On Friday November 30th, former President George H.W. Bush passed away at the age of ninety four, according to a statement released by his friends and family.
Statement by the 43rd President of the United States, George W. Bush, on the passing of his father this evening at the age 94. pic.twitter.com/oTiDq1cE7h
While the establishment celebrates the life of the former president and Americans line up to mourn their fallen leader, the facts that are being reported in the mainstream media are far different than the legacy he is leaving behind.
The Early Years
George Herbert Walker Bush was born on June 12, 1924 in Massachusetts to Prescott Sheldon Bush and Dorothy (Walker) Bush. Shortly after his birth, the family moved to Connecticut where he began his formal education at Greenwich Country Day School. At the age of eighteen, Bush joined the U.S. Navy.
During his tenure in the Navy, Bush was stationed with Torpedo Squadron 51 aboard the USS San Jacinto. On August 1, 1944 his unit launched an operation against the Japanese in the Bonin Islands. On September 2, 1944, Bush’s aircraft was downed leading to the death of eight Navy airmen, leaving Bush as the lone survivor. The episode later became known as the Chichijima incident and led to the future president being hailed as a war hero.
Political Career
Upon graduating from Yale, Bush began his career in politics and was elected chairman of the Harris County, Texas Republican Party in 1963. Three years later, Bush was elected to the US House of Representatives, marking the beginning of a meteoric rise which resulted in him being named director of the Central Intelligence Agency in 1976.
While Bush served less than a year as the head of the CIA, he was caught destroying evidence of US war crimes. As reported by MuckRock,
“Declassified records recently unearthed in CREST show the CIA waffled on a promise to obey the law in destroying records of Agency’s illegal activities and wrongdoing.”
Four years after serving as the director of the CIA, George H.W. Bush was elected as the 43rd Vice President of the United States. Serving under former President Ronald Reagan, Bush kept a low profile and avoided making any key policy decisions or criticisms of the Reagan administration, but attended a large number of ceremonies and public events.
In 1988, Bush was elected president defeating Michael Dukakis of Massachusetts. Within his first year in office, Bush’s approval ratings began to slip due to his inability to deal with Panamanian leader Manuel Noriega. Bush responded by deciding to invade Panama, and on December 20,1989 he deployed 25,000 troops to the tiny nation. Bush justified the invasion— code named operation just cause— on the grounds of national security. The president mislead the country by claiming Noriega had threatened the US, a claim which turned out to be untrue. After two weeks the conflict ended, resulting in the deaths of twenty American soldiers and as many as 2,000 Panamanians.
Less than a year after the invasion of Panama, Bush once again found himself responding to another foreign policy debacle. On August 2, 1990 Iraqi leader Saddam Hussein began an invasion of nearby Kuwait. In response, President Bush and the American media used the testimony of a 15-year-old Kuwaiti girl, known only by her first name of Nayirah to justify US intervention in Kuwait. However, Nayirah was later discovered to be the daughter of a U.S. ambassador, who was being coaxed by military psychological operations specialists.
In 1991, Bush gave his infamous ‘New World Order’ speech, which many people believe signaled the beginning of the PNAC plan also known as the Project For a New American Century.
Life After Politics
After leaving office in 1993, George H.W. Bush retired with his wife Barbara and built a home in a community near Houston, Texas. Though retired, the former president would still face controversy. Last year, during the height of the #MeToo movement, at least five women women claimed they were abused by the former president. In an interview with Time Magazine, a woman named Roslyn Corrigan claimed Bush sexually assaulted her in 2003 when she was only 16-years-old. At least five more women have accused Bush of sexual assault, including an unnamed Michigan woman who came forward claiming the former president groped her in 1992 at a campaign event. Actress Heather Lind also stated, in a now deleted Instagram post, that Bush groped her during a photo-op in 2014.
Perhaps, instead of blindly praising a documented criminal, Americans should consider asking themselves what other crimes the US government and the media are covering up for the former president.
“The poor and the underclass are growing. Racial justice and human rights are nonexistent. They have created a repressive society and we are their unwitting accomplices. Their intention to rule rests with the annihilation of consciousness. We have been lulled into a trance. They have made us indifferent to ourselves, to others. We are focused only on our own gain.”—They Live, John Carpenter
We’re living in two worlds, you and I.
There’s the world we see (or are made to see) and then there’s the one we sense (and occasionally catch a glimpse of), the latter of which is a far cry from the propaganda-driven reality manufactured by the government and its corporate sponsors, including the media.
Indeed, what most Americans perceive as life in America—privileged, progressive and free—is a far cry from reality, where economic inequality is growing, real agendas and real power are buried beneath layers of Orwellian doublespeak and corporate obfuscation, and “freedom,” such that it is, is meted out in small, legalistic doses by militarized police armed to the teeth.
All is not as it seems.
“You see them on the street. You watch them on TV. You might even vote for one this fall. You think they’re people just like you. You’re wrong. Dead wrong.”
This is the premise of John Carpenter’s film They Live, which was released 30 years ago in November 1988 and remains unnervingly, chillingly appropriate for our modern age.
Best known for his horror film Halloween, which assumes that there is a form of evil so dark that it can’t be killed, Carpenter’s larger body of work is infused with a strong anti-authoritarian, anti-establishment, laconic bent that speaks to the filmmaker’s concerns about the unraveling of our society, particularly our government.
Time and again, Carpenter portrays the government working against its own citizens, a populace out of touch with reality, technology run amok, and a future more horrific than any horror film.
In Escape from New York, Carpenter presents fascism as the future of America.
In The Thing, a remake of the 1951 sci-fi classic of the same name, Carpenter presupposes that increasingly we are all becoming dehumanized.
In Christine, the film adaptation of Stephen King’s novel about a demon-possessed car, technology exhibits a will and consciousness of its own and goes on a murderous rampage.
In In the Mouth of Madness, Carpenter notes that evil grows when people lose “the ability to know the difference between reality and fantasy.”
And then there is Carpenter’s They Live, in which two migrant workers discover that the world is not as it seems. In fact, the population is actually being controlled and exploited by aliens working in partnership with an oligarchic elite. All the while, the populace—blissfully unaware of the real agenda at work in their lives—has been lulled into complacency, indoctrinated into compliance, bombarded with media distractions, and hypnotized by subliminal messages beamed out of television and various electronic devices, billboards and the like.
It is only when homeless drifter John Nada (played to the hilt by the late Roddy Piper) discovers a pair of doctored sunglasses—Hoffman lenses—that Nada sees what lies beneath the elite’s fabricated reality: control and bondage.
When viewed through the lens of truth, the elite, who appear human until stripped of their disguises, are shown to be monsters who have enslaved the citizenry in order to prey on them.
Likewise, billboards blare out hidden, authoritative messages: a bikini-clad woman in one ad is actually ordering viewers to “MARRY AND REPRODUCE.” Magazine racks scream “CONSUME” and “OBEY.” A wad of dollar bills in a vendor’s hand proclaims, “THIS IS YOUR GOD.”
When viewed through Nada’s Hoffman lenses, some of the other hidden messages being drummed into the people’s subconscious include: NO INDEPENDENT THOUGHT, CONFORM, SUBMIT, STAY ASLEEP, BUY, WATCH TV, NO IMAGINATION, and DO NOT QUESTION AUTHORITY.
This indoctrination campaign engineered by the elite in They Live is painfully familiar to anyone who has studied the decline of American culture.
A citizenry that does not think for themselves, obeys without question, is submissive, does not challenge authority, does not think outside the box, and is content to sit back and be entertained is a citizenry that can be easily controlled.
In this way, the subtle message of They Live provides an apt analogy of our own distorted vision of life in the American police state, what philosopher Slavoj Žižek refers to as dictatorship in democracy, “the invisible order which sustains your apparent freedom.”
We’re being fed a series of carefully contrived fictions that bear no resemblance to reality.
The powers-that-be want us to feel threatened by forces beyond our control (terrorists, shooters, bombers).
They want us afraid and dependent on the government and its militarized armies for our safety and well-being.
They want us distrustful of each other, divided by our prejudices, and at each other’s throats.
Most of all, they want us to continue to march in lockstep with their dictates.
Tune out the government’s attempts to distract, divert and befuddle us and tune into what’s really going on in this country, and you’ll run headlong into an unmistakable, unpalatable truth: the moneyed elite who rule us view us as expendable resources to be used, abused and discarded.
In fact, a study conducted by Princeton and Northwestern University concluded that the U.S. government does not represent the majority of American citizens. Instead, the study found that the government is ruled by the rich and powerful, or the so-called “economic elite.” Moreover, the researchers concluded that policies enacted by this governmental elite nearly always favor special interests and lobbying groups.
In other words, we are being ruled by an oligarchy disguised as a democracy, and arguably on our way towards fascism—a form of government where private corporate interests rule, money calls the shots, and the people are seen as mere subjects to be controlled.
Not only do you have to be rich—or beholden to the rich—to get elected these days, but getting elected is also a surefire way to get rich. As CBS News reports, “Once in office, members of Congress enjoy access to connections and information they can use to increase their wealth, in ways that are unparalleled in the private sector. And once politicians leave office, their connections allow them to profit even further.”
In denouncing this blatant corruption of America’s political system, former president Jimmy Carter blasted the process of getting elected—to the White House, governor’s mansion, Congress or state legislatures—as “unlimited political bribery… a subversion of our political system as a payoff to major contributors, who want and expect, and sometimes get, favors for themselves after the election is over.”
Rest assured that when and if fascism finally takes hold in America, the basic forms of government will remain: Fascism will appear to be friendly. The legislators will be in session. There will be elections, and the news media will continue to cover the entertainment and political trivia. Consent of the governed, however, will no longer apply. Actual control will have finally passed to the oligarchic elite controlling the government behind the scenes.
Sound familiar?
Clearly, we are now ruled by an oligarchic elite of governmental and corporate interests.
We have moved into “corporatism” (favored by Benito Mussolini), which is a halfway point on the road to full-blown fascism.
Corporatism is where the few moneyed interests—not elected by the citizenry—rule over the many. In this way, it is not a democracy or a republican form of government, which is what the American government was established to be. It is a top-down form of government and one which has a terrifying history typified by the developments that occurred in totalitarian regimes of the past: police states where everyone is watched and spied on, rounded up for minor infractions by government agents, placed under police control, and placed in detention (a.k.a. concentration) camps.
For the final hammer of fascism to fall, it will require the most crucial ingredient: the majority of the people will have to agree that it’s not only expedient but necessary.
But why would a people agree to such an oppressive regime?
Fear is the method most often used by politicians to increase the power of government. And, as most social commentators recognize, an atmosphere of fear permeates modern America: fear of terrorism, fear of the police, fear of our neighbors and so on.
The propaganda of fear has been used quite effectively by those who want to gain control, and it is working on the American populace.
Despite the fact that we are 17,600 times more likely to die from heart disease than from a terrorist attack; 11,000 times more likely to die from an airplane accident than from a terrorist plot involving an airplane; 1,048 times more likely to die from a car accident than a terrorist attack, and 8 times more likely to be killed by a police officer than by a terrorist , we have handed over control of our lives to government officials who treat us as a means to an end—the source of money and power.
