The Metaverse Is Big Brother in Disguise: Freedom Meted Out by Technological Tyrants

Posted on November 23, 2021 by Reid Mukai

By By John W. Whitehead & Nisha Whitehead

“The term metaverse, like the term meritocracy, was coined in a sci fi dystopia novel written as cautionary tale. Then techies took metaverse, and technocrats took meritocracy, and enthusiastically adopted what was meant to inspire horror.”—Antonio García Martínez

Welcome to the Matrix (i.e. the metaverse), where reality is virtual, freedom is only as free as one’s technological overlords allow, and artificial intelligence is slowly rendering humanity unnecessary, inferior and obsolete.

Mark Zuckerberg, the CEO of Facebook, sees this digital universe—the metaverse—as the next step in our evolutionary transformation from a human-driven society to a technological one.

Yet while Zuckerberg’s vision for this digital frontier has been met with a certain degree of skepticism, the truth—as journalist Antonio García Martínez concludes—is that we’re already living in the metaverse.

The metaverse is, in turn, a dystopian meritocracy, where freedom is a conditional construct based on one’s worthiness and compliance.

In a meritocracy, rights are privileges, afforded to those who have earned them. There can be no tolerance for independence or individuality in a meritocracy, where political correctness is formalized, legalized and institutionalized. Likewise, there can be no true freedom when the ability to express oneself, move about, engage in commerce and function in society is predicated on the extent to which you’re willing to “fit in.”

We are almost at that stage now.

Consider that in our present virtue-signaling world where fascism disguises itself as tolerance, the only way to enjoy even a semblance of freedom is by opting to voluntarily censor yourself, comply, conform and march in lockstep with whatever prevailing views dominate.

Fail to do so—by daring to espouse “dangerous” ideas or support unpopular political movements—and you will find yourself shut out of commerce, employment, and society: Facebook will ban you, Twitter will shut you down, Instagram will de-platform you, and your employer will issue ultimatums that force you to choose between your so-called freedoms and economic survival.

This is exactly how Corporate America plans to groom us for a world in which “we the people” are unthinking, unresistant, slavishly obedient automatons in bondage to a Deep State policed by computer algorithms.

Science fiction has become fact.

Twenty-some years after the Wachowskis’ iconic film, The Matrix, introduced us to a futuristic world in which humans exist in a computer-simulated non-reality powered by authoritarian machines—a world where the choice between existing in a denial-ridden virtual dream-state or facing up to the harsh, difficult realities of life comes down to a blue pill or a red pill—we stand at the precipice of a technologically-dominated matrix of our own making.

We are living the prequel to The Matrix with each passing day, falling further under the spell of technologically-driven virtual communities, virtual realities and virtual conveniences managed by artificially intelligent machines that are on a fast track to replacing human beings and eventually dominating every aspect of our lives.

In The Matrix, computer programmer Thomas Anderson a.k.a. hacker Neo is wakened from a virtual slumber by Morpheus, a freedom fighter seeking to liberate humanity from a lifelong hibernation state imposed by hyper-advanced artificial intelligence machines that rely on humans as an organic power source. With their minds plugged into a perfectly crafted virtual reality, few humans ever realize they are living in an artificial dream world.

Neo is given a choice: to take the red pill, wake up and join the resistance, or take the blue pill, remain asleep and serve as fodder for the powers-that-be.

Most people opt for the blue pill.

In our case, the blue pill—a one-way ticket to a life sentence in an electronic concentration camp—has been honey-coated to hide the bitter aftertaste, sold to us in the name of expediency and delivered by way of blazingly fast Internet, cell phone signals that never drop a call, thermostats that keep us at the perfect temperature without our having to raise a finger, and entertainment that can be simultaneously streamed to our TVs, tablets and cell phones.

Yet we are not merely in thrall with these technologies that were intended to make our lives easier. We have become enslaved by them.

Look around you. Everywhere you turn, people are so addicted to their internet-connected screen devices—smart phones, tablets, computers, televisions—that they can go for hours at a time submerged in a virtual world where human interaction is filtered through the medium of technology.

This is not freedom. This is not even progress.

This is technological tyranny and iron-fisted control delivered by way of the surveillance state, corporate giants such as Google and Facebook, and government spy agencies such as the National Security Agency.

So consumed are we with availing ourselves of all the latest technologies that we have spared barely a thought for the ramifications of our heedless, headlong stumble towards a world in which our abject reliance on internet-connected gadgets and gizmos is grooming us for a future in which freedom is an illusion.

Yet it’s not just freedom that hangs in the balance. Humanity itself is on the line.

If ever Americans find themselves in bondage to technological tyrants, we will have only ourselves to blame for having forged the chains through our own lassitude, laziness and abject reliance on internet-connected gadgets and gizmos that render us wholly irrelevant.

Indeed, we’re fast approaching Philip K. Dick’s vision of the future as depicted in the film Minority Report. There, police agencies apprehend criminals before they can commit a crime, driverless cars populate the highways, and a person’s biometrics are constantly scanned and used to track their movements, target them for advertising, and keep them under perpetual surveillance.

Cue the dawning of the Age of the Internet of Things (IoT), in which internet-connected “things” monitor your home, your health and your habits in order to keep your pantry stocked, your utilities regulated and your life under control and relatively worry-free.

The key word here, however, is control.

In the not-too-distant future, “just about every device you have—and even products like chairs, that you don’t normally expect to see technology in—will be connected and talking to each other.”

By the end of 2018, “there were an estimated 22 billion internet of things connected devices in use around the world… Forecasts suggest that by 2030 around 50 billion of these IoT devices will be in use around the world, creating a massive web of interconnected devices spanning everything from smartphones to kitchen appliances.”

As the technologies powering these devices have become increasingly sophisticated, they have also become increasingly widespread, encompassing everything from toothbrushes and lightbulbs to cars, smart meters and medical equipment.

It is estimated that 127 new IoT devices are connected to the web every second.

This “connected” industry has become the next big societal transformation, right up there with the Industrial Revolution, a watershed moment in technology and culture.

Between driverless cars that completely lacking a steering wheel, accelerator, or brake pedal, and smart pills embedded with computer chips, sensors, cameras and robots, we are poised to outpace the imaginations of science fiction writers such as Philip K. Dick and Isaac Asimov. (By the way, there is no such thing as a driverless car. Someone or something will be driving, but it won’t be you.)

These Internet-connected techno gadgets include smart light bulbs that discourage burglars by making your house look occupied, smart thermostats that regulate the temperature of your home based on your activities, and smart doorbells that let you see who is at your front door without leaving the comfort of your couch.

Nest, Google’s suite of smart home products, has been at the forefront of the “connected” industry, with such technologically savvy conveniences as a smart lock that tells your thermostat who is home, what temperatures they like, and when your home is unoccupied; a home phone service system that interacts with your connected devices to “learn when you come and go” and alert you if your kids don’t come home; and a sleep system that will monitor when you fall asleep, when you wake up, and keep the house noises and temperature in a sleep-conducive state.

The aim of these internet-connected devices, as Nest proclaims, is to make “your house a more thoughtful and conscious home.” For example, your car can signal ahead that you’re on your way home, while Hue lights can flash on and off to get your attention if Nest Protect senses something’s wrong. Your coffeemaker, relying on data from fitness and sleep sensors, will brew a stronger pot of coffee for you if you’ve had a restless night.

Yet given the speed and trajectory at which these technologies are developing, it won’t be long before these devices are operating entirely independent of their human creators, which poses a whole new set of worries. As technology expert Nicholas Carr notes, “As soon as you allow robots, or software programs, to act freely in the world, they’re going to run up against ethically fraught situations and face hard choices that can’t be resolved through statistical models. That will be true of self-driving cars, self-flying drones, and battlefield robots, just as it’s already true, on a lesser scale, with automated vacuum cleaners and lawnmowers.”

For instance, just as the robotic vacuum, Roomba, “makes no distinction between a dust bunny and an insect,” weaponized drones will be incapable of distinguishing between a fleeing criminal and someone merely jogging down a street. For that matter, how do you defend yourself against a robotic cop—such as the Atlas android being developed by the Pentagon—that has been programmed to respond to any perceived threat with violence?

