Why We Need Dystopian Fiction Now More Than Ever

Posted on August 2, 2020 by Reid Mukai

By August Cole and P.W. Singer

Source: Slate

It hits you every so often.

When you when you tug on a face mask to go pick up food for your family.

When you witness the powerless suffer casual violence by a man with a sneer.

When you see riot police surround the Lincoln Memorial and protesters snatched off the streets by masked soldiers in unmarked cars.

And when you realize that it is all being watched by an unblinking eye of A.I. surveillance.

At times, it feels like we are living in a real-world version of dystopia. The strange outcome, though, is that it means we need dystopian fiction now more than ever, to help us sort and even make it through it.

You’d think with everything going on, now would be the last time to escape to a world of darkness. And yet books, including those of awful imagined worlds, are in deep demand.
Some of it has been a return to old classics. In a period of disease and lockdowns lasting for weeks, booksellers report the seeming irony that Albert Camus’ The Plague and Gabriel García Márquez’s One Hundred Years of Solitude have seen renewed demand. And some of it has been escaping into new worlds, as with Divergent author Veronica Roth taking readers into another post-apocalypse with her new novel Chosen Ones. People have even been willing to enter imagined worlds that seem not too far away, such as Lawrence Wright’s best-selling pandemic thriller The End of October.

Yet the value of the genre is as much in education as entertainment. It can elucidate dangers, serving the role of warning and even preparation. Think of the recent resonance of Margaret Atwood’s 1985 Handmaid’s Tale and its 2020 sequel The Testaments or the revival of interest in It Can’t Happen Here by Sinclair Lewis in 1935. These are finely written works, not as indulgences, but as a pure expression of the idea that to be forewarned is to be forearmed. Even Susan Collins’ Hunger Games prequel, The Ballad of Songbirds and Snakes, might be interpreted in that light, showing how authoritarian rule can originate through the manipulations of an ambitious striver.

Our personal corner of this dark market is the meld of imagination with research. For our book Burn-In: A Novel of the Real Robotic Revolution, we chose the setting of not a far-off imagined world like Panem or Gilead, but Washington, D.C., just around the corner. What happens as Silicon Valley’s visions of utopia hits our real, and very divided, country? What plays out in politics, business, and even family life as our economy is rewired by AI and automation? Yet to make our scenario more haunting, we back up everything that happens in it with 27 pages of endnotes.

When the scarier elements from an imagined world come to life in the real one, however, there is no gleeful “I told you so.” When the novel coronavirus accelerated the more widespread roll out of the robots, remote work, job automation, and AI surveillance projected in our book, we certainly weren’t happy. All it meant was that all the tough dilemmas that our characters face would come quicker for all of us. What was perhaps most disturbing of the last few weeks, though, were when some of the most dystopian scenes we had painted of a future Washington, D.C., also came true, from our book’s scene of riot police deployed around the Lincoln Memorial to the militarized fence thrown up around the White House being put exactly where we had it in Burn-In.

Yet what makes dystopian fiction different is that its creators are oddly optimists at heart, as we are. These works are not about prediction, but prevention. The stories warn of just how far things can go if action isn’t taken, wrapped in a package that is far more impactful than a white paper or PowerPoint. Indeed, research shows that narrative, the oldest communication technology of all, holds more sway over both the public and policymakers than even the “most canonical academic sources.” Our minds can’t help but connect to the “synthetic environment” that our fictional heroes and villains experience, living part of our lives through theirs, even if imagined.

Most importantly, though, the dark worlds are only the setting. The stories are really about the agency of the people in them. And that is perhaps the true value of the dystopian fiction. These stories are not about what those characters experience so much as how they act. At the heart of every story of darkness is a story of perseverance.

As we face our own difficult journeys through the reality of 2020, it is perhaps that lesson which is most important of all.

This Is a Financial Extinction Event

Posted on July 28, 2020 by Reid Mukai

By Charles Hugh Smith

Source: Of Two Minds

The lower reaches of the financial food chain are already dying, and every entity that depended on that layer is doomed.

Though under pressure from climate change, the dinosaurs were still dominant 65 million year ago–until the meteor struck, creating a global “nuclear winter” that darkened the atmosphere for months, killing off most of the food chain that the dinosaurs depended on. (See chart below.)

The ancestors of modern birds were one of the few dinosaur species to survive the extinction event, which took months to play out.

It wasn’t the impact and shock wave that killed off dinosaurs globally–it was the “nuclear winter” that doomed them to extinction. As plants withered, the plant-eating dinosaurs expired, depriving the predator dinosaurs of their food supply.

This is a precise analogy for the global economy, which is entering a financial “nuclear winter” extinction event. As I’ve been discussing for the past few months, costs are sticky but revenues and profits are on a slippery slope.

Businesses still have all the high fixed costs of 2019 but their revenues are sliding as the “nuclear winter” weakens consumer spending, investment in new capacity, etc.

Despite all the hoopla about a potential vaccine, no vaccine can change four realities: one, consumer sentiment has shifted from confidence to caution and from spending freely to saving. This is the financial equivalent of “nuclear winter”: there is no way to return to the pre-impact environment.

Two, uncertainty cannot be dissipated, either. There are no guarantees a vaccine will be 99% effective, that it will last more than a few months, that it won’t have side-effects, etc. There are also no guarantees that consumers will resume their care-free spending ways as credit tightens, incomes decline, risks emerge and the need for savings becomes more compelling.

Three, consumer behavior and uncertainty have already changed, and so businesses that cannot survive on much lower revenues won’t last long enough to emerge from the “nuclear winter” of uncertainty and a shift in sentiment.

Four, assets based on 2019 revenues, profits and demand are now horrendously overvalued, and the repricing of all assets will bring down the predators, i.e. the banks.

As I’ve noted here before, the top 10% of households account for almost 50% of consumer spending. These households are older, and own the majority of assets –between 80% and 90% of stocks, bonds, business equity, rental real estate, etc. This is the demographic with the most to lose in returning to care-free air travel, jamming into crowded venues and cafes, etc.

This demographic has “been there, done that” and foregoing fine dining, sports events, concerts, cruises, etc. is not much a burden and may actually be a relief.

Meanwhile, the entire food chain of landlords, banks, local government, employees, etc. depends on enterprises returning to 100% of 2019 revenues. As tenants stop paying rent, landlords default on mortgages, sending banks into insolvency, leaving local government with less tax revenues and employees with fewer job prospects.

To a degree few appreciate, the “recovery” since 2009 has been dependent on over-spending, over-borrowing and over-speculating: as spending, borrowing and speculation all pull back to what would have been “normal” levels two generations ago, the economy collapses because it’s become completely dependent on over-spending, over-borrowing and over-speculating.

As consumers and businesses retrench, borrowing declines while defaults and bankruptcies eviscerate bank profits and balance sheets. As spending declines, businesses with high fixed costs and pre-pandemic business models (crowding people together in close quarters, etc.) cannot generate enough revenues to survive. As the collateral of commercial real estate and profit streams collapse, assets are repriced all down the food chain, reversing the wealth effect: as people feel poorer, they borrow and spend less, creating a feedback loop of lower valuations, lower spending, lower profits, lower borrowing all of which feed back into each other, pushing everything lower.

The lower reaches of the financial food chain are already dying, and every entity that depended on that layer is doomed: the small business die-off will bring down distributors, banks, landlords, and employment, and as the this layer collapses then the top predators will starve to death as well: Big Tech, healthcare, higher education, tourism, local tax revenues, etc.

The clouds are spreading and thickening, and the dawn sky is tinted an ominous red. This is a financial extinction event, and the Fed’s pathetic shamans can’t reverse history.

Masked, Homeless, and Desolate

Posted on July 27, 2020 by Reid Mukai

By Edward Curtin

Source: Off-Guardian

Personality is persona, a mask…The mask is magic…Larva means mask; or ghost…it also means mad, a case of demoniacal possession.”
Norman O. Brown, Love’s Body

Walk the streets in the United States and many countries these days and you will see streaming crowds of people possessed by demons, masked and anonymous, whose eyes look like vacuums, staring into space or out of empty sockets like the dead, afraid of their own ghosts. Fear and obedience oozes from them. Death walks the streets with people on leashes in lockstep.

That they have been the victims of a long-planned propaganda campaign to use an invisible virus to frighten them into submission and shut down the world’s economy for the global elites is beyond their ken. This is so even when the facts are there to prove otherwise.

It is a clear case, as Peter Koenig tells Michel Chossudovsky in this must-see interview, that is not a conspiracy theory but a blatant factual plan spelled out in the 2010 Rockefeller Report, the October 18, 2019 Event 201, and Agenda 21, among other places.

Who can wake the sleepwalkers up in this cowardly new world where culture and politics collude to create and exploit ignorance?

Fifty-five years ago on, July 20, 1965, Bob Dylan released his song “Like a Rolling Stone.” It arrived like a rocking jolt into the placid pop musical culture of the day. It was not about wanting to hold someone’s hand or cry in the chapel. It wasn’t mumbo-jumbo like “Wooly Bully,” the number one hit. It wasn’t like the pop pap that dominates today’s music scene. It wasn’t Woody Guthrie in slow time.

It beat you up. It attacked. It confronted you. Maybe, if you were alive then, you thought Dylan was kidding you. You thought wrong. Bitching about his going electric was a dodge. He was addressing all of us, including himself.

Still is. But who wants to hear his recent “Murder Most Foul” and read Dylan’s scathing lyrics about the assassination of JFK, the killing that started the slow decay that has resulted in such masked madness. “And please, Don’t Let Me Be Misunderstood,” he tells us in capital letters for emphasis. Exactly what all the mainstream media have done, of course, and not by accident.

There are no alibis.

“How does it feel/To be on your own/with no direction home/A complete unknown/Like a rolling stone?”

It was in the mid-1960s when confidence in knowing where home was and how to get there disappeared into thin air. If you left mommy and daddy, could you ever get back from where you were going? Who had the directions?

Absolutes were melting and relativity was widespread. Life was wild and the CIA was planning to make it wilder and more confusing with the introduction of LSD on a vast scale. MKUltra was expanding its scope. Operation Mockingbird was singing so many tunes that heads were spinning, as planned.

The national security state killers were in the saddle, having already murdered President Kennedy and Malcolm X as they sharpened their knives for many more to come. The peace candidate, Lyndon Baines Johnson, had been elected nine months earlier with 61.1% of the popular vote and went immediately to work secretly expanding the war against Vietnam. War as an invisible virus. Who knew?

Who, but a small anti-war contingent, wanted to know?

War takes different forms, and the will to ignorance and historical amnesia endure. War is a disease. Disease is weaponized for war. In 1968 Richard Nixon was elected on a “secret plan” to end the Vietnam War and then ramped it up to monstrous proportions, only to be reelected in 1972 by carrying 49 out of 50 states.

Who wants to know now? The historian Howard Zinn once said correctly that this country’s greatest problem wasn’t disobedience but obedience.

What’s behind the masks? The lockstep?

On the same day that Dylan released “Like a Rolling Stone,” Secretary of Defense Robert McNamara, just back from a “fact-finding” trip to Vietnam, recommended to LBJ that U.S. troop levels in Vietnam be increased to 175,000 and that the U.S. should increase its bombing of North Vietnam dramatically.

This was the same McNamara who, in October 1963, had agreed with JFK when he signed NSAM 263 calling for the withdrawal of 1,000 military personnel from Vietnam by the end of 1963 and the remainder by the end of 1965. One of the moves that got Kennedy’s head blown open.

