Category Archives: Media Literacy

Our Authentically Fake and Hypocritical Society of Copies

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By Edward Curtin

Source: Behind the Curtain

“Ditto,” said Tweedledum.
“Ditto, ditto!” cried Tweedledee.
– Lewis Carroll, Through The Looking-Glass

Sometimes a trifling contretemps can open a window onto significant issues.

As a case in point, The New York Times, a newspaper that regularly publishes U.S. propaganda without a bit of shame or remorse, recently reported on a controversy involving Simon & Schuster and Bob Dylan’s new book, The Philosophy of Modern Song. The report with the same information was repeated across the media.

The publishing company had offered limited-edition, authenticated, hand-signed copies of the book for $600 each.  Nine Hundred collectors and die-hard fans bought a copy, many, no doubt, caught in hero worship and the thought that a Dylan-penned signature would grant them a bit of his fame through the touch of his hand upon their lives.

The quest for immortality takes many forms, and the laying on of hands, even when done remotely through a signature, has long been a popular form of sleight-of-hand.

I once shook hands with an Elvis hologram impersonator and the thrill vibrated for days.

But these Dylan aficionados noticed something strange about the signatures: They didn’t seem to be actual signatures individually written with a pen by Dylan. As anyone knows from their own handwriting, no two signatures are the same, since the human hand is not a copy machine.  These signatures were identical.

It turned out that those who smelled a deception were right.  Under pressure from astute purchasers, Simon & Schuster had to come clean – sort of.  They offered to refund all purchasers for the deception. They released the following statement:

To those who purchased The Philosophy of Modern Song limited edition, we want to apologize. As it turns out, the limited editions books do contain Bob’s original signature, but in a penned replica form. We are addressing this immediately by providing each purchaser with an immediate refund.

This statement is a perfect example of double-talk, and more.

Then Dylan also apologized, saying that he used an auto-pen since he was suffering from vertigo and “during the pandemic, it was impossible to sign anything and the vertigo didn’t help.”  His apology seems sincere compared to the publisher’s double-talk, but then again, so did his signatures.  And the controversy has spread to the limited edition prints of his artwork.

“Limited edition prints” – a deception in itself, as if limiting the number of copies of an original painting makes them more original.  Ten dittos instead of eleven.

However, I am not primarily concerned with the nuances of this tempest in a teapot, which might disappear as fast as yesterday’s bluster, or it may forever tarnish Dylan’s reputation, which would be a shame if it also damaged the genuine greatness of his songs.

I would like to focus on the following matters that I have seen through its window: language usage, a society of copies, reading texts closely, and the degradation of literacy, all of which are tangled together with non-stop government propaganda disseminated by the corporate mass media to form a major social issue.

First, language.  Note in the Simon & Schuster apology the words: “As it turns out, the limited editions books do contain Bob’s original signature, but in a penned replica form.”  This is a clear deception twice over.  The books do not contain original signatures; they contain machine copies of it.  Phrasing it that way allows the company to plead innocent while also apologizing for its innocence as if they consider themselves guilty.  What exactly are they saying they are apologizing for?  Deceptions dittoed?

And the phrase “As it turns out,” implies that Simon & Schuster was surprised that the signatures were machine generated, which is highly improbable.  It also suggests they are not responsible; such verbiage approximates the common, passive introductory phrase “it so happens” or the equally non-literate “hopefully” to begin a sentence.

“It so happens” that I am writing these words and “it so happens” that you are reading them…as if we are victims of our own free choices.  Passive language for victims of fate who have learned to write and talk this way to avoid responsibility even for their own hope, as in: “I hope.”  Or maybe the widespread copycat use of “hopefully” is an unconscious attempt to deny pervasive hopelessness.  No matter how many times you repeat something doesn’t make it true.

