America: The Country That Never Was!

By thnkfryrslf

Source: Axis of Logic

The ideal country. Democratic and Free. The greatest country in the world, because they’re exceptional.

Saves citizens of other countries from tyrannical governments by slaying the tyrants and bringing democracy and staying to make sure that democracy is implemented, no matter how long it takes. Always doing right by those citizens in need.

A beacon of liberty to the rest of the world. Saved the world by winning the 2nd world war. Its citizens always patriotically supporting the troops. The richest country on earth. All citizens are equal under the law. Economically, presents to its citizens every opportunity to succeed. A culture of endless opportunities.

Constantly reforming education for its people. Good God-fearing moral people, supported by a God-fearing, moral government. A benevolent people, whose benevolent government shows benevolence to the rest of the world. Respecting the freedom and sovereignty of all nations.

Generous loans given to poorer countries.

Good supportive and caring neighbour to its northern and southern neighbours.

Always warning its public and the rest of the world who the enemy of their stability and peace is and that this country of exceptional people will always defend them.

Admirer of those self-made creators of wealth. They are the true rugged individuals. Showing in Hollywood movies the heroism of their noble military. Accepting all races of people, it being one of their highest values.

An engaged citizenry always challenging its government to do better. Freedom of speech exercised by all, because they are a government of the people and by the people.

Citizens love of their country runs deep, shown by not having a need to travel much to other lesser countries. The MSM always helping the people to understand politics domestically and globally and how their government is constantly practicing democratic values at home and abroad.

The envy of the world for their wealth and freedom. A country who historically fought a civil war to abolish slavery and succeeded. A country that was essentially built by Europeans. A country whose heroic history is taught as an inspiration.

America, a brutal and savage killer, posing as a liberator and keeper of peace, is the country that does exist.

“If poor people knew how rich rich people are, there would be riots in the streets”

By Staff, Anticap.wordpress.com

Source: Popular Resistance

Chris Rock may be right. Still, Americans are well aware that economic inequality in their country is obscene, even though they often underestimate the growing gap between the poor and the rich.

But it’s Frank Rich, who conducted the interview with the American comedian, who made the more perceptive observation:

For all the current conversation about income inequality, class is still sort of the elephant in the room.

All the experts agree—from Thomas Piketty and the other members of the World Inequality Lab team to John C. Weicher of the conservative Hudson Institute—that inequality in the United States, especially the unequal distribution of wealth, has been worsening for decades now. Both before and after the crash of 2007-08. And there’s no sign that things are going to get better anytime soon, unless radical changes are made.

But, as it turns out, even the experts underestimate the degree of inequality in the United States. The usual numbers that are produced and disseminated indicate that, in 2014 (the last year for which data are available), the top 1 percent of Americans owned one third (35 percent) of total household wealth while the bottom 90 percent had less than half (45.3 percent) of the wealth.

According to my calculations, illustrated in the chart at the top of the post, the situation in the United States is much worse. In 2014, the top 1 percent (red line) owned almost two thirds of the financial or business wealth, while the bottom 90 percent (blue line) had only six percent. That represents an enormous change from the already-unequal situation in 1978, when the shares were much closer (28.6 percent for the top 1 percent and 23.2 percent for the bottom 90 percent).

Why the large difference between my numbers and theirs? It all depends on how wealth is defined. Both the World Inequality Lab and the Federal Reserve (in the Survey of Consumer Finances) include housing and retirement pensions in household wealth—and those two categories comprise most of the so-called wealth of most Americans. They just don’t own much in the way of financial or business wealth. They live in their houses and they retire based on contributions from their wages and salaries over the course of their work lives. They produce but don’t take home any of the surplus; therefore, they just don’t have the ability to amass any real wealth.

For the small group at the top, things are quite different. They do get a cut of the surplus, which they use, not only to purchase housing and put aside in their pensions, but to accumulate real wealth, for themselves and their families. If we take out housing and pensions and calculate just the shares of financial or business wealth—and, thus, equities, fixed-income claims, and business assets—the degree of inequality is much, much worse.

Yes, rich people in the United States are very rich—even more than either regular Americans or the experts believe.

But that’s not the real elephant in the room. The big issue that everyone is aware of, but nobody wants to talk about, is class. And that’s the reason there should be, if not riots, at least a sustained political movement to transform the existing economic and social structures in the United States.

Smashing the Cult of Celebrity and the Disempowerment Game

By Dylan Charles

Source: Waking Times

At the dark heart of corporate consumer culture lie the social programs that mass-produce conformity,  obedience, acquiescence and consent for the matrix.

The cult of celebrity is the royal monarch of these schemes, the ace in the hole for mass mind control and the disempowerment of the individual. This is the anointed paradigm of idol worship and idol sacrifice, a vampire’s feast on our individual and collective dreams. Who do you love? Who do you hate? Who do want to be like? 

