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New OPCW Leak Further Vindicates Skeptics Of Establishment Syria Narrative

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By Caitlin Johnstone

Source: CaitlinJohnstone.com

On the sixth of July last year, the Organisation for the Prohibition of Chemical Weapons (OPCW) released its interim report on its findings regarding an alleged poison gas attack in Douma, Syria in April 2018. The incident, which resulted in dozens of civilian casualties, was blamed on the Syrian government by the US, UK and France, who launched retaliatory airstrikes on multiple targets in that nation.

The interim report claimed that “various chlorinated organic chemicals were found” in different locations on the scene, but strangely said nothing about the levels at which those chemicals were found. The Moon of Alabama blog highlighted this suspicious exclusion on the day the report came out, noting that levels are absolutely essential in determining chemical weapons use when you’re talking about compounds which are found virtually everywhere at some level in any industrialized region.

“The preliminary OPCW report says nothing about the concentrations in which these substances were found,” MoA observed. “Without knowing the concentrations, which may be extremely low, one can not come to further conclusion.”

“The ‘various chlorinated organic chemicals’ are unsurprising,” MoA wrote. “Chlorine is widely used for water purification and cleaning and ‘chlorinated organic chemicals’ will be found in any household.”

A new addition to the body of leaks which have been hemorrhaging from the OPCW shows that such skepticism was indeed entirely warranted. A leaked email sent shortly before the interim report was published reveals that the chlorinated organic chemicals which OPCW investigators found on the scene were as low as one or two parts-per-billion, meaning, just as Moon of Alabama speculated last year, that they were found at trace quantities you’d expect to find in any industrialized area.

The leaked email, which has been published by WikiLeaks and several other outlets, was sent by an unnamed OPCW investigator to the OPCW’s then-cabinet chief Bob Fairweather, outright accusing OPCW leadership of misleading the public with the information it was omitting from the report it was drafting. Those who’ve been following this scandal closely may remember Fairweather as the man who journalist Jonathan Steele recently reported was responsible for calling investigators into his office to be intimidated by unknown officials from the United States government.

The email was sent to Fairweather on June 22nd, laden with pointed words and phrases like “misrepresents the facts”, “selectively omitting”, “highly misleading”, “disingenuous”, “inaccurate”, and “a major deviation from the original report.” Less than two weeks later, on July the fourth, the investigators were reportedly called into Fairweather’s office for a disturbing meeting with US officials which deeply rattled them.

“On July 4 there was another intervention,” Steele’s report reads. “Fairweather, the chef de cabinet, invited several members of the drafting team to his office. There they found three US officials who were cursorily introduced without making clear which US agencies they represented. The Americans told them emphatically that the Syrian regime had conducted a gas attack, and that the two cylinders found on the roof and upper floor of the building contained 170 kilograms of chlorine. The inspectors left Fairweather’s office, feeling that the invitation to the Americans to address them was unacceptable pressure and a violation of the OPCW’s declared principles of independence and impartiality.”

It’s worth noting at this time that the US government already has a known and established history of leveraging the ostensibly neutral and international OPCW to conform to its preexisting military agendas.

Fairweather’s intimidation ploy appears to have been a response to comments made in the email, and probably other similar internal objections made by other investigators at that time. The email reads as follows (transcript and parenthetical annotations made by Daily Mail):

Dear Bob,

I wish to express, as a member of the FFM (Fact Finding Mission) team that conducted the investigation into the alleged chemical attack in Douma on 7 April, my gravest concern at the redacted version of the FFM report, which I understand was at the behest of the ODG. (Office of the Director General). After reading this modified report, which incidentally no other team member who deployed into Douma has had the opportunity to do, I was struck by how much it misrepresents the facts. Many of the facts and observations outlined in the full version are inextricably interconnected and, by selectively omitting certain ones, an unintended bias has been introduced into the report, undermining its credibility. In other cases, some crucial facts that have remained in the redacted version have morphed into something quite different to what was initially drafted. If I may, I will outline some specific aspects to the redacted report that are particularly worrisome.

The statement in paragraph 8.3 of the final conclusions ‘The team has sufficient evidence at this time to determine that chlorine, or another reactive chlorine-containing chemical, was likely released from cylinders’, is highly misleading and not supported by the facts. The only evidence available at this moment is that some samples collected at Locations 2 and 4 were in contact with one or more chemicals that contain a reactive chlorine atom. Such chemicals could include molecular chlorine, phosgene, cyanogen chloride, hydrochloric acid, hydrogen chloride or sodium hypochlorite (the major ingredient of household chlorine-based bleach). Purposely singling out chlorine gas as one of the possibilities is disingenuous. It is also worth noting that the term ‘reactive chlorine-containing chemical’ used in the redacted report is, in fact, inaccurate. It actually describes a reactive chemical that contains chlorine which itself (the chlorine) is not necessarily reactive e.g. chlorophenol. The original report uses the more accurate term ‘a chemical containing reactive chlorine’.

The redacted report states that the gas was likely released from the cylinders (in Locations 2 and 4). The original report purposely emphasised the fact that, although the cylinders might have been the source of the suspected chemical release, there was insufficient evidence to affirm this. It is possible the error was simply a typo. This is a major deviation from the original report.

Paragraph 8.2 states that ‘based on the high levels of various chlorinated organic derivatives, […] detected in environmental samples’. Describing the levels as ‘high’ likely overstates the extent of levels of chlorinated organic derivatives detected. They were, in most cases, present only in parts per billion range, as low as 1-2 ppb, which is essentially trace quantities.

The original report discusses in detail the inconsistency between the victims’ symptoms, as reported by witnesses and seen in video recordings. Omitting this section of the report (including the Epidemiology which has been removed in its entirety) has a serious negative impact on the report as this section is inextricably linked to the chemical agent identified. It either supports or detracts from the confidence in the identity of any possible chemical. In this case the confidence in the identity of chlorine or any choking agent is drawn into question precisely because of the inconsistency with the reported and observed symptoms. The inconsistency was not only noted by the FFM team but strongly noted by three toxicologists with expertise in exposure to CW (Chemical Weapons) agents.

The original report has extensive sections regarding the placement of the cylinders at both locations as well as the relative damage caused to the impact points, compared to that caused to the cylinders suspected of being the sources of the toxic chemical. These sections are essentially absent from the redacted report. This information was important in assessing the likelihood of the ‘presence’ of toxic chemicals versus the ‘use’ of toxic chemicals.

A feature of this investigation and report was the robust and extensive scientific basis for sampling plans and analysing the data collected. A comprehensive bibliography of peer-reviewed scientific literature was attached to support and enhance the credibility of the work of the mission. This has unfortunately been omitted from the redacted report.

By singling out chlorine above other equally plausible substances containing reactive chlorine and presenting it as a fact in isolation creates, I believe, a level of partiality that would negatively impact on the perceived credibility of the report, and by extension that of the Organisation. I am requesting that the fact-finding report be released in its entirety as I fear that this redacted version no longer reflects the work of the team. The original report contains facts and observations that are all equally valid. The fact that inconsistencies are highlighted or observations not fully understood does not justify their omission. The inconsistencies and observations are based on the evidence and data collected. Further information in the future may help resolve them but the facts as they stand at present will not alter and need to be reported.

If the redacted version is to be released, I respectfully request to attach my differing observations, in accordance with the spirit of paragraph 62 of part II of the Verification Annex of the CWC.

Yours sincerely

The OPCW’s final report published March of this year continued the pattern of crucial omissions even more egregiously than the interim report.

“Regarding the alleged use of toxic chemicals as a weapon in Douma, the evaluation and analysis of all the above-referenced information gathered by the FFM provide reasonable grounds that the use of a toxic chemical as a weapon has taken place on 7 April 2018,” the final report claims. “This toxic chemical contained reactive chlorine. The toxic chemical was likely molecular chlorine.”

Again, the information complained about in the leaked email remained omitted.

The unfolding scandal about the US and its allies once again deceiving the world about yet another military intervention in yet another Middle Eastern nation is a major story, and hardly anyone’s been on top of it.

Back when I published an article about the first OPCW whistleblower this past May it was shared by actress Susan Sarandon on Twitter, who captioned it with the question, “This is really important. Why aren’t we talking about it?” Click on the tweet and read through the comments if you want to see the platoon of blue-checkmarked narrative managers who converged on her post telling her I’m a crazed conspiracy theorist who mustn’t be listened to. I got this story right, and everyone who’s been ignoring it or dismissing it has made an ass of themselves.

So congratulations to me. Congratulations to Moon of Alabama for getting this story right from day one. Congratulations to Piers Robinson, Tim Hayward, and the Working Group on Syria, Propaganda and Media who published the first OPCW leak back in May of this year in the face of numerous obnoxious smear pieces from the mainstream media. Congratulations to Jimmy Dore, Aaron Maté and the handful of other alternative media figures who’ve been keeping this story alive while all the “reputable” mainstream news outlets tried to let it die.

We were right, they were wrong. Maybe going forward people should listen to us a bit more and listen to them a bit less.

They Live, We Sleep: Beware the Growing Evil in Our Midst

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By John W. Whitehead

Source: The Rutherford Institute

“You see them on the street. You watch them on TV. You might even vote for one this fall. You think they’re people just like you. You’re wrong. Dead wrong.” — They Live

We’re living in two worlds, you and I.

There’s the world we see (or are made to see) and then there’s the one we sense (and occasionally catch a glimpse of), the latter of which is a far cry from the propaganda-driven reality manufactured by the government and its corporate sponsors, including the media.

Indeed, what most Americans perceive as life in America—privileged, progressive and free—is a far cry from reality, where economic inequality is growing, real agendas and real power are buried beneath layers of Orwellian doublespeak and corporate obfuscation, and “freedom,” such that it is, is meted out in small, legalistic doses by militarized police armed to the teeth.

All is not as it seems.

This is the premise of John Carpenter’s film They Live, which was released more than 30 years ago, and remains unnervingly, chillingly appropriate for our modern age.

Best known for his horror film Halloween, which assumes that there is a form of evil so dark that it can’t be killed, Carpenter’s larger body of work is infused with a strong anti-authoritarian, anti-establishment, laconic bent that speaks to the filmmaker’s concerns about the unraveling of our society, particularly our government.

Time and again, Carpenter portrays the government working against its own citizens, a populace out of touch with reality, technology run amok, and a future more horrific than any horror film.

In Escape from New York, Carpenter presents fascism as the future of America.

In The Thing, a remake of the 1951 sci-fi classic of the same name, Carpenter presupposes that increasingly we are all becoming dehumanized.

In Christine, the film adaptation of Stephen King’s novel about a demon-possessed car, technology exhibits a will and consciousness of its own and goes on a murderous rampage.

In In the Mouth of Madness, Carpenter notes that evil grows when people lose “the ability to know the difference between reality and fantasy.”