The use of such language is a reflection of an age in which determinism has for decades been repeatedly promulgated to extinguish people’s belief in freedom.  Ditto: Saying “the exact same” doesn’t make the same more same through redundancy.  You can’t get any more same than same since same means identical, or any more opposite than opposite even if you say “the exact opposite.”  The English language is suffering.

To top it off, an esteemed book publishing company nearly a century old concludes with a sentence that a high school freshman – circa 1960 before all the dumbing-down of schooling – would realize was redundant with the words “immediately” (misplaced) and “immediate,” as if repetition would emphasize their contrition. “We are addressing this immediately by providing each purchaser with an immediate refund.”  Ditto.

But who notices these things?

Discerning readers – whether of the examples above or of a subtle controlled- opposition media article suggesting one thing while meaning another – are becoming rarer and rarer. Ideology, political party allegiances, and plain stupidity block many from grasping propaganda and media claims made out of thin air.

Anonymous sources, subtle phrasing, real or imagined intelligence sources, the use of words such as may, might, possible, could be, etc., are a staple of so much writing and broadcast news that they fly by people used to the speed of the digital life with texting and internet browsing where repetition and copying are king.  Yes, speed kills in so many ways.  The repetition of talking points across the major corporate media, something carefully studied and confirmed years ago, has become so obvious to anyone who chooses to take the time to investigate.  It’s not hard to do but few bother; they are too “busy.”  Thus propaganda and gibberish pass unnoticed.

Just as “The Real McCoy” (see the opening “Refrain” of Hillel Schwartz’ The Culture of the Copy) was a fake and the phrase came to represent the genuine to supposedly confirm authenticity, we are now living in an era of the counterfeit everywhere. Counterfeits of counterfeits.  Imposters.  Actors playing actors. Counterfeit traitors. Fabricated reality and copies of copies.  Ditto.  Ditto.  Ditto.  Lies about not lying.  (See The New York Times’, The Guardian’s, etc. deceptive, hypocritical, and self-serving joint letter asking the U.S government to end its prosecution of Julian Assange for publishing secrets.)

The Dylan controversy is a very minor example of a major issue that is little appreciated for its devastating impact on society.

For another minor example, we may ask how many times does one have to see the replay of Christian Pulisic’s recent goal against Iran in the 2022 World Cup to grasp its brilliance and to see that he was injured?  Two, three, five, ten?  And this is a sporting event, not some mall shooting or serious issue of war.  In a digital high-tech world repetition is the norm.  What does repetition do to the mind?

What does repetition do to the mind?

Despite the great sportsmanship shown by the players from both the U.S. and Iran on the pitch, U.S. Men’s Soccer executives, by deleting the Islamic Republic emblem from Iran’s flag on its social media sites, and the U.S. media tried repeatedly to politicize the game into a battle between the good Americans and the evil Iranians, even while a U.S. regime change color revolution was being attempted on the streets of Iran.

What does repetitious propaganda do to the mind?

Technology has not just allowed for machine signatures but has made us in many ways machine people who need to be hammered over the head time and again – and to like it. To go back again and again for more.  Everything but life has become repeatable.

Scott Fitzgerald’s Gatsby’s reply to Nick’s statement In The Great Gatsby – “You can’t repeat the past,” Nick tells Gatsby, who responds, “Can’t repeat the past? Why, off course you can!” – perfectly captures the “reality” of a digital screen culture of illusions in which many people have unconsciously come to believe that you can instantly replay life as well.

Indeed, to make people into machines is the goal of trans-humanists Klaus Schwab of the World Economic Forum with its Great Reset and the U.N.’s 2030 Agenda. Artificial intelligence (AI) for artificial people.  While there are innocent examples of repetition, the use of it is a fundamental tactic of propaganda, whether that be through words or images. And we are drowning in repeated media/government propaganda about the U.S. war against Russia in Ukraine, Covid19, Iran, China, Syria, etc.