Combine this paradigm with the technology of social media, and the individual is flung into oblivion, never fully understanding the importance and value of their own life, instead always comparing themselves to phony ideals and well-designed, well-funded marketing campaigns.

‘The camera has created a culture of celebrity; the computer is creating a culture of connectivity. As the two technologies converge – broadband tipping the Web from text to image; social-networking sites spreading the mesh of interconnection ever wider – the two cultures betray a common impulse. Celebrity and connectivity are both ways of becoming known. This is what the contemporary self wants. It wants to be recognized, wants to be connected: It wants to be visible. If not to the millions, on Survivor or Oprah, then hundreds, on Twitter or Facebook. This is the quality that validates us, this is how we become real to ourselves – by being seen by others. The great contemporary terror is anonymity.’ ~William Deresiewicz

Marketeers and propagandists are skilled at leveraging human psychology to exploit human nature. They utilize the study of the psyche to gain inroads into your behavior, and they employ this science as a tool for stoking insecurities and triggering urges.

They may be selling an idea, a lifestyle, a product, or a war, but, the pitch is the same: a false idol rises from the wastelands of the American dream, and is presented to the hordes as a well-packaged product. The celebrity’s life is a projection of a niche fantasy, and a following is built up around this fantasy, and the cult followers are steered toward whatever point of purchase.

And that’s what a cult is: “a system of religious veneration and devotion directed toward a particular figure or object.”

This kind of externalized validation serves as a power transfer. Your personal power is extracted and foisted onto a manufactured image in the matrix, and without realizing it, you’ve forfeited your power to influence the direction of your own life.

“The Fantasy of celebrity culture is not designed simply to entertain. It is designed to drain us emotionally, confuse us about our identity, make us blame ourselves for our predicament, condition us to chase illusions of fame and happiness, and keep us from fighting back.” – Chris Hedges

This is about usurping individuality in order to foster groupthink and hive consciousness. It’s also about creating a barrier between what you believe is possible for yourself and what chances you are willing to take in order to manifest a unique vision for your life.

You see, human beings are energetic creations, partly made of matter and partly made of spirit, but wholly malleable to the direction of the mind. We are affected by subtle energies, body language, electromagnetic energy, frequencies of light that we cannot see, sounds that we cannot hear, and a thousand other hidden cues. We are beings of energy, and much like a battery, we can can give or receive energy.

But the mind is at the center of it all. Whatever the mind entertains, the being creates.

When the mind fixes on an external idol, this innate power to form ourselves is transferred outside of our own locus of control, and where the mind could be centered on creating and expanding the self, it is instead focused on the fantasy of achieving an impossible ideal.

As journalist Jon Rappoport notes:

“If perception and thought can be channeled, directed, reduced, and weakened, then it doesn’t matter what humans do to resist other types of control. They will always go down the wrong path. They will always operate within limited and bounded territory. They will always ignore their own authentic power.” ~Jon Rappoport

The end game here is to keep us from accepting ourselves as worthy and perfect divine beings, and to disconnect us from our own potential. This is deep stuff, reaching far beyond the push to convert us into greedy, materialistic consumers. In a metaphysical sense it is a transfer of energy, and where once we were strong and full of promise, we are now helpless and content to observe as the world flits by.

What’s most dangerous to any system of control is for the individual to know their own strength and to speak their own language, as Chris Hedges puts it.

“That’s why I don’t own a television… and I work as hard as I can to distance myself from popular culture so that I can speak in my own language, not the one they give me.” ~Chris Hedges

Saturday Matinee: Testament

Cover Your Eyes: Lynne Littman’s ‘Testament’, 1983

By Richard McKenna

Source: We Are the Mutants

Testament
Directed by Lynne Littman
Paramount Pictures, 1983

1983 was a pretty fertile year for fictional nuclear apocalypses in Western popular culture. 2019: After the Fall of New York, Endgame, Exterminators of the Year 3000, Stryker, and Le Dernier Combat were released in cinemas, while ABC’s The Day After and Britain’s BBC2 adaptation of 1961 dystopian novel The Old Men at the Zoo, updated to feature a nuclear attack on London, appeared on television. Publishers released a slew of books with atomic mushrooms on their covers, including The Aftermath: The Human and Ecological Consequences of Nuclear War (edited by Jeannie Peterson), Luke Rhinehart’s Long Voyage Back, William Prochnau’s Trinity’s Child, and Dean Ing’s Pulling Through, as well as The Web, that year’s installment in Jerry Ahern’s Survivalist series. All of them attempted, seriously or otherwise—and it was generally otherwise—to examine the effects of a seemingly imminent nuclear war. The Doomsday Clock stood at four minutes to midnight (the closest it had been since 1960, though it was about to move even closer) and two events that year—the NATO military exercise Able Archer 83 and a nuclear attack false alarm in the Soviet Union—almost prompted a catastrophic escalation from fiction to reality.