Poor McNamara, the fog of war must have clouded his conscience, confused the poor boy, just like Secretary of State Colin Powell holding up that vile vial of “anthrax” at the United Nations on February 5, 2003 and lying to the world about weapons of mass destruction in Iraq.

Powell recently said, “I knew I didn’t have any choice. He’s the President.” How “painful,” to use his word, it must have been for the poor guy, lying so that so many Iraqis could be slaughtered. Of course, he had no choice. These war criminals all wear masks. And have no choice.

Masks, or demonic possession, or both. You?

Also in that fateful year 1965, far out of sight and out of mind for most Americans, the CIA planned and assisted in the slaughter of more than a million Indonesians, led by their man, General Suharto. This led to the coup against President Sukarno, who two years earlier had been on good terms with JFK as they worked to solve the interrelated issues of Indonesia and Vietnam. Their meeting planned for early 1964 was cancelled in Dallas on November 22, 1963.

And the politicians and media luminaries came out in their masks and told the public that communists everywhere were out to get them.

It’s tough being on your own. It hurts to think too much. Or think for yourself, at least. To obey an authority higher than your bosses. “I was tricked” is some sort of mantra, is it not?

You never turned around to see the frowns on the jugglers and the clowns
When they all did tricks for you

Dylan was lost and disgusted when he wrote the song. His own music sickened him, which, for an artist, means he sickened himself. He had just returned from a tour of England and was sick of people telling him how much they loved his music when he didn’t. He needed to change.

What else is the point of art but change? If you’re dead, or afraid of getting dead, you aren’t going to change. You’re stuck. Stuck is dead. Why wear a mask if you know who you are?

Knowledge, or more accurately, pseudo-knowledge or mainstream media lies, is a tomb “the mystery tramp” sold to us, a place to hide to avoid pain and guilt.

I have read more books than anyone I know. It sickens me.
I know too much. That sickens me.
I sicken myself. All the news sickens me.
I know so much no one believes me.
As Francesco Serpico once told me: “It’s all lies.”
Of course. Dylan and Serpico are blood brothers.
Only art tells the truth. Real art.

Not bullshit pop art. Some say “Like a Rolling Stone” is about Edie Sedgwick, “the girl of the year” in 1965 and one of Andy Warhol’s superstars. Perhaps to a degree it is, but it’s far more than that. It’s about us.

Poor Edie was poisoned by her wealthy family at a young age and barely had a chance. She was an extreme example of a rather common American story. People poisoned in the cradle. Thinking of her got me thinking of Andy Warhol, the death obsessed hoarder, the guy who called his studio “The Factory” in a conscious or unconscious revelation of his art and persona, his wigs and masks and the hold he has had on American culture all these years. Isn’t he the ultimate celebrity?

Warhol once took my photo on a deserted street. His and my secret but this is the truth. West 47th Street on an early Sunday morning, 1980. I guess he thought he was doing art or collecting images for his museum of dead heads. When I asked him why, he said I had an interesting face.

I told him he did too, rather transparent and creepy, but I didn’t want to capture him. He was a ghost with a camera, a face like a death mask, trying to capture a bit of life. I told him I didn’t give him permission to shoot me, but he turned and walked away into the morning mist. The shooters always just walk away in pseudo-innocence.

I then went down the street to the Gotham Book Mart that was my destination and asked James Joyce why he had written “The Dead,” and Joyce, secretive as ever, quoted himself, “Ed,” he said, “Think you’re escaping and run into yourself. Longest way round is the shortest way home.” Now that was direction.

Only those who know how to play and be guided by intuition are able to escape the living tomb of so-called knowledge; what Dylan called, lifelessness. But that was from “Desolation Row,” released as the closing track of Highway 61 Revisited on August 30, 1965. The only acoustic song on the album. Slow it down to make the point another way. “Like a Rolling Stone” was the opening track.

Do you feel all alone or part of a masked gang roaming the streets incognito? Miss and Mr. Lonely, does that mask help? How do you feel?

Desolation means very lonely. From Latin, de, completely, solare, lonely.

Does that mask help? Do you feel alone together now, one of the crowd?

Do you really want to know about desolation row? It’s here. It was here in 1965, too. Only the true lonely know how it feels to really be all alone.

The Umbrella People, those who some call the deep state or secret government under whose protection all the politicians work, say they want to protect us all from death and disease. They are lying bastards who’ve gotten so many to imitate their masked ways. They can only sing a mockingbird’s song.

Listen to real singers. Dylan has arched the years, as true artists do. Who has paid close attention to what he said this year about the assassination of President Kennedy in his song, “Murder Most Foul”? Or were many caught up in the propaganda surrounding corona virus, and rather than contemplating his indictment of the U.S. government and its media accomplices, were they contemplating their navels to see if a virus had secreted itself in there. Viruses lurk everywhere, they say, and the corporate media made certain to circulate a vaccine about the truth in Dylan’s song. This is normal operating procedure.

We are still on Desolation Row.

“Take Off the Masks.” That was the title of a book by Rev. Malcolm Boyd that I reviewed long ago. He was a gay priest who decided that his mask was a lie. He came out into the light of truth. He had guts.

It is time for everyone to take off the masks. Escape from Desolation Row by seeing what’s going on behind our backs.
Listen to Dylan, long ago – today:

At midnight all the agents
And the superhuman crew
Come out and round up everyone
That knows more than they do
And they bring them to the factory
Where their heart attack machine
Is strapped across their shoulders
And then the kerosene
Is brought down from the castles
By insurance men who go
Check to see that nobody is escaping
To Desolation Row
Praise be to Nero’s Neptune
The Titanic sails at dawn
Everybody’s shouting
“Which side are you on?”

Contemplating Human Extinction Terrifies Most People: A Strategy for Survival

Posted on July 17, 2020 by Reid Mukai

By Robert J. Burrowes

Any serious study of the relevant scholarly literature reveals at least four possible paths to imminent human extinction, that is, human extinction within five years: nuclear war, the climate catastrophe, the deployment of 5G and biodiversity collapse.

Moreover, as I have documented previously, under cover of the non-existent ‘virus’ labeled COVID-19, the global elite is conducting a coup against humanity. That is, by bombarding us with fear-mongering propaganda to focus our attention on the ‘virus’, the capacity of virtually all people, including activists, to devote attention to the coup, and to resist it, has been effectively eliminated. See ‘The Elite’s COVID-19 Coup: Fighting for Our Humanity, Our Liberty and Our Future’.

Unfortunately, it has also meant that, despite the extensively documented evidence of the four paths to imminent human extinction, it is even more difficult than usual to get people to focus on this point. This means that engaging people to consider the evidence for themselves is extremely difficult: it is easier to live in delusion, reassured by elite-driven narratives promulgated through education systems and the corporate media which effectively convey the message that there is either no serious cause for concern (yet) or, perhaps, that the timeframe allows for an adequate official response in due course. In either case we, as individuals or groups, do not really need to do anything differently; going along with the elite-driven narrative, including timeframe, will ensure our survival.

Of course, as those paying attention to the evidence already know, being obedient to the elite-driven narrative is a recipe for extinction. We have already exceeded 2°C above the pre-industrial temperature, the ongoing and rapid deployment of 5G will be catastrophic, biodiversity is already collapsing (and will be seriously accelerated by the rising temperature and deployment of 5G) – for just the latest in the ongoing stream of disasters, see ‘Calls for swift action as hundreds of elephants die in Botswana’s Okavango Delta’ – and, according to the Bulletin of the Atomic Scientists, nuclear war is now a greater possibility that at any previous time in human history. For summaries of the evidence and further documentation in each case, see ‘The Elite’s COVID-19 Coup to Destroy Humanity that is also Fast-Tracking Four Paths to Human Extinction’.

In this article I would like to explain why people are so terrified of the truth and what we can do about it so that an effective response to each of these threats can be implemented (assuming, problematically, that there is enough time).

Why are Most Human Beings so Terrified?

Virtually all human beings are terrified and they are terrified for the same reason: the child-raising process that sociologists like to label ‘socialization’ should be more accurately labeled ‘terrorization’. Why? Because from the moment of a child’s birth, parents, teachers, religious leaders and adults generally regard themselves as responsible for terrorizing the child into obedience of the commands, rules, conventions and laws that define the nature of permissible behaviour in their society.

This means that provided the child responds obediently to parental (or other adult) commands, obeys any rules imposed (by the parents, teachers and religious figures in the child’s life), learns all relevant social conventions for their society and, ultimately, obeys the law, they are allowed to live, recognized as compliant citizens, in their society.

Unfortunately, from society’s viewpoint, evolutionary pressures over vast time scales have led to each human individual being given Self-will to seek out and fulfill their own unique destiny: evolutionary pressures do not predispose any individual to obey the will of another for the simple reason that obedience has no evolutionary functionality.

Consequently, it takes enormous terrorization during childhood to ensure that the child surrenders their Self-will at the alter of obedience. To achieve this outcome and largely unknowingly, parents use a large range of behaviours from the three categories of violence that I have labeled ‘visible’ violence, ‘invisible’ violence and ‘utterly invisible’ violence. See ‘Why Violence?’ and ‘Fearless Psychology and Fearful Psychology: Principles and Practice’.

A common element of this terrorization is that the child is frequently threatened with, and/or actually suffers, violence for being ‘disobedient’. Of course, this violence, assuming it is even recognized as such (given that ‘invisible’ and ‘utterly invisible’ violence are just that to virtually everyone), is invariably labeled ‘punishment’ so that we can delude ourselves that our violence is not harmful. See ‘Punishment is Violent and Counterproductive’.

This means that virtually every single individual has been successfully terrorized into being submissively obedient. And, fundamentally, this obedience includes accepting the elite-driven narrative delivered by education systems and the corporate media in relation to issues crucial to human survival.

So despite our preference for believing otherwise, those individuals in our societies who survive the education system capable of thinking for themselves, or even of ‘clear thinking’, are rare. And then they must also survive (preferably by refusing to access it) the propaganda (that is, lies) presented as ‘news’ by the corporate media. Given that another outcome of being terrorized throughout childhood means that most people are very gullible, perceiving lies is a huge challenge in itself. See ‘Why do People Lie? And Why do other People Believe them?’

Of course, this powerless imperative to believe the lies we are told and to behave obediently in response is always reinforced by the fear of violence (‘punishment’), including the fear of social ostracism for resisting elite narratives, but it is also reinforced by other fears: for example, the fear that makes people feel powerless to respond in any meaningful way, the fear of changing their behaviour, and the fear of feeling out of control of their own destiny. After all, if extinction is imminent and we are to avert it, we will need to do some fundamental things – including thinking and behaving – very differently. But we are not allowed to think or behave differently, are we? That would be disobedient.

This can be readily illustrated. When a young child does not get what they need, the child will have an emotional reaction. This will always include fear, it will probably include anger and it will probably include sadness, among other feelings. However, almost invariably, parents behave in a manner intended to prevent the child from having their emotional response (and using this information in formulating the appropriate behavioural response in the circumstance). They do not listen to the child while they express their feelings. Instead, they act to make the child suppress awareness of their feelings.

At its simplest and apparently most benign, the parent might comfort the child in the misguided belief that this is helpful. But it is not, unless you want a submissively obedient child. See ‘Comforting a Baby is Violent’.

