BIDEN Has Handed America Over to the BIODEFENSE CARTEL

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By Patrick Wood

Source: The 21st Century

On the heels of Biden’s September 12th Executive Order titled The National Biotechnology and Biomanufacturing Initiative, I wrote two days later that it “is a complete capitulation of our government to Big Pharma, the biotechnology industry and the entire transhuman cabal that wants to create Humanity 2.0 by changing our genetic structure.”

The Initiative literally opens the floodgates of taxpayer resources and turns over government control to the biotech and Big Pharma industry. Some highlights include:

  • “We need to develop genetic engineering technologies and techniques to be able to write circuitry for cells and predictably program biology in the same way in which we write software and program computers; unlock the power of biological data, including through computing tools and artificial intelligence; and advance the science of scale-up production while reducing the obstacles for commercialization so that innovative technologies and products can reach markets faster.”
  • “bolster and coordinate Federal investment in key research and development (R&D) areas of biotechnology and biomanufacturing in order to further societal goals”
  • “Building a Vibrant Domestic Biomanufacturing Ecosystem.”
  • “expand training and education opportunities for all Americans in biotechnology and biomanufacturing.”
  • “Federal investments in biological sciences, biotechnology, and biomanufacturing to enhance biosafety and biosecurity best practices throughout the bioeconomy R&D enterprise.”

In sum, our nation has become the vassal of the biodefense cartel to finance its R&D, build its manufacturing capacity and train workers to fill its factories. What’s wrong with this picture?

The Executive Order required a number of reports to be compiled and submitted to the President on how to implement the Order. Just one month later, the White House released the National Biodefense Strategy and Implementation Plan.

It dovetails perfectly with the Executive Order except that preparation started on the first day of Biden’s presidency. According to the American Economic Association (AEA),

Today, the Biden-Harris Administration fulfills a commitment that President Biden made on his first day in office: to review existing national biopreparedness policies and develop recommendations for how the Federal Government should update them, based on lessons learned from the ongoing COVID-19 pandemic and other biological threats our Nation faces.

Biden Signs Executive Order Designed to Unleash “Transhumanist Hell” on America and the World

Thus, we can see that this massive transfer of power actually started with Biden’s election and has been orchestrated for theater ever since.

Biodefense Enterprise

The National Biodefense Strategy reveals more details of this Transhuman and Technocratic takeover. One new term that appears 21 times in the document is “biodefense enterprise”.

Enterprise normally applies to a commercial business or corporation, but here it states “the United States will support an efficient and coordinated biodefense enterprise to protect the American People and its global interests.”

In Annex I: Definitions, we get a glimpse of what biodefense enterprise means:

Stakeholders with a role in the prevention, preparedness, detection, response, and recovery from bioincidents (e.g., Federal and SLTT governments, nongovernmental and private sector entities, and international partners).

Stakeholders? Nongovernmental and private sector entities? International partners?

This language clearly reveals that the “biodefense enterprise” is a massive Public Private Partnership where the managing partner is not the Federal Administration, but rather it is the biotech/Big Pharma industry itself!

Biosurveillance

This term shows up 13 times in the National Biodefense Strategy and is clearly linked to the “biodefense enterprise”:

Enhancing the national biodefense enterprise will help protect the United States and its partners abroad from biological incidents, whether naturally occurring, accidental, or deliberate in origin.

It will simultaneously build the U.S. innovation base for cutting-edge countermeasures,biosensors, diagnostics, and biosurveillance information technologies, and advance the biomedical and agricultural industries’ biodefense capabilities.

Again, the document offers a definition:

Biosurveillance: The process of gathering, integrating, interpreting, and communicating essential information and indications related to all-hazard threats or disease activity affecting human, animal, plant, and environmental health to achieve early detection and provide early warning, contribute to overall situational awareness of the health aspects of the incident, and enable better decision-making at all levels.

Thus, biosurveillance will dovetail perfectly into the industry’s already existing plan for digital surveillance, universal health id’s and digital vaccine passports.

If you think existing surveillance is intrusive and a threat to freedom and personal liberty, you ain’t seen nothing yet.

Whole-of-Society

I have discussed the “whole-of-government” strategy where the entire structure of Federal agencies is harmonized to a common purpose and objective. This in itself is a dangerous precedent that permits the weaponization of the whole government toward a common objective.

The concept of whole-of-society is a close relative. Here all sectors of society are lined up for a common purpose. What sectors? Humans, animals, plants and ecosystems. Furthermore, it’s top-to-bottom from national all the way down to local enforcement.

Driving down to local communities is the only way to achieve Section 3.1 Domestic Health Capacity:

Increase vaccine uptake rates for all recommended vaccines to over 85% of American population.

A secondary goal is to expand the propaganda machine to reach 80% of the American public, “while also countering and mitigating the spread of disinformation and misinformation.”

Fast Track From Lab-to-Jab

All cautionary methodologies and testing are thrown to the wind. Vaccines will be created within 100 days of virus detection (i.e., a self-declared “pandemic”), mass produced within 130 days, distributed with military efficiency and speed, and injected into:

…at-risk human and impacted animal populations the necessary vaccine quantities to control a nationally or internationally significant biological incident, within one hundred days following authorization or approval.

Not Your Grandmother’s Vaccine

I know there are some readers who are thinking they would like to get vaccines faster to prevent disease.

However, none of this applies to old-school vaccines. Nope. None. This is all pointed toward an endless conveyor belt of mRNA and DNA injections designed to hack your human condition. – you and eighty-five percent of the population, in perpetuity. Biden cleared that up in his original Executive Order:

We need to develop genetic engineering technologies and techniques to be able to write circuitry for cells and predictably program biology in the same way in which we write software and program computers.

Are you ready? Are you awake to what is taking place here?

I have addressed the whole picture in my new book. Solutions and resistance will not arise without understanding the nature of this evil beast that has come upon us.

The Evil Twins of Technocracy and Transhumanism

Perhaps you can see why I used the word “Evil” in the title of my just-released book. Perhaps you can picture the golden skulls, all ornate and rich looking on the outside, but revealing death underneath.

Indeed, Technocracy and Transhumanism are promoting a future that only holds death and destruction for mankind.

