now crusted and convinced. Russia aside, the same propaganda games go for mass media collusion on everything from fracking to the military industrial complex. For example, leaked email messages show that a writer from the LA times colluded with the CIA not only in terms of getting the CIA’s OK on forthcoming stories but actually offered to write stories for them that would put a positive spin on such issues as drone warfare, saying it would be quote “reassuring to the public” and a “good opportunity” for the CIA. Various other email messages show that the same was true for a list of other media outlets.

All this to say, if I may borrow a phrase: no investigation, no right to speak. Do your own research before you claim to know something. Incidentally this will also help steel you from the rumor mill AND infiltrators. Whether it’s taking someone to task on a rumor or engaging someone in discourse, be vigilant. Be vigilant in your drive, your actions, and be primarily vigilant in your own thinking. Release the flimsy beliefs that would just as soon sink you as keep you afloat. Arm yourself with knowledge and reach out to build and to engage, not to win a Facebook tiff. Consider the goal of engagement and empowerment rather than just being right. Consider the reaction you would have if someone came at you with a barrage of links followed by “read a fucking book, asshole!” You’d more than likely write them off as an unhinged asshole even if their information is solid. Try asking a question or perhaps as Ben Franklin suggested, ask them for a favor, something small that seeds trust, pinging off the human psychology that seeks appreciation and the feel of community. Push past political theory and get down to human connection – to start with. For instance, anarchists in several communities will often engage with would-be white supremacists via the common ground of distrust and disgust in the system. They’ll sit and talk; discuss the pitfalls of a system that’s left them behind and from there grow to a discourse on the roots of their discontent, i.e. not black people. In other words, knock on the door rather than trying to break down the wall. Because that wrought iron shit crust is stronger than steel.

Finally, keep in mind that this won’t always work and nor should it. We have to accept that in our grandiose imaginings of the revolution, many people will either be against us or sitting at home praying we all just shut up. But again, if you’re not looking for converts, if you’re engaging to empower, you’ll not only find more people willing to talk to you, you’ll also more than likely learn something in the process. You might even pick something up that’ll put a dent in your own mental crust.

Saturday Matinee: Stare Into The Lights My Pretties

Source: https://stareintothelightsmypretties.jore.cc/

Logline

A film about screen culture and its implications. While the world burns, where are we?

Introduction

We live in a world of screens. The average adult spends the majority of their waking hours in front of some sort of screen or device. We’re enthralled, we’re addicted to these machines. How did we get here? Who benefits? What are the cumulative impacts on people, society and the environment? What may come next if this culture is left unchecked, to its end trajectory, and is that what we want?

Stare Into The Lights My Pretties investigates these questions with an urge to return to the real physical world, to form a critical view of technological escalation driven by rapacious and pervasive corporate interest. Covering themes of addiction, privacy, surveillance, information manipulation, behaviour modification and social control, the film lays the foundations as to why we may feel like we’re sleeprunning into some dystopian nightmare with the machines at the helm. Because we are, if we don’t seriously avert our eyes to stop this culture from destroying what is left of the real world.

Purpose

This independent film was made with no budget (adding to its authenticity) with no affiliations, is not-for-profit, and is released to the world for free for the purposes of critical discourse, education, and for cultivating radical social and political change.