Tag Archives: technology

Philip K. Dick and the Fake Humans

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(Editor’s note: on this 36th anniversary of the passing of Philip K. Dick, it seems an appropriate time to note the relevance of his work to our current dystopia as Henry Farrell does in the following essay. Unfortunately the author is less astute regarding the ways in which the dystopias of Orwell and Huxley are equally relevant to our current milieu.)

By Henry Farrell

Source: Boston Review

This is not the dystopia we were promised. We are not learning to love Big Brother, who lives, if he lives at all, on a cluster of server farms, cooled by environmentally friendly technologies. Nor have we been lulled by Soma and subliminal brain programming into a hazy acquiescence to pervasive social hierarchies.

Dystopias tend toward fantasies of absolute control, in which the system sees all, knows all, and controls all. And our world is indeed one of ubiquitous surveillance. Phones and household devices produce trails of data, like particles in a cloud chamber, indicating our wants and behaviors to companies such as Facebook, Amazon, and Google. Yet the information thus produced is imperfect and classified by machine-learning algorithms that themselves make mistakes. The efforts of these businesses to manipulate our wants leads to further complexity. It is becoming ever harder for companies to distinguish the behavior which they want to analyze from their own and others’ manipulations.

This does not look like totalitarianism unless you squint very hard indeed. As the sociologist Kieran Healy has suggested, sweeping political critiques of new technology often bear a strong family resemblance to the arguments of Silicon Valley boosters. Both assume that the technology works as advertised, which is not necessarily true at all.

Standard utopias and standard dystopias are each perfect after their own particular fashion. We live somewhere queasier—a world in which technology is developing in ways that make it increasingly hard to distinguish human beings from artificial things. The world that the Internet and social media have created is less a system than an ecology, a proliferation of unexpected niches, and entities created and adapted to exploit them in deceptive ways. Vast commercial architectures are being colonized by quasi-autonomous parasites. Scammers have built algorithms to write fake books from scratch to sell on Amazon, compiling and modifying text from other books and online sources such as Wikipedia, to fool buyers or to take advantage of loopholes in Amazon’s compensation structure. Much of the world’s financial system is made out of bots—automated systems designed to continually probe markets for fleeting arbitrage opportunities. Less sophisticated programs plague online commerce systems such as eBay and Amazon, occasionally with extraordinary consequences, as when two warring bots bid the price of a biology book up to $23,698,655.93 (plus $3.99 shipping).

In other words, we live in Philip K. Dick’s future, not George Orwell’s or Aldous Huxley’s. Dick was no better a prophet of technology than any science fiction writer, and was arguably worse than most. His imagined worlds jam together odd bits of fifties’ and sixties’ California with rocket ships, drugs, and social speculation. Dick usually wrote in a hurry and for money, and sometimes under the influence of drugs or a recent and urgent personal religious revelation.

Still, what he captured with genius was the ontological unease of a world in which the human and the abhuman, the real and the fake, blur together. As Dick described his work (in the opening essay to his 1985 collection, I Hope I Shall Arrive Soon):

The two basic topics which fascinate me are “What is reality?” and “What constitutes the authentic human being?” Over the twenty-seven years in which I have published novels and stories I have investigated these two interrelated topics over and over again.

These obsessions had some of their roots in Dick’s complex and ever-evolving personal mythology (in which it was perfectly plausible that the “real” world was a fake, and that we were all living in Palestine sometime in the first century AD). Yet they were also based on a keen interest in the processes through which reality is socially constructed. Dick believed that we all live in a world where “spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups—and the electronic hardware exists by which to deliver these pseudo-worlds right into heads of the reader.” He argued:

the bombardment of pseudo-realities begins to produce inauthentic humans very quickly, spurious humans—as fake as the data pressing at them from all sides. My two topics are really one topic; they unite at this point. Fake realities will create fake humans. Or, fake humans will generate fake realities and then sell them to other humans, turning them, eventually, into forgeries of themselves. So we wind up with fake humans inventing fake realities and then peddling them to other fake humans.

In Dick’s books, the real and the unreal infect each other, so that it becomes increasingly impossible to tell the difference between them. The worlds of the dead and the living merge in Ubik (1969), the experiences of a disturbed child infect the world around him in Martian Time-Slip (1964), and consensual drug-based hallucinations become the vector for an invasive alien intelligence in The Three Stigmata of Palmer Eldritch (1965). Humans are impersonated by malign androids in Do Androids Dream of Electric Sheep? (1968) and “Second Variety” (1953); by aliens in “The Hanging Stranger” (1953) and “The Father-Thing” (1954); and by mutants in “The Golden Man” (1954).

This concern with unreal worlds and unreal people led to a consequent worry about an increasing difficulty of distinguishing between them. Factories pump out fake Americana in The Man in the High Castle (1962), mirroring the problem of living in a world that is not, in fact, the real one. Entrepreneurs build increasingly human-like androids in Do Androids Dream of Electric Sheep?, reasoning that if they do not, then their competitors will. Figuring out what is real and what is not is not easy. Scientific tools such as the famous Voight-Kampff test in Do Androids Dream of Electric Sheep? (and Blade Runner, Ridley Scott’s 1982 movie based loosely on it) do not work very well, leaving us with little more than hope in some mystical force—the I Ching, God in a spray can, a Martian water-witch—to guide us back toward the real.

We live in Dick’s world—but with little hope of divine intervention or invasion. The world where we communicate and interact at a distance is increasingly filled with algorithms that appear human, but are not—fake people generated by fake realities. When Ashley Madison, a dating site for people who want to cheat on their spouses, was hacked, it turned out that tens of thousands of the women on the site were fake “fembots” programmed to send millions of chatty messages to male customers, so as to delude them into thinking that they were surrounded by vast numbers of potential sexual partners.

These problems are only likely to get worse as the physical world and the world of information become increasingly interpenetrated in an Internet of (badly functioning) Things. Many of the aspects of Joe Chip’s future world in Ubik look horrendously dated to modern eyes: the archaic role of women, the assumption that nearly everyone smokes. Yet the door to Joe’s apartment—which argues with him and refuses to open because he has not paid it the obligatory tip—sounds ominously plausible. Someone, somewhere, is pitching this as a viable business plan to Y Combinator or the venture capitalists in Menlo Park.

This invasion of the real by the unreal has had consequences for politics. The hallucinatory realities in Dick’s worlds—the empathetic religion of Do Androids Dream of Electric Sheep?, the drug-produced worlds of The Three Stigmata of Palmer Eldritch, the quasi–Tibetan Buddhist death realm of Ubik—are usually experienced by many people, like the television shows of Dick’s America. But as network television has given way to the Internet, it has become easy for people to create their own idiosyncratic mix of sources. The imposed media consensus that Dick detested has shattered into a myriad of different realities, each with its own partially shared assumptions and facts. Sometimes this creates tragedy or near-tragedy. The deluded gunman who stormed into Washington, D.C.’s Comet Ping Pong pizzeria had been convinced by online conspiracy sites that it was the coordinating center for Hillary Clinton’s child–sex trafficking ring [likewise, the masses may have been convinced by mainstream media that a real child-sex trafficking ring never existed].

Such fractured worlds are more vulnerable to invasion by the non-human. Many Twitter accounts are bots, often with the names and stolen photographs of implausibly beautiful young women, looking to pitch this or that product (one recent academic study found that between 9 and 15 percent of all Twitter accounts are likely fake). Twitterbots vary in sophistication from automated accounts that do no more than retweet what other bots have said, to sophisticated algorithms deploying so-called “Sybil attacks,” creating fake identities in peer-to-peer networks to invade specific organizations or degrade particular kinds of conversation.

Twitter has failed to become a true mass medium, but remains extraordinarily important to politics, since it is where many politicians, journalists, and other elites turn to get their news. One research project suggests that around 20 percent of the measurable political discussion around the last presidential election came from bots. Humans appear to be no better at detecting bots than we are, in Dick’s novel, at detecting replicant androids: people are about as likely to retweet a bot’s message as the message of another human being. Most notoriously, the current U.S. president recently retweeted a flattering message that appears to have come from a bot densely connected to a network of other bots, which some believe to be controlled by the Russian government and used for propaganda purposes.

In his novels Dick was interested in seeing how people react when their reality starts to break down. A world in which the real commingles with the fake, so that no one can tell where the one ends and the other begins, is ripe for paranoia. The most toxic consequence of social media manipulation, whether by the Russian government or others, may have nothing to do with its success as propaganda. Instead, it is that it sows an existential distrust. People simply do not know what or who to believe anymore. Rumors that are spread by Twitterbots merge into other rumors about the ubiquity of Twitterbots, and whether this or that trend is being driven by malign algorithms rather than real human beings.

Such widespread falsehood is especially explosive when combined with our fragmented politics. Liberals’ favorite term for the right-wing propaganda machine, “fake news,” has been turned back on them by conservatives, who treat conventional news as propaganda, and hence ignore it. On the obverse, it may be easier for many people on the liberal left to blame Russian propaganda for the last presidential election than to accept that many voters had a very different understanding of America than they do.

Dick had other obsessions—most notably the politics of Richard Nixon and the Cold War. It is not hard to imagine him writing a novel combining an immature and predatory tycoon (half Arnie Kott, half Jory Miller) who becomes the president of the United States, secret Russian political manipulation, an invasion of empathy-free robotic intelligences masquerading as human beings, and a breakdown in our shared understanding of what is real and what is fake.

These different elements probably would not cohere particularly well, but as in Dick’s best novels, the whole might still work, somehow. Indeed, it is in the incongruities of Dick’s novels that salvation is to be found (even at his battiest, he retains a sense of humor). Obviously, it is less easy to see the joke when one is living through it. Dystopias may sometimes be grimly funny—but rarely from the inside.

A False Agenda for Humanity

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By Julian Rose

Source: Waking Times

Humanity has, for millennia, been led down the road of an entirely false agenda. So much so, that every aspect of society is almost the precise reverse of what it should be.

Just a glimmer of awareness reveals that the true potential of the majority of mankind remains locked away, unable to exert any influence on the course of events on our planet.

Given the scale of this imprisonment, it becomes apparent that the world has been moving on a trajectory invented and directed by a false intelligence, whose interests are diametrically opposed to the intelligence of natural planetary consciousness.

I use the word ‘intelligence’ because its hard to find the right word to describe that which is very clever, but lacks the ability to feel love or compassion; and is often ruthless without ever showing emotion. Intelligence should have a more human ring to it, but the word has been hijacked by the spying networks: the CIA, FBI, MI5 for example, all call themselves ‘intelligence agencies’. Not exactly warm-blooded institutions!

Within the hierarchies of banks, corporations, the military, governments, the media and various global trading organizations, one will find a plethora of quasi-humans in line to get their hands onto the levers of the central control system. The top-down pyramid which steers the daily agenda for millions of mortals caught-up in the 9 to 5 treadmill. Yet, those climbing the employment ladder within these same institutions, more often than not lack any awareness of what is going on above their heads.

We should consider the following question: at exactly what point within this typical corporate pyramid, does the ordinary mortal metamorphose into the ranks of the subhuman control master? Which floor serves as the subtle switch-point where the 9 to 5 worker ‘just doing a job’ shifts into a dedicated trainee in the art of ‘power over the people’ management?

I am not proposing to answer this, as it is a largely hypothetical question; but I suggest that the process whereby the false agenda for humanity is able to be maintained, year in year out, relies heavily on the unquestioning cooperation of those who, at some point, change their identity – or have their identity changed – from just ordinary workers to corporate clones. In other words those who see the world entirely through the lens of the corporation they work for.

The renowned social psychiatrist/psychologist Dr Erich Fromm, in his last major thesis ‘The Anatomy of Human Destructiveness’ traces the decline of the sentient human at the hands of a ‘corporate intelligence’ which is specifically designed to dehumanize those climbing up its ranks. So that by the time they reach the top, such people have become robotic, in virtually every action they undertake.

Here lies the mechanism whereby the human becomes less than human; the less than human becomes inhuman; and the inhuman becomes a biological robotic clone and proponent of Transhumanist Artificial Intelligence – which takes the false agenda for humanity ever nearer to its ultimate goal.

Perhaps not ultimate, but far enough to ensure that humanity as we know it, is superseded by another form of ‘intelligence’ that has nothing to do with nature or the exigence expressed in natural human emotions of love, joy, pain and sorrow.

Cyborgian artificial intelligence is just that: artificial. Art put in reverse so as to eliminate the godly, the beautiful, the spontaneous – all that which gives expression to what it really means to be human.

But consider the fact that it is people suffering these type of symptoms who are in the driving seat of world affairs; running governments, banks and technocratic institutions like the European Union. The mentality is that of a corporate trained control freak – and the greater the power on hand, the greater the ego fueled top-down control manipulation becomes.

The structural design of the neoliberal/neoconservative capitalist Leviathon is not an accident. It is a deliberate formula for the entrapment of mankind. One which puts into reverse – and thereby completely distorts – the true hierarchical themes of nature and the cosmos. In just the same way as Hitler inverted and reversed the design of the original swastika, an ancient peace symbol from Southern India, into a twisted symbol of war.