It’s as easy as pie to innocently repeat, as I learned recently when my wife asked me to use her cell phone to take a photograph. Bumpkin that I am who despises these machines, rather than briefly hitting the button I held it down for a few seconds and took the same photo 67 ½ times.  It just so happened.

But the propagandists’ repetitions are no accident.  You can’t condemn Julian Assange year after year for posting U.S. war crimes – the Afghanistan War Logs – and then try to save your own ass after the man has been persecuted for more than a decade and counting.  The media who did this and then wrote the recent letter are counterfeit traitors to the truth and agents of the war criminals.  To call them journalists is to misuse language: They are imposters.

What does repetition do to the mind? asked Tweedledum to his identical twin Tweedledee.

Tweedledee replied, Look what it’s done to us.

The Twitter Files reveal influence of Russiagate disinformation

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The suppression of the Hunter Biden laptop story shows how the Russian boogeyman is wielded to serve political goals and bury inconvenient facts.

(Jakub Porzycki/NurPhoto via Getty Images)

By Aaron Maté

Source: Aaron Maté Substack

Since 2016, US audiences have been flooded with claims that Russia has waged a “sweeping and systematic” interference campaign to influence them, and that Donald Trump and a bottomless cast of associates were somehow complicit.

No “scandal” in US history has yielded such a lengthy rap sheet of falsehoods, debunkings, and retractions. The Mueller investigation and parallel Congressional inquiries found no evidence for the all-consuming theories of a Trump-Kremlin conspiracy. Allegations of Russian government email hacking and social media operations are equally dubious, most notably on the foundational allegation that Russian intelligence stole Democratic Party emails and gave them to Wikileaks.

Even if we were to ignore the evidentiary gaps and accept each assertion about “Russian interference” at face value, the totality could in no way justify even a shred of the multi-year Russia-mania. With no shame and without end, prominent political and media voices have imbued Russian bots, memes, and hackers — real or imagined — with the power to “sow chaos” in US society, swing election results, and even become worthy of comparison to the attacks of Pearl Harbor and 9/11.

Given the Iraq WMD-esque preponderance of hyperbole and outright lies in the incessant claims of Russian subterfuge, it is reasonable to conclude that the US intelligence officials and political-media actors who have spread them are waging exactly what they accuse Russia of: a politically motivated disinformation campaign aimed at influencing the general public.

The newly disclosed Twitter Files — a cache of internal communications from the social media giant — offer new evidence of one of the Russiagate disinformation campaign’s core functions: protecting the rule of domestic elites, particularly in the Democratic Party.

In two consecutive presidential elections, the Russian boogeyman has been invoked to stigmatize and silence reporting on the Democratic candidate. It began in 2016, when journalists who reported on the stolen DNC emails’ revelations about Hillary Clinton’s Wall Street speeches or the DNC’s bias against Bernie Sanders were blamed for Trump’s victory and deemed to be unwitting Kremlin dupes promoting “disinformation” – in reality, factual material that embarrassed the pre-ordained winner.

Four years later, that same playbook was deployed for Clinton’s successor at the top of Democratic ticket, Joe Biden. In the weeks before the November 2020 election, Twitter and Facebook censored the New York Post’s reporting about the contents Hunter Biden’s laptop on the grounds that the computer material could be “Russian disinformation.” The Post’s stories detailed how Hunter Biden traded on his family name to secure lucrative business abroad, and raised questions about Joe Biden’s denials of any involvement.

The US media responded to the suppression of the laptop story with indifference or even approval. In one notable case, Glenn Greenwald resigned from the outlet that he co-founded, The Intercept, after its editors attempted to censor his coverage of the laptop controversy. Even stories that had long been public — such as the unqualified Hunter receiving an $80,000-per-month Burisma board seat just months after his father’s administration helped overthrow Ukraine’s government – were effectively off-limits.