And then there is Carpenter’s They Live, in which two migrant workers discover that the world is not as it seems. In fact, the population is actually being controlled and exploited by aliens working in partnership with an oligarchic elite. All the while, the populace—blissfully unaware of the real agenda at work in their lives—has been lulled into complacency, indoctrinated into compliance, bombarded with media distractions, and hypnotized by subliminal messages beamed out of television and various electronic devices, billboards and the like.

It is only when homeless drifter John Nada (played to the hilt by the late Roddy Piper) discovers a pair of doctored sunglasses—Hoffman lenses—that Nada sees what lies beneath the elite’s fabricated reality: control and bondage.

When viewed through the lens of truth, the elite, who appear human until stripped of their disguises, are shown to be monsters who have enslaved the citizenry in order to prey on them.

Likewise, billboards blare out hidden, authoritative messages: a bikini-clad woman in one ad is actually ordering viewers to “MARRY AND REPRODUCE.” Magazine racks scream “CONSUME” and “OBEY.” A wad of dollar bills in a vendor’s hand proclaims, “THIS IS YOUR GOD.”

When viewed through Nada’s Hoffman lenses, some of the other hidden messages being drummed into the people’s subconscious include: NO INDEPENDENT THOUGHT, CONFORM, SUBMIT, STAY ASLEEP, BUY, WATCH TV, NO IMAGINATION, and DO NOT QUESTION AUTHORITY.

This indoctrination campaign engineered by the elite in They Live is painfully familiar to anyone who has studied the decline of American culture.

A citizenry that does not think for themselves, obeys without question, is submissive, does not challenge authority, does not think outside the box, and is content to sit back and be entertained is a citizenry that can be easily controlled.

In this way, the subtle message of They Live provides an apt analogy of our own distorted vision of life in the American police state, what philosopher Slavoj Žižek refers to as dictatorship in democracy, “the invisible order which sustains your apparent freedom.”

We’re being fed a series of carefully contrived fictions that bear no resemblance to reality.

The powers-that-be want us to feel threatened by forces beyond our control (terrorists, shooters, bombers).

They want us afraid and dependent on the government and its militarized armies for our safety and well-being.

They want us distrustful of each other, divided by our prejudices, and at each other’s throats.

Most of all, they want us to continue to march in lockstep with their dictates.

Tune out the government’s attempts to distract, divert and befuddle us and tune into what’s really going on in this country, and you’ll run headlong into an unmistakable, unpalatable truth: the moneyed elite who rule us view us as expendable resources to be used, abused and discarded.

In fact, a study conducted by Princeton and Northwestern University concluded that the U.S. government does not represent the majority of American citizens. Instead, the study found that the government is ruled by the rich and powerful, or the so-called “economic elite.” Moreover, the researchers concluded that policies enacted by this governmental elite nearly always favor special interests and lobbying groups.

In other words, we are being ruled by an oligarchy disguised as a democracy, and arguably on our way towards fascism—a form of government where private corporate interests rule, money calls the shots, and the people are seen as mere subjects to be controlled.

Not only do you have to be rich—or beholden to the rich—to get elected these days, but getting elected is also a surefire way to get rich. As CBS News reports, “Once in office, members of Congress enjoy access to connections and information they can use to increase their wealth, in ways that are unparalleled in the private sector. And once politicians leave office, their connections allow them to profit even further.”

In denouncing this blatant corruption of America’s political system, former president Jimmy Carter blasted the process of getting elected—to the White House, governor’s mansion, Congress or state legislatures—as “unlimited political bribery… a subversion of our political system as a payoff to major contributors, who want and expect, and sometimes get, favors for themselves after the election is over.”

Rest assured that when and if fascism finally takes hold in America, the basic forms of government will remain: Fascism will appear to be friendly. The legislators will be in session. There will be elections, and the news media will continue to cover the entertainment and political trivia. Consent of the governed, however, will no longer apply. Actual control will have finally passed to the oligarchic elite controlling the government behind the scenes.

Sound familiar?

Clearly, we are now ruled by an oligarchic elite of governmental and corporate interests.

We have moved into “corporatism” (favored by Benito Mussolini), which is a halfway point on the road to full-blown fascism.

Corporatism is where the few moneyed interests—not elected by the citizenry—rule over the many. In this way, it is not a democracy or a republican form of government, which is what the American government was established to be. It is a top-down form of government and one which has a terrifying history typified by the developments that occurred in totalitarian regimes of the past: police states where everyone is watched and spied on, rounded up for minor infractions by government agents, placed under police control, and placed in detention (a.k.a. concentration) camps.

For the final hammer of fascism to fall, it will require the most crucial ingredient: the majority of the people will have to agree that it’s not only expedient but necessary.

But why would a people agree to such an oppressive regime?

The answer is the same in every age: fear.

Fear makes people stupid.

Fear is the method most often used by politicians to increase the power of government. And, as most social commentators recognize, an atmosphere of fear permeates modern America: fear of terrorism, fear of the police, fear of our neighbors and so on.

The propaganda of fear has been used quite effectively by those who want to gain control, and it is working on the American populace.

Despite the fact that we are 17,600 times more likely to die from heart disease than from a terrorist attack; 11,000 times more likely to die from an airplane accident than from a terrorist plot involving an airplane; 1,048 times more likely to die from a car accident than a terrorist attack, and 8 times more likely to be killed by a police officer than by a terrorist , we have handed over control of our lives to government officials who treat us as a means to an end—the source of money and power.

As the Bearded Man in They Live warns, “They are dismantling the sleeping middle class. More and more people are becoming poor. We are their cattle. We are being bred for slavery.”

In this regard, we’re not so different from the oppressed citizens in They Live.

From the moment we are born until we die, we are indoctrinated into believing that those who rule us do it for our own good. The truth is far different.

Despite the truth staring us in the face, we have allowed ourselves to become fearful, controlled, pacified zombies.

We live in a perpetual state of denial, insulated from the painful reality of the American police state by wall-to-wall entertainment news and screen devices.

Most everyone keeps their heads down these days while staring zombie-like into an electronic screen, even when they’re crossing the street. Families sit in restaurants with their heads down, separated by their screen devices and unaware of what’s going on around them. Young people especially seem dominated by the devices they hold in their hands, oblivious to the fact that they can simply push a button, turn the thing off and walk away.

Indeed, there is no larger group activity than that connected with those who watch screens—that is, television, lap tops, personal computers, cell phones and so on. In fact, a Nielsen study reports that American screen viewing is at an all-time high. For example, the average American watches approximately 151 hours of television per month.

The question, of course, is what effect does such screen consumption have on one’s mind?

Psychologically it is similar to drug addiction. Researchers found that “almost immediately after turning on the TV, subjects reported feeling more relaxed, and because this occurs so quickly and the tension returns so rapidly after the TV is turned off, people are conditioned to associate TV viewing with a lack of tension.” Research also shows that regardless of the programming, viewers’ brain waves slow down, thus transforming them into a more passive, nonresistant state.

Historically, television has been used by those in authority to quiet discontent and pacify disruptive people. “Faced with severe overcrowding and limited budgets for rehabilitation and counseling, more and more prison officials are using TV to keep inmates quiet,” according to Newsweek.

Given that the majority of what Americans watch on television is provided through channels controlled by six mega corporations, what we watch is now controlled by a corporate elite and, if that elite needs to foster a particular viewpoint or pacify its viewers, it can do so on a large scale.

If we’re watching, we’re not doing.

The powers-that-be understand this. As television journalist Edward R. Murrow warned in a 1958 speech:

We are currently wealthy, fat, comfortable and complacent. We have currently a built-in allergy to unpleasant or disturbing information. Our mass media reflect this. But unless we get up off our fat surpluses and recognize that television in the main is being used to distract, delude, amuse, and insulate us, then television and those who finance it, those who look at it, and those who work at it, may see a totally different picture too late.

This brings me back to They Live, in which the real zombies are not the aliens calling the shots but the populace who are content to remain controlled.

When all is said and done, the world of They Live is not so different from our own. As one of the characters points out, “The poor and the underclass are growing. Racial justice and human rights are nonexistent. They have created a repressive society and we are their unwitting accomplices. Their intention to rule rests with the annihilation of consciousness. We have been lulled into a trance. They have made us indifferent to ourselves, to others. We are focused only on our own gain.”

We, too, are focused only on our own pleasures, prejudices and gains. Our poor and underclasses are also growing. Racial injustice is growing. Human rights is nearly nonexistent. We too have been lulled into a trance, indifferent to others.

Oblivious to what lies ahead, we’ve been manipulated into believing that if we continue to consume, obey, and have faith, things will work out. But that’s never been true of emerging regimes. And by the time we feel the hammer coming down upon us, it will be too late.

So where does that leave us?

The characters who populate Carpenter’s films provide some insight.

Underneath their machismo, they still believe in the ideals of liberty and equal opportunity. Their beliefs place them in constant opposition with the law and the establishment, but they are nonetheless freedom fighters.

When, for example, John Nada destroys the alien hyno-transmitter in They Live, he restores hope by delivering America a wake-up call for freedom.

That’s the key right there: we need to wake up.

Stop allowing yourselves to be easily distracted by pointless political spectacles and pay attention to what’s really going on in the country.

The real battle for control of this nation is not being waged between Republicans and Democrats in the ballot box.

As I make clear in my book Battlefield America: The War on the American People, the real battle for control of this nation is taking place on roadsides, in police cars, on witness stands, over phone lines, in government offices, in corporate offices, in public school hallways and classrooms, in parks and city council meetings, and in towns and cities across this country.

The real battle between freedom and tyranny is taking place right in front of our eyes, if we would only open them.

All the trappings of the American police state are now in plain sight.

Wake up, America.

If they live (the tyrants, the oppressors, the invaders, the overlords), it is only because “we the people” sleep.

Cyberpunk is Dead

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By John Semley

Source: The Baffler

“It was an embarrasser; what did I want? I hadn’t thought that far ahead. Me, caught without a program!”
—Bruce Bethke, “Cyberpunk” (1983)

Held annually in a downtown L.A. convention center so massive and glassy that it served as a futurist backdrop for the 1993 sci-fi action film Demolition Man and as an intergalactic “Federal Transport Hub” in Paul Verhoeven’s 1997 space-fascism satire Starship Troopers, the Electronic Entertainment Expo, a.k.a. “E3,” is the trade show of the future. Sort of.

With “electronic entertainment” now surpassing both music and movies (and, indeed the total earnings of music and movies combined), the future of entertainment, or at least entertainment revenue, is the future of video games. Yet it’s a future that’s backward-looking, its gaze locked in the rearview as the medium propels forward.

Highlights of E3’s 2019 installment included more details around a long-gestating remake of the popular PlayStation 1-era role-playing game Final Fantasy VII, a fifth entry in the demon-shooting franchise Doom, a mobile remake of jokey kids side-scroller Commander Keen, and playable adaptations of monster-budget movie franchises like Star Wars and The Avengers. But no title at E3 2019 garnered as much attention as Cyberpunk 2077, the unveiling of which was met with a level of slavish mania one might reserve for a stadium rock concert, or the ceremonial reveal of an efficacious new antibiotic.