The symbols that adorn all top-end corporate chains and industries, follow this same pattern. They are nearly all based upon ancient archetypal forms. Forms that symbolized man’s desire to give expression to the powers of nature, as well as the cosmic influences that were mythologized into gods and pantheistic forces of power and influence. Symbols that expressed higher aspirations of bygone civilisations.

The big-chiefs of corporate globalization adorn their high-rise totems and plush office suites with the very same symbols, but what do they stand for now?

Quite simply, a crassly materialistic paradigm which has usurped the nature gods of old; declaring itself the new ‘supreme force’ to which mankind must go on its knees in unquestionoing obeisance.

And, as we know, the majority of mankind has been complicit in fulfilling this role, ensuring a self-inflicted avenue of slavery and passive acceptance of the role assigned by the prevailing status quo.

Indeed, there appears to be no end to the butchery and bullying in the cause of keeping the Leviathan rolling forward. The US military – backed by its European ‘allies’ – ranges the planet in support of the ceaseless profligate mining of valuable minerals, to make the fuels that fill the tanks of Big Pharma, Big Agro, Big Army and Big Business. While the public, rather than rising up against mammon, appear to be paralyzed by the spectacle, unable to imagine anything less destructively domineering that might take its place.

I used the words “appear to be” because there is, of course, another emergent energy that tells another story. That breaks through the deception that man is nothing more than a psychopathetic instrument in the hands of all dominant, aggressive and less than human oppressors.

It is not just ‘any’ other energy. It is the long-buried – and steadily more volcanic – energy of liberated spirit. A revivified spirit which is finding its way back into the arteries of an ever-growing number of ex hostages of the status quo, as well as new arrivals on this planet.

Everyday this spirit is gaining further momentum and a stronger equilibrium. Cracks in the false agenda are widening; the confidence of its perpetrators is wavering; the old power base is leaking.

Chinks of light glitter amongst the darkness; the sense of an upwardly rising change is in the air, counteracting the stench of stagnation and decline.

What is this?

We ‘the people’ have arrived at a critical point in this apocalyptic epoch, finding out that we are possessed of power we never knew we had; starting to believe in a Self we never knew we cradled; hearing a voice we never could hear before. Finding in each other, sources of mutual support, not just a shackled fellow prisoner.

As this process grows, so the false agenda is further revealed for what it is, and its chief perpetrators are exposed ever more clearly for what they are. The seemingly inexorable drive towards a cybernetic future, or one populated and run by gender-bent, micro-chipped mock-humans, is being infiltrated by warm-blooded, nature loving true humans. Trees are being planted where concrete was once the only landscape.

We are learning that where our thoughts go – energy follows. And that if these thoughts are full of creativity and life, so will our lives also be. We are learning that we can take charge of our destinies after all. That, at any moment, we could dispense with the false reality of the top down centralized command system, and be free to start our own version of reality. One informed by our love of Truth – a determination to act on this truth – and a growing aspiration to Be rather than to have.

 

Julian Rose is an early pioneer of UK organic farming, a writer, actor and international activist.

The Search for Meaning in Modern Life

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By Kingsley L. Dennis

Source: Waking Times

Every good story about a search begins with a tale. So, here’s one; it’s a tale about a magician who gave a dinner for his neighbours.

There was once a Magician who built a house near a large and prosperous village. One day he invited all the people of the village to dinner. ‘Before we eat,’ he said, ‘we have some entertainments.’

Everyone was pleased, and the Magician provided a first-class conjuring show, with rabbits coming out of hats, flags appearing from nowhere, and one thing turning into another. The people were delighted. Then the Magician asked: ‘Would you like dinner now, or more entertainments?’

Everyone called for entertainments, for they had never seen anything like it before; at home there was food, but never such excitement as this. So, the Magician changed himself into a pigeon, then into a hawk, and finally into a dragon. The people went wild with excitement.

He asked them again, and they wanted more. And they got it. Then he asked them if they wanted to eat, and they said that they did. So the Magician made them feel that they were eating, diverting their attention with a number of tricks, through his magical powers.

The imaginary eating and entertainments went on all night. When it was dawn, some of the people said, ‘We must go to work.’ So the Magician made those people imagine that they went home, got ready for work, and actually did a day’s work

In short, whenever anyone said that he had to do something, the Magician made him think first that he was going to do it, then, that he had done it and finally that he had come back to the Magician’s house.

Finally, the Magician had woven such spells over the people of the village that they worked only for him while they thought that they were carrying on with their ordinary lives. Whenever they felt a little restless he made them think that they were back at dinner at his house, and this gave them pleasure and made them forget.

And what happened to the Magician and the people, in the end? Do you know, I cannot tell you, because he is still busily doing it, and the people are still largely under his spell.

Modern life is much like this tale – we live under a magician’s spell – and the magician is called Modernity. Modernity, especially as it emerged in western, industrialized cultures, created a system that put a spell on us. And this spell is principally promoted through our mainstream medias. Whether rationally, instinctively, or deep in our hearts, most of us know that something is not right about how human societies are managed. Human life is not yet in balance. And too many people still live in fear.

We are manipulated by our mainstream medias at unprecedented levels, and constantly fed with a controlled flow of information. This process is the old mind of humanity, still operating through control, censorship, and consumerism. In this way our contemporary societies are increasingly centered around emotion to a degree that allows people to be entertained as well as manipulated like never before. What we may be less aware of is that the human being is driven by an evolutionary energy that manifests through mental, emotional, and physical/sexual processes. This energy can be used to develop and drive us forward, or it can be hampered, blocked, and manipulated into slowing down our development. Mental, emotional, and physical/sexual energies are all necessary components of the social human being. If we take just a casual look at our mainstream media, entertainment, and social attractions/distractions we will readily see that these are the very areas which are targeted by the ‘culture of spectacle’ that is modern society.

Ancient religious-spiritual traditions have long talked about such ‘energy predators’ that are said to feed off from unstable human mental and emotional states. The early gnostic Christians referred to some of these as the Archons; various North American Indian tribes refer to Wetiko/Wendigo; Don Juan in the Carlos Castenada books refers to the Predators; and South American shamans have long talked of spirits that feed off from and fragment the vulnerable human inner state/soul.

We must wonder why it is that our modern cultures promote entertainments that manipulate and play upon excessively distorted images of mental and emotional anguish as well as exaggerated portrayals of sexuality. Furthermore, we are bombarded daily with images of death. In fact, a recent study into western media announced that the most repeated word in media is ‘death.’ Further, it revealed that in the first twelve years of a child’s life they would have been subjected to around 20,000 murders through television news and programs, films, online content, and video games. These forms of stimulation directly target a person’s mental, emotional, and physical states, which in turn hampers the operation of harmonious, developmental energies.

Modern life is increasingly a life addicted to high stimulation. Yet by its very nature it also creates anxiety. Many people are forced, or seduced, into lives that are continually stressful and busy. There is no room for the spaces, the intervals, of internal reflection. Yet similar to how music is not music without the intervals, so is life not a life without those internal spaces.

We spend our days trying to grasp at life, trying to understand it, often with ways that are not adequate. It is like trying to capture the ocean with a bucket. The ocean stands magnificently before us, and yet so many of us in modern societies are running around anxiously with empty buckets in our hands. We’ve been told that only full buckets are of any use – full buckets represent usefulness and progress.

Here is another story:

A man had two large pots, each hung on an end of a pole which he carried across his neck. One of the pots had a crack in it, and while the other pot was perfect and always delivered a full portion of water at the end of the long walk from the stream to his house, the cracked pot arrived only half full.

For a full two years this went on daily, with the man delivering only one and a half pots full of water to his house. Of course, the perfect pot was proud of its accomplishments, feeling accepted and appreciated. But the poor cracked pot was ashamed of its own imperfection, and miserable that it was able to accomplish only half of what it had been made to do. After two years of what it perceived to be a bitter failure, it spoke to the man one day by the stream.

“I am ashamed of myself, and I want to apologize to you.”

“Why?” asked the man. “What are you ashamed of?”

“I have been able, for these past two years, to deliver only half my load because this crack in my side causes water to leak out all the way back to your house. Because of my flaws, you have to do all of this work, and you don’t get full value from your efforts.” the pot said.

The man felt sorry for the old cracked pot, and in his compassion, he said, “As we return to my house, I want you to look at the beautiful flowers along the path. It will make you feel better.”

Indeed, as they went up the hill, the old cracked pot took notice of the sun warming the beautiful wild flowers on the side of the path, and this made it feel a little happier. But at the end of the path, it still felt bad because it had leaked out half its load, and so again the Pot apologized to the man for its failure.

The man said to the pot, “Did you notice that there were flowers only on your side of your path, but not on the other pot’s side? That’s because I have always known about your flaw, and I took advantage of it. I planted flower seeds on your side of the path, and every day while we walk back from the stream, you’ve been watering them. For two years I have been able to pick these beautiful flowers to take home to my wife. With you being just the way you are, you have given beauty and meaning to me every day.”

The way we are can give us beauty and meaning every day, and yet it seems we are living in a world of decreasing meaning. Our modern systems strive for perfection – for progress and efficiency – yet there is less and less happiness.

And the situation is worse in modern western cultures where so many people are seemingly dissatisfied even when they have acquired most things to keep them happy. Perhaps a society that provides superficial comfort produces conditions that do not develop people or cause them to turn an inward gaze or to question notions of their meaning and existence. It is important that other cultures do not follow this western model of superficial consumerism.

It is unfortunate that the meaning of life is often a meaningless question to so many people. Seeking the ‘unnamable’ might sound like madness to many people, and certainly there is little place for it in modern societies that prize themselves on progress. And yet a life that seeks meaning is its own adventure. The ‘unnamable’ does not need to be named – only recognized internally. The external world is not the only reality that exists for us.

The attitude of the modern-day person to the ‘world outside’ has largely been one of hostility – we have been conquering the external world for the most part of human history, instead of mastering our own inner nature. This hostile attitude ignores the reality that all life is interdependent and that our lives are a projection of our inner realities – that is, our fears, anxieties, and insecurities become projected into the world the same as our hopes, visions, and dreams. Whatever we project externally eventually becomes our sense of reality.

We all share a collective reality, despite our cultural differences. Although it alters depending upon where we were born and in which cultures we live, the methods each modern system uses are basically the same – we are provided with beliefs, cultural references, and norms and attitudes. The writer Doris Lessing referred to this as ‘The prisons we choose to live inside.’ And within these psychological prisons many people, as well as the institutions of the modern world, have rejected the wisdom of sages, mystics, philosophers, and even the voices of creative artists. They prefer instead the superficial trappings, entertainments, and technological distractions of the consumerist marketplace. Now, I wish to be clear here – I am not anti-technology. In fact, I am a great supporter of it; but not at the expense of the human vision. Despite the technological progress of the external world, there must always be a developed interior world to observe, reflect, and to question it. Without this, the exterior life is unleashed without values. Without an interior life to seek for significance, what gives meaning to our lives?

So, what is the ‘interior life’? There are no instruction sets for how to live a human life – and we live in a world where more and more people are at a loss to know either why they live or why they die. In life we must strive to examine the human condition.

Modernity has attempted to reinterpret the human condition – to see it as an external drive for progress – and this has resulted in a separation from our need to seek an essential inner self. This modern project has sought to divorce the human being from their imperative to find meaning in existence. The human project, if we wish to call it that, can never be ‘completed’ – it is an eternal quest to always be becoming. Here is a quote I would like to share:

‘When you have found yourself you can have knowledge. Until then you can only have opinions. Opinions are based on habit and what you conceive to be convenient to you. The study of the Interior Life requires self-encounter along the way. You have not met yourself yet. The only advantage of meeting others in the meantime is that one of them may present you to yourself. Before you do that, you will possibly imagine that you have met yourself many times. But the truth is that when you do meet yourself, you come into a permanent endowment and bequest of knowledge that is like no other experience on earth.’ ~TARIQAVI

What we are truly seeking for – and what the interior life can show us – is power over ourselves: not for power over others.

The world is in need of soulful healing, not power-seeking through corruption and manipulation. The world requires healed, integrated, and balanced people; for that which we lack in ourselves we shall always find lacking in the world outside. Also, there are many external forces in the world that are trying to make us live not according to our own sense but according to dominant social narratives. We are told that we must live according to certain social narratives that generally benefit those systems that have no interest in the human soul. And when we deny ourselves such essential nutrients we find that we have a discomfort within us. People are taking increasing amounts of antidepressants, or stimulants; as well as relaxants – we take drugs to bring us up and other drugs to take us down. We are open and vulnerable to the energies of discouragement. Here is a tale about the price of discouragement:

Once the word spread that the devil was pulling out of his business and was arranging to sell-off all his tools of the trade to the highest bidder. The night of the sale all the tools were arranged for the bidders to view. What a motley crew it was! There were sinister tools of hatred, jealousy, envy, malice, treachery, plus all the other elements of evil. Yet besides these there also was an instrument that seemed harmless, a wedge-shaped instrument that appeared worn out, shabby, and yet was priced so much higher than all others. Someone asked the devil what was the name of such a poor-looking instrument.

‘Discouragement,’ answered the Devil.

‘And why is the price so high for such a non-malicious sounding instrument? asked the bidder.