The BBC’s optimism-annihilating Threads was still a year away, but the cultural momentum was building up to a psychological discharge whose blast radius would, for some, obliterate their ability to think about or plan for the future: what was the point, when they would be spending it eking out a life in the radioactive ruins of our civilization (or, if the Italians were right, driving customized cars and dressing like members of Krokus). That momentum surged dramatically with the release of Testament, the high water mark of the class of ’83. British sci-fi and horror magazine Starburst published a short yet positive review of it alongside a single publicity still showing a mother huddled up in bed with her children, fearfully pointing a torch into the darkness—an image that summarized perfectly the fear that it would be in our own homes that we would be killed, if not by the bomb itself then by the stone-age appetites and economics its detonation unleashed.

Despite containing no mushroom clouds, no heroics, no fallout shelters, no special effects, no geiger counters, and no enormous doors slamming in the depths of hellTestament is absolutely devastating: nothing except average people gradually realizing that the rest of their already abbreviated lives is destined to be a grim slog through even more illness, death, and loss than they’ve already experienced.

The film, produced by PBS and directed by National Education Television documentarian Lynne Littman, deals with the effects of a nuclear attack on a family who live in an idyllic small town (so idyllic that a young Kevin Costner and Rebecca De Mornay have settled there) somewhere within driving distance of San Francisco, and the first ten minutes is an artfully contrived little précis of their privileged lives: we see mom Carol (the great Jane Alexander) unenthusiastically acting out the instructions on her workout tape from bed while husband Tom (the also great William Devane) blithely takes their reluctant older son Brad cycling, leaving mom to get teenage daughter Mary (Roxana Zal) and little son Scotty (Lukas Haas) ready for school.

This initial section of the film highlights the reassuring frivolities and ephemera of Western life—toys, games, sports, exercise, E.T. t-shirts, He-Man figures and Sesame Street, and, in a way, Testament plays peculiarly like some kind of anti-E.T., or at least some nightmarish re-edit of its homely, chaotic, childish motifs, the intruder into the suburban calm not a kindly alien botanist but something native and altogether less friendly.

There is almost no buildup to the nuclear attack—no news reports about the mobilization of the armed forces, no preparations for shelter. The only indication that an attack is coming at all is that the nature of the film indicates that it must be, and the lack of narrative preparation makes the viewer’s stomach sink even more violently when the cartoon the family children are watching in their sunny lounge is suddenly replaced by static, which is then replaced by an emergency warning transmission. When the attack itself comes, it’s not even a noise, just a silent flash of blinding light. There are none of the typical signifiers: no models are destroyed, there is no colorized stock footage of shacks being blown away by 1,000 mph winds, no flesh drooping from bones, no radiation sickness makeup—only confusion, then coffins, and then funeral pyres. As the broadcasters who exchange news with the town’s chipper old radio ham start to vanish one by one, awareness grows that this might really be it—there might really be no hope.

The locals pull together and, unable to believe that the wider world won’t rally, seem determined to struggle through, organizing mutual assistance and continuing with their little world of school plays and piano lessons. But it gradually becomes more and more obvious that there is going to be no struggling through this one. Things are not going to return to normal—they are just going to keep getting worse, and there won’t be any school plays when all the children have died and all the adults are busy building bonfires to burn their corpses on.

The delicacy of touch with which the proceedings are handled—director Littman got the rights to the source material, a 1981 short story by Carol Amen, after reading it with her son—means that Testament makes its point all the more forcefully. Yes, very occasionally the tone does get slightly preachy, but considering the point the film wants to make—the stupidity of slowly and agonizingly killing half of the population of the planet—it’s a forgivable blip. In any event, Testament never feels smug or self-righteous: there are a few things that jar, and others that produce the odd smirk (a display of priestly affection very unlike that in Thorn Birds, a TV miniseries that caused a scandal the same year that Testament was released), but, most of the time, the viewer is simply staring at the screen in dread.

With its calm tonal palette and inoffensive James Horner score, suggestive of TV movies about domestic tragedy on the scale of divorce or alcoholism, one can imagine a grandparent of any political persuasion sitting down to watch it. In terms of production values, Testament sits somewhere between that well-made TV movie and a feature film proper, and its artlessness and lack of pretension, make it, if anything, even more upsetting and disorientating when things start to get really awful. Handled with a little less sensitivity and compassion, it could easily have been mawkish; but it isn’t, and Testament refuses to underline any particular aspect of the situation. There is simply the grind of life getting worse and worse until it is intolerably awful and you cannot survive. The economy with which the characters are sketched lends them a blank credibility, and the absence of any of the iconography of nuclear war (not even a single radioactive symbol) only adds to the film’s power.