An extended trailer premiere worked to whet appetites. Skyscrapers stretched upward, slashed horizontally with long windows of light and decked out with corporate branding for companies called “DATA INC.” and “softsys.” There were rotating wreaths of bright neon billboards advertising near-futuristic gizmos and gee-gaws, and, at the street level, sketchy no-tell motels and cars of the flying, non-flying, and self-piloting variety. In a grimy, high-security bunker, a man with a buzzcut, his face embedded with microchips, traded blows with another, slightly larger man with a buzzcut, whose fists were robotically augmented like the cyborg Special Forces brawler Jax from Mortal Kombat. The trailer smashed to its title, and to wild applause from congregated gamers and industry types.

Then, to a chug-a-lug riff provided by Swedish straight-edge punkers Refused (recording under the nom de guerre SAMURAI) that sounded like the sonic equivalent of a can of Monster energy drink, an enormous freight-style door lifted, revealing, through a haze of pumped-out fog, a vaguely familiar silhouette: a tall, lean-muscular stalk, scraggly hair cut just above the shoulders. Over the PA system, in smoothly undulating, bass-heavy movie trailer tones, a canned voice announced: “Please welcome . . . Keanu Reeves.” Applause. Pitchy screams. Hysterics in the front row prostrating themselves in Wayne’s World “we’re not worthy!” fashion. “I gotta talk to ya about something!” Reeves roared through the din. Dutifully reading from a teleprompter, he plugged Cyberpunk 2077’s customizable characters and its “vast open world with a branching storyline,” set in “a metropolis of the future where body modification has become an obsession.”

More than just stumping for Cyberpunk 2077, Reeves lent his voice and likeness to the game as a non-playable character (NPC) named “Johnny Silverhand,” who is described in the accompanying press materials as a “legendary rockerboy.” A relative newbie to the world of blockbuster Xbox One games, Reeves told the audience at E3 that Cyberpunk piqued his interest because he’s “always drawn to fascinating stories.” The comment is a bit rich—OK, yes, this is a trade show pitch, but still—considering that such near-futuristic, bodily augmented, neon-bathed dystopias are hardly new ground for Reeves. His appearance in Cyberpunk 2077 serves more to lend the game some genre cred, given Reeves’s starring roles in canonical sci-fi films such as Johnny Mnemonic (1995) and the considerably more fantastic Matrix trilogy (1999-2003)—now quadrilogy; with an anticipated fourth installment announced just recently. Like many of E3 2019’s other top-shelf titles, Cyberpunk 2077 looked forward by reflecting back, conjuring its tech-noir scenario from the nostalgic ephemera of cyberpunk futures past.

This was hardly lost among all the uproar and excitement. Author William Gibson, a doyenne of sci-fi’s so-called “cyberpunk” subgenre, offered his own withering appraisal of Cyberpunk 2077, tweeting that the game was little more than a cloned Grand Theft Auto, “skinned-over with generic 80s retro-future” upholstery. “[B]ut hey,” Gibson added, a bit glibly, “that’s just me.” One would imagine that, at least in the burrows of cyberpunk fandom, Gibson’s criticism carries considerable weight.

After all, the author’s 1984 novel Neuromancer is a core text in cyberpunk literature. Gibson also wrote the screenplay for Johnny Mnemonic, adapted from one of his own short stories, which likewise developed the aesthetic and thematic template for the cyberpunk genre: future dystopias in which corporations rule, computer implants (often called “wetware”) permit access to expansive virtual spaces that unfold before the user like a walk-in World Wide Web, scrappy gangs of social misfits unite to hack the bad guys’ mainframes, and samurai swords proliferate, along with Yakuza heavies, neon signs advertising noodle bars in Kanji, and other fetish objects imported from Japanese pop culture. Gibson dissing Cyberpunk 2077 is a bit like Elvis Presley clawing out of his grave to disparage the likeness of an aspiring Elvis impersonator.

Gibson’s snark speaks to a deeper malaise that has beset cyberpunk. A formerly lively genre that once offered a clear, if goofy, vision of the future, its structures of control, and the oppositional forces undermining those authoritarian edifices, it has now been clouded by a kind of self-mythologizing nostalgia. This problem was diagnosed as early as 1991 by novelist Lewis Shiner, himself an early cyberpunk-lit affiliate.

“What cyberpunk had going for it,” Shiner wrote in a New York Times op-ed titled “Confessions of an Ex-Cyberpunk, “was the idea that technology did not have to be intimidating. Readers in their teens and 20’s responded powerfully to it. They were tired of hearing how their home computers were tempting them into crime, how a few hackers would undermine Western civilization. They wanted fiction that could speak to the sense of joy and power that computers gave them.”

That sense of joy had been replaced, in Shiner’s estimation, by “power fantasies” (think only of The Matrix, in which Reeves’s moonlighting hacker becomes a reality-bending god), which offer “the same dead-end thrills we get from video games and blockbuster movies” (enter, in due time, the video games and blockbuster movies). Where early cyberpunk offerings rooted through the scrap heap of genre, history, and futurist prognostication to cobble together a genre that felt vital and original, its modern iterations have recourse only to the canon of cyberpunk itself, smashing together tropes, clichés, and old-hat ideas that, echoing Gibson’s complaint, feel pathetically unoriginal.

As Refused (in their pre-computer game rock band iteration) put it on the intro to their 1998 record The Shape of Punk to Come: “They told me that the classics never go out of style, but . . . they do, they do.”

Blade Ran

The word was minted by author Bruce Bethke, who titled a 1980 short story about teenage hackers “Cyberpunk.” But cyberpunk’s origins can be fruitfully traced back to 1968, when Philip K. Dick published Do Androids Dream of Electric Sheep?, a novel that updated the speculative fiction of Isaac Asimov’s Robot series for the psychedelic era. It’s ostensibly a tale about a bounty hunter named Rick Deckard chasing rogue androids in a post-apocalyptic San Francisco circa 1992. But like Dick’s better stories, it used its ready-made pulp sci-fi premise to flick at bigger questions about the nature of sentience and empathy, playing to a readership whose conceptions of consciousness were expanding.

Ridley Scott brought Dick’s story to the big screen with a loose 1982 film adaptation, Blade Runner, which cast Harrison Ford as Deckard and pushed its drizzly setting ahead to 2019. With its higher order questions about what it means to think, to feel, and to be free—and about who, or what, is entitled to such conditions—Blade Runner effectively set a cyberpunk template: the billboards, the neon, the high-collared jackets, the implants, the distinctly Japanese-influenced mise-en-scène extrapolated from Japan’s 1980s-era economic dominance. It is said that William Gibson saw Blade Runner in theaters while writing Neuromancer and suffered something of a crisis of conscience. “I was afraid to watch Blade Runner,” Gibson told The Paris Review in 2011. “I was right to be afraid, because even the first few minutes were better.” Yet Gibson deepened the framework established by Blade Runner with a crucial invention that would come to define cyberpunk as much as drizzle and dumpsters and sky-high billboards. He added another dimension—literally.

Henry Case, Gibson establishes early on, “lived for the bodiless exultation of cyberspace.” As delineated in Neuromancer, cyberspace is an immersive, virtual dimension. It’s a fully realized realm of data—“bright lattices of logic unfolding across that colorless void”—which hackers can “jack into” using strapped-on electrodes. That the matrix is “bodiless” is a key concept, both of Neuromancer and of cyberpunk generally. It casts the Gibsonian idea of cyberspace against another of the genre’s hallmarks: the high-tech body mods flogged by Keanu Reeves during the Cyberpunk 2077 E3 demo.

Early in Neuromancer, Gibson describes these sorts of robotic, cyborg-like implants and augmentations. A bartender called Ratz has a “prosthetic arm jerking monotonously” that is “cased in grubby pink plastic.” The same bartender has implanted teeth: “a webwork of East European steel and brown decay.” Gibson’s intense, earthy descriptions of these body modifications cue the reader into the fundamental appeal of Neuromancer’s matrix, in which the body itself becomes utterly immaterial. Authors from Neal Stephenson (Snow Crash) to Ernest Cline (Ready Player One, which is like a dorkier Snow Crash, if such a thing is conceivable), further developed this idea of what theorist Fredric Jameson called “a whole parallel universe of the nonmaterial.”

As envisioned in Stephenson’s Snow Crash, circa 1992, this parallel universe takes shape less as some complex architecture of unfathomable data, and more as an immersive, massively multiplayer online role-playing game (MMORPG). Stephenson’s “Metaverse”—a “moving illustration drawn by [a] computer according to specifications coming down the fiber-optic cable”—is not a supplement to our real, three-dimensional world of physical bodies, but a substitute for it. Visitors navigate the Metaverse using virtual avatars, which are infinitely customizable. As Snow Crash’s hero-protagonist, Hiro Protagonist (the book, it should be noted, is something of a satire), describes it: “Your avatar can look any way you want it to . . . If you’re ugly, you can make your avatar beautiful. If you’ve just gotten out of bed, your avatar can still be wearing beautiful clothes and professionally applied makeup. You can look like a gorilla or a dragon or a giant talking penis in the Metaverse.”

Beyond Meatspatial Reasoning

The Metaverse seems to predict the wide-open, utopian optimism of the internet: that “sense of joy and power” Lewis Shiner was talking about. It echoes early 1990s blather about the promise of a World Wide Web free from corporate or government interests, where users could communicate with others across the globe, forge new identities in chat rooms, and sample from a smorgasbord of lo-res pornographic images. Key to this promise was, to some extent, forming new identities and relationships by leaving one’s physical form behind (or jacked into a computer terminal in a storage locker somewhere).

Liberated from such bulky earthly trappings, we’d be free to pursue grander, more consequential adventures inside what Gibson, in Neuromancer, calls “the nonspace of the mind.” Elsewhere in cyberpunk-lit, bodies are seen as impediments to the purer experience of virtuality. After a character in Cory Doctorow’s Down and Out in the Magic Kingdom unplugs from a bracingly real simulation immersing him in the life of Abraham Lincoln, he curses the limitations of “the stupid, blind eyes; the thick, deaf ears.” Or, as Case puts it in Neuromancer, the body is little more than “meat.”

In Stephenson’s Metaverse, virtual bodies don’t even obey the tedious laws of physics that govern our non-virtual world. In order to manage the high amount of pedestrian traffic within the Metaverse and prevent users from bumping around endlessly, the complicated computer programming permits avatars simply to pass through one another. “When things get this jammed together,” Hiro explains, “the computer simplifies things by drawing all of the avatars ghostly and translucent so you can see where you’re going.” Bodies—or their virtual representations—waft through one another, as if existing in the realm of pure spirit. There is an almost Romantic bent here (Neuromancer = “new romancer”). If the imagination, to the Romantics, opened up a gateway to deep spiritual truth, here technology serves much the same purpose. Philip K. Dick may have copped something of the 1960s psychedelic era’s ethos of expanding the mind to explore the radiant depths of the individual soul, spirit, or whatever, but cyberpunk pushed that ethos outside, creating a shared mental non-space accessible by anyone with the means—a kind of Virtual Commons, or what Gibson calls a “consensual hallucination.”