Another simple and common way in which we suppress the emotional awareness and, hence, capacity for emotional expression of a child is by giving them food or a toy to distract them from how they feel. The fundamental outcome of this act is that we unconsciously ‘teach’ the child to seek food and/or material items as substitutes for feeling and acting on how they feel. But this is absolutely disastrous.

The net result of this behaviour is that virtually all people in industrialized societies have become addicted to material consumption, and the direct (including military), structural and ecological violence that makes excessive consumption in these societies possible. All so that we can suppress how we really feel. See ‘Love Denied: The Psychology of Materialism, Violence and War’.

And, therefore, the very notion of substantially reducing consumption – a central part of any strategy for human survival by reducing greenhouse gas emissions from industrial production and transport, checking the collapse of biodiversity by halting the destruction of habitat such as rainforests, denying financial incentive to deploy technology for 5G, ending wars (and the threat of nuclear war) for resources – becomes ‘unthinkable’.

Because the fundamental imperative of materialist societies is ‘Consume!’ (so that corporations can profit). And we do not have the emotional power to disobey that imperative because deep in our unconscious remains the childhood terror of resisting the offered food or toy and insisting on expressing how we feel and behaving powerfully in accord with that. It is far simpler to just put something more in our mouth or use one of our ‘toys’. Who wants to feel scared, sad or angry instead?

In essence, the individual who has been terrorized into obedience is no longer capable of thinking for themself and then behaving in accord with their own Self-will. This means that imperatives of the global elite – mediated through its agents such as governments, education systems and the corporate media and enforced by legal systems, the police and prison cells (see ‘The Rule of Law: Unjust and Violent’) – are readily obeyed by the vast bulk of the human population.

And because the global elite is insane – see ‘The Global Elite is Insane Revisited’ – this obedience means that we are submitting to the elite coup and complying with its imperatives that are fast-tracking humanity to extinction on four separate paths, as noted above.

To reiterate: At this most critical moment in human history, when a coup is being conducted against us and four separate threats to human existence and all life on Earth require our engaged attention and powerful response, it is almost impossible to get people to even acknowledge these threats, let alone to consider the evidence and act strategically in response.

Which means that profoundly altering our approaches to parenting and education, so that we produce powerful individuals, is critical to any strategy to fight for human survival.

So what can we do?

Well, if you would like to fight for human survival, it would be useful to start by giving yourself time to focus on feeling your emotional responses – fear, anger, sadness, dread…. – to the elite coup and the four most imminent threats. See ‘Putting Feelings First’.

If you do not do this, you are unlikely to be able to engage meaningfully and strategically in the effort. You will, most likely and unconsciously, simply put your attention elsewhere and go back to what you were doing. See ‘The Disintegrated Mind: The Greatest Threat to Human Survival on Earth’.

So once you have a clearer sense of your emotional reactions to this knowledge and have allowed yourself time to focus on feeling these feelings, you will be in a far more powerful position to consider your response to the situation. And, depending on your interests and circumstances, there is a range of possible responses that will each make an important difference.

Fundamentally, you might consider making ‘My Promise to Children’ which will include considering what an education for your children means to you, particularly if you want powerful individuals who can resist violence. See ‘Do We Want School or Education?’

You might consider supporting others to become more powerful. See ‘Nisteling: The Art of Deep Listening’.

If you wish to strategically resist the elite coup against humanity, you can read about nonviolent strategy, including strategic goals for doing so, from here: Strategic Aims.

If you wish to powerfully resist the primary threats to human existence – nuclear war, the deployment of 5G, the collapse of biodiversity and/or the climate catastrophe – you can read about nonviolent strategy, including strategic goals to focus your campaigns, from here: Strategic Aims.

You might also consider joining those who are powerful enough to recognize the critical importance of reduced consumption and greater self-reliance as essential elements of these strategies by participating in ‘The Flame Tree Project to Save Life on Earth’.

In addition, you are welcome to consider signing the online pledge of ‘The People’s Charter to Create a Nonviolent World’.

Or, if you want something simpler, consider committing to:

The Earth Pledge

Out of love for the Earth and all of its creatures, and my respect for their needs, from this day onwards I pledge that:

1. I will listen deeply to children. See ‘Nisteling: The Art of Deep Listening’.
2. I will not travel by plane
3. I will not travel by car
4. I will not eat meat and fish
5. I will only eat organically/biodynamically grown food
6. I will minimize the amount of fresh water I use, including by minimizing my ownership and use of electronic devices
7. I will not own or use a mobile (cell) phone
8. I will not buy rainforest timber
9. I will not buy or use single-use plastic, such as bags, bottles, containers, cups and straws
10. I will not use banks, superannuation (pension) funds or insurance companies that provide any service to corporations involved in fossil fuels, nuclear power and/or weapons
11. I will not accept employment from, or invest in, any organization that supports or participates in the exploitation of fellow human beings or profits from killing and/or destruction of the biosphere
12. I will not get news from the corporate media (mainstream newspapers, television, radio, Google, Facebook, Twitter…)
13. I will make the effort to learn a skill, such as food gardening or sewing, that makes me more self-reliant
14. I will gently encourage my family and friends to consider signing this pledge.

Conclusion

Given that submissive obedience is the primary behavioural characteristic of all ‘good citizens’, it is going to take a monumental effort to defeat the elite coup and avert the now imminent extinction of Homo Sapiens. This is because most common human behaviours – from parenting to consumption habits – have been shaped to serve elite interests, and it is these behaviours that must change.

Of course, this is also why lobbying elite agents – such as governments and corporations – cannot work. Apart from the fact that they exist to serve elite interests and obey elite directives accordingly (rather than respond to grassroots pressure which they function superbly to dissipate), governments and corporations cannot meaningfully impact the crises that confront us.

That power is ours but we must use it, and deploy it strategically.

Biodata: Robert J. Burrowes has a lifetime commitment to understanding and ending human violence. He has done extensive research since 1966 in an effort to understand why human beings are violent and has been a nonviolent activist since 1981. He is the author of ‘Why Violence?’ His email address is flametree@riseup.net and his website is here.

Western Liberal Media Attacks Tanzania’s President John Magufuli For Exposing Covid-19 Tests and Population Control in Africa

Posted on July 15, 2020 by Reid Mukai

By Timothy Alexander Guzman

Source: Silent Crow News

From the start of the Covid-19 pandemic, Tanzania’s President John ‘The Bulldozer’ Magufuli exposed the fraud behind the Covid-19 testing kits and criticized the mass hysteria in regards to the virus. Several mainstream media networks including Bloomberg News led an attack against Magufuli’s actions regarding how his government has responded to the pandemic. Bloomberg News reporter Antony Sguazzin published ‘Africa’s ‘Bulldozer’ Runs Into Covid-19, Claims God on His Side’, the title itself already mocks Magufuli for mentioning God when it comes to Covid-19, but Sguazzin conveniently bypasses what Magufuli actually said in his article and criticizes him to the point of hostility:

Tanzania’s maverick President John Magufuli has used his strong personality to cow corrupt civil servants and force foreign mining companies to pay millions of dollars in outstanding tax. The coronavirus may be less responsive

What a way for Antony Sguazzin to begin his propaganda piece by calling him the “maverick President”:

Last week, he became the first African leader to declare victory over the virus, even though health data haven’t been released for more than a month. He’s criticized the national laboratory for exaggerating the number of infections, dismissed health experts and discouraged the wearing of masks, all the while saying God will protect Tanzania. Restrictions on social gatherings such as weddings will be lifted from June 29, when schools can reopen

As Squazzin continued his attack by claiming that there were deaths and nighttime burials by health officials in a video published by Al Jazeera that neither confirms or denies the accusations. The video could have been filmed anywhere in the African continent where outbreaks like Ebola and other health crisis have emerged in the past. The US embassy had warned that contracting Covid-19 was “extremely high” in the main city of Dar es Salaam and that hospitals were overwhelmed despite the number of cases being reported by the Tanzanian government at 509 cases and with more than 21 deaths:

But the president’s optimism is belied by reports of deaths and nighttime burials by health officials wearing personal protective equipment. Dozens of Tanzanian truck drivers who had to undergo screening at border posts have tested positive. The U.S. Embassy warned last month that the risk of contracting the virus in the main city, Dar es Salaam, male was “extremely high” and that hospitals were overwhelmed

Sguazzin said that Magufuli’s response to activists who were detained because of their criticism towards his government of how he was handling Covid-19 pandemic was by intimidating the public:

Nicknamed “the bulldozer” for his no-nonsense approach when he was minister of works, Magufuli has made intimidation and bravado a feature of his presidency since assuming office in 2015. His campaign to fight graft — he often fired people while cameras were rolling — earned him widespread praise and elevated his authority within the ruling Chama Cha Mapinduzi party.

Crackdowns on the media and those who poke fun at the government mean that criticism of how Magufuli is handling the outbreak is mostly restricted to social media. Official information is limited and tightly controlled. At least 13 journalists, students and politicians have been detained since March 23 for distributing information about the virus, Tanzania’s Legal and Human Rights Centre said

The 13 journalists, students and politicians who are being held for distributing information about Covid-19 is a human rights issue and extreme to go that far if all allegations are true. Magufuli’s government’s stance on the LGBTQ community is also extreme since they jail people up to 30 years in prison if you are convicted, but unfortunately that’s happens all over Africa and many countries around the world including in the most brutal dictatorship on the planet who is also a friend to the US is Saudi Arabia, where they execute people from the LGBTQ community but that is rarely mentioned in the mainstream media. Since Magufuli was elected, he has slashed his own salary from $15,000 a month to $4,000 and reduced his government from 30 to 11 ministries. He also cut excessive government spending in various areas including foreign travel by government officials and canceling the World’s AIDs Day in Tanzania and decided to use the funds for AIDS medications. Magufuli also suspended Independence Day in 2015 to declare a national cleanup day to reduce the spread of cholera and to improve the health system in the country. To increase domestic production, it was reported in 2017 that Tanzania banned exporting unprocessed ores for domestic smelting purposes. Magufuli also amended laws to renegotiate mining contracts or even terminate them if fraud is suspected. It’s apparent that Magufuli is a nationalist. Magufuli has done some bad, but he also has done some good, especially when he exposed Covid-19 testing kits as a fraud. Now the Mainstream media is attacking his policies and what he says concerning the Covid-19 consensus. What angered the West and the mainstream media is not what Magufuli is claiming about God, it is what he did to prove that the Covid-19 test kits were inaccurate and that’s what Sguazzin forgot to mention. Magufuli has proved to the world that the covid-19 test kits are a fraud and what the World Health Organization (WHO) and the Centers for Disease Control (CDC) claims are on the dangers of the virus is basically false. Magufuli explains how he tested the test takers by instructing his country’s security services to send various samples to the Covid-19 testing labs that were not human:

We took samples from goats, we took samples from sheeps, we took samples from Pawpaws, we even took samples from car oil and we took samples from other different things and we took samples to the laboratory without them knowing and we even named all the samples, like the sample from the car oil, we named it Jabil Hamza, 30 years old, male, the results came back negative. When we took the sample from a jackfruit (durian), we named it Sara Samuel, 45 years old, female. the results came back unconclusive. When we took the samples from a Pawpaw, we named it

Elizabeth Ane, 26 years, female, the results from the Pawpaw came back positive, that it has corona. That means the liquid from the pawpaw is positive.” We took samples from (a bird type) called Kware, the results came back positive. We took samples from a rabbit, the results came back undeterminent. We took samples from a goat and the results came back positive. We took samples from a sheep and it came back negative and so on and so on