Throughout the film, motifs of recording and repetition recur: family super-8 movies, nursery rhymes, the exercise cassette that mom is playing at the beginning, the answering machine, the pre-recorded warning message, the journal that Carol starts writing at the beginning of the film, even the roles of priest, mom, and policeman. It is when the graves turn to funeral pyres that the gravity of the situation becomes obvious, and perhaps the point is that the repetition and formalization of daily life is life. Deprived of the batteries and security and hope that allow us make those repetitions, the life we know ends as the recordings wind down. One very touching moment, when mom and son dance together to a (not very good) cover of the Beatles’ “All My Loving” played on a battery powered recorder, underlines perfectly the finite nature of the technologies we use to remember who we are.

The film is dotted with such lovely little scenes, like the one where Brad takes his late dad’s bike from the garage after his own has been stolen, and another when Mary asks Carol what it’s like to make love. Nobody is blamed for the war, and there’s no mention of politics, or enemy countries, or presidents. By definition it is probably a left-wing film (Amen’s original story appeared in feminist magazine Ms.), at least in as much as it aims to affect the opinion of the viewer as regards the effectiveness of a nuclear deterrent, and it is conceivable that to some particularly ideologically-driven idiots at the time it may have looked like liberal hand-wringing.

Testament isn’t perfect, but it is a powerful and economic piece of drama about personal loss and mass death that eschews all spectacle and seems to have no particular axe to grind other than to ask: What is the conceivable purpose of all this misery? It’s a point that bears repeating.

Watch the full film here.

Spies, Lies and War Propaganda: The Making of Another Conspiracy Theory

By Timothy Alexander Guzman

Source: Silent Crow News

What is insane is how Western governments and the mainstream media (MSM) is that they can tell you that they have the proof that their enemies committed an act of war, or how they interfere in the affairs of other countries but cannot release the evidence due to national security issues or they just outright know in their gut instincts that their enemies did whatever it is that they did, and then they expect us to believe them. While we in the alternative media can show you mountains of evidence including government documents, photos, quotes from world leaders, reports and analysis from respected journalists and researchers from all over the world who represent the facts, yet we are called conspiracy theorists by the same Western governments and the MSM.

Russia is now accused of poisoning another former Russian spy, this time it’s Sergei Skripal (the late Alexander Litvinenko was the last victim) and his daughter Yulia who was living in the Salisbury section of the UK with a military-grade nerve agent produced by..drum roll, please… Russia! How convenient, especially during a time when the U.S. and its allies accuse the Syrian government of launching chemical attacks on civilians, but in reality (which has been proven time and time again) it was the US-backed terrorists or who they call the “rebel forces” who launched the chemical attacks. It’s amazing how Western governments and the MSM constantly link their adversaries to Weapons of Mass Destruction (WMDs). For example, The New York Times published an article on February 27th titled ‘U.N. Links North Korea to Syria’s Chemical Weapons Program’ suggesting that North Korea shipped supplies to Syria to produce chemical weapons due to an investigation by United Nations:

North Korea has been shipping supplies to the Syrian government that could be used in the production of chemical weapons, United Nations experts contend.

The evidence of a North Korean connection comes as the United States and other countries have accused the Syrian government of using chemical weapons on civilians, including recent attacks on civilians in the Damascus suburb of eastern Ghouta using what appears to have been chlorine gas.

The supplies from North Korea include acid-resistant tiles, valves and thermometers, according to a report by United Nations investigators. North Korean missile technicians have also been spotted working at known chemical weapons and missile facilities inside Syria, according to the report, which was written by a panel of experts who looked at North Korea’s compliance with United Nations sanctions

O.K. So now North Korea is shipping supplies to help the Syrian government of Bashar al-Assad to produce chemical weapons? What is interesting about the accusation is that The New York Times reviewed the report, but would not release it themselves. The authors and other members of the UN security council would also not comment on the report:

The possible chemical weapons components were part of at least 40 previously unreported shipments by North Korea to Syria between 2012 and 2017 of prohibited ballistic missile parts and materials that could be used for both military and civilian purposes, according to the report, which has not been publicly released but which was reviewed by The New York Times.

Neither the report’s authors nor members of the United Nations Security Council who have seen it would comment, and neither would the United States’ mission to the international agency. It is unclear when, or even whether, the report will be released

Of course they are not even sure if they would release the report to the public because it would most likely be criticized by the alternative media who would view it as a propaganda plot to demonize Kim Jung-Un. We can call The New York Times article for what it really is, and that is fake news. North Korea would not get involved in a Middle East conflict because it would not be in their interest, politically or economically. It would give the US and South Korean governments more reasons to threaten North Korea with a military strike if something like that was true, but it’s not. Kim Jung -Un does not have a relationship with ISIS and other terrorist groups who have been launching chemical attacks throughout Syria since the start of the conflict, the U.S. and its allies do. So it’s ludicrous accusation.