‘Because,’ spoke the Devil, ‘this instrument is more useful to me than any other. I can enter the consciousness of a human being when all other ways fail me and once inside through the discouragement of that person I can do whatever I please. The instrument is worn out because I use it almost everywhere and as very few people know about this I can continue to successfully achieve my goals.’

And as the price of discouragement was so very, very high even today it remains a tool in the property of the Devil.

The price of discouragement is a price too many people are paying – and it is a high price (as the devil knows!)

It is a common situation that we tell people at work we are happy when for much of the time we are not. We buy more and more items to feel happiness within ourselves or to buy happiness in others. People in modern cultures continue to accumulate goods and possessions whilst feeling empty within. Such consumerism empties our pockets and fails to fill our souls. And not only our physical lives become crowded with belongings but our psychological spaces too. We are crowded with those belongings that have accumulated as psychological attachments: the beliefs, ideologies, nationalisms, opinions, likes, dislikes, and all the rest. We are often cluttered in our minds by belonging to this and that and all the other things that we cling to or that cling to us. And this is where some of the disruptions are, and will continue to come from, because our belongings are now breaking apart. As our social, cultural, economic, and work lives go through change and transformation – as they are currently doing – then the clinging to old ‘belongings’ will only serve to cause greater confusion and disorientation. Already it seems as if we are living in a world that is displaying increasing outward signs of craziness and psychopathic tendencies. We must ensure that the world never has more critics than visionaries, or more complainers than positive doers. We must ensure that we do not lose sight of our frameworks for meaning.

Pre-modern societies, for example, lived within their own frameworks of meaning. Not all questions had their answers, yet mysteries and the mysterious at least had a home in which they could exist. We often live today within an atmosphere of meaningless questions and contradictory answers. The pursuit of meaning is being replaced by the pursuit of progress. Progress may alleviate some of our suffering and pains, yet it shall never compensate for the lack of fulfillment we feel inside, for this requires metaphysical or transcendental nourishment. Any notion of the spiritual, or the metaphysical, is often considered not essential to our daily life, and we are taught to dismiss it. Modernity’s task was thus seen as freeing us from the illusions of transcendence. And yet the desire, or the need, for some Absolute remains deep within us and can never be totally eradicated. Perhaps it is this contradiction that lies at the heart of our contemporary distress.

Modern life also tries to eradicate, or at least hide, all sense of enigma. Yet it is precisely these enigmas that make our lives rich in wonder and awe. To attempt to abolish them is an act of great ignorance and hubris. Unanswerable questions must be embraced and not rejected. Mystery and the mysterious must be allowed a space to thrive and enthrall us. It is this sense of mystery that keeps us curious, and curiosity is one of our driving, motivating forces.

Modern societies may well praise their sophisticated intellectual culture, yet it comes at the cost of having a deteriorated spiritual culture. That which belongs to the experience of the human soul is considered not only incommunicable, but rather dangerous to communicate. In the end, life’s mysteries are kept out of sight because they cannot be fully known and thus controlled. There is a spell upon us, and we are being distracted from the essential. Here is another tale:

A lion was captured and imprisoned in a reserve where, to his surprise, he found other lions that had been there for many years, some even their whole life having been born in captivity. The newcomer soon became familiar with the activities of the other lions, and observed how they were arranged in different groups.

One group was dedicated to socializing, another to show business, whilst yet another group was focused on preserving the customs, culture and history from the time the lions were free. There were church groups and others that had attracted the literary or artistic talent. There were also revolutionaries who devoted themselves to plot against their captors and against other revolutionary groups. Occasionally, a riot broke out and one group was removed or killed all the camp guards and so that they had to be replaced by another set of guards. However, the newcomer also noticed the presence of a lion that always seemed to be asleep. He did not belong to any group and was oblivious to them all. This lion appeared to arouse both admiration and hostility from the others. One day the newcomer approached this solitary lion and asked him which group he belonged to.

‘Do not join any group,’ said the lion. ‘Those poor ones deal with everything but the essential.’

‘And what is essential?’ asked the newcomer.

‘It is essential to study the nature of the fence’

A whole society can be distracted. There is a pertinent analogy here to how, in 256AD, the Persian army took Antioch from the Roman Empire. Many of the inhabitants were attending the roman theatre and were oblivious to the enemy archers who had climbed up behind them into the stands. The actors down below had seen the enemy archers and were desperately trying to warn them with hand signals…but the audience did not understand, thinking it part of the entertainment – until it was too late. They were amused up to the point of death. Perhaps we too, in the words of social critic Neil Postman, are ‘Amusing ourselves to Death.’

Understanding Our Place In The World

The only genuine freedom is to be found by turning within ourselves. The human being is naturally an imaginative and creative creature. Reality may be harsh and painful, yet it is also the realm of so much wonder and awe. We may live our lives playing in the mud, yet our minds can reach the stars. Our science can reach into the molecule as well as penetrate into the formation of the universe. Our mystics and sages can reach into the pulsating heart of the cosmos. The human being has an inner dimension that needs to be investigated and which, in turn, is timeless.

It is my view that the role of imagination – the interpenetration of the interior world – is crucial. It is what fuses together that which is above to that which is below. It is also a channel for intuition; and it is through intuition that we get closer to the essential. The inward gaze forever attempts to reveal the role of the human being, and what makes us human. It is about trying to understand our place in the world and our shifting views of the world. And right now, we find ourselves at a crucial point in human history.

Life on this planet is undergoing a great change. There is a revolution coming as people, especially the young people, develop their ways of communication, collaboration, and a new consciousness. We are seeing examples of empathy and compassion from young people around the world, as well as innovation, creativity, and inspired motivation. I have stated before that we are shifting into an epoch where new value sets will emerge as the dominant traits.

[1] And some of these values are already being expressed within our younger generations. I refer to these as the ‘C’ values of Connection – Communication – Collaboration – Consciousness – Compassion. Such changes will come into our lives, yet not overnight. It is not like flicking on a light switch. I expect it will be a process where much soul-searching and the questioning of our meanings and values will have to occur beforehand. However, it is not all about violence and thuggery, despite what our mainstream news may be showing us. There is a change emerging across the planet, and this change shall arise from within, through a new understanding of the human spirit, and of our place not only in our local cultures but also within a shared, planetary home. These are critical times of transition – and of momentous importance to us.It is important to recognize that we are undergoing a shift from localized cultures into a period of becoming planetary citizens. Nationalisms will need to become secondary, or put aside altogether, as we come closer together as a global species. And this significant transition is dissolving our securities, our belief systems, and our models of reality. Everything around us is beginning to shake – and so is the earth, literally. We can no longer remain within the old narratives. We are in need of new worldviews, both as individuals as well as within our communities and societies. What we now need is genuine and sincere far-reaching vision. And in our mainstream cultures we are also lacking hope and trust, especially in our socio-political systems. What is now essential is hope and trust in humanity, and in the richness and resilience of the human spirit. We are on the cusp of a different world coming into being, and at its centre shall be the human heart and soul. There can be no genuine, lasting future if it is based solely on the exterior life – it must be driven by the values that come from the interior of the human being.

To be prepared for the future world that is now emerging before us we must adapt our thinking and our consciousness to all possibilities. What we first need is a genuine change of mind:

God decided to come down to Earth for a quick look at how creation was coming along.

God approached Earth and happened to look at a big tree full of howling monkeys. As God looked down, one of the monkeys happened to look up and saw God.

The monkey became excited and started to shout: ‘I see God…..I see God!’

None of the other monkeys paid any attention. Some thought the monkey was crazy or perhaps just a religious fanatic. They went on about their daily lives of collecting food, taking care of their young, fighting with each other, etc., etc. Not getting any attention, our monkey decided to try to get attention from God, and said:

‘God, Almighty, You are the Beneficent, the Merciful, please help me!’

In an instant, the monkey was transformed into a man living in his own human community. Everything changed, except for one thing: the monkey’s mind. The monkey immediately realized that could be a problem.

‘Well, thank you God, but what about my mind?’

‘That,’ said God, ‘you will have to change yourself.’ 

As in this story, we have the human form. The next step is for us to assume the responsibility for the correct level of consciousness. It is as simple and as difficult as that.

We have to accept the responsibility for our own choices and actions; and also, how we choose to respond to events. Everything begins and ends with ourselves, and anything other than this is an excuse, no matter how plausible it may seem to us. As creative, imaginative beings we invent and innovate. At the same time, we are masters at inventing our own false stories and imaginings that self-deceive. In this regard we must choose carefully where we wish to put our attention, time, and efforts. After all, when we visit a beautiful garden do we choose to sit by the roses and savour their sweet smell, or to sit amidst the weeds that prick us? It is important to gift ourselves moments of joy, for joy is an infectious energy – and it shares easily too.

It is up to us to choose those moments, events, and circumstances to engrave upon our memories and heart. It is also about choosing what things to forget. Most of the things we encounter or accumulate we would be best to give up, or give away. We should only keep the few, thus ensuring the quality and integrity of those things we keep close to us. Here is another tale:

An Arabian legend tells of two friends who were travelling through the desert and at one point they fell into disagreement about the trip whereby one of the friends slaps the other across the face.

The friend who had been slapped said nothing, only wrote in the sand: ‘Today my best friend slapped me in the face.’

Both friends continued on their journey and eventually arrived at an oasis where there were baths to refresh themselves. The friend who had been slapped jumped into the large baths yet soon found himself starting to drown. The other friend immediately jumped in after him and saved him. After recovering the first man took a pen and wrote on a stone: ‘Today my best friend saved my life.’

Intrigued, the friend asked: ‘Why is it that after I hurt you, you wrote in the sand and now after saving you, you write on a stone?

Smiling, the other friend replied: ‘When a good friend offends us, we write in the sand where the wind of forgetfulness and forgiveness will be responsible for clearing it off; on the other hand, when something great happens to us, we burn it into stone in memory of the heart where no wind in the world can erase it.’

We build up and develop our own interior world by all the small things and moments we choose to engrave upon our heart, spirit, and soul. We can choose those things we wish to line our forward path with.

Choosing Our Path

We should not be afraid to talk about things of the spirit – to be present with spirit and to live with it in our everyday moments. As Bob Dylan says, those who are not busy being born are busy dying. We are representatives of the spirit, and so should seek to be present to this, without the urge for external showing-off. There is no need for acting weird or strange; to wear odd clothes or follow customs antagonistic to the culture in which we are living. We may think and feel differently, and have experiences that are beyond the accepted, normal ken. Yet to revert to odd external behavior only shows that we are unable to internalize and stabilize these experiences and energies. To all purposes, there is nothing wrong in appearing normal to the outside world. To engage with the spirit, we may have to first learn how to be still, without being bored. There are already enough active distractions in the world as it is – why add more?

It is a normal request to ask for ‘practical things.’ People want to find activities, acts, exercises, and rituals to help them along their own path of development. And the world offers many of these things, in varying degrees of genuineness, sincerity, and effectiveness. Yet sometimes being given an action to attend to belittles the process of the initial search. For me personally, I am unable to give specific remedies for the search for meaning, other than to say that a person must first experience what this longing, this need, feels like. We are catalysts for our own search for meaning, and each path is walked differently. To begin with, we must learn how to articulate this need. This will then begin the course of one’s life that will forever alter what comes after. We are compelled to trust our instincts, our intuition, and to take the appropriate response. We are not here in this life to live like ghosts amongst the phantasms of the world. We always have an internal choice, and this should not force us to surrender into the abyss of mass insanity. As the story goes,

There was once a wise and powerful king who ruled in a remote city of a far kingdom. And the king was feared for both his might and his love of wisdom. At the heart of the city was a well whose water was cool and crystalline, and all the inhabitants drank from this well, even the king and his courtiers, because there was no other well in the city. One night, while everyone was asleep, a witch entered the city and poured seven drops of a strange liquid into the well, and said:

‘From now on, anyone who drinks this water will go crazy.’

The next morning all the inhabitants drank the water from the well, except the king and his lord chamberlain, and very soon everyone went mad, as the witch had foretold. During that day, all people went through the narrow streets and public places whispering to each other:
‘The king is mad. Our king and his lord chamberlain have lost their reason. Naturally, we cannot be ruled by a mad king. We must dethrone him!’

That night, the king ordered a golden cup of water from the well to be brought to him. And when they brought the cup the king and his lord chamberlain drank heavily from it. Soon after that there was great rejoicing in that distant city of a far kingdom because the king and his lord chamberlain had regained their reason.

We must be fearless in committing to the inner path we have chosen, so long as we harm no other. The genuine inner path is a subtle one. At times it can seem as if nothing is happening – as if we are going nowhere. Perhaps the path itself is a search for no-place and no-where. And yet we can rest assured that the inner path is active in each moment, in all times. And the search for this can bring meaning to us as we engage with the modern world. Amidst the distractions and entertainments on offer it is possible to remain focused with our own internal meaningful enjoyment. And this inner joy brings with it its own sacred moments.

It will do us good to remember that life lies beyond reason, and is a sacred thing. And we should allow this sacred presence into our lives, with joy, respect, and even a little humour. After all, just a little bit of joy, respect, and humour can go a long, long way – and we have far to travel.