Yet outside this hallucination, bodies still persist. And in cyberpunk, the physical configurations of these bodies tend to express their own utopian dimension. Bruce Bethke claimed that “cyberpunk” resulted from a deliberate effort to “invent a new term that grokked the juxtaposition of punk attitudes and high technology.” Subsequent cyberpunk did something a bit different, not juxtaposing but dovetailing those “punk attitudes” with high-tech. (“Low-life, high-tech” is a kind of a cyberpunk mantra.) Neuromancer’s central heist narrative gathers a cast of characters—hacker Henry Case, a cybernetically augmented “Razorgirl” named Molly Millions, a drug-addled thief, a Rastafari pilot—that can be described as “ragtag.” The major cyberpunk blockbusters configure their anti-authoritarian blocs along similar lines.

In Paul Verhoeven’s cyberpunk-y action satire Total Recall, a mighty construction worker-cum-intergalactic-spy (Arnold Schwarzenegger) joins a Martian resistance led by sex workers, physically deformed “mutants,” little people, and others whose physical identities mirror their economic alienation and opposition to a menacing corporate-colonial overlord named Cohaagen.

In Johnny Mnemonic, Keanu Reeves’s businesslike “mnemonic courier” (someone who ferries information using computer implants embedded in the brain) is joined by a vixenish bodyguard (Dina Meyer’s Jane, herself a version of Neuromancer’s Molly Millions), a burly doctor (Henry Rollins), and a group of street urchin-like “Lo-Teks” engaged in an ongoing counterinsurgency against the mega-corporation Pharmakom. Both Mnemonic and Recall rely on cheap twists, in which a figure integral to the central intrigue turns out to be something ostensibly less- or other-than-human. Total Recall has Kuato, a half-formed clairvoyant mutant who appears as a tumorous growth wriggling in the abdomen of his brother. Even more ludicrously, Mnemonic’s climax reveals that the Lo-Teks’ leader is not the resourceful J-Bone (Ice-T), but rather Jones, a computer-augmented dolphin. In cyberpunk, the body’s status as “dead meat” to be transcended through computer hardware and neurological implantation offers a corollary sense of freedom.

The idea of the cybernetic body as a metaphor for the politicized human body was theorized in 1985, cyberpunk’s early days, by philosopher and biologist Donna Haraway. Dense and wildly eclectic, by turns exciting and exasperating, Haraway’s “Cyborg Manifesto” is situated as an ironic myth, designed to smash existing oppositions between science and nature, mind and body. Haraway was particularly interested in developing an imagistic alternative to the idea of the “Goddess,” so common to the feminism of the time. Where the Goddess was backward-looking in orientation, attempting to connect women to some prelapsarian, pre-patriarchal state of nature, the cyborg was a myth of the future, or at least of the present. “Cyborg imagery,” she writes, “can suggest a way out of the maze of dualisms in which we have explained our bodies and our tools to ourselves.” Part machine and part flesh, Haraway visualizes the cyborg as a being that threatens existing borders and assumes responsibility for building new ones.

Though they are not quite identical concepts, Haraway’s figure of the cyborg and the thematics of cyberpunk share much in common. A character like Gibson’s Molly Millions, for example, could be described as a cyborg, even if she is still essentially gendered as female (the gender binary was one of the many “dualisms” Haraway believed the cyborg could collapse). Cyborgs and cyberpunk are connected in their resistance to an old order, be it political and economic (as in Neuromancer, Johnny Mnemonic, etc.) or metaphysical (as in Haraway). The cyborg and the cyberpunk both dream of new futures, new social relationships, new bodies, and whole new categories of conceptions and ways of being.

The historical problem is that, for the most part, these new categories and these new relationships failed to materialize, as cyberpunk’s futures were usurped and commodified by the powers they had hoped to oppose.

Not Turning Japanese

In an introduction to the Penguin Galaxy hardcover reissue of Neuromancer, sci-fi-fantasy writer Neil Gaiman ponders precisely how the 1980s cyberpunk visions came to shape the future. “I wonder,” he writes, “to what extent William Gibson described a future, and how much he enabled it—how much the people who read and loved Neuromancer made the future crystallize around his vision.”

It’s a paradox that dogs most great sci-fi writers, whose powers for Kuato-style clairvoyance have always struck me as exaggerated. After all, it’s not as if, say, Gene Roddenberry literally saw into the future, observed voice-automated assistants of the Siri and Alexa variety, and then invented his starship’s speaking computers. It’s more that other people saw the Star Trek technology and went along inventing it. The same is true of Gibson’s matrix or Stephenson’s Metaverse, or the androids of Asimov and Dick. And the realization of many technologies envisioned by cyberpunk—including the whole concept of the internet, which now operates not as an escapist complement to reality, but an essential part of its fabric, like water or heat—has occurred not because of scrappy misfits and high-tech lowlifes tinkering in dingy basements, but because of gargantuan corporate entities. Or rather, the cyberpunks have become the corporate overlords, making the transition from the Lo-Teks to Pharmakom, from Kuato to Cohaagen. In the process, the genre and all its aspirations have been reduced to so much dead meat. This is what Shiner was reacting to when, in 1991, he renounced his cyberpunk affiliations, or when Bruce Bethke, who coined the term, began referring to “cyberpunk” as “the c-word.”

The commodification of the cool is a classic trick of capitalism, which has the frustrating ability to mutate faster than the forces that oppose it. Yet even this move toward commodification and corporatization is anticipated in much cyberpunk. “Power,” for Neuromancer’s Henry Case, “meant corporate power.” Gibson goes on: “Case had always taken it for granted that the real bosses, the kingpins in a given industry, would be both more and less than people.” For Case (and, it follows, Gibson, at least at the time of his writing), this power had “attained a kind of immortality” by evolving into an organism. Taking out one-or-another malicious CEO hardly matters when lines of substitutes are waiting in the wings to assume the role.

It’s here that cyberpunk critiques another kind of body. Not the ruddy human form that can be augmented and perfected by prosthetics and implants, but the economic body. Regarding the economy as a holistic organism—or a constituent part of one—is an idea that dates back at least as far as Adam Smith’s “invisible hand.” The rhetoric of contemporary economics is similarly biological. An edifying 2011 argument in Al Jazeera by Paul Rosenberg looked at the power of such symbolic conceptions of the economy. “The organic metaphor,” Rosenberg writes, “tells people to accept the economy as it is, to be passive, not to disturb it, to take a laissez faire attitude—leave it alone.”

This idea calls back to another of cyberpunk’s key aesthetic influences: the “body economic” of Japan in the 1980s. From the 2019 setting of 1982’s Blade Runner, to the conspicuous appearance of yakuza goons in Gibson’s stories, to Stephenson’s oddly anachronistic use of “Nipponese” in Snow Crash, cyberpunk’s speculative futures proceed from the economic ascendency of 1980s Japan, and the attendant anxiety that Japan would eventually eclipse America as an economic powerhouse. This idea, that Japan somehow is (or was) the future, has persisted all the way up to Cyberpunk 2077’s aesthetic template, and its foregrounding of villains like the shadowy Arasaka Corporation. It suggests that, even as it unfolds nearly sixty years from our future, the blockbuster video game is still obsessed with a vision of the future past.

Indeed, it’s telling that as the robust Japanese economy receded in the 1990s, its burly body giving up the proverbial ghost, that Japanese cinema became obsessed with avenging spirits channeled into the present by various technologies (a haunted video cassette in Hideo Nakata’s Ringu, the internet itself in Kiyoshi Kurosawa’s Kairo, etc.). But in the 1980s, Japan’s economic and technologic dominance seemed like a foregone conclusion. In a 2001 Time article, Gibson called Japan cyberpunk’s “de facto spiritual home.” He goes on:

I remember my first glimpse of Shibuya, when one of the young Tokyo journalists who had taken me there, his face drenched with the light of a thousand media-suns—all that towering, animated crawl of commercial information—said, “You see? You see? It is Blade Runner town.” And it was. It so evidently was.

Gibson’s analysis features one glaring mistake. His insistence that “modern Japan simply was cyberpunk” is tethered to its actual history as an economic and technological powerhouse circa the 1980s, and not from its own science-fictional preoccupations. “It was not that there was a cyberpunk movement in Japan or a native literature akin to cyberpunk,” he writes. Except there so evidently was.

The Rusting World

Even beyond the limp, Orwellian connotations, 1984 was an auspicious year for science-fiction. There was Neuromancer, yes. But 1984 also saw the first collected volume of Akira, a manga written and illustrated by Katsuhiro Otomo. Originally set, like Blade Runner, in 2019, Akira imagines a cyberpunk-y Neo-Tokyo, in which motorcycle-riding gangs do battle with oppressive government forces. Its 1988 anime adaptation was even more popular, in both Japan and the West. (The film’s trademark cherry red motorcycle has been repeatedly referenced in the grander cyberpunk canon, appearing in Steven Spielberg’s film adaptation of Ready Player One and, if pre-release hype is to believed, in Cyberpunk 2077 itself.) In 2018, the British Film Institute hailed Akira, accurately, as “a vital cornerstone of the cyberpunk genre.”

Japan has plenty of other, non-Akira cyberpunk touchstones. As a cinematic subgenre, Japanese cyberpunk feels less connected to the “cyber” and more to the spirit of “punk,” whether in the showcasing of actual Japanese punk rock bands (as in 1982’s Burst City) or the films’ own commitment to a rough-hewn, low-budget, underground aesthetic. Chief among the latter category of films is Shinya Tsukamoto’s Tetsuo: The Iron Man, which was shot on 16mm over a grueling year-and-a-half, mostly in and around Tetsuo actress and cinematographer Kei Fujiwara’s apartment, which also housed most of the film’s cast and crew.

Unlike the Western cyberpunk classics, Tsukamoto’s vision of human-machine hybridization is demonstrably more nightmarish. The film follows two characters, credited as the Salaryman (Tomorowo Taguchi) and the Guy (a.k.a. “The Metal Fetishist,” played by writer/director/producer/editor Tsukamoto himself), bound by horrifying mutations, which see their flesh and internal organs sprouting mechanical hardware.

In its own way, Tetsuo works as a cyberpunk-horror allegory for the Japanese economy. As the Salaryman and the Fetishist learn to accept the condition of their mechanization, they merge together, absorbing all the inorganic matter around them, growing enormously like a real-world computer virus or some terrifying industrial Katamari. Their mission resonates like a perverse inversion of Japan’s post-industrial promise. As Tsukamoto’s Fetishist puts it: “We can rust the whole world and scatter it into the dust of the universe.”

