Category Archives: media

Did neocon cancel queen Bari Weiss stage her NY Times resignation to fuel her career?

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A closer look at the events surrounding Bari Weiss’ resignation suggests she omitted some critical details about her toxic presence inside the paper, and may have staged her resignation to drum up publicity for her next move.

By Max Blumenthal and Ben Norton

Source: The Grayzone

Neoconservative New York Times columnist Bari Weiss quit the newspaper on July 14. In a resignation letter published on her personal website, the pundit lamented a supposed “illiberal environment” at the publication in which Weiss’ colleagues mocked her right-wing views, supposedly called her “a Nazi and a racist,” and branded her a “liar and a bigot.”

Weiss’ unexpected departure came days after the hawkish columnist signed a letter in Harper’s Magazine lamenting an “intolerance of opposing views” and demanding an “open debate” in the US media.

The signatories complaining of a “censoriousness” environment included architects of disastrous US military interventions, anti-Palestinian fanatics, and some of the most powerful people in the media, including many who have spent decades censoring anyone to the left of them – and even attempting to cancel entire countries.

But there may have been more to Weiss’ dramatic resignation than her revulsion with the “illiberal” culture of a paper that had recruited her and several neocon allies. A closer look at the events surrounding her departure suggests she likely omitted some critical details about her toxic presence inside the paper, and may have staged her resignation to drum up publicity for her next move.

A neocon network rises inside the Times, embarrassment and outrage ensues

Back on June 3, neoconservative Sen. Tom Cotton published an op-ed in the New York Times calling for the US military to crack down on Americans protesting lethal police violence. The decision to publish the editorial touched off outrage among Times staff, with many demanding to know how such a fascistic piece made it into print.

It turned out that the staffer who edited the piece, Adam Rubenstein, was a card-carrying neocon hired by the Times in early 2019. Rubenstein was a former editor for the now-defunct Weekly Standard founded by William Kristol – the neocon leader responsible for rustling up pro-Israel money to support Cotton’s electoral ambitions.

New York Times staff claimed that the Cotton op-ed “was edited” by Rubenstein and other staffers “had not been aware of the article before it was published.”

The editorial disaster prompted the dismissal of op-ed page editor James Bennet, who had initially defended running Cotton’s screed.

Before joining the Weekly Standard, Rubenstein was a pro-Israel activist at Kenyon College who once attempted to cancel an appearance by the Palestian poet Remi Kanazi on the grounds that Kanazi was “part of a focus-grouped and incubated hatred.”

Rubenstein’s hiring by the Times complimented its hiring of Bari Weiss and fellow anti-Palestinian bigot Bret Stephens in 2017. In her resignation letter, Weiss acknowledged, “I was hired with the goal of bringing in voices that would not otherwise appear in [the Times’] pages: first-time writers, centrists, conservatives.”

In 2018, Weiss and Stephens responded to a critic who had called them “Zionist fanatics of near-unhinged proportions.” The two retorted: “The word ‘near’ should not have been a part of the sentence. Otherwise, we happily plead guilty as charged.”

When Rubenstein joined them at the paper, he became Weiss’s personal editor. Both Weiss and Stephens had risen to prominence at the op-ed page of the Wall Street Journal, where Rubenstein had also worked as a Robert Bartley Fellow.

In August 2019, Stephens provoked embarrassment for himself and his employers when he fired off an angry email to the employer of a George Washington University professor, David Karpf, who had compared him on Twitter to a bedbug. As Twitter users bombarded Stephens with a wave of ridicule, the NY Times apparently compelled Stephens to delete his Twitter account – but not before he staged a public meltdown in which he compared Karpf to “totalitarian regimes” and Nazis seeking to exterminate Jews.

When the Cotton column calling for a military crackdown on Black Lives Matter ran less than a year later, the Times’ neocon problem finally came to a head.

This June 5, as 300 non-editorial staffers planned a virtual walkout, Times publisher A.G. Sulzberger convened an all-hands meeting. During the question-and-answer session, according to a report by Vice, employees demanded to know “whether Opinion staff editor and writer Bari Weiss would be fired for ‘openly bad mouth[ing] younger news colleagues on a platform where they, because of strict company policy, could not defend themselves’; whether the opinion section had suggested the topic of the op-ed to Cotton; and what the Times would do to help retain and support Black employees.”

Times staff seemed to be pointing a finger at Weiss and her neocon network for soliciting the Cotton op-ed.

When Weiss resigned on July 14, she complained that colleagues “have called me a Nazi and a racist… Several colleagues perceived to be friendly with me were badgered by coworkers.” Yet she failed to acknowledge her apparent role in the Cotton op-ed affair, which was clearly the source of her colleagues’ outrage, painting herself instead as a blameless victim of “illiberal” cancel culture.

On the day that Weiss staged her dramatic self-expulsion, Andrew Sullivan – a center-right political ally of Weiss who has vigorously supported her – resigned from New York Magazine.

Sullivan eventually revealed that he was moving to another publication, and possibly one that had not yet launched.

While Sullivan does not share the Likudnik politics of Weiss, he enjoys some notable institutional and personal links to her political network. As the former editor of The New Republic, Sullivan worked under the direction of the magazine’s fanatically pro-Israel former publisher, Marty Peretz, who has since relocated to Tel Aviv. Peretz’s daughter, Evgenia, published a fawning profile of Weiss in Vanity Fair in April 2019, portraying her as an inspiring new talent who was “genuinely fueled by curiosity, the desire to connect, to cross boundaries and try out new things.”

During the time Sullivan and Peretz ran The New Republic, the magazine was funded by the pro-Israel businessman Roger Hertog. Hertog also plowed his fortune into the Shalem Center to launch a training institute for young pro-Israel pundits in 2002.

Among the first interns to pass through the Shalem training school was a Columbia University student named Bari Weiss. (Weiss’ editor at the NY Times, Rubenstein, had also been involved in the Hertog Foundation).

Whether or not Weiss plans to join Sullivan at a new outlet for disgruntled anti-SJW centrists, the circumstances surrounding her self-expulsion reveal her resignation letter as an insincere whitewash.

Besides the possibility that Weiss’ departure was a PR stunt, there is the fact that she has spent a large portion of her adult life working to cancel Palestinian academics and left-wing politicians while howling about the rise of a totalitarian “cancel culture.”

A self-styled free thinker campaigns to silence left-wing dissenters

Before Bari Weiss branded herself as an avatar of free thought, she established herself as the queen of a particular kind of cancel culture. The 36-year-old pundit has dedicated a significant portion of her adult life to destroying the careers of critics of Israel, tarring them as anti-Semites, and carrying out the kind of defamation campaigns that would result in her targets losing their jobs.

The pundit has shown a particular obsession with Palestinian-American scholar Joseph Massad and the New York City-based Palestinian-American activist Linda Sarsour. Other targets have included Keith Ellison, the Minnesota Attorney General who was the first Muslim elected to Congress, and Rep. Tulsi Gabbard, an ardent opponent of US regime change wars.

There is also ample evidence that while at Columbia University, Weiss helped bring down the dean of Columbia’s School of International and Public Affairs, Lisa Anderson, for inviting Iran’s then-President Mahmoud Ahmadenijad to speak on campus. Anderson’s son has pointed to Weiss as a key factor in her resignation:

https://twitter.com/finds_you_well/status/971771300879458304

In her resignation letter, Weiss found space to castigate the Times for publishing an interview with renowned African-American author Alice Walker, whom she casually defamed as “a proud anti-Semite who believes in lizard Illuminati.”

Weiss also flexed her bona fides as a proud neoconservative activist, saying she was “honored” to have given the world’s most prestigious media platform to a slew of regime-change activists from countries targeted by the US national security for overthrow, including Venezuela, Iran, and Hong Kong, along with notorious Islamophobe Ayaan Hirsi Ali and Chloe Valdary – a fellow Israel lobby product who previously worked as an intern for Bret Stephens.

In her three-year career as an editor of the opinion section of the newspaper of record, Weiss devoted a significant chunk of her columns to attacking her left-wing critics, while complaining endlessly of the haters in her Twitter mentions (which is risible given her lamentation in her resignation letter that “Twitter has become [the Times’] ultimate editor”).

In her 2019 book, Weiss condemned the pro-Palestine left as a whole. She insisted the idea that Zionism is a colonialist and racist movement is an anti-Semitic “Soviet conspiracy;” that the UK Labour Party under leader Jeremy Corbyn was a “hub of Jew hatred,” and that “leftist anti-Semites” are “more insidious and perhaps existentially dangerous” than far-right “Hitlerian anti-Semites.”

It is worth reviewing this historical record to show how Cancel Queen Bari Weiss’ apparent change of heart on cancel culture might more appropriately be described as an opportunist career choice.

Bari Weiss’ campaigns to cancel Palestinians Joseph Massad and Linda Sarsour, and Muslim American politician Keith Ellison

In her 2019 book “How to Fight Anti-Semitism,” Weiss revived her condemnations of Massad, whom she first targeted at Columbia University after interning at the Hertog-funded Shalem Center.

Weiss also argued that New York University (NYU) was rife with anti-Semitism. Her proof? An individual student was told some stupid anti-Semitic comments, and — much more disconcertingly for Weiss – “In December 2018, the student government successfully passed a BDS resolution,” and “NYU gave the President’s Service Award, the school’s highest honor, to Students for Justice in Palestine.”

Massad was hardly the only victim of Bari Weiss’ compulsive cancel culture campaigns. The neoconservative pundit wrote an entire New York Times column in 2017 dedicated to trying to cancel Palestinian-American activist Linda Sarsour.

Rapping progressives over the knuckles for purportedly “embracing hate,” Weiss characterized Sarsour as an unhinged anti-Semite because of her criticism of the colonialist Zionist movement, and worked to disrupt the Women’s March, which Sarsour helped to found.

Then in a tag-team cancel campaign with feverishly pro-war CNN host Jake Tapper (who has his own questionable history with racial issues), they portrayed Sarsour as an extremist for expressing support for former Black Panther leader Assata Shakur, whom they jointly demonized as a “cop-killer fugitive in Cuba.”

Next, Weiss turned her sights on the Democratic Attorney General of Minnesota Keith Ellison, claiming in a 2017 column that he had a “long history of defending and working with anti-Semites.”

Bari Weiss attempts to cancel Tulsi Gabbard

Bari Weiss’ cancelation rampage continued without a moment of self-reflection.

In an interview with podcaster Joe Rogan in January 2019, the pundit tried to cancel Hawaii Representative Tulsi Gabbard because of her work advocating against the international proxy war on Syria.