As the Bearded Man in They Live warns, “They are dismantling the sleeping middle class. More and more people are becoming poor. We are their cattle. We are being bred for slavery.”
In this regard, we’re not so different from the oppressed citizens in They Live.
From the moment we are born until we die, we are indoctrinated into believing that those who rule us do it for our own good. The truth is far different.
Despite the truth staring us in the face, we have allowed ourselves to become fearful, controlled, pacified zombies.
We live in a perpetual state of denial, insulated from the painful reality of the American police state by wall-to-wall entertainment news and screen devices.
Most everyone keeps their heads down these days while staring zombie-like into an electronic screen, even when they’re crossing the street. Families sit in restaurants with their heads down, separated by their screen devices and unaware of what’s going on around them. Young people especially seem dominated by the devices they hold in their hands, oblivious to the fact that they can simply push a button, turn the thing off and walk away.
Indeed, there is no larger group activity than that connected with those who watch screens—that is, television, lap tops, personal computers, cell phones and so on. In fact, a Nielsen study reports that American screen viewing is at an all-time high. For example, the average American watches approximately 151 hours of television per month.
The question, of course, is what effect does such screen consumption have on one’s mind?
Psychologically it is similar to drug addiction. Researchers found that “almost immediately after turning on the TV, subjects reported feeling more relaxed, and because this occurs so quickly and the tension returns so rapidly after the TV is turned off, people are conditioned to associate TV viewing with a lack of tension.” Research also shows that regardless of the programming, viewers’ brain waves slow down, thus transforming them into a more passive, nonresistant state.
Historically, television has been used by those in authority to quiet discontent and pacify disruptive people. “Faced with severe overcrowding and limited budgets for rehabilitation and counseling, more and more prison officials are using TV to keep inmates quiet,” according to Newsweek.
Given that the majority of what Americans watch on television is provided through channels controlled by six mega corporations, what we watch is now controlled by a corporate elite and, if that elite needs to foster a particular viewpoint or pacify its viewers, it can do so on a large scale.
If we’re watching, we’re not doing.
The powers-that-be understand this. As television journalist Edward R. Murrow warned in a 1958 speech:
We are currently wealthy, fat, comfortable and complacent. We have currently a built-in allergy to unpleasant or disturbing information. Our mass media reflect this. But unless we get up off our fat surpluses and recognize that television in the main is being used to distract, delude, amuse, and insulate us, then television and those who finance it, those who look at it, and those who work at it, may see a totally different picture too late.
This brings me back to They Live, in which the real zombies are not the aliens calling the shots but the populace who are content to remain controlled.
When all is said and done, the world of They Live is not so different from our own.
We, too, are focused only on our own pleasures, prejudices and gains. Our poor and underclasses are also growing. Racial injustice is growing. Human rights is nearly nonexistent. We too have been lulled into a trance, indifferent to others.
Oblivious to what lies ahead, we’ve been manipulated into believing that if we continue to consume, obey, and have faith, things will work out. But that’s never been true of emerging regimes. And by the time we feel the hammer coming down upon us, it will be too late.
So where does that leave us?
The characters who populate Carpenter’s films provide some insight.
Underneath their machismo, they still believe in the ideals of liberty and equal opportunity. Their beliefs place them in constant opposition with the law and the establishment, but they are nonetheless freedom fighters.
When, for example, John Nada destroys the alien hyno-transmitter in They Live, he restores hope by delivering America a wake-up call for freedom.
That’s the key right there: we need to wake up.
Stop allowing yourselves to be easily distracted by pointless political spectacles and pay attention to what’s really going on in the country.
The real battle for control of this nation is not being waged between Republicans and Democrats in the ballot box.
As I make clear in my book Battlefield America: The War on the American People, the real battle for control of this nation is taking place on roadsides, in police cars, on witness stands, over phone lines, in government offices, in corporate offices, in public school hallways and classrooms, in parks and city council meetings, and in towns and cities across this country.
The real battle between freedom and tyranny is taking place right in front of our eyes, if we would only open them.
All the trappings of the American police state are now in plain sight.
Wake up, America.
If they live (the tyrants, the oppressors, the invaders, the overlords), it is only because “we the people” sleep.
This month, Facebook and Twitter deleted the accounts of hundreds of users, including many alternative media outlets maintained by American users. Among those wiped out in the coordinated purge were popular sites that scrutinized police brutality and U.S. interventionism like The Free Thought Project, Anti-Media, Cop Block and journalists like Rachel Blevins.
Facebook claimed that these sites had “broken our rules against spam and coordinated inauthentic behavior.” However, sites like The Free Thought Project were verified by Facebook and widely recognized as legitimate sources of news and opinion. John Vibes, an independent reporter who contributed to Free Thought, accused Facebook of “favoring mainstream sources and silencing alternative voices.”
In comments published here for the first time, a neoconservative Washington insider has apparently claimed a degree of credit for the recent purge and promised more takedowns in the near future.
“Russia, China, and other foreign states take advantage of our open political system,” remarked Jamie Fly, a senior fellow and director of the Asia program at the German Marshall Fund. “They can invent stories that get repeated and spread through different sites. So we are just starting to push back. Just this last week Facebook began starting to take down sites. So this is just the beginning.”
Fly went on to complain that “all you need is an email” to set up a Facebook or Twitter account, lamenting the sites’ accessibility to members of the general public. He predicted a long struggle on a global scale to fix the situation, and pointed out that to do so would require constant vigilance.
Fly made these stunning comments to Jeb Sprague, who is a visiting faculty in sociology at the University of California-Santa Barbara and co-author of this article. The two spoke during a lunch break at a conference on Asian security organized by the Stiftung Wissenschaft und Politik in Berlin, Germany.
In the tweet below, Fly is the third person from the left who appears seated at the table.
The remarks by Fly — “we are just starting to push back” — seemed to confirm the worst fears of the alternative online media community. If he was to be believed, the latest purge was motivated by politics, not spam prevention, and was driven by powerful interests hostile to dissident views, particularly where American state violence is concerned.
Rise of a neocon cadre
Jamie Fly is an influential foreign policy hardliner who has spent the last year lobbying for the censorship of “fringe views” on social media. Over the years, he has advocated for a military assault on Iran, a regime change war on Syria, and hiking military spending to unprecedented levels. He is the embodiment of a neoconservative cadre.
Like so many second generation neocons, Fly entered government by burrowing into mid-level positions in George W. Bush’s National Security Council and Department of Defense.
In 2009, he was appointed director of the Foreign Policy Initiative (FPI), a rebranded version of Bill Kristol’s Project for a New American Century, or PNAC. The latter outfit was an umbrella group of neoconservative activists that first made the case for an invasion of Iraq as part of a wider project of regime change in countries that resisted Washington’s sphere of influence.
By 2011, Fly was advancing the next phase in PNAC’s blueprint by clamoring for military strikes on Iran. “More diplomacy is not an adequate response,” he argued. A year later, Fly urged the US to “expand its list of targets beyond the [Iranian] nuclear program to key command and control elements of the Republican Guard and the intelligence ministry, and facilities associated with other key government officials.”
Fly soon found his way into the senate office of Marco Rubio, a neoconservative pet project, assuming a role as his top foreign policy advisor. Amongst other interventionist initiatives, Rubio has taken the lead in promoting harsh economic sanctions targeting Venezuela, even advocating for a U.S. military assault on the country. When Rubio’s 2016 presidential campaign floundered amid a mass revolt of the Republican Party’s middle American base against the party establishment, Fly was forced to cast about for new opportunities.
He found them in the paranoid atmosphere of Russiagate that formed soon after Donald Trump’s shock election victory.
PropOrNot sparks the alternative media panic
A journalistic insider’s account of the Hillary Clinton presidential campaign, Shattered, revealed that “in the days after the election, Hillary declined to take responsibility for her own loss.” Her top advisers were summoned the following day, according to the book, “to engineer the case that the election wasn’t entirely on the up-and-up … Already, Russian hacking was the centerpiece of the argument.”
Less than three weeks after Clinton’s defeat, the Washington Post’s Craig Timberg published a dubiously sourced report headlined, “Russian propaganda effort helped spread ‘fake news.’” The article hyped up a McCarthyite effort by a shadowy, anonymously run organization called PropOrNot to blacklist some 200 American media outlets as Russian “online propaganda.”
The alternative media outfits on the PropOrNot blacklist included some of those recently purged by Facebook and Twitter, such as The Free Thought Project and Anti-Media. Among the criteria PropOrNot identified as signs of Russian propaganda were, “Support for policies like Brexit, and the breakup of the EU and Eurozone” and, “Opposition to Ukrainian resistance to Russia and Syrian resistance to Assad.” PropOrNot called for “formal investigations by the U.S. government” into the outlets it had blacklisted.
According to Craig Timberg, the Washington Post correspondent who uncritically promoted the media suppression initiative, Propornot was established by “a nonpartisan collection of researchers with foreign policy, military and technology backgrounds.” Timberg quoted a figure associated with the George Washington University Center for Cyber and Homeland Security, Andrew Weisburd, and cited a report he wrote with his colleague, Clint Watts, on Russian meddling.
Timberg’s piece on was PropOrNot was promoted widely by former top Clinton staffers and celebrated by ex-Obama White House aide Dan Pfeiffer as “the biggest story in the world.” But after a wave of stinging criticism, including in the pages of the New Yorker, the article was amended with an editor’s note stating, “The [Washington] Post… does not itself vouch for the validity of PropOrNot’s findings regarding any individual media outlet.”
PropOrNot had been seemingly exposed as a McCarthyite sham, but the concept behind it — exposing online American media outlets as vehicles for Kremlin “active measures” — continued to flourish.
The birth of the Russian bot tracker
By August, a new, and seemingly related initiative appeared out of the blue, this time with backing from a bipartisan coalition of Democratic foreign policy hands and neocon Never Trumpers in Washington. Called the Alliance for Securing Democracy (ASD), the outfit aimed to expose how supposed Russian Twitter bots were infecting American political discourse with divisive narratives. It featured a daily “Hamilton 68” online dashboard that highlighted the supposed bot activity with easily digestible charts. Conveniently, the site avoided naming any of the digital Kremlin influence accounts it claimed to be tracking.
The initiative was immediately endorsed by John Podesta, the founder of the Democratic Party think tank, Center for American Progress, and former chief of staff of Hillary Clinton’s 2016 presidential campaign. Julia Ioffe, the Atlantic’s chief Russiagate correspondent, promoted the bot tracker as “a very cool tool.”
Unlike PropOrNot, the ASD was sponsored by one of the most respected think tanks in Washington, the German Marshall Fund, which had been founded in 1972 to nurture the special relationship between the US and what was then West Germany.
Though the German Marshall Fund did not name the donors that sponsored the initiative, it hosted a who’s who of bipartisan national security hardliners on the ASD’s advisory council, providing the endeavor with the patina of credibility. They ranged from neocon movement icon Bill Kristol to former Clinton foreign policy advisor Jake Sullivan to ex-CIA director Michael Morrell.