Like Haraway’s development of the cyborg as a metaphoric alternative to the New Age “goddess,” Tetsuo’s titular Iron Man can offer a similar corrective. If cyberpunk has become hopelessly obsessed with its own nostalgia, recycling all its 1980s bric-a-brac endlessly, then we need a new model. Far from the visions of Gibson, in which technology provides an outlet for a scrappy utopian impulse that jeopardizes larger corporate-political dystopias, Tetsuo is more pessimistic. It sees the body—both the individual physical body and the grander corpus of political economy—as being machine-like. Yet, as Rosenberg notes in his Al Jazeera analysis of economic rhetoric, it may be more useful to conceive of the economy not as a “body” or an organism but as a machine. The body metaphor is conservative, “with implications that tend toward passivity and acceptance of whatever ills there may be.” Machines, by contrast, can be fixed, greased, re-oriented. They are, unlike bodies, a thing separate from us, and so subject to our designs.

Cybernetic implants and cyborg technology are not some antidote to corporate hegemony. The human does not meld with technology to transcend the limitations of humanity. Rather, technology and machinery pose direct threats to precisely that condition. We cannot, in Tsukamoto’s film, hack our way to a better future, or technologically augment our way out of collective despair. Technology—and the mindless rush to reproduce it—are, to Tsukamoto, the very conditions of that despair. Even at thirty years old, Tetsuo offers a chilling vision not of the future, or of 1980s Japan, but of right now: a present where the liberating possibilities of technology have been turned inside-out; where hackers become CEOs whose platforms bespoil democracy; where automation offers not the promise of increased wealth and leisure time, but joblessness, desperation, and the wholesale redundancy of the human species; where the shared hallucination of the virtual feels less than consensual.

There’s nothing utopian about the model of cyberpunk developed in Tetsuo: The Iron Man. It is purely dystopian. But this defeatism offers clarity. And in denying the collaborative, collectivist, positive vision of a technological future in favor of a vision of identity-destroying, soul-obliterating horror, Tsukamoto’s stone-cold classic of Japanese cyberpunk invites us to imagine our own anti-authoritarian, anti-corporate arrangements. The enduring canon of American-style cyberpunk may have grown rusty. It has been caught, as Bethke put it in his genre-naming story, “without a program.” But the genre’s gnarlier, Japanese iterations have plenty to offer, embodying sci-fi’s dream of imagining a far-off future as a deep, salient critique of the present. It is only when we accept this cruel machinery of the present that we can freely contemplate how best to tinker with its future.

Left to peddle such a despairing vision in a packed-out L.A. convention center, even cyberpunk’s postmortem poster boy Keanu Reeves would be left with little to say but a resigned, bewildered, “Woah . . .”

Algorithmic Feudalism

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By Michael Krieger

Source: Liberty Blitzkrieg

Stiegler insists, however, that authentic thinking and calculative thinking are not mutually exclusive; indeed, mathematical rationality is one of our major prosthetic extensions. But the catastrophe of the digital age is that the global economy, powered by computational “reason” and driven by profit, is foreclosing the horizon of independent reflection for the majority of our species, in so far as we remain unaware that our thinking is so often being constricted by lines of code intended to anticipate, and actively shape, consciousness itself. 

– Via TruthDig: Fighting the Unprecedented ‘Proletarianization’ of the Human Mind

As the share price of Google parent company Alphabet soared to new highs in the U.S. equity market last week, several articles were published detailing just how out of control and dangerous this tech behemoth has become.

First, we learned Google is in the process of secretly sucking up the personalized healthcare data of up to 50 million Americans without the permission of patients or doctors. This was followed by a detailed report in the Wall Street Journal outlining how the search giant is meddling with its algorithms far more aggressively than executives lead people to believe. Despite these revelations, or more likely because of them, the stock price jumped to record levels. This is the world we live in.

We should’ve known right away that a tech company with the motto “don’t be evil,” would quickly and without any hesitation embrace as much evil as possible. Although pushback against America’s most dangerous tech giants (Google, Facebook and Amazon) has been growing, it hasn’t amounted to anything serious, and investors don’t expect much if the share price is any indication. Perhaps after seeing zero bank executives jailed after last decade’s financial crime spree, coupled with Boeing executives likewise facing no real repercussions despite killing hundreds out of profit-obsessed negligence, we’ve come to embrace our sociopathic, depraved overlords. Give me liberty, or give me new highs in the S&P500.

It’s important to note that while much of the recent focus on tech giants revolves around market dominance and anti-competitiveness, the real danger posed is far more extensive. Particularly since the post-election “panic of 2016,” these companies have begun to more earnestly morph into digital information gatekeepers in the name of empire and the national security state.

Day by day, tweaked algorithm by tweaked algorithm, and with each new thought criminal banished from major digital platforms, we’ve seen not only dissident views marginalized, but we’ve also lost a capacity to access information we’re looking for should tech company CEOs or their national security state partners deem it inappropriate. The powers that be have determined the internet permitted too much freedom of thought and opinion, so the tech giants stand ready to bluntly throw the hammer down in order to reverse that trend and regain narrative control. The algorithm will be used to get you in line, and if you don’t comply, the algorithm will destroy you.

More from TruthDig:

Stiegler believes that digital technology, in the hands of technocrats whom he calls “the new barbarians,” now threatens to dominate our tertiary memory, leading to a historically unprecedented “proletarianization” of the human mind. For Stiegler, the stakes today are much higher than they were for Marx, from whom this term is derived: proletarianization is no longer a threat posed to physical labor but to the human spirit itself…

Stiegler firmly believes that a distinction must always be upheld between “authentic thinking” and “computational cognitivism” and that today’s crisis lies in confusing the latter for the former: we have entrusted our rationality to computational technologies that now dominate everyday life, which is increasingly dependent on glowing screens driven by algorithmic anticipations of their users’ preferences and even writing habits (e.g., the repugnantly named “predictive text” feature that awaits typed-in characters to regurgitate stock phrases)… As Stiegler’s translator, the philosopher and filmmaker Daniel Ross, puts it, our so-called post-truth age is one “where calculation becomes so hegemonic as to threaten the possibility of thinking itself.” 

This is the true crux of what we’re dealing with, and so we find ourselves at a terrifying transition point in the entire historical human experience should we fail to correct it. As a consequence of their dominant market shares in core areas of our modern digital world like e-commerce (Amazon), human-to-human communication (Facebook) and information access (Google), tech giants now have the capacity to replace human curiosity and thought with opaque and ever-changing algorithms.

Here’s some of what the WSJ revealed in its investigation published last week:

More than 100 interviews and the Journal’s own testing of Google’s search results reveal:

• Google made algorithmic changes to its search results that favor big businesses over smaller ones, and in at least one case made changes on behalf of a major advertiser, eBay Inc., contrary to its public position that it never takes that type of action. The company also boosts some major websites, such as Amazon.com Inc.and Facebook Inc., according to people familiar with the matter. 

• Google engineers regularly make behind-the-scenes adjustments to other information the company is increasingly layering on top of its basic search results. These features include auto-complete suggestions, boxes called “knowledge panels” and “featured snippets,” and news results, which aren’t subject to the same company policies limiting what engineers can remove or change.

• Despite publicly denying doing so, Google keeps blacklists to remove certain sites or prevent others from surfacing in certain types of results. These moves are separate from those that block sites as required by U.S. or foreign law, such as those featuring child abuse or with copyright infringement, and from changes designed to demote spam sites, which attempt to game the system to appear higher in results.

• In auto-complete, the feature that predicts search terms as the user types a query, Google’s engineers have created algorithms and blacklists to weed out more-incendiary suggestions for controversial subjects, such as abortion or immigration, in effect filtering out inflammatory results on high-profile topics. 

• Google employees and executives, including co-founders Larry Page and Sergey Brin, have disagreed on how much to intervene on search results and to what extent. Employees can push for revisions in specific search results, including on topics such as vaccinations and autism. 

• To evaluate its search results, Google employs thousands of low-paid contractors whose purpose the company says is to assess the quality of the algorithms’ rankings. Even so, contractors said Google gave feedback to these workers to convey what it considered to be the correct ranking of results, and they revised their assessments accordingly, according to contractors interviewed by the Journal. The contractors’ collective evaluations are then used to adjust algorithms.

This comes down to power and control, and the tech giants are now maturing into their predictable role as algorithmic gatekeepers of a new digital feudalism. Google has the power to shape your mind by limiting what you have access to, while at the same time wielding the power to destroy your livelihood with a tweak of an algorithm. Although a lot of the most nefarious stuff is still being conducted at the margins so the masses don’t realize what’s happening, stealth censorship will continue to be rolled out until the internet most people use becomes for all practical purposes an information gulag where nothing but shameless propaganda is pumped onto screens by hidden algorithms tweaked (for your own good) by billionaires.

A perfect example of this can be seen in how YouTube hides ones of the most popular videos ever made regarding the attacks of September 11, 2001. The short clip made by James Corbett, is titled 9/11: A Conspiracy Theory, and has over 3.2 million views. Nevertheless, here’s what YouTube spits out if you search by the exact title of the video.

Keep scrolling and you still won’t find it. This isn’t YouTube helping users find the information they want, it’s YouTube hiding content from its users. Moreover, the only reason I’m aware of the censoring of this particular item is because I’m familiar with the video from years ago. You can be certain this sort of thing is more common than you realize and will only get worse.

The internet was supposed to free information while connecting people and ideas across borders. This promise is being lost with each passing day, and rectifying the situation is one of the most significant challenges we face. Should we fail, we can look forward to a future where humanity consists of little more than digitally lobotomized automatons responding like lab rats to algorithms created by tech CEOs and their national security state partners.

 

The Twilight of Liberty: the State Destroys Alternative Media

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By Kurt Nimmo

Source: Another Day in the Empire

It should be obvious by now what the plan is for Julian Assange—psychological torture resulting in either a total breakdown or an untimely death, the latter supported by the psychopaths who claim they are our leaders. This psychological torture was noted, with standard corporate media disinterest, by Nils Melzer, an internationally recognized expert on torture treatment.

“Unless the UK urgently changes course and alleviates his inhumane situation, Mr. Assange’s continued exposure to arbitrariness and abuse may soon end up costing his life,” Melzer, UN special rapporteur on torture and other cruel, inhuman or degrading treatment, said in a statement last week.

Melzer demanded “that London immediately take measures to protect Assange’s health and dignity… However, what we have seen from the UK Government is outright contempt for Mr. Assange’s rights and integrity… Despite the medical urgency of my appeal, and the seriousness of the alleged violations, the UK has not undertaken any measures of investigation, prevention and redress required under international law.”

In America, the UK, and much of Europe, the financial elite and its political class consider truth-telling a cardinal sin, a crime punishable by death—not by lethal injection, but slowly and sadistically under a torture system tweaked by the CIA and put into action in rendition dungeons scattered around the world.