When Rogan mentioned Gabbard’s name, Weiss scoffed that the congresswoman is “monstrous,” smearing her an “Assad toady,” in reference to the Syrian leader Bashar al-Assad. Confused, Rogan asked Weiss what exactly that meant. The bumbling New York Times pundit could not answer, unable to define or even spell the insult.

Bari Weiss claims “leftist anti-Semitism” is worse than “Hitlerian anti-Semitism”

Bari Weiss’ most extreme views on Israel-Palestine and the left can be seen in her 2019 book How to Fight Anti-Semitism. In this tome, the neoconservative writer set out to cancel the pro-Palestinian anti-racist left as a whole by arguing that supposed “leftist anti-Semitism” is more dangerous than “Hitlerian anti-Semitism.”

Weiss wrote:

“Hitlerian anti-Semitism announces its intentions unequivocally. But leftist anti-Semitism, like communism itself, pretends to be the opposition of what it actually is.

“Because of the easy way it can be smuggled into the mainstream and manipulate us – who doesn’t seek justice and progress? who doesn’t want a universal brotherhood of man? – anti-Semitism that originates on the political left is more insidious and perhaps existentially dangerous [than on the right].”

When she says “leftist anti-Semitism,” Weiss almost invariably means progressive criticism of Israeli apartheid, racism, and brutality against the indigenous Palestinian population.

If that wasn’t already obvious, Weiss spelled it out:

“If you want to see the stakes, just look across the pond, where Jeremy Corbyn, an anti-Semite, has successfully transformed one of the country’s great parties into a hub of Jew hatred.

“Corbynism is not confided to the U.K. Right now in America, leftists who share Corbyn’s worldview are building grassroots movements and establishing factions with the Democratic Party that are suspiciously unskeptical of genocidal terrorist groups like Hamas and actively hostile to Jewish power and the state of Israel.”

In her book, Weiss insisted the idea that Zionism is a colonialist and racist movement is the product of a “Soviet conspiracy” spread by USSR in order to destroy Israel. She expressly ignored the words of the father of Zionism himself, Theodor Herzl, who wrote that Zionism “is a colonial idea” and requested help from British colonialists, including colonial master Cecil Rhodes.

“Progressives have, knowingly or unknowingly, embraced the Soviet lie that Israel is a colonialist outpost that should be opposed,” Weiss lamented.

“In the most elite spaces across the country, people declare, unthinkingly, that Israel is a racist state and that Zionism is racism, without realizing that they are participating in a Soviet conspiracy, without realizing that they are aligning themselves with the greatest mass murderers in modern history,” she bemoaned.

Not mincing her words, Weiss concluded, “When anti-Zionism becomes a normative political position, active anti-Semitism becomes the norm.”

With these passages, it became clear that her How to Fight Anti-Semitism was a book-length attempt to cancel anti-Zionists as a whole, by conflating their opposition to Israeli apartheid as anti-Semitism.

Anyone who disputes that Israel is “a political and historical miracle” is secretly a Jew hater, Weiss has argued. She effused, “That I can walk the streets of Tel Aviv today as a feminist woman in a tank top,” she marveled, “that it is a free and liberated society in the middle of the Middle East, is an achievement so great that it is often hard for many people to grasp.”

As with much of the content Weiss produces, her gushing praise for Israel’s supposedly “liberated society” could have been lifted from a propaganda pamphlet distributed on campus by a pro-Israel lobbying outfit. But it was never quality writing or original ideas that won Weiss the attention she sought, and which has virtually ensured she will be “cancelled” into a new, high-profile position in the mainstream commentariat.

 

 

Western Liberal Media Attacks Tanzania’s President John Magufuli For Exposing Covid-19 Tests and Population Control in Africa

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By Timothy Alexander Guzman

Source: Silent Crow News

From the start of the Covid-19 pandemic, Tanzania’s President John ‘The Bulldozer’ Magufuli exposed the fraud behind the Covid-19 testing kits and criticized the mass hysteria in regards to the virus. Several mainstream media networks including Bloomberg News led an attack against Magufuli’s actions regarding how his government has responded to the pandemic. Bloomberg News reporter Antony Sguazzin published ‘Africa’s ‘Bulldozer’ Runs Into Covid-19, Claims God on His Side’, the title itself already mocks Magufuli for mentioning God when it comes to Covid-19, but Sguazzin conveniently bypasses what Magufuli actually said in his article and criticizes him to the point of hostility:

Tanzania’s maverick President John Magufuli has used his strong personality to cow corrupt civil servants and force foreign mining companies to pay millions of dollars in outstanding tax. The coronavirus may be less responsive

What a way for Antony Sguazzin to begin his propaganda piece by calling him the “maverick President”:

Last week, he became the first African leader to declare victory over the virus, even though health data haven’t been released for more than a month. He’s criticized the national laboratory for exaggerating the number of infections, dismissed health experts and discouraged the wearing of masks, all the while saying God will protect Tanzania. Restrictions on social gatherings such as weddings will be lifted from June 29, when schools can reopen

As Squazzin continued his attack by claiming that there were deaths and nighttime burials by health officials in a video published by Al Jazeera that neither confirms or denies the accusations. The video could have been filmed anywhere in the African continent where outbreaks like Ebola and other health crisis have emerged in the past. The US embassy had warned that contracting Covid-19 was “extremely high” in the main city of Dar es Salaam and that hospitals were overwhelmed despite the number of cases being reported by the Tanzanian government at 509 cases and with more than 21 deaths:

But the president’s optimism is belied by reports of deaths and nighttime burials by health officials wearing personal protective equipment. Dozens of Tanzanian truck drivers who had to undergo screening at border posts have tested positive. The U.S. Embassy warned last month that the risk of contracting the virus in the main city, Dar es Salaam, male was “extremely high” and that hospitals were overwhelmed

Sguazzin said that Magufuli’s response to activists who were detained because of their criticism towards his government of how he was handling Covid-19 pandemic was by intimidating the public:

Nicknamed “the bulldozer” for his no-nonsense approach when he was minister of works, Magufuli has made intimidation and bravado a feature of his presidency since assuming office in 2015. His campaign to fight graft — he often fired people while cameras were rolling — earned him widespread praise and elevated his authority within the ruling Chama Cha Mapinduzi party.

Crackdowns on the media and those who poke fun at the government mean that criticism of how Magufuli is handling the outbreak is mostly restricted to social media. Official information is limited and tightly controlled. At least 13 journalists, students and politicians have been detained since March 23 for distributing information about the virus, Tanzania’s Legal and Human Rights Centre said

The 13 journalists, students and politicians who are being held for distributing information about Covid-19 is a human rights issue and extreme to go that far if all allegations are true. Magufuli’s government’s stance on the LGBTQ community is also extreme since they jail people up to 30 years in prison if you are convicted, but unfortunately that’s happens all over Africa and many countries around the world including in the most brutal dictatorship on the planet who is also a friend to the US is Saudi Arabia, where they execute people from the LGBTQ community but that is rarely mentioned in the mainstream media.  Since Magufuli was elected, he has slashed his own salary from $15,000 a month to $4,000 and reduced his government from 30 to 11 ministries. He also cut excessive government spending in various areas including foreign travel by government officials and canceling the World’s AIDs Day in Tanzania and decided to use the funds for AIDS medications. Magufuli also suspended Independence Day in 2015 to declare a national cleanup day to reduce the spread of cholera and to improve the health system in the country. To increase domestic production, it was reported in 2017 that Tanzania banned exporting unprocessed ores for domestic smelting purposes.  Magufuli also amended laws to renegotiate mining contracts or even terminate them if fraud is suspected. It’s apparent that Magufuli is a nationalist. Magufuli has done some bad, but he also has done some good, especially when he exposed Covid-19 testing kits as a fraud. Now the Mainstream media is attacking his policies and what he says concerning the Covid-19 consensus. What angered the West and the mainstream media is not what Magufuli  is claiming about God, it is what he did to prove that the Covid-19 test kits were inaccurate and that’s what Sguazzin forgot to mention.  Magufuli has proved to the world that the covid-19 test kits are a fraud and what the World Health Organization (WHO) and the Centers for Disease Control (CDC) claims are on the dangers of the virus is basically false.  Magufuli explains how he tested the test takers by instructing his country’s security services to send various samples to the Covid-19 testing labs that were not human:

We took samples from goats, we took samples from sheeps, we took samples from Pawpaws, we even took samples from car oil and we took samples from other different things and we took samples to the laboratory without them knowing and we even named all the samples, like the sample from the car oil, we named it Jabil Hamza, 30 years old, male, the results came back negative. When we took the sample from a jackfruit (durian), we named it Sara Samuel, 45 years old, female. the results came back unconclusive. When we took the samples from a Pawpaw, we named it

Elizabeth Ane, 26 years, female, the results from the Pawpaw came back positive, that it has corona. That means the liquid from the pawpaw is positive.” We took samples from (a bird type) called Kware, the results came back positive. We took samples from a rabbit, the results came back undeterminent. We took samples from a goat and the results came back positive. We took samples from a sheep and it came back negative and so on and so on

This is where Magufuli made his point:

So now when you see this, you have taken the samples and say they are humans and the results come back positive that they have corona, that means all the pawpaws should be in isolation also and when you take goat samples and they are also positive, that means all the goats that we have here by assumption or maybe the goat with the sample which was taken should also should also be in isolation. and when you take jackfruit (durian) and it’s also positive that liquid from the jackfruit (durian) which we named it Elizabeth, meaning Elizabeth the Jackfruit (Durian) that means all the Jackfruits (Durian) should be in isolation also so when you notice something like this, you must know there is a dirty game played in these tests

Magufuli also said that the people who work in the laboratories are most likely bought and paid for by special interests:

That there unbelievable things happening in this country, either the laboratory workers in there are bought by people with money, either they are not well educated which isn’t true because this laboratory is used for other diseases, either the samples which are brought in because even the reagents are imported, because even the swambs are also imported, so it’s a must that something is actually going on

Magufuli earned instant criticism from US and European media networks on his leadership with allegations of corruption and human rights abuses considering the imprisonment of journalists, students and politicians who criticized his government. Whether corruption in the Tanzanian government is true or not, many countries in Africa are corrupt with dictatorships. There was also regime change operations backed by Western powers including the US when they gave the CIA the green light to set up the assassination of Zaire’s President Patrice Lamumba in 1961 and in 1966, the CIA overthrew Ghana’s first president under its new independence, Kwame Nkrumah, a pan-Africanist and an anti-imperialist who authored a book titled ‘Neo-Colonialism: The Last Stage of Imperialism’. We must also take into account the centuries old European colonialism since the Portuguese built its trading posts in the late 15th century, followed up by US interventions in Africa during the Cold War leading up to the United States Africa Command (AFRICOM) which was created under the George W. Bush regime in 2007.  The US military and intelligence apparatus currently have numerous military bases all over Africa in efforts to stop Chinese and Russian influence and to control the natural resources which has basically put the African continent at a disadvantage in comparison to the rest of the world.  In this case, Magufuli has actually stood up to the powers that be and took a stand for his people.