Moreover, it’s not just our homes and personal devices that are being reordered and reimagined in this connected age: it’s our workplaces, our health systems, our government, our bodies and our innermost thoughts that are being plugged into a matrix over which we have no real control.

It is expected that by 2030, we will all experience The Internet of Senses (IoS), enabled by Artificial Intelligence (AI), Virtual Reality (VR), Augmented Reality (AR), 5G, and automation. The Internet of Senses relies on connected technology interacting with our senses of sight, sound, taste, smell, and touch by way of the brain as the user interface. As journalist Susan Fourtane explains:

Many predict that by 2030, the lines between thinking and doing will blur. Fifty-nine percent of consumers believe that we will be able to see map routes on VR glasses by simply thinking of a destination… By 2030, technology is set to respond to our thoughts, and even share them with others… Using the brain as an interface could mean the end of keyboards, mice, game controllers, and ultimately user interfaces for any digital device. The user needs to only think about the commands, and they will just happen. Smartphones could even function without touch screens.

In other words, the IoS will rely on technology being able to access and act on your thoughts.

Fourtane outlines several trends related to the IoS that are expected to become a reality by 2030:

1: Thoughts become action: using the brain as the interface, for example, users will be able to see map routes on VR glasses by simply thinking of a destination.
2: Sounds will become an extension of the devised virtual reality: users could mimic anyone’s voice realistically enough to fool even family members.
3: Real food will become secondary to imagined tastes. A sensory device for your mouth could digitally enhance anything you eat, so that any food can taste like your favorite treat.
4: Smells will become a projection of this virtual reality so that virtual visits, to forests or the countryside for instance, would include experiencing all the natural smells of those places.
5: Total touch: Smartphones with screens will convey the shape and texture of the digital icons and buttons they are pressing.
6: Merged reality: VR game worlds will become indistinguishable from physical reality by 2030.

This is the metaverse, wrapped up in the siren-song of convenience and sold to us as the secret to success, entertainment and happiness.

It’s a false promise, a wicked trap to snare us, with a single objective: total control.

George Orwell understood this.

Orwell’s masterpiece, 1984, portrays a global society of total control in which people are not allowed to have thoughts that in any way disagree with the corporate state. There is no personal freedom, and advanced technology has become the driving force behind a surveillance-driven society. Snitches and cameras are everywhere. And people are subject to the Thought Police, who deal with anyone guilty of thought crimes. The government, or “Party,” is headed by Big Brother, who appears on posters everywhere with the words: “Big Brother is watching you.”

As I make clear in my book Battlefield America: The War on the American People and in its fictional counterpart The Erik Blair Diaries, total control over every aspect of our lives, right down to our inner thoughts, is the objective of any totalitarian regime.

The Metaverse is just Big Brother in disguise.

George Orwell’s 1984 Has Become a Blueprint for Our Dystopian Reality

Posted on July 15, 2021 by Reid Mukai

By John W. Whitehead & Nisha Whitehead

Source: The Rutherford Institute

“If you want a picture of the future, imagine a boot stamping on a human face—for ever.”— George Orwell, 1984

Tread cautiously: the fiction of George Orwell (Jun. 25, 1903-Jan. 21, 1950) has become an operation manual for the omnipresent, modern-day surveillance state.

It’s been more than 70 years since Orwell—dying, beset by fever and bloody coughing fits, and driven to warn against the rise of a society in which rampant abuse of power and mass manipulation are the norm—depicted the ominous rise of ubiquitous technology, fascism and totalitarianism in 1984.

Who could have predicted that so many years after Orwell typed the final words to his dystopian novel, “He loved Big Brother,” we would come to love Big Brother.

“To the future or to the past, to a time when thought is free, when men are different from one another and do not live alone— to a time when truth exists and what is done cannot be undone: From the age of uniformity, from the age of solitude, from the age of Big Brother, from the age of doublethink — greetings!”—George Orwell

1984 portrays a global society of total control in which people are not allowed to have thoughts that in any way disagree with the corporate state. There is no personal freedom, and advanced technology has become the driving force behind a surveillance-driven society. Snitches and cameras are everywhere. People are subject to the Thought Police, who deal with anyone guilty of thought crimes. The government, or “Party,” is headed by Big Brother who appears on posters everywhere with the words: “Big Brother is watching you.”

We have arrived, way ahead of schedule, into the dystopian future dreamed up by not only Orwell but also such fiction writers as Aldous Huxley, Margaret Atwood and Philip K. Dick.

“If liberty means anything at all, it means the right to tell people what they do not want to hear.”―George Orwell

Much like Orwell’s Big Brother in 1984, the government and its corporate spies now watch our every move. Much like Huxley’s A Brave New World, we are churning out a society of watchers who “have their liberties taken away from them, but … rather enjoy it, because they [are] distracted from any desire to rebel by propaganda or brainwashing.” Much like Atwood’s The Handmaid’s Tale, the populace is now taught to “know their place and their duties, to understand that they have no real rights but will be protected up to a point if they conform, and to think so poorly of themselves that they will accept their assigned fate and not rebel or run away.”

And in keeping with Philip K. Dick’s darkly prophetic vision of a dystopian police state—which became the basis for Steven Spielberg’s futuristic thriller Minority Report—we are now trapped in a world in which the government is all-seeing, all-knowing and all-powerful, and if you dare to step out of line, dark-clad police SWAT teams and pre-crime units will crack a few skulls to bring the populace under control.

What once seemed futuristic no longer occupies the realm of science fiction.

Incredibly, as the various nascent technologies employed and shared by the government and corporations alike—facial recognition, iris scanners, massive databases, behavior prediction software, and so on—are incorporated into a complex, interwoven cyber network aimed at tracking our movements, predicting our thoughts and controlling our behavior, the dystopian visions of past writers is fast becoming our reality.

Our world is characterized by widespread surveillance, behavior prediction technologies, data mining, fusion centers, driverless cars, voice-controlled homes, facial recognition systems, cybugs and drones, and predictive policing (pre-crime) aimed at capturing would-be criminals before they can do any damage.

Surveillance cameras are everywhere. Government agents listen in on our telephone calls and read our emails. Political correctness—a philosophy that discourages diversity—has become a guiding principle of modern society.

“People sleep peaceably in their beds at night only because rough men stand ready to do violence on their behalf.”―George Orwell

The courts have shredded the Fourth Amendment’s protections against unreasonable searches and seizures. In fact, SWAT teams battering down doors without search warrants and FBI agents acting as a secret police that investigate dissenting citizens are common occurrences in contemporary America. And bodily privacy and integrity have been utterly eviscerated by a prevailing view that Americans have no rights over what happens to their bodies during an encounter with government officials, who are allowed to search, seize, strip, scan, spy on, probe, pat down, taser, and arrest any individual at any time and for the slightest provocation.

“The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.”―George Orwell, Animal Farm

We are increasingly ruled by multi-corporations wedded to the police state.

What many fail to realize is that the government is not operating alone. It cannot. The government requires an accomplice. Thus, the increasingly complex security needs of the massive federal government, especially in the areas of defense, surveillance and data management, have been met within the corporate sector, which has shown itself to be a powerful ally that both depends on and feeds the growth of governmental overreach.

In fact, Big Tech wedded to Big Government has become Big Brother, and we are now ruled by the Corporate Elite whose tentacles have spread worldwide. The government now has at its disposal technological arsenals so sophisticated and invasive as to render any constitutional protections null and void. Spearheaded by the NSA, which has shown itself to care little to nothing for constitutional limits or privacy, the “security/industrial complex”—a marriage of government, military and corporate interests aimed at keeping Americans under constant surveillance—has come to dominate the government and our lives.

Money, power, control. There is no shortage of motives fueling the convergence of mega-corporations and government. But who is paying the price? The American people, of course.

Orwell understood what many Americans are still struggling to come to terms with: that there is no such thing as a government organized for the good of the people. Even the best intentions among those in government inevitably give way to the desire to maintain power and control over the citizenry at all costs.

“The further a society drifts from truth the more it will hate those who speak it.” ― George Orwell

Even our ability to speak and think freely is being regulated.

In totalitarian regimes—a.k.a. police states—where conformity and compliance are enforced at the end of a loaded gun, the government dictates what words can and cannot be used. In countries where the police state hides behind a benevolent mask and disguises itself as tolerance, the citizens censor themselves, policing their words and thoughts to conform to the dictates of the mass mind.