There was never a shred of evidence that Russia was behind the laptop story, but that was of no consequence. Dutiful media editors, reporters, and pundits took their cues from a group of more than 50 former intelligence officials, who issued a statement declaring that the Hunter Biden laptop story “has all the classic earmarks of a Russian information operation.”

These intelligence veterans’ claim was in fact a classic Russiagate disinformation operation, as the Twitter files newly underscore.

Hollywood and it’s Useful Idiots: Propaganda for the War in Ukraine, Big Pharma, and Every Other Globalist Agenda

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By Timothy Alexander Guzman

Source: Silent Crow News

Alistair Cooke, a British-born writer who became a BBC film critic early in his career who worked mainly in the United States as a journalist, television personality, radio broadcaster had expressed his honest point of view on Hollywood’s film industry when he said that “I believe that Hollywood is the most effective and disastrous propaganda factory there has ever been in the history of human beings.” Since World War II, Hollywood has been one of the main instruments of propaganda for globalist agendas. It began with US President, Franklin D. Roosevelt who established the US Office of War Information (OWI) from June 1942 until September 1945 whose job was to regulate newspapers, radio broadcasts, Hollywood films and all other forms of media in order to propagandize the public in an effort to gain support for America’s involvement in the war. The OWI launched a global propaganda campaign that oversaw revisions in collaboration with Hollywood producers, and at times, even rejected film scripts that portrayed the US as a negative force on the world stage.  The OWI’s main job was to reject any film that had anti-war material.  There was also the Bureau of Motion Pictures (BMP) which was a division under the OWI that worked with Hollywood executives to decide which movies could benefit the war effort, for example, it authorized several films that had anti-Japanese propaganda, sort of like todays anti-Russia propaganda you find in many Hollywood films. However, over the last 20 years or so, Hollywood propaganda has even become even worse with the help of its Hollywood celebrities who have become mouthpieces for globalist agendas, so let’s call them for what they really are, ‘Useful Idiots.’

It’s amazing that for the last couple of decades many Hollywood celebrities have become self-described experts and spokespeople for US wars, Big Pharma, climate change and other globalist agendas.  Hollywood celebrities act and sing for a living, wear expensive name-brand clothing, and in some cases exploit their children to be part of the new woke culture. The so-called “Hollywood activists” such as George Clooney, U2 lead singer Bono, and the rest of them are phony as they can be. However, in all fairness, there are a handful of celebrities who do not, in any way fall into that category including Mel Gibson who is outspoken critic on Jewish power in Hollywood, comedian and actor George Carlin (R.I.P.), Marlon Brando, John Lennon (R.I.P.) and a handful of others.  When it comes to Israeli occupation and genocide against the Palestinians, Javier Bardem, Penelope Cruz, singer-songwriter and composer Roger Waters, Natalie Portman, and actress Vanessa Redgrave come to mind. In 1978, Vanessa Redgrave won an Oscar for best supporting actress in the film ‘Julia’ gave an acceptance speech at the 50th Academy Awards which she denounced Israel’s war against the Palestinians.  Redgrave said that “a small bunch of Zionist hoodlums whose behavior is an insult to the stature of Jews all over the world.”  The British actress had claimed in the past that far-right Jewish Defense League targeted her for producing the 1977 documentary ‘The Palestinian’. 

Most Hollywood celebrities who toe the line will do and say anything to remain relevant in the film and television industries, so they also follow the mainstream media narratives or listen to their Hollywood bosses, or maybe they are just dumbed-down individuals, just ask outspoken actor and comedian Ricky Gervais who had an iconic opening monologue in the Golden Globe awards ceremony in 2020 that will be remembered for the ages:

So, if you do win an award tonight, don’t use it as a platform to make a political speech. You’re in no position to lecture the public about anything. You know nothing about the real world. Most of you spent less time in school than Greta Thunberg.