This is where Magufuli made his point:

So now when you see this, you have taken the samples and say they are humans and the results come back positive that they have corona, that means all the pawpaws should be in isolation also and when you take goat samples and they are also positive, that means all the goats that we have here by assumption or maybe the goat with the sample which was taken should also should also be in isolation. and when you take jackfruit (durian) and it’s also positive that liquid from the jackfruit (durian) which we named it Elizabeth, meaning Elizabeth the Jackfruit (Durian) that means all the Jackfruits (Durian) should be in isolation also so when you notice something like this, you must know there is a dirty game played in these tests

Magufuli also said that the people who work in the laboratories are most likely bought and paid for by special interests:

That there unbelievable things happening in this country, either the laboratory workers in there are bought by people with money, either they are not well educated which isn’t true because this laboratory is used for other diseases, either the samples which are brought in because even the reagents are imported, because even the swambs are also imported, so it’s a must that something is actually going on

Magufuli earned instant criticism from US and European media networks on his leadership with allegations of corruption and human rights abuses considering the imprisonment of journalists, students and politicians who criticized his government. Whether corruption in the Tanzanian government is true or not, many countries in Africa are corrupt with dictatorships. There was also regime change operations backed by Western powers including the US when they gave the CIA the green light to set up the assassination of Zaire’s President Patrice Lamumba in 1961 and in 1966, the CIA overthrew Ghana’s first president under its new independence, Kwame Nkrumah, a pan-Africanist and an anti-imperialist who authored a book titled ‘Neo-Colonialism: The Last Stage of Imperialism’. We must also take into account the centuries old European colonialism since the Portuguese built its trading posts in the late 15th century, followed up by US interventions in Africa during the Cold War leading up to the United States Africa Command (AFRICOM) which was created under the George W. Bush regime in 2007. The US military and intelligence apparatus currently have numerous military bases all over Africa in efforts to stop Chinese and Russian influence and to control the natural resources which has basically put the African continent at a disadvantage in comparison to the rest of the world. In this case, Magufuli has actually stood up to the powers that be and took a stand for his people.

Western Imperialism Did Not End: Population Control, Birth Control to Experimenting with Dangerous Vaccines

In 2018, liberal media network, CNN headlined with ‘Don’t Use Birth Control, ‘Tanzania’s President Tells Women In The Country’ said that “Tanzania’s President John Magufuli has told women in the East African nation to stop taking birth control pills because the country needs more people, according to local media reports.” Magufuli was quoted in a local newspaper called The Citizen in a public rally saying that “those going for family planning are lazy … they are afraid they will not be able to feed their children. They do not want to work hard to feed a large family and that is why they opt for birth controls and end up with one or two children only.” According to CNN, “he was quoted in a local newspaper, The Citizen, as saying that those advocating for birth control were foreign and had sinister motives.” Which by all means is true.

Magufuli’s understands how the depopulation agenda works. CNN mentions Jacqueline Mahon the representative for Tanzania for the United Nations Population Fund (UNFPA) who was present at the time at least according to The Citizen quoted Magufuli saying that “I have traveled to Europe and I have seen the effects of birth control. In some countries they are now struggling with declining population. They have no labor force.” Then of course, in an old propaganda tactic which CNN loves to use, they criticized the President on other various issues including his stance on how women lawmakers should dress:

In another development, the speaker of the Tanzanian parliament banned female lawmakers from wearing fake nails and eyelashes in parliament. “With the powers vested in me by the Constitution of the United Republic of Tanzania, I now ban all MPs with false eyelashes and false finger nails from stepping into Parliament,” Job Ndugai said, a day after Magufuli’s comments. The new rules also ban women MPs from wearing short dresses and jeans. Female visitors to parliament are also expected to adhere to the dress code

In September 2018, the World Economic Forum (WEF) website headlined with ‘Bill Gates has a warning about population growth’ it began with “rapid population growth in some of Africa’s poorest countries could put at risk future progress towards reducing global poverty and improving health, according to a report by the philanthropic foundation of Bill Gates.” The site quoted what Gates had told reporters “population growth in Africa is a challenge.” WEF article mentioned what the Bill and Melinda Gates foundation’s own report had discovered in their research and it “found that poverty in Africa is increasingly concentrated in a few countries, which also have among the fastest-growing populations in the world.” The report claimed that “by 2050, it projected, more than 40 percent of world’s extremely poor people will live in just two countries: Democratic Republic of the Congo and Nigeria.” Gates was asked about growing populations and an increase of poverty in Africa and he said that access to birth control combined with investments in health and education for the younger generation was necessary. Gates said that “the biggest things are the modern tools of contraception” and “If you have those things available then people have more control over being able to space their children.”

Forbes magazine recently published ‘Bill And Melinda Gates Have Sharp Words For U.S.’ Lack Of Leadership Role In Fighting Pandemic’ on a virtual Forbes philanthropy summit with the genocidal power couple, Melinda Gates spoke on who should get the vaccines first, and they are black and the indigenous people:

There are 60 million healthcare workers [around the world]. They deserve to get the vaccine first, they’re the ones dealing with this on the front lines, trying to keep us all safe. And then you have to start to tier from there, based on the countries and the populations. Here in the United States, it’s going to be Black people who really should get it first and many indigenous people, as well as people with underlying symptoms, and then elderly people

In other words, black and the indigenous people will be guinea pigs once again. Forbes also reported that “The couple, whose Bill and Melinda Gates Foundation has committed more than $350 million to fight the coronavirus, plans to utilize two nonprofits—The Global Fund To Fight AIDS, Tuberculosis and Malaria, and Gavi, the Vaccine Alliance—to help equitably distribute therapeutics and vaccines to developing countries.” There is good news in regards to Africa as Fox news reported about the Covid-19 vaccine trials in South Africa ‘Protest versus Africa’s 1st COVID-19 vaccine test shows fear’ said that “Protesters against Africa’s first COVID-19 vaccine trial burned their face masks Wednesday as experts note a worrying level of resistance and misinformation around testing on the continent” and that the “Anti-vaccine sentiment in Africa is “the worst I’ve ever seen,” the CEO of the GAVI vaccine alliance, Seth Berkley, told an African Union vaccine conference last week.” The Fox news report explains why the African people is concerned:

But the small band of demonstrators who gathered Wednesday at the University of the Witwatersrand, where the trial is based, reflect long-running fears among some in Africa over testing drugs on people who don’t understand the risks.

“The people chosen as volunteers for the vaccination, they look as if they’re from poor backgrounds, not qualified enough to understand” protest organizer Phapano Phasha told The Associated Press ahead of the event. “We believe they are manipulating the vulnerable”

The report also mentioned the controversial French doctor, Jean-Paul Mira, head of intensive care at Cochin hospital in Paris said “If I can be provocative, shouldn’t we be doing this study in Africa, where there are no masks, no treatments, no resuscitation?” comparing the corona virus to previous AIDS studies: “In prostitutes, we try things because we know that they are highly exposed and that they do not protect themselves.” The imperial mentality by the west to control Africa’s population growth and to test Africans with vaccines has been proven time and time again to be dangerous and problematic for the African people. Tanzania’s president John Magufuli has helped expose Western intentions in Africa especially when it comes to the Covid-19 testing kits giving false positive results. The mainstream media quickly criticizes those who do not follow Western instituted depopulation programs from the US and Europe such as Magufuli who actually did something right in the face of Covid-19 hysteria. Magufuli is now the subject of Western media criticism and mockery not because he mentioned God, it’s because he is not following the program, it’s pretty obvious at this point.

Remdesivir for Covid-19: $1.6 Billion for a “Modestly Beneficial” Drug?

Posted on July 14, 2020 by Reid Mukai

By Elizabeth Woodworth

Source: Global Research

The U.S. Department of Health and Human Services has recently “bought” all of Gilead Science’s Remdesivir for $1.6 billion. “500,000 doses at $3,200 per patient – to be available to American hospitals but not for other countries”[6]

That’s $1.6 billion tax dollars for a virtually untested drug showing only marginal efficacy in the hospital setting.

How could such a thing happen?

Introduction

If you believe an urgent call from the Yale School of Public Health that was recently published in the American Journal of Epidemiology— the top epidemiology journal in America — hydroxychloroquine (HCQ) + azithromycin is the quickest and most effective way to halt the Covid-19 pandemic.[1]

According to this Yale statement, hydroxychloroquine – a cheap, natural anti-malarial tree-bark known as quinine for 400 years – is highly effective during Phase 1 of Covid-19, while the virus is loading into the body.

As the first line of defense, it should be immediately, freely, and widely available to symptomatic high-risk patients – through doctors’ offices, outpatient clinics, and hospitals across the land.

Indeed, under the directorship of Dr. Anthony Fauci, a National Institute of Allergy and Infectious Diseases (NIAID) a clinical trial had been launched on May 14 to look into it.[2]

The HCQ + azithromycin protocol is being used successfully by France’s top, award-winning microbiologist, Dr. Didier Raoult. He is director of the Infectious and Tropical Emergent Diseases Research Unit in Marseille (Institut Hospitalo-Universitaire) (IHU), with 200 staff. Raoult, now almost a celebrity in France, has recently published his protocol and results, showing an overall 1.1% case fatality rate.[3]

The same protocol has also been highly successful in China, India, Senegal, and Brazil.[4]

So why suddenly is the U.S. government and the media ignoring recommendations from these top specialists,[5] and waiting, instead, until people get very sick and hospitalized to treat them with the relatively untested drug, Remdesivir, which is administered intravenously?

Why has the U.S. Department of Health and Human Services just bought up all the Remdesivir it could order – 500,000 doses at $3,200 per patient – to be available to American hospitals but not for other countries?[6]

To put Remdesivir’s cost in perspective, the CDC reports that the flu vaccine costs from $12-$18 a dose.[7]

The government, in order to justify its mind-boggling price, would need to show exceptional efficacy in saving lives. Efficacy, that is, once the disease has been allowed, through failure to use the HCQ + azithromycinearly preventive approach, to advance to Phase 2 (the dangerous inflammatory period) and Phase 3 (ICU ventilator intubation, often leading to death).[8]

What do studies say about the efficacy of remdesivir?

There are three main studies that have examined remdesivir as a treatment for Covid-19:

The first, a study of seriously ill patients, was originally reported in the New England Journal of Medicine on April 10, 2020. Treated with “compassionate-use” remdesivir, clinical improvement was observed in 36 of 53 patients (68%).

The article was co-authored by 56 people, some of whom were on the staff of remdesivir’s producer, Gilead Sciences.[9] The study was funded by Gilead, and writing assistance was provided by David McNeel, also of Gilead.[10]

The following day, April 11, the Science Media Centre published expert reactions to the compassionate study from five British university professors. These assessments were not encouraging: “the research doesn’t prove anything at this point;” “the data is almost uninterpretable;” the research should be treated “with extreme caution.”[11]

A Wuhan, China randomized, double-blind, placebo-controlled trial of 237 patients was accidentally leaked by the World Health Organization and published in The Lancet. It showed no statistically significant clinical benefits from remdesivir:

“The antiviral medicine remdesivir from Gilead Sciences failed to speed the improvement of patients with Covid-19 or prevent them from dying, according to results from a long-awaited clinical trial conducted in China.” [12]

This Lancet study also found that some 14% of patients in the treatment group died after 28 days, compared to 13% in the group that did not receive the treatment.