Dystopian literature shows what happens when the populace is transformed into mindless automatons.

In Ray Bradbury’s Fahrenheit 451, reading is banned and books are burned in order to suppress dissenting ideas, while televised entertainment is used to anesthetize the populace and render them easily pacified, distracted and controlled.

In Huxley’s Brave New World, serious literature, scientific thinking and experimentation are banned as subversive, while critical thinking is discouraged through the use of conditioning, social taboos and inferior education. Likewise, expressions of individuality, independence and morality are viewed as vulgar and abnormal.

In my debut novel The Erik Blair Diaries, the dystopian future that George Orwell predicted for 1984 has finally arrived, 100 years late and ten times as brutal. In this post-apocalyptic world where everyone marches to the beat of the same drummer and words like “freedom” are taboo, Erik Blair—Orwell’s descendant and unwitting heir to his legacy—isn’t volunteering to be anyone’s hero. Unfortunately, life doesn’t always go according to plan. To save all that he loves, Orwell will have to travel between his future self and the past.

And in Orwell’s 1984, Big Brother does away with all undesirable and unnecessary words and meanings, even going so far as to routinely rewrite history and punish “thoughtcrimes.” Orwell’s Big Brother relies on Newspeak to eliminate undesirable words, strip such words as remained of unorthodox meanings and make independent, non-government-approved thought altogether unnecessary.

Where we stand now is at the juncture of OldSpeak (where words have meanings, and ideas can be dangerous) and Newspeak (where only that which is “safe” and “accepted” by the majority is permitted). The power elite has made their intentions clear: they will pursue and prosecute any and all words, thoughts and expressions that challenge their authority.

This is the final link in the police state chain.

“Until they became conscious they will never rebel, and until after they have rebelled they cannot become conscious.”—George Orwell

Having been reduced to a cowering citizenry—mute in the face of elected officials who refuse to represent us, helpless in the face of police brutality, powerless in the face of militarized tactics and technology that treat us like enemy combatants on a battlefield, and naked in the face of government surveillance that sees and hears all—we have nowhere left to go.

We have, so to speak, gone from being a nation where privacy is king to one where nothing is safe from the prying eyes of government.

“Big Brother is Watching You.”―George Orwell

Wherever you go and whatever you do, you are now being watched, especially if you leave behind an electronic footprint. When you use your cell phone, you leave a record of when the call was placed, who you called, how long it lasted and even where you were at the time. When you use your ATM card, you leave a record of where and when you used the card. There is even a video camera at most locations equipped with facial recognition software. When you use a cell phone or drive a car enabled with GPS, you can be tracked by satellite. Such information is shared with government agents, including local police. And all of this once-private information about your consumer habits, your whereabouts and your activities is now being fed to the government.

The government has nearly inexhaustible resources when it comes to tracking our movements, from electronic wiretapping devices, traffic cameras and biometrics to radio-frequency identification cards, satellites and Internet surveillance.

In such a climate, everyone is a suspect. And you’re guilty until you can prove yourself innocent. To underscore this shift in how the government now views its citizens, the FBI uses its wide-ranging authority to investigate individuals or groups, regardless of whether they are suspected of criminal activity.

“Nothing was your own except the few cubic centimetres inside your skull.” ― George Orwell

Here’s what a lot of people fail to understand, however: it’s not just what you say or do that is being monitored, but how you think that is being tracked and targeted. We’ve already seen this play out on the state and federal level with hate crime legislation that cracks down on so-called “hateful” thoughts and expression, encourages self-censoring and reduces free debate on various subject matter.

Say hello to the new Thought Police.

Total Internet surveillance by the Corporate State, as omnipresent as God, is used by the government to predict and, more importantly, control the populace, and it’s not as far-fetched as you might think. For example, the NSA has been working on an artificial intelligence system designed to anticipate your every move. Aquaint (the acronym stands for Advanced QUestion Answering for INTelligence) has been designed to detect patterns and predict behavior.

No information is sacred or spared.

Everything from cell phone recordings and logs, to emails, to text messages, to personal information posted on social networking sites, to credit card statements, to library circulation records, to credit card histories, etc., is collected by the NSA and shared freely with its agents in crime: the CIA, FBI and DHS.

What we are witnessing, in the so-called name of security and efficiency, is the creation of a new class system comprised of the watched (average Americans such as you and me) and the watchers (government bureaucrats, technicians and private corporations).

Clearly, the age of privacy in America is at an end.

So where does that leave us?

We now find ourselves in the unenviable position of being monitored, managed and controlled by our technology, which answers not to us but to our government and corporate rulers. This is the fact-is-stranger-than-fiction lesson that is being pounded into us on a daily basis.

It won’t be long before we find ourselves looking back on the past with longing, back to an age where we could speak to whom we wanted, buy what we wanted, think what we wanted without those thoughts, words and activities being tracked, processed and stored by corporate giants such as Google, sold to government agencies such as the NSA and CIA, and used against us by militarized police with their army of futuristic technologies.

To be an individual today, to not conform, to have even a shred of privacy, and to live beyond the reach of the government’s roaming eyes and technological spies, one must not only be a rebel but rebel.

Even when you rebel and take your stand, there is rarely a happy ending awaiting you. You are rendered an outlaw. Just look at what happened to Julian Assange.

So how do you survive in the American surveillance state?

We’re running out of options.

Whether you’re dealing with fact or fiction, as I make clear in Battlefield America: The War on the American People and in my new novel The Erik Blair Diaries, we’ll soon have to choose between self-indulgence (the bread-and-circus distractions offered up by the news media, politicians, sports conglomerates, entertainment industry, etc.) and self-preservation in the form of renewed vigilance about threats to our freedoms and active engagement in self-governance.

Minority Report (2002) Esoteric Analysis

Posted on December 22, 2019 by Reid Mukai

By Jay Dyer

Source: Jay’s Analysis

Spielberg’s Minority Report is now an important film to revisit. Based on the short story by visionary science fiction author Phillip K. Dick, Spielberg’s film version implements an important number of predictive programming elements not found in Dick. Both are worth a look, but the film is important for JaysAnalysis, since now 13 years later, we are actually seeing the implementation of the total technocratic takeover, including pre-crime tracking systems.

Although the film and the short story present the precognition as a metaphysical mystery by telepathic individuals who can see into the aether, the real pre-crime systems are based on A.I. and the digitizing of all records under total information awareness. And as I’ve said, this was DARPA’s plan for the Internet all along.

In fact, a good friend of mine worked for a few years digitizing mass medical records, and while most are aware of Google’s attempts to digitize all books, most do not know why. I’ve warned for several years now the end goal of all this digitization is not for “efficiency” and trendy techy cool iWatches to monitor heart rates and location. The ultimate goal is total mind control, loss of free will and the complete rewrite of all past reality.

Consider, for example, the power the system will wield with the ability to “delete” all past versions of literature – religious texts, Shakespeare, 1984, nothing will be sacred and unable to be “revised.” Remember that in 2009 Amazon erased Orwell’s 1984. Your own past may even be deleted, subject to revision or altered to make you the next villain! All this is revealed in detail in Minority Report. Thus, while the public adopts “Kindles,” print itself is assigned the doom of the kindled fire – like Farenheit 451, as Richard Grove has said.

Minority Report’s setting is a 2055 dystopic D.C., where Agent John Anderton (Tom Cruise) is framed for two murders from within his own PreCrime Corporation ranks by the CEO, Lamar Burgess (Max Von Sydow). (Note: The existing system appears to be a merger of private and government sectors.) I’m sure most readers have seen the film, so I’ll spare you detailed plot recaps and hit the highlights for the sake of our purposes.

The film’s PreCrime alerts a private corporation to a predetermined murder event ahead of time, giving the Agents of the corporation time to save victims. Hailed as a perfect system, the infallibility of PreCrime has made D.C. the safest city in the world, with no murders for several years. As a result, the PreCrime test requires a total surveillance society, something akin to complete panopticism. In fact, the advertising in D.C. is user specific, targeting pedestrian’s personal desires based on retina scans – and all travel requires retinal scanning and mass microchipping.