WE ARE TRAPPED IN A TRUMAN SHOW DIRECTED BY PSYCHOPATHS

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“Whether in actual fact the policy of the boot-on-the-face can go on indefinitely seems doubtful. My own belief is that the ruling oligarchy will find less arduous and wasteful ways of governing and of satisfying its lust for power, and these ways will resemble those which I described in Brave New World. Within the next generation I believe that the world’s rulers will discover that infant conditioning and narco-hypnosis are more efficient, as instruments of government, than clubs and prisons, and that the lust for power can be just as completely satisfied by suggesting people into loving their servitude as by flogging and kicking them into obedience.” – Aldous Huxley – Letter to George Orwell about 1984 in 1949

“There will be, in the next generation or so, a pharmacological method of making people love their servitude, and producing dictatorship without tears, so to speak, producing a kind of painless concentration camp for entire societies, so that people will in fact have their liberties taken away from them, but will rather enjoy it, because they will be distracted from any desire to rebel by propaganda or brainwashing, or brainwashing enhanced by pharmacological methods. And this seems to be the final revolution” ― Aldous Huxley

When I step back from the day-to-day minutia and trivialities flooding my senses from all directions and media devices, it almost appears as if I’m living in a highly scripted reality TV program where the characters and plots are designed to create passions and reactions to support whatever narrative is being weaved by those directing the show. Huxley really did foresee the future as clearly and concisely as anyone could, decades before his dystopian vision came to fruition.

Orwell’s boot on the face vision is only now being initiated because a few too many critical thinkers have awoken from their pharmaceutically induced stupor and begun to question the plotline of this spectacle masquerading as our reality. The mass formation psychosis infecting the weak-minded masses; relentless mass propaganda designed to mislead, misinform, and brainwash a dumbed down and government indoctrinated populace; and complete control of the story line through media manipulation, regulation, and censorship of the truth; has run its course. As Charles Mackay stated 180 years ago, the masses go mad as a herd, but only regain their senses slowly, and one by one.

My recognition that the world seems to be scripted and directed by Machiavellian managers, working behind a dark shroud, representing an invisible governing authority, molding our minds, suggesting our ideas, dictating our tastes, and creating fear, triggered a recollection of the 1998 Jim Carrey movie – The Truman Show. The movie, directed by Peter Weir (Gallipoli, Witness, Dead Poet’s Society), had the surreal feel of Forest Gump, while beckoning the horrendous introduction of reality TV (Big Brother, Survivor), which poisons our shallow unserious society to this day. The plot of the movie focuses on individuality versus conformity, consumerism, voyeurism, reality versus manipulation, false narratives, the truth about the American Dream, and the dangers of surveillance in a technologically advanced society.

Truman Burbank is the unsuspecting star of The Truman Show, a reality television program filmed 24/7 through thousands of hidden cameras and broadcast to a worldwide audience. Christof, the show’s creator seeks to capture Truman’s authentic emotions and give audiences a relatable every man. Truman has been the unsuspecting star of the show since he was born 30 years prior. Truman’s hometown of Seahaven Island is a complete set built within an enormous dome, populated by crew members and actors who highlight the product placements that generate revenue for the show. The elaborate set allows Christof to control almost every aspect of Truman’s life, including the weather. The picture-perfect home, with picket fence and plastic people, is an attempt to convince Truman he is living the American Dream rather than in an inescapable dystopian techno-prison.

To prevent Truman from discovering his false reality, Christof manufactures scenarios that dissuade Truman’s desire for exploration, such as the “death” of his father in a sea storm to instill aquaphobia, and by constantly broadcasting and printing messages of the dangers of traveling and the virtues of staying home. One cannot but acknowledge the plotline to keep Truman under control, obedient, and locked down in his controlled environment, with no escape hatch visible, as exactly the plotline used by our overlords during the Covid scam. Using fear to regulate your subjects is a familiar theme used by those controlling the narrative and pulling the strings behind the scenes of our glorious democracy of dystopia.

The first task was to instill fear into the masses through fake videos, fake medical experts spewing fake “facts”, denying the reality masks, social distancing, and locking down the world did not stop a microscopic virus, while suppressing treatments which were clearly safe and effective (ivermectin, hydroxychloroquine) and forcing Fauci’s remdesivir and ventilators on patients – insuring their deaths. Truman’s life was built upon lies, deception, and fake narratives, controlled by a tyrannical director putting on a show to please his bosses and maximize profits. We are experiencing the same reality today.

Since March 2020 we have been trapped in a dystopian reality show based on lies, deception, and fake narratives about a weaponized virus created in a lab funded by Anthony Fauci and utilized to further the totalitarian Great Reset agenda of Schwab, Gates and their ilk, while maximizing the profits of Pfizer, TV networks and filling the pockets of politicians, shills, and apparatchiks willing to sellout the people of our country for thirty pieces of silver.

As the Truman Show approached its 30th anniversary, Truman began discovering unusual elements, such as a spotlight falling out of the sky in front of his house and a radio channel that precisely described his movements. He began to awaken to the fact he was nothing but a peculiarity trapped in a cage and constantly deterred from escaping at every turn, for the good of the show. He lived in a scripted world of conformity, where questioning the plot was not allowed, and the masses just played their parts.

This is exactly how a dictatorship without tears uses technology, pharmaceuticals, and psychological manipulation to convince the masses to love their servitude. This is the reality show we have been living in during this 21st Century dictatorship dystopia of dunces. But this psychological phenomenon is not new to mankind, as Plato described an ancient Truman Show analog in the 4th Century BC with his Allegory of the Cave. The nature of human beings has not changed across the trials and tribulations of history.

In the allegory, Plato describes a group of people who have lived chained in a cave all their lives, facing a blank wall. The people watch shadows projected on the wall from objects passing in front of a fire behind them and give names to these shadows. The shadows are the prisoners’ reality but are not an accurate representation of the real world. An enlightened man is like a prisoner who is freed from the cave and comes to understand the shadows on the wall are not reality.

The ignorant inmates do not desire to leave their prison/cave, for it is the only life they know, and they fear reality. The fire and the puppets, used to create shadows, are controlled by artists. Plato indicates the fire is also the political doctrine taught by a nation state. The artists use light and shadows to indoctrinate the masses with the dominant doctrines of the times. Few humans ever escape the cave. Most humans will remain at the bottom of the cave, with a small few elevated as major artists, to project the shadows keeping the masses disoriented, confused and fearful.

“Whereas the truth is that the State in which the rulers are most reluctant to govern is always the best and most quietly governed, and the State in which they are most eager, the worst.” ― Plato, The Allegory of the Cave

“Most people are not just comfortable in their ignorance, but hostile to anyone who points it out.” ― Plato, The Allegory of the Cave

The State is run by an eager group of psychopaths who are hell bent on destroying our civil society and common culture on behalf of globalists attempting to implement their Great Reset agenda, and enforcing it through technological surveillance, mind control through propaganda messaging, and strict management of the daily plot via mainstream media and social media censorship of the truth. As Plato contemplated twenty four centuries ago, most men will remain in their cave, believing shadows presented by their overlords is reality, never questioning their servitude or seeking the truth.