An article at Strategic Culture Foundation summarizes:

Assange has provided vital information to the international public which demonstrates systematic corruption by Washington and its allies. For telling the truth, he is now being persecuted, just as his whistleblowing colleagues, Chelsea Manning and Edward Snowden are. Manning has been repeatedly imprisoned in the US, while Snowden has had to seek asylum in Russia for fear of being summarily incarcerated as a “traitor” if he returns to the US.

In fact, all of us, those who look beyond the headlines and ferret out the truth, are half a dozen steps away from suffering Julian Assange’s fate.

The national security state and its political class plan to kill Assange, keep Chelsea Manning in prison and find a way to return Snowden to the US for a show trial and life behind bars (or execution).

It must, however, first salt the earth where truth is harvested. Thousands of blogs, similar to this one, and websites contradicting and disassembling approved narratives, will be targeted for extinction.

The Mueller investigation did not result in dethroning Donald Trump. The Clinton-DNC attack on a duly elected president, however, resulted in millions of easily duped Americans believing Russia somehow meddled in the 2016 election and will do it again in 2020.

According to corporate entities in “partnership” with the state (the true nature of fascism), Russia is not alone in its supposed hatred of democracy and the self-proclaimed exceptional nation-state.

“There is an undeclared war that Russia and China are waging against the United States and the West,” Jim Sciutto,  CNN’s chief national security correspondent and co-anchor of CNN Newsroom, told the Poynter Fellowship in Journalism Speaker Series in October. “China and Russia, over the last 10 years, have done a remarkably good job at this.”

This alleged manipulation of American voters, according to the state and its corporate propaganda media, is assisted by Russian agents and a countless number of mindless dupes unaware of Vladimir Putin’s desire to destroy America.

In 2016, Max Blumenthal wrote:

A shady website that claims “Russia is Manipulating US Opinion Through Online Propaganda” has compiled a blacklist of websites its anonymous authors accuse of pushing fake news and Russian propaganda. The blacklist includes over 200 outlets, from the right-wing Drudge Report and Russian government-funded Russia Today, to Wikileaks and an array of marginal conspiracy and far-right sites. The blacklist also includes some of the flagship publications of the progressive left, including Truthdig, Counterpunch, Truthout, Naked Capitalism, and the Black Agenda Report, a leftist African-American opinion hub that is critical of the liberal black political establishment.

“You can see in the current atmosphere, where anti-Russia hysteria has spread like typhoid, how readily-accepted such a notion would be by many. The reds are under our beds and the Russkies have taken over our airwaves,” wrote Daniel McAdams of The Ron Paul Institute for Peace & Prosperity wrote in 2017.

The Washington Post, owned by billionaire Jeff Bezos, rolled out the red carpet for the shadowy group, PropOrNot, and its baseless fact-devoid accusations of alternative media treason and complicity with Russia.

Bezos is working closely with the CIA on a $600 million internet-cloud deal to get the NSA, DoD, the National Reconnaissance Office, the National Geospatial-Intelligence Agency, and other government snoop-and-subvert operations interconnected.

The Alliance for Securing Democracy’s Hamilton 68 effort to destroy alternative media also has roots in the 2016 election loss of Hillary Clinton. Hamilton 68 is a project supported by the US State Department, the German Marshall Fund, and NATO. Neocon William Kristol and DNC operative John Podesta sit on its advisory board. The organization leans heavily on the Russian collusion fairy tale, thus lending to the conclusion alternative media is a Trojan horse that will help the “New Hitler” Putin destroy democracy.

I certainly don’t have a crystal ball to gaze into and read the future. However, it seems rather obvious what the outcome of all this feverish work to demonize truth-tellers and install gatekeepers on the internet will be.

First, high visibility “fake news” websites will feel the heat. This is already well underway with the persecution of Alex Jones for the crime of questioning Sandy Hook and promoting the Pizzagate conspiracy theory. Lawsuits aimed at Jones are intended to drive his operation into bankruptcy and hold him criminally responsible for questioning official narratives.

The takeaway here—questioning official narratives and positing counter-narratives is a risky business and you are advised not to engage in treasonous behavior with Russian agents if you value your freedom, ability to earn a living, and want to stay off a government terror list.

Second, the concerted effort to sanitize social media of heretical political expression is moving along at a fairly robust clip. Numerous activists and alternative websites and individuals—including the above mentioned McAdams—have been scrubbed since Hillary Clinton declared war on freedom of political expression, which she fallaciously and absurdly chalked up to malfeasance by Russia and the misbehavior of Deplorables.

Third, there will be “meddling by Russia” in the 2020 election regardless of the winner of the presidential teleprompter reader sweepstakes. This will be considered a national emergency and the floodgates will fly open to suffuse the population with scary stories of democracy lost to the autocrat Putin. Radical measures to stem the tide of subversion will be put forward and turned into law by the political class.

I have no idea what the outcome of this will be except to say many of us will be prevented from posting counter-narratives and unearthing hidden truths—historical, political, and economic. Earlier this year the FBI designated alternative media commentary as domestic terrorism.

“The FBI assesses these conspiracy theories very likely will emerge, spread, and evolve in the modern information marketplace, occasionally driving both groups and individual extremists to carry out criminal or violent acts,” the document states. It also goes on to say the FBI believes conspiracy theory-driven extremists are likely to increase during the 2020 presidential election cycle.

The FBI’s not talking about flat-earthers and UFOologists. It is targeting alternative media. The historical record—ignored by the propaganda media—of the FBI’s COINTELPRO operation to destroy political movements in the 1960s and 70s should be revisited. It is paradigmatic of the state and its subversion of opposition. For the FBI, terror is truth unshackled.

Again, I have no idea what will happen, but considering the emphasis placed on the destruction of the First Amendment—along with the Second and Fifth—and the manufactured hysteria of insidious Russian (and Chinese) subversion, and the credulity (or indifference) of the American people, it now appears the alternative media is in danger of extinction, at least on the internet.

The Wounded Mind

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By Kingsley L. Dennis

Source: Waking Times

There’s something fundamentally wrong with how the world is right now. Don’t you see it – feel it? We are a species with noble character, with a great spirit, and with a sacred soul. In our hearts we wish only for the betterment of all people; for love and justice and communion. And yet what we see going on in the world is nothing less than complete madness. We have to say it exactly as it is – there is a sickness going on and this pathogen is being perpetrated on a vast scale.

I propose the possibility for the existence of some kind of infection/invasion/contagion that produces a form of mental ‘madness’ that is so normalized within us that we hardly recognize its presence. That is, this ‘presence’ has embedded itself into our various forms of social conditioning (or perhaps even produces this conditioning) in order to veil its existence. This normalized madness then usurps genuine thinking patterns, with the result that when everyone shares the collective psychosis then the madness of the world appears to be a ‘normal feature’ of human civilization. And those people who are ‘awake’ to the genuine human spirit and mind are considered the crazies – the anomalies – as the following tale shows:

There was once a wise and powerful king who ruled in a remote city of a far kingdom. And the king was feared for both his might and his love of wisdom. At the heart of the city was a well whose water was cool and crystalline, and all the inhabitants drank from this well, even the king and his courtiers, because there was no other well in the city. One night, while everyone was asleep, a witch entered the city and poured seven drops of a strange liquid into the well, and said:

‘From now on, anyone who drinks this water will go crazy.’

The next morning all the inhabitants drank the water from the well, except the king and his lord chamberlain, and very soon everyone went mad, as the witch had foretold. During that day, all people went through the narrow streets and public places whispering to each other:
‘The king is mad. Our king and his lord chamberlain have lost their reason. Naturally, we cannot be ruled by a mad king. We must dethrone him!’

That night, the king ordered a golden cup of water from the well to be brought to him. And when they brought the cup the king and his lord chamberlain drank heavily from it. Soon after that there was great rejoicing in that distant city of a far kingdom because the king and his lord chamberlain had regained their reason.

The King and his love of wisdom (Genuine Mind) was corrupted by the poisonous drops of the witch’s liquid (virus/pathogen) that resulted in the mass epidemic of craziness (psychosis/Wounded Mind). This corrupted mind then became the dominant narrative that influenced social behavior. This Wounded Mind is like a contagion that infects.

Our collective ‘cultural mind’ is continually being shaped by dominant social-cultural narratives that normalize our mental and emotional behavioral patterns. These norms are then transferred into cultural myths that serve to transmit and reinforce these mass-minded belief systems. We end up validating our own corrupted thinking through unconscious affirmations. Once this seed of psychosis is planted then it aims to propagate and strengthen through diversions and manifestations that legitimate its own ‘logical’ existence. Like a mental cancer it ingratiates itself into our own neural pathways as an insider rather than an outsider so that we fail to notice its toxic presence. Yet there remains a niggling sense of something being ‘not-quite-right’ deep within any sensible/sensitive person.

This strange reality of ours becomes internalized so that we adapt to a form of ‘normality’ and anyone who speaks up or questions this ‘paradigm of normality’ is considered either odd, eccentric or, at worst, crazy. A more recent category for such people is now to be designated as a ‘conspiracy theorist’ which is a quick brush to dismiss people with ideas or thinking contrary to this ‘norm.’ And those people who appear to accept and encourage such norms are quickly brought ‘into the fold’ and supported in their career paths. The majority of those manifesting the Wounded Mind are not in psychiatric care but running most of our social, political, and financial institutions. Positions of great power necessitate their own specific mindset, one that is generally provided by the corrupted mind.

A Disturbance of Mind

The presence of the Wounded Mind is like a sickness of the soul, and it manifests as a disturbance in the collective unconscious. Just like any other virus or pathogen, it seeks to spread itself by infecting as many carriers as possible. Those people who carry the Wounded Mind (whether knowingly or not) act as transmitters and amplifiers for it, strengthening its frequency within the collective nonlocal field of consciousness. A collective possession is what we refer to as a psychic epidemic, or a disturbance in the field. Such disturbances can have varying affects upon people’s mental health and well-being.

People who suffer from a Wounded Mind may carry it as an ‘undefinable’ trauma within them, and it is common to turn to alcoholism or drug dependencies as a way of coping (or of escape). When a person feels stressed or traumatized they are like an open wound for further mental invasion. And it can be quite subtle at first as our modern societies have devised endless ways for our interference. We are distracted to look away from our own minds and thus miss the psycho-pathogen in action. As a person further integrates the Wounded Mind they may find themselves vulnerable to victimization; such as through social harassment and bullying (especially online nowadays), or as addicted-consumers of sexual deviancy, pornography, and socially-sanctioned extreme experiences. The monk Thomas Merton said that our modern societies suffer from a crisis of sanity:

‘The problems of the nations are the problems of mentally deranged people, but magnified a thousand times because they have the full-straight-faced approbation of a schizoid society, schizoid national structures, schizoid military and business complexes.’1

If all modern institutions are infected by a corrupted system of mental thinking patterns then, as Merton suggests, this instability will be amplified and made worse. Individual neuroses are given institutional sanction and support within a culture that has based its social norms upon such irrationalities. The irrational has broken through and implanted itself as the rational standard rule. It is perhaps little wonder that people can be so susceptible to this mental pathogen when it comes to us dressed up in sheep’s clothing. As is always the case, those people most vulnerable are usually those who are conditioned to authority and/or passivity. This trait, unfortunately, is one that is first implanted through compulsory schooling.