We are now on the verge of the implementation of retinal scanning, as the U.S. military has engaged in retinal scanning in occupied territories for several years now. It is important to understand that the action of the military abroad are often a test ground for the implementation of such surveillance and tracking technology at “home.” In October 2010, the Guardian reported of U.S. troops stationed in Afghanistan:

“With each iris and fingertip scanned, the device gave the operator a steadily rising percentage chance that the goat herder was on an electronic “watch list” of suspects. Although it never reached 100%, it was enough for the man to be taken to the nearest US outpost for interrogation.

Since the Guardian witnessed that incident, which occurred near the southern city of Kandahar earlier this year, US soldiers have been dramatically increasing the vast database of biometric information collected from Afghans living in the most war-torn parts of southern and eastern Afghanistan. The US army now has information on 800,000 people, while another database developed by the country’s interior ministry has records on 250,000 people.”

Wired Magazine reported millions were the goal. The goal is not millions, but the entire globe, where any and all information is now currency for “big data.” This is exactly the world Minority Report foresaw, and for those curious about Phillip K. Dick, whispers are his foresight was due to being well-connected with the Silicon Valley elites. This is how Ubik foresaw the “Internet of Things” I’ve written about many times, and probably in part why Dick went insane (or was targeted). Slate writes of Ubik:

“Samsung, the world’s largest manufacturer of televisions, tells customers in its privacy policy that “personal or other sensitive” conversations “will be among the data captured and transmitted to a third party” through the TV’s voice-recognition software. Welcome to the Internet of Things.

Sci-fi great Philip K. Dick warned us about this decades ago. In his classic 1969 novel Ubik, the characters have to negotiate the way they move and how they communicate with inanimate objects that monitor them, lock them out, and force payments.”

Just as the predictive algorithm in Asimov’s Foundation was able to track mass movements, so now the same algorithmic tracking is in place across the “web of things” that are capable of being recorded and tracked – and that’s most things. The Pentagon has a virtual “you” in a realtime 3D interface that updates its data consistently from everything done on the web. The Register reported in 2009 about this simulated warfare and predictive software:

“Defense analysts can understand the repercussions of their proposed recommendations for policy options or military actions by interacting with a virtual world environment,” write the researchers.

“They can propose a policy option and walk skeptical commanders through a virtual world where the commander can literally ‘see’ how things might play out. This process gives the commander a view of the most likely strengths and weaknesses of any particular course of action.”

It’s not telepathic Samantha Morton’s in a tub of goo, it’s Google and DARPA developing highly advanced technology along the lines of what William Binney exposed, as a former NSA employee. Think here of War Games (1983), where the A.I. bot was able to war game future scenarios of global thermonuclear war, but thankfully Ferris Bueller was there to save us. If this was displayed in 1983 in pop culture, imagine how far that technology has come 30 years later. Lest anyone think the “precrime” is merely for security and weekend Xbox enjoyment, recall what I wrote two years back:

“Capitalism, communism, nationalism, 401ks, blah blah blah, all of these things are basically obsolete. Why? Because of the nature of the real secret high-tech and plans for mega SmartCities that are to come. You see, you think you are getting ahead and climbing the scum social ladder, and you aren’t even aware that the CEO of IBM Ginni Rommety gives lectures about SmartCities where everything you do will be rationed, tracked and traced by the central supercomputers, with pre-crime determining whether you are guilty of crimethink. So everything you are trusting in is already obsolete. You think I’m exaggerating? On the contrary, you and your children’s futures are determined (you don’t have a future), and if you are allowed to live past the great culling, you will essentially be boxed into a giant WalmartTargetGameStopUniversity City that will literally be run by a supercomputer. Watch for yourself:”

And lest anyone think PreCrime is a thing of the future, consider that it has been used for two years in the U.K. The New Scientist and 21stCenturyWire report:

“That’s the hope of police in the US, who have begun using advanced software to analyse crime data in conjunction with emails, text messages, chat files and CCTV recordings acquired by law enforcement. The system, developed by Wynyard, a firm based in Auckland, New Zealand, could even look at social media in real time in an attempt to predict where the gang might strike next.

“We’re trying to get to the source of the mastermind behind the criminal activity, that’s why we’re setting up a database so everybody can provide the necessary information and help us get higher up the chain,” says Craig Blanton of the Marion County Sheriff’s Office in Indiana. Because Felony Lane Gang members move from state to state to stay one step ahead, the centralised database is primed to aggregate historical information on the group and search for patterns in their movements, Blanton says.

“We know where they’ve been, where they are currently and where they may go in the future,” he says. “I think had we not taken on this challenge, we along with the other 110 impacted agencies would be doing our own thing without better knowledge of how this group operates.”

It’s not the only system that police forces have at their disposal. PredPol, which was developed by mathematician George Mohler at Santa Clara University in California, has been widely adopted in the US and the UK. The software analyses recorded crimes based on date, place and category of offence. It then generates daily suggestions for locations that should be patrolled by officers, depending on where it calculates criminal activity is most likely to occur.”

Returning to the film, an interesting tidbit occurs about three times that I noticed. Any time Anderton or his fellow Agents access the “Temple,” the holding site of the telepathic PreCogs, the sound made is distinctly the iPhone power on sound. The first iPod premiered in 2001, so I’m assuming it’s the same sound for turning on, but readers can correct me. I find it curious if not, since the sound would likely be chosen for a reason. This puts the infamous 1984 Apple ad in a new, ominous light.

If you’ve seen the important Spike Jonze film, Her, you’ll see why. In Her, lead character Theodore (Joaquin Phoenix) falls in love with an iOS – his operating system. The iOS of his future is an intelligent software system with capability for learning (like the A.I. in War Games), and ultimately transcends its own limitations.

I bring this up because Minority Report is distinctly dominated by eye imagery. While seemingly insignificant, it is my opinion that Siri and Apple in particular are crucial in the implementation of the coming new order. Apple ads have contained a distinctly esoteric and significant cultural referent. This is not to say Microsoft or any of the other tech giants are insignificant, on the contrary, I believe they are all arms of one entity and the appearance of competition is largely illusory.

There is only one military industrial complex, and DARPA and Google and Apple and Microsoft are all its children. The façade of competition is enough to advance the technology by the tech nerds that serve it, but in the end, it all serves the same system. My point here is that the iPhone is much more than an iPhone. It is actually an EYEphone, functioning as the eye of Sauron himself, as A.I. reconnaissance before the takeover.

I have mentioned before the whispers are the iPhone of the next few years will contain a Siri that communicates with you like a personal assistant. I have finally found an article on this here, which describes it directly in connection to Her, like I said here. “Viv” will do the following:

“On the other hand, not only will Viv recognize disparate requests, she will also be able to put them together. Basically, Viv is Siri with the ability to learn. The project is being kept heavily under wraps, but the guys at Viv have hinted that they’re working towards creating a “global brain,” a shared source of artificial intelligence that’s as readily accessible as heat or electricity. It’s unclear how soon a breakthrough of this magnitude can happen. But if this team made Siri, you can bet their next project is going to blow the tech world to pieces.”

In order to endear the public to that idea, a prototype Siri had to be offered. While this may be a rumor, it will eventually come. And the dystopic scenario presented in Her will meet the nightmare of Minority Report. For now, it all seems harmless (though we are seeing a generation of youth destroyed by screens and pads – Steve Jobs didn’t let his own kids play with an iPad!), but the end goal I assure is nefarious.

The dominant ideology of these tech giants is pure and total dysgenics (not eugenics). In order for the total rewrite to come, the existing structure must be destroyed. The “old way” of doing things will be scapegoated as the technocracy replaces it, offering utopia and salvation, but the synthetic rewrite is a Trojan horse. Humanity will be enslaved in the same virtual Matrix Anderton is enslaved in, in the film.

The film’s tag line, which pops up numerous times in the story, is about running. “Everybody runs,” and John spends most of the film on the run from the very system he operated. The film asks the question multiple times, “Can you see?” and when we think of this on a deeper level in terms of predictive programming, I think we are intended to look beyond the immediate narrative. There are also numerous hat tips to Blade Runner, where again the “running” imagery comes to the fore. Can we run from the panopticon? Do we have eyes to see the iEYES that are “infallibly” surveilling us perpetually?