 

 

References:

[1] See The Phoenix Generation: A New Era of Connection, Compassion & Consciousness

The Pentagon’s New Wonder Weapons for World Dominion

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Or Buck Rogers in the 21st Century

By Alfred McCoy

Source: The Unz Review

[This piece has been adapted and expanded from Alfred W. McCoy’s new book, In the Shadows of the American Century: The Rise and Decline of U.S. Global Power.]

Not quite a century ago, on January 7, 1929, newspaper readers across America were captivated by a brand-new comic strip, Buck Rogers in the 25th Century. It offered the country its first images of space-age death rays, atomic explosions, and inter-planetary travel.

“I was twenty years old,” World War I veteran Anthony “Buck” Rogers told readers in the very first strip, “surveying the lower levels of an abandoned mine near Pittsburgh… when suddenly… gas knocked me out. But I didn’t die. The peculiar gas… preserved me in suspended animation. Finally, another shifting of strata admitted fresh air and I revived.”

Staggering out of that mine, he finds himself in the 25th century surrounded by flying warriors shooting ray guns at each other. A Mongol spaceship overhead promptly spots him on its “television view plate” and fires its “disintegrator ray” at him. He’s saved from certain death by a flying woman warrior named Wilma who explains to him how this all came to be.

“Many years ago,” she says, “the Mongol Reds from the Gobi Desert conquered Asia from their great airships held aloft by gravity Repellor Rays. They destroyed Europe, then turned toward peace-loving America.” As their disintegrator beams boiled the oceans, annihilated the U.S. Navy, and demolished Washington, D.C. in just three hours, “government ceased to exist, and mobs, reduced to savagery, fought their way out of the cities to scatter and hide in the country. It was the death of a nation.” While the Mongols rebuilt 15 cities as centers of “super scientific magnificence” under their evil emperor, Americans led “hunted lives in the forests” until their “undying flame of freedom” led them to recapture “lost science” and “once more strike for freedom.”

After a year of such cartoons filled with the worst of early-twentieth-century Asian stereotypes, just as Wilma is clinging to the airship of the Mongol Viceroy as it speeds across the Pacific , a mysterious metallic orb appears high in the sky and fires death rays, sending the Mongol ship “hissing into the sea.” With her anti-gravity “inertron” belt, the intrepid Wilma dives safely into the waves only to have a giant metal arm shoot out from the mysterious orb and pull her on board to reveal — “Horrors! What strange beings!” — Martians!

With that strip, Buck Rogers in the 25th Century moved from Earth-bound combat against racialized Asians into space wars against monsters from other planets that, over the next 70 years, would take the strip into comic books, radio broadcasts, feature films, television serials, video games, and the country’s collective conscious. It would offer defining visions of space warfare for generations of Americans.

Back in the 21st Century

Now imagine us back in the 21st century. It’s 2030 and an American “triple canopy” of pervasive surveillance systems and armed drones already fills the heavens from the lower stratosphere to the exo-atmosphere. It can deliver its weaponry anywhere on the planet with staggering speed, knock out enemy satellite communications at a moment’s notice, or follow individuals biometrically for great distances. It’s a wonder of the modern age. Along with the country’s advanced cyberwar capacity, it’s also the most sophisticated military information system ever created and an insurance policy for global dominion deep into the twenty-first century.

That is, in fact, the future as the Pentagon imagines it and it’s actually under development, even though most Americans know little or nothing about it. They are still operating in another age, as was Mitt Romney during the 2012 presidential debates when he complained that “our Navy is smaller now than at any time since 1917.”

With words of withering mockery, President Obama shot back: “Well, Governor, we also have fewer horses and bayonets, because the nature of our military’s changed… the question is not a game of Battleship, where we’re counting ships. It’s what are our capabilities.” Obama then offered just a hint of what those capabilities might be: “We need to be thinking about cyber security. We need to be talking about space.”

Indeed, working in secrecy, the Obama administration was presiding over a revolution in defense planning, moving the nation far beyond bayonets and battleships to cyberwarfare and the future full-scale weaponization of space. From stratosphere to exosphere, the Pentagon is now producing an armada of fantastical new aerospace weapons worthy of Buck Rogers.

In 2009, building on advances in digital surveillance under the Bush administration, Obama launched the U.S. Cyber Command. Its headquarters were set up inside the National Security Agency (NSA) at Fort Meade, Maryland, and a cyberwar center staffed by 7,000 Air Force employees was established at Lackland Air Base in Texas. Two years later, the Pentagon moved beyond conventional combat on air, land, or sea to declare cyberspace both an offensive and defensive “operational domain.” In August, despite his wide-ranging attempt to purge the government of anything connected to Barack Obama’s “legacy,” President Trump implemented his predecessor’s long-delayed plan to separate that cyber command from the NSA in a bid to “strengthen our cyberspace operations.”

And what is all this technology being prepared for? In study after study, the intelligence community, the Pentagon, and related think tanks have been unanimous in identifying the main threat to future U.S. global hegemony as a rival power with an expanding economy, a strengthening military, and global ambitions: China, the home of those denizens of the Gobi Desert who would, in that old Buck Rogers fable, destroy Washington four centuries from now. Given that America’s economic preeminence is fading fast, breakthroughs in “information warfare” might indeed prove Washington’s best bet for extending its global hegemony further into this century — but don’t count on it, given the history of techno-weaponry in past wars.

Techno-Triumph in Vietnam

Ever since the Pentagon with its 17 miles of corridors was completed in 1943, that massive bureaucratic maze has presided over a creative fusion of science and industry that President Dwight Eisenhower would dub “the military-industrial complex” in his farewell address to the nation in 1961. “We can no longer risk emergency improvisation of national defense,” he told the American people. “We have been compelled to create a permanent armaments industry of vast proportions” sustained by a “technological revolution” that is “complex and costly.” As part of his own contribution to that complex, Eisenhower had overseen the creation of both the National Aeronautics and Space Administration, or NASA, and a “high-risk, high-gain” research unit called the Advanced Research Projects Agency, or ARPA, that later added the word “Defense” to its name and became DARPA.

For 70 years, this close alliance between the Pentagon and major defense contractors has produced an unbroken succession of “wonder weapons” that at least theoretically gave it a critical edge in all major military domains. Even when defeated or fought to a draw, as in Vietnam, Iraq, and Afghanistan, the Pentagon’s research matrix has demonstrated a recurring resilience that could turn disaster into further technological advance.

The Vietnam War, for example, was a thoroughgoing tactical failure, yet it would also prove a technological triumph for the military-industrial complex. Although most Americans remember only the Army’s soul-destroying ground combat in the villages of South Vietnam, the Air Force fought the biggest air war in military history there and, while it too failed dismally and destructively, it turned out to be a crucial testing ground for a revolution in robotic weaponry.

To stop truck convoys that the North Vietnamese were sending through southern Laos into South Vietnam, the Pentagon’s techno-wizards combined a network of sensors, computers, and aircraft in a coordinated electronic bombing campaign that, from 1968 to 1973, dropped more than a million tons of munitions — equal to the total tonnage for the whole Korean War — in that limited area. At a cost of $800 million a year, Operation Igloo White laced that narrow mountain corridor with 20,000 acoustic, seismic, and thermal sensors that sent signals to four EC-121 communications aircraft circling ceaselessly overhead.

At a U.S. air base just across the Mekong River in Thailand, Task Force Alpha deployed two powerful IBM 360/65 mainframe computers, equipped with history’s first visual display monitors, to translate all those sensor signals into “an illuminated line of light” and so launch jet fighters over the Ho Chi Minh Trail where computers discharged laser-guided bombs automatically. Bristling with antennae and filled with the latest computers, its massive concrete bunker seemed, at the time, a futuristic marvel to a visiting Pentagon official who spoke rapturously about “being swept up in the beauty and majesty of the Task Force Alpha temple.”

However, after more than 100,000 North Vietnamese troops with tanks, trucks, and artillery somehow moved through that sensor field undetected for a massive offensive in 1972, the Air Force had to admit that its $6 billion “electronic battlefield” was an unqualified failure. Yet that same bombing campaign would prove to be the first crude step toward a future electronic battlefield for unmanned robotic warfare.

In the pressure cooker of history’s largest air war, the Air Force also transformed an old weapon, the “Firebee” target drone, into a new technology that would rise to significance three decades later. By 1972, the Air Force could send an “SC/TV” drone, equipped with a camera in its nose, up to 2,400 miles across communist China or North Vietnam while controlling it via a low-resolution television image. The Air Force also made aviation history by test firing the first missile from one of those drones.

The air war in Vietnam was also an impetus for the development of the Pentagon’s global telecommunications satellite system, another important first. After the Initial Defense Satellite Communications System launched seven orbital satellites in 1966, ground terminals in Vietnam started transmitting high-resolution aerial surveillance photos to Washington — something NASA called a “revolutionary development.” Those images proved so useful that the Pentagon quickly launched an additional 21 satellites and soon had the first system that could communicate from anywhere on the globe. Today, according to an Air Force website, the third phase of that system provides secure command, control, and communications for “the Army’s ground mobile forces, the Air Force’s airborne terminals, Navy ships at sea, the White House Communications Agency, the State Department, and special users” like the CIA and NSA.

At great cost, the Vietnam War marked a watershed in Washington’s global information architecture. Turning defeat into innovation, the Air Force had developed the key components — satellite communications, remote sensing, computer-triggered bombing, and unmanned aircraft — that would merge 40 years later into a new system of robotic warfare.

The War on Terror

Facing another set of defeats in Afghanistan and Iraq, the twenty-first-century Pentagon again accelerated the development of new military technologies. After six years of failing counterinsurgency campaigns in both countries, the Pentagon discovered the power of biometric identification and electronic surveillance to help pacify sprawling urban areas. And when President Obama later conducted his troop “surge” in Afghanistan, that country became a frontier for testing and perfecting drone warfare.

Launched as an experimental aircraft in 1994, the Predator drone was deployed in the Balkans that very year for photo-reconnaissance. In 2000, it was adapted for real-time surveillance under the CIA’s Operation Afghan Eyes. It would be armed with the tank-killing Hellfire missile for the agency’s first lethal strike in Kandahar, Afghanistan, in October 2001. Seven years later, the Air Force introduced the larger MQ-9 “Reaper” drone with a flying range of 1,150 miles when fully loaded with Hellfire missiles and GBU-30 bombs, allowing it to strike targets almost anywhere in Europe, Africa, or Asia. To fulfill its expanding mission as Washington’s global assassin, the Air Force plans to have 346 Reapers in service by 2021, including 80 for the CIA.

Between 2004 and 2010, total flying time for all unmanned aerial vehicles rose sharply from just 71 hours to 250,000 hours. By 2011, there were already 7,000 drones in a growing U.S. armada of unmanned aircraft. So central had they become to its military power that the Pentagon was planning to spend $40 billion to expand their numbers by 35% over the following decade. To service all this growth, the Air Force was training 350 drone pilots, more than all its bomber and fighter pilots combined.

Miniature or monstrous, hand-held or runway-launched, drones were becoming so commonplace and so critical for so many military missions that they emerged from the war on terror as one of America’s wonder weapons for preserving its global power. Yet the striking innovations in drone warfare are, in the long run, likely to be overshadowed by stunning aerospace advances in the stratosphere and exosphere.

The Pentagon’s Triple Canopy

As in Vietnam, despite bitter reverses on the ground in Iraq and Afghanistan, Washington’s recent wars have been catalysts for the fusion of aerospace, cyberspace, and artificial intelligence into a new military regime of robotic warfare.

To effect this technological transformation, starting in 2009 the Pentagon planned to spend $55 billion annually to develop robotics for a data-dense interface of space, cyberspace, and terrestrial battle space. Through an annual allocation for new technologies reaching $18 billion in 2016, the Pentagon had, according to the New York Times, “put artificial intelligence at the center of its strategy to maintain the United States’ position as the world’s dominant military power,” exemplified by future drones that will be capable of identifying and eliminating enemy targets without recourse to human overseers. By 2025, the United States will likely deploy advanced aerospace and cyberwarfare to envelop the planet in a robotic matrix theoretically capable of blinding entire armies or atomizing an individual insurgent.

During 15 years of nearly limitless military budgets for the war on terror, DARPA has spent billions of dollars trying to develop new weapons systems worthy of Buck Rogers that usually die on the drawing board or end in spectacular crashes. Through this astronomically costly process of trial and error, Pentagon planners seem to have come to the slow realization that established systems, particularly drones and satellites, could in combination create an effective aerospace architecture.

Within a decade, the Pentagon apparently hopes to patrol the entire planet ceaselessly via a triple-canopy aerospace shield that would reach from sky to space and be secured by an armada of drones with lethal missiles and Argus-eyed sensors, monitored through an electronic matrix and controlled by robotic systems. It’s even possible to take you on a tour of the super-secret realm where future space wars will be fought, if the Pentagon’s dreams become reality, by exploring both DARPA websites and those of its various defense contractors.