On March 12th, British Prime Minister Theresa May spoke at the House of Commons about the Skripal incident in Salisbury, UK:

It is now clear that Mr Skripal and his daughter were poisoned with a military-grade nerve agent of a type developed by Russia. This is part of a group of nerve agents known as ‘Novichok’.

Based on the positive identification of this chemical agent by world-leading experts at the Defence Science and Technology Laboratory at Porton Down; our knowledge that Russia has previously produced this agent and would still be capable of doing so; Russia’s record of conducting state-sponsored assassinations; and our assessment that Russia views some defectors as legitimate targets for assassinations; the Government has concluded that it is highly likely that Russia was responsible for the act against Sergei and Yulia Skripal

The case of Sergei Skripal is becoming another farfetched conspiracy theory just like the Alexander Litvinenko case. If you remember Alexander Litvinenko who allegedly drank a cup tea at a business meeting with two other Russians (who were charged with his murder) which contained a fatal dose of Polonium-210. The editorial director of Antiwar.com, Justin Raimondo wrote an article on the assassination of Alexander Litvinenko titled ‘The Craziest Conspiracy Theory of Them All: The British government’s report on the death of Alexander Litvinenko reads like a bad thriller’:

To those of us who grew up during the cold war years, it’s just like old times again: Russian plots to subvert the West and poison our precious bodily fluids are apparently everywhere. Speaking of poisoning plots: the latest Russkie conspiracy – and the most imaginative by far – was the alleged assassination by poisoning of Alexander Litvinenko , a former agent of the Russian intelligence services who fled to the West to become a professional anti-Russian propagandist and conspiracy theorist with a talent for the improbable. According to his fantastic worldview, the many terrorist attacks that have occurred in Russia have all been committed by … Vladimir Putin. Aside from championing the Chechen Islamo-terrorists who actually committed these crimes, Litvinenko’s stock-in-trade was an elaborate conspiracy theory in which he regularly accused Putin of blowing up Russian apartment buildings and murdering schoolchildren and then diverting attention from his own nefarious plots by blaming those lovable Chechens. Not very believable – unless one is predisposed to believe anything, so long as it casts discredit on those satanic Russians.

The conspiracy theory promulgated by the British government – and now memorialized in this official report – surpasses anything the deceased fantasist might have come up with. According to the Brits, Litvinenko was poisoned on British soil whilst imbibing a cup of tea spiked with a massive dose of radioactive polonium-210 – and, since Russia is a prime source of this rare substance, and since the Russians were supposedly out to get Litvinenko, the FSB – successor to the KGB – is named as the “probable” culprit.

Looking at the report, one has to conclude that they don’t make propaganda the way they used to: the certitude of, say, a J. Edgar Hoover or a Robert Welch has given way to the tepid ambiguity of Lord Robert Owen, the author of this report, whose verdict of “probably” merely underscores the paucity of what passes for evidence in this case

Raimondo made his case with a common-sense approach to the conspiracy theory:

To begin with, if the Russians wanted to off Litvinenko, why would they poison him with a substance that left a radioactive trail traceable from Germany to Heathrow airport – and, in the process, contaminating scores of hotel rooms, offices, planes, restaurants, and homes? Why not just put a bullet through his head? It makes no sense.

But then conspiracy theories don’t have to make sense: they just have to take certain assumptions all the way to their implausible conclusions. If one starts with the premise that Putin and the Russians are a Satanic force capable of anything, and incompetent to boot, then it’s all perfectly “logical” – in the Bizarro World, at any rate.

The idea that Litvinenko was a dangerous opponent of the Russian government who had to be killed because he posed a credible threat to the existence of the regime is laughable: practically no one inside Russia knew anything about him, and as for his crackpot “truther” theories about how Putin was behind every terrorist attack ever carried out within Russia’s borders – to assert that they had any credence outside of the Western media echo chamber is a joke. So there was no real motive for the FSB to assassinate him, just as there is none for the FBI to go after David Ray Griffin

To assassinate Litvinenko with a dose of radioactive polonium-210 in his cup of tea is an incredibly ridiculous allegation by both the British and American establishment. Another anti-Putin crusader is the Hudson Institute’s own senior fellow, David Satter who wrote ‘The Russian State of Murder Under Putin’ in 2016 and said:

It is now imperative not only for the West but for the future of Russia that the Litvinenko inquiry set a precedent for the objective international review of the cases of political terrorism in Russia. These include the bloody sieges at Moscow’s Dubrovka theater in 2002 and at a school in Beslan in 2004, the assassinations of journalists and opposition leaders and, above all, the deadly 1999 apartment bombings that helped bring Mr. Putin to power.