THE OMNIPRESENT SURVEILLANCE STATE: ORWELL’S FUTURE IS OUR PRESENT REALITY

Posted on July 19, 2019 by Reid Mukai

By Mac Slavo

Source: SHTFplan.com

The Orwellian dystopia of thought control and an omnipresent surveillance state has become our reality. George Orwell’s book 1984, although meant as fiction, has turned out to be an incredible prediction of our future.

The “land of the free” hasn’t been free since shortly after the American Revolution and it’s getting more authoritarian by the day. It’s been 70 years since Orwell (dying, beset by fever and bloody coughing fits, and driven to warn against the rise of a society in which rampant abuse of power and mass manipulation are the norm) depicted the ominous rise of ubiquitous technology, fascism, and totalitarianism in 1984.

“You had to live—did live, from habit that became instinct—in the assumption that every sound you made was overheard, and, except in darkness, every movement scrutinized.”—George Orwell, 1984

Much like Orwell’s Big Brother in 1984, the government and its corporate spies now watch our every move. Much like Huxley’s A Brave New World, we are churning out a society of watchers who “have their liberties taken away from them, but … rather enjoy it, because they [are] distracted from any desire to rebel by propaganda or brainwashing.” Much like Atwood’s The Handmaid’s Tale, the populace is now taught to “know their place and their duties, to understand that they have no real rights but will be protected up to a point if they conform, and to think so poorly of themselves that they will accept their assigned fate and not rebel or run away.” – John W. Whitehead, The Rutherford Institute

This world is truly dystopian, and that doesn’t just go for the United States. The masters are brainwashing the slaves and the slaves aren’t doing anything about it. In fact, most want more masters and to be further enslaved. We are witnessing a wholly disturbing state of humanity right now.

Much like Philip K. Dick’s darkly prophetic vision of a dystopian police state (which became the basis for Steven Spielberg’s futuristic thriller Minority Report) we are now trapped in a world in which the government is all-seeing, all-knowing, and all-powerful, and if you dare to step out of line, dark-clad police SWAT teams and pre-crime units will crack a few skulls to bring the populace under control. Violence and government dominance rule over the masses and they are completely accepting and willing participants in their own enslavement.

What many fail to realize is that the government is not operating alone. It cannot. The government requires an accomplice. Thus, the increasingly complex security needs of the massive federal government, especially in the areas of defense, surveillance and data management, have been met within the corporate sector, which has shown itself to be a powerful ally that both depends on and feeds the growth of governmental overreach.

In fact, Big Tech wedded to Big Government has become Big Brother, and we are now ruled by the Corporate Elite whose tentacles have spread worldwide. For example, USA Today reports that five years after the 9/11 terrorist attacks, the homeland security business was booming to such an extent that it eclipsed mature enterprises like movie-making and the music industry in annual revenue. This security spending to private corporations such as Google, Amazon, Microsoft, and others is forecast to exceed $1 trillion in the near future.

The government now has at its disposal technological arsenals so sophisticated and invasive as to render any constitutional protections null and void. Spearheaded by the NSA, which has shown itself to care little to nothing for constitutional limits or privacy, the “security/industrial complex”—a marriage of government, military and corporate interests aimed at keeping Americans under constant surveillance—has come to dominate the government and our lives. At three times the size of the CIA, constituting one-third of the intelligence budget and with its own global spy network to boot, the NSA has a long history of spying on Americans, whether or not it has always had the authorization to do so. – John W. Whitehead, The Rutherford Institute

Orwell understood what many Americans, caught up in their partisan flag-waving, are still struggling to come to terms with: that there is no such thing as a government organized for the good of the people. Even the best intentions among those in government inevitably give way to the desire to maintain power and control over the citizenry at all costs.

We know what no one ever seizes power with the intention of relinquishing it. Power is not a means; it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship. The object of persecution is persecution. The object of torture is torture. The object of power is power. Now you begin to understand me. –George Orwell, 1984

We have been reduced to a cowering citizenry which is rendered mute in the face of elected officials who refuse to represent us, helpless in the face of police brutality, powerless in the face of militarized tactics and technology that treat us like enemy combatants on a battlefield, and naked in the face of government surveillance that sees and hears all. We have nowhere left to go. We have, so to speak, gone from being a nation where privacy is king to one where nothing is safe from the prying eyes of the government.

We are living in Orwell’s dystopian predicted future. John W. Whitehead poses the question: So how do you survive in the American surveillance state?

The truth is that we’re running out of options. As Whitehead makes clear in his book Battlefield America: The War on the American People, that we will all soon have to choose between self-indulgence (the bread-and-circus distractions offered up by the news media, politicians, sports conglomerates, entertainment industry, etc.) and self-preservation in the form of renewed vigilance about threats to our freedoms and active engagement in self-governance.

You Want a Picture of the Future? Imagine a Boot Stamping on Your Face

Posted on September 6, 2017 by Reid Mukai

By John W. Whitehead

Source: The Rutherford Institute

“The Internet is watching us now. If they want to. They can see what sites you visit. In the future, television will be watching us, and customizing itself to what it knows about us. The thrilling thing is, that will make us feel we’re part of the medium. The scary thing is, we’ll lose our right to privacy. An ad will appear in the air around us, talking directly to us.”—Director Steven Spielberg, Minority Report

We have arrived, way ahead of schedule, into the dystopian future dreamed up by such science fiction writers as George Orwell, Aldous Huxley, Margaret Atwood and Philip K. Dick.

Much like Orwell’s Big Brother in 1984, the government and its corporate spies now watch our every move.

Much like Huxley’s A Brave New World, we are churning out a society of watchers who “have their liberties taken away from them, but … rather enjoy it, because they [are] distracted from any desire to rebel by propaganda or brainwashing.”

Much like Atwood’s The Handmaid’s Tale, the populace is now taught to “know their place and their duties, to understand that they have no real rights but will be protected up to a point if they conform, and to think so poorly of themselves that they will accept their assigned fate and not rebel or run away.”

And in keeping with Philip K. Dick’s darkly prophetic vision of a dystopian police state—which became the basis for Steven Spielberg’s futuristic thriller Minority Report which was released 15 years ago—we are now trapped into a world in which the government is all-seeing, all-knowing and all-powerful, and if you dare to step out of line, dark-clad police SWAT teams and pre-crime units will crack a few skulls to bring the populace under control.

Minority Report is set in the year 2054, but it could just as well have taken place in 2017.

Seemingly taking its cue from science fiction, technology has moved so fast in the short time since Minority Report premiered in 2002 that what once seemed futuristic no longer occupies the realm of science fiction.

Incredibly, as the various nascent technologies employed and shared by the government and corporations alike—facial recognition, iris scanners, massive databases, behavior prediction software, and so on—are incorporated into a complex, interwoven cyber network aimed at tracking our movements, predicting our thoughts and controlling our behavior, Spielberg’s unnerving vision of the future is fast becoming our reality.

Both worlds—our present-day reality and Spielberg’s celluloid vision of the future—are characterized by widespread surveillance, behavior prediction technologies, data mining, fusion centers, driverless cars, voice-controlled homes, facial recognition systems, cybugs and drones, and predictive policing (pre-crime) aimed at capturing would-be criminals before they can do any damage.

We are increasingly ruled by multi-corporations wedded to the police state. Much of the population is either hooked on illegal drugs or ones prescribed by doctors. And bodily privacy and integrity has been utterly eviscerated by a prevailing view that Americans have no rights over what happens to their bodies during an encounter with government officials, who are allowed to search, seize, strip, scan, spy on, probe, pat down, taser, and arrest any individual at any time and for the slightest provocation.

All of this has come about with little more than a whimper from a clueless American populace largely comprised of nonreaders and television and internet zombies. But we have been warned about such an ominous future in novels and movies for years.

The following 15 films may be the best representation of what we now face as a society.

Fahrenheit 451 (1966). Adapted from Ray Bradbury’s novel and directed by Francois Truffaut, this film depicts a futuristic society in which books are banned, and firemen ironically are called on to burn contraband books—451 Fahrenheit being the temperature at which books burn. Montag is a fireman who develops a conscience and begins to question his book burning. This film is an adept metaphor for our obsessively politically correct society where virtually everyone now pre-censors speech. Here, a brainwashed people addicted to television and drugs do little to resist governmental oppressors.