Western Imperialism Did Not End: Population Control, Birth Control to Experimenting with Dangerous Vaccines

In 2018, liberal media network, CNN headlined with ‘Don’t Use Birth Control, ‘Tanzania’s President Tells Women In The Country’ said that “Tanzania’s President John Magufuli has told women in the East African nation to stop taking birth control pills because the country needs more people, according to local media reports.” Magufuli was quoted in a local newspaper called The Citizen in a public rally saying that “those going for family planning are lazy … they are afraid they will not be able to feed their children. They do not want to work hard to feed a large family and that is why they opt for birth controls and end up with one or two children only.” According to CNN, “he was quoted in a local newspaper, The Citizen, as saying that those advocating for birth control were foreign and had sinister motives.” Which by all means is true.

Magufuli’s understands how the depopulation agenda works. CNN mentions Jacqueline Mahon the representative for Tanzania for the United Nations Population Fund (UNFPA) who was present at the time at least according to The Citizen quoted Magufuli saying that “I have traveled to Europe and I have seen the effects of birth control. In some countries they are now struggling with declining population. They have no labor force.” Then of course, in an old propaganda tactic which CNN loves to use, they criticized the President on other various issues including his stance on how women lawmakers should dress:

In another development, the speaker of the Tanzanian parliament banned female lawmakers from wearing fake nails and eyelashes in parliament.  “With the powers vested in me by the Constitution of the United Republic of Tanzania, I now ban all MPs with false eyelashes and false finger nails from stepping into Parliament,” Job Ndugai said, a day after Magufuli’s comments.  The new rules also ban women MPs from wearing short dresses and jeans. Female visitors to parliament are also expected to adhere to the dress code

In September 2018, the World Economic Forum (WEF) website headlined with ‘Bill Gates has a warning about population growth’ it began with “rapid population growth in some of Africa’s poorest countries could put at risk future progress towards reducing global poverty and improving health, according to a report by the philanthropic foundation of Bill Gates.” The site quoted what Gates had told reporters  “population growth in Africa is a challenge.” WEF article mentioned what the Bill and Melinda Gates foundation’s own report had discovered in their research and it “found that poverty in Africa is increasingly concentrated in a few countries, which also have among the fastest-growing populations in the world.” The report claimed that “by 2050, it projected, more than 40 percent of world’s extremely poor people will live in just two countries: Democratic Republic of the Congo and Nigeria.” Gates was asked about growing populations and an increase of poverty in Africa and he said that access to birth control combined with investments in health and education for the younger generation was necessary. Gates said that “the biggest things are the modern tools of contraception” and “If you have those things available then people have more control over being able to space their children.”

Forbes magazine recently published ‘Bill And Melinda Gates Have Sharp Words For U.S.’ Lack Of Leadership Role In Fighting Pandemic’ on a virtual Forbes philanthropy summit with the genocidal power couple, Melinda Gates spoke on who should get the vaccines first, and they are black and the indigenous people:

There are 60 million healthcare workers [around the world]. They deserve to get the vaccine first, they’re the ones dealing with this on the front lines, trying to keep us all safe. And then you have to start to tier from there, based on the countries and the populations. Here in the United States, it’s going to be Black people who really should get it first and many indigenous people, as well as people with underlying symptoms, and then elderly people 

In other words, black and the indigenous people will be guinea pigs once again. Forbes also reported that “The couple, whose Bill and Melinda Gates Foundation has committed more than $350 million to fight the coronavirus, plans to utilize two nonprofits—The Global Fund To Fight AIDS, Tuberculosis and Malaria, and Gavi, the Vaccine Alliance—to help equitably distribute therapeutics and vaccines to developing countries.”  There is good news in regards to Africa as Fox news reported about the Covid-19 vaccine trials in South Africa ‘Protest versus Africa’s 1st COVID-19 vaccine test shows fear’ said that “Protesters against Africa’s first COVID-19 vaccine trial burned their face masks Wednesday as experts note a worrying level of resistance and misinformation around testing on the continent” and that the “Anti-vaccine sentiment in Africa is “the worst I’ve ever seen,” the CEO of the GAVI vaccine alliance, Seth Berkley, told an African Union vaccine conference last week.” The Fox news report explains why the African people is concerned:

But the small band of demonstrators who gathered Wednesday at the University of the Witwatersrand, where the trial is based, reflect long-running fears among some in Africa over testing drugs on people who don’t understand the risks.

“The people chosen as volunteers for the vaccination, they look as if they’re from poor backgrounds, not qualified enough to understand” protest organizer Phapano Phasha told The Associated Press ahead of the event. “We believe they are manipulating the vulnerable”

The report also mentioned the controversial French doctor, Jean-Paul Mira, head of intensive care at Cochin hospital in Paris said “If I can be provocative, shouldn’t we be doing this study in Africa, where there are no masks, no treatments, no resuscitation?” comparing the corona virus to previous AIDS studies: “In prostitutes, we try things because we know that they are highly exposed and that they do not protect themselves.” The imperial mentality by the west to control Africa’s population growth and to test Africans with vaccines has been proven time and time again to be dangerous and problematic for the African people.  Tanzania’s president John Magufuli has helped expose Western intentions in Africa especially when it comes to the Covid-19 testing kits giving false positive results.  The mainstream media quickly criticizes those who do not follow Western instituted depopulation programs from the US and Europe such as Magufuli who actually did something right in the face of Covid-19 hysteria. Magufuli is now the subject of Western media criticism and mockery not because he mentioned God, it’s because he is not following the program, it’s pretty obvious at this point.

As Long As Mass Media Propaganda Exists, Democracy Is A Sham

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By Caitlin Johnstone

Source: CaitlinJohnstone.com

A new Reuters/Ipsos poll has reportedly found that a majority of Americans believe the completely discredited narrative that the Russian government paid Taliban-linked fighters to kill the occupying forces of the US and its allies in Afghanistan.

“A majority of Americans believe that Russia paid the Taliban to kill U.S. soldiers in Afghanistan last year amid negotiations to end the war, and more than half want to respond with new economic sanctions against Moscow, according to a Reuters/Ipsos poll released on Wednesday,” Reuters reports.

“Overall, 60% of Americans said they found reports of Russian bounties on American soldiers to be ‘very’ or ‘somewhat’ believable, while 21% said they were not credible and the rest were unsure,” says Reuters.

https://twitter.com/Reuters/status/1280831503879016448

Those 21 percent are objectively correct: the story is not credible, and it’s not even close. Gareth Porter shows in The Grayzone how the “Bountygate” narrative is so utterly baseless that even US intelligence agencies have dismissed it, Joe Lauria of Consortium News explains how it doesn’t make any sense on its face, and FAIR’s Alan MacLeod breaks down the appalling journalistic malpractice that went into circulating this incredibly thinly sourced story to the mainstream public.

The story advances no solid facts or verified information. What it does advance is pre-existing imperialist agendas like remaining in Afghanistan, killing the last of the remaining nuclear deals with Moscow, and manufacturing public support for new Russia sanctions.

And yet a majority of people believed it, and still believe it. The narrative that Russia paid Taliban fighters to kill occupying forces is now regarded as an established fact in many key circles, despite being backed by literally zero facts.

If people were as objective and adept at critical thinking as we tend to believe we are, the mass media’s unconscionable facilitation of a brazen cold war psyop would by itself have killed off all public trust in the institution of mass news reporting. But people are not as objective and adept at critical thinking as we tend to believe we are. People have many cognitive biases which distort our ability to objectively process information and understand events, including one which causes us to believe something is true just because they’ve heard it said multiple times. This makes us easily susceptible to mass media propaganda, where our encounters with daily news headlines can shape our perception of what’s going on in the world regardless of whether or not those headlines are backed by actual facts.

https://twitter.com/GarethPorter/status/1280966373129281536

This latest poll is a perfect example of how the plutocrat-owned media manipulate public opinion in the interest of establishment agendas using brazen propaganda campaigns, but it is just the most recent example. Over and over and over again we see public perception of what’s going on distorted by lies inserted into their minds by the corporate news media, like when half a year after the invasion of Iraq seven in ten Americans believed Saddam Hussein was responsible for the 9/11 attacks. All it took to trick them into believing this and supporting the invasion was repeatedly mentioning 9/11 and Saddam in the same breath, despite there never being any evidence whatsoever for any such thing.

This kind of manipulation is not rare, it is ubiquitous and ongoing. Every single day the plutocratic media are putting ideas in people’s minds which favor the establishment upon which said plutocrats have built their kingdoms, normalizing the insane status quo and manufacturing support for agendas which bolster it. This is not some delusional conspiracy theory, it’s a well-documented fact to which many mainstream journalists have testified.

As long as this remains the case in our society, democracy cannot exist in any meaningful way. As long as a loose alliance of plutocrats and government operatives are able to consistently manipulate the way a critical mass of people think and vote, then you cannot rightly say that the people are in charge of the fate of their nation. If the majority is consistently in alignment with the plutocrats whose outsized media influence enables them to dominate the public narrative, then voting necessarily reflects the will of those plutocrats, not the people.

Even if you changed everything else that is wrong with the current system, nothing would change if the plutocratic class retained its ability to manipulate the way people think and vote. You can fix America’s garbage election integrity, end gerrymandering, even get money out of politics, but as long as the plutocratic class is still using its wealth to manipulate public thought in support of its interests, people would keep voting the way they’re manipulated to vote.

Manipulation is a key ingredient in any long-term abusive relationship, because people don’t tend to stay in abusive situations unless they are manipulated into doing so. This is true whether you’re talking about romantic partnerships, governments, or globe-spanning power structures. We don’t use the power of our numbers to end this abusive relationship where we are at the whim of crushing austerity, exploitative neoliberalism, endless war and rapacious ecocide, because we’re being manipulated into staying.

And, just like with any other abusive relationship, there comes a time to leave before it’s too late. That time is now. We can begin by expanding awareness of what’s really going on, both inwardly in ourselves and outwardly by sharing truthful information with others. In so doing, we stand a chance at making ourselves impossible to propagandize effectively and using our strength in numbers to force real change.