In the Litvinenko case, the alleged assassins, Andrei Lugovoi and Dmitry Kovtun, were accused by the British inquiry of slipping polonium-210 into Litvinenko’s tea. A radioactive trail was left all over London. Traces of polonium were found in Mr. Lugovoi’s hotel room, at a sushi restaurant where Litvinenko dined with the two men, and on the seat occupied by Mr. Lugovoi on a British Airlines flight from Moscow to London

Satter’s view concerning Putin’s killing machine apparatus that uses chemical weapons to silence its opposition is pure nonsense. There are many ways to murder an individual if they really wanted to, so why would they use ‘Novichok’ a nerve agent that can be traced back to Russia? Novichok was produced in the former Soviet Union and then in Russia until 1993.

So who would benefit from such an attack? Putin himself? not really, it would somehow benefit the Anglo-American establishment by continuing the demonization of the Russian government. Sergei Skripal, was a former Russian military intelligence colonel who was found guilty of passing state secrets to the U.K. and was sentenced to 13 years in prison back in 2006. If Putin really wanted Skripal dead, he would have had him executed while in custody. The Western powers including the U.S., the U.K., Germany and France want to maintain their “International Order” as Prime Minister May had mentioned in a statement she gave last Monday:

“The UK does not stand alone in confronting Russian aggression. In the last 24 hours I have spoken to President (Donald) Trump, Chancellor (Angela) Merkel and President (Emmanuel) Macron. We have agreed to cooperate closely in responding to this barbaric act and to co-ordinate our efforts to stand up for the rules based international order which Russia seeks to undermine”

So Who Could Have Possibly Poisoned Sergei Skripal and his Daughter?

On March 4th, 2018 Sergei Skripal and his daughter Yulia were found unconscious on a public bench by a shopping centre in Salisbury by a doctor and nurse who happened to be passing by (what are the chances that happening?). It was soon discovered by a medical staff at the Salisbury District Hospital that Sergei Skripal and his daughter were poisoned with a nerve agent. They both remain in critical condition. Three police officers investigating the scene were also hospitalized. The poison discovered on the Skripal family was apparently ‘Novichok.’ According to a New York Times report titled ‘In Poisoning of Sergei Skripal, Russian Ex-Spy, U.K. Sees Cold War Echoes’ basically says Russia is the culprit:

With its echoes of stranger-than-fiction plots from the Cold War and earlier episodes from the Putin era, the case threatens to worsen the already tense relations between the West and a Russian government that has annexed Crimea, destabilized eastern Ukraine and propped up the government of Bashar al-Assad in Syria, all while being accused of disrupting elections and sowing discord within Western democracies.

“This is a form of soft war that Russia is now waging against the West,” said Tom Tugendhat, chairman of the Foreign Affairs Committee in the British Parliament. British officials have accused the Kremlin of only one assassination on British soil in recent years, but the Russian government has been suspected of being behind numerous other mysterious deaths in Britain and elsewhere.

In Mr. Litvinenko’s case, the weapon is believed to have been a poisoned teapot later found to contain polonium 210, a radioactive isotope; his death was slow and agonizing

Russia along with several other nations are not following the globalist’s blueprint because they want their sovereignty respected and therefore it is seen by the West as a threat to its World Order. If the Russian agents did poison Sergei Skripal (which is obviously, a false accusation) with a deadly military-grade nerve agent that can spread throughout the Salisbury community and traced back to Russia, then they must be the most idiotic and most incompetent intelligence agency on planet earth. There is no evidence of the Russian government being involved in Mr. Skripal’s poisoning, in fact, it sounds like a false-flag attack by using Mr. Skripal to blame Russia. Any of the Western intelligence agencies including MI6 or the CIA could have obtained the nerve agent or something close to it in order to poison Skripal. It is also most likely that we would never find out who actually committed the crimes against Skripal and Litvinenko, but according to the West, its Russia. The Alexander Litvinenko story told by the British government and the MSM (in this case, BBC News) is like a bad thriller and so does the Sergei Skripal case. Both cases will most likely make it to the big screen in the future since many of films produced by Hollywood is based on propaganda against America’s enemies including Russia (many Hollywood films, especially since the Cold War usually portray Russia as the enemy) and recently, North Korea made it to the big screen with the 2013 film, ‘Olympus Has Fallen’ about a North Korean terrorist organization who takes over the White House (yes, another really bad thriller). Rest assured, the Sergey Skripal case as well as the murder of Alexander Litvinenko will most likely make its way to the big screen someday.