So if you win, come up, accept your little award, thank your agent, and your God and fuck off, OK? It’s already three hours long. Right, let’s do the first award

Sean Penn and Ben Stiller: War against Russia

Although talented, two of the most idiotic actors in Hollywood when it comes to the war in Ukraine is Sean Penn and Ben Stiller.  Last month, Sean Penn recently visited and lent Ukrainian President Volodymyr Zelensky his Oscar while Zelensky awarded Penn the Order of Merit honor because he is “doing everything to help us gather international support” according to Reuters.  The article ‘Sean Penn visits Ukraine’s Zelensky, loans him an Oscar’ stated that “Hollywood actor and director Sean Penn, sanctioned by Russia for criticizing its war in Ukraine, loaned his Oscar statuette to Ukrainian President Volodymyr Zelenskiy during a visit to Kyiv on Tuesday.” 

The other actor is Ben Stiller who played an idiotic model in Zoolander and many other films called Zelensky his hero.  According to NBC News ‘Ben Stiller meets with Zelenskyy in Kyiv, tells Ukrainian leader ‘You’re my hero’ said that “The comedy star praised the Ukrainian president — himself a former comedian and actor — as a hero during the meeting, telling him: “You’re amazing” and that “It’s a great honor for me,” Stiller, who was appointed a UNHCR goodwill ambassador in July 2018, said in video capturing the meeting. “It’s really wonderful, you’re my hero. You’re amazing.”  So Stiller jumps on the Zelensky bandwagon just like most of his Hollywood friends to help the Western narrative that the war in Ukraine is about “freedom and democracy.”

But I want to go back to Sean Penn and his incredible hypocrisy when it comes to US wars and regime change.  In 2011, US President Barack Obama and Hillary Clinton gave US forces and NATO the greenlight to remove Libyan President, Muammar Gaddafi from power which destroyed Libya in the process.  Here is the interview with Sean Penn on CNN on his claim that it was all Gaddafi’s fault:

Obviously, the war on Libya was run by the Democratic Party so for Penn it was justified.  Now here is Sean Penn questioning the Bush Administration on WMDs in Iraq on December 15th, 2002.  The war on Iraq was basically a Republican Party affair under the Bush neocons:

Sean Penn’s hypocrisy is clearly staggering. He is a total propagandist for the US war machine.  Although Sean Penn has supported Venezuela’s revolution and other causes such as the Haiti’s earthquake in 2010 where he founded the J/P Haitian Relief Organization which operated a 55,000 person tent camp for victims of the earthquake, he is still a mouthpiece for the Democratic party and any regime change operation they deem necessary, so it is fair to say that both, Sean Penn and Ben Stiller are useful idiots.

Celebrities who Proudly Received their Covid-19 Vaccines

I am not going to get into the global lockdown and the dangers of the Covid-19 vaccine and the ridiculous enforcement of wearing facemasks or social distancing rules, so here are what several celebrities have posted on Instagram and twitter after they received their shots :

Lady Gaga:

“Double vaxed + boosted…don’t 4get to still wear a mask this sh*ts contagious ,

America Ferrara:

“Boosted for the holidays!  Thankful for the miracle of science and medicine allowing me to be with my loved ones safely this year 

Amber Heard:

 “Did someone say ‘vaccine queen’?! ” 

Sean Penn (No Surprise here!):

“I’m a lucky man. Lucky to work alongside the ⁦@LAFD & our great frontline @CoreResponse staff, our partners at Carbon Health, USC, & Curative Lab,” he tweeted. “We test & vaccinate thousands per day. We need your support to get more people lucky. Text CORE to 707070 to donate.”

*Note: Sean Penn was interviewed by Yahoo Entertainment and said that “My deep belief personally, is that these [vaccines are] no different than having everybody being able to drive 100 miles an hour in a car” he continued “This is one of those things that should be mandatory. That we all get with the exception — the very few exceptions — for those people who, for whatever medical condition, might offset it, but I do think that vaccines need to be mandatory, and I do think that business — all businesses, the movie business, all businesses — need to take the lead and to be not so timid in dealing with their collective bargaining agreement partners.”