Never has this fact been truer than during this covid pandemic reality show directed by our Christof – mass murderer Anthony Fauci. The willful ignorance of the masses was assumed by the covid controllers who cast shadows of fear and death on the cave walls of the locked down extras in this well-orchestrated reality show. Using a purposefully misleading PCR test to vastly overestimate “cases”, paying hospitals to classify all deaths as covid, and having the propaganda professionals at CNN, MSNBC and Fox showing Covid Death Counters on their screens 24/7 to terrify the masses into compliance was the Covid Show.

Once the fear level was ramped to eleven on the control dial, the producers of this show introduced the miraculous Big Pharma vaccine antidote to save the day. Their script was so believable they were able to convince over 5 billion members of their captive audience to inject themselves with an untested, unproven genetic therapy, that didn’t prevent you from catching, transmitting, getting sick, being hospitalized, or dying from the Fauci funded Wuhan lab produced virus. But, as a dramatic twist to the tale, it seems the “vaccine” causes myocarditis, blood clots, infertility, miscarriages, heart attacks, cancer, and sudden death.

Despite the obvious dangers and failures of these “vaccines”, those bullied into getting jabbed became so comfortable in their ignorance, they were easily persuaded to hate the unjabbed and wish for their deaths. Orwell’s “Two Minutes of Hate” was extended for over a year and continues to this day. Rather than think critically and question why annual flu cases averaged 35 million per year prior to 2020 but dropped to near ZERO during the covid “emergency”, the cave dwellers lashed out in anger at anyone questioning the plot, because to admit they were duped would destroy their self-esteem and decrease their virtue signal credits.

The annual flu didn’t disappear. Covid was the annual flu, with a multi-billion-dollar marketing campaign. This wasn’t a pandemic, but an IQ test, and most people failed miserably. But the critical thinking unvaxxed are still considered the enemy of the state, especially since they have been proven right.

Whether we are trapped in an artificial world produced in a dome, cave, or our current technologically advanced surveillance propaganda state, the goal of those controlling our false reality is to take away our freedoms, crush dissent, keep us ignorant of the truth, and treat us as plebs to be taxed and molded. Christof, whose name is supposed to invoke him being a god-like figure ruling over Truman’s world, declares Truman could discover the truth and leave at any time, while using every diabolical trick to keep that from ever happening, because his show generated revenues exceeding the GDP of a small country.

Truman and ourselves are essentially prisoners in a vast production, and our overlords believe it is their duty to convince us to love our servitude and prefer our cells, because it is financially beneficial to the overlords and their crew.

Our world is not fake, but it is tightly controlled by those running the show. Seemingly random events, plots, and subplots are manipulated to generate specific emotions and reactions by the public in order to achieve the objectives of those benefiting from the various storylines. They are molding our minds and forming our tastes through psychological and technological manipulation of our daily existence. Christof explained why most rarely discover the truth or question the world they live in – “We accept the reality of the world with which we’re presented. It’s as simple as that.”

We have allowed men we have never seen to dictate how we live our lives, the choices we make, and which politicians and “experts” to believe, without ever putting in the effort to understand why we are being prodded to do so. We are locked in a self-imposed prison of desires, emotions, and needs through mass media messaging and a constant barrage of advertisements. Conformity and obedience are the desired traits sought by the ruling class, while individuality and skepticism are frowned upon and punished through social ostracism.

We are conditioned from birth to believe what they tell us to believe. Government school indoctrination and mass media misinformation does the trick. Distracted by our techno-gadgets and ignorant of truth is how the globalist oligarchs methodically implement their Great Reset agenda. They are so convinced of the ignorance of the masses they openly proclaim their depopulation and techno-prison schemes with no fear of push back or retribution.

The ending of the Truman Show is a lesson in resistance, persistence, and the strength of the individual, even in the face of a technologically advanced Big Brother state. It offers a message of hope, no matter how powerful our overlords appear to be. Refusing to obey or conform by one individual can inspire others to do likewise. Once Truman ‘awoke’ to his plight as a lab rat in a scripted show, he began to plot his escape. Using a makeshift tunnel in his basement, out of view of Christof’s cameras, he disappeared and forced the suspension of the broadcast for the first time in thirty years.

Christof discovers Truman sailing away from Seahaven in a small boat, as he has overcome the fake conditioning of fear instilled in him by the man who supposedly loves him but traumatized him about the sea by faking his father’s death while at sea. Christof chooses to almost drown Truman by creating a violent storm to deter him from discovering the truth. Ultimately the storm ceases and his boat strikes the wall of the dome.

This is exactly how our controllers treat the ignorant masses. They feed us stories designed to make us fearful and compliant to the exhortations of their paid experts. Paid to lie. Paid to misinform. Paid to persuade people a dangerous concoction is “safe and effective”. The evilness of using Sesame Street characters to convince four-year-old children they need this Big Pharma gene altering toxic brew, even though essentially ZERO children on earth died from covid, is a testament to the greed and malevolent impulses of those in power. Vast amounts of ever-increasing advertising revenue are what kept The Truman Show on the air for thirty years.

The covid advertising campaign will never be topped, as Hollywood stars, top athletes, famous writers, rock legends, supposedly impartial journalists, and all the major networks said SHOW ME THE MONEY!!!! Everyone was for sale, and all they had to do was lie and say the jabs were “safe and effective”. Product placement was the money-making formula for the Truman Show, while hard selling a Big Pharma phony cure over the airwaves 24/7 using the tax dollars of the victims was the final solution of the Great Reset Cabal.

The grand finale is a clash of the philosophies of reality versus false reality, as Truman discovers a staircase leading to an exit door. Christof speaks to Truman, claiming there was no more truth in the real world than in his artificial world, and he would be safe, with nothing to fear, in a world controlled by men invisible to him assuring him they have his best interests at heart. Truman chooses individuality, truth, risk, living a real meaningful life, and seeking honest relationships over a safe existence in a bubble where all decisions were made by others. Truman bows to the audience and exits, leaving Chistof to mourn the loss of his star and the revenue he generated. The ignorant masses watching the show cheer his escape and then ask, “what’s on next?” Plato captured the uncertainty and bewilderment Truman must have felt as he walked into the light.

The covid advertising campaign will never be topped, as Hollywood stars, top athletes, famous writers, rock legends, supposedly impartial journalists, and all the major networks said SHOW ME THE MONEY!!!! Everyone was for sale, and all they had to do was lie and say the jabs were “safe and effective”. Product placement was the money-making formula for the Truman Show, while hard selling a Big Pharma phony cure over the airwaves 24/7 using the tax dollars of the victims was the final solution of the Great Reset Cabal.