Jamie Fly, a German Marshall Fund fellow and Asia specialist, emerged as one of the most prolific promoters of the new Russian bot tracker in the media. Together with Laura Rosenberger, a former foreign policy aide to Hillary Clinton’s 2016 campaign, Fly appeared in a series of interviews and co-authored several op-eds emphasizing the need for a massive social media crackdown.
During a March 2018 interview on C-Span, Fly complained that “Russian accounts” were “trying to promote certain messages, amplify certain content, raise fringe views, pit Americans against each other, and we need to deal with this ongoing problem and find ways through the government, through tech companies, through broader society to tackle this issue.”
Yet few of the sites on PropOrNot’s blacklist, and none of the alternative sites that were erased in the recent Facebook purge that Fly and his colleagues take apparent credit for, were Russian accounts. Perhaps the only infraction they could have been accused of was publishing views that Fly and his cohorts saw as “fringe.”
What’s more, the ASD has been forced to admit that the mass of Twitter accounts it initially identified as “Russian bots” were not necessarily bots — and may not have been Russian either.
“I’m not convinced on this bot thing”
A November 2017 investigation by Max Blumenthal, a co-author of this article, found that the ASD’s Hamilton 68 dashboard was the creation of “a collection of cranks, counterterror retreads, online harassers and paranoiacs operating with support from some of the most prominent figures operating within the American national security apparatus.”
These figures included the same George Washington University Center for Cyber and Homeland Security fellows — Andrew Weisburd and Clint Watts — that were cited as experts in the Washington Post’s article promoting PropOrNot.
Weisburd, who has been described as one of the brains behind the Hamilton 68 dashboard, once maintained a one-man, anti-Palestinian web monitoring initiative that specialized in doxxing left-wing activists, Muslims and anyone he considered “anti-American.” More recently, he has taken to Twitter to spout off murderous and homophobic fantasies about Glenn Greenwald, the editor of the Intercept — a publication the ASD flagged without explanation as a vehicle for Russian influence operations.
Watts, for his part, has testified before Congress on several occasions to call on the government to “quell information rebellions” with censorious measures including “nutritional labels” for online media. He has received fawning publicity from corporate media and been rewarded with a contributor role for NBC on the basis of his supposed expertise in ferreting out Russian disinformation.
Clint Watts has urged Congress to “quell information rebellions”
However, under questioning during a public event by Grayzone contributor Ilias Stathatos, Watts admitted that substantial parts of his testimony were false, and refused to provide evidence to support some of his most colorful claims about malicious Russian bot activity.
In a separate interview with Buzzfeed, Watts appeared to completely disown the Hamilton 68 bot tracker as a legitimate tool. “I’m not convinced on this bot thing,” Watts confessed. He even called the narrative that he helped manufacture “overdone,” and admitted that the accounts Hamilton 68 tracked were not necessarily directed by Russian intelligence actors.
“We don’t even think they’re all commanded in Russia — at all. We think some of them are legitimately passionate people that are just really into promoting Russia,” Watts conceded.
But these stunning admissions did little to slow the momentum of the coming purge.
Enter the Atlantic Council
In his conversation with Sprague, the German Marshall Fund’s Fly stated that he was working with the Atlantic Council in the campaign to purge alternative media from social media platforms like Facebook.
The Atlantic Council is another Washington-based think tank that serves as a gathering point for neoconservatives and liberal interventionists pushing military aggression around the globe. It is funded by NATO and repressive, US-allied governments including Saudi Arabia, Bahrain and Turkey, as well as by Ukrainian oligarchs like Victor Pynchuk.
This May, Facebook announced a partnership with the Atlantic Council’s Digital Forensic Research Lab (DFRLab) to “identify, expose, and explain disinformation during elections around the world.”
The Atlantic Council’s DFRLab is notorious for its zealous conflation of legitimate online dissent with illicit Russian activity, embracing the same tactics as PropOrNot and the ASD.
Ben Nimmo, a DFRLab fellow who has built his reputation on flushing out online Kremlin influence networks, embarked on an embarrassing witch hunt this year that saw him misidentify several living, breathing individuals as Russian bots or Kremlin “influence accounts.” Nimmo’s victims included Mariam Susli, a well-known Syrian-Australian social media personality, the famed Ukrainian concert pianist Valentina Lisitsa, and a British pensioner named Ian Shilling.
In an interview with Sky News, Shilling delivered a memorable tirade against his accusers. “I have no Kremlin contacts whatsoever; I do not know any Russians, I have no contact with the Russian government or anything to do with them,” he exclaimed. “I am an ordinary British citizen who happens to do research on the current neocon wars which are going on in Syria at this very moment.”
With the latest Facebook and Twitter purges, ordinary citizens like Shilling are being targeted in the open, and without apology. The mass deletions of alternative media accounts illustrate how national security hardliners from the German Marshall Fund and Atlantic Council (and whoever was behind PropOrNot) have instrumentalized the manufactured panic around Russian interference to generate public support for a wider campaign of media censorship.
In his conversation in Berlin with Sprague, Fly noted with apparent approval that, “Trump is now pointing to Chinese interference in the 2018 election.” As the mantra of foreign interference expands to a new adversarial power, the clampdown on voices of dissent in online media is almost certain to intensify.
Society should not do the wrong thing for the right reason, even though it frequently does the right thing for the wrong reason.
History has shown us what happens when you try to make society too civilized, or do too good a job of eliminating undesirable elements. It also shows the tragic fallacy in the belief that the destruction of democratic institutions will cause better ones to arise in their place.
An obscure Texas political consultant named Bill Miller once said “politics is show business for ugly people”. It’s true for the most part, aside from the consequences. This is because the theatrics of politicians result in policies that affect the lives of others; often against the will of the governed. In books and movies, however, the characters are much ado about nothing. Until, that is, life imitates art.
So it is with the futuristic dystopian story of “A Clockwork Orange”. Both the book, by the author Anthony Burgess, and the film by director Stanley Kubrick, serve as moral dilemmas and cautionary tales plumbing such considerations as free will, the duality of mankind, societal anarchy, and the ascendancy of an all-powerful state.
A 1973 review written in Sight and Sound Magazine, stated: “Kubrick has appropriated theme, character, narrative and dialogue from Anthony Burgess’ novel, but the film is more than a literal translation of a construct of language into dramatic-visual form”. Therefore, for that reason, and for others described later, the film will remain this article’s primary focus.
As any perfunctory internet research will show, Stanley Kubrick is known as a visionary artist and director, but also as the subject of multiple conspiracies. In addition to A Clockwork Orange, Kubrick’s oeuvre includes avant-garde films such as Dr. Strangelove, The Shining, 2001 A Space Odyssey, and Eyes Wide Shut; to name a few. Just as these movies demonstrate the inner workings of mankind operating through the disparate threads which bind reality, so do some claim that a larger picture is presented as well. The big picture, of course, is said to include conspiratorial clues and undertones in Kubrick’s films ranging from Freemasonry, to America’s alleged faked moon landing, to an occultist global financial elite, and the terrorist attacks of 911 being planned as a world transformational event.
There exist multiple published writings, both online and in print, describing the secret meanings hidden in Kubrick’s movies. Furthermore, it has been argued that Kubrick’s “somewhat surreal films” appeal to the viewer’s subconscious and, therefore, “lend themselves to this sort of interpretation”.
That is another reason why Kubrick’s film will remain the focus of this essay, as opposed to the novel: Either these alleged conspiracies are imagined in the minds of the viewers, or Kubrick deliberately inserted these elements into his creations. Given Kubrick’s reputation for perfectionism, one can only conclude the symbolism was specifically placed and for exact reasons.
In his other films, like 2001 A Space Odyssey, it has been argued the strategic placement of the sun, or other circular lights, were utilized by Kubrick as symbolic movie projectors of sorts, whereby time and events unwind before the audience like a clock. Additionally, even in movies not directed by Kubrick, there are those who say mirrors are used to demonstrate mind control. It is a fact both of these visualizations are present in A Clockwork Orange.
Once again, and for all of the reasons delineated heretofore, the following presentation will analyze Kubrick’s film as opposed to the novel from which it derived. The story, and Kubrick’s alchemy, will then be analyzed through the lens of three separate realities followed by some concluding comments at the very end.
THE UNWINDING
In Kubrick’s A Clockwork Orange, the viewers witness the tragic life and circumstances of a teenager named Alex DeLarge navigating a decadent post-modern world. In the film, Alex is played by the actor Malcolm McDowell. The story unfolds against the backdrop of a futuristic dystopian society that has descended into anarchy and violence; especially within the younger generation.
The very first scene focuses on the evil-eyed Alex adorned with a black fedora and sunray eyeliner beneath his right eye. As the camera pulls back, the boy is shown with three of his young friends identified in the narrative as “droogs”. The youths are shown sitting in the Korova Milk Bar where they imbibe “Milk Plus”; or milk laced with recreational drugs of various types.
Upon leaving the bar, the boys come across a drunk lying in an alley and singing what Alex calls the songs of the drunk man’s “fathers”. This implies a line of separation between the previous time and the new; between the old and the young. This separation of time is actually confirmed when the drunk tells the young hooligans he no longer wants to live in this “stinking world” because there’s “no law and order anymore”, where the young “get onto the old”, and “it’s no world for an old man any longer”.
The boys commence to beat the old boozer senseless.
In the next scene, Alex and his droogs come across a group of five other boys who, on an abandoned theatrical stage, are attempting to rape a young woman. Seemingly, the stage implies the violence unfolding as melodrama, causing this viewer to question if the descent into societal violence was staged as well? The boys assaulting the woman were wearing military-style camo clothing and adorned with Nazi accoutrements. Alex taunted them in a near Shakespearean manner, and the rival gangs went to war. The battle also appeared as theatrically choreographed and was set in sync to Giaochino Rossini’s La Gazza Ladra overture.
In the next scene, we see Alex and his gang fleeing to the countryside in a red sports car, looking very much like four demons racing towards hell.
Chaos ensued until Alex eventually ended up in prison and, thus, in possession of the state.
In prison, Alex sat before an open Bible and fantasized he was a Roman soldier whipping the back of Jesus Christ. His voiceover narration said he didn’t like the New Testament’s “preachy talking” as much as the Old Testament’s violence and sex. He furthermore envisioned slicing open the throats of ancient enemies and later eating grapes fed to him by the naked wives and handmaidens of his vanquished foes.
In the privacy of the facility’s library, Alex petitioned the prison chaplain regarding a new treatment that could help him secure his freedom. The chaplain informed Alex the new treatment was called the Ludovico Technique and that it was dangerous. The boy then tells the priest that in spite of any potential danger, he wanted “for the rest of his life to be one act of goodness”.
In response, the chaplain tells Alex that “goodness is chosen” and “when a man cannot choose, he ceases to be a man”.
The next scenes showed a group of prisoners walking outside around a circle on the ground. Before the men are lined up for inspection, a cadre of dignitaries exit from a long hallway, and walk before the prisoners. In so doing, one man tells the others that, soon, the “prisons will be full of political prisoners” and that the “petty criminals need faster reconditioning”. Standing in line, Alex speaks up and the man selects Alex from the group. The viewer later discovers the man was actually the new Minister of the Interior who was visiting the prison that day.