Arnold Schwarzenegger:

 “All right, I just got my vaccine, and I would recommend it to anyone and everyone, come with me if you want to live.”

Despite all the evidence that the Covid-19 vaccines are dangerous and that wearing a facemask or social distancing does not work which brings me to the conclusion that these Hollywood celebrities are either brainwashed by the mainstream media, or they are just following the lies of Anthony Fauci who was elevated to celebrity status during the Covid-19 “pandemic”.  These people are not role models, they are just following what the medical establishment has prescribed to the public.  They are propagandizing the public to take Covid-19 killer shots which demonstrates that no one should listen to these people. Once you inject the MRNA technology into your body, its forever, its permanent and you cannot detox to get rid of it.  So in other words, don’t listen to these fools.

The Truth about Hollywood

There is no doubt that Hollywood has produced good films in the past but the Hollywood of today should focus on producing better movies and TV shows because most of their films are made only for propaganda purposes. In fact, many films today have no originality, better yet, there should be an alternative Hollywood that produces films without any form of propaganda that are worth watching. They can produce films that tells us real stories from around the world, like stories that come out of the Palestinian struggle or what is happening in certain parts of Africa as in the Hollywood movie ‘Blood Diamond’ with Leonardo DiCaprio and Djimon Hounsou that tells the story about the Diamond industry and its effects on the African people. Instead they produce propaganda films based on the US Military fighting for democracy or numerous films based on the Jewish Holocaust. When was the last time you saw a film based on the genocide of a Native American tribe on the North American continent?

However, Hollywood is pretty good at producing movies that offend different nationalities and cultures.  As we all know who really runs Hollywood, one documentary that shows some of the most offensive films based on the Muslim world is called ‘Reel Bad Arabs: How Hollywood Vilifies a People’ by Dr. Jack Shaheen. 

Hollywood and their useful idiot celebrities are propagandists who support the war in Ukraine, the Covid-19 vaccines and other globalist agendas including the concept of eating bugs as recommended by the World Economic Forum.  The bottom line is that Hollywood and their useful idiot celebrities are a bunch of clowns that should not be taken seriously, so why do people around the world idolize these people in the first place is beyond me.

What is the Rules-Based Order?

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By Kim Petersen

Source: Dissident Voice

In fits of, what might well be termed, masochism, some of us now-and-then tune in to the legacy media. When doing so, one is likely to hear western-aligned politicians rhetorize ad nauseam about the linguistically vogue rules-based order. Now and then, the word “international” is also inserted: the rules-based international order.

But what exactly is this rules-based order?

The way that the wording rules-based order is bandied about makes it sound like it has worldwide acceptance and that it has been around for a long time. Yet it comes across as a word-of-the-moment, both idealistic and disingenuous. Didn’t people just use to say international law or refer to the International Court of Justice, Nuremberg Law, the UN Security Council, or the newer institution — the International Criminal Court? Moreover, the word rules is contentious. Some will skirt the rules, perhaps chortling the aphorism that rules are meant to be broken. Rules can be unjust, and shouldn’t these unjust rules be broken, or better yet, disposed of? Wouldn’t a more preferable wording refer to justice? And yes, granted that justice can be upset by miscarriages. Or how about a morality-based order?

Nonetheless, it seems this wording of a rules-based order has jumped to the fore. And the word order makes it sound a lot like there is a ranking involved. Since China and Russia are advocating multipolarity, it has become clearer that the rules-based order, which is commonspeak among US and US-aligned politicians, is pointing at unipolarity, wherein the US rules a unipolar, US-dominated world.

An Australian thinktank, the Lowy Institute, has pointed to a need “to work towards a definition” for a rules-based order. It asks, “… what does America think the rules-based order is for?