In An Insane World, Madness Looks Moderate And Sanity Looks Radical

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By Caitlin Johnstone

Source: CaitlinJohnstone.com

There are no moderate, mainstream centrists in the US-centralized empire. They do not exist.

It’s not that moderate, mainstream centrism is an inherently impossible position. In a healthy world, that’s exactly what the predominant worldview would be. But we do not live in a healthy world.

There are no moderate, mainstream centrists anywhere in the tight alliance of nations which function as a single empire on foreign policy, because that functional empire is built upon murder, terrorism, exploitation, oppression, ecocide and the stockpiling of armageddon weapons.

People who support the status quo of this empire are called “moderates”, but, just like the so-called “moderate rebels” of Syria, they are in fact violent extremists.

This is the reality of living in a world that is profoundly psychologically unhealthy. If you make a career out of facilitating wars which cause explosives to be dropped from the sky on top of innocent human beings causing their bodies to be ripped to shreds and buried in rubble, then you are treated as an exemplar of ideal leadership and rewarded with prestigious positions in politics, punditry, book publishing and think tankery. If you oppose those same wars, you are marginalized and smeared as at best an extremist whack job and at worst a literal traitor conducting psyops for a foreign government.

Because the plutocratic class owns the political class which advances depraved plutocratic agendas and the media class which normalizes and justifies those agendas, a mainstream consensus has been forcibly manufactured that maintaining the oppressive, exploitative, omnicidal, ecocidal status quo is a good and sane thing to do. Voices which point out that this is bat shit crazy are marginalized and ignored when possible and smeared and demonized when necessary.

The ability of our plutocratic rulers and their lackeys to do this is the only reason why defenders of the status quo get to call themselves “centrists” and “moderates”. It’s not because their position is middle-of-the-road in any way whatsoever, it’s because they stand in alignment with the consensus that has been deliberately artificially manufactured and shoved into the mainstream by sheer force of narrative control.

This consensus manufacturing is then carried home by a glitch in human cognition known as status quo bias, which causes us to tend toward holding to the familiar as a default preference and perceive the risk of losing what we have as far less favorable than the reward gaining something better. Psychology Today explains:

Research from Kahneman and Tversky suggests that losses are twice as psychologically harmful as gains are beneficial. In other words, individuals feel twice as much psychological pain from losing $100 as pleasure from gaining $100. One interpretation is that in order for an individual to change course from their current state of affairs is that the alternative must be perceived as twice as beneficial. This highlights the challenges we may face when considering a change to our usual way of doing things.

When military members are considering their choices as their contract comes to an end, many consider re-enlisting simply because they are unaware of the many opportunities that exist for them. Even when we understand our current path is no longer beneficial or no longer makes us happy, we must still overcome the natural urge to stay on the path unless the alternative is sufficiently attractive. In order for us to readily pursue an alternate path, we must believe that the alternative is clearly superior to the current state of affairs.

The status quo effect is pervasive in both inconsequential and major decisions. Oftentimes we are held back by what we believe to be the safe option, simply because it is the default. Bearing in mind our natural propensity for the status quo will enable us to recognize the allure of inertia and more effectively overcome it.

Status quo bias is further exacerbated in our current predicament by the fact that so many people are now so close to the brink of financial ruin and so terrified of what can happen to them if things change in a sudden and unpredictable way. The result of this is that now you’ve got the majority of people in the most dominant country on earth supporting the “slow incremental change” philosophy of so-called centrism, which in practice has always ended up meaning no change whatsoever. Meanwhile our ecosystem is dying and the US is escalating nuclear tensions with Russia and China and everyone’s getting more and more crazy and miserable under the oppressive and exploitative status quo.

Did you ever climb a tree when you were a kid and get stuck because you were afraid to climb down? It’s a common experience for a lot of us. You get lost in the joy of the climb and so pleased with yourself in how well you’re doing, then suddenly you notice that the branches are getting a lot thinner and the wind is starting to sway you back and forth, and suddenly you look down and get terrified.

Maybe you called out for your mother and she came out and told you to climb down, calling up “Well you can’t stay up there!” And you knew she was right, but in that moment the idea of looking down and letting go of the thin branches you were clinging to felt so much scarier than just staying put in your precarious and unsustainable position.

That’s exactly where we’re at right now with status quo bias in our current predicament. People know things need to change, but they’re in such a precarious position that the risk of change feels far too scary to take the leap and force a deviation from our trajectory toward disaster.

But that is our only choice if we are to survive as a species. We know we were able to climb down from whatever trees we got stuck in as kids, and we know that our mother was as right then as that small inner voice inside us is now: we can’t stay here. We’ve got to wake up from the status quo narrative management and find a way to get down from our precarious and unsustainable position to the stable ground of sanity.

 

Having Sucked America Dry, Tech Giants Seek New Markets Beyond Reach of US Antitrust Laws

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Sept. 27, 2015 Facebook CEO Mark Zuckerberg hugs Prime Minister of India Narendra Modi at Facebook in Menlo Park, Calif. (AP Photo/Jeff Chiu, File)

An aggressive push to consolidate companies in the tech sector, coupled with the world’s ever-increasing dependence on digital platforms and tools, is quickly leading to a crisis of sovereignty.

By Raul Diego

Source: MintPress News

The American consumer market for big tech gadgets appears to have reached the point of saturation as the novelty of mobile devices and laptops plateau and the persistent lockdown sees savings dwindle and discretionary spending disappear. Apple, which has enjoyed reigning over the smartphone market for more than a decade, has been forced to drop its prices over the last year as a result of a market at full capacity.

Nevertheless, one of the world’s most liquid companies, along with other tech giants like Facebook and Google – whose parent company, Alphabet, Inc. recently overtook Apple as the most cash-rich company in the world – are taking full advantage of their position to gobble up startups in emerging sectors in the Artificial Intelligence (AI) space like Natural Language Processing (NLP), Machine Learning (ML) and Deep Learning (DL), in order to solidify their place in other, mostly untapped markets in developing nations.

Big tech’s insatiable appetite, as manifested in this current sprint to further consolidate their assets, is bound to give them even more control over their already substantial access to our data and other digital activities of the population at large.  Earlier this year, then Presidential candidate Elizabeth Warren led the call to “Break Them Up,” in reference to the big tech companies, declaring that they had “bulldozed competition, used our private information for profit, and tilted the playing field against everyone else. And in the process, they have hurt small businesses and stifled innovation.” Her plan to “level the playing field,” however, seems to have gone away with her fleeting candidacy.

Nonetheless, they are all gearing up to face an election-year challenge to their growing power as a year-long House Judiciary subcommittee investigation is set to conclude and will more than likely provide plenty of fodder for the antitrust battles looming on the horizon. Some analysts have speculated that the U.S. government could impose fines on companies like Google in the tens of billions for past violations. But, whether or not this Congress implements measures with any real teeth remains to be seen.

Captive market shares

American tech giants are turning their focus to south-east Asia as their original markets in the U.S. can no longer support most of their quarterly profit projections. Apple’s recent acquisition of Seattle-based Xnor.ai, which specializes in “low-power, edge-based artificial intelligence tools” that will help them develop low-cost hardware for things like security cameras using artificial visual intelligence.

The Xnor.ai acquisition is just one of several made by Apple this year. Others include an Irish AI platform called Voysis that enables voice interactions with digital retailers; NextVR, a virtual reality headset company that holds over 40 patents in that space and will help Apple carve out a niche in the burgeoning world of streaming music and sporting events.

Google, which already has a virtual monopoly over Internet search capabilities and related tools, is aggressively pursuing startups in the cloud computing space, healthcare, and advertising market. A salient example is the ongoing $2.1 Billion-dollar acquisition of Fitbit, which has reportedly entered its final stages but has raised calls in some quarters for U.S. antitrust regulators to take a closer look.

The bank of Zuckerberg

Meanwhile, Facebook is continuing its incursion into the virtual entertainment arena with the purchase of Sanzaru Games in February as the social media giant solidifies its VR stake by taking over both hardware and software sides of that emerging market. Zuckerberg has also added to his social media empire with plans to acquire animated gif search engine Giphy for $400 Million, extending his consolidation over two of the most popular social media and communication platforms in its portfolio: Instagram and WhatsApp.

Facebook’s recent $5.7 Billion-dollar investment in India’s Jio Platforms also reveals how the tech giant is betting on Asia for its future growth. Facebook claims that Jio has “brought more than 388 million people online” and is poised to leverage its ubiquitous presence in the country through WhatsApp, boasting that the chat/call app has become a “commonly used verb across many Indian languages and dialects.”

The Indian telecom, led by that nation’s richest man, also includes a recently launched e-commerce site called JioMart, that further opens the door for Facebook’s digital payments platform and has the very real potential to put the social media company in a new class as a payment processing giant, shaking up the status quo in a space largely controlled by the banking sector.

Breaking out of the virtual gold cage

Having sucked the American market dry, these colossal corporations continue their unfettered growth and are increasingly beyond the reach of national anti-monopoly laws. Their aggressive push to consolidate across sectors in the technology space, coupled with the world’s ever-increasing dependence on digital platforms and tools is quickly leading us into a crisis of sovereignty.

If three companies own or have a stake in virtually all of the apps, gadgets and software that are ultimately responsible for collecting out data, performing our transactions and providing the content we consume, we will effectively become prisoners of these same corporations.

Even if Google were to re-instate the infamous “don’t be evil” motto in its code of conduct, such a state of affairs would render that promise moot. The slew of acquisitions by the world’s top tech companies in the midst of an economic depression for the rest of us does not bode well for a future of greater self-determination as the wealth and knowledge gaps grow larger.

Efforts to bridge these gaps are being undertaken by people like Dion Devow in Australia, an entrepreneur who is on a mission to close the gap between Indigenous Australians and IT. But, how effective can such efforts really be in the long run if the technological infrastructure continues to accumulate in the hands of so very few?

Corporate Media Looks to Purveyors of State Violence Abroad to Condemn State Violence at Home

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By Loretta Graceffo

Source: FAIR.org

Anti-racist protests have swept across the country over the past month, demanding justice for George Floyd, police accountability and the defunding of law enforcement.

In response to these uprisings, President Donald Trump publicly toyed with the idea of deploying active-duty military to American cities—a proposal that most corporate media, with a few glaring exceptions, have condemned as an abuse of power.