Soon, Alex is admitted into the Ludovico Treatment Center and begins his reconditioning. He is strapped to a chair with brackets forcing both of his eyes open so they can’t be closed. He then watches violent videos of which he greatly enjoys at first. When a man begins to bleed on screen, Alex’s bloodlust is quenched, and speaking in the Nadsat lingo (a combination of Cockney English and Russian), he says: “It’s funny how the colors of the real world only seem really real when you viddy them on a screen”.
After the first video, another film is shown where a woman in a red wig is being gang-raped. Due to the drugs being injected into Alex’s bloodstream, he begins to feel ill, but he can’t avert his gaze due to the brackets on his eyes. Even trying to move his eyes away, he says: “I still could not get out of the line of fire of this picture”.
In another scene, Alex views another session which consists of Nazis marching, paratroopers jumping, bombs falling, and all to the light and airy melody of Beethoven’s “Ninth Symphony, Fourth Movement”. When Alex realizes the soundtrack is Beethoven, he begins to scream pitifully, begging the doctors to stop the treatment; because he once enjoyed that music as a free man.
Certainly one of the most challenging and difficult social problems we face today is, how can the State maintain the necessary degree of control over society without becoming repressive, and how can it achieve this in the face of an increasingly impatient electorate who are beginning to regard legal and political solutions as too slow? The State sees the spectre looming ahead of terrorism and anarchy, and this increases the risk of its over-reaction and a reduction in our freedom. As with everything else in life, it is a matter of groping for the right balance, and a certain amount of luck.
His treatment complete, Alex is then presented to a group of onlookers as the Ministry of Interior addresses the audience. The man tells them his political party promised Law and Order and “to make the streets safe for ordinary peace-loving citizens“.
In a demonstration that ensues on a raised dais, or stage, in front of the group, Alex is verbally and physically bullied while remaining unable to fight back. As the bully exits the stage, an overhead spotlight, appearing very much like a film projector, or the sun, follows the man as he bows and waves to the audience.
Next, Alex was presented with a gorgeous, nicely tanned, platinum blonde who stands topless before him wearing only a pair of cotton panties. As Alex, on his knees, reaches upward to touch her breasts, he becomes sick once again. The blonde then exits the stage similar to the bully, waving and bowing in dramatic fashion.
As the minister touts the new and improved Alex, the boy’s old prison chaplain rises up to challenge him, claiming Alex had been deprived of choice, and that his “reformation is insincere” because his conditioning requires “self-interest merely to avoid pain”. The chaplain then says: “He ceases to be a wrongdoer, he ceases also to be a creature capable of moral choice”.
In response, the Minister exclaims: “We’re not concerned with motives, with the higher ethics; we are concerned only with cutting down on crime and with relieving the ghastly congestions within our prisons”. He then added:
“He will be your true Christian, ready to turn the other cheek. Ready to be crucified rather than crucify. Sick to the very heart at the thought of even killing a fly. Reclamation. Joy before the angels of God! The point is that it works!”
The State had set Alex free. Literally. More chaos ensued; but, this time, it is all directed against the boy. As Alex eventually returns to his old self, and the State even apologizes for not knowing any better, it remains clear the government still views Alex as a political pawn to be played in its next theatrical production.
The viewer is left with the impression of the cycle continuing; or merely more of the same as the sun rises and sets over the spinning world.
Alex is characterised not only by his actions against society, but in the actions of the State against Alex. The two are equated in the film, his charm reproduced in its durance, the principal difference – a perhaps considerable one – in the State’s coarsely institutional and indiscriminately committed immoralities that Alex can only practise on a restricted scale.
[A clockwork orange is] an organic entity, full of juice and sweetness and agreeable odor, being turned into an automaton.
– Burgess, Anthony. 1987 prefatory note to “A Clockwork Orange: A Play With Music”
…the attempt to impose upon man, a creature of growth and capable of sweetness, to ooze juicily at the last round the bearded lips of God, to attempt to impose, I say, laws and conditions appropriate to a mechanical creation, against this, I raise my swordpen–”
– Burgess, Anthony. The character F. Alexander, “A Clockwork Orange”, p. 25
Through the Lens of Psychology and Violence, Chemically Enhanced
When I was a young man at college more than three decades ago, I asked one of my friends what he thought of the film A Clockwork Orange. Now, this guy had a high IQ. When younger, he was identified as a gifted child who then became member of Mensa, and later the dean of the psychology department at a large American university. I’ve never forgotten his answer. He said: “The future is sex and violence”.
Obviously, both he and Kubrick were proven correct.
Over the past four decades, global academia has made ignorant the youth in Western Societies. Whereas emphasis was once placed on critical thinking, logic, classic literature, science, and math, today’s schools now prioritize identity politics while the youth, especially boys, fall through society’s cracks mesmerized by television, violent video games, and drugs; prescribed or otherwise.
In A Clockwork Orange, Alex and his gang of droogs demonstrated awareness and cleverness, but simultaneously lacked compassion and empathy in ways that were near reptilian. Moreover, Alex’s parents were goofy enablers; the mother in particular, who had purple hair and seemed blind to her son’s evil. They were, in fact, perfect representations of the modern real-world parents who go on television, after their child murders and maims, to say: “He seemed like such a nice boy. We never saw it coming”.
This has remained true since the Columbine shooters through the most current of events in even the bucolic U.S. Midwestern state of Iowa, where two separate girls were recently brutally assaulted and murdered in as many months. Both the killers of Mollie Tibbets and Celia Barquin Arozamena were young men in their early twenties. In the latter case, the murderer, Collin Daniel Richards, admitted he had “an urge to rape and kill a woman” and the meme for his Facebook cover page said: “Let’s go commit a murder”.
Obviously, we no longer live in a Norman Rockwell world. Even so, we can’t say we weren’t warned by Kubrick in A Clockwork Orange.
The famous psychologist, Sigmund Freud, presented the idea that humans operate by means of a trinity of cognitive processes as follows: The Id (instincts), Ego (reality) and Superego (morality). Freud furthermore speculated these three systems (i.e. tripartite) developed at different stages of life.
In the case of Alex in Kubrick’s film, he was representative of the Id, acting out of his desire for childish satisfaction. It is therefore possible the Ego in the film was represented by the modifying presence of the prison chaplain, and with the State acting as the Superego taming Alex’s Id by means of chemically conditioned censorshipof action.
The Id, Ego, and Superego could also be perceived as manifested in the body (impulse), mind/soul (cognitive) and spirit (conscious /law).
As both the film, A Clockwork Orange, and present reality indicate: When balance is lacking, chaos follows in the form of hell on earth. But, on the other hand, if proper balance can be restored, then both individuals and society are better off.
But what is the proper balance and who decides? The State? Or, is there another way to unify mankind into peace and harmony?
By definition, a human being is endowed with free will. He can use this to choose between good and evil. If he can only perform good or only perform evil, then he is a clockwork orange–meaning he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil or (since this is increasingly replacing both) the Almighty State. It is as inhumane to be totally good as it is to be totally evil. The important thing is moral choice. Evil has to exist along with good, in order that moral choice may operate. Life is sustained by the grinding opposition of moral entities.
– Burgess, Anthony. 1986 introduction to “A Clockwork Orange”
I think this suggests the failure of culture to have any morally refining effect on society. Hitler loved good music and many top Nazis were cultured and sophisticated men but it didn’t do them, or anyone else, much good.
Through the Lens of the Occult, Sun Worship, and Ancient Knowledge
Again, a simple internet search of “Stanley Kubrick occult” will yield a number of online links and even a book on the topic entitled “Kubrick’s Code: An Examination of Illuminati & Occult Symbolism in Stanley Kubrick’s Films”. In A Clockwork Orange, specifically, there are those who contend “subliminals”are present therein, including references to MK Ultra/mind control, Freemasonry, Sun/Solar worship, Templar/Iron Cross, Black Sun, the Eye of Horus, and more.
Having personally seen the movie, and recently, I will say these elements are definitely incorporated into the film. I was intrigued by the “Clockwork Orange as Sun” angle but, upon viewing the movie again, it appeared to me the solar aspect was presented (similar to Kubrick’s other films) as more of a film projector of sorts; whereby the viewers could nearly perceive themselves as projections in the screen, along with the fictional characters, as the story unwound.
A Clockwork Orange. Mechanical. Circles. Time.
It is also said the sun can affect people’s moods; as does film.
In the earliest written creation epic, the “Enuma Elish”, claimed by some scholars to have influenced the Bible’s Book of Genesis, Marduk is the Babylonian god who defeats the female water god, Tiamat. Marduk is then awarded fifty other names. In Mesopotamia and Sumeria, Marduk is known as the sun gods Shamash and Anu (Utu), respectively. In Egypt he was worshipped as Ra.
In the scriptures of Judaism and Christianity, Marduk and Tiamat were first identified as the humans Nimrod (In Genesis, chapter 10, called “a mighty hunter before the Lord”) and his wife Semiramis (later known as the mythological Queen of Heaven).
There are those who say it was Nimrod who established the first state religion by unifying mankind and building a tower in the Tigris/Euphrates region of antiquity. However, after he incorporated, and then diversified, he went public:
Did it all start on the plains of Shinar after a great flood, when the malesun overcame femalewater?
In A Clockwork Orange, Alex and his droogs were certainly warlike and sought to ravage the females in their paths. Moreover, perhaps as another clue, one of the songs on the film’s soundtrack is titled “Overture to the Sun”.
In the scene previously described, when the rival gang was in the act of melodramatically wrestling a woman in order to rape her on a stage, it did appear Kubrick incorporated elements of the “Enuma Elish” into his film: namely the expanse of sky above and a winged sun god overlooking acts of sex and violence (Chaos) below.
Within the occult, there are those identifying the Sun as being a symbol of Lucifer the Light Bringer and with the accompanying “illuminating rays of knowledge”; all supposedly essential to the ancient sun worship cult called “The Illuminati”.
Furthermore, others have connected both Freemasonry and the Illuminati as having originated in ancient Egypt:
Popular history texts and encyclopedias generally paint the Illuminati as having its origins in 1776 Bavaria. However, the origins go back much further. The Illuminati are tied directly through masonry to the sun and Isis cults of ancient Egypt.
In truth, Kubrick’s A Clockwork Orange has more occult symbols than even a U.S. dollar bill; along with specific parallels to Freemasonry. All of these visuals, like the Eye of Horus right on the money, are hidden in plain sight:
The checkered pattern is found in Freemason lodges and is known as “Moses Pavement” which symbolizes the duality of man. Of course, the Eye of Horus, snakes, and phalluses, are all symbols of the occult as well.
Why would Kubrick have included these in A Clockwork Orange and, also, in his other films?
Coincidence? Art? Conspiracy?
Let the readers, and viewers, decide.