Among the reasons cited are “… to entrench and even sanctify an American-led international system,” or “that the rules-based order is a fig leaf, a polite fiction that masks the harsh realities of power,” and that “… the rules-based order can protect US interests as its power wanes relative to China…”

China is aware of this, and this is expressed in the Asia Times headline: “US ‘rules-based order’ is a myth and China knows it.”

The Hill wrote, “The much-vaunted liberal international order – recently re-branded as the rules-based international order or RBIO – is disintegrating before our very eyes.” As to what would replace the disintegrated order, The Hill posited, “The new order, reflecting a more multipolar and multicivilizational distribution of power, will not be built by Washington for Washington.”

The Asia Times acknowledged that it has been a “West-led rules-based order” and argued that a “collective change is needed to keep the peace.”

It is a given that the rules-based order is an American linguistic instrument designed to preserve it as a global hegemon. To rule is America’s self-admitted intention. It has variously declared itself to be the leader of the free world, the beacon on the hill, exceptional, the indispensable nation (in making this latter distinction, a logical corollary is drawn that there must be dispensable nations — or in the ineloquent parlance of former president Donald Trump: “shithole” nations).

Thus, the US has placed itself at the apex of the international order. It seeks ultimate control through full-spectrum dominance. It situates its military throughout the world; it surrounds countries with bases and weapons that it is inimically disposed toward — for example, China and Russia. It refuses to reject the first use of nuclear weapons. It does not reject the use of landmines. It still has a chemical-weapons inventory, and it allegedly carries out bioweapons research, as alluded to by Russia, which uncovered several clandestine biowarfare labs in Ukraine. This news flummoxed Fox News’ Tucker Carlson. Dominance is not about following rules, it is about imposing rules. That is the nature of dominating. Ergo, the US rejects the jurisdiction of the International Criminal Court and went so far as to sanction the ICC and declare ICC officials persona non grata when its interests were threatened.*****Having placed itself at the forefront, the US empire needs to keep its aligned nations in line.

Thus it was that Joe Biden, already back in 2016, was urging Canada’s prime minister Trudeau to be a leader for rules-based world order.

When Trudeau got together with his Spanish counterpart, Pedro Sánchez, they reaffirmed their defence of the rule-based international order.

It is a commonly heard truism that actions speak louder than words. But an examination of Trudeau’s words compared to his actions speaks to a contradiction when it comes to Canada and the rule of law.

So how does Trudeau apply rules based law?1

Clearly, in Canada it points to a set of laws having been written to coerce compliance. This is especially evident in the case of Indigenous peoples.2

It seems Canada is just a lackey for the leader of the so-called free world.

One of the freedoms the US abuses is the freedom not to sign or ratify treaties. Even the right-wing thinktank, the Council on Foreign Relations lamented, “In lists of state parties to globally significant treaties, the United States is often notably absent. Ratification hesitancy is a chronic impairment to international U.S. credibility and influence.”

The CFR added, “In fact, the United States has one of the worst records of any country in ratifying human rights and environmental treaties.”

It is a matter of record that the US places itself above the law. As stated, the US does not recognize the ICC; as a permanent member of the UN Security Council, the US has serially abused its veto power to protect the racist, scofflaw nation of Israel; it ignored a World Court ruling that found the US guilty of de facto terrorism for mining the waters around Nicaragua.

The historical record reveals that the US, and its Anglo-European-Japanese-South Korean acolytes, are guilty of numerous violations of international law (i.e., the rules-based, international order).