However, when we look at who media have called upon to denounce the Trump administration’s response, a revealing pattern emerges. Rather than providing a platform for protesters, who were met by heavily armed law enforcement toting chemical agents and flashbang grenades, media decided to turn to the enforcers of state violence abroad: the US national security apparatus. Several outlets asked current and former intelligence officials to weigh in on Trump’s response, utilizing their testimony to equate the crackdowns with those in other countries:

  • Washington Post (6/2/20): “CIA Veterans Who Monitored Crackdowns Abroad See Troubling Parallels in Trump’s Handling of Protests”
  • Independent (6/2/20): “I Asked Police, Veterans and a Former CIA Agent What They Think of Trump’s Response to the Protests. Even They Are Horrified.”
  • International Business Times (6/3/20): “George Floyd White House Protest: Donald Trump Acting Like Dictator During Racial Tensions, Intelligence and Defense Officials Warn.”

These articles are correct in pointing out that Trump’s militarized suppression of dissent at home has “troubling parallels” with authoritarian crackdowns abroad. The testimony of US state officials, especially former ones, can aid the public in taking cognizance of these parallels, given that they are responsible for enforcing similar crackdowns around the world. But because media present these sources uncritically and refuse to include vital context, they fail to examine our own empire, and ultimately make all the wrong connections.

Whitewashing war on dissent

In response to the Trump administration’s handling of the protests, the Post article includes a quote from Marc Polymeropoulos, who spent 26 years in the CIA:

“It reminded me of what I reported on for years in the Third World,” Polymeropoulos said on Twitter. Referring to the despotic leaders of Iraq, Syria and Libya, he said: “Saddam. Bashar. Qaddafi. They all did this.”

While it’s true that Trump’s response has been militant, these articles present this reaction as a disturbing departure from otherwise morally sound US leadership throughout history. Trump may be the first US president to tweet the words, “When the looting starts, the shootings starts,” but despite media’s historical amnesia, violent government crackdowns on anti-racist protests in the US have always been the norm, not the exception.

Take, for example, the FBI’s COINTELPRO program, which targeted thousands of activists through tactics like psychological warfare, blackmail and assasination. Or when the Philadelphia Police Department dropped a bomb on a residential neighborhood in order to disband a Black liberation group, killing nearly a dozen people and leaving hundreds of residents homeless. More recently, the FBI’s counterterrorism division has labeled “Black identity extremists” as a domestic terror threat, due to their “perceptions of police brutality against African Americans.”

By relying on CIA testimony, media shift the focus away from the tyranny in our own backyard in favor of pointing fingers at the “despotic leaders” of “the Third World”—never mind the fact that the US has no qualms with oppressive leadership in the Middle East when it aligns with our interests, as evidenced by our alliance with Saudi Arabia.

The articles by the Post and International Business Times both include a quote from Rep. Abigail Spanberger, who tweeted, in response to Trump’s crackdowns on protests: “As a former CIA officer, I know this playbook.” Her tweet goes on to compare his actions to those “undertaken by authoritarian regimes throughout the world.”

Of course Spanberger, as a former CIA official, knows this playbook—it’s one that the CIA practically wrote themselves. In 1973, it sponsored a coup that overthrew Chile’s democratically elected socialist government, installing the autocratic Augusto Pinochet, who rounded up, tortured and executed thousands of political dissidents. The CIA also opposed democratic forces in Zaire and backed the corrupt dictator Mobutu, whose decades-long regime regularly tortured and murdered its critics. And in the early 2010s, the Pentagon armed and trained Turkish mercenary forces, who went on to commit a litany of war crimes, including beheading Kurds in Northern Syria.

But the Post presents Spanberger’s intimate knowledge of this “playbook” as a result of her experience “monitoring democratic regression” and “societal unraveling” in the Global South. Another CIA analyst, Gail Helt, is described as “responsible for tracking developments in China and Southeast Asia.”

Nowhere in these articles is there any admission that the US national security apparatus does not just “track developments” abroad—it also plays a monumental role in shaping those developments, often using the same tactics of brutality and repression they claim to oppose.

Endless wars come home

By looking to state agents for moral authority and failing to provide any context that would impugn the CIA’s legitimacy, media espouses US imperialism by default, and reaffirms the chauvinistic belief that we have the right to impose our will on other countries by any means necessary.

The Post includes a quote from Brett McGurk, who helped institutionalize America’s bloody imperial occupation of Iraq, and pushed for the euphemistic “surge” which saw an additional 30 thousand US troops deployed to Iraq in 2007:

“The imagery of a head of state in a call with other governing officials saying, ‘Dominate the streets, dominate the battlespace’ — these are iconic images that will define America for some time,” said McGurk…. “It makes it much more difficult for us to distinguish ourselves from other countries we are trying to contest” or influence, he said.

But whether or not the US has ever had the credibility required to shape other countries’ policies—let alone present ourselves as a model of freedom and democracy—remains largely unexamined.

This is especially evident in the piece by Post, which claims that the Trump administration’s response characterized “US cities as a foreign war zone” and includes an anecdote about a US intelligence official “venturing into downtown Washington…as if taking measure of the street-level mood in a foreign country.”

The Independent describes “helicopters with US Army markings flying low over protesters,” a technique that one of the pilots they interviewed says is “for use against enemy insurgents overseas, not Americans protesting on the streets of Washington.”

In other words, when Defense Secretary Mark T. Esper urged governors to “dominate the battlespace” to end the unrest in cities, it was wrong only because he was talking about American cities.

The Independent article later includes a quote from ex–CIA officer Patrick Skinner, who has previously provided valuable insight into the ways that fascist maneuvers abroad inevitably make their way home. Skinner correctly condemns a dangerous “mentality among police that they are soldiers in a ‘war on crime.’”

If media had any real interest in exposing the reciprocity between urban policing at home and counterinsurgency abroad, as these articles supposedly propose, this would have been a good time for them to delve into the many ways in which the American carceral state and our endless wars in the Middle East are intrinsically connected.

Perhaps they could include that the tactic used to murder George Floyd—the knee on the neck—has also been used by the Israeli Defense Forces, who are bankrolled by the US and frequently provide training for American cops, including those in Minnesota.  (As many have pointed out, there are stark parallels between the police murder of George Floyd and the police murder of Iyad Halak, an unarmed, autistic Palestinian man whose killing has sparked protests in Jerusalem.)

Or media could mention other tactics that police, many of whom are military veterans, have picked up over years of continuous warfare: the use of torture to get confessions, stop- and-frisk searches targeting blacks and Latinos, and invasive surveillance techniques aimed at Muslim residents. Also relevant is the fact that, since the 1990s, the military has given police departments billions of dollars worth of surplus equipment—including tanks, grenade launchers and assault weapons—with a requirement that they make use of it within a year.

When done right, international analysis in times of domestic upheaval can shed light on the shared, global struggle for liberation against US occupation and militarism—a movement which spans from Minneapolis to Palestine.

But, as is inevitable when they uncritically look to the CIA for “expertise” on freedom and human rights, media come to an entirely different conclusion: It’s normal, necessary and perhaps even noble—after all, it is in the name of democracy—for our military tanks to line the streets of the Middle East. But when those same military tanks invade DC, New York or Minneapolis, they’ve gone too far.

Sidelining activists to uplift the state

This reliance on state agents to shape the narrative is also a staple of network Sunday morning political talk shows. In the two weeks after the police murder of George Floyd, FAIR analyzed every episode of ABC’s This Week, CBS’s Face the Nation, CNN’s State of the Union, Fox News Sunday, and NBC’s Meet the Press. Across all networks, only one show featured an interview with someone affiliated with Black Lives Matter in its coverage of the protests. However, every network found time to interview current and former members of the US national security apparatus, resulting in 12 appearances altogether.

Among these guests was Chad Wolf, secretary of the Department of Homeland Security, who was asked to weigh in on the protests by ABC’s This Week (6/7/20) and Fox News Sunday (6/7/20). He spoke in support of Trump’s call to send active-duty troops to quell the uprisings—a predictable stance, given that, as one of the architects of the family separation policy, Wolf’s response to undocumented migration has been to take at least 4,000 children away from their parents and imprison them in cages. Despite this horrifying resume, NBC and Fox still saw it fit to give him a platform on national television to share his thoughts on state violence.

One of the guests featured on CNN’s State of the Union (5/31/20) was Robert O’Brien, the US National Security advisor, who has long defended the  indefensible—including Trump’s pardon of war criminals, and the assassination of Iranian military leader Qassem Solemani. Like Wolf, he denied the irrefutable fact that US law enforcement is intertwined with systematic racism—a declaration that was barely challenged by CNN’s Jake Tapper.

Only moments after defending Trump’s militaristic response to the uprisings, O’Brien favorably compared the US attitude towards the protests with other countries: “That’s the difference between us and our foreign adversaries. We’re going to allow people to protest.” Given that the US has arrested at least 10,000 protesters (AP, 6/4/20), this seems like a dubious distinction.

This is not to say there’s no value in interviewing former intelligence officials; some have provided valuable insight on the military/industrial complex, and many have provided critical information as whistleblowers.

Much more frequently, however, these interviews serve only to legitimize US authoritarianism abroad and whitewash state violence at home. As protesters take to the streets, facing tear gas, rubber bullets and arrest for demanding change, perhaps instead of uplifting the voices of state officials, media should hand the microphone to the people.

Elite television news rescued by COVID

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By Jon Rappoport

Source: NoMoreFakeNews.com

Yet another consequence of the fake pandemic is the propping up of that doddering old fool, elite television news.

The COVID story doesn’t need Walter Cronkite. It only needs wall to wall. From 5AM to midnight, pandemic updates (mixed now with riot coverage), and the network ratings get well. The ratings jump out of the dumpster and rumble on the studio set and do cartwheels.

I’ve written a number of articles about network television news. Here are excerpts—

NEWS ABOUT THE NEWS.

The elite anchor is not a person filled with passion or curiosity. Therefore, the audience doesn’t have to be passionate or filled with curiosity, either.

The anchor is not a demanding voice on the air; therefore, the audience doesn’t have to be demanding.

The anchor isn’t hell-bent on uncovering the truth. For this he substitutes a false dignity. Therefore, the audience can surrender its need to wrestle with the truth and replace that with a false dignity of its own.

The anchor takes propriety to an extreme: it’s unmannerly to look below the surface of things. Therefore, the audience adopts those manners.

On air, the anchor is neutral, a castratus, a eunuch.

This is a time-honored ancient tradition. The eunuch, by his diminished condition, has the trust of the ruler. He guards the emperor’s inner sanctum. He acts as a buffer between his master and the people. He applies the royal seal to official documents.

Essentially, the television anchor is saying, “See, I’m ascetic in the service of truth. Why would I hamstring myself this way unless my mission is sincere objectivity?”

All expressed shades of emotion occur and are managed within that persona of the dependable court eunuch. The anchor who can move the closest to the line of being human without actually arriving there is the champion. In recent times, it was Brian Williams—until his “conflations” and “misremembrances” surfaced, and he was exiled to the wasteland of MSNBC.