Drones in the Lower Stratosphere

At the bottom tier of this emerging aerospace shield in the lower stratosphere (about 30,000 to 60,000 feet high), the Pentagon is working with defense contractors to develop high-altitude drones that will replace manned aircraft. To supersede the manned U-2 surveillance aircraft, for instance, the Pentagon has been preparing a projected armada of 99 Global Hawk drones at a mind-boggling cost of $223 million each, seven times the price of the current Reaper model. Its extended 116-foot wingspan (bigger than that of a Boeing 737) is geared to operating at 60,000 feet. Each Global Hawk is equipped with high-resolution cameras, advanced electronic sensors, and efficient engines for a continuous 32-hour flight, which means that it can potentially survey up to 40,000 square miles of the planet’s surface daily. With its enormous bandwidth needed to bounce a torrent of audio-visual data between satellites and ground stations, however, the Global Hawk, like other long-distance drones in America’s armada, may prove vulnerable to a hostile hack attack in some future conflict.

The sophistication, and limitations, of this developing aerospace technology were exposed in December 2011 when an advanced RQ-170 Sentinel drone suddenly landed in Iran, whose officials then released photos of its dart-shaped, 65-foot wingspan meant for flights up to 50,000 feet. Under a highly classified “black” contract, Lockheed Martin had built 20 of these espionage drones at a cost of about $200 million with radar-evading stealth and advanced optics that were meant to provide “surveillance support to forward-deployed combat forces.”

So what was this super-secret drone doing in hostile Iran? By simply jamming its GPS navigation system, whose signals are notoriously susceptible to hacking, Iranian engineers took control of the drone and landed it at a local base of theirs with the same elevation as its home field in neighboring Afghanistan. Although Washington first denied the capture, the event sent shock waves down the Pentagon’s endless corridors.

In the aftermath of this debacle, the Defense Department worked with one of its top contractors, Northrop Grumman, to accelerate development of its super-stealth RQ-180 drone with an enormous 130-foot wingspan, an extended range of 1,200 miles, and 24 hours of flying time. Its record cost, $300 million a plane, could be thought of as inaugurating a new era of lavishly expensive war-fighting drones.

Simultaneously, the Navy’s dart-shaped X-47B surveillance and strike drone has proven capable both of in-flight refueling and of carrying up to 4,000 pounds of bombs or missiles. Three years after it passed its most crucial test by a joy-stick landing on the deck of an aircraft carrier, the USS George H.W. Bush in July 2013, the Navy announced that this experimental drone would enter service sometime after 2020 as the “MQ-25 Stingray” aircraft.

Dominating the Upper Stratosphere

To dominate the higher altitudes of the upper stratosphere (about 70,000 to 160,000 feet), the Pentagon has pushed its contractors to the technological edge, spending billions of dollars on experimentation with fanciful, futuristic aircraft.

For more than 20 years, DARPA pursued the dream of a globe-girding armada of solar-powered drones that could fly ceaselessly at 90,000 feet and would serve as the equivalent of low-flying satellites, that is, as platforms for surveillance intercepts or signals transmission. With an arching 250-foot wingspan covered with ultra-light solar panels, the “Helios” drone achieved a world-record altitude of 98,000 feet in 2001 before breaking up in a spectacular crash two years later. Nonetheless, DARPA launched the ambitious “Vulture” project in 2008 to build solar-powered aircraft with hugewingspans of 300 to 500 feet capable of ceaseless flight at 90,000 feet for five years at a time. After DARPA abandoned the project as impractical in 2012, Google and Facebook took over the technology with the goal of building future platforms for their customers’ Internet connections.

Since 2003, both DARPA and the Air Force have struggled to shatter the barrier for suborbital speeds by developing the dart-shaped Falcon Hypersonic Cruise Vehicle. Flying at an altitude of 100,000 feet, it was expected to “deliver 12,000 pounds of payload at a distance of 9,000 nautical miles from the continental United States in less than two hours.” Although the first test launches in 2010 and 2011 crashed in midflight, they did briefly reach an amazing 13,000 miles per hour, 22 times the speed of sound.

As often happens, failure produced progress. In the wake of the Falcon’s crashes, DARPA has applied its hypersonics to develop a missile capable of penetrating China’s air-defenses at an altitude of 70,000 feet and a speed of Mach 5 (about 3,300 miles per hour).

Simultaneously, Lockheed’s secret “Skunk Works” experimental unit is using the hypersonic technology to develop the SR-72 unmanned surveillance aircraft as a successor to its SR-71 Blackbird, the world’s fastest manned aircraft. When operational by 2030, the SR-72 is supposed to fly at about 4,500 mph, double the speed of its manned predecessor, with an extreme stealth fuselage making it undetectable as it crosses any continent in an hour at 80,000 feet scooping up electronic intelligence.

Space Wars in the Exosphere

In the exosphere, 200 miles above Earth, the age of space warfare dawned in April 2010 when the Defense Department launched the robotic X-37B spacecraft, just 29 feet long, into orbit for a seven-month mission. By removing pilots and their costly life-support systems, the Air Force’s secretive Rapid Capabilities Office had created a miniaturized, militarized space drone with thrusters to elude missile attacks and a cargo bay for possible air-to-air missiles. By the time the second X-37B prototype landed in June 2012, its flawless 15-month flight had established the viability of “robotically controlled reusable spacecraft.”

In the exosphere where these space drones will someday roam, orbital satellites will be the prime targets in any future world war. The vulnerability of U.S. satellite systems became obvious in 2007 when China used a ground-to-air missile to shoot down one of its own satellites in orbit 500 miles above the Earth. A year later, the Pentagon accomplished the same feat, firing an SM-3 missile from a Navy cruiser to score a direct hit on a U.S. satellite 150 miles high.

Unsuccessful in developing an advanced F-6 satellite, despite spending over $200 million in an attempt to split the module into more resilient microwave-linked components, the Pentagon has opted instead to upgrade its more conventional single-module satellites, such as the Navy’s five interconnected Mobile User Objective Systems (MUOS) satellites. These were launched between 2013 and 2016 into geostationary orbits for communications with aircraft, ships, and motorized infantry.

Reflecting its role as a player in the preparation for future and futuristic wars, the Joint Functional Component Command for Space, established in 2006, operates the Space Surveillance Network. To prevent a high-altitude attack on America, this worldwide system of radar and telescopes in 29 remote locations like Ascension Island and Kwajalein Atoll makes about 400,000 observations daily, monitoring every object in the skies.

The Future of Wonder Weapons

By the mid-2020s, if the military’s dreams are realized, the Pentagon’s triple-canopy shield should be able to atomize a single “terrorist” with a missile strike or, with equal ease, blind an entire army by knocking out all of its ground communications, avionics, and naval navigation. It’s a system that, were it to work as imagined, just might allow the United States a diplomatic veto of global lethality, an equalizer for any further loss of international influence.

But as in Vietnam, where aerospace wonders could not prevent a searing defeat, history offers some harsh lessons when it comes to technology trumping insurgencies, no less the fusion of forces (diplomatic, economic, and military) whose sum is geopolitical power. After all, the Third Reich failed to win World War II even though it had amazingly advanced “wonder weapons,” including the devastating V-2 missile, the unstoppable Me-262 jet fighter, and the ship-killing Hs-293 guided missile.

Washington’s dogged reliance on and faith in military technology to maintain its hegemony will certainly guarantee endless combat operations with uncertain outcomes in the forever war against terrorists along the ragged edge of Asia and Africa and incessant future low-level aggression in space and cyberspace. Someday, it may even lead to armed conflict with rivals China and Russia.

Whether the Pentagon’s robotic weapon systems will offer the U.S. an extended lease on global hegemony or prove a fantasy plucked from the frames of a Buck Rogers comic book, only the future can tell. Whether, in that moment to come, America will play the role of the indomitable Buck Rogers or the Martians he eventually defeated is another question worth asking. One thing is likely, however: that future is coming far more quickly and possibly far more painfully than any of us might imagine.

Something is wrong on the internet

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By James Bridle

Source: Medium

As someone who grew up on the internet, I credit it as one of the most important influences on who I am today. I had a computer with internet access in my bedroom from the age of 13. It gave me access to a lot of things which were totally inappropriate for a young teenager, but it was OK. The culture, politics, and interpersonal relationships which I consider to be central to my identity were shaped by the internet, in ways that I have always considered to be beneficial to me personally. I have always been a critical proponent of the internet and everything it has brought, and broadly considered it to be emancipatory and beneficial. I state this at the outset because thinking through the implications of the problem I am going to describe troubles my own assumptions and prejudices in significant ways.

One of the thus-far hypothetical questions I ask myself frequently is how I would feel about my own children having the same kind of access to the internet today. And I find the question increasingly difficult to answer. I understand that this is a natural evolution of attitudes which happens with age, and at some point this question might be a lot less hypothetical. I don’t want to be a hypocrite about it. I would want my kids to have the same opportunities to explore and grow and express themselves as I did. I would like them to have that choice. And this belief broadens into attitudes about the role of the internet in public life as whole.

I’ve also been aware for some time of the increasingly symbiotic relationship between younger children and YouTube. I see kids engrossed in screens all the time, in pushchairs and in restaurants, and there’s always a bit of a Luddite twinge there, but I am not a parent, and I’m not making parental judgments for or on anyone else. I’ve seen family members and friend’s children plugged into Peppa Pig and nursery rhyme videos, and it makes them happy and gives everyone a break, so OK.

But I don’t even have kids and right now I just want to burn the whole thing down.

Someone or something or some combination of people and things is using YouTube to systematically frighten, traumatise, and abuse children, automatically and at scale, and it forces me to question my own beliefs about the internet, at every level. Much of what I am going to describe next has been covered elsewhere, although none of the mainstream coverage I’ve seen has really grasped the implications of what seems to be occurring.

To begin: Kid’s YouTube is definitely and markedly weird. I’ve been aware of its weirdness for some time. Last year, there were a number of articles posted about the Surprise Egg craze. Surprise Eggs videos depict, often at excruciating length, the process of unwrapping Kinder and other egg toys. That’s it, but kids are captivated by them. There are thousands and thousands of these videos and thousands and thousands, if not millions, of children watching them.

From the article linked above:

The maker of my particular favorite videos is “Blu Toys Surprise Brinquedos & Juegos,” and since 2010 he seems to have accrued 3.7 million subscribers and just under 6 billion views for a kid-friendly channel entirely devoted to opening surprise eggs and unboxing toys. The video titles are a continuous pattern of obscure branded lines and tie-ins: “Surprise Play Doh Eggs Peppa Pig Stamper Cars Pocoyo Minecraft Smurfs Kinder Play Doh Sparkle Brilho,” “Cars Screamin’ Banshee Eats Lightning McQueen Disney Pixar,” “Disney Baby Pop Up Pals Easter Eggs SURPRISE.”

As I write this he has done a total of 4,426 videos and counting. With so many views — for comparison, Justin Bieber’s official channel has more than 10 billion views, while full-time YouTube celebrity PewDiePie has nearly 12 billion — it’s likely this man makes a living as a pair of gently murmuring hands that unwrap Kinder eggs. (Surprise-egg videos are all accompanied by pre-roll, and sometimes mid-video and ads.)

That should give you some idea of just how odd the world of kids online video is, and that list of video titles hints at the extraordinary range and complexity of this situation. We’ll get into the latter in a minute; for the moment know that it’s already very strange, if apparently pretty harmless, out there.

Another huge trope, especially the youngest children, is nursery rhyme videos.

Little Baby Bum, which made the above video, is the 7th most popular channel on YouTube. With just 515 videos, they have accrued 11.5 million subscribers and 13 billion views. Again, there are questions as to the accuracy of these numbers, which I’ll get into shortly, but the key point is that this is a huge, huge network and industry.

On-demand video is catnip to both parents and to children, and thus to content creators and advertisers. Small children are mesmerised by these videos, whether it’s familiar characters and songs, or simply bright colours and soothing sounds. The length of many of these videos — one common video tactic is to assemble many nursery rhyme or cartoon episodes into hour+ compilations —and the way that length is marketed as part of the video’s appeal, points to the amount of time some kids are spending with them.

YouTube broadcasters have thus developed a huge number of tactics to draw parents’ and childrens’ attention to their videos, and the advertising revenues that accompany them. The first of these tactics is simply to copy and pirate other content. A simple search for “Peppa Pig” on YouTube in my case yielded “About 10,400,000 results” and the front page is almost entirely from the verified “Peppa Pig Official Channel”, while one is from an unverified channel called Play Go Toys, which you really wouldn’t notice unless you were looking out for it:

Play Go Toys’ channel consists of (I guess?) pirated Peppa Pig and other cartoons, videos of toy unboxings (another kid magnet), and videos of, one supposes, the channel owner’s own children. I am not alleging anything bad about Play Go Toys; I am simply illustrating how the structure of YouTube facilitates the delamination of content and author, and how this impacts on our awareness and trust of its source.

As another blogger notes, one of the traditional roles of branded content is that it is a trusted source. Whether it’s Peppa Pig on children’s TV or a Disney movie, whatever one’s feelings about the industrial model of entertainment production, they are carefully produced and monitored so that kids are essentially safe watching them, and can be trusted as such. This no longer applies when brand and content are disassociated by the platform, and so known and trusted content provides a seamless gateway to unverified and potentially harmful content.

(Yes, this is the exact same process as the delamination of trusted news media on Facebook feeds and in Google results that is currently wreaking such havoc on our cognitive and political systems and I am not going to explicitly explore that relationship further here, but it is obviously deeply significant.)