And it further reported that “remdesivir was stopped early because of adverse events in 18 (12%) patients versus four (5%) patients who stopped placebo early.”[13]

The preliminary results of a NIAID remdesivir trial of 1063 patients showed a “modest” benefit in a controlled clinical trial:

“The infected people who received remdesivir, an experimental drug made by Gilead Sciences that cripples an enzyme several viruses use to copy their RNA, recovered in an average of 11 days versus 15 in patients who received a placebo. ‘Although a 31% improvement doesn’t seem like a knockout, 100% [success], it is a very important proof of concept,’ said Anthony Fauci, head of the National Institute of Allergy and Infectious Diseases (NIAID).”[14]

Health Policy Watch reported that “the death rate was 8% in the group that received remdesivir compared to 11.6% in the control group, although this result was not statistically significant.” Dr. Fauci told reporters that “what [this trial] has proven is that a drug can block the virus.”[15]

The excerpt below from a June 24 article in the British Medical Journal assesses the problems in the foregoing studies. (One of the four co-authors, Fiona Godlee, is the editor-in-chief of the BMJ):

“A serious imbalance in covid-19 research strongly favours the study of drug treatments over non-drug interventions, with many studies too small or too weak to produce reliable results. Equally concerning is the release of partial or preliminary findings before peer review—often through commercial press releases—that is distorting public perceptions, ongoing evaluations efforts, and political responses to the pandemic.

Remdesivir is a key example. The antiviral drug, made by US company Gilead, was unapproved at the start of the pandemic, but in early April the New England Journal of Medicine published a small descriptive study of a compassionate use scheme for patients with covid-19. Gilead funded the study, a third of the authors were Gilead employees, and Gilead’s press release reported “clinical improvement in 68% of patients in this limited dataset.” Despite being a non-randomised, uncontrolled, company funded study of just 53 patients, media headlines described “hopeful” signs and reported “two thirds” of patients showing improvement.[16]

Two weeks later, the Lancet published a randomised placebo controlled trial of remdesivir from China, finding no statistically significant clinical benefit in the primary outcome of time to clinical improvement. Twelve per cent of participants taking remdesivir stopped treatment early because of adverse events, compared with 5% taking placebo. The trial was stopped before meeting recruitment targets.”[17]

To summarize, the only study demonstrating even marginal efficacy for remdesivir shows it to reduce hospital recovery times 31%, from 15 days to 11 days.

What is the justification for spending $3,200 tax dollars per Covid-19 patient to save four days in hospital, unless it is to shorten hospital stays, thereby saving the average U.S. bed cost of approximately $2000 per day, while delaying hospital saturation that could leave some people untreated to die?

Leaving people untreated to die could cause civil unrest, which may be the covert political reason for spending the $1.6 billion.

None of the studies mention side effects of the drug. In the China study, kidney injury led to discontinuation for one patient, and in its use for ebola, liver risks were identified.[18]

How much does it cost to produce remdesivir?

The Institute for Clinical and Economic Review (ICER) is a non-profit organization seeking to improve healthcare value through clinical and cost-effective analyses.[19]

In a May 1, 2020 study, the ICER calculated that the cost of producing the remdesivir “final finished product,” including the pharmaceutical ingredients, formulation, packaging, and a small profit margin, was $9.32 US for a 10-day course of treatment. They rounded this up to $10.[20]

Dr. Fauci’s NIAID Clinical Trial Evaluating Hydroxychloroquine and Azithromycin Closes Early

On June 20, 2020, nine days before the Department of Health and Human Services announced its $1.6 billion purchase of remdesivir on June 29, its NIAID branch closed a clinical trial that had been launched May 14 to investigate whether the inexpensive combination, hydroxychloroquine plus azithromycin, might be an effective treatment when given early in the course of the disease.[21]

The Department of Health and Human Services knew that hydroxychloroquine (aka chloroquine) was effective against coronavirus because chloroquine was tested against the SARS-1 virus during the outbreak in 2002. This work was written up in 2005, under the auspices of the U.S. Centers for Disease Control in Atlanta, which reports to the Department of Human Health and Services.[22]

Truth, as the saying goes, is stranger than fiction.

Who was responsible for this debacle?

Dr. Fauci has served in the National Institutes of Health under six presidents.

Were these bizarre decisions carried out under his authority? Or were they forced upon him from higher up? Or has he become a victim of regulatory capture[23] by the drug industry?

Whatever the answer, this unprecedented fleecing of the American public should have been shouted from the rooftops, had there been a functioning US media.

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Notes

[1] Harvey A. Risch, “Early Outpatient Treatment of Symptomatic, High-Risk Covid-19 Patients that Should be Ramped-Up Immediately as Key to the Pandemic Crisis,” Amer. J. Epid, 27 May 2020 (https://academic.oup.com/aje/advance-article/doi/10.1093/aje/kwaa093/5847586). Risch is Professor at the Yale Schools of both Medicine and Public Health.

[2] National Institute of Allergy and Infectious Diseases, “NIH Begins Clinical Trial of Hydroxychloroquine and Azithromycin to Treat COVID-19,” 14 May 2020 (https://www.niaid.nih.gov/news-events/nih-begins-clinical-trial-hydroxychloroquine-and-azithromycin-treat-covid-19).

[3] Jean-Christophe Lagier, et al, “Outcomes of 3,737 COVID-19 patients treated with hydroxychloroquine/azithromycin and other regimens in Marseille, France: A retrospective analysis,” Travel Medicine and Infectious Disease, 25 June 2020 (https://www.sciencedirect.com/science/article/pii/S1477893920302817). Rault has 2,300 indexed medical journals in print.

[4] The group “COVEXIT.com – News About Hydroxychloroquine & Other COVID-19 Treatments,” was founded March 29, 2020 by Jean-Pierre Kiekens. It keeps daily track of successful Covid treatments worldwide (https://www.facebook.com/groups/covexit)

[5] Elizabeth Woodworth, “The Media Sabotage of Hydroxychloroquine Use for COVID-19: Doctors Worldwide Protest the Disaster,” Global Research, 30 June 2020 (https://www.globalresearch.ca/media-sabotage-hydroxychloroquine-covid-19-doctors-worldwide-protest-disaster/5717382).

[6] US Department of Health and Human Services, “Trump Administration Secures New Supplies of Remdesivir for the United States,” June 29, 2010 (https://www.hhs.gov/about/news/2020/06/29/trump-administration-secures-new-supplies-remdesivir-united-states.html).

[7] Centers for Disease Control and Prevention, Vaccines for Children Program, “CDC Vaccine Price List,” updated 1 July 2020 (https://www.cdc.gov/vaccines/programs/vfc/awardees/vaccine-management/price-list/index.html#adflu).

[8] Dr. Raoult identified the three stages of Covid-19 while treating 3,737 patients with HCQ+azithromycin at his own clinic: “At the first viral stage, one must give medicines against the virus, in the second inflammatory phase, one needs to give medications against that [inflammatory] reaction, and then in the third phase, it’s work to be done in intensive care units.” Summarized from Didier Raoult, at: “The Marx Brothers are Doing Science: the Example of RECOVERY,” 9 June 2020 (http://covexit.com/professor-raoult-compares-the-oxford-recovery-trial-academics-to-the-marx-brothers/).

[9] Jonathan Grein, and 55 other authors, “Compassionate Use of Remdesivir for Patients with Severe Covid-19,” New England Journal of Medicine, 11 June 2020 (https://www.nejm.org/doi/full/10.1056/NEJMoa2007016), “Editor’s Note: This article was published on April 10, 2020, at NEJM.org.”

[10] Jason D. Goldman, et al., “Remdesivir for 5 or 10 days in Patients with Severe Covid,” New England Journal of Medicine, no date in header (https://www.nejm.org/doi/pdf/10.1056/NEJMoa2015301?articleTools=true). Sidebar:“This article was published on May 27, 2020, at NEJM.org.”

[11] Prof. Duncan Richards et al., “Expert reaction to a study about compassionate use of remdesivir for patients with severe COVID-19,” Science Media Centre, 11 April 2020 (https://www.sciencemediacentre.org/expert-reaction-to-a-study-about-compassionate-use-of-remdesivir-for-patients-with-severe-covid-19/).

[12] Ed Silverman, et al, “New data on Gilead’s remdesivir, released by accident, show no benefit for coronavirus patients. Company still sees reason for hope,” StatNews, 23 April 2020 (https://www.statnews.com/2020/04/23/data-on-gileads-remdesivir-released-by-accident-show-no-benefit-for-coronavirus-patients/).

[13] Yeming Wang, et al., “Remdesivir in adults with severe COVID-19: a randomised, double-blind, placebo-controlled, multicentre trial,” The Lancet, 16 May 2020 (original online publication 29 April 2020) (https://www.thelancet.com/journals/lancet/article/PIIS0140-6736(20)31022-9/fulltext).

[14] Jon Cohen, “Large trial yields strongest evidence yet that antiviral drug can help COVID-19 patients,” Science, 29 April 2020 (https://www.sciencemag.org/news/2020/04/large-trial-yields-strongest-evidence-yet-antiviral-drug-can-help-covid-19-patients).

[15] Grace Ren, “Conflicting Remdesivir Trial Results Released; Experts Urge More Research,” Health Policy Watch, 29 April 2020 (https://healthpolicy-watch.news/first-remdesivir-rct-shows-no-significant-clinical-benefit-for-severe-covid-19-patients-but-experts-urge-for-more-research/).

[16] Christopher Rowland, “Gilead’s experimental drug remdesivir shows ‘hopeful’ signs in small group of coronavirus patients,” Washington Post, 10 April 2020 (https://www.washingtonpost.com/business/2020/04/10/gileads-experimental-drug-remdesivir-shows-hopeful-signs-small-group-coronavirus-patients/).

[17] Ray Moynihan et al.,“Commercial influence and covid-19,” BMJ2020;369:m2456 (Published 24 June 2020) (https://www.bmj.com/content/369/bmj.m2456).

[18] Crystal Phend, “Remdesivir Safety Forecast: Watch the Liver, Kidneys,” Medpage Today, 19 May 2020 (https://www.medpagetoday.com/infectiousdisease/covid19/86582).

[19] https://en.wikipedia.org/wiki/Institute_for_Clinical_and_Economic_Review

[20] Melanie D. Whittington and Jonathan B. Campbell, “Alternative Pricing Models for Remdesivir and Other Potential Treatments for COVID-19,” Institute for Clinical and Economic Review, 1 May 2020 (https://icer-review.org/wp-content/uploads/2020/05/ICER-COVID_Initial_Abstract_05012020-3.pdf).

[21] National Institute of Allergy and Infectious Diseases, “BULLETIN—NIH Clinical Trial Evaluating Hydroxychloroquine and Azithromycin for COVID-19 Closes Early,” 20 June 2020 (https://www.niaid.nih.gov/news-events/bulletin-nih-clinical-trial-evaluating-hydroxychloroquine-and-azithromycin-covid-19).

[22] Martin J. Vincent et al., “Chloroquine is a potent inhibitor of SARS coronavirus infection and spread,” Journal of Virology, 22 August 2005 (https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1232869/).

[23] “Regulatory capture is a theory that regulatory agencies may be dominated by the interests they regulate and not by the public interest.” In: Will Kenton, “Regulatory Capture,” Investopedia, 23 October 2019 (https://www.investopedia.com/terms/r/regulatory-capture.asp).