2001: A Space Odyssey (1968). The plot of Stanley Kubrick’s masterpiece, as based on an Arthur C. Clarke short story, revolves around a space voyage to Jupiter. The astronauts soon learn, however, that the fully automated ship is orchestrated by a computer system—known as HAL 9000—which has become an autonomous thinking being that will even murder to retain control. The idea is that at some point in human evolution, technology in the form of artificial intelligence will become autonomous and that human beings will become mere appendages of technology. In fact, at present, we are seeing this development with massive databases generated and controlled by the government that are administered by such secretive agencies as the National Security Agency and sweep all websites and other information devices collecting information on average citizens. We are being watched from cradle to grave.

Planet of the Apes (1968). Based on Pierre Boulle’s novel, astronauts crash on a planet where apes are the masters and humans are treated as brutes and slaves. While fleeing from gorillas on horseback, astronaut Taylor is shot in the throat, captured and housed in a cage. From there, Taylor begins a journey wherein the truth revealed is that the planet was once controlled by technologically advanced humans who destroyed civilization. Taylor’s trek to the ominous Forbidden Zone reveals the startling fact that he was on planet earth all along. Descending into a fit of rage at what he sees in the final scene, Taylor screams: “We finally really did it. You maniacs! You blew it up! Damn you.” The lesson is obvious here, but will we listen? The script, although rewritten, was initially drafted by Rod Serling and retains Serling’s Twilight Zone-ish ending.

THX 1138 (1970). George Lucas’ directorial debut, this is a somber view of a dehumanized society totally controlled by a police state. The people are force-fed drugs to keep them passive, and they no longer have names but only letter/number combinations such as THX 1138. Any citizen who steps out of line is quickly brought into compliance by robotic police equipped with “pain prods”—electro-shock batons. Sound like tasers?

A Clockwork Orange (1971). Director Stanley Kubrick presents a future ruled by sadistic punk gangs and a chaotic government that cracks down on its citizens sporadically. Alex is a violent punk who finds himself in the grinding, crushing wheels of injustice. This film may accurately portray the future of western society that grinds to a halt as oil supplies diminish, environmental crises increase, chaos rules, and the only thing left is brute force.

Soylent Green (1973). Set in a futuristic overpopulated New York City, the people depend on synthetic foods manufactured by the Soylent Corporation. A policeman investigating a murder discovers the grisly truth about what soylent green is really made of. The theme is chaos where the world is ruled by ruthless corporations whose only goal is greed and profit. Sound familiar?

Blade Runner (1982). In a 21st century Los Angeles, a world-weary cop tracks down a handful of renegade “replicants” (synthetically produced human slaves). Life is now dominated by mega-corporations, and people sleepwalk along rain-drenched streets. This is a world where human life is cheap, and where anyone can be exterminated at will by the police (or blade runners). Based upon a Philip K. Dick novel, this exquisite Ridley Scott film questions what it means to be human in an inhuman world.

Nineteen Eighty-Four (1984). The best adaptation of Orwell’s dark tale, this film visualizes the total loss of freedom in a world dominated by technology and its misuse, and the crushing inhumanity of an omniscient state. The government controls the masses by controlling their thoughts, altering history and changing the meaning of words. Winston Smith is a doubter who turns to self-expression through his diary and then begins questioning the ways and methods of Big Brother before being re-educated in a most brutal fashion.

Brazil (1985). Sharing a similar vision of the near future as 1984 and Franz Kafka’s novel The Trial, this is arguably director Terry Gilliam’s best work, one replete with a merging of the fantastic and stark reality. Here, a mother-dominated, hapless clerk takes refuge in flights of fantasy to escape the ordinary drabness of life. Caught within the chaotic tentacles of a police state, the longing for more innocent, free times lies behind the vicious surface of this film.

They Live (1988). John Carpenter’s bizarre sci-fi social satire action film assumes the future has already arrived. John Nada is a homeless person who stumbles across a resistance movement and finds a pair of sunglasses that enables him to see the real world around him. What he discovers is a world controlled by ominous beings who bombard the citizens with subliminal messages such as “obey” and “conform.” Carpenter manages to make an effective political point about the underclass—that is, everyone except those in power. The point: we, the prisoners of our devices, are too busy sucking up the entertainment trivia beamed into our brains and attacking each other up to start an effective resistance movement.

The Matrix (1999). The story centers on a computer programmer Thomas A. Anderson, secretly a hacker known by the alias “Neo,” who begins a relentless quest to learn the meaning of “The Matrix”—cryptic references that appear on his computer. Neo’s search leads him to Morpheus who reveals the truth that the present reality is not what it seems and that Anderson is actually living in the future—2199. Humanity is at war against technology which has taken the form of intelligent beings, and Neo is actually living in The Matrix, an illusionary world that appears to be set in the present in order to keep the humans docile and under control. Neo soon joins Morpheus and his cohorts in a rebellion against the machines that use SWAT team tactics to keep things under control.

Minority Report (2002). Based on a short story by Philip K. Dick and directed by Steven Spielberg, the setting is 2054 where PreCrime, a specialized police unit, apprehends criminals before they can commit the crime. Captain Anderton is the chief of the Washington, DC, PreCrime force which uses future visions generated by “pre-cogs” (mutated humans with precognitive abilities) to stop murders. Soon Anderton becomes the focus of an investigation when the precogs predict he will commit a murder. But the system can be manipulated. This film raises the issue of the danger of technology operating autonomously—which will happen eventually if it has not already occurred. To a hammer, all the world looks like a nail. In the same way, to a police state computer, we all look like suspects. In fact, before long, we all may be mere extensions or appendages of the police state—all suspects in a world commandeered by machines.

V for Vendetta (2006). This film depicts a society ruled by a corrupt and totalitarian government where everything is run by an abusive secret police. A vigilante named V dons a mask and leads a rebellion against the state. The subtext here is that authoritarian regimes through repression create their own enemies—that is, terrorists—forcing government agents and terrorists into a recurring cycle of violence. And who is caught in the middle? The citizens, of course. This film has a cult following among various underground political groups such as Anonymous, whose members wear the same Guy Fawkes mask as that worn by V.

Children of Men (2006). This film portrays a futuristic world without hope since humankind has lost its ability to procreate. Civilization has descended into chaos and is held together by a military state and a government that attempts to keep its totalitarian stronghold on the population. Most governments have collapsed, leaving Great Britain as one of the few remaining intact societies. As a result, millions of refugees seek asylum only to be rounded up and detained by the police. Suicide is a viable option as a suicide kit called Quietus is promoted on billboards and on television and newspapers. But hope for a new day comes when a woman becomes inexplicably pregnant.

Land of the Blind (2006). This dark political satire is based on several historical incidents in which tyrannical rulers were overthrown by new leaders who proved just as evil as their predecessors. Maximilian II is a demented fascist ruler of a troubled land named Everycountry who has two main interests: tormenting his underlings and running his country’s movie industry. Citizens who are perceived as questioning the state are sent to “re-education camps” where the state’s concept of reality is drummed into their heads. Joe, a prison guard, is emotionally moved by the prisoner and renowned author Thorne and eventually joins a coup to remove the sadistic Maximilian, replacing him with Thorne. But soon Joe finds himself the target of the new government.

All of these films—and the writers who inspired them—understood what many Americans, caught up in their partisan, flag-waving, zombified states, are still struggling to come to terms with: that there is no such thing as a government organized for the good of the people. Even the best intentions among those in government inevitably give way to the desire to maintain power and control at all costs.

Eventually, as I point out in my book Battlefield America: The War on the American People, even the sleepwalking masses (who remain convinced that all of the bad things happening in the police state—the police shootings, the police beatings, the raids, the roadside strip searches—are happening to other people) will have to wake up.

Sooner or later, the things happening to other people will start happening to us and our loved ones.

When that painful reality sinks in, it will hit with the force of a SWAT team crashing through your door, a taser being aimed at your stomach, and a gun pointed at your head. And there will be no channel to change, no reality to alter, and no manufactured farce to hide behind.

As George Orwell warned, “If you want a picture of the future, imagine a boot stamping on a human face forever.”

Future Crimes

Posted on January 12, 2017 by Reid Mukai

By John Steppling

Source: CounterPunch

“Precrime Analytical Wing: Contains the precognitives and the machinery needed to hear and analyze their predictions of future crimes.”