A second way of increasing hits on videos is through keyword/hashtag association, which is a whole dark art unto itself. When some trend, such as Surprise Egg videos, reaches critical mass, content producers pile onto it, creating thousands and thousands more of these videos in every possible iteration. This is the origin of all the weird names in the list above: branded content and nursery rhyme titles and “surprise egg” all stuffed into the same word salad to capture search results, sidebar placement, and “up next” autoplay rankings.

Play Go Toys’ channel consists of (I guess?) pirated Peppa Pig and other cartoons, videos of toy unboxings (another kid magnet), and videos of, one supposes, the channel owner’s own children. I am not alleging anything bad about Play Go Toys; I am simply illustrating how the structure of YouTube facilitates the delamination of content and author, and how this impacts on our awareness and trust of its source.

As another blogger notes, one of the traditional roles of branded content is that it is a trusted source. Whether it’s Peppa Pig on children’s TV or a Disney movie, whatever one’s feelings about the industrial model of entertainment production, they are carefully produced and monitored so that kids are essentially safe watching them, and can be trusted as such. This no longer applies when brand and content are disassociated by the platform, and so known and trusted content provides a seamless gateway to unverified and potentially harmful content.

(Yes, this is the exact same process as the delamination of trusted news media on Facebook feeds and in Google results that is currently wreaking such havoc on our cognitive and political systems and I am not going to explicitly explore that relationship further here, but it is obviously deeply significant.)

A second way of increasing hits on videos is through keyword/hashtag association, which is a whole dark art unto itself. When some trend, such as Surprise Egg videos, reaches critical mass, content producers pile onto it, creating thousands and thousands more of these videos in every possible iteration. This is the origin of all the weird names in the list above: branded content and nursery rhyme titles and “surprise egg” all stuffed into the same word salad to capture search results, sidebar placement, and “up next” autoplay rankings.

A striking example of the weirdness is the Finger Family videos (harmless example embedded above). I have no idea where they came from or the origin of the children’s rhyme at the core of the trope, but there are at least 17 million versions of this currently on YouTube, and again they cover every possible genre, with billions and billions of aggregated views.

Once again, the view numbers of these videos must be taken under serious advisement. A huge number of these videos are essentially created by bots and viewed by bots, and even commented on by bots. That is a whole strange world in and of itself. But it shouldn’t obscure that there are also many actual children, plugged into iphones and tablets, watching these over and over again — in part accounting for the inflated view numbers — learning to type basic search terms into the browser, or simply mashing the sidebar to bring up another video.

What I find somewhat disturbing about the proliferation of even (relatively) normal kids videos is the impossibility of determining the degree of automation which is at work here; how to parse out the gap between human and machine. The example above, from a channel called Bounce Patrol Kids, with almost two million subscribers, show this effect in action. It posts professionally produced videos, with dedicated human actors, at the rate of about one per week. Once again, I am not alleging anything untoward about Bounce Patrol, which clearly follows in the footsteps of pre-digital kid sensations like their fellow Australians The Wiggles.

And yet, there is something weird about a group of people endlessly acting out the implications of a combination of algorithmically generated keywords: “Halloween Finger Family & more Halloween Songs for Children | Kids Halloween Songs Collection”, “Australian Animals Finger Family Song | Finger Family Nursery Rhymes”, “Farm Animals Finger Family and more Animals Songs | Finger Family Collection – Learn Animals Sounds”, “Safari Animals Finger Family Song | Elephant, Lion, Giraffe, Zebra & Hippo! Wild Animals for kids”, “Superheroes Finger Family and more Finger Family Songs! Superhero Finger Family Collection”, “Batman Finger Family Song — Superheroes and Villains! Batman, Joker, Riddler, Catwoman” and on and on and on. This is content production in the age of algorithmic discovery — even if you’re a human, you have to end up impersonating the machine.

Other channels do away with the human actors to create infinite reconfigurable versions of the same videos over and over again. What is occurring here is clearly automated. Stock animations, audio tracks, and lists of keywords being assembled in their thousands to produce an endless stream of videos. The above channel, Videogyan 3D Rhymes — Nursery Rhymes & Baby Songs, posts several videos a week, in increasingly byzantine combinations of keywords. They have almost five million subscribers — more than double Bounce Patrol — although once again it’s impossible to know who or what is actually racking up these millions and millions of views.

I’m trying not to turn this essay into an endless list of examples, but it’s important to grasp how vast this system is, and how indeterminate its actions, process, and audience. It’s also international: there are variations of Finger Family and Learn Colours videos for Tamil epics and Malaysian cartoons which are unlikely to pop up in any Anglophone search results. This very indeterminacy and reach is key to its existence, and its implications. Its dimensionality makes it difficult to grasp, or even to really think about.

We’ve encountered pretty clear examples of the disturbing outcomes of full automation before — some of which have been thankfully leavened with a dark kind of humour, others not so much. Much has been made of the algorithmic interbreeding of stock photo libraries and on-demand production of everything from tshirts to coffee mugs to infant onesies and cell phone covers. The above example, available until recently on Amazon, is one such case, and the story of how it came to occur is fascinating and weird but essentially comprehensible. Nobody set out to create phone cases with drugs and medical equipment on them, it was just a deeply weird mathematical/probabilistic outcome. The fact that it took a while to notice might ring some alarm bells however.

Likewise, the case of the “Keep Calm and Rape A Lot” tshirts (along with the “Keep Calm and Knife Her” and “Keep Calm and Hit Her” ones) is depressing and distressing but comprehensible. Nobody set out to create these shirts: they just paired an unchecked list of verbs and pronouns with an online image generator. It’s quite possible that none of these shirts ever physically existed, were ever purchased or worn, and thus that no harm was done. Once again though, the people creating this content failed to notice, and neither did the distributor. They literally had no idea what they were doing.

What I will argue, on the basis of these cases and of those I’m going to describe further, is that the scale and logic of the system is complicit in these outputs, and requires us to think through their implications.

(Also again: I’m not going to dig into the wider social implications of such processes outside the scope of what I am writing about here, but it’s clear that one can draw a clear line from examples such as these to pressing contemporary issues such as racial and gender bias in big data and machine intelligence-driven systems, which require urgent attention but in the same manner do not have anything resembling easy or even preferable solutions.)

Let’s look at just one video among the piles of kid videos, and try to parse out where it comes from. It’s important to stress that I didn’t set out to find this particular video: it appeared organically and highly ranked in a search for ‘finger family’ in an incognito browser window (i.e. it should not have been influenced by previous searches). This automation takes us to very, very strange places, and at this point the rabbithole is so deep that it’s impossible to know how such a thing came into being.

Once again, a content warning: this video is not inappropriate in any way, but it is decidedly off, and contains elements which might trouble anyone. It’s very mild on the scale of such things, but. I describe it below if you don’t want to watch it and head down that road. This warning will recur.

The above video is entitled Wrong Heads Disney Wrong Ears Wrong Legs Kids Learn Colors Finger Family 2017 Nursery Rhymes. The title alone confirms its automated provenance. I have no idea where the “Wrong Heads” trope originates, but I can imagine, as with the Finger Family Song, that somewhere there is a totally original and harmless version that made enough kids laugh that it started to climb the algorithmic rankings until it made it onto the word salad lists, combining with Learn Colors, Finger Family, and Nursery Rhymes, and all of these tropes — not merely as words but as images, processes, and actions — to be mixed into what we see here.

The video consists of a regular version of the Finger Family song played over an animation of character heads and bodies from Disney’s Aladdin swapping and intersecting. Again, this is weird but frankly no more than the Surprise Egg videos or anything else kids watch. I get how innocent it is. The offness creeps in with the appearance of a non-Aladdin character —Agnes, the little girl from Despicable Me. Agnes is the arbiter of the scene: when the heads don’t match up, she cries, when they do, she cheers.

The video’s creator, BABYFUN TV (screenshot above), has produced many similar videos. As many of the Wrong Heads videos as I could bear to watch all work in exactly the same way. The character Hope from Inside Out weeps through a Smurfs and Trolls head swap. It goes on and on. I get the game, but the constant overlaying and intermixing of different tropes starts to get inside you. BABYFUN TV only has 170 subscribers and very low view rates, but then there are thousands and thousands of channels like this. Numbers in the long tail aren’t significant in the abstract, but in their accumulation.

The question becomes: how did this come to be? The “Bad Baby” trope also present on BABYFUN TV features the same crying. While I find it disturbing, I can understand how it might provide some of the rhythm or cadence or relation to their own experience that actual babies are attracted to in this content, although it has been warped and stretched through algorithmic repetition and recombination in ways that I don’t think anyone actually wants to happen.

Toy Freaks is a hugely popular channel (68th on the platform) which features a father and his two daughters playing out — or in some cases perhaps originating — many of the tropes we’ve identified so far, including “Bad Baby”, above. As well as nursery rhymes and learning colours, Toy Freaks specialises in gross-out situations, as well as activities which many, many viewers feel border on abuse and exploitation, if not cross the line entirely, including videos of the children vomiting and in pain. Toy Freaks is a YouTube verified channel, whatever that means. (I think we know by now it means nothing useful.)

As with Bounce Patrol Kids, however you feel about the content of these videos, it feels impossible to know where the automation starts and ends, who is coming up with the ideas and who is roleplaying them. In turn, the amplification of tropes in popular, human-led channels such as Toy Freaks leads to them being endlessly repeated across the network in increasingly outlandish and distorted recombinations.

There’s a second level of what I’m characterising as human-led videos which are much more disturbing than the mostly distasteful activities of Toy Freaks and their kin. Here is a relatively mild, but still upsetting example:

A step beyond the simply pirated Peppa Pig videos mentioned previously are the knock-offs. These too seem to teem with violence. In the official Peppa Pig videos, Peppa does indeed go to the dentist, and the episode in which she does so seems to be popular — although, confusingly, what appears to be the real episode is only available on an unofficial channel. In the official timeline, Peppa is appropriately reassured by a kindly dentist. In the version above, she is basically tortured, before turning into a series of Iron Man robots and performing the Learn Colours dance. A search for “peppa pig dentist” returns the above video on the front page, and it only gets worse from here.

Disturbing Peppa Pig videos, which tend towards extreme violence and fear, with Peppa eating her father or drinking bleach, are, it turns out very widespread. They make up an entire YouTube subculture. Many are obviously parodies, or even satires of themselves, in the pretty common style of the internet’s outrageous, deliberately offensive kind. All the 4chan tropes are there, the trolls are out, we know this.

In the example above, the agency is less clear: the video starts with a trollish Peppa parody, but later syncs into the kind of automated repetition of tropes we’ve seen already. I don’t know which camp it belongs to. Maybe it’s just trolls. I kind of hope it is. But I don’t think so. Trolls don’t cover the intersection of human actors and more automated examples further down the line. They’re at play here, but they’re not the whole story.

I suppose it’s naive not to see the deliberate versions of this coming, but many are so close to the original, and so unsignposted — like the dentist example — that many, many kids are watching them. I understand that most of them are not trying to mess kids up, not really, even though they are.

I’m trying to understand why, as plainly and simply troubling as it is, this is not a simple matter of “won’t somebody think of the children” hand-wringing. Obviously this content is inappropriate, obviously there are bad actors out there, obviously some of these videos should be removed. Obviously too this raises questions of fair use, appropriation, free speech and so on. But reports which simply understand the problem through this lens fail to fully grasp the mechanisms being deployed, and thus are incapable of thinking its implications in totality, and responding accordingly.

The New York Times, headlining their article on a subset of this issue “On YouTube Kids, Startling Videos Slip Past Filters”, highlights the use of knock-off characters and nursery rhymes in disturbing content, and frames it as a problem of moderation and legislation. YouTube Kids, an official app which claims to be kid-safe but is quite obviously not, is the problem identified, because it wrongly engenders trust in users. An article in the British tabloid The Sun, “Kids left traumatised after sick YouTube clips showing Peppa Pig characters with knives and guns appear on app for children” takes the same line, with an added dose of right-wing technophobia and self-righteousness. But both stories take at face value YouTube’s assertions that these results are incredibly rare and quickly removed: assertions utterly refuted by the proliferation of the stories themselves, and the growing number of social media posts, largely by concerned parents, from which they arise.

But as with Toy Freaks, what is concerning to me about the Peppa videos is how the obvious parodies and even the shadier knock-offs interact with the legions of algorithmic content producers until it is completely impossible to know what is going on. (“The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.”)

Here’s what is basically a version of Toy Freaks produced in Asia (screenshot above). Here’s one from Russia. I don’t really want to use the term “human-led” any more about these videos, although they contain all the same tropes and actual people acting them out. I no longer have any idea what’s going on here and I really don’t want to and I’m starting to think that that is kind of the point. That’s part of why I’m starting to think about the deliberateness of this all. There is a lot of effort going into making these. More than spam revenue can generate — can it? Who’s writing these scripts, editing these videos? Once again, I want to stress: this is still really mild, even funny stuff compared to a lot of what is out there.

Here are a few things which are disturbing me:

The first is the level of horror and violence on display. Some of the times it’s troll-y gross-out stuff; most of the time it seems deeper, and more unconscious than that. The internet has a way of amplifying and enabling many of our latent desires; in fact, it’s what it seems to do best. I spend a lot of time arguing for this tendency, with regards to human sexual freedom, individual identity, and other issues. Here, and overwhelmingly it sometimes feels, that tendency is itself a violent and destructive one.