The grand finale is a clash of the philosophies of reality versus false reality, as Truman discovers a staircase leading to an exit door. Christof speaks to Truman, claiming there was no more truth in the real world than in his artificial world, and he would be safe, with nothing to fear, in a world controlled by men invisible to him assuring him they have his best interests at heart. Truman chooses individuality, truth, risk, living a real meaningful life, and seeking honest relationships over a safe existence in a bubble where all decisions were made by others. Truman bows to the audience and exits, leaving Chistof to mourn the loss of his star and the revenue he generated. The ignorant masses watching the show cheer his escape and then ask, “what’s on next?” Plato captured the uncertainty and bewilderment Truman must have felt as he walked into the light.

“Anyone who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light” ― Plato, The Allegory of the Cave

This world of manufactured dystopian pleasure harkens more towards Huxley’s Brave New World, where pharmaceuticals and conditioning would keep the public seeking pleasure, pre-occupied with trivialities, distracted by materialism, unable to think critically, and reduced to passivity and egoism through the control of messaging by their controllers. Our efficient totalitarian state has gained complete control by convincing the masses to love their servitude and beg for more rules, restrictions, and reduction of liberties in the name of safety and security.

Smart phones, smart cities, and smart streets are nothing more than code for spying on you and controlling you. Truman finally understood his liberty was his to choose and not Christof’s to give. There is a small minority of Americans who are realizing the same thing after two years of totalitarian measures designed to take away our freedoms and liberty. The question is whether enough will exit this tyrannical government produced show to make a difference. The future of mankind literally depends on the answer to this question.

Saturday Matinee: The Sisters Brothers

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By Tomris Laffly

Source: RogerEbert.com

Who would have thought that Jacques Audiard, the French director of slow-burn, humanistic character studies would one day take on one of the most characteristically American of genres, the Western, with his English-language debut? While worlds apart from his socially realist “Dheepan” and “Rust and Bone,” Audiard’s “The Sisters Brothers” sports a similarly closely watched, leaned in sensitivity with its brotherly story. Adapted from Patrick deWitt’s 2011 novel (by Audiard and Thomas Bidegain) and infused with sweetness, graphic body horror (that, at times, spins a childlike icky humor) and a high body count, this alcohol-soaked Frontier road trip constantly reinvents itself at every turn in fun, witty and ultimately touching ways. Call it a revisionist or an absurdist Western if you will, but Audiard’s film feels both refreshingly new (without ever going to the extreme lengths the Zellner Brothers did with “Damsel”) and nostalgically familiar.

The backdrop is the Gold Rush, which is said to have made a Sherriff’s job much easier: if there’s trouble, you follow the gold to get to the source of the unrest. But when we meet the central brothers Eli (John C. Reilly, goofy, soulful and great at physical comedy as ever) and Charlie (Joaquin Phoenix, quietly enigmatic) one random dark night at the start of the film, there doesn’t seem to be any wealth to be pursued. With the playful last name “Sisters,” the pair of cold-blooded hit-men, without much thought about the consequences of their actions, murder a household of people in a tightly orchestrated set piece of nocturnal shootouts. The reason remains unknown—with this job and everything else, the ruthless duo answers to a much feared, mostly unseen mysterious crime boss called ‘The Commodore’ and habitually assassinates their way through the 1850s Oregon. Along the way, they bond and trivially bicker about life as casually as they kill.

But just when the soft-edged Eli starts contemplating his future and ongoing profession despite the unaffected heavy drinker Charlie’s shrugs, The Commodore sets them up for a new task. They will tail and kill a criminal called Hermann Kemit Warm (Riz Ahmed, cheekily mysterious) for reasons we would slowly piece together later—for now, he is just a thieving enemy who once betrayed their boss. Enter Morris (Jake Gyllenhaal, reuniting with Ahmed after “Nightcrawler”), a British-accented bounty hunter for hire, tasked with delivering Warm to the brothers. But then the prospect of immediate wealth turns tables for everyone involved—the brainy chemist Warm’s creamy invention that makes gold glaringly appear in water, redefines priorities at once. The two pairs, traced on parallel storylines for a while (that admittedly slows down the film’s previously absorbing rhythm), find themselves entangled in a ploy against each other. Along the way, local madams, kindly prostitutes, further the accidentally amusing events and some dead horses unfortunately enter the story, sharpening the film’s tone as an original yet studied homage to its genre.

A delightful tale of familial ties balanced well with a slick cat-and-mouse yarn, “The Sisters Brothers” owes much of its breezy charm to John C. Reilly, whose comic timing does wonders for the meatiest and most multifaceted character of the ensemble. Phoenix feels right at home in Charlie’s quieter shoes, while Gyllenhaal’s familiarly on-edge persona and a mischievous turn from Ahmed impress. Reilly and Phoenix demonstrate tremendous chemistry throughout—we buy both their longtime amity and occasional callousness, especially when the script drip-feeds the brothers’ back-story into the narrative. In this bittersweet tale with a sentimental heart, and among a dangerous milieu of blood, greed and spiders (one in particular that causes the film’s biggest gross-out moment), Audiard’s characteristically sensitive touch gradually lifts familial emotions, letting them linger in the air long after the credits roll. 

Welcome to Philip K. Dick’s dystopia

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Nothing is private and no one is free

 (Credit: Alamy)

By David Samuels

Source: UnHerd

Philip K. Dick, whose novel Do Androids Dream of Electric Sheep? inspired the film Blade Runner, did not live to enjoy his Hollywood success. He died on March 2, 1982, three months before the film was released.

In the years since, the novelist once dismissed as a gutter pulp sci-fi weirdo has steadily climbed the ladder of posthumous literary reputation. The case for Dick’s genius has never rested on his dystopian vision of technology, which he shared in common with masters like HG Wells and Stanislaw Lem, and with hundreds of sci-fi writers since. Good science fiction — as opposed to fantasy novels set on other planets — is defined by a quasi-philosophical examination of interactions between men and machines and other products of modern science. It is part novel and part thought-experiment, centered on our idea of the human.

What made Dick a literary genius, then, was not any special talent for predicting hand-held personal devices or atom bombs the size of a shoe which might have led him to a job in Apple’s marketing department. His gift was for what might be called predictive psychology — how the altered worlds he imagined, whether futuristic or merely divergent from existing historical continuums, would feel to the people who inhabited them. Dick’s answer was, very often: “Not good.”