The vibrating string between eunuch and human is the frequency that makes an anchor “great.” Think Cronkite, Chet Huntley, Edward R Murrow. Huntley was just a touch too masculine, so they teamed him up with David Brinkley, a medium-boiled egg. Brinkley supplied twinkles of comic relief.

The cable news networks don’t have anyone who qualifies as an elite anchor. Wolf Blitzer of CNN made his bones during the first Iraq war only because his name fit the bombing action so well. Brit Hume of FOX has more anchor authority than anyone now working in network television, but he’s semi-retired, content to play the role of contributor, because he knows the news is a scam on wheels.

There are other reasons for “voice-neutrality” of the anchor. Neutrality conveys a sense of science. “We did the experiment in the lab and this is how it turned out.”

Neutrality implies: we, the news division, don’t have to make money (a lie); we’re not like the cop shows; we’re on a higher plane; we’re performing a public service; we’re a responsible charity.

From the early days of television, there has been a parade of anchors/actors with know-how—intonation, edge of authority, parental feel, the ability to execute seamless blends from one piece of deception to the next:

John Daly, Douglas Edwards, Ed Murrow, Chet Huntley, David Brinkley, Harry Reasoner, Walter Cronkite, Dan Rather, and more recently, second-stringers—Brian Williams, Diane Sawyer, Scott Pelley.

They’re all gone.

Now we have Lester Holt, David Muir, and the newly appointed Norah O’Donnell. They couldn’t sell water in the desert.

Lester Holt is a cadaverous presence on-air, whose major journalistic achievement thus far is interrupting Donald Trump 41 times during a presidential debate; David Muir has the gravitas of a Sears underwear model; Norah O’Donnell, long-term, will have the energy needed to illuminate a miniature Xmas-tree light bulb.

The networks have no authoritative anchor-fathers waiting in the wings. They don’t breed them and bring them up through the minor leagues anymore.

Instead, armies of little Globalists, and ideologues who don’t realize they’re working for Globalists, have been infiltrating the news business. At best, they’re incompetent.

Thus, news-production techniques that enable an ongoing illusion of oceanic authority collapse like magnetic fields that have been suddenly switched off.

The selective mood lighting, the restful blue colors on the set, the inter-cutting of graphics and B-roll footage, the flawless shifts to reporters in far-flung places…it’s as if all these supporting features have suddenly been overcome by actors in a stage play who are abruptly stepping out of character. The spell is broken.

Elite mainstream news, in a fatuous attempt to save itself, is trying a democratic approach. Anchors are sharing more on-air minutes with gaggles of other reporters. But this is counter-productive in the extreme. The News has always meant one face and one authority and one voice and one tying-together of all broadcast elements. It’s as if, in a hypnotherapist’s office, the therapist decides to bring in colleagues to help render the patient into an alpha-state.

If by some miracle, the news bosses could raise Walter Cronkite, “the father of our country,” from the dead and put him back in the chair… but too many years have gone by; years of unaccomplished anchors. The horse is out of the barn, the cat is out of the bag.

This is why major news outlets have been appealing to social media/big tech for help, AKA censorship of independent voices.

One veteran news director told me several years ago, “We don’t have the stars [elite anchors] anymore. The star system is dead. You could comb all the local news outlets in America, and you wouldn’t find one face and voice who could really carry the freight. They’ve vanished. The up and coming people are lame. We’ve made them that way. It’s some cockeyed standard of equality we’ve internalized. And now we’re paying the price.”

The news is all about manipulating the context of stories. The thinner the context, the thinner the mind must become to accept it.

Imagine a rectangular solid. The news covers the top surface. Therefore, the viewer’s mind is trained to work in only two dimensions. Then it can’t fathom depth, and it certainly can’t appreciate the fact that the whole rectangular solid moves through time, the fourth dimension.

First, we have the studio image itself, the colors in foreground and background, the blend of restful and charged hues. The anchor and his/her smooth style.

Then we have the shifting of venue from the studio to reporters in the field, demonstrating the reach of coverage: the planet. As if this equals authenticity.

Actually, those reporters in the field rarely dig up information on location. A correspondent standing on a rooftop in Cairo could just as easily be positioned in a bathroom in a Las Vegas McDonald’s. His report would be identical.

The managing editor, usually the elite news anchor, chooses the stories to cover and has the final word on their sequence.

The anchor goes on the air: “Our top story tonight, more signs of gridlock today on Capitol Hill, as legislators walked out of a session on federal budget negotiations…”

The viewer fills in the context for the story: “Oh yes, the government. Gridlock is bad. Just like traffic on the I-5. We want the government to get something done, but they won’t.”

The anchor: “The Chinese government reports the new flu epidemic has spread to three provinces. Forty-two people have already died, and nearly a hundred are hospitalized…”

The viewer again supplies context, such as: “Flu. Dangerous. Epidemic. Get my flu shot.”

The anchor: “A new university study states that gun owners often stock up on weapons and ammunition…”

The viewer: “People with guns. Why do they need a dozen weapons? I don’t need a gun. The police have guns. Could I kill somebody if he broke into the house?”

The anchor: “Doctors at Yale University have made a discovery that could lead to new treatments in the battle against autism…”

Viewer: “Good. More research. Laboratory. The brain.”

If, at the end of the newscast, the viewer bothered to review the stories and his own reactions to them, he would realize he’d learned nothing. But reflection is not the game.

In fact, the flow of the news stories has washed over him and created very little except a sense of (false) continuity.

Therefore, every story on the news broadcast achieves the goal of keeping the context thin—night after night, year after year. The overall effect of this staging is: small viewer’s mind, small viewer’s understanding.

Next we come to words and pictures. More and more, news broadcasts are using the rudimentary film technique of a voice narrating what the viewer is seeing on the screen.

People are shouting and running and falling in a street. The anchor or a field reporter says: “The country is in turmoil. Parliament has suspended sessions for the third day in a row, as the government decides what to do about uprisings aimed at forcing democratic elections…”

Well, the voice must be right, because we’re seeing the pictures. If the voice said the riots were due to garbage-pickup cancellations, the viewer would believe that, too.

We see Building #7 of the WTC collapse. Must have been the result of a fire. The anchor tells us so. Words give meaning to pictures.

Staged news.

Since the dawn of time, untold billions of people have been urging a “television anchor” to “explain the pictures.”

The news gives them that precise solution, every night.

“Well, Mr. Jones,” the doctor says, as he pins X-rays to a screen in his office. “See this? Right here? We’ll need to start chemo immediately, and then we may have to remove most of your brain, and as a follow-up, take out one eye.”

Sure, why not? The patient saw the pictures and the anchor explained them.

Eventually, people get the idea and do it for themselves. They see things, they invent one-liners to explain them.

They’re their own anchors. They short-cut and undermine their own experience with vapid summaries of what it all means.

For “intelligent” viewers, there is a sober mainstream choice in America, a safety valve: PBS. That newscast tends to show more pictures from foreign lands.

“Yes, I watch PBS because they understand the planet is interconnected. It isn’t just about America. That’s good.”

Sure it’s good, if you want the same thin-context or false-context reports on events in other countries. Instead of the two minutes NBC might give you about momentous happenings in Syria, PBS will give you four minutes.

PBS experts seem kinder and gentler. “They’re nice and they’re more relaxed. I like that.”

Yes, the PBS experts are taking Valium, and they’re not drinking as much coffee as the CBS experts.

When network television news was created in the late 1940s, no one in charge knew how to do it. It was a new creature.

Sponsors? Yes. A studio with a desk and an anchor? Yes. A list of top stories? Yes. Important information for the public? Yes.

Of course, “important information” could have several definitions—and the CIA already had a few claws into news, so there would be boundaries and fake stories within those boundaries.

The producers knew the anchor was the main event; his voice, his manner, his face. He was the actor in a one-man show. But what should he project to the audience at home?

The first few anchors were dry sandpaper. John Cameron Swayze at NBC, and Douglas Edwards at CBS. But Swayze, also a quiz show host, broke out of the mold and imparted a bit of “cheery” to his broadcasts. A no-no. So he was eventually dumped.

In came a duo. Chet Huntley and David Brinkley. NBC co-anchors from 1956 to 1970. Chet was the heavy, with a somber baritone, and David was “twinkly,” as he was called by network insiders. He lightened the mood with a touch of sarcasm and an occasional grin. It worked. Ratings climbed. Television news as show biz started to take off. At the end of every broadcast, there was: “Good night, Chet.” “Good night, David.” The audience ate it up. They loved that tag.

However, rival CBS wasn’t standing still. They offloaded their anchor, Douglas Edwards, a bland egg, and brought in Walter Cronkite, who would go on to do 19 years in the chair (1962-1981). Walter was Chet Huntley with a difference. As he grew older, he emerged as a father, a favorite uncle, with an authoritative hills-and-valleys baritone that created instant trust. Magic. A news god was born.

Despite many efforts at the three major networks, no anchor over the past 40 years has been able to pull off the full Cronkite effect.

The closest recent competitor—until he was fired for lying and exiled to the waste dump at MSNBC—was Brian Williams. Williams artfully executed a reversal of tradition. He portrayed the youthful prodigy, a gradually maturing version of a newsboy who once bicycled along country roads, threw folded up papers on front porches, and knew all his customers by name. A good boy. A local boy. Your neighbor under the maple trees of an idyllic town. Cue the memories.

By the time Williams took over the helm at NBC, television news was decidedly a team operation. There were reporters in the field. The technology enabled the anchor to go live to these bit players, who tried to exude the impression they were actually running down leads and interviewing key sources on the spot—when in fact they could just as easily be doing their stand-ups from a hot dog cart outside 30 Rockefeller Plaza, the home studio of the network—because most of their information was really coming from inside that studio.

Nevertheless, the team was everything. The anchor was a manager, and his job was to impart an authentic feel to every look-in, from the White House to Paris to Berlin to Jerusalem to Beijing to a polar bear on an iceberg.

And local television news was blowing up to gargantuan proportions. Every city and town and village and hamlet seemed to have its own gaggle of hearty faces delivering vital info of interest to the citizenry. Branding and shaping this local phenomenon evolved into: FAMILY. Yes, that was the ticket. These bubbly, blown-dry, enthused, manic news and weather and sports hawks were really “part of the community.” Local News was no longer shoveled high and deep with an air of objectivity. “Aloof” was out. Share and care was in. What that had to do with actual news was anyone’s guess, but there it was. “Hi, we’re your team at KX6, and we feel what you feel and we live here with you and we know when the roads are icy and the wrecks pile up on the I-15 and the cops arrest someone for cocaine possession and when the charity bake sale is coming up to pay for [toxic] meds for seniors and when your cousin Judy passes away we mourn as you do…”

News for and by a fictional collective.