The second is the levels of exploitation, not of children because they are children but of children because they are powerless. Automated reward systems like YouTube algorithms necessitate exploitation in the same way that capitalism necessitates exploitation, and if you’re someone who bristles at the second half of that equation then maybe this should be what convinces you of its truth. Exploitation is encoded into the systems we are building, making it harder to see, harder to think and explain, harder to counter and defend against. Not in a future of AI overlords and robots in the factories, but right here, now, on your screen, in your living room and in your pocket.

Many of these latest examples confound any attempt to argue that nobody is actually watching these videos, that these are all bots. There are humans in the loop here, even if only on the production side, and I’m pretty worried about them too.

I’ve written enough, too much, but I feel like I actually need to justify all this raving about violence and abuse and automated systems with an example that sums it up. Maybe after everything I’ve said you won’t think it’s so bad. I don’t know what to think any more.

This video, BURIED ALIVE Outdoor Playground Finger Family Song Nursery Rhymes Animation Education Learning Video, contains all of the elements we’ve covered above, and takes them to another level. Familiar characters, nursery tropes, keyword salad, full automation, violence, and the very stuff of kids’ worst dreams. And of course there are vast, vast numbers of these videos. Channel after channel after channel of similar content, churned out at the rate of hundreds of new videos every week. Industrialised nightmare production.

For the final time: There is more violent and more sexual content like this available. I’m not going to link to it. I don’t believe in traumatising other people, but it’s necessary to keep stressing it, and not dismiss the psychological effect on children of things which aren’t overtly disturbing to adults, just incredibly dark and weird.

A friend who works in digital video described to me what it would take to make something like this: a small studio of people (half a dozen, maybe more) making high volumes of low quality content to reap ad revenue by tripping certain requirements of the system (length in particular seems to be a factor). According to my friend, online kids’ content is one of the few alternative ways of making money from 3D animation because the aesthetic standards are lower and independent production can profit through scale. It uses existing and easily available content (such as character models and motion-capture libraries) and it can be repeated and revised endlessly and mostly meaninglessly because the algorithms don’t discriminate — and neither do the kids.

These videos, wherever they are made, however they come to be made, and whatever their conscious intention (i.e. to accumulate ad revenue) are feeding upon a system which was consciously intended to show videos to children for profit. The unconsciously-generated, emergent outcomes of that are all over the place.

To expose children to this content is abuse. We’re not talking about the debatable but undoubtedly real effects of film or videogame violence on teenagers, or the effects of pornography or extreme images on young minds, which were alluded to in my opening description of my own teenage internet use. Those are important debates, but they’re not what is being discussed here. What we’re talking about is very young children, effectively from birth, being deliberately targeted with content which will traumatise and disturb them, via networks which are extremely vulnerable to exactly this form of abuse. It’s not about trolls, but about a kind of violence inherent in the combination of digital systems and capitalist incentives. It’s down to that level of the metal.

This, I think, is my point: The system is complicit in the abuse.

And right now, right here, YouTube and Google are complicit in that system. The architecture they have built to extract the maximum revenue from online video is being hacked by persons unknown to abuse children, perhaps not even deliberately, but at a massive scale. I believe they have an absolute responsibility to deal with this, just as they have a responsibility to deal with the radicalisation of (mostly) young (mostly) men via extremist videos — of any political persuasion. They have so far showed absolutely no inclination to do this, which is in itself despicable. However, a huge part of my troubled response to this issue is that I have no idea how they can respond without shutting down the service itself, and most systems which resemble it. We have built a world which operates at scale, where human oversight is simply impossible, and no manner of inhuman oversight will counter most of the examples I’ve used in this essay. The asides I’ve kept in parentheses throughout, if expanded upon, would allow one with minimal effort to rewrite everything I’ve said, with very little effort, to be not about child abuse, but about white nationalism, about violent religious ideologies, about fake news, about climate denialism, about 9/11 conspiracies.

This is a deeply dark time, in which the structures we have built to sustain ourselves are being used against us — all of us — in systematic and automated ways. It is hard to keep faith with the network when it produces horrors such as these. While it is tempting to dismiss the wilder examples as trolling, of which a significant number certainly are, that fails to account for the sheer volume of content weighted in a particularly grotesque direction. It presents many and complexly entangled dangers, including that, just as with the increasing focus on alleged Russian interference in social media, such events will be used as justification for increased control over the internet, increasing censorship, and so on. This is not what many of us want.

I’m going to stop here, saying only this:

What concerns me is not just the violence being done to children here, although that concerns me deeply. What concerns me is that this is just one aspect of a kind of infrastructural violence being done to all of us, all of the time, and we’re still struggling to find a way to even talk about it, to describe its mechanisms and its actions and its effects. As I said at the beginning of this essay: this is being done by people and by things and by a combination of things and people. Responsibility for its outcomes is impossible to assign but the damage is very, very real indeed.

 

An Unreal Existence

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By Richard Fernandez

Source: The Burning Platform

At the end of the 20th century people believed in the truth. While they had several truths, — liberalism, conservativism, classic Communism of the kind once espoused by Che Guevara and in places a naive form of apocalyptic Islam — at least each believed the world’s problems could be solved if their truth should triumph over the rest.

The clash of civilizations since September 11, 2001 has left every culture wounded and guilty in its own way. Western civilization, dominant through the modern era appears to be destroying itself in self-hatred, literally choosing extinction. “In 2015, all European Union countries had a sub-replacement fertility rate.” With the replacement fertility at 2.33, the average for the EU was 1.58. At the same time Islam was tearing itself apart in a global civil war while the United States was riven by discord.

No one seems to have the answers any more. Technological warfare only seems to increase entropy rather than reduce it. Yemen, Libya, Afghanistan are stories of one set of villains replacing another. So many Black Swans have appeared that they are no longer novelties. The old status quo faces the possibility that Brexit, Trump, Catalonia and the North Korean nuclear breakout far from being exceptions to the rule are harbingers of things to come.

What seems to have changed is our mental furniture though we don’t quite understand how it happened. Globalization has allowed drastic mutations that biologist Ernst Mayr notes often originates “in a relatively small and isolated population” to propagate very rapidly into a new normal. The new normal in Europe is depopulation, don’t ask how because the periphery can now become the center with surprising speed. The New York Times report that “major liberal donors, posing an insurgent challenge to some of the left’s most venerable institutions — and the Democratic Party itself” are no longer funding politicians like Hillary but the Resistance itself should come as no surprise.

“We’re in a disruptive period, and when we get through it, the progressive infrastructure landscape may look different,” said Gara LaMarche, president of the Democracy Alliance, a club of wealthy liberals who donate at least $200,000 a year to recommended groups.

The new variability is overwhelming the old political elite. As the World Wars and the Black Death demonstrated upheaval can produce wild mood swings in a populace. “The tremendous emotional shock [of the Black Death] … created a state of … depression and sometimes even panic” which turned people to fanaticism as others sought scapegoats for their troubles or lost themselves in a debauchery made famous by Poe’s Masque of the Red Death and the wild abandon of Weimar.

The underlying disruption is creating a similar volatility today. Currently we are obsessed with 71 genders but a nuclear or biological disaster can can flip decades of political correctness and deference to technology into their opposite. Considering all the freedoms and privacy the West has already given up to preserve the status quo the mantra “we can’t let it change us” is mockingly ironic. It is change, not changelessness which is characteristic of the present.

Perhaps the world is living through history’s first information epidemic and like the medievals who fell to unseen pathogens we can scarcely understand the catastrophe befalling us. Many are at a loss to explain entropy and anomie on a scale never seen before. But we cannot respond effectively to chaos without realizing the threat is not merely physical but an information corruption challenge.

At least Hillary’s call for more censorship on social media shows the old establishment is belatedly waking up to the informational nature of the threat without fully understanding it. “This is a new kind of Cold War — and it is just getting started,” Clinton said in a speech at Stanford University, using the language of 1945 to describe 2017.  Clinton seems to regard the machinery of manipulation per se as acceptable as long as it does not fall into the wrong hands and is probably counting on it to restore order.  She fails to see that manipulation itself — the Narrative — is the root problem and that the Narrative is likely to master her rather than the other way round.

Human sanity was long anchored in reality. Religions might have been flawed but they usually tried to explain things in the light of contemporary knowledge. Common people spent the greater part of their day in contact with society and family in a smartphone-free world that seems to be lost forever. They were innoculated against much craziness. That world had a self-centering property that is now missing.

Today we have live in an environment where whole populations are immersed in an ocean of deliberate lies. People can believe anything — and often do. The Narrative is malware corroding our sense of humanity and reality. Instead of increasing privacy so data miners cannot engage in the targeted lying which makes “fake news” so effective we decrease it the better to help the manipulators. We’ve reached the point where having real human networks instead of social ones is slightly suspicious. “Fear the man,” we are told when pondering Steven Paddock, “with no digital footprint.”

Perhaps humanity was better off with rival truths rather than rival lies. In retrospect the status quo got bitten by its own creation in 2016 after Putin wrested a surprising chunk of the Narrative from the Gatekeepers. But the politicians far from learning their lesson want the handlers to take a firmer grip on the snake instead of defanging it. It will bite them again and more venomously next time.

Are We Living Haunted Lives?

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By Kingsley L. Dennis

Source: Waking Times

‘Fear has many eyes
And can see things underground’
~Cervantes, Don Quixote

The world as we know it has gone from being flat to round; from being the center of the universe to the center of the solar system; from being animistic and supernatural to raw in tooth and claw; from being particle-atomic to wavy-quantum. And now we are disappearing into the digital domains of virtual-augmented spaces and false information, bombarded with the spectacle and the image. And somewhere in the midst of all this is the human soul, still largely wrapped and unopened. If there’s a crime here then it is that we’ve allowed ourselves to become haunted – to live haunted lives that lack significance and meaning.

The ‘objects’ or values that we have attempted to live by, or that we pursue, – such as power, truth, understanding, dreams, work, love, and the rest – have all seemingly vanished into some warped, elusive reality where the presence of these things no longer tangibly exist. However, the doubt, uncertainty, and pain of their absence – or ‘fake presence’ – are indeed real enough to affect us deeply. We seek the already disappeared and stalk their substitutes.

We are now close to the stage where we end up just acting out our fantasies upon the phantasmal theatre of our lives and thinking it is reality. This theatre, or screen, of fantasies and the fantastical is like the cave wall in Plato’s allegory where the flickering shadows that move across are taken to be the real. In an updating of Plato’s famous allegory we no longer have shadows projected upon the cave wall; they are now projected upon the green screens that form the back-drop for computer-generated imagery (CGI) that adorn our movies, television programs, and video games.

Whole societies, notably in the technologically-advanced western world, are arranging for our lives to be enacted amidst a scenery backdrop of events and issues artificially projected for us as CGI onto a fake canvas. Within this encroaching visual world, full of misinformation that influences our worldview, we are made to believe in a different kind of reality. It is a reality that is uncertain and insecure, and that requires for us to hold deep obedience to our state institutions to protect us. And within this projection of reality, meanings are provided for us as ready-made meals. In other words, full of too much salt, saturated fats, and laziness.

These socially manufactured meanings are provided as a substitute for the genuine lack. Of these choices offered we often take our pick, as consumers in a marketplace. It may be career, wealth, fame, achievement, or a combination of these and more. Yet the manufactured consent in our sense of meaning, no matter how thoroughly pursued and potentially obtained, is still not genuine. And like the ready-made meal, it soon leaves us with a continued hunger. The illusion of meaning is a vital illusion, yet it still remains an illusion. We may say then that the world we have come to know is a great spectacle of illusion and play; of movement, distraction, simulation, and excess. Yet rather than critically confronting the illusions and distractions we are cleverly persuaded to indulge in them.

The world we share now is also shared with our collective doubts, fears, anger, and frustrations. And these new emotions upon the global stage are blurring our picture of the world and its future. Whilst there are many of us who are excited and genuinely inspired by this increased complexity and diversity there has been a cultural backlash, in the western nations especially, to cover this up with a sheen of simplicity through generic news, bland reporting, and excruciatingly trivial entertainment. This clash of the complex with the simple is creating an odd reality where things just don’t feel right anymore.

We are participants on a ride through the flippant and the flimsy, the significant and the necessary, as we are expected to find our foothold – our human soul – in a world seemingly on the verge of insanity. In such a world, Disneyland may seem to some as the greatest of sanctuaries; whilst to rest of us it stands as a superficial sign of our times.

Most of us do not have the capacity to verify the truth claims of the mainstream media and yet we are more than willing it accept the veracity of their claims. We suspend our own disbelief by trusting in others, especially when it comes to authority and experts. In other words, we have been conditioned to respect the positions of authority and ‘the expert,’ often without critical thought.