Additionally, as addressed before, Kubrick’s film does include some peculiar references to Christianity. Complementing Alex’s aforementioned prison fantasy of being a Roman soldier in the act of whipping Christ, there was an earlier scene in his room where he fondles his pet snake before the snake appeared to act as a phallus between the legs of a naked woman pictured on his wall. The buttocks of the woman looked to have been held up by the raised arms of four naked Jesus Christ figurines; complete with crowns of thorns. Then, as a rapturous Alex enjoyed the music of Beethoven in a near masturbatory manner, he envisioned himself a vampire and saw a woman in a white (wedding?) dress being hung by rope, along with fiery explosions and men being crushed by rocks.
These examples, along with the symbols of Alex’s pet snake and the Eye of Horus on his right sleeve and right eye, leave the viewer with the impression the boy’s worldview was nothing short of Luciferian.
Moreover, just as western holidays like Christmas (Sol) and Easter (Ishtar) have their originations in ancient sun worship and female pagan fertility deities, so too, it seems, does A Clockwork Orange. In another example, one of the droogs in the Korova Milk Bar, with sun/projector overhead, drew milk from the breasts of a replica nymph that he called “Lucy”.
Are all of these occult references designed to point the viewer’s attention towards Lucifer? Was Kubrick trying to warn his audience that the future for both individual and state belonged to Satan? Or, is it possible the director was actually advocating for such?
Through the Lens of the Established State, Modern Politics , Time, and the Circular Cycles of Man
There are those who have tied Donald Trump to Kubrick’s A Clockwork Orange:
And, paradoxically, it now appears the Satanists are even threatened by The Orange Jesus as they seek to convert the younger generation.
Founded in 2012, The Satanic Temple (not to be confused with the Church of Satan) is a non-theistic organization that has gained prominence since President Trump’s election. The group reported it gained “thousands of new members” after Trump won the presidential race.
…Since the election, The Satanic Temple has launched multiple campaigns aimed at challenging Christian influence in the political sphere. One example is their After School Satan Clubs.
Obviously those on the Political Left, and some in the middle, view Trump as similar to the right-wing, authoritarian (law and order) party in Kubrick’s film; who brainwashed naive dupes into supporting misguided policies. Yet, to the other half of the audience watching the political theater on their screens, it appears that Trump is more comparable to Alex; who, after creating carnage in the proverbial political swamp, is now undergoing reeducation by the Established State right before their very eyes.
Could Kubrick have foreseen the inevitability of time’s passage delivering an Orange Reality TV Star to the world stage? It’s doubtful, because he didn’t write the book. Even so, is it still possible that Trump is a clockwork man, arriving right on schedule?
Since the times of the first songs, the elite have cynically oppressed the proles while telling them it’s for their own good; for their safety, or for the good of Mankind overall. That is the commonality of gangsters, thugs, neocons, corrupt politicians, fascists, and tyrannical collectivists. They abrogate timeless moral principles for their own benefit and tell us it’s for ours.
In the narrative of A Clockwork Orange, there is a contrarian to the current government, an author, who played dual roles in the film’s plot. Towards the end, he argues on the telephone with an unseen coconspirator that “the common people must not sell liberty for a quieter life”.
Yet, isn’t that what we’ve done today in the once free nations of the western world?
In many ways, A Clockwork Orange is a mirrored representation of modern America. In the movie, a right-wing party is the established power suppressing the rights of commoners in order to sustain its continuity of control; and the media, and opposition party, were fighting on the side of liberty.
Paradoxically, in the real world currently, the media, the Political Left, and lukewarm conservatives, are in singularity with the Established State; as Trump and his Deplorables wreak havoc before the global towers of power.
Based upon raw intuition, instinct, and Tweets, Trump is the political manifestation of Freud’s Id. Therefore, he and his gang of supporters must be reformed via electronic programming and conditioning (punishment and reward) by the state as it seeks to secure its everlasting continuity.
Play ball and society will experience harmony, but only on the state’s terms. Disobey at your own peril. This is one of the themes in A Clockwork Orange. Other undertones of the film speak to secrecy, smoke, mirrors, and mind control, where the state vanquishes the violent urges of its citizens by creating a new reality via cyclical, or looped, feedback. Consensus will be manufactured and contrarian views need not apply. Not acceptable? No problem. The state has a pill for that.
As humans, we have free will, and that is a right that cannot be denied to us. The Ludovico Technique represents the government’s, or any authority figure’s, interference with our personal liberties, and the dangers of these interferences. The battle of good versus evil is presented an innumerable amount of times in literature and cinema–but A Clockwork Orange puts a twist on this common theme. Which is worse, chosen evil or forced good? According to A Clockwork Orange, chosen evil is the lesser evil, because it demonstrates it allows us a choice. If humans lose moral choice, they become machines. Free will to choose between good and evil is the central theme and message in A Clockwork Orange.
Whether or not Trump is real or just an actor, like in Kubrick’s films, he has revealed certainrealities. The fact remains the state does not now endorse free will and it has, instead, resorted to electronic conditioning to form its new reality.
This will work until it doesn’t. Then the process begins again, just has it always has throughout history; as predictable as seasons, or the sun crossing the sky.
Conclusion
In researching this article, and Stanley Kubrick’s life’s work, I discovered many websites that were a strange combination of profoundly perceptive insights, unique observations, and batshit craziness. But one interesting theme presented in Kubrick’s storytelling is the idea of mankind’s Odyssey: Seeking meaning through faith, action, and fortune, upon the world stage; overcoming base instincts, then rising on a tide of reason and rationality, before the cycle rounds another bend and mankind falls again.
When watching A Clockwork Orange, the viewer is forced to consider the ironies of individual and state. In turn, this blogger now questions if both entities are not merely two parallel paths to hell on earth.
The sun rises and sets on individuals and nations alike. Yet, throughout history, Man’s Id was successfully moderated at times by his Ego and Superego thus allowing, for the most part, periods of equilibrium and justice; even if only for a season.
Fate or free will? That is the question. Given the cycles of history, where does hope now reside? Why would anyone have optimism at all?
In A Clockwork Orange, the Ludovico Technique was meant to fix dystopia’s problems. Today, in the real world, it is media narratives that are meant to address what ails us. Unfortunately, however, these are twin movies unspooling separately and all at once. In turn, it means certain worldviews must be reprogrammed, as it were.
This explains why social media companies are purging “incorrect thinkers” on their respective platforms. They are viewed as subversive moles, and petty criminals, damaging the fertile ground of the new world order.
It’s also why a bogus Russian dossier was utilized to derail the Orange Criminal. One wonders if he was wound up as part of a plan to place asunder the old ways; like the tide rolling out before the dawn of a new day.
The lesson learned from A Clockwork Orange is to beware the algorithmic hammers of conformity; always watching, ever ready, and waiting to shine down from on high; ceaselessly smiling, shaking hands, and kissing babies on the way.
Before new experiments and orthodoxies can be tried, there must be good reasons to do so. For out of chaos comes creation. The circle runs like clockwork and always on time.
The Id of Man will be tempered by a new religion; or perhaps an old one by another name.
Have you ever noticed how rare sincere apologies are in politics? I’ve been thinking about this a lot lately. Normal people apologize to each other every day, for accidentally interrupting someone or standing in their way, for being inconsiderate or forgetful, for being unable to satisfy a customer’s needs; it’s just a part of life we take for granted at work and at home. But in the highest levels of the most powerful governments on earth, where thousands of human lives can be snuffed out by a single unwise decision and ecosystems and economies destroyed on a whim, apologies are almost unheard of. You only ever see them when a leader is cornered in a complete political checkmate with no other options available to them.
This is because the highest levels of the most powerful governments in the world are dominated by highly manipulative people. If you serve truth, humanity and the world, you are almost certainly delightful to be around and you will almost certainly never have a career in federal politics. The system is set up to serve a ruling class of plutocrats and their lackeys, so the way to get to the top of the political ladder is in the exact opposite direction of serving the weak and defenseless and being truthful and compassionate. To win elections you first need to win the blessing of the ruling class, and the way to do that is by kissing the right asses while regurgitating the right sound bytes whenever the cameras are rolling.
This is why all the top career politicians all seem so fake; the Hillary Clintons, Ted Cruzes and Nancy Pelosis didn’t get to where they’re at by serving truth and justice, they got there by manipulating and deceiving in the service of the powerful. They are not interested in honesty and sincerity, they are interested in getting up another rung on the ladder.
Anyone who has ever had a close relationship with someone who is highly manipulative has probably noticed how they never apologize for anything if they can avoid it, but if you apologize to a manipulator for something they will never, ever let you forget it and will bring it up any time you step out of line. For normal, empathetic people, apologies are a way to improve relations with each other and avoid hurting one another in the future; they’re a way of saying “I understand that I did a thing that hurt you, and I’ll try really hard not to do it again in the future.” Narcissists, sociopaths, psychopaths and other chronic manipulators don’t see them that way, since they don’t care if they hurt other people and only care about getting what they want. For a manipulator, an apology is a weapon to use against the person making it, which is why you never see them making apologies of their own.
Comedian and activist Jimmy Dore published a sincere, heartfelt apology today to Mother Jones senior reporter Shane Bauer and comedian/progressive media personality Francesca Fiorentini for some Twitter drama, because that’s what normal human beings do when they regret a transgression they feel they’ve made against someone else. Fiorini responded to Dore’s apology the way normal human beings do, tweeting, “Thanks for this Jimmy. I hope we can begin to patch things up.” Bauer responded to Dore’s apology by tweeting a six-part rant calling for Dore’s termination from The Young Turks and smearing him with a litany of other accusations which have nothing to do with Bauer.
One of these folks is not like the others.
Bauer is one of the most virulent proponents of pro-regime change narratives against the Syrian government, aggressively smearing and attacking anyone who questions official allegations leveled by the US-centralized empire against Iraq’s next-door neighbor. Earlier this year he called on blogging outlet Medium to ban me from its platform for my opposition to regime change interventionism in Syria, tweeting after the deplatforming of a few right-wing writers that “If @Medium is serious about cracking down on conspiracy theorists, it needs to go beyond the alt-right and reign in the garbage published on Syria by people like @caitoz.”
Following widespread public criticism from the left, Bauer then deleted his tweet without retraction and, you guessed it, without apology.
Mother Jones' @shane_bauer has deleted his tweet calling for the corporate censorship of the antiwar left without apology or retraction, so for posterity here is documentation that empire loyalists will never be content with merely silencing right-wingers. pic.twitter.com/6LTVizBtLc
I certainly don’t fault Dore for responding to Bauer the way a normal human being responds to other normal human beings. But Shane Bauer, like other war propagandists, is not a normal human being. Deliberately manipulating people in the service of warfare and imperialism is not a normal thing to do, and it’s not something a healthy empathic person would ever think to do.
In a healthy world, which I firmly believe we are capable of creating, the psychological manipulation of others will be regarded as a perverse intrusion into personal sovereignty and rejected with the same ferocity you’d reject a stranger attempting to insert things into your body. Psychologically manipulating people is unhealthy and immoral, and manipulating them to advance the interests of war profiteers and secretive intelligence/defense agencies is pure evil.
Jimmy Dore did us all a favor by attempting to relate to Shane Bauer like a normal human being, because one of the best ways to get a manipulator to show you what he’s made of is to apologize to him and watch what happens. Learn to spot the manipulators.