The UK government along with its Western partners are spreading far-fetched conspiracy theories, but the MSM will cover their lies and deceit and tell you that it is the alternative media who needs to be censored because we are the ones who are spreading conspiracy theories and fake news. The American and the British governments accused Saddam Hussein of having “weapons of mass destruction” which as we all know, was not only a lie, but a lie that destroyed Iraq. Sooner or later, the facts of the Sergei Skripal case will show the world who are the liars and the conspiracy theorists really are, and once again, the Anglo-American establishment and its MSM representatives would lose even more credibility. In my opinion, they lost all of their credibility a very long time ago.

Freedom Rider: Vladimir Putin and war propaganda

By Margaret Kimberley

Source: Intrepid Report

Vladimir Putin is blamed for everything that goes awry in Europe and the United States. In the United Kingdom his country was even blamed for bad weather as tabloid headlines screamed about icy Russian winds. The Brexit vote and Donald Trump’s Electoral College victory are said to be the result of Putin’s interference, even though the machinations of American oligarch Robert Mercer are most responsible for both outcomes.

When high level vitriol is shared by the corporate media and the American political duopoly and then repeated ad nauseum it is clear that the target will be subjected to more than mere slander. Such an attack carried out against a foreign leader is proof that the United States is ready for war by other means if not outright military conflict.

Russia has been a target ever since the fall of the Soviet Union in 1991. In its weakened state it was a victim of its own rapacious oligarch class and aside from having a nuclear arsenal was no match for its former rival. Bill Clinton openly dispatched operatives to meddle in the 1996 election and ensured that Boris Yeltsin kept the country ripe for plunder.

But in a supreme irony of history Yeltsin chose Vladimir Putin to succeed him. He took on the worst of the thieves and in so doing made himself an enemy of forces who hoped to pull his country apart. But he was not antagonistic to the United States. Libya might have been saved if Russia had used its United Nations Security Council veto against the no fly zone resolution in 2011. Only when the United States installed a fascist, anti-Russian government in Ukraine did Putin get the message that America should not be accommodated.

Putin stopped going along to get along but the American appetite for conquest is unstoppable. Syria is the place where Russia drew a line in the sand—and successfully, too. But the United States and NATO won’t admit defeat and continue the suffering of the Syrian people.

Now the drama surrounding the poisoning of former Russian spy Sergie Skripal in the U.K. has ensnared the Russian government. It is far-fetched to think that in the midst of an election campaign and the upcoming world soccer cup in Russia that Putin would decide to attack a former double agent he had allowed to go free eight years ago.

Prime Minister Theresa May is like her American counterparts: a liar and a violator of international law. The Organization for the Prohibition of Chemical Weapons (OPCW) has a process for nations to request information from one another and they are given 10 days to do so. Instead, May demanded that Russia prove the unprovable, that it wasn’t responsible, and that it do so in 24 hours. She declared that Russia was “likely” responsible and expelled 23 Russian diplomats from the country.

Labour party opposition leader Jeremy Corbyn was little better. He did say that the government should actually wait for proof of Russian involvement in Skripal’s poisoning but he also indulged in an anti-Russian screed as he vented against authoritarianism, oligarchs and human rights abuses. Saudi crown prince Mohammed bin Salman had just received a warm welcome in London from May, the royal family and the press. No one said a word about his genocide against the people of Yemen. But facts won’t get in the way of blatant war propaganda.

Putin has created a kind of madness on both sides of the ocean as politicians look for ever more bizarre ways to engage in Russophobia which is intended to damage his nation. Donald Trump’s appointment of Rex Tillerson as secretary of state was said to be influenced by Putin. Of course, everyone conveniently forgot that trope and now Tillerson’s dismissal is said to have been carried out on Putin’s orders.

Putin is even accused of being a racist. The Christopher Steele dossier, a creation of the Democratic Party and the ill-fated Hillary Clinton campaign, alleges that some on Putin’s staff used the “N-word ” in reference to Barack Obama. Any assertions in this dubious document are impossible to prove and it is unlikely that Steele’s second hand Russian sources reached into the Kremlin inner circle. This particular assertion comes from Michael Isikoff, a Steele partner in crime who dutifully leaked information which led to the granting of a FISA warrant and the Mueller investigation of Trump.

The creation of an all purpose villain is meant to cover up Democratic Party electoral failures, end the Trump presidency, and of course make the case for the American exceptionalism and interventions. Regime change, proxy wars, and imperial conquest are all very much a part of the anti-Putin hysteria.

But the Russophobes are playing a very dangerous game. The story of the poisoned man does not take place in a vacuum. While the public are distracted by a tall tale of Putin killing any Russian whoever died outside of that country, the very dangerous Syrian war continues. Lies about the Russian government should be taken very seriously. They are war propaganda and they are meant to get public support for military action against Russia and its allies.