Dick’s dystopian-psychological approach marks him less as a conventional science fiction writer than as a member of the California anti-utopian school of the Sixties, whose best-known members include Robert Stone, Thomas Pynchon, Ken Kesey, Joan Didion and Hunter Thompson. Seen from this angle, Dick was perhaps the most powerfully and sweepingly paranoid of a group of writers whose stock-in-trade was conspiracy and paranoia, the hallmarks of a society marked — at that moment, and this one — by violent street crime, drug-induced psychosis, and visionary promises gone terribly wrong. Of his anti-utopian peers, Dick’s sci-fi genre background made him the only one who had any particular feel for the proposition that technology was inseparable from, and would therefore inevitably alter, our idea of the human.

Technology was and is perhaps the most Californian aspect of the American mythos. The idea that the universal constants of human nature were at war with the mutilating demands of technology-driven systems was a very Sixties Californian conceit, to which Dick’s fellow anti-utopians each adhered in their own way: In Kesey’s showdown between man and the castrating nanny-state; in Didion’s emphasis on the vanishing virtue of self-reliance; in Pynchon’s degenerate Ivy League Puritanism; in Thompson’s drug-addled primitivism; and in Stone’s Catholic idea of devotion to a God that might somehow salve the wounds of the survivors once the great American adventure goes bust.

What Dick saw, and what his fellow anti-utopians did not, was that human psychology and technology are not separate actors, and that whatever emerged from the other side of the future would be different to the human thing that entered it.

* * *

Seeing and describing how large numbers of people will perceive reality before anyone else does requires imagining states of consciousness that, in the moment, seem deeply strange. It is no accident that the greatest of works of speculative psychology were written by revolutionaries whose outlook was often bleak to the point of despair. The negative tone of these works often led future generations to describe their authors as conservatives, though artistically and psychologically speaking, they are radicals. Or rather, in their rejection of the dominant order, they are radicals and reactionaries at the same time.

The anti-utopian tradition emerged in earnest in 19th-century Russia. The Russian pioneers of the genre were superior to their rivals in England and elsewhere because the latter’s visions were constrained by attachments to a settled society, which one can argue never really existed in Russia — and because the ideas of revolution and violent reaction have always been so closely allied in the Russian psyche. Fyodor’s Dostoyevsky’s Notes From Underground struck many of its initial readers as a kind of artless mental vomit, before revealing itself as a Rosetta Stone for the century of Adolf Hitler and Lee Harvey Oswald. Yevgeny Zamyatin’s We is probably the greatest of at least a dozen weirdly prophetic novels written in the years immediately after the Bolshevik Revolution. In We, Zamyatin predicted what a surveillance society run by engineers would feel like to its inhabitants with a nauseating accuracy that did not become fully apparent until the rise of the modern tech surveillance complex.

The Dick novel that directly predicted our information-addicted, socially-networked 21st-century society, A Scanner Darkly, was both a prophecy of future psychological states and a half-veiled memoir of Dick’s own experiences in the California drug culture. Published in 1977, the book was a detective noir set in a druggy future in which large portions of the population appear to spend their lives scheming and snitching on each other to feed their addictions to a drug called Substance D — the “D” standing for Death, of course.

A Scanner Darkly, a reference to the line in Corinthians in which men at first see God “as in a glass, darkly”, is Dick’s rawest book and the one that reads least like science fiction. The book’s protagonist is simultaneously a narcotics agent known to his peers as Fred and a Substance D addict named Bob Arctor. Fred/Arctor lives in a house — his former marital abode — with two fellow addicts, and is in love with another addict named Donna, who comes to visit him there. Donna helps Arctor obtain Substance D, which he consumes, while Fred uses Donna to attempt to climb higher on the drug distribution ladder. At the end of the novel, Donna turns out to be a drug agent, who is spying on Bob Arctor.

What’s so striking about the book is not Dick’s heartfelt, if futuristically bent, portrayal of the evils of Sixties drug culture. For that, read Stone, who was a master of connecting the physical, mental and moral corruption of drug dealing and dependency, and the fantasies those pursuits inevitably engender to the deeper corruption of man’s nature.

What Dick uniquely captured was something else: The degenerative effects of the split-screen existence of a human brain ceaselessly spying on and doubting and implicating itself while at the same time being spied on by others, all of whom are embedded within machine systems that record everything for reasons that humans cannot understand. Over the course of this machine-and-chemical fed process of human self-contradiction and self-destruction, of which Fred/Arctor is only intermittently aware, we see his thoughts and perceptions being short-circuited and reduced to gibberish.

Drug-induced paranoia aside, the psychology of Dick’s addicts and narcs is as good a description as exists of the spreading incoherence of today’s information ecosystem, which none of us are able to fully see or understand. As a thought experiment, it doesn’t matter that Dick chose a drug rather than the stories we tell about ourselves and our world. It’s not the technology; it’s the psychology. What Dick saw was that the process of splitting ourselves in two — into subject and narc — was a brutal assault on the idea of being human and would make thoughts and communication impossible.

“What does a scanner see?” Arctor wonders, after examining the surveillance apparatus that has been planted, with his knowledge, in his own home. “I mean, really see? Into the head? Down into the heart? Does a passive infra-red holographic scanner like they used to use, or a cube-type holo-scanner like they use these days, the latest thing, see into me – into us – clearly or darkly? I hope it does, see clearly,” Arctor continues, “because I can’t any longer these days see into myself. I see only murk. Murk outside; murk inside. I hope, for everyone’s sake, the scanners do better.” They don’t.

* * *

Jeremy Bentham’s panopticon, which the English philosopher sketched out in a series of letters between 1786 and 1788 while visiting  the Mogilev district of the Russian Empire, was an architectural system of control in which all inmates of an institution could be made visible to a single guard. Bentham’s utopian-utilitarian idea was widely applied in Victorian England to a range of public and private spaces including prisons, asylums, hospitals, factories and even schools. The unique horror of the Benthamite set-up was not the power imbalance inherent in places like prisons and factories, whose existence is obvious to guards and prisoners alike. It was the attempt to eliminate privacy, which is a necessary precondition for being human.

Over the last decade, Bentham’s architecture of unfreedom has been replaced by the architecture of machines. This has created a new social reality where everyone is at once inmate and guard; a panopticon where nothing is private and no one is free. The invisible operations of the machines and programmes we use every day to buy books or food or communicate, which are linked to each other and to the surveillance operations of large government agencies in a single net, induces in most sentient beings a kind of free-floating paranoia of the type that destroys the inhabitants of A Scanner Darkly. On the one hand, everyone knows that everyone is being watched. On the other, it is necessary to deny that knowledge in order to appear to be functioning normally.

One of the most unpleasant characteristics of the weird split-screen mentality of our times is how people must routinely speak against themselves — deny what they see, hear, feel and believe  — in order to maintain the appearance of sanity. It is now routine, for example, to hear Americans on the Left and the Right deride their political opponents for believing in far-reaching conspiracy theories — while in the next breath revealing their own.