Elite television news rescued by COVID

Posted on July 7, 2020 by Reid Mukai

By Jon Rappoport

Source: NoMoreFakeNews.com

Yet another consequence of the fake pandemic is the propping up of that doddering old fool, elite television news.

The COVID story doesn’t need Walter Cronkite. It only needs wall to wall. From 5AM to midnight, pandemic updates (mixed now with riot coverage), and the network ratings get well. The ratings jump out of the dumpster and rumble on the studio set and do cartwheels.

I’ve written a number of articles about network television news. Here are excerpts—

NEWS ABOUT THE NEWS.

The elite anchor is not a person filled with passion or curiosity. Therefore, the audience doesn’t have to be passionate or filled with curiosity, either.

The anchor is not a demanding voice on the air; therefore, the audience doesn’t have to be demanding.

The anchor isn’t hell-bent on uncovering the truth. For this he substitutes a false dignity. Therefore, the audience can surrender its need to wrestle with the truth and replace that with a false dignity of its own.

The anchor takes propriety to an extreme: it’s unmannerly to look below the surface of things. Therefore, the audience adopts those manners.

On air, the anchor is neutral, a castratus, a eunuch.

This is a time-honored ancient tradition. The eunuch, by his diminished condition, has the trust of the ruler. He guards the emperor’s inner sanctum. He acts as a buffer between his master and the people. He applies the royal seal to official documents.

Essentially, the television anchor is saying, “See, I’m ascetic in the service of truth. Why would I hamstring myself this way unless my mission is sincere objectivity?”

All expressed shades of emotion occur and are managed within that persona of the dependable court eunuch. The anchor who can move the closest to the line of being human without actually arriving there is the champion. In recent times, it was Brian Williams—until his “conflations” and “misremembrances” surfaced, and he was exiled to the wasteland of MSNBC.

The vibrating string between eunuch and human is the frequency that makes an anchor “great.” Think Cronkite, Chet Huntley, Edward R Murrow. Huntley was just a touch too masculine, so they teamed him up with David Brinkley, a medium-boiled egg. Brinkley supplied twinkles of comic relief.

The cable news networks don’t have anyone who qualifies as an elite anchor. Wolf Blitzer of CNN made his bones during the first Iraq war only because his name fit the bombing action so well. Brit Hume of FOX has more anchor authority than anyone now working in network television, but he’s semi-retired, content to play the role of contributor, because he knows the news is a scam on wheels.

There are other reasons for “voice-neutrality” of the anchor. Neutrality conveys a sense of science. “We did the experiment in the lab and this is how it turned out.”

Neutrality implies: we, the news division, don’t have to make money (a lie); we’re not like the cop shows; we’re on a higher plane; we’re performing a public service; we’re a responsible charity.

From the early days of television, there has been a parade of anchors/actors with know-how—intonation, edge of authority, parental feel, the ability to execute seamless blends from one piece of deception to the next:

John Daly, Douglas Edwards, Ed Murrow, Chet Huntley, David Brinkley, Harry Reasoner, Walter Cronkite, Dan Rather, and more recently, second-stringers—Brian Williams, Diane Sawyer, Scott Pelley.

They’re all gone.

Now we have Lester Holt, David Muir, and the newly appointed Norah O’Donnell. They couldn’t sell water in the desert.

Lester Holt is a cadaverous presence on-air, whose major journalistic achievement thus far is interrupting Donald Trump 41 times during a presidential debate; David Muir has the gravitas of a Sears underwear model; Norah O’Donnell, long-term, will have the energy needed to illuminate a miniature Xmas-tree light bulb.

The networks have no authoritative anchor-fathers waiting in the wings. They don’t breed them and bring them up through the minor leagues anymore.

Instead, armies of little Globalists, and ideologues who don’t realize they’re working for Globalists, have been infiltrating the news business. At best, they’re incompetent.

Thus, news-production techniques that enable an ongoing illusion of oceanic authority collapse like magnetic fields that have been suddenly switched off.

The selective mood lighting, the restful blue colors on the set, the inter-cutting of graphics and B-roll footage, the flawless shifts to reporters in far-flung places…it’s as if all these supporting features have suddenly been overcome by actors in a stage play who are abruptly stepping out of character. The spell is broken.

Elite mainstream news, in a fatuous attempt to save itself, is trying a democratic approach. Anchors are sharing more on-air minutes with gaggles of other reporters. But this is counter-productive in the extreme. The News has always meant one face and one authority and one voice and one tying-together of all broadcast elements. It’s as if, in a hypnotherapist’s office, the therapist decides to bring in colleagues to help render the patient into an alpha-state.

If by some miracle, the news bosses could raise Walter Cronkite, “the father of our country,” from the dead and put him back in the chair… but too many years have gone by; years of unaccomplished anchors. The horse is out of the barn, the cat is out of the bag.

This is why major news outlets have been appealing to social media/big tech for help, AKA censorship of independent voices.

One veteran news director told me several years ago, “We don’t have the stars [elite anchors] anymore. The star system is dead. You could comb all the local news outlets in America, and you wouldn’t find one face and voice who could really carry the freight. They’ve vanished. The up and coming people are lame. We’ve made them that way. It’s some cockeyed standard of equality we’ve internalized. And now we’re paying the price.”

The news is all about manipulating the context of stories. The thinner the context, the thinner the mind must become to accept it.

Imagine a rectangular solid. The news covers the top surface. Therefore, the viewer’s mind is trained to work in only two dimensions. Then it can’t fathom depth, and it certainly can’t appreciate the fact that the whole rectangular solid moves through time, the fourth dimension.

First, we have the studio image itself, the colors in foreground and background, the blend of restful and charged hues. The anchor and his/her smooth style.

Then we have the shifting of venue from the studio to reporters in the field, demonstrating the reach of coverage: the planet. As if this equals authenticity.

Actually, those reporters in the field rarely dig up information on location. A correspondent standing on a rooftop in Cairo could just as easily be positioned in a bathroom in a Las Vegas McDonald’s. His report would be identical.

The managing editor, usually the elite news anchor, chooses the stories to cover and has the final word on their sequence.

The anchor goes on the air: “Our top story tonight, more signs of gridlock today on Capitol Hill, as legislators walked out of a session on federal budget negotiations…”

The viewer fills in the context for the story: “Oh yes, the government. Gridlock is bad. Just like traffic on the I-5. We want the government to get something done, but they won’t.”

The anchor: “The Chinese government reports the new flu epidemic has spread to three provinces. Forty-two people have already died, and nearly a hundred are hospitalized…”

The viewer again supplies context, such as: “Flu. Dangerous. Epidemic. Get my flu shot.”

The anchor: “A new university study states that gun owners often stock up on weapons and ammunition…”

The viewer: “People with guns. Why do they need a dozen weapons? I don’t need a gun. The police have guns. Could I kill somebody if he broke into the house?”

The anchor: “Doctors at Yale University have made a discovery that could lead to new treatments in the battle against autism…”

Viewer: “Good. More research. Laboratory. The brain.”

If, at the end of the newscast, the viewer bothered to review the stories and his own reactions to them, he would realize he’d learned nothing. But reflection is not the game.

In fact, the flow of the news stories has washed over him and created very little except a sense of (false) continuity.

Therefore, every story on the news broadcast achieves the goal of keeping the context thin—night after night, year after year. The overall effect of this staging is: small viewer’s mind, small viewer’s understanding.

Next we come to words and pictures. More and more, news broadcasts are using the rudimentary film technique of a voice narrating what the viewer is seeing on the screen.

People are shouting and running and falling in a street. The anchor or a field reporter says: “The country is in turmoil. Parliament has suspended sessions for the third day in a row, as the government decides what to do about uprisings aimed at forcing democratic elections…”

Well, the voice must be right, because we’re seeing the pictures. If the voice said the riots were due to garbage-pickup cancellations, the viewer would believe that, too.

We see Building #7 of the WTC collapse. Must have been the result of a fire. The anchor tells us so. Words give meaning to pictures.

Staged news.

Since the dawn of time, untold billions of people have been urging a “television anchor” to “explain the pictures.”

The news gives them that precise solution, every night.

“Well, Mr. Jones,” the doctor says, as he pins X-rays to a screen in his office. “See this? Right here? We’ll need to start chemo immediately, and then we may have to remove most of your brain, and as a follow-up, take out one eye.”

Sure, why not? The patient saw the pictures and the anchor explained them.

Eventually, people get the idea and do it for themselves. They see things, they invent one-liners to explain them.

They’re their own anchors. They short-cut and undermine their own experience with vapid summaries of what it all means.

For “intelligent” viewers, there is a sober mainstream choice in America, a safety valve: PBS. That newscast tends to show more pictures from foreign lands.

“Yes, I watch PBS because they understand the planet is interconnected. It isn’t just about America. That’s good.”

Sure it’s good, if you want the same thin-context or false-context reports on events in other countries. Instead of the two minutes NBC might give you about momentous happenings in Syria, PBS will give you four minutes.

PBS experts seem kinder and gentler. “They’re nice and they’re more relaxed. I like that.”

Yes, the PBS experts are taking Valium, and they’re not drinking as much coffee as the CBS experts.

When network television news was created in the late 1940s, no one in charge knew how to do it. It was a new creature.

Sponsors? Yes. A studio with a desk and an anchor? Yes. A list of top stories? Yes. Important information for the public? Yes.

Of course, “important information” could have several definitions—and the CIA already had a few claws into news, so there would be boundaries and fake stories within those boundaries.

The producers knew the anchor was the main event; his voice, his manner, his face. He was the actor in a one-man show. But what should he project to the audience at home?

The first few anchors were dry sandpaper. John Cameron Swayze at NBC, and Douglas Edwards at CBS. But Swayze, also a quiz show host, broke out of the mold and imparted a bit of “cheery” to his broadcasts. A no-no. So he was eventually dumped.

In came a duo. Chet Huntley and David Brinkley. NBC co-anchors from 1956 to 1970. Chet was the heavy, with a somber baritone, and David was “twinkly,” as he was called by network insiders. He lightened the mood with a touch of sarcasm and an occasional grin. It worked. Ratings climbed. Television news as show biz started to take off. At the end of every broadcast, there was: “Good night, Chet.” “Good night, David.” The audience ate it up. They loved that tag.

However, rival CBS wasn’t standing still. They offloaded their anchor, Douglas Edwards, a bland egg, and brought in Walter Cronkite, who would go on to do 19 years in the chair (1962-1981). Walter was Chet Huntley with a difference. As he grew older, he emerged as a father, a favorite uncle, with an authoritative hills-and-valleys baritone that created instant trust. Magic. A news god was born.

Despite many efforts at the three major networks, no anchor over the past 40 years has been able to pull off the full Cronkite effect.

The closest recent competitor—until he was fired for lying and exiled to the waste dump at MSNBC—was Brian Williams. Williams artfully executed a reversal of tradition. He portrayed the youthful prodigy, a gradually maturing version of a newsboy who once bicycled along country roads, threw folded up papers on front porches, and knew all his customers by name. A good boy. A local boy. Your neighbor under the maple trees of an idyllic town. Cue the memories.

By the time Williams took over the helm at NBC, television news was decidedly a team operation. There were reporters in the field. The technology enabled the anchor to go live to these bit players, who tried to exude the impression they were actually running down leads and interviewing key sources on the spot—when in fact they could just as easily be doing their stand-ups from a hot dog cart outside 30 Rockefeller Plaza, the home studio of the network—because most of their information was really coming from inside that studio.