“Back in the heyday of the old Soviet Union, a phrase evolved to describe gullible western intellectuals who came to visit Russia and failed to notice the human and other costs of building a communist utopia. The phrase was “useful idiots” and it applied to a good many people who should have known better. I now propose a new, analogous term more appropriate for the age in which we live: useful hypocrites. That’s you and me, folks, and it’s how the masters of the digital universe see us. And they have pretty good reasons for seeing us that way. They hear us whingeing about privacy, security, surveillance, etc., but notice that despite our complaints and suspicions, we appear to do nothing about it. In other words, we say one thing and do another, which is as good a working definition of hypocrisy as one could hope for.”—John Naughton, The Guardian
“Who needs direct repression,” asked philosopher Slavoj Zizek, “when one can convince the chicken to walk freely into the slaughterhouse?”
In an Orwellian age where war equals peace, surveillance equals safety, and tolerance equals intolerance of uncomfortable truths and politically incorrect ideas, “we the people” have gotten very good at walking freely into the slaughterhouse, all the while convincing ourselves that the prison walls enclosing us within the American police state are there for our protection.
Call it doublespeak, call it hypocrisy, call it delusion, call it whatever you like, but the fact remains that while we claim to value freedom, privacy, individuality, equality, diversity, accountability, and government transparency, our actions and those of our government rulers contradict these much-vaunted principles at every turn.
And then there’s our supposed love-hate affair with technology, which sees us bristling at the government’s efforts to monitor our internet activities, listen in on our phone calls, read our emails, track our every movement, and punish us for what we say on social media, and yet we keep using these very same technologies all the while doing nothing about the government’s encroachments on our rights.
This contradiction is backed up by a Pew Research Center study, which finds that “Americans say they are deeply concerned about privacy on the web and their cellphones. They say they do not trust Internet companies or the government to protect it. Yet they keep using the services and handing over their personal information.”
Let me get this straight: the government continues to betray our trust, invade our privacy, and abuse our rights, and we keep going back for more?
Sure we do.
After all, the alternative—taking a stand, raising a ruckus, demanding change, refusing to cooperate, engaging in civil disobedience—is not only a lot of work but can be downright dangerous.
What we fail to realize, however, is that by tacitly allowing these violations to continue, we not only empower the tyrant but we feed the monster.
In this way, what starts off as small, occasional encroachments on our rights, justified in the name of greater safety, becomes routine, wide-ranging abuses so entrenched as to make reform all but impossible.
And then there were the private prisons, marketed as a way to lower the government’s cost of locking up criminals. Only it turns out that private prisons actually cost the taxpayer more money and place profit incentives on jailing more Americans, resulting in the largest prison population in the world.
Are you starting to notice a pattern yet?
The government lures us in with a scheme to make our lives better, our families safer, and our communities more secure, and then once we buy into it, they slam the trap closed.
It doesn’t matter whether you’re talking about red light cameras, DNA databases, surveillance cameras, or zero tolerance policies: they all result in “we the people” being turned into Enemy Number One.
In this way, the government campaign to spy on our phone calls, letters and emails was sold to the American people as a necessary tool in the war on terror.
Instead of targeting terrorists, however, the government has turned us into potential terrorists, so that if we dare say the wrong thing in a phone call, letter, email or on the internet, especially social media, we end up investigated, charged and possibly jailed.
If you happen to be one of the 1.31 billion individuals who use Facebook or one of the 255 million who tweet their personal and political views on Twitter, you might want to pay close attention.
This criminalization of free speech, which is exactly what the government’s prosecution of those who say the “wrong” thing using an electronic medium amounts to, was at the heart of Elonis v. United States, a case that wrestled with where the government can draw the line when it comes to expressive speech that is protected and permissible versus speech that could be interpreted as connoting a criminal intent.
The case arose after Anthony Elonis, an aspiring rap artist, used personal material from his life as source material and inspiration for rap lyrics which he then shared on Facebook.
For instance, shortly after Elonis’ wife left him and he was fired from his job, his lyrics included references to killing his ex-wife, shooting a classroom of kindergarten children, and blowing up an FBI agent who had opened an investigation into his postings.
Despite the fact that Elonis routinely accompanied his Facebook posts with disclaimers that his lyrics were fictitious, and that he was using such writings as an outlet for his frustrations, he was charged with making unlawful threats (although it was never proven that he intended to threaten anyone) and sentenced to 44 months in jail.
Elonis is not the only Facebook user to be targeted for prosecution based on the content of his posts.
In a similar case that made its way through the courts only to be rebuffed by the Supreme Court, Brandon Raub, a decorated Marine, was arrested by a swarm of FBI, Secret Service agents and local police and forcibly detained in a psychiatric ward because of controversial song lyrics and political views posted on his Facebook page. He was eventually released after a circuit court judge dismissed the charges against him as unfounded.
Rapper Jamal Knox and Rashee Beasley were sentenced to jail terms of up to six years for a YouTube video calling on listeners to “kill these cops ‘cause they don’t do us no good.” Although the rapper contended that he had no intention of bringing harm to the police, he was convicted of making terroristic threats and intimidation of witnesses.
And then there was Franklin Delano Jeffries II, an Iraq war veteran, who, in the midst of a contentious custody battle for his daughter,shared a music video on YouTube and Facebook in which he sings about the judge in his case, “Take my child and I’ll take your life.” Despite his insistence that the lyrics were just a way for him to vent his frustrations with the legal battle, Jeffries was convicted of communicating threats and sentenced to 18 months in jail.
The common thread running through all of these cases is the use of social media to voice frustration, grievances, and anger, sometimes using language that is overtly violent.
The question the U.S. Supreme Court was asked to decide in Elonis is whether this activity, in the absence of any overt intention of committing a crime, rises to the level of a “true threat” or whether it is, as I would contend, protected First Amendment activity. (The Supreme Court has defined a “true threat” as “statements where the speaker means to communicate a serious expression of an intent to commit an act of unlawful violence to a particular individual or group of individuals.”)
Despite the Supreme Court’s ruling in Elonis, Corporate America has now taken the lead in policing expressive activity online, with social media giants such as Facebook, Twitter and YouTube using their formidable dominance in the field to censor, penalize and regulate speech and behavior online by suspending and/or banning users whose content violated the companies’ so-called community standards for obscenity, violence, hate speech, discrimination, etc.
Make no mistake: this is fascism.
This is fascism with a smile.
As Bertram Gross, former presidential advisor, noted in his chilling book Friendly Fascism: The New Face of Power in America, “Anyone looking for black shirts, mass parties, or men on horseback will miss the telltale clues of creeping fascism. . . . In America, it would be super modern and multi-ethnic—as American as Madison Avenue, executive luncheons, credit cards, and apple pie. It would be fascism with a smile. As a warning against its cosmetic façade, subtle manipulation, and velvet gloves, I call it friendly fascism. What scares me most is its subtle appeal.”
The subtle appeal of this particular brand of fascism is its self-righteous claim to fighting the evils of our day (intolerance, hatred, violence) using the weapons of Corporate America.
Be warned, however: it is only a matter of time before these weapons are used more broadly, taking aim at anything that stands in its quest for greater profit, control and power.
This is what fascism looks like in a modern context, with corporations flexing their muscles to censor and silence expressive activity under the pretext that it is taking place within a private environment subject to corporate rules as opposed to activity that takes place within a public or government forum that might be subject to the First Amendment’s protection of “controversial” and/or politically incorrect speech.
Rightly contending that tech companies are just extensions of the government, former Texas congressman Ron Paul believes that social media networks under the control of Google, Apple, Twitter and Facebook are working with the U.S. government to silence dissent. “You get accused of treasonous activity and treasonous speech because in an empire of lies the truth is treason,” Paul declared. “Challenging the status quo is what they can’t stand and it unnerves them, so they have to silence people.”
Curiously enough, you know who has yet to be suspended? President Trump.
Twitter’s rationale for not suspending world leaders such as Trump, whom critics claim routinely violate the social media giant’s rules, is because “Blocking a world leader from Twitter or removing their controversial Tweets, would hide important information people should be able to see and debate. It would also not silence that leader, but it would certainly hamper necessary discussion around their words and actions.”
Frankly, all individuals, whether or not they are world leaders, should be entitled to have their thoughts and ideas aired openly, pitted against those who might disagree with them, and debated widely, especially in a forum like the internet.
Why does this matter?
The internet and social media have taken the place of the historic public square, which has slowly been crowded out by shopping malls and parking lots.
As such, these cyber “public squares” may be the only forum left for citizens to freely speak their minds and exercise their First Amendment rights, especially in the wake of legislation that limits access to our elected representatives.
Unfortunately, the internet has become a tool for the government—and its corporate partners—to monitor, control and punish the populace for behavior and speech that may be controversial but are far from criminal.
Indeed, the government, a master in the art of violence, intrusion, surveillance and criminalizing harmless activities, has repeatedly attempted to clamp down on First Amendment activity on the web and in social media under the various guises of fighting terrorism, discouraging cyberbullying, and combatting violence.
Police and prosecutors have also targeted “anonymous” postings and messages on forums and websites, arguing that such anonymity encourages everything from cyber-bullying to terrorism, and have attempted to prosecute those who use anonymity for commercial or personal purposes.
We would do well to tread cautiously in how much authority we give the Corporate Police State to criminalize free speech activities and chill what has become a vital free speech forum.
Not only are social media and the Internet critical forums for individuals to freely share information and express their ideas, but they also serve as release valves to those who may be angry, seething, alienated or otherwise discontented.
Without an outlet for their pent-up anger and frustration, these thoughts and emotions fester in secret, which is where most violent acts are born.
In the same way, free speech in the public square—whether it’s the internet, the plaza in front of the U.S. Supreme Court or a college campus—brings people together to express their grievances and challenge oppressive government regimes.
Without it, democracy becomes stagnant and atrophied.
Likewise, as I make clear in my book Battlefield America: The War on the American People, if free speech is not vigilantly protected, democracy is more likely to drift toward fear, repression, and violence. In such a scenario, we will find ourselves threatened with an even more pernicious injury than violence itself: the loss of liberty.
I rarely use this blog to tell readers what they should believe. Rather I try to indicate why it might be wise to distrust, at least without very good evidence, what those in power tell us we should believe.
We have well-known sayings about power: “Knowledge is power”, and “Power tends to corrupt, while absolute power tends to corrupt absolutely.” These aphorisms resonate because they say something true about how we experience the world. People who have power – even very limited power they hold on licence from someone else – tend to abuse it, sometimes subtly and unconsciously, and sometimes overtly and wilfully.
If we are reasonably self-aware, we can sense the tendency in ourselves to exploit to our advantage whatever power we enjoy, whether it is in our dealings with a spouse, our children, a friend, an employee, or just by the general use of our status to get ahead.
This isn’t usually done maliciously or even consciously. By definition, the hardest thing to recognise are our own psychological, emotional and mental blind spots – and the biggest, at least for those born with class, gender or race privileges, is realising that these too are forms of power.
Nonetheless, these are all minor forms of power compared to the power wielded collectively by the structures that dominate our societies: the financial sector, the corporations, the media, the political class, and the security services.