No doubt both sides are at least half right. During lockdowns, it became normal for public officials in Western countries to issue draconian edicts in the name of “science” for the supposed good of large numbers of people, only to violate those edicts themselves. The meaning of “science”, it turned out, had nothing to do with the “common good”, or with demonstrating a theory through evidence; it was “one rule for me and another for thee”.

The flagrant doublespeak that is nurtured in the surveillance societies of the West, which have sprung up around us unnoticed, is characteristic of totalitarian societies and mental asylums. The difference is that both totalitarian societies and asylums allow for nonthreatening zones of privacy in order to make life easier for the guards. What we live in today is something else, a set of mirrors into which we are encouraged to look so that our reflections can be distorted and then returned to us. As Bob Arctor puts it, reflecting on the words of Corinthians: “it is not through glass but reflected back by a glass. And that reflection that returns to you: it is you, it is your face, but it isn’t.”

Powerful people in Western societies have lately become convinced of their ability to accomplish great feats of moral and social engineering by controlling these mirrors, altering our reflections and selling them back to us, while undermining our ability to think coherently. The mirrors are not meant to help anyone think; they are systems of control. They are mechanisms of profit, which foster dependence. They are used to mete out punishment, and spy on us.

What’s alarming is that the people who delight in their mastery of these devices seem not to have thought very hard about the damage they are doing to the people who shoot up, a category that includes those who shoot up schools and malls. None of them seem to calculate what creating a miasma of nonsensical conspiracy theories will do to the psyches of their own children, who will inherit “the murk”. They appear to believe that people with minds that have been permanently broken by their gibberish machines will make the perfect workers on their farm. Let’s see how that turns out for them.

Hunting the Twitter Files

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Legacy Media Censor Details About Censorship

By Nolan Higdon

Source: Project Censored

More than two years since Big Tech made the historic decision to limit access to the New York Post’s story about President Joe Biden’s son Hunter, users are getting a glimpse into how Twitter came to that decision. However, delusional legacy and social media outlets are doing everything they can to misrepresent and bury the consequential details of the process.

An October 2020 New York Post story titled “Smoking-gun email reveals how Hunter Biden introduced Ukrainian businessman to VP dad” offered sensationalistic photos and details of Hunter’s addiction issues coupled with damning emails indicating that Hunter utilized his connection with his father to curry favor and economic opportunity in foreign countries. At the time, intelligence officials told members of the press that the story was Russian propaganda aimed at influencing that year’s election. As a result, Big Tech platforms limited access to the story including in direct messages which is usually done only in extreme cases such as child pornography.

On Friday, December 2, 2022, Elon Musk promised to release files related to the matter. Soon afterward, journalist Matt Taibbi published a report based on thousands of internal Twitter documents. Taibbi demonstrated that Twitter’s decision to remove the Hunter Biden story was influenced in part by Biden’s campaign. Indeed, as Taibbi described, Twitter’s staff regularly fields phone calls from powerful people in government and acts upon their requests to moderate content. And it’s is not just Twitter. During a 2022 interview with Joe Rogan, co-founder, chairman, and CEO of Meta (formerly Facebook) Mark Zuckerberg admitted that his company’s decision to moderate content – including the 2020 Hunter story – is sometimes based on recommendations from the intelligence community. Similarly, The Intercept reported in 2022 that the Department of Homeland Security regularly informs Big Tech’s content moderation practices.

In any other country, the revelation that government and Big Tech collude to shape public discourse and democratic participation would make Americans irate, but the story has received little coverage. The coverage received by legacy media has been dismissive. CNN reduced the files as simply showing “how employees debated how to handle 2020 New York Post Hunter Biden story.” Variety echoed the same sentiments. Meanwhile, giving readers less than 24-hours to process what Taibbi reported, WAPO declared that Musk’s Twitter Files “haven’t changed minds.”

The lack of substantive coverage of the Twitter Files is rooted in the legacy media’s fears over the broader implications of the story. Since 2015, legacy media have been fostering a moral panic over fake news and blamed their competition – digital media – for its spread. They have practically begged Big Tech overlords to fix the country and restore faith in journalism by censoring problematic content, which they often refer to as misinformation or disinformation. Taibbi’s reporting demonstrates that the news media’s framing of Big Tech content moderation as a solution to anti-democratic practices, actually functioned as an anti-democratic position that enables the elite political class to shape public dialogue and manufacture consent of the electorate.

Adding to the news media’s inability to cover the story is their business model which depends on framing every story as an issue of left versus right, blue versus red, Democrat versus Republican. Indeed, whether it is cable news audiences or legacy newspaper subscribers, news outlets cater to audiences’ confirmation biases by villainizing a caricature of the “otherside.” This has reduced every story to a partisan issue, and fostered such high levels of hyper-partisanship vitriol that half of Americans cite “other Americans” as their number one fear, while 40% contend that a civil war will occur in their lifetime.

Although they still try, the legacy media has found it impossible to frame the Twitter Files as a hyper-partisan story because the political duopoly, not one party, utilizes Big Tech to manufacture the consent of the people. For example, Big Tech’s content moderation of was influenced by Biden’s Campaign in 2020 and leading Democrats after January 6th. Similarly, Donald Trump’s campaign spent $100 million to work with Facebook staff to amplify their campaign messages, and Trump met personally with Zuckerberg in secret meetings throughout his presidency. Furthermore, legacy news media outlets cannot villainize the “other side” for censorship when loyalists for both parties are complicit. Indeed, the feckless liberals who begged Big Tech overlords to censor content about elections and Covid-19 are equally complicit as the neocons who championed censorship of the press and individuals, and organizations during the War on Terror and Trump supporters who lauded his attacks on the free press and whistleblowers such as Julian Assange.

Anyone can, and will, argue that Hunter’s photos are not newsworthy, but that is for the citizens to decide when they encounter the story. That is how a free press in a democratic republic works. A democracy does not depend on Big Tech overlords acting at the behest of the political class to determine what content the public should see. The notion that censorship will erode hate, correct falsehoods, or solve national problems is a fallacy of utmost proportions.  The contemporary censorious crowd seems to be in such a state of delusion that they have come to believe that World War II and the Holocaust could have been avoided if Twitter was around to censor Nazis. It is ludicrous and the establishment news media deserve part of the blame for perpetuating this lunacy.