Philip K. Dick, Minority Report

“I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro’s great stumbling block in his stride toward freedom is not the White Citizen’s Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to “order” than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice…”

Martin Luther King

“The intellectuals are the dominant group’s ‘deputies,’ exercising the subaltern functions of social hegemony and political government”.

Gramsci

There was a jaw dropping but not unexpected article at The Guardian this week. It was actually part of a series of pieces at that paper that have sought to manufacture a legacy for Obama, the outgoing president, since his actual legacy is one of imperialist foreign policy, CIA support of jihadists, right wing coups, and most acutely, perhaps, a massive subverting of free speech and civil liberties. What Robert Parry has called a ‘war on dissent’. The Guardian piece took the form of asking novelists, public intellectuals {sic} and TV hacks what they perceived to be Obama’s legacy — and even the use of that word, *legacy* is a loaded indicator of the direction this piece was headed. What struck me most was not the predictable support for Obama policy (more on that later) but the utter banality of the writing. There were writers in this group who I have admired (Richard Ford for one, Marilynne Robinson, as well) but the sentiments were so stupefyingly superficial, so fatuous and fawning that it was hard not to see this as a kind of mini referendum on the state of Western culture.

Joyce Carol Oates (for whom ten words is usually better than the right word) described Obama as…“Brilliant and understated, urbane, witty, compassionate, composed..”. Siri Hutsvedt (who honestly I had to look up…finding her most notable achievement was being married to Paul Auster) wrote…“For eight years, we have been represented by an elegant, well-spoken, funny, highly educated, moderate, morally upright, preternaturally calm black man”. Richard Ford wrote…“This cold morning, when I think about Obama, immersed in what must be a decidedly mixed brew of emotions – mixed about his deeds, mixed about his effects on the US, decidedly mixed about our future – I’m confident he is thinking, right to his last minute in the office, as the president, and not much about, or for, himself. That’s what I expected when I voted for him – that he’d be a responsible public servant who’d try to look out for the entire country.” I know, I know, but that’s what he wrote. Look it up if you don’t believe me. Perhaps this is what a career of University teaching does to one. Edmund White called him one of our great presidents (love the use of *our*).

Jane Smiley, who at the least mentioned TPP and drones, but ended with…“As a national leader, he has engendered more chaos, but it is necessary chaos – a loud and meaningful return to the question of what constitutes the real America.” A necessary chaos? The fuck does that mean? I ask that sincerely, sort of. By the time I reached the end of this saccharine mind numbing bathos I thought back to the 1968 Democratic Convention and to Esquire Magazine, in its golden era, who sent William Burroughs, Jean Genet, Terry Southern and John Sack to cover the convention. I thought back to Robert Bly and his organizing of Writers against the Vietnam war. The readings he gave with Galway Kinnell and Ginsburg, and a dozen others. And to the way Bly spoke of art and the role of art in a society. In an interview with Michael Ventura, around the time of the Iraq invasion…

Bly:I don’t think we believe that a Great Mother is lying to us. It’s a father who’s lying to us. Thee whole system, in a way, is a father system. Ventura: It’s a patriarchy, so it’s a father who’s lying. Bly: Exactly. And we eventually get the sense that our own father is lying to us. { } Whenever you have a culture completely run by gross capitalism, all of the gods are driven away. Well, then what? What does that mean when those gods are not present?

Later Bly says…

“When I talk about the world being mad, I tell people, “You won’t believe how bad television is going to be in ten years. You’re going to literally have to protect your children from it.” And we’re not going to be able to change that. The only thing we can do is recognize that it’s mad, and reach inside ourselves and bring out our own genuine madness in the form of art, and then teach our children to do the same.”

In 68, a corporate owned magazine, and hardly a socialist magazine, thought it reasonable to ask Genet or Burroughs to discuss a political convention. I mean even Norman Mailer wrote intelligently on Kennedy for Esquire, and Mailer isn’t exactly Gramsci. My point is, or I hope my first point, is that it is not always crucial to demand ideological analysis. For art’s radical nature is outside ideology. Just speaking from a radical perspective, an anti bourgeois perspective, can be enough. But in 1968 the U.S. still had artists. What artist could you invite today? What public intellectual? The Guardian picked Sarah Churchwell (who again, I’d never heard of) who wrote…

“The Obamas changed the rules for what it means to inhabit the White House, and not only because they were the first black family to do so. They were also the first modern family to do so, to be informal yet classy, upright yet kind, and, most important, themselves.”

That’s it then, just be yourself. But the lesson here, if there is one, is that the radical tradition in American life has been rendered invisible. Just as the history of labor and unions and strikes has been erased. There are plenty of great artists out there, actually. Tons of intellectuals, but they aren’t invited by corporate media. Was anyone from Black Agenda Report asked to comment? Or from, well, CounterPunch? Was Harry Belefonte asked? The manufacturing of an image of a culture, rather than an actual culture, is what organs of disinformation such as The Guardian are in the business of doing. And this is also what Hollywood does, of course. Look at the stuff that gets on in the flagship theatres of the U.S. What is the season at Lincoln Center? Does it matter? No, it really doesn’t. And running across all of this discussion is the question of class. In fact, that may be the most important aspect in all of this. The working class voice is erased. In total. And this is hugely significant. Even fifty years ago the stages of American theatres were filled by work from playwrights who did not have MFAs. Novels were written by criminals and outsiders. This is no less true, really, in the U.K. From Brendan Behan to Martin Amis is the road travelled. Now of course one can site exceptions to this, I think anyway. There are always celebrity outsiders, branded renegades. Usually this takes the form of a confessional. My time on oxycodone while writing Sit Coms. I was a teenage prostitute and was addicted to anti depressants, but then I found a higher power. But god forbid you express condemnation of the bourgeoisie. For that is the greatest of all crimes.

When I worked in Hollywood, I felt the class estrangement acutely. But I did get work and had some modest success. And I remember when a major cable producer of the era asked me, during a pitch meeting, for the names of writers I thought would be good to employ for an anthology series they wanted to put together. I said, well, Iceberg Slim (Robert Beck) and John Rechy. A silence fell on the room. I was very very naive. Hollywood today seems infested with lawyers, former political interns, and business school graduates. Most from Ivy league schools. And the world that is manufactured is one that reflects their class. And the effect this has had is to alienate the younger artists who do not come from affluent backgrounds. It has also normalized the a vision of the world that belongs to perhaps ten per cent of the population. The rest are strangers in their own land. Strangers to the official sanctioned culture. And in that sense, Hollywood has sort of merged with Madison Avenue.

The class divide is being starkly revealed this last few months. And it has also served to put in stark relief the real impetus of U.S. foreign policy (and to domestic policy, too, only not as drastically). After WW2 and the formation of the CIA, the shaping of a political intention was being finalized. This came from George Kennan and the Dulles Brothers. And Henry Kissinger was the premier exemplar of this thinking. Kissinger, who supported the Shah and his death squads in Iran, and chaired the Presidential Commission on Central America in the 1980s,(employing Ollie North) and which unleashed an unimaginable terror on that region, and who orchestrated the Pinochet coup in Chile to protect ITT and, as a side bar, to teach a lesson to any government not readily obedient. This has been the seamless and never changing foreign policy of the U.S. for seventy some years. Punish the disobedient (meaning anything smacking of socialism or any nation even the tiniest bit resistant to Western business) and to continue toward global hegemony, and at the same time perpetuating conflicts which make both defense contractors and giant service providers such as Halliburton a lot of money.

The U.S. has cultivated compliant nations (Australia, the U.K. most notably) to enforce its policy (think East Timor, Iraq and Libya et al) and now owns a complient organization with international standing: NATO. And NATO serves as a legitimizing international (sic) institution of pacification.

John Pilger writes…

“The other day, an Indonesian friend took me to his primary school where, in October 1965, his teacher was beaten to death, suspected of being a communist. The murder was typical of the slaughter of more than a million people: teachers, students, civil servants, peasants. Described by the CIA as “one of the worst mass murders of the 20th century”, it brought to power the dictator Suharto, the west’s man. Within a year of the bloodbath, Indonesia’s economy was redesigned in America, giving western capital access to vast mineral wealth, markets and cheap labour. “

Stephan Gowans writes…

“The United States had waged a long war against Syria from the very moment the country’s fiercely independent Arab nationalist movement came to power in 1963. Assad and his father Hafez al-Assad were committed to that movement. Washington sought to purge Arab nationalist influence from the Syrian state and the Arab world more broadly. It was a threat to Washington’s agenda of establishing global primacy and promoting business-friendly investment climates for US banks, investors and corporations throughout the world.”