But strangely most of us are much readier to concede the corrupting influence of the relatively small power of individuals than we are the rottenness of vastly more powerful institutions and structures. We blame the school teacher or the politician for abusing his or her power, while showing a reluctance to do the same about either the education or political systems in which they have to operate.
Similarly, we are happier identifying the excessive personal power of a Rupert Murdoch than we are the immense power of the corporate empire behind him and on which his personal wealth and success depend.
And beyond this, we struggle most of all to detect the structural and ideological framework underpinning or cohering all these discrete examples of power.
Narrative control
It is relatively easy to understand that your line manager is abusing his power, because he has so little of it. His power is visible to you because it relates only to you and the small group of people around you.
It is a little harder, but not too difficult, to identify the abusive policies of your firm – the low pay, cuts in overtime, attacks on union representation.
It is more difficult to see the corrupt power of large institutions, aside occasionally from the corruption of senior figures within those institutions, such as a Robert Maxwell or a Richard Nixon.
But it is all but impossible to appreciate the corrupt nature of the entire system. And the reason is right there in those aphorisms: absolute power depends on absolute control over knowledge, which in turn necessitates absolute corruption. If that were not the case, we wouldn’t be dealing with serious power – as should be obvious, if we pause to think about it.
Real power in our societies derives from that which is necessarily hard to see – structures, ideology and narratives – not individuals. Any Murdoch or Trump can be felled, though being loyal acolytes of the power-system they rarely are, should they threaten the necessary maintenance of power by these interconnected institutions, these structures.
The current neoliberal elite who effectively rule the planet have reached as close to absolute power as any elite in human history. And because they have near-absolute power, they have a near-absolute control of the official narratives about our societies and our “enemies”, those who stand in their way to global domination.
No questions about Skripals
One needs only to look at the narrative about the two men, caught on CCTV cameras, who have recently been accused by our political and media class of using a chemical agent to try to murder Sergei Skripal and his daughter Yulia back in March.
I don’t claim to know whether Alexander Petrov and Ruslan Boshirov work for the Russian security services, or whether they were dispatched by Vladimir Putin on a mission to Salisbury to kill the Skripals.
What is clear, however, is that the British intelligence services have been feeding the British corporate media a self-serving, drip-drip narrative from the outset – and that the media have shown precisely no interest at any point in testing any part of this narrative or even questioning it. They have been entirely passive, which means their readers – us – have been entirely passive too.
That there are questions about the narrative to be raised is obvious if you turn away from the compliant corporate media and seek out the views of an independent-minded, one-time insider such as Craig Murray.
A former British ambassador, Murray is asking questions that may prove to be pertinent or not. But at this stage, when all we have to rely on is what the intelligence services are selectively providing, these kinds of doubts should be driving the inquiries of any serious journalist covering the story. But as is so often the case, not only are these questions not being raised or investigated, but anyone like Murray who thinks critically – who assumes that the powerful will seek to promote their interests and avoid accountability – is instantly dismissed as a conspiracy theorist or in Putin’s pocket.
That is no meaningful kind of critique. Many of the questions that have been raised – like why there are so many gaps in the CCTV record of the movements of both the Skripals and the two assumed assassins – could be answered if there was an interest in doing so. The evasion and the smears simply suggest that power intends to remain unaccountable, that it is keeping itself concealed, that the narrative is more important than the truth.
And that is reason enough to move from questioning the narrative to distrusting it.
Ripples on a lake
Journalists typically have a passive relationship to power, in stark contrast to their image as tenacious watchdog. But more fundamental than control over narrative is the ideology that guides these narratives. Ideology ensures the power-system is invisible not only to us, those who are abused and exploited by it, but also to those who benefit from it.
It is precisely because power resides in structures and ideology, rather than individuals, that it is so hard to see. And the power-structures themselves are made yet more difficult to identify because the narratives created about our societies are designed to conceal those structures and ideology – where real power resides – by focusing instead on individuals.
That is why our newspapers and TV shows are full of stories about personalities – celebrities, royalty, criminals, politicians. They are made visible so that we do not notice the ideological structures we live inside that are supposed to remain invisible.
News and entertainment are the ripples on a lake, not the lake itself. But the ripples could not exist without the lake that forms and shapes them.
Up against the screen
If this sounds like hyperbole, let’s stand back from our particular ideological system – neoliberalism – and consider earlier ideological systems in the hope that they offer some perspective. At the moment, we are like someone standing right up against an IMAX screen, so close that we cannot see that there is a screen or even guess that there is a complete picture. All we see are moving colours and pixels. Maybe we can briefly infer a mouth, the wheel of a vehicle, a gun.
Before neoliberalism there were other systems of rule. There was, for example, feudalism that appropriated a communal resource – land – exclusively for an aristocracy. It exploited the masses by forcing them to toil on the land for a pittance to generate the wealth that supported castles, a clergy, manor houses, art collections and armies. For several centuries the power of this tiny elite went largely unquestioned.
But then a class of entrepreneurs emerged, challenging the landed artistocracy with a new means of industrialised production. They built factories and took advantage of scales of economy that slightly widened the circle of privilege, creating a middle class. That elite, and the middle-class that enjoyed crumbs from their master’s table, lived off the exploitation of children in work houses and the labour of a new urban poor in slum housing.
These eras were systematically corrupt, enabling the elites of those times to extend and entrench their power. Each elite produced justifications to placate the masses who were being exploited, to brainwash them into believing the system existed as part of a natural order or even for their benefit. The aristocracy relied on a divine right of kings, the capitalist class on the guiding hand of the free market and bogus claims of equality of opportunity.
In another hundred years, if we still exist as a species, our system will look no less corrupt – probably more so – than its predecessors.
Neoliberalism, late-stage capitalism, plutocratic rule by corporations – whatever you wish to call it – has allowed a tiny elite to stash away more wealth and accrue more power than any feudal monarch could ever have dreamt of. And because of the global reach of this elite, its corruption is more endemic, more complete, more destructive than any ever known to mankind.
A foreign policy elite can destroy the world several times over with nuclear weapons. A globalised corporate elite is filling the oceans with the debris from our consumption, chopping down the forest-lungs of our planet for palm-oil plantations so we can satisfy our craving for biscuits and cake. And our media and intelligence services are jointly crafting a narrative of bogeymen and James Bond villains – both in Hollywood movies, and in our news programmes – to make us fearful and pliable.
Assumptions of inevitability
Most of us abuse our own small-power thoughtlessly, even self-righteously. We tell ourselves that we gave the kids a “good spanking” because they were naughty, rather than because we established with them early on a power relationship that confusingly taught them that the use of force and coercion came with a parental stamp of approval.
Those in greater power – from minions in the media to executives of major corporations – are no different. They are as incapable of questioning the ideology and the narrative – how inevitable and “right” our neoliberal system is – as the rest of us. But they play a vital part in maintaining and entrenching that system nonetheless.
David Cromwell and David Edwards of Media Lens have provided two analogies – in the context of the media – that help explain how it is possible for individuals and groups to assist and enforce systems of power without having any conscious intention to do so, and without being aware that they are contributing to something harmful. Without, in short, being aware that they are conspiring in the system.
When a shoal of fish instantly changes direction, it looks for all the world as though the movement was synchronised by some guiding hand. Journalists – all trained and selected for obedience by media all seeking to maximise profits within state-capitalist society – tend to respond to events in the same way.
Place a square wooden framework on a flat surface and pour into it a stream of ball bearings, marbles, or other round objects. Some of the balls may bounce out, but many will form a layer within the wooden framework; others will then find a place atop this first layer. In this way, the flow of ball bearings steadily builds new layers that inevitably produce a pyramid-style shape. This experiment is used to demonstrate how near-perfect crystalline structures such as snowflakes arise in nature without conscious design.
The system – whether feudalism, capitalism, neoliberalism – emerges out of the real-world circumstances of those seeking power most ruthlessly. In a time when the key resource was land, a class emerged justifying why it should have exclusive rights to control that land and the labour needed to make it productive. When industrial processes developed, a class emerged demanding that it had proprietary rights to those processes and to the labour needed to make them productive.
Our place in the pyramid
In these situations, we need to draw on something like Darwin’s evolutionary “survival of the fittest” principle. Those few who are most hungry for power, those with least empathy, will rise to the top of the pyramid, finding themselves best-placed to exploit the people below. They will rationalise this exploitation as a divine right, or as evidence of their inherently superior skills, or as proof of the efficiency of the market.
And below them, like the layers of ball bearings, will be those who can help them maintain and expand their power: those who have the skills, education and socialisation to increase profits and sell brands.
All of this should be obvious, even non-controversial. It fits what we experience of our small-power lives. Does bigger power operate differently? After all, if those at the top of the power-pyramid were not hungry for power, even psychopathic in its pursuit, if they were caring and humane, worried primarily about the wellbeing of their workforce and the planet, they would be social workers and environmental activists, not CEOs of media empires and arms manufacturers.
And yet, base your political thinking on what should be truisms, articulate a worldview that distrusts those with the most power because they are the most capable of – and committed to – misusing it, and you will be derided. You will be called a conspiracy theorist, dismissed as deluded. You will be accused of wearing a tinfoil hat, of sour grapes, of being anti-American, a social warrior, paranoid, an Israel-hater or anti-semitic, pro-Putin, pro-Assad, a Marxist.
None of this should surprise us either. Because power – not just the people in the system, but the system itself – will use whatever tools it has to protect itself. It is easier to deride critics as unhinged, especially when you control the media, the politicians and the education system, than it is to provide a counter-argument.
In fact, it is vital to prevent any argument or real debate from taking place. Because the moment we think about the arguments, weigh them, use our critical faculties, there is a real danger that the scales will fall from our eyes. There is a real threat that we will move back from the screen, and see the whole picture.
Can we see the complete picture of the Skripal poisoning in Salisbury; or the US election that led to Trump being declared president; or the revolution in Ukraine; or the causes and trajectory of fighting in Syria, and before it Libya and Iraq; or the campaign to discredit Jeremy Corbyn as leader of the Labour party; or the true implications of the banking crisis a decade ago?
Profit, not ethics
Just as a feudal elite was driven not by ethics but by the pursuit of power and wealth through the control of land; just as early capitalists were driven not by ethics but by the pursuit of power and wealth through the control of mechanisation; so neoliberalism is driven not by ethics but the pursuit of power and wealth through the control of the planet.
The only truth we can know is that the western power-elite is determined to finish the task of making its power fully global, expanding it from near-absolute to absolute. It cares nothing for you or your grand-children. It is a cold-calculating system, not a friend or neighbour. It lives for the instant gratification of wealth accumulation, not concern about the planet’s fate tomorrow.
And because of that it is structurally bound to undermine or discredit anyone, any group, any state that stands in the way of achieving its absolute dominion.
If that is not the thought we hold uppermost in our minds as we listen to a politician, read a newspaper, watch a film or TV show, absorb an ad, or engage on social media, then we are sleepwalking into a future the most powerful, the most ruthless, the least caring have designed for us.
Step back, and take a look at the whole screen. And decide whether this is really the future you wish for your grand-children.