A truly independent press would privilege narratives that expose Silicon Valley propaganda, which has led users of all political ideologies to a delusional state of Stockholm Syndrome, where Big Tech exploits their labor, erodes their privacy, and manufactures their consent for the duopoly, but users still laud and entrust the industry with their democracy. To be clear, Big Tech commercialized tools that were developed by the military industrial complex during the Cold War (which was not so cold in much of the world) to surveil and exploit users. They advertised their platforms as transformative tools that strengthen democracy and inclusion. As whistleblower after whistleblower remind us, this is all nonsense: Big Tech’s oligarchs are rapacious capitalists who time and time again put profits over people. No entity should be moderating information in a democracy, and as the Twitter Files reveal, the unaccountable profiteers in Big Tech are no exception.

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Not Letting a Good Tragedy Go to Waste, Banking Elite Use FTX Fraud, Crypto Crash to Push CBDCs

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CBDCs mean the total death of any economic freedom the public has left…

By Tyler Durden

Source: The Free Thought Project

Central bankers and international corporate financiers have long been pretending to hate the very concept of cryptocurrencies like Bitcoin and Etherium while at the same time investing heavily in blockchain technologies and infrastructure. The purpose of the ruse is not clear, but more than likely it was an attempt at mass reverse psychology – “We don’t like crypto and digital currencies because we supposedly have no control over them; free market proponents should embrace them blindly because that is how you will beat us.”

In the meantime, while major banking firms are investing billions into various blockchain products, central banks and global institutions like the BIS and IMF have been developing their own systems. In fact, the BIS notes with enthusiasm that around 90% of central banks around the world are already in the process of adopting CBDCs.

But why would anyone want to use government and establishment bank controlled cryptocurrencies when they have access to Bitcoin and dozens of other coins that are supposedly independent? Why trade freedom for more centralization?

First, existing cryptocurrencies are not as free as many people believe, with ample government tracking of blockchain transactions in place for years, the notion of the completely anonymous crypto user is a bit of a fantasy, and the idea that a product such as Bitcoin is going to “bring down” the central banks is becoming less realistic by the year.

Second, the crypto market is highly unstable in part because it is still very limited. While crypto use in America is higher than most other countries with around 12% of people using it as an investment (not as a currency), the rest of the world is mostly uninterested with an estimated global footprint of around 4%. Of that 4% only a handful of people actually own the majority of the market; these people are known as “whales” and they have the ability to tip the market up or down with little effort.

This happens in many other trade commodities and paper currencies also. The point is, crypto is not immune to manipulation.

Third, crypto is enticing to people because of the quick profits that can be had, but massive losses are also a danger. The overall crypto market has plunged by $2 trillion in the past year alone – Over 60% of its value. The implosion of huge trading companies like FTX also undermines the stability of the market and usually it’s the average investor that ends up suffering the consequences.

All of these factors and more can be used by banking elites as a rationale for the implementation of CBDCs and global regulation of crypto trading. And, if the bloodbath in existing coins continues, people may even welcome CBDCs as a “safe” investment or currency system.

The investment losses in blockchain products along with the scandals in exchanges is a rather convenient opportunity for the banking establishment to promote their own currencies as a replacement. In the wake of the FTX event, multiple international banks including JP Morgan and Goldman Sachs have called for government regulation and a shift over to CBDCs.

The US House has scheduled hearings on FTX with an emphasis on regulation. In Europe, globalist Christine Lagarde and the ECB are calling for global cooperation on monitoring and controlling cryptocurrencies. Lagarde wants a “digital Euro” to take the place of existing coins and blames FTX and the larger market losses on lack of oversight.

Numerous crypto analysts are also demanding regulation, calling crypto “broken and useless” until governments step in to mediate (control) trade. This is the exact opposite of what crypto activists originally intended over a decade ago when Bitcoin was in its infancy, and digital trade back then was sold as some kind of revolution against the banking oligarchy. However, it’s easy to see where this is all going.

It means even more pervasive centralization. With paper currencies at least there is true anonymity, but with CBDCs the existence of the blockchain ledger precludes any and all privacy in trade. Not only that, but the institutional ability to cut off people from their wealth and economic access is going to be profound. If you think corporate and government led cancel culture is bad now, just wait until they can freeze your digital accounts at a moment’s notice because of something you said on social media. And, in a cashless society there are few alternatives beyond some kind of black market.

CBDCs mean the total death of any economic freedom the public has left, and central banks are exploiting disasters like FTX to make that death happen even faster.

Make Way for the Killer Robots: The Government Is Expanding Its Power to Kill

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By John & Nisha Whitehead

Source: The Rutherford Institute

“Crush! Kill! Destroy!”—The Robot, Lost in Space

The purpose of a good government is to protect the lives and liberties of its people.

Unfortunately, we have gone so far in the opposite direction from the ideals of a good government that it’s hard to see how this trainwreck can be redeemed.

It gets worse by the day.

For instance, despite an outcry by civil liberties groups and concerned citizens alike, in an 8-3 vote on Nov. 29, 2022, the San Francisco Board of Supervisors approved a proposal to allow police to arm robots with deadly weapons for use in emergency situations.

This is how the slippery slope begins.

According to the San Francisco Police Department’s draft policy, “Robots will only be used as a deadly force option when risk of loss of life to members of the public or officers is imminent and outweighs any other force option available to SFPD.”

Yet as investigative journalist Sam Biddle points out, this is “what nearly every security agency says when it asks the public to trust it with an alarming new power: We’ll only use it in emergencies—but we get to decide what’s an emergency.”

A last-minute amendment to the SFPD policy limits the decision-making authority for deploying robots as a deadly force option to high-ranking officers, and only after using alternative force or de-escalation tactics, or concluding they would not be able to subdue the suspect through those alternative means.

In other words, police now have the power to kill with immunity using remote-controlled robots.

These robots, often acquired by local police departments through federal grants and military surplus programs, signal a tipping point in the final shift from a Mayberry style of community policing to a technologically-driven version of law enforcement dominated by artificial intelligence, surveillance, and militarization.

It’s only a matter of time before these killer robots intended for use as a last resort become as common as SWAT teams.

Frequently justified as vital tools necessary to combat terrorism and deal with rare but extremely dangerous criminal situations, such as those involving hostages, SWAT teams—which first appeared on the scene in California in the 1960s—have now become intrinsic parts of local law enforcement operations, thanks in large part to substantial federal assistance and the Pentagon’s military surplus recycling program, which allows the transfer of military equipment, weapons and training to local police for free or at sharp discounts.

Consider this: In 1980, there were roughly 3,000 SWAT team-style raids in the U.S. By 2014, that number had grown to more than 80,000 SWAT team raids per year.

Given the widespread use of these SWAT teams and the eagerness with which police agencies have embraced them, it’s likely those raids number upwards of 120,000 by now.

There are few communities without a SWAT team today.