Nevertheless, the team was everything. The anchor was a manager, and his job was to impart an authentic feel to every look-in, from the White House to Paris to Berlin to Jerusalem to Beijing to a polar bear on an iceberg.

And local television news was blowing up to gargantuan proportions. Every city and town and village and hamlet seemed to have its own gaggle of hearty faces delivering vital info of interest to the citizenry. Branding and shaping this local phenomenon evolved into: FAMILY. Yes, that was the ticket. These bubbly, blown-dry, enthused, manic news and weather and sports hawks were really “part of the community.” Local News was no longer shoveled high and deep with an air of objectivity. “Aloof” was out. Share and care was in. What that had to do with actual news was anyone’s guess, but there it was. “Hi, we’re your team at KX6, and we feel what you feel and we live here with you and we know when the roads are icy and the wrecks pile up on the I-15 and the cops arrest someone for cocaine possession and when the charity bake sale is coming up to pay for [toxic] meds for seniors and when your cousin Judy passes away we mourn as you do…”

News for and by a fictional collective.

Disney news.

A caricature of a simulacrum of an imitation.

The discovery was: the viewing audience wanted news as a cartoon.

The problem is: this model deteriorates. The descending IQ of the news producers and anchors and reporters undergoes a grotesque revolution. Year by year, broadcasts make less sense. Even on the national scene, NBC hands its prime anchor spot to Lester Holt, who plays the old Addams Family living corpse, Lurch.

ABC, always looking for a new face, goes all in with David Muir, a Sears underwear-model type.

CBS counters with a youngish cipher, Jeff Glor, after ridding itself of Scott Pelley, who, true to his on-camera persona, might show up on The Young and the Restless as a lunatic surgeon doing operations without anesthetic.

The networks are losing it.

It’s a sight to behold.

Cable news is even worse. The longest surviving anchor is Wolf Blitzer at CNN. Wolf’s energy level tops out as a man in a tattered bathrobe, in his kitchen, chatting with his cousin while they play checkers.

When professionals broadcast one absurdity after another, they begin to see the effects are actually strengthening their own position of authority.

It’s a revelation. It’s also a continuation of the tradition of the Trickster archetype. For example, with just a few minor adjustments, Brian Williams can be seen as the sly Reynard the Fox…

From the viewpoint of elite television news, controlling the minds of its audience depends on what’s politely called “cognitive dissonance”:

As the anchor recites a news story, the viewer sees an obvious hole through which he could drive a truck.

The story makes no sense, yet it’s being presented as bland fact. The trusted anchor clearly has no problem with it.

What’s the viewer to do? He experiences a contradiction, a “dissonance.”

For example, this year’s flu vaccine. The US government has admitted the vaccine is geared to a flu virus that isn’t circulating in the population. Therefore, even by conventional standards, the vaccine is useless. But the kicker is, the CDC says people should take the vaccine anyway.

The anchor relays all this information—and never seriously questions the situation, never torpedoes the government for recommending the vaccine.

The average viewer feels a tug, a pulse of discomfort, a push-pull. The vaccine story is idiocy (side one), but the trusted anchor accepts it (side two).

Dissonance.

The top chiefs of news—and top propaganda operatives—anticipate cognitive dissonance. In a real sense, they want it to happen. They make it happen. Over and over.

Why?

Because it throws the viewer into a tailspin. And in that mental state, in his effort to resolve the contradiction, he will normally choose to…give in. Surrender. Believe in the anchor. It’s the easier path.

The viewer will even doubt his own perception. “I see no good reason for Building 7 to collapse, but the news doesn’t bring that up, so…it must be me.”

This is the power of the news. It presents absurdities and then moves right along, as if nothing has happened.

The introduction of contradiction, dissonance, and absurdity parading as ordinary reality is an intentional feature of brainwashing.

On the nightly news, the anchor reports that US government debt has risen by another three trillion dollars. He then cuts to a statement from a Federal Reserve spokesman: the new debt level isn’t a problem; in fact, it’s sound monetary policy; it strengthens the economy.

The viewer, caught up in this absurdity, tries to make sense of it, then gives up and passively accepts it. Brainwashing.

Smoothly transitioning from this story, the anchor relays information from the CDC: vaccination rates must achieve 90% in the population, in order to protect people from dangerous viruses. The viewer thinks, “Well, my daughter is already vaccinated, so if she comes into contact with a child who isn’t vaccinated, why would there be a problem? Why does 90% of the population have to be vaccinated to keep her safe? She’s already vaccinated.”

The viewer wrestles with this craziness for a moment, then gives in and accepts what the CDC and the anchor are saying. More passivity. More brainwashing.

The anchor moves right along to the next story: “The US is experiencing one of the coldest winters in history, further evidence of the effects of global warming, according to scientists at the United Nations.”

The viewer shakes his head, tries to deal with this dissonance, surrenders, and accepts what he is hearing. Deeper passivity is the result. Deeper brainwashing.

On and on it goes, day after day, month after month, year after year, on the news.

Contradiction, absurdity, dissonance; acceptance, surrender, passivity.

The same general formula is used in interrogations and formal mind control. It adds up to disorientation of the target.

Most disoriented people opt for the lowest- common-denominator solution: give in; accept the power of the person of authority.

Among the many supporters of conventional news is the education system. Most teachers never learn logic, and they don’t teach it. The result? Their students never gain the ability or the courage to reject the news and its dissonances.

What little these students gain from 12 or 16 years of schooling they eventually sacrifice on the altar of consensus reality—as broadcast every night on the screen before them.

Salvador Dali, surrealist, was one of the most reviled painters of the 20th century.

He disturbed Conventional Folk who just wanted to see an apple in a bowl on a table.

Dali’s apples and bowls were executed with a technical skill few artists could match—except the apples were coming out of a woman’s nose while she was ironing the back of a giraffe, who was on fire.

“It doesn’t go together! It doesn’t make sense! He’s Satan!”

Yet, these same Folk sit in front of the television screen every night and watch the entirely surreal network news. Elite anchors seamlessly and quickly move from blood running in the streets of a distant land to a hairdryer product-recall to an unseasonal hail storm in Michigan to a debate about public policy on pedophiles to genetically engineered mosquitoes in Florida to a possible breakthrough in storing computer simulations of human brains for later recapture to squirrels gathering nuts in New Jersey.

Nothing surreal about this??

When the elite anchor goes on air and digs in, he’s paid to be seamless. He could be transitioning from mass killings in East Asia to sub-standard air conditioners, and he makes the audience track through the absurd curve in the road.

The elite anchor should have a voice that soothes just a bit but brooks no resistance. It’s authoritative but not demanding.

Scott Pelley (CBS) was careful to watch himself on this count, because his tendency was to shove the message down the viewer’s throat like a surgeon making an incision with an icepick. Pelley was a high-IQ android who was training himself to be human.

Diane Sawyer wandered into sloppiness, like a housewife who’s still wearing her bathrobe at 4 in the afternoon. She exuded sympathetic syrup, as if she’d had a few cocktails for lunch. And she affected a pose of “caring too much.”

Brian Williams was head and shoulders above his two competitors. You had to look and listen hard to spot a speck of confusion in his delivery. He knew how to believe his act was real. He could also flick a little aw-shucks apple-pie at the viewer. Country boy who moved to the big city.

Segues, blends are absolutely vital. These are the transitions between one story and another. “Earlier today, in Boston.” “Meanwhile, in New York, the police are reporting.” “But on the Hill, the news was somewhat disappointing for supporters of the president.”

Doing excellent blends can earn an anchor millions of dollars. The audience doesn’t wobble or falter or make distinctions between what went before and what’s coming now. It’s all one script. It’s one winding weirdness of story every night.

And NOW, we have COVID, and we have riots. The current stories— the lies are egregious and relentless, the editorializing is cheesy. The omissions are Grand Canyons.

Surreal, cognitively dissonant, smoothly blended, outrageous:

The News Business. As Usual.

But with the junior varsity anchors, and their lack of skill, the networks need overwhelming stories to sell their act. They need COVID and riots. They have to have government manufacturing chaos and destruction and tighter control, in order to keep viewers coming back night after night.

You’ve got elite Globalists and elite government on one edge, and elite news on the other edge. They feed into each other. They bolster each other.

So why must they spend so much time censoring dissent?

Because freedom exists.

Because, no matter what, it always will.

And underestimating its power, time and time again, has proven to be a colossal mistake.

America Has Always Been a Dystopia

Posted on July 5, 2020 by Reid Mukai

Too many of us just haven’t been paying attention

By Bryan Merchant

Source: OneZero

“Trump’s American dystopia has reached a new and ominous cliff,” warns a CNN opinion headline. “The last two and a half months in America have felt like the opening montage in a dystopian film about a nation come undone,” writes New York Times columnist Michele Goldberg, in describing the images of militarized police storming U.S. cities to put down protests in the days following George Floyd’s murder, which came on the heels of two months of pandemic, panic, and widespread economic collapse. A very popular post published elsewhere on Medium was titled, bluntly, “America is a Dystopia.”

There is a lot of dystopia talk getting tossed around right now, for reasons that probably seem obvious. Those images we’ve all spent hours staring at on Twitter and cable TV — the military vehicles patrolling suburban streets, the lines of tactical vested officers cordoned around the Lincoln Memorial, the scenes of tear gas blurring flames as masked protesters clash with armed police — match up reasonably well with the aesthetics and broad strokes of a genre that we’ve spent the last 10 years staring at on Netflix and the other channels on cable TV.

But this is not “Trump’s American dystopia.” It is the continued, if inflamed, dystopian state of play as it has laid for centuries. The montage of horrors did not begin only a few months ago or when a cohort of privileged observers suddenly became aghast at the SWAT howitzers and brutal policing tactics when they were seen on suburban streets.

Years of toothless and profitable pop culture dystopias have primed consumers to ignore race, helping to obscure the fact that the real dystopia arrived long ago.

Comparing America to a dystopia has become something of a national pastime.

If we wanted to get pithy about it, we might say that the 2010s were the dystopia decade, a period that saw both the rise of dystopia as a reliably profitable and uniform entertainment format in mass culture and what appeared to be the IRL manifestation of the images and tropes the genre broadcast by decade’s end. The Hunger Games rose to dominate box offices and spawned a follow-on flotilla of similarly shaped YA dystopian fare. Black Mirror mainstreamed a visual mode of bleak cynicism about technology, and critical darlings like Ex Machina, Her, and Mad Max: Fury Road made apocalypses brought about by artificial intelligence and climate change palatable for the intelligentsia. Meanwhile, Blade Runner, RoboCop, Starship Troopers, and Children of Men became frequent touchstones. Partly because they are good films that offered prescient cultural and political commentary, and partly because their visuals provide handy fodder for comparative screen-grabbing on social media while we’re watching high-tech police forces brutalize popular uprisings, climate change-fueled wildfires spread across cityscapes, and A.I. take on alarming new dimensions, like being racist.

As a result, comparing America to a dystopia has become something of a national pastime; a recurring op-ed framework, a subgenre of Twitter commentary — especially during crisis points and moments of mass upheaval.