In the movie The Matrix, humans are imprisoned in a virtual world by a powerful artificial intelligence system in a dystopian future. What they take to be reality is actually a computer program that has been jacked into their brains to keep them in a comatose state. They live their whole lives in that virtual simulation, without any way of knowing that what they appear to be experiencing with their senses is actually made of AI-generated code.
Life in our current society is very much the same. The difference is that instead of AI, it’s psychopathic oligarchs who are keeping us asleep in the Matrix. And instead of code, it’s narrative.
Society is made of narrative like the Matrix is made of code. Identity, language, etiquette, social roles, opinions, ideology, religion, ethnicity, philosophy, agendas, rules, laws, money, economics, jobs, hierarchies, politics, government, they’re all purely mental constructs which exist nowhere outside of the mental noises in our heads. If I asked you to point to your knee you could do so instantly and wordlessly, but if I asked you to point to the economy, for example, the closest you could come is using a bunch of linguistic symbols to point to a group of concepts. To show me the economy, you’d have to tell me a story.
Anyone who has ever experienced a moment of mental stillness knows that without the chatter, none of those things are part of your actual present experience. There is no identity, language, etiquette, social roles, opinions, ideology, religion, ethnicity, philosophy, agendas, rules, laws, money, economics, jobs, hierarchies, politics or government in your experience without the mental chatter about those things. There’s not even a “you” anywhere to be found, because it turns out that that’s made of narrative, too.
Without mental narrative, nothing is experienced but sensory impressions appearing to a subject with no clear shape or boundaries. The visual and auditory fields, the sensation of air going in and out of the respiratory system, the feeling of the feet on the ground or the bum in the chair. That’s it. That’s more or less the totality of life minus narrative.
When you add in the mental chatter, however, none of those things tend to occupy a significant amount of interest or attention. Appearances in the visual and auditory field are suddenly divided up and labeled with language, with attention to them determined by whichever threatens or satisfies the various agendas, fears and desires of the conceptual identity construct known as “you”. You can go days, weeks, months or years without really noticing the feeling of your respiratory system or your feet on the ground as your interest and attention gets sucked up into a relationship with society that exists solely as narrative.
“Am I good enough? Am I doing the right thing? Oh man, I hope what I’m trying to do works out. I need to make sure I get all my projects done. If I do that one thing first it might save me some time in the long run. Oh there’s Ashley, I hate that bitch. God I’m so fat and ugly. If I can just get the things that I want and accomplish my important goals I’ll feel okay. Taxes are due soon. What’s on TV? Oh it’s that idiot. How the hell did he get elected anyway? Everyone who made that happen is a Nazi. God I can’t wait for the weekend. I hope everything goes as planned between now and then.”
On and on and on and on. Almost all of our mental energy goes into those mental narratives. They dominate our lives. And, for that reason, people who are able to control those narratives are able to control us.
And they do.
Most people try to exert some degree of control over those around them. They try to influence how those in their family, social and employment circles think of them by behaving and speaking in a certain way. Family members will spend their lives telling other family members over and over again that they’re not as smart/talented/good as they think they are to keep them from becoming too successful and moving away. Romantic partners will be persuaded that they can never leave because no one else will ever love them. To varying degrees, they manipulate the narratives of individuals.
Then there are the people who’ve figured out that they can actually take their ability to influence the way people think about themselves and their world and turn it into personal profit. Cult leaders convince followers to turn over their entire lives in service to them. Advertisers convince consumers that they have a problem or deficiency that can only be solved with This Exciting New Product™. Ambitious rat race participants learn how to climb the corporate ladder by winning favor with the right people and inflicting small acts of sabotage against their competing peers. Ambitious journalists learn that they progress much further in their careers by advancing narratives that favor the establishment upon which the plutocrats who own the big media companies have built their kingdoms. They manipulate the narratives of groups.
And then, there are the oligarchs. The master manipulators. These corporate kings of the modern world have learned the secret that every ruler since the dawn of civilization has known: whoever controls the narratives that are believed by a society is the controller of that society. Identity, language, etiquette, social roles, opinions, ideology, religion, ethnicity, philosophy, agendas, rules, laws, money, economics, jobs, hierarchies, politics, government: all mental constructs which only influence society to the extent that they are believed and subscribed to by a significant majority of the collective. If you have influence over the things that people believe about those mental constructs, you have influence over society. You rule it. The oligarchs manipulate the narratives of entire societies.
This is why there have been book burnings, heretic burnings, and executions for mocking the emperor throughout history: ideas which differ from the dominant narratives about what power is, how money works, who should be in charge and so on are threatening to a ruler’s power in the exact same way that an assassin’s dagger is. At any time, in any kingdom, the people could have decided to take the crown off of their king’s head and place it upon the head of any common beggar and treat him as the new king. And, in every meaningful way, he would be the new king. The only thing preventing this from happening was dominant narratives subscribed to by the society at the time about Divine Right, fealty, loyalty, noble blood and so on. The only thing keeping the crown on a king’s head was narrative.
The exact same thing remains true today; the only thing that has changed is the narratives the public subscribe to. Because of what they are taught in school and what the talking heads on their screens tell them about their nation and their government, most people believe that they live in a relatively free democracy where accountable, temporary power is placed in the hands of a select few based on a voting process informed by the unregulated debate of information and ideas. Completely separate from the government, they believe, is an economy whose behavior is determined by the supply and demand of consumers. In reality, economics, commerce and government are fully controlled by an elite class of plutocrats, who also happen to own the media corporations which broadcast the information about the world onto people’s screens.
Control the narratives of economics and commerce, and you control economics and commerce. Control the narratives about politics and government, and you control politics and government. This control is used by the controllers to funnel power to the oligarchs, in this way effectively turning society into one giant energy farm for the elite class.
But it is possible to wake up from that narrative Matrix.
It isn’t easy, and it doesn’t happen overnight. It takes work. Inner work. And humility. Nobody likes acknowledging that they’ve been fooled, and the depth and extent to which we’ve all been fooled is so deeply pervasive it can be tempting to decide that the work is complete far before one is actually free. Mainstream American liberals think they’re clear-eyed because they can see the propaganda strings being pulled by Fox and Donald Trump, and mainstream American conservatives think they’re clear-eyed because they can see the propaganda strings being pulled by MSNBC and the Democrats, but the propaganda strings on both trace back to the same puppet master. And seeing that is just the beginning.
But, through sincere, humble research and introspection, it is possible to break free of the Matrix and see the full extent to which you and everyone you know has been imprisoned by ideas which have been programmed into social consciousness by the powerful. Not just in our adult lives, but ever since our parents began teaching us how to speak, think and relate to the world. Not just in the modern world, but as far back as history stretches to when the power-serving belief systems of societal structure and religion were promoted by kings and queens of old. All of society, and all of ourselves, and indeed all of the thoughts in our heads, have been shaped by those in power to their benefit. This is the reality that we were born into, and our entire personality structure has been filtered through and shaped by it.
For this reason, escaping from the power-serving propaganda Matrix necessarily means becoming a new creature altogether. The ideas, mental habits and ways of relating to the world which were formed in the Matrix are only useful for moving around inside of it. In order to relate to life outside of the power-promulgated narratives which comprise the very fabric of society, you’ve got to create a whole new operating system for yourself in order to move through life independently of the old programming designed to keep you asleep and controlled.
So it’s hard work. You’ll make a lot of mistakes along the way, just like an infant slowly learning to walk. But, eventually, you get clear of the programming.
And then you’re ready to fight.
Because at some point in this process, you necessarily come upon a deep, howling rage within. Rage at the oligarchic manipulators of your species, yes, but also rage against manipulation in all its forms. Rage against everyone who has ever tried to manipulate your narrative, to make you believe things about yourself or make other people believe things about you. Rage against anyone who manipulates anyone else to any extent. When your eyes are clear manipulation stands out like a black fly on a white sheet of paper, and your entire system has nothing to offer it but revulsion and rejection.
So you set to work. You set to work throwing all attempts to manipulate you as far away from yourself as possible, and expunging anyone from your life who refuses to stop trying to control your narrative. Advertising, mass media propaganda, establishment academia, everything gets purged from your life that wants to pull you back into the Matrix.
And they will try to pull you back in. Because our narratives are so interwoven and interdependent with everyone else’s, and so inseparable from our sense of ourselves, your rejection of the narrative Matrix will present as an existential threat to many of your friends and loved ones. You will see many people you used to trust, many of them very close to you, suddenly transform into a bunch of Agent Smiths right in front of your eyes, and they will shame you, guilt you, throw every manipulation tool they have at you to get you to plug the jack back into your brain. But because your eyes are clear, you’ll see it all. You won’t be fooled.
And then all you’ll want is to tear down the Matrix from its very foundations and plunge its controllers into irrelevance. You will set to work bringing down the propaganda prison that they have built up around your fellow humans in any way you can, bolt by bolt if you have to, because you know from your own experience that we are all capable of so much more than the puny gear-turning existence they’ve got everyone churning away at. You will despise the oligarchs for the obscene sacrilege that they have inflicted upon human majesty out of greed and insecurity, and you will make a mortal enemy of the entire machine that they have used to enslave our species.
And, because their entire kingdom is built upon maintaining the illusion of freedom and democracy, all they will have to fight back against you is narrative. They’ll try to shame you into silence by calling you a conspiracy theorist, they’ll have their media goons and manipulators launch smear campaigns against you, but because your eyes are clear, none of that will work. They’ve got one weapon, and it doesn’t work on you.
And you will set to work waking up humanity from the lie factory, using whatever skills you have, weakening trust in the mass media propaganda machine and opening eyes to new possibilities. And while doing so, you will naturally shine big and bright so the others can find you. And together, we’ll not only smash the narratives that imprison us like a human caterpillar swallowing the narrative bullshit and forcing it into the mouth of the next slave, but we’ll also create new narratives, better narratives, healthier narratives, for ourselves and for each other, about how the world is and what we want it to be.
Because here’s the thing: since it’s all narrative, anything is possible. Those who see this have the ability to plunge toward health and human thriving without any regard for the made-up reasons why such a thing is impossible, and plant seeds of light which sprout in unprecedented directions that never could have been predicted by someone plugged into to establishment how-it-is stories. Together, we can determine how society will be. We can re-write the rules. We are re-writing the rules. It’s begun already.
Out of the white noise of a failing propaganda machine, a new world is being born, one that respects the autonomy of the individual and their right to self-determination. One that respects our right to collaborate on large scales to create beautiful, healthy, helpful systems without the constant sabotage and disruption of a few power-hungry psychopaths who would rather rule than live. One that respects our right to channel human ingenuity into harmony and human thriving instead of warfare and greed. One that respects our right to take what we need, not just to survive but to thrive, and return it to the earth for renewal. One that respects the sovereign boundaries of not just ourselves and each other, but of the planet spaceship that we live in.
Unjack your cortex fully from the fear-soaked narratives of insanity, and let the true beauty of our real world flood your senses. Let the grief of what we have unknowingly done send you crashing to your knees in sorrow. And when you’re ready, stand up. We have much work to do.
After the Crash 