The Skripal story is so murky that it will be difficult to ever determine culpability. But years of lies have had the desired effect. The public will believe anything about Putin and the Russian government no matter how ridiculous the charge. The American media are finally forced to report on the story of Robert Mercer’s Cambridge Analytica and the role it played in getting Trump an Electoral College victory. But the implications of a right-wing oligarch tipping the scales in our so-called democracy are ignored. Instead the New York Times reported on the Russian ancestry of a Cambridge Analytica staffer in a desperate effort to continue the dangerous charade.

Fifteen years ago this same government proclaimed that Iraq was the great danger and used the charge to make the case for war. Little has changed since. America excels at warfare and that is always preceded by propaganda.

In announcing new weapon developments Putin declared that mutually assured destruction (MAD) is not a thing of the past. If the U.S. and its allies were sane this would be a positive development. But they are not sane and every move and every charge brings the world closer to the precipice. The United States, not Russia, poses the greatest threat to peace and life on the planet. That must never be forgotten.

 

Margaret Kimberley’s Freedom Rider column appears weekly in BAR, and is widely reprinted elsewhere. She maintains a frequently updated blog as well as at freedomrider.blogspot.com. Ms. Kimberley lives in New York City, and can be reached via e-Mail at Margaret.Kimberley(at)BlackAgendaReport.com.

If You Come to a Fork in the Road, Take It

By James Howard Kunstler

Source: Kunstler.com

Various readers, fans, blog commenters, Facebook trolls, and auditors twanged on me all last week about my continuing interest in the RussiaRussiaRussia hysteria, though there is no particular consensus of complaint among them — except for a general “shut up, already” motif. For the record, I’m far more interested in the hysteria itself than the Russia-meddled-in the-election case, which I consider to be hardly any case at all beyond 13 Russian Facebook trolls.

The hysteria, on the other hand, ought to be a matter of grave concern, because it appears more and more to have been engineered by America’s own intel community, its handmaidens in the Dept of Justice, and the twilight’s last gleamings of the Obama White House, and now it has shoved this country in the direction of war at a time when civilian authority over the US military looks sketchy at best. This country faces manifold other problems that are certain to reduce the national standard of living and disrupt the operations of an excessively complex and dishonest economy, and the last thing America needs is a national war-dance over trumped-up grievances with Russia.

The RussiaRussiaRussia narrative has unspooled since Christmas and is blowing back badly through the FBI, now with the firing (for cause) of Deputy Director Andrew McCabe hours short of his official retirement (and inches from the golden ring of his pension). He was axed on the recommendation of his own colleagues in the FBI’s Office of Professional Responsibility, and they may have been influenced by the as-yet-unreleased report of the FBI Inspector General, Michael Horowitz, due out shortly.

The record of misbehavior and “collusion” between the highest ranks of the FBI, the Democratic Party, the Clinton campaign, several top political law firms, and a shady cast of international blackmail peddlars is a six-lane Beltway-scale evidence trail compared to the muddy mule track of Trump “collusion” with Russia. It will be amazing if a big wad of criminal cases are not dealt out of it, even as The New York Times sticks its fingers in its ears and goes, “La-la-la-la-la….”

It now appears that Mr. McCabe’s statements post-firing tend to incriminate his former boss, FBI Director James Comey — who is about to embark, embarrassingly perhaps, on a tour for his self-exculpating book, A Higher Loyalty: Truth, Lies, and Leadership.

A great aura of sanctimony surrounds the FBI these days. Even the news pundits seem to have forgotten the long, twisted reign of J. Edgar Hoover (1924 – 1972), a dangerous rogue who excelled at political blackmail. And why, these days, would any sane American take pronouncements from the CIA and NSA at face value? What seems to have gone on in the RussiaRussiaRussia matter is that various parts of the executive branch in the last months under Mr. Obama gave each other tacit permission, wink-wink, to do anything necessary to stuff HRC into the White House and, failing that, to derail her opponent, the Golden Golem of Greatness.

The obvious lesson in all this huggermugger is that the ends don’t justify the means. I suspect there are basically two routes through this mess. One is that the misdeeds of FBI officers, Department of Justice lawyers, and Intel agency executives get adjudicated by normal means, namely, grand juries and courts. That would have the salutary effect of cleansing government agencies and shoring up what’s left of their credibility at a time when faith in institutions hangs in the balance.

The second route would be for the authorities to ignore any formal response to an evermore self-evident trail of crimes, and to allow all that political energy to be funneled into manufactured hysteria and eventually a phony provocation of war with Russia. Personally, I’d rather see the US government clean house than blow up the world over an engineered hallucination.