Likewise, people who are easily influenced by external opinions, and whom are prone to group-thinking, are amongst the first to give away their mental independence to external sources. The virus of the Wounded Mind preys upon such ‘group-think’ individuals as they are the mass open playing fields for psychic epidemics. The ‘mass mind’ of humanity helps in the transmission and proliferation of the psychic pathogen – the wounded mind. As the famous psychiatrist R.D. Laing once said – ‘The condition of alienation, of being asleep, of being unconscious, of being out of one’s mind, is the condition of the normal man…normal men have killed perhaps 100,000,000 of their fellow normal men in the last fifty years.’2 Conscious awareness is perhaps our greatest antidote.

If we are to see human history from a wider perspective then it is important we view major events, human actions, propaganda, social disturbances, power struggles, and the rest, from this standpoint of the wounded mind. The modern human mind has been formed from many traits that include greed, lust, ambition, materialism, insincerity, and a ‘split’ personality. In all, these are traits that mark a lack of authenticity. The Wounded Mind seeks to develop greater degrees of inauthenticity and lack of empathy within the individual. We can see such personalities walking across the world stage.

The peril of the Wounded Mind is that resistance may also help to spread it. That is, people who often start out resisting and fighting against this corrupted mindset often find themselves adopting it’s values in order to survive. It’s the ‘if you can’t beat them, join them’ type of thinking. And this cliché too is very likely to have been a product of the Wounded Mind intending to verify itself. It may seem that we are struggling to awaken against our very own spell of sleep.

Under the Pathogen Spell

It has often been said – by mystics, sages, and wisdom traditions – that humanity is collectively asleep. Our ignorance over our condition, and the absence of real knowledge, indicates we are asleep.  Similarly, the Gnostics viewed humanity as being ‘asleep’ under a trance – a form of material spell – that has severed us from contact with a genuine divine source. Instead, we are ruled by a false or ‘flawed god,’ a demiurge, that has malevolent intentions to keep us trapped within the material realms.

The more we breed this Wounded Mind within our societies and cultures the more people will behave and live like automatons. We will live within a tighter range of conditioned stimuli that programs specific opinions and thinking patterns that validate the pathogen. A person who is more conditioned to obedience is more susceptible to receive the mental virus. Perhaps this is why our modern societies are establishing rigid orders of control and obedience, such as when we travel, pass through airports, etc. It can be likened to a preparation for automated behavior as a requisite for an automated mind. The mystic George Gurdjieff wrote:

‘Contemporary culture requires automatons. And people are undoubtedly losing their acquired habits of independence and turning into automatons, into parts of machines…. Man is becoming a willing slave. He no longer needs chains. He begins to grow fond of his slavery, to be proud of it. And this is the most terrible thing that can happen to a man.’3

By adopting the mentality of the Wounded Mind, we participate in our own suppression and further the behavior of an automaton. We need to recognize that many of our incumbent social systems are set-up to corroborate and reinforce the consensus mind-set. Any genuine resistance cannot come from any ‘mass movement’ but only from those persons who can think and act independently.

It is important to recognize that the Wounded Mind is a field phenomenon, and that our own mind and thoughts do not exist securely guarded within our heads. Since we are all interconnected within the non-local field, we are all susceptible to the infection of this predatory virus. The first step we can take is to accept the possibility that the pathogen virus exists. The Gnostic text The Gospel of Philip says: ‘So long as the root of wickedness is hidden, it is strong. But when it is recognized, it is dissolved. When it is revealed, it perishes…’ The danger lies in our distraction.

We must guard against being diverted away from our authenticity and lured into the modern distractions of hedonistic pleasure-seeking, greed and materialism, and the running after shallow satisfactions. After all, this illusive psychosis offers false promises. Our modern cultures appear to want to prevent the majority of people from pursuing their own genuine developmental paths. This is no doubt because our capitalist-consumer based societies require a regular mass of workers and consumers whom live a regulated, predictable, and conformist life.

Yet it is now necessary to see the Wounded Mind for what it is – recognition and acknowledgement is key. If we cannot bring harmony and good sense to the world around us, then we should at least bring it upon ourselves. We are the wounded ones who can become our own wounded healers.

Automatons – Life Inside the Unreal Machine

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By Kingsley L. Dennis

Source: Waking Times

ɔːˈtɒmət(ə)n/

noun

a moving mechanical device made in imitation of a human being.

a machine which performs a range of functions according to a predetermined set of coded instructions.

used in similes and comparisons to refer to a person who seems to act in a mechanical or unemotional way.

“Don’t you wish you were free, Lenina?”

“I don’t know what you mean. I am free. Free to have the most wonderful time. Everybody’s happy nowadays.”

He laughed. “Yes, ‘Everybody’s happy nowadays.’ We have been giving the children that at five. But wouldn’t you like to be free to be happy in some other way, Lenina? In your own way, for example; not in everybody else’s way.”

“I don’t know what you mean,” she repeated.

Aldous Huxley, Brave New World

Are we turning into a mass of unaware sleepwalkers? Our eyes are seemingly open and yet we are living as if asleep and the dream becomes our waking lives. It seems that more and more people, in the highly technologized nations at least, are in danger of succumbing to the epidemic of uniformity. People follow cycles of fashions and wear stupid clothes when they think it is the ‘in thing;’ and hyper-budget films take marketing to a whole new level forcing parents to rush out to buy the merchandise because their kids are screaming for it. And if one child in the class doesn’t have the latest toy like all their classmates then they are ostracized for this lack. Which means that poor mummy and daddy have to make sure they get their hands on these gadgets. Put the two items together – zombies and uniformity – and what do you get? Welcome to the phenomenon of Black Fridays, which have become the latest manifestation of national Zombie Days.

Unless you’ve been living in a cave somewhere (or living a normal, peaceful existence) then you will know what this event is – but let me remind you anyway of what a Black Friday is. It is a day when members of the public are infected with the ‘must buy’ and ‘act like an idiot’ virus that turns them into screaming, raging hordes banging on the doors of hyper-market retailers hours before they open. Many of these hordes sleep outside all night to get early entry. Then when the doors are finally opened they go rushing in fighting and screaming as if re-enacting a scene from Games of Thrones. Those that do survive the fisticuffs come away with trolleys full of boxes too big to carry. This display of cultural psychosis, generally named as idiocracy, is also a condition nurtured by societies based on high-consumption with even higher inequalities of wealth distribution. In other words, a culture conditioned to commodity accumulation will buy with fervour when things are cheap. This is because although conditioned to buy, they lack the financial means to satiate this desire. Many people suffer from a condition which psychologists have named as ‘miswanting,’ which means that we desire things we don’t like and like things we don’t desire. What this is really saying is that we tend to ‘want badly’ rather than having genuine need. What we are witnessing in these years is an epidemic of idiocracy and its propagating faster than post-war pregnancies. And yet we are programmed by our democratic societies to not think differently. In this respect, many people also suffer from a condition known as ‘confirmation bias.’

Confirmation bias is our conditioned tendency to pick and choose that information which confirms our pre-existing beliefs or ideas. Two people may be able to look at the same evidence and yet they will interpret it according to how it fits into and validates their own thinking. That’s why so many debates go nowhere as people generally don’t wish to be deviated away from those ideas they have invested so much time and effort in upholding. It’s too much of a shock to realize that what we thought was true, or valid, is not the case. To lose the safety and security of our ideas would be too much for many people. It is now well understood in psychology that we like to confirm our existing beliefs; after all, it makes us feel right!

Many of our online social media platforms are adhering to this principle by picking and choosing those items of news, events, etc that their algorithms have deemed we are most likely to want to see. As convenient as it may seem, it is unlikely to be in our best interests in the long term. The increasing automation of the world around us is set to establish a new ecology in our hyperreality. We will be forced to acknowledge that algorithms and intelligent software will soon, if it isn’t already, be running nearly everything in our daily lives. Historian Yuval Harari believes that ‘the twenty-first century will be dominated by algorithms. “Algorithm” is arguably the single most important concept in our world. If we want to understand our life and our future, we should make every effort to understand what an algorithm is.’1 Algorithms already follow our shopping habits, recommend products for us, pattern recognize our online behavior, help us drive our cars, fly our planes, trade our economies, coordinate our public transport, organize our energy distribution, and a lot, lot more that we are just not really aware of. One of the signs of living in a hyperreality is that we are surrounded by an invisible coded environment, written in languages we don’t understand, making our lives more abstracted from reality.

Modern societies are adapting to universal computing infrastructures that will usher in new arrangements and relations. Of course, these are only the early years, although there is already a lot of uncertainty and unpredictability. As it is said, industrialization didn’t turn us into machines and automation isn’t going to turn us into automatons. Which is more or less correct; after all, being human is not that simple. Yet there will be new dependencies and relations forming as algorithms continue to create and establish what can be called ‘pervasive assistance.’ Again, it is a question of being alert so that we don’t feel compelled just to give ourselves over to our algorithms. The last thing we want is for a bunch of psychologists trying to earn yet more money from a new disease of ‘algorithmic dependency syndrome’ or something similar.

It needs stating that by automating the world we also run the risk of being distanced from our own responsibilities. And this also implies, importantly, the responsibility we have to ourselves – to transcend our own limitations and to develop our human societies for the better. We should not forget that we are here to mature as a species and we should not allow the world of automation to distract us from this. Already literature and film have portrayed such possibilities. Examples are David Brin’s science-fiction novel Kiln People (2002 – also adapted into the film Surrogates, 2009), which clearly showed how automation may provide a smokescreen for people to disappear behind their surrogate substitutes.

Algorithms are the new signals that code an unseen territory all around us. In a world of rapidly increasing automation and digital identities we’ll have to keep our wits about us in order to retain what little of our identities we have left. We want to make sure that we don’t get lost in our emoji messages, our smilies of flirtation; or, even worse, loose our life in the ‘death cult’ of the selfies. Identities by their very nature are constructs; in fact, we can go so far as to call them fake. They are constructed from layers of ongoing conditioning which a person identifies with. This identity functions as a filter to interpret incoming perceptions. The limited degree of perceptions available to us almost guarantees that identities fall into a knowable range of archetypes. We would be wise to remember that who we are is not always the same as what we project. And yet some people on social media are unable to distinguish their public image from their personal identity, which starts to sound a bit scary. Philosopher Jean Baudrillard, not opposed to saying what he thought, stated it in another way:

We are in a social trance: vacant, withdrawn, lacking meaning in our own eyes. Abstracted, irresponsible, enervated. They have left us the optic nerve, but all the others have been disabled…All that is left is the mental screen of indifference, which matches the technical in-difference of the images.2

Baudrillard would probably be the first to agree that breathing is often a disguise to make us think that someone is alive. After all, don’t we breathe automatically without thinking about it?