Disney news.

A caricature of a simulacrum of an imitation.

The discovery was: the viewing audience wanted news as a cartoon.

The problem is: this model deteriorates. The descending IQ of the news producers and anchors and reporters undergoes a grotesque revolution. Year by year, broadcasts make less sense. Even on the national scene, NBC hands its prime anchor spot to Lester Holt, who plays the old Addams Family living corpse, Lurch.

ABC, always looking for a new face, goes all in with David Muir, a Sears underwear-model type.

CBS counters with a youngish cipher, Jeff Glor, after ridding itself of Scott Pelley, who, true to his on-camera persona, might show up on The Young and the Restless as a lunatic surgeon doing operations without anesthetic.

The networks are losing it.

It’s a sight to behold.

Cable news is even worse. The longest surviving anchor is Wolf Blitzer at CNN. Wolf’s energy level tops out as a man in a tattered bathrobe, in his kitchen, chatting with his cousin while they play checkers.

When professionals broadcast one absurdity after another, they begin to see the effects are actually strengthening their own position of authority.

It’s a revelation. It’s also a continuation of the tradition of the Trickster archetype. For example, with just a few minor adjustments, Brian Williams can be seen as the sly Reynard the Fox…

From the viewpoint of elite television news, controlling the minds of its audience depends on what’s politely called “cognitive dissonance”:

As the anchor recites a news story, the viewer sees an obvious hole through which he could drive a truck.

The story makes no sense, yet it’s being presented as bland fact. The trusted anchor clearly has no problem with it.

What’s the viewer to do? He experiences a contradiction, a “dissonance.”

For example, this year’s flu vaccine. The US government has admitted the vaccine is geared to a flu virus that isn’t circulating in the population. Therefore, even by conventional standards, the vaccine is useless. But the kicker is, the CDC says people should take the vaccine anyway.

The anchor relays all this information—and never seriously questions the situation, never torpedoes the government for recommending the vaccine.

The average viewer feels a tug, a pulse of discomfort, a push-pull. The vaccine story is idiocy (side one), but the trusted anchor accepts it (side two).

Dissonance.

The top chiefs of news—and top propaganda operatives—anticipate cognitive dissonance. In a real sense, they want it to happen. They make it happen. Over and over.

Why?

Because it throws the viewer into a tailspin. And in that mental state, in his effort to resolve the contradiction, he will normally choose to…give in. Surrender. Believe in the anchor. It’s the easier path.

The viewer will even doubt his own perception. “I see no good reason for Building 7 to collapse, but the news doesn’t bring that up, so…it must be me.”

This is the power of the news. It presents absurdities and then moves right along, as if nothing has happened.

The introduction of contradiction, dissonance, and absurdity parading as ordinary reality is an intentional feature of brainwashing.

On the nightly news, the anchor reports that US government debt has risen by another three trillion dollars. He then cuts to a statement from a Federal Reserve spokesman: the new debt level isn’t a problem; in fact, it’s sound monetary policy; it strengthens the economy.

The viewer, caught up in this absurdity, tries to make sense of it, then gives up and passively accepts it. Brainwashing.

Smoothly transitioning from this story, the anchor relays information from the CDC: vaccination rates must achieve 90% in the population, in order to protect people from dangerous viruses. The viewer thinks, “Well, my daughter is already vaccinated, so if she comes into contact with a child who isn’t vaccinated, why would there be a problem? Why does 90% of the population have to be vaccinated to keep her safe? She’s already vaccinated.”

The viewer wrestles with this craziness for a moment, then gives in and accepts what the CDC and the anchor are saying. More passivity. More brainwashing.

The anchor moves right along to the next story: “The US is experiencing one of the coldest winters in history, further evidence of the effects of global warming, according to scientists at the United Nations.”

The viewer shakes his head, tries to deal with this dissonance, surrenders, and accepts what he is hearing. Deeper passivity is the result. Deeper brainwashing.

On and on it goes, day after day, month after month, year after year, on the news.

Contradiction, absurdity, dissonance; acceptance, surrender, passivity.

The same general formula is used in interrogations and formal mind control. It adds up to disorientation of the target.

Most disoriented people opt for the lowest- common-denominator solution: give in; accept the power of the person of authority.

Among the many supporters of conventional news is the education system. Most teachers never learn logic, and they don’t teach it. The result? Their students never gain the ability or the courage to reject the news and its dissonances.

What little these students gain from 12 or 16 years of schooling they eventually sacrifice on the altar of consensus reality—as broadcast every night on the screen before them.

Salvador Dali, surrealist, was one of the most reviled painters of the 20th century.

He disturbed Conventional Folk who just wanted to see an apple in a bowl on a table.

Dali’s apples and bowls were executed with a technical skill few artists could match—except the apples were coming out of a woman’s nose while she was ironing the back of a giraffe, who was on fire.

“It doesn’t go together! It doesn’t make sense! He’s Satan!”

Yet, these same Folk sit in front of the television screen every night and watch the entirely surreal network news. Elite anchors seamlessly and quickly move from blood running in the streets of a distant land to a hairdryer product-recall to an unseasonal hail storm in Michigan to a debate about public policy on pedophiles to genetically engineered mosquitoes in Florida to a possible breakthrough in storing computer simulations of human brains for later recapture to squirrels gathering nuts in New Jersey.

Nothing surreal about this??

When the elite anchor goes on air and digs in, he’s paid to be seamless. He could be transitioning from mass killings in East Asia to sub-standard air conditioners, and he makes the audience track through the absurd curve in the road.

The elite anchor should have a voice that soothes just a bit but brooks no resistance. It’s authoritative but not demanding.

Scott Pelley (CBS) was careful to watch himself on this count, because his tendency was to shove the message down the viewer’s throat like a surgeon making an incision with an icepick. Pelley was a high-IQ android who was training himself to be human.

Diane Sawyer wandered into sloppiness, like a housewife who’s still wearing her bathrobe at 4 in the afternoon. She exuded sympathetic syrup, as if she’d had a few cocktails for lunch. And she affected a pose of “caring too much.”

Brian Williams was head and shoulders above his two competitors. You had to look and listen hard to spot a speck of confusion in his delivery. He knew how to believe his act was real. He could also flick a little aw-shucks apple-pie at the viewer. Country boy who moved to the big city.

Segues, blends are absolutely vital. These are the transitions between one story and another. “Earlier today, in Boston.” “Meanwhile, in New York, the police are reporting.” “But on the Hill, the news was somewhat disappointing for supporters of the president.”

Doing excellent blends can earn an anchor millions of dollars. The audience doesn’t wobble or falter or make distinctions between what went before and what’s coming now. It’s all one script. It’s one winding weirdness of story every night.

And NOW, we have COVID, and we have riots. The current stories— the lies are egregious and relentless, the editorializing is cheesy. The omissions are Grand Canyons.

Surreal, cognitively dissonant, smoothly blended, outrageous:

The News Business. As Usual.

But with the junior varsity anchors, and their lack of skill, the networks need overwhelming stories to sell their act. They need COVID and riots. They have to have government manufacturing chaos and destruction and tighter control, in order to keep viewers coming back night after night.

You’ve got elite Globalists and elite government on one edge, and elite news on the other edge. They feed into each other. They bolster each other.

So why must they spend so much time censoring dissent?

Because freedom exists.

Because, no matter what, it always will.

And underestimating its power, time and time again, has proven to be a colossal mistake.

America Has Always Been a Dystopia

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Too many of us just haven’t been paying attention

By Bryan Merchant

Source: OneZero

“Trump’s American dystopia has reached a new and ominous cliff,” warns a CNN opinion headline. “The last two and a half months in America have felt like the opening montage in a dystopian film about a nation come undone,” writes New York Times columnist Michele Goldberg, in describing the images of militarized police storming U.S. cities to put down protests in the days following George Floyd’s murder, which came on the heels of two months of pandemic, panic, and widespread economic collapse. A very popular post published elsewhere on Medium was titled, bluntly, “America is a Dystopia.”

There is a lot of dystopia talk getting tossed around right now, for reasons that probably seem obvious. Those images we’ve all spent hours staring at on Twitter and cable TV — the military vehicles patrolling suburban streets, the lines of tactical vested officers cordoned around the Lincoln Memorial, the scenes of tear gas blurring flames as masked protesters clash with armed police — match up reasonably well with the aesthetics and broad strokes of a genre that we’ve spent the last 10 years staring at on Netflix and the other channels on cable TV.

But this is not “Trump’s American dystopia.” It is the continued, if inflamed, dystopian state of play as it has laid for centuries. The montage of horrors did not begin only a few months ago or when a cohort of privileged observers suddenly became aghast at the SWAT howitzers and brutal policing tactics when they were seen on suburban streets.

Years of toothless and profitable pop culture dystopias have primed consumers to ignore race, helping to obscure the fact that the real dystopia arrived long ago.

If we wanted to get pithy about it, we might say that the 2010s were the dystopia decade, a period that saw both the rise of dystopia as a reliably profitable and uniform entertainment format in mass culture and what appeared to be the IRL manifestation of the images and tropes the genre broadcast by decade’s end. The Hunger Games rose to dominate box offices and spawned a follow-on flotilla of similarly shaped YA dystopian fare. Black Mirror mainstreamed a visual mode of bleak cynicism about technology, and critical darlings like Ex Machina, Her, and Mad Max: Fury Road made apocalypses brought about by artificial intelligence and climate change palatable for the intelligentsia. Meanwhile, Blade Runner, RoboCop, Starship Troopers, and Children of Men became frequent touchstones. Partly because they are good films that offered prescient cultural and political commentary, and partly because their visuals provide handy fodder for comparative screen-grabbing on social media while we’re watching high-tech police forces brutalize popular uprisings, climate change-fueled wildfires spread across cityscapes, and A.I. take on alarming new dimensions, like being racist.

As a result, comparing America to a dystopia has become something of a national pastime; a recurring op-ed framework, a subgenre of Twitter commentary — especially during crisis points and moments of mass upheaval.

But what are we actually talking about when we talk about “dystopia”? Gesturing towards a vague constellation of injustices set to the color palette of a “gritty” summer blockbuster and declaring it dystopian won’t cut it — for dystopia to be useful as a cautionary tool for avoiding bad futures, we need to understand exactly what the ingredients setting a society on the road to ruin are. As it stands, much of the modern dystopian discourse seems content to position dystopia as something that is bad, with an air of futurity. To quote Daniel Mallory Ortberg’s famous mocking of Black Mirror: “What if phones, but too much.” What if high-tech cops, what if sea level rise, etc.