And this is the context which frames the telling of his-story and also our-stories. The singer-songwriter Lou Reed once sang, ‘Don’t believe anything you hear and only half of what you see.’ Documentary film-maker Adam Curtis discusses this phenomenon of how the mainstream media projects a simplified, fake reality in his film HyperNormalization (2016). The term hypernormaliztion was taken from an account of life in the Soviet Union during the twenty years before it collapsed. In this account everyone knew the system was failing but they couldn’t envision any alternative and so everyone is resigned to maintaining the pretence of a functioning society. Over time this delusion is accepted as real, an effect termed as hypernormalization. In other words, when the fake is finally accepted as the real then we are living in a hypernormalized state. Does this sound familiar?

The question is – does Reality ever take place?

Our bodies of authority, our mainstream media channels, and our centers of learning – that is, a majority of our significant institutions – have turned, or are in the process of turning, into advertising gimmicks. They peddle publicity and propaganda as endless programs stuck on a loop. They serve to produce the appearance of reality; yet they fail to represent a sense of reality. And this fundamental difference has produced a feeling of living haunted lives. We wander as ghosts in liminal zones, hungry for meaning.

In this sense of loss we no longer seem to know, or distinguish, between oppositions. Almost all of our value systems are based on relative terms – good, bad, my history, your history, etc. Often, the values we take to be ‘our values’ were inculcated in us depending upon which culture we happened to be born into. It is true there are some values more universally shared – such as thou shalt not kill – but the majority of them are culturally relative. Take for instance, sex before marriage – good or bad? Same-sex partnerships? Freedom of religious speech? Eating pork? Eating rats? Democrats or Republicans? Labour or Conservative? Which is good and which is bad? In the case of political parties it is neither – they are false oppositions. More than that, they are also distractions. When you’re arguing (sorry, debating) over political parties you are not observing the system behind them that created this false lack of choice in the first place. False oppositions plague our haunted hinterland. We don’t see this if we are the aimless ghosts, or the walking dead. It’s not pleasant – it’s eerie. And we are in eerie times.

Modernity in its current form is haunted by a sense of loss; of not knowing where it is heading. There are a great many aspects of our age that are in disruption and dislocation. All forms of stability are in question; old and incumbent patterns and models are in dispute; and too many people are experiencing moods of despair and anguish. It is as if our human civilization has come loose from its moorings and is now adrift upon the waters of uncertainty, insignificance, and the loss of meaning.

And so it seems that our civilization is careering dangerously close to some kind of blind spot where we no longer can tell what is true or false anymore. Truth is replaced by a fake substitute and the false becomes a parody of the truth. They are the haunted spaces where the mist drifts by. It’s like a Zen joke. It’s the same as a voice whispering in the darkness saying there is no such thing as a voice whispering in the darkness. They couldn’t have written a better riddle if they had tried.

So what went wrong? Where did it all go? What is it, in fact?

A profound sense of unease has crept into many of us, and also into our social systems, our cultures, our art, our news, and into the very collective soul of humanity. It is an eeriness; an uncertain disquiet – almost an unsettling foreboding. Something has come loose, and we’re not sure what it is. Further still, most of us are fairly certain that those institutions supposedly ‘looking after our best interests’, or running the show – whether they be governmental bodies, financial elites, or shadowy organizations and cabals – are not really in control or are sure either. It feels as if something is amiss, and we just can’t quite put our finger on it. Welcome to our haunted modernity.

We have disarray over a consensus concerning climate chaos, stock market panics and economic crashes, offshore tax evasions and leaked documents, political scandals, pandemic threats and contested vaccines, state and terrorist violence, congenital anxiety and existential fear – a whole cauldron of terror, dread, disquiet, nervousness, angst, and what-the-hell-is-going-on collective confusion is bubbling both under and over in many of our societies.

We have been infiltrated with a virus and it is infecting not only our bodies but our very minds. It’s a pure mind-bending virus and it’s playing havoc with our insecurities and indulging in our sense of lostness. The Spanish have a phrase for this state – “de perdidos al río” – and it roughly translates as from lost to the river. It may not make complete literal sense in English but that’s just it; you can get the sense of it and its vagueness is exactly where we are – from lost to the river!

In such ‘haunted lives’ we can easily become accustomed to metaphysical anguish as just another pain. It is like a pulled muscle or a sprained ankle; something unpleasant and yet we continue to move around with it. In the end we learn how to direct and project this metaphysical anguish onto other things – we choose intoxicating entertainment, sports, and other cultural pastimes and diversions. Angst just becomes a factor that appears to come as a default setting with our species. There is the danger that we become accepting of the ghostly flimsiness to life, which ends up being hypernormalized so that the sense of absence of something real becomes the new reality. There is the dangerous potential here for a state of indifference to emerge and seep into our cultures, which then becomes an ennui-creep into the world until…oh, well, what does it matter anyway?

During these years of disarray and turbulence it is essential that we create meaning for ourselves, otherwise the ‘distant algorithmic’ universe that runs the life around us will create a deep sense of alienation. In a world of scrambled code and big data, transcendence will seem another chimera not within grasp or even real. Or, at worse, the very notion of transcendence will seem the delirium of unstable minds – for those people not able to ‘get real’ with the world of Now.

In this instance, transcendence will appear as a form of spiritual autism. And yet the notion of going beyond ourselves, of developing our capacities for higher perception, are the saving grace inherent within our human species. We are incomplete, and this haunts us, and yet it should also give us meaning and a higher aim in life in knowing that there is further to go. In knowing that there are tools within us for creating, shaping, and cultivating these finer faculties. In being haunted we are also being reminded of what is lacking and this urge should compel us to find a solution within ourselves. We are in fact being ‘haunted into remembrance.’

However, for many of us a haunted modernity offers us a conditioned life where there is little or no space for transcendence. In such social and cultural hauntings there are no navigable locations. We have stepped into an unsouling from the wilderness. We are compelled to walk on.

Manufacturing Panic: Social Engineering, Domination and Control

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By S.C. Hickman

Source: Techno Occulture

In the 21st century, the social engineering of dread and longing have evolved into a bio-political arena of terror and a psycho-political culture of internalized domination. The globally deployed technology of the spectacle transforms to a creative panic industry, the pacification of the self and the silencing of multitudes. With no visible alternatives to universal pancapitalism there seems to be no need for payoffs for the disenchanted, no necessity to bribe the dissenting segments of the population and no incentive to grant extension of freedoms.1

Instead of peddling hope and visions of mutually shared commonwealth, authority is maintained by the production of synthetic fear and the need to secure property against some other. Deimos and Phobos, the gods of panic, angst and terror dominate the omni-directional realm of geo-psychological strategies in an asymmetric world war against invisible enemies without qualities. Market concentrations benefit neo-feudal power structures that know how to use access to media, private security and intelligence services to advance their interests. Austerity, power, and impersonal anonymity interface with a world replete with vast global migrations, desperation, and panic victims who willingly comply and give up liberties for shared security. An Orwellian world of competing agencies, wars, famines, and pestilence drive the panic cities of current criminal elements to traffic in sex, drugs, and war.

Private oligarchic networks of finance and business cartels cultivate relations to governmental entities controlling state agencies and military units. Media narratives and public relations strategies transform synthetic fear into advantages that produce windfalls of power and profit. This theater of fear is a skillful interplay of compartmentalized information units, privatized command centers, loyal officials and gatekeepers as well as professional Special Forces. Technocommercial Black-Ops programs that infiltrate both governmental and public spheres through experimental use of technics and pharmakon in collusion with DARPA and other shadow or Deep State agencies across the globe provide a base infrastructure for a 21st century society of control. Productions of artificial angst call for scenarios of counter-terrorist theater rehearsals and paramilitary actors as well as the professional staging of scapegoats and dupes. The dark networks draw on privatized intelligence units, so called “asteroids”, business entities which provide cover for compartmentalized operations.2

Space was formerly known as heaven and manned space flight from earth could be understood as mechanical equivalent to an ascent to divinity. Johannes Kepler suspected paradise to be located on the moon and Konstantin Tsiolkowsky, the Russian pioneer of modern rocket science, saw manned space flight as a freeway to the supernatural. In his novel “Gravity’s Rainbow” Thomas Pynchon contemplates the ambiguous interrelations between sex, rockets and magic.

Jack Parsons, a key figure in American rocketry, lost his reputation and security clearance in obsessive pursuit of occult rituals and sexual mumbo-jumbo before he diffused into space in a lab explosion in 1952. A crater on the dark side of the moon is named in memory of Parsons, a tribute to the shady cofounder of the famed Jet Propulsion Laboratory (JPL). The 19th century spiritualist pseudoscience of a world of ghosts and occult belief in spirits, a complex adaptation to modernity, has morphed into 20th century sciences. From social theories and “optimization” of the workplace, from operations research to scientific communication and applied psychology, many genres of academic disciplines and the influence business are rooted in the twilight zone of the netherworlds.

When Norbert Wiener, who developed his work on cybernetics from ballistics research, writes that “Communication and control belong to the essence of man’s inner life, even as they belong to his life in society” he evokes the ancient art of assessing the human personality and exploiting motivations. Developed out of clandestine mind control programs in the 1960’s, the methodical application of Personality Assessment Systems became standard operating procedure in business and intelligence. Systems of discipline and control which took shape in the 19th century on the basis of earlier procedures have mutated into new and aggressive forms, beyond simplistic theories of state and sovereignty. In the past, the science of power branched into the twin vectors of political control and control of the self.

In the 21st century the technologies of material control and subjective internalization are in a process of converging. The traditional twin operations, with which the authorities aim to win the hearts and minds, the binding maneuvers of law enforcement and the dazzling illusionist control of the imagination, are transforming into each other. Not unlike werewolves using the powers of the moon for a violent metamorphosis, contemporary agencies of power turn into shape shifters and fluctuating modes of dominance. Star Wars technology shape-shifts into applications of creative industries, into the domain of desire, imagination and mediated lunacy.

Technologies of individualization bound to controllable identities and the global machinery of homogenization are superimposing to a double-bind of contemporary power structures. The renaissance heretic Giordano Bruno anticipates these developments in his visionary treatise “De Vinculis in Genere” – a general account of bonding – on operational phantasms and the libidinal manipulation of the human spirit. The disputatious philosopher of an infinite universe, beyond his unique investigation into the imaginary and the persuasion of masses and the individual, also challenged the ontological separation between the spheres of the heavens and the sublunary world of his time.

Today, in a technological marriage of heaven and earth, there is a full spectrum military entertainment fusion of global conflict management. A strategic analysis of the enforced colonization of space and mind will certainly provide a more comprehensive understanding of the parameters of life and death on planet Earth. The extraterrestrial highway in the United States, is near the zone 51, a top secret area of the American army. In this zone “black projects” subjected to the secrecy defense are carried out. In 1994 a Congressional subcommittee revealed that up to 500,000 Americans were endangered by secret defense related tests between 1940 and 1974. They included covert experiments with radioactive materials, mustard gas, LSD, and biological agents.3

Disneyland and the global media sightings of men on the moon are exemplary for the universal power of imagination management and the spectacle. Receptiveness for the spectacle is deeply embedded in human desires for excitement, stimulation, knowledge acquisition and the construction of self esteem. Largely based on the biocybernetic exploitation of human response mechanisms that influence emotion, excitement and thrill, the technological spectacle in its play with danger and disorientation is rooted in the biology of ancient neural patterns. But its arena has been dramatically extended through technology. The machinery of the spectacle generates affect by triggering failures of orientation and control. This can be loss of physical balance, a rollercoaster ride or cognitive dissonance. The intensity of affect is directly correlated with the depth of disorientation and the more that vital human response structures are touched, the deeper the effect. Contextual parameters of relatively secure environments allow appreciating these disorientations as hedonistic experiences instead of discomfort and panic. These mechanisms trigger delight and numinous experiences, moving and enthusing audiences.

Aldous Huxley once remarked that there are two kinds of propaganda— rational propaganda in favor of action that is consonant with the enlightened self-interest of those who make it and those to whom it is addressed, and non-rational propaganda that is not consonant with anybody’s enlightened self-interest, but is dictated by, and appeals to, passion. 4

In the years and decades ahead both invasive and non-invasive technologies will enslave the uneducated masses, luring them with technologies of delight or fear to do the bidding of the Oligarchs without little or any resistance since for the most part people will willingly give up there freedoms for comfort, security, and happiness. Of course not all will give into such notions, nor condone the power of persuasion through both extrinsic propaganda and public relations, nor intrinsically through technological pharmakon or invasive forms of implants or nanobots. But these resistant anti-bodies will like any virus be hunted down and annihilated in a society that will have become a unified fascist enclave, a mindless world of automated machines both inorganic and organic. For in the end there will be no barriers between them, only the merger and enhancement of their twined potentials. This is the dark truth-condition of our future… can we stop it?

  1. Konrad Becker, Hypno Politics, Hyper State Control, Law Entrainment and the Symbolic Order. Center for Cognitive Liberty (2015)
  2. Lofgren, Mike. The Deep State: The Fall of the Constitution and the Rise of a Shadow Government. Penguin Books (January 5, 2016); Englehardt, Tom. Shadow Government: Surveillance, Secret Wars, and a Global Security State in a Single-Superpower World. Haymarket Books (September 15, 2014)
  3. Valentine, Douglas. The CIA as Organized Crime: How Illegal Operations Corrupt America and the World. Clarity Press (December 31, 2016)
  4. Huxley, Aldous. Brave New World Revisited. Harper Perennial; Reprint edition (July 1, 2014)