But what are we actually talking about when we talk about “dystopia”? Gesturing towards a vague constellation of injustices set to the color palette of a “gritty” summer blockbuster and declaring it dystopian won’t cut it — for dystopia to be useful as a cautionary tool for avoiding bad futures, we need to understand exactly what the ingredients setting a society on the road to ruin are. As it stands, much of the modern dystopian discourse seems content to position dystopia as something that is bad, with an air of futurity. To quote Daniel Mallory Ortberg’s famous mocking of Black Mirror: “What if phones, but too much.” What if high-tech cops, what if sea level rise, etc.

“The adjective dystopian implies fearful futures where chaos and ruin prevail,” writes Gregory Claeys, a historian and professor at Royal Holloway, University of London, and author of Dystopia: A Natural History. Though in a historical and literary sense, he says, dystopia most commonly describes “a regime defined by extreme coercion, inequality, imprisonment, and slavery.”

Because its most popular touchstones are science fiction, modern dystopia discourse tends to fixate on profit- or warfare-accelerating technologies — digital surveillance, facial recognition, automation software, drones, technologized weapons — and their capacity to serve the wealthy and powerful in a time of ecological collapse, health crises, and/or widening inequality. Our current moment fits the bill. The coronavirus, mass unemployment, and police brutality against a racial justice uprising are unfolding to the backdrop of SpaceX rocket launches and tech billionaires like Amazon’s Jeff Bezos rapidly expanding their wealth.

When I noted on Twitter that the SpaceX launch was sending astronauts on a for-profit trip into space as a surge of protests swept the country, it struck a chord. Many responded by comparing the events to Elysium, the 2013 Neill Blomkamp film about a future where the poor toil and swelter on Earth while the wealthy live in luxury in a space station that orbits above the Terran rabble.

Others pointed to the great Gil Scott Heron song, “Whitey’s On the Moon.” The musician and poet released it in 1970, one year after the NASA moon landing, which was itself one year after Dr. Martin Luther King, Jr.’s assassination provoked a mass nationwide uprising, perhaps the last at a scale comparable to the one we’re seeing today.

Some of the lyrics:

A rat done bit my sister Nell.

(with Whitey on the moon)

Her face and arms began to swell.

(and Whitey’s on the moon)

I can’t pay no doctor bill.

(but Whitey’s on the moon)

Ten years from now I’ll be payin’ still.

(while Whitey’s on the moon)

That song was recorded a half-century ago, yet the plight remains the same. It was the same in 1993, when Octavia Butler, in her own magisterial dystopia, Parable of the Sower, set in a mostly Black community in Southern California in the apocalyptic 2020s, described the news of the death of a Mars explorer as eliciting the following reaction: “People here in the neighborhood are saying she had no business going to Mars, anyway. All that money wasted on another crazy space trip when so many people here on earth can’t afford water, food, or shelter.”

Billionaires can afford to send payloads into orbit, to explore space for science and for profit, but we cannot afford to provide health care to the poor or even basic racial equality. That’s what too many of us are missing when we talk about dystopia.

As comparatively radical as a dystopia like Elysium (or, say, Snowpiercer) is — in terms of summer blockbusters, anyway — its critique is limited to class. It glosses over race. It’s Matt Damon versus Sharlto Copley and Jodi Foster and the other white orbital techno-authoritarians. Take a scan through any of the most popular dystopian cinema products of the last decade or so, and you’ll find the same thing; matters of race are omitted almost entirely from the big screen eschatologies. Not only are the genre’s prime exports — Hunger Games, Divergent, Blade Runner, Elysium, RoboCop, the list goes on — written and directed by white people, the protagonists, actors, and even antagonists are nearly uniformly white. And despite many of these being imagined, written, and made in a nation whose founding arrangement was the most dystopian system conceivable, race is never even a component of the conversation in mainstream dystopian cinema, much less what the uprisings are predicated upon. Even the Handmaid’s Tale, which exploded in the wake of Trump’s misogyny-lined ascendency to the presidency, relegates any matter of racial politics deep into the background.

The most influential dystopia of the 21st century, I would argue, is not ‘1984,’ but ‘Atlas Shrugged,’ which alone is responsible for a generation of greed-is-good Republican policymaking.

Angelica Jade Bastién points all this out in “Why Don’t Dystopias Know How to Talk About Race?”, where she explains how this in effect allows white viewers to cosplay as the oppressed, without actually interrogating in any meaningful way what oppression might actually entail or who gets oppressed and why.

“Race is relegated to inspiration, coloring the towering cityscapes of these worlds, while the white characters toil under the hardships that Brown and Black people experience acutely in real life,” Bastién writes. “In this way, dystopias become less fascinating thought experiments or vital warnings than escapades in which white people can take on the constraints of what it means to be the other.”

And in so doing, these popular dystopias appropriate the other’s struggles while conveniently ignoring the actual roots of said struggle. I do still think there’s utility in dystopias and trying to heed their warnings, but only if we recognize what’s being warned against, and only, especially, if we manage to understand that many of the looming “dystopias” perceived by more affluent entertainment consumers have been the realities of plenty of communities who have faced deep inequalities, technologized surveillance, and state oppression for generations already.

There’s a tweet that’s gone viral a number of times over the dystopian decade, each time in slightly different variation. Its most recent iteration came just this January, before the pandemic and the uprising came to dominate dystopia discourse:

https://twitter.com/ElleOnWords/status/1218693768339251200

White dystopia fanboys like me, pundits, columnists, and social media users need to get this through our skulls. To invert a notorious quote attributed to William Gibson, the dystopia has always been here; it just hasn’t been evenly distributed.

The “dystopia” lens too often fixes conditions like those — heavily policed communities, invasive surveillance, state oppression — in the future, and it glosses over the realities of the present and the long histories of oppression of Black communities and bodies, plenty of which was technologically abetted. The writer Anthony Walton noted in a 1999 Atlantic piece, “Technology Versus African Americans,” that from “the caravel to the cotton gin, technological innovation has made things worse for Blacks.” Western technologies, he writes, formed the infrastructure that gave rise to Black slavery:

Arab and African slave traders exchanged their human chattels for textiles, metals, and firearms, all products of Western technological wizardry, and those same slavers used guns, vastly superior to African weapons of the time, in wars of conquest against those tribes whose members they wished to capture… The slave wars and trade were only the first of many encounters with Western technology to prove disastrous for people of African descent. In the United States, as in South America and the Caribbean, the slaves were themselves the technology that allowed Europeans to master the wilderness.

What better fits Claeys description of dystopia — “a regime defined by extreme coercion, inequality, imprisonment, and slavery” — than actual chattel slavery? America was founded as a dystopia.

Yet for white and affluent consumers, the constant generation of novel and fantastic apocalyptic scenarios serves to extend the horizon for the arrival of the hellish conditions contained in dystopia — if oppression is a nebulous but ever-approaching threat, it’s perpetually obscured, lifted away into a sub-fictional ether. It needs not be interrogated, not now, anyway. Which is how power prefers it.

That’s the other thing about dystopia: In many of its guises, it’s a plainly conservative enterprise. The most influential dystopia of the 21st century, I would argue, is not 1984, but Atlas Shrugged, which alone is responsible for a generation of greed-is-good Republican policymaking. The 600,000-page book, which I have (regrettably) read, positions a handful of great white men and women as the only thing keeping society together and inveighs against the millions of working-class “moochers” with a barely veiled racist subtext. (Its author was also openly racist.) Many dystopias are less flagrant but similarly conservative: They highlight the fear that we might all end up like the poor unwashed masses if we are not careful to uphold the social order, not the fear that the poor might never be liberated. And that, in fact, includes the ur-dystopia.

“Visions of the apocalypse are at least as old as 1000 B.C.,” according to the dystopian historian Claeys. “The triumph of chaos over order defined the Egyptian ‘Prophecies of Neferti’ foretold the complete breakdown of society.” In it, the “great no longer rule the land,’ the ‘slaves will be exalted.’” The first dystopia, in other words, was a cautionary tale for the haves against sliding into the world of the have-nots. It’s hard not to shake that vibe from a lot of the Twitter commentariat, pointing at the protests from afar, going “man it’s so dystopian” and moving on to whatever the central animating conflict is in their own personal heroic narratives.

There are still useful deployments of dystopian language — it can certainly be effective shorthand for “this is fucked in a new way, pay attention.” A good example is this series of viral tweets that chronicle a day of peaceful protest where demonstrators were in turn greeted with the creepy electrified visage of Gov. Andrew Cuomo on a towering billboard, beaming down the newly instated curfew. A couple hours later, many protesters would be beaten.

NYC Has Become A Dystopian Novel: What Happened After 8pm Curfew

I’ve been to many protests and marches during my life, but I’ve never seen anything like what we experienced last night.

I think everyone around the country and world needs to understand what’s happening here. pic.twitter.com/kWdgdLxZ6M

— Frederick Joseph (@FredTJoseph) June 3, 2020

And dystopias can still jolt the politically uninvolved to wake up — this podcaster even pointed to Elysium as an entry point into radical politics. But the surfeit of commentary that amounts to “wow, this is like Blade Runner send tweet” needs an upgrade. White viewers like me need to rethink and reevaluate what it means to watch and read popular dystopian fiction, how those products are shaping our perspectives and critiques of the futures and what they’re missing. And many more Black voices clearly need to be added to the mainstream canon and the broader discussion — there’s tons of great Black dystopian fiction; Dhalgren by Samuel Delany, Who Fears Death by Nnedi Okorafor, Zone One by Colson Whitehead, pretty much anything by Ishmael Reed. Who Fears Death is in development for a TV series, which is a start, but these voices need to be better foregrounded and made central to modern dystopia discourse.

A lack of diversity has been a problem in science fiction since the genre’s inception, and it persists. When I went to the Nebulas, a high-profile sci-fi awards conference last year, attendees were overwhelmingly white. The fact that Octavia Butler’s magisterial Parable of the Sower — a dystopia that actually and skillfully manages to interrogate climate change, total economic collapse, privatization, and racist oppression — is somehow not a film or a limited series yet is as scathing an indictment of Hollywood’s insistence on whitewashing dystopias as anything. The book absolutely rips.

This is not to disparage anyone who feels like they’re living in a certain kind of almost-future hell. The number of people who genuinely experience the world as an impending or current dystopia is almost certainly rising in tandem with trends of still-increasing inequality. A decade of jobless recovery ended in 2019 with the highest levels of income inequality in 50 years, and record numbers of people of all backgrounds, even whites, are sliding into poverty and despair, and our encounters with climate change, technological surveillance, conservatism’s hard drift toward authoritarianism, and all of the above being increasingly mediated through digital devices. Our current socioeconomic system is now ideally structured to be a dystopian protagonist generator. It is rewarding elites with unprecedented wealth and luxury, equipping the agents of the state with increasingly advanced weapons and technology, exacerbating ecological collapse, and positioning us all to experience the devastation alone, blinking into a screen, hoping for tiny units of validation from a pithy comment or two about the state of the morass on social media. It is us versus [gestures wildly] all of that, out there.

Which makes it all the more imperative that white fans, pundits, and observers stop ignoring what it has historically meant to experience actual dystopian conditions. It means acknowledging and working to improve the material conditions for those who are surviving the current iteration, and not glibly waving off dystopia as some always-approaching, faceless Empire without zeroing in on the nation’s institutional prejudices, its targets for violence, its specific hatreds. It means we have to stop LARPing in appropriated fictions. It means understanding that this has always been a dystopia — and that those who have always resisted it are at the center of the story.

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