“The adjective dystopian implies fearful futures where chaos and ruin prevail,” writes Gregory Claeys, a historian and professor at Royal Holloway, University of London, and author of Dystopia: A Natural History. Though in a historical and literary sense, he says, dystopia most commonly describes “a regime defined by extreme coercion, inequality, imprisonment, and slavery.”

Because its most popular touchstones are science fiction, modern dystopia discourse tends to fixate on profit- or warfare-accelerating technologies — digital surveillance, facial recognition, automation software, drones, technologized weapons — and their capacity to serve the wealthy and powerful in a time of ecological collapse, health crises, and/or widening inequality. Our current moment fits the bill. The coronavirus, mass unemployment, and police brutality against a racial justice uprising are unfolding to the backdrop of SpaceX rocket launches and tech billionaires like Amazon’s Jeff Bezos rapidly expanding their wealth.

When I noted on Twitter that the SpaceX launch was sending astronauts on a for-profit trip into space as a surge of protests swept the country, it struck a chord. Many responded by comparing the events to Elysium, the 2013 Neill Blomkamp film about a future where the poor toil and swelter on Earth while the wealthy live in luxury in a space station that orbits above the Terran rabble.

Others pointed to the great Gil Scott Heron song, “Whitey’s On the Moon.” The musician and poet released it in 1970, one year after the NASA moon landing, which was itself one year after Dr. Martin Luther King, Jr.’s assassination provoked a mass nationwide uprising, perhaps the last at a scale comparable to the one we’re seeing today.

Some of the lyrics:

A rat done bit my sister Nell.

(with Whitey on the moon)

Her face and arms began to swell.

(and Whitey’s on the moon)

I can’t pay no doctor bill.

(but Whitey’s on the moon)

Ten years from now I’ll be payin’ still.

(while Whitey’s on the moon)

That song was recorded a half-century ago, yet the plight remains the same. It was the same in 1993, when Octavia Butler, in her own magisterial dystopia, Parable of the Sower, set in a mostly Black community in Southern California in the apocalyptic 2020s, described the news of the death of a Mars explorer as eliciting the following reaction: “People here in the neighborhood are saying she had no business going to Mars, anyway. All that money wasted on another crazy space trip when so many people here on earth can’t afford water, food, or shelter.”

Billionaires can afford to send payloads into orbit, to explore space for science and for profit, but we cannot afford to provide health care to the poor or even basic racial equality. That’s what too many of us are missing when we talk about dystopia.

As comparatively radical as a dystopia like Elysium (or, say, Snowpiercer) is — in terms of summer blockbusters, anyway — its critique is limited to class. It glosses over race. It’s Matt Damon versus Sharlto Copley and Jodi Foster and the other white orbital techno-authoritarians. Take a scan through any of the most popular dystopian cinema products of the last decade or so, and you’ll find the same thing; matters of race are omitted almost entirely from the big screen eschatologies. Not only are the genre’s prime exports — Hunger Games, Divergent, Blade Runner, Elysium, RoboCop, the list goes on — written and directed by white people, the protagonists, actors, and even antagonists are nearly uniformly white. And despite many of these being imagined, written, and made in a nation whose founding arrangement was the most dystopian system conceivable, race is never even a component of the conversation in mainstream dystopian cinema, much less what the uprisings are predicated upon. Even the Handmaid’s Tale, which exploded in the wake of Trump’s misogyny-lined ascendency to the presidency, relegates any matter of racial politics deep into the background.

Angelica Jade Bastién points all this out in “Why Don’t Dystopias Know How to Talk About Race?”, where she explains how this in effect allows white viewers to cosplay as the oppressed, without actually interrogating in any meaningful way what oppression might actually entail or who gets oppressed and why.

“Race is relegated to inspiration, coloring the towering cityscapes of these worlds, while the white characters toil under the hardships that Brown and Black people experience acutely in real life,” Bastién writes. “In this way, dystopias become less fascinating thought experiments or vital warnings than escapades in which white people can take on the constraints of what it means to be the other.”

And in so doing, these popular dystopias appropriate the other’s struggles while conveniently ignoring the actual roots of said struggle. I do still think there’s utility in dystopias and trying to heed their warnings, but only if we recognize what’s being warned against, and only, especially, if we manage to understand that many of the looming “dystopias” perceived by more affluent entertainment consumers have been the realities of plenty of communities who have faced deep inequalities, technologized surveillance, and state oppression for generations already.

There’s a tweet that’s gone viral a number of times over the dystopian decade, each time in slightly different variation. Its most recent iteration came just this January, before the pandemic and the uprising came to dominate dystopia discourse:

https://twitter.com/ElleOnWords/status/1218693768339251200

White dystopia fanboys like me, pundits, columnists, and social media users need to get this through our skulls. To invert a notorious quote attributed to William Gibson, the dystopia has always been here; it just hasn’t been evenly distributed.

The “dystopia” lens too often fixes conditions like those — heavily policed communities, invasive surveillance, state oppression — in the future, and it glosses over the realities of the present and the long histories of oppression of Black communities and bodies, plenty of which was technologically abetted. The writer Anthony Walton noted in a 1999 Atlantic piece, “Technology Versus African Americans,” that from “the caravel to the cotton gin, technological innovation has made things worse for Blacks.” Western technologies, he writes, formed the infrastructure that gave rise to Black slavery:

Arab and African slave traders exchanged their human chattels for textiles, metals, and firearms, all products of Western technological wizardry, and those same slavers used guns, vastly superior to African weapons of the time, in wars of conquest against those tribes whose members they wished to capture… The slave wars and trade were only the first of many encounters with Western technology to prove disastrous for people of African descent. In the United States, as in South America and the Caribbean, the slaves were themselves the technology that allowed Europeans to master the wilderness.

What better fits Claeys description of dystopia — “a regime defined by extreme coercion, inequality, imprisonment, and slavery” — than actual chattel slavery? America was founded as a dystopia.

Yet for white and affluent consumers, the constant generation of novel and fantastic apocalyptic scenarios serves to extend the horizon for the arrival of the hellish conditions contained in dystopia — if oppression is a nebulous but ever-approaching threat, it’s perpetually obscured, lifted away into a sub-fictional ether. It needs not be interrogated, not now, anyway. Which is how power prefers it.

That’s the other thing about dystopia: In many of its guises, it’s a plainly conservative enterprise. The most influential dystopia of the 21st century, I would argue, is not 1984, but Atlas Shrugged, which alone is responsible for a generation of greed-is-good Republican policymaking. The 600,000-page book, which I have (regrettably) read, positions a handful of great white men and women as the only thing keeping society together and inveighs against the millions of working-class “moochers” with a barely veiled racist subtext. (Its author was also openly racist.) Many dystopias are less flagrant but similarly conservative: They highlight the fear that we might all end up like the poor unwashed masses if we are not careful to uphold the social order, not the fear that the poor might never be liberated. And that, in fact, includes the ur-dystopia.

“Visions of the apocalypse are at least as old as 1000 B.C.,” according to the dystopian historian Claeys. “The triumph of chaos over order defined the Egyptian ‘Prophecies of Neferti’ foretold the complete breakdown of society.” In it, the “great no longer rule the land,’ the ‘slaves will be exalted.’” The first dystopia, in other words, was a cautionary tale for the haves against sliding into the world of the have-nots. It’s hard not to shake that vibe from a lot of the Twitter commentariat, pointing at the protests from afar, going “man it’s so dystopian” and moving on to whatever the central animating conflict is in their own personal heroic narratives.

There are still useful deployments of dystopian language — it can certainly be effective shorthand for “this is fucked in a new way, pay attention.” A good example is this series of viral tweets that chronicle a day of peaceful protest where demonstrators were in turn greeted with the creepy electrified visage of Gov. Andrew Cuomo on a towering billboard, beaming down the newly instated curfew. A couple hours later, many protesters would be beaten.

And dystopias can still jolt the politically uninvolved to wake up — this podcaster even pointed to Elysium as an entry point into radical politics. But the surfeit of commentary that amounts to “wow, this is like Blade Runner send tweet” needs an upgrade. White viewers like me need to rethink and reevaluate what it means to watch and read popular dystopian fiction, how those products are shaping our perspectives and critiques of the futures and what they’re missing. And many more Black voices clearly need to be added to the mainstream canon and the broader discussion — there’s tons of great Black dystopian fiction; Dhalgren by Samuel Delany, Who Fears Death by Nnedi Okorafor, Zone One by Colson Whitehead, pretty much anything by Ishmael Reed. Who Fears Death is in development for a TV series, which is a start, but these voices need to be better foregrounded and made central to modern dystopia discourse.

A lack of diversity has been a problem in science fiction since the genre’s inception, and it persists. When I went to the Nebulas, a high-profile sci-fi awards conference last year, attendees were overwhelmingly white. The fact that Octavia Butler’s magisterial Parable of the Sower — a dystopia that actually and skillfully manages to interrogate climate change, total economic collapse, privatization, and racist oppression — is somehow not a film or a limited series yet is as scathing an indictment of Hollywood’s insistence on whitewashing dystopias as anything. The book absolutely rips.

This is not to disparage anyone who feels like they’re living in a certain kind of almost-future hell. The number of people who genuinely experience the world as an impending or current dystopia is almost certainly rising in tandem with trends of still-increasing inequality. A decade of jobless recovery ended in 2019 with the highest levels of income inequality in 50 years, and record numbers of people of all backgrounds, even whites, are sliding into poverty and despair, and our encounters with climate change, technological surveillance, conservatism’s hard drift toward authoritarianism, and all of the above being increasingly mediated through digital devices. Our current socioeconomic system is now ideally structured to be a dystopian protagonist generator. It is rewarding elites with unprecedented wealth and luxury, equipping the agents of the state with increasingly advanced weapons and technology, exacerbating ecological collapse, and positioning us all to experience the devastation alone, blinking into a screen, hoping for tiny units of validation from a pithy comment or two about the state of the morass on social media. It is us versus [gestures wildly] all of that, out there.

Which makes it all the more imperative that white fans, pundits, and observers stop ignoring what it has historically meant to experience actual dystopian conditions. It means acknowledging and working to improve the material conditions for those who are surviving the current iteration, and not glibly waving off dystopia as some always-approaching, faceless Empire without zeroing in on the nation’s institutional prejudices, its targets for violence, its specific hatreds. It means we have to stop LARPing in appropriated fictions. It means understanding that this has always been a dystopia — and that those who have always resisted it are at the center of the story.