We must not make the human spirit obsolete just because our technological elites are dreaming of a trans-human future. Speaking of such futures, inventor and futurist Ray Kurzweil predicts that in the 2030s human brains will be able to connect to the cloud and to use it just like we use cloud computing today. That is, we will be able to transfer emails and photos directly from the cloud to our brain as well as backing up our thoughts and memories. How will this futuristic scenario be possible? Well, Kurzweil says that nanobots – tiny robots constructed from DNA strands – will be swimming around in our brains. And the result? According to Kurzweil we’re going to be funnier, sexier, and better at expressing our loving sentiments. Well, that’s okay then – nanobot my brain up! Not only will being connected to the computing cloud make us sexier and funnier humans, it will even take us closer to our gods says Kurzweil – ‘So as we evolve, we become closer to God. Evolution is a spiritual process. There is beauty and love and creativity and intelligence in the world – it all comes from the neocortex. So we’re going to expand the brain’s neocortex and become more godlike.’3 It’s hard to argue with such a bargain – a few nanobots in our brain to become godlike? I can imagine a lot of people will be signing up for this. There may even be a hefty monthly charge for those wanting more than 15GB of back-up headspace. Personally, I prefer the headspace that’s ad infinitum and priceless. I hope I’m not in the minority.

Looking at the choices on offer so far it seems that there is the zombie option, which comes with add-on idiocracy (basic model), and the trans-human nanobot sexy-god upgrade (pricy). But then let’s not forget that in an automated world it may be the sentient robots that come out on top. Now, that would be an almost perfect demonstration of a simulation reality.

Life in Imitation

There are those who believe that self-awareness is going to be the end game of artificial intelligence – the explosive ‘wow factor’ that really throws everything into high gear. The new trend now is deep machine-learning to the point where machines will program not only themselves but also other machines. Cognitive computer scientists are attempting to recapture the essence of human consciousness in the hope of back-engineering this complexity into machine code. It’s a noble endeavor, if not at least for their persistence. The concern here is that if machines do finally achieve sentience then the next thing that we’ll need to roll out will be machine psychologists. Consciousness, after all, comes at a price. There is no free lunch when it comes to possessing a wide-awake brain. With conscious awareness comes responsibilities, such as values, ethics, morality, compassion, forgiveness, empathy, goodness, and good old-fashioned love. And I personally like the love part (gives me a squishy feeling every time).

It may not actually be the sentient robots we need to worry about; it’s the mindless ones we need to be cautious of (of course, we could say the same thing about ourselves). One of the methods used in training such robots is, in the words of their trainers, to provide them with enough ‘intrinsic motivation.’ Not only will this help the robots to learn their environments, it is also hoped that it will foster attention in them to acquire sufficient situational awareness. If I were to write a science-fiction scenario on this I would make it so that the sentient robots end up being more human than we are, and humans turn into their automated counterparts. Funny, maybe – but more so in the funny-bone hurting sort of way rather than the laugh-out-loud variety. Or perhaps it’s already been done. It appears that we are attempting to imbue our devices with qualities we are also striving to possess for ourselves. Humans are naturally vulnerable; it is part of our organic make-up. Whatever we create may inherit those vulnerabilities. However, this here is not a discussion on the pros and cons of smart machines and artificial intelligence (there are many more qualified discussions on that huge topic).

While we are creating, testing, worrying, or arguing over machines and their like we are taking our attention away from the center – ourselves. The trick of surviving in the ‘unreal machine’ of life is by becoming more human, the very antithesis of the robotic. Technology can assist us in interacting and participating to a better degree with our environments. The question, as always, is the uses to which such tools are put – and by whom. Such tools can help us realize our dreams, or they can entrap us in theirs. Algorithms, smart machines, intelligent infrastructure, and automated processes: these are all going to come about and be a part of our transforming world. And in many respects, they will make life more comfortable for us. Yet within this comfort zone we still need to strive and seek for our betterment. We should not allow an automated environment to deprive us of our responsibility, and need, to find meaning and significance in our world. Our technologies should force us to acknowledge our human qualities and to uplift them, and not to turn us into an imitation of them.

Another metaphor for the simulated ‘robotic’ creature is the golem. The golem legend speaks of a creature fashioned from clay, a Cabbalistic motif which has appeared frequently in literary and cinematic form (such as Frankenstein). The Cabbalistic automaton that is the golem, which means ‘unformed,’ has often been used to show the struggle between mechanical limitation and human feelings. This struggle depicts the tension that combines cogs and consciousness; the entrapment in matter and the spirit of redemption and liberation. This is a myth that speaks of the hubris in humanity fashioning its own creatures and ‘magically’ bestowing life upon them. It is the act of creating a ‘sacred machine’ from the parts and pieces of a material world and then to imbue them with human traits. And through this human likeness they are required to fulfil human chores and work as slaves. Sounds familiar? The Cabbalistic humanoid – the sentient robot – is forever doomed, almost like the divine nature of Man trapped within the confines and limitations of a material reality. They represent the conflict of being torn between a fixed fate and freedom.

Our material reality may be the ultimate unreal machine. We are the cogs, the clay golem, the imperfect creature fashioned by another. Our fears of automation may only be a reflection of our own automation. We struggle to express some form of release whilst unaware that the binds that mechanize us are forever tightening.

We have now shifted through the zombie-idiocracy model (basic), the trans-human nanobot sexy-god model (pricy), to arrive at the realization that it is us – and not our sentient robots – that are likely to be the automaton (tragic). And this is the biblical fall from grace; the disconnection from our god(s). We have come loose from Central Source and we have lost our way.

We are now living in the hyperreal realm where zombies, cyborgs, and golem robots all reside – but it is not the place for the genuine human. Things are going to have to change. Not only do we have to retain our humanity, we also must remain sane. With our continuing modern technologies, our augmented reality and bioengineering, the difference between fiction and reality will blur even further. And this blurring is likely to become more prominent as people increasingly try to reshape reality to fit around their own imaginative fictions. Staying sane, grounded, and balanced is going to be a very, very good option for the days to come.

We are going to be sharing our planetary space with the new smart machines. I am reminded of the Dr. Seuss book Horton Hears a Who! that has the refrain, ‘a person’s a person no matter how small.’ Size doesn’t count – but being human does. And staying human in these years will be the hard task allotted to us.

How Far Will They Go?

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By James Howard Kunstler

Source: Kunstler.com

CBS-News carried another bucket of muddy water for the coup team Sunday night with a lead 60 Minutes agit-prop story on Maria Butina, an ambitious Russian cutie who worked the American NRA circuit in the most public manner imaginable to make herself into a sex-bomb celebrity at the exact moment in history when the US Deep State wished to reinforce the fantasy, as Lesley Stahl put it, that “Russia was interfering in our electoral process.”

Of course, Ms. Stahl and her shifty producers left out half the story: how Maria Butina was manipulated by her FBI-handler and sometime-boyfriend, Patrick Byrne, the former Overstock.com CEO who had been employed by the Bureau over the years on other undercover assignments. They didn’t mention him or seek to understand his role in the operation. But they gave plenty of air-time to the DOJ lawyer, John C Demers, who prosecuted Ms. Butina, and never bothered to ask Demers why Butina was not charged with espionage — perhaps because nothing remotely like that occurred.

How media giants like Ms. Stahl can keep mouthing this malarkey designed to stoke a new cold war is one of the great mysteries of our national psychology these days. You’d think they’d learned something from the train wreck of the Mueller Investigation, the Brett Kavanaugh fiasco, and the current debacle of Adam Schiff’s imploding Ukraine whistleblower caper — namely, that spouting lies will eventually get you found-out and disgraced.

But the coup team is now dangerously stuck tripling and quadrupling down on its fairy tale narrative as the reckoning of its dark deeds approaches and its star players await their turns on the witness stand. Half the country has been waiting patiently for authorities-of-standing to put an end to this Hitchcockian campaign of seditious fog that has driven us close to the brink of a second civil war. That half of the country has actually been reading the evidence of this treason and sedition — underwritten by Hillary Clinton and her allies — on the back-channels of the Internet. None of that evidence has been posted through the main media outlets wholly owned by the coup team, gospel to the other half of America, and soon millions of credulous bystanders who got high on three years of CIA-issued RussiaGate Kool-Aid will get the surprise of their lives when they discover how deeply they were played.

The CIA and the FBI are in a fight for their lives now. The evidence shows pretty clearly that these rogue agencies conducted all the election “meddling” of 2016 and that the RussiaGate hysteria was an engineered smokescreen to hide their tracks and cover their asses when the certainty of a Hillary election triumph nauseatingly resolved unfavorably in the cold, gray dawn of 11/8/16. Despite the chatter about an “insurance policy,” they were quite unprepared for the exposure that loomed.

They also badly underestimated the resources of what is now a very sturdy alt.media which has managed to weave the real story of what happened over the past three years into a shocking tapestry of massive subversion and treachery. A big part of the true story is how amazingly incompetent the RussiaGate coupsters were. Did they really believe they could conceal the ties between their agencies and Glenn Simpson’s Fusion GPS operation, and its feckless front man, British ex-spy Christopher Steele, and the whole outfit’s connection to Hillary Clinton and the Democratic National Committee? Did they suppose they could pass off Stephan Halper and Joseph Mifsud as Russian agents when the two have consorted with US and allied intelligence for decades? The US Department of Defense even holds Mr. Halper’s million-dollar pay stubs and Mr. Mifsud appears in photographs of every Western cloak-and-dagger cocktail get-together of spook officialdom for the last twenty years.

The latest, and most desperate gambit is the UkraineGate whistleblower, a CIA employee blatantly playing errand-boy for his mentor John Brennan and deeply tied to 2016 election shenanigans emanating from Ukraine, featuring his former employer, ex-Vice-President Joe Biden. This shadowy figure, pegged as Eric Ciaramella, 33, may shortly find himself in a grand jury chamber answering for his role in this charade. Ciaramella has just been hung out to dry by his sponsor, Rep. Adam Schiff in a desperate attempt to dissociate himself from the huggermugger within his House Intel Committee that preceded the falsely blown whistle.

It’s not an overstatement to say that many of the figures behind this gigantic web of lies and deceit ought to answer charges up to and including treason. The question is whether Messers Barr & Durham have the cojones to cater the banquet of consequences that this huge cast of characters should be made to feast from. Another question is whether these desperate characters and the agencies they represent will go all the way now and attempt to enlist the military brass in an outright overthrow of the executive. There are already intimations of this. It would be answered by the kind of civil violence that has broken out in other parts of world where other Deep States have worn out their welcome — and their legitimacy.