The rise of the neo cons, which rather officially began with Project for a New American Century (just prior to Bush Jr’s presidency) was really just an extension of that original plan for global domination. At that time this was articulated by a seething nearly hysterical hatred of the Soviet Union. And the structural aspect of this remains in place with today’s rabid and massive propaganda campaign directed at Putin. And indeed even on the left one hears the echoes of a Russophobic sensibility. It is as if these faux leftists can not allow a critique of U.S. imperialism (in Syria for example) without off handedly smearing Russia, too. One need only look at who is surrounding whom with military bases. And the same holds true, with slightly less hysteria, for China.

In 2012 Ed Herman, speaking in a radio interview, said

“…humanitarian intervention {has} been used strictly for the interests of the United States and other Western powers and Israel. Strictly. So there’s no intervention in Saudi Arabia or Israel or Yemen or Bahrain. There was none in Egypt…And there was Egypt, here you had a miserable dictator for decades, and then you had an uprising where a lot of people were being beaten and killed in the streets, and you never had Mrs. Clinton ever asking for any application of humanitarian intervention. Not once. Never. They’re getting away with the most unbelievable double standard imaginable.”

This is, none of it, new. And yet, despite the obvious record of Obama in furthering exactly this world vision, the liberal organs of *real* news continue to paint their revisionist narratives of American heroism and goodness. And it is breathtaking in a way to read this new class of quisling artist, the court eunuchs for the Democratic Party establishment. And Obama’s apparent anger and petulance belies, certainly, descriptions such as ‘preternaturally calm’, and ‘dignified’. But there is a thread of liberal guilt running through this as well. Obama’s race (and his perfect wife and kids — and one longs for Ron Reagan Jr or to go back to James Madison’s son John, and shit, even the Bush girls might be a relief from these Stepford children.) is the psychological glue for a visibly excessive adoration. And this is a white liberal class that is haunted, I suspect, in their heart of hearts, by the knowledge of their own privilege and that that privilege has resulted in oceans of blood, and the knowledge, if they were ever to question themselves, that they would sell out anyone to retain that privilege. They love Obama and Obama is black, therefore…etc.

As Ajamu Baraka noted

“In the face of the Neo-McCarthyism represented by this legislation and the many other repressive moves of the Obama administration to curtail speech and control information — from the increased surveillance of the public to the use of the espionage act to prosecute journalists and whistleblowers — one would reasonably assume that forces on the left would vigorously oppose the normalization of authoritarianism, especially in this period of heightened concerns about neo-fascism. Unfortunately, the petit-bourgeois “latte left” along with their liberal allies have been in full collaboration with the state for the past eight years, with the predictable result that no such alarm was issued, nor has any critique or even debate been forthcoming.”

The openly Imperialist U.S. state has tortured, illegally kidnapped, and simply murdered both leaders of sovereign states as well as countless innocent victims. That Samantha Power’s motorcade in rushing through a village in Cameroon happened to run over a ten year old boy, and didn’t stop — this barely made the evening news at all (but hey, they did send the family fifteen hundred dollars by way of an apology). They have acted covertly to destabilize governments and have manufactured enemies at a rate that is staggering to contemplate. Obama’s tight relationship with the most odious autocratic and murderous country on earth, Saudi Arabia, speaks to the cynicism of the political elite.

And yet, the artistic communities by and large continue to focus on identity issues (once they have attended to their career moves and spoken with their agents), most of which affect their own class. The dire suffering of the poor makes good voyeuristic source material, but the segregation of classes is enforced zealously. Token exceptions are simply that.

How is it possible to become so alarmed by Trump, while supporting Democrats? Those millions on the street protesting the looming invasion of Iraq must have noticed that every single Democrat in government voted FOR the invasion (save for the honorable Barbara Lee). And yet here they all are wringing their hands in dismay that Hillary lost. Here they are constantly repeating the litanies of Trump evil and never noticing the crimes of earlier democratic presidents and administrations. So, yes Trump’s appointments are awful. But I refuse to even dig into that until a discussion of Obama’s appointments are dissected. First came Rahm Emanuel, former memeber of the IDF, all around thug and bully and lover of never ending war to help expand Israeli power. Penny Pritzker, heiress and elitist and friend to the 1%, or Robert Rubin or Tim Geithner (!!!) or Tom Daschle, the senator from Citibank. I’m just scratching the surface. Joe Biden and Hillary Clinton. The point is that I am coming to feel that almost any focus on Trump feels misplaced. Certainly now it does since he isn’t even president yet. The deconstruction of liberal Obama is far from complete and the propaganda apparatus is working overtime to rewrite not just recent history, but the present. And the anti Russian propaganda is so absurd, so transparent, that this feels far more important than the predictable stupidity of Trump. I mean Obama is massing troops near the Russian border. Obama is ramping up the building of purpose built navel bases near China. Obama is still looking to prosecute Chelsea Manning and every other whistleblower. And he is still signing draconian legislation to curb free speech and institutionalize legitimacy for the new McCarthyism. Talking about Trump is a form of forgetting. I can’t do it. And if there is an easier target for parody or even non parodic narrative than Donald Trump, I havent met them. And easy is never an act of rigorous self examination.

Thomas Bates writes, discussing Gramsci…

“Gramsci retained a skepticism towards these alienated fils de bourgeois, a skepticism which was not, however, mere prejudice, but was an historical judgment informed by the experience of the Italian labor movement. How was one to explain the passing of entire groups of left-wing intellectuals into the enemy camp? More precisely, how was one to explain the phenomena of socialists entering into bourgeois governments and of revolutionary syndicalists entering into the nationalist and then the Fascist movement? Gramsci viewed these puzzling events as the continuation on a mass scale of the ‘trasformismo’ of the nineteenth century. The “generation gap” within the ruling class had resulted in a large influx of bourgeois youth into the popular movements, especially during the turbulent decade of the 1890’s. But in the war-induced crisis of the Italian State in the early twentieth century, these prodigal children returned to the fold…”

And Gramsci adds..

“The bourgeoisie fails to educate its youth (struggle of generations). The youth allow themselves to be culturally attracted by the workers, and right away they … try to take control of them (in their “unconscious” desire to impose the hegemony of their own class on the people), but during historical crises they return to the fold.”

White affluent self identifying liberals believe they are the decision makers. That is their destiny. They believe that. One must build a new culture. Not endlessly ratify a decrepit and atrophying one. One must stop perceiving *liberals* as being on the side of change. For they are not. Guy Debord began his situationist masterpiece (1967) by quoting Feuerbach, Preface to the second edition of The Essence of Christianity:

“But certainly for the present age, which prefers the sign to the thing signified, the copy to the original, representation to reality, the appearance to the essence… illusion only is sacred, truth profane. Nay, sacredness is held to be enhanced in proportion as truth decreases and illusion increases, so that the highest degree of illusion comes to be the highest degree of sacredness. “

John Steppling is an original founding member of the Padua Hills Playwrights Festival, a two-time NEA recipient, Rockefeller Fellow in theatre, and PEN-West winner for playwriting. Plays produced in LA, NYC, SF, Louisville, and at universities across the US, as well in Warsaw, Lodz, Paris, London and Krakow. Taught screenwriting and curated the cinematheque for five years at the Polish National Film School in Lodz, Poland. A collection of plays, Sea of Cortez & Other Plays was published in 1999, and his book on aesthetics, Aesthetic Resistance and Dis-Interest was published this year by Mimesis International.

	Reid Mukai on Saturday Matinee: Wizards
	Lara/Trace on Saturday Matinee: Wizards
	Lara/Trace on Saturday Matinee: From He…
	lobotero on Saturday Matinee: From He…
	Lara/Trace on Saturday Matinee: The Wicker…

After the Crash

Dispatches From a Long Recovery (Est. 10/2024)

Tag Archives: Minority Report

You Want a Picture of the Future? Imagine a Boot Stamping on Your Face