No longer reserved exclusively for deadly situations, SWAT teams are now increasingly deployed for relatively routine police matters, with some SWAT teams being sent out as much as five times a day. In the state of Maryland alone, 92 percent of 8200 SWAT missions were used to execute search or arrest warrants.

For example, police in both Baltimore and Dallas have used SWAT teams to bust up poker games. A Connecticut SWAT team swarmed a bar suspected of serving alcohol to underage individuals. In Arizona, a SWAT team was used to break up an alleged cockfighting ring. An Atlanta SWAT team raided a music studio, allegedly out of a concern that it might have been involved in illegal music piracy.

A Minnesota SWAT team raided the wrong house in the middle of the night, handcuffed the three young children, held the mother on the floor at gunpoint, shot the family dog, and then “forced the handcuffed children to sit next to the carcass of their dead pet and bloody pet for more than an hour” while they searched the home.

A California SWAT team drove an armored Lenco Bearcat into Roger Serrato’s yard, surrounded his home with paramilitary troops wearing face masks, threw a fire-starting flashbang grenade into the house, then when Serrato appeared at a window, unarmed and wearing only his shorts, held him at bay with rifles. Serrato died of asphyxiation from being trapped in the flame-filled house. Incredibly, the father of four had done nothing wrong. The SWAT team had misidentified him as someone involved in a shooting.

These incidents are just the tip of the iceberg.

Nationwide, SWAT teams have been employed to address an astonishingly trivial array of nonviolent criminal activity or mere community nuisances: angry dogs, domestic disputes, improper paperwork filed by an orchid farmer, and misdemeanor marijuana possession, to give a brief sampling.

If these raids are becoming increasingly common and widespread, you can chalk it up to the “make-work” philosophy, by which police justify the acquisition of sophisticated military equipment and weapons and then rationalize their frequent use.

Mind you, SWAT teams originated as specialized units that were supposed to be dedicated to defusing extremely sensitive, dangerous situations (that language is almost identical to the language being used to rationalize adding armed robots to local police agencies). They were never meant to be used for routine police work such as serving a warrant.

As the role of paramilitary forces has expanded, however, to include involvement in nondescript police work targeting nonviolent suspects, the mere presence of SWAT units has actually injected a level of danger and violence into police-citizen interactions that was not present as long as these interactions were handled by traditional civilian officers. 

Indeed, a study by Princeton University concludes that militarizing police and SWAT teams “provide no detectable benefits in terms of officer safety or violent crime reduction.” The study, the first systematic analysis on the use and consequences of militarized force, reveals that “police militarization neither reduces rates of violent crime nor changes the number of officers assaulted or killed.”

In other words, warrior cops aren’t making us or themselves any safer.

Americans are now eight times more likely to die in a police confrontation than they are to be killed by a terrorist.

The problem, as one reporter rightly concluded, is “not that life has gotten that much more dangerous, it’s that authorities have chosen to respond to even innocent situations as if they were in a warzone.”

Now add killer robots into that scenario.

How long before these armed, militarized robots, authorized to use lethal force against American citizens, become as commonplace as SWAT teams and just as deadly?

Likewise, how long before mistakes are made, technology gets hacked or goes haywire, robots are deployed based on false or erroneous information, and innocent individuals get killed in the line of fire?

And who will shoulder the blame and the liability for rogue killer robots? Given the government’s track record when it comes to sidestepping accountability for official misconduct through the use of qualified immunity, it’s completely feasible that they’d get a free pass here, too.

In the absence of any federal regulations or guidelines to protect Americans against what could eventually become autonomous robotic SWAT teams equipped with artificial intelligence, surveillance and lethal weapons, “we the people” are left defenseless.

We’re gaining ground fast on the kind of autonomous, robotic assassins that Terminator envisioned would be deployed by 2029.

If these killer robots follow the same trajectory as militarized weapons, which, having been deployed to local police agencies as part of the Pentagon’s 1033 recycling program, are turning America into a battlefield, it’s just a matter of time before they become the first line of defense in interactions between police and members of the public.

Some within the robotics industry have warned against weaponizing general-purpose robots, which could be used “to invade civil rights or to threaten, harm, or intimidate others.”

Yet it may already be too late for that.

As Sam Biddle writes for The Intercept, “As with any high-tech toy, the temptation to use advanced technology may surpass whatever institutional guardrails the police have in place.”

There are thousands of police robots across the country, and those numbers are growing exponentially. It won’t take much in the way of weaponry and programming to convert these robots to killer robots, and it’s coming.

The first time police used a robot as a lethal weapon was in 2016, when it was deployed with an explosive device to kill a sniper who had shot and killed five police officers.

This scenario has been repeatedly trotted out by police forces eager to add killer robots to their arsenal of deadly weapons. Yet as Paul Scharre, author of Army Of None: Autonomous Weapons And The Future Of War, recognizes, presenting a scenario in which the only two options are to use a robot for deadly force or put law enforcement officers at risk sets up a false choice that rules out any consideration of non-lethal options.

As Biddle concludes:

“Once a technology is feasible and permitted, it tends to linger. Just as drones, mine-proof trucks, and Stingray devices drifted from Middle Eastern battlefields to American towns, critics of … police’s claims that lethal robots would only be used in one-in-a-million public emergencies isn’t borne out by history. The recent past is littered with instances of technologies originally intended for warfare mustered instead against, say, constitutionally protected speech, as happened frequently during the George Floyd protests.”

This gradual dismantling of cultural, legal and political resistance to what was once considered unthinkable is what Liz O’Sullivan, a member of the International Committee for Robot Arms Control, refers to as “a well-executed playbook to normalize militarization.”

It’s the boiling frog analogy all over again, and yet there’s more at play than just militarization or suppressing dissent.

There’s a philosophical underpinning to this debate over killer robots that we can’t afford to overlook, and that is the government’s expansion of its power to kill the citizenry.

Although the government was established to protect the inalienable rights to life, liberty and the pursuit of happiness of the American people, the Deep State has been working hard to strip us of any claims to life and liberty, while trying to persuade us that happiness can be found in vapid pursuits, entertainment spectacles and political circuses.

Having claimed the power to kill through the use of militarized police who shoot first and ask questions later, SWAT team raids, no-knock raids, capital punishment, targeted drone attacks, grisly secret experiments on prisoners and unsuspecting communities, weapons of mass destruction, endless wars, etc., the government has come to view “we the people” as collateral damage in its pursuit of absolute power.

As I make clear in my book Battlefield America: The War on the American People and in its fictional counterpart The Erik Blair Diaries, we are at a dangerous crossroads.

Not only are our lives in danger. Our very humanity is at stake.