When it comes to the US, the contraventions of the rules-based order are myriad. To mention a few:

  1. Currently, the US is occupying Syria and stealing the oil of the Syrian people;
  2. It attacked, occupied, and plundered Afghanistan;
  3. It has been carrying out an embargo, condemned by the international community, against Cuba and its people for six decades;
  4. The US has been in illegal occupation of Cuba’s Guantanamo Bay since 1903; even if deemed to be legal, it is clearly unethical;
  5. American empire has a history of blatant, wanton disregard for democracy and sovereignty;
  6. The US funded the Maidan coup that overthrew the elected president of Ukraine, leading to today’s special military operation devastating Ukraine, which continues to fight a US-NATO proxy war.
  7. Then, there is the undeniable fact that the US exists because of a genocide wreaked by its colonizers, which has been perpetuated ever since.
  8. Even the accommodations that the US imposed on the peoples it dispossessed are ignored, revealed by a slew of broken treaties.3

The history of US actions (as opposed to its words) and its complicit tributaries needs to be kept firmly in mind when the legacy media unquestioningly reports the pablum about adhering to a rules-based order.

  1. See also Yves Engler, “Ten ways Liberals undermined international rules-based order,” rabble.ca, 17 September 2021. []
  2. Read Bob Joseph, 21 Things You May Not Know About the Indian Act: Helping Canadians Make Reconciliation with Indigenous Peoples a Reality, 2018. []
  3. Vine Deloria, Jr., Behind the Trail of Broken Treaties: An Indian Declaration of Independence, 1985. This governmental infidelity to treaties is also true in the Canadian context. []

Why the CIA’s Operation Mockingbird is Widely Misunderstood

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By Alex Constantine

Source: Constantine Report

In November, Newsweek, one of the most trusted news sources in the land, referred to Operation Mockingbird (CIA influence on the media, and, in many cases, infiltration) as “a supposed Cold War-era CIA program that is frequently referenced by QAnon conspiracy theorists.” (Source) Newsweek, of course, and the Washington Post were hubs in the Mockingbird network, so denial and misrepresentation are understandable.

But in the real world of CIA shenanigans …

Sourcewatch: “Operation Mockingbird was a secret Central Intelligence Agency campaign to influence domestic and foreign media beginning in the 1950s.

“The activities, extent and even the existence of the CIA project remain in dispute: the operation was first called Mockingbird in Deborah Davis’ 1979 book, Katharine the Great: Katharine Graham and her Washington Post Empire. But Davis’ book, alleging that the media had been recruited (infiltrated) by the CIA for propaganda purposes, was itself controversial and has since been shown to have had a number of erroneous assertions. More evidence of Mockingbird’s existence emerged in the 2007 memoir American Spy: My Secret History in the CIA, Watergate and Beyond, by convicted Watergate “plumber” E. Howard Hunt and The Mighty Wurlitzer: How the CIA Played America by Hugh Wilford (2008).”

https://www.sourcewatch.org/index.php/The_CIA_and_journalism

Carl Bernstein wrote about the program at length in Rolling Stone, and he waasn’t a QAnon adherent. Neither were the many journalists who have documented the history of the CIA-media relationship.

A misunderstanding about the code name Mockingbird has led some investigative reporters to dispute the operation’s existence. An FOIA request is submitted to the CIA for any related records. The Agency responds that it has no files under that code name. The journalist does receive documents on a Project Mockingbird, but that was an unrelated media surveillance op, and had nothing to do with Wurlitzers pumping out military-industrial propaganda. The journalist does his research, he finds that the CIA has, in fact, influenced public opinion via the news media, but where is the nomenclature Operation Mockingbird?

The journalist then brow-beats “conspiracy theorists” for falling into rabbit holes.

The fault lies with the reporter who doesn’t do essential homework on the origins of the bird. Officially, there is no  “Operation Mockingbird,” for the simple reason that the CIA didn’t exist when the it was conceived. Truman signed the Agency into existence in 1947. Allen Dulles, who would be appointed as its director, christened Operation Mockingbird the year before the Agency was born. His ambition to control men’s minds was a glint in his eye at the time. Cold war loomed, and he considered propaganda to be a priority. Dulles began lining up publishers, editors and journalists for an undertaking he thought of as mass mind control.

Nearly all of the CIA’s mind control files were destroyed in January, 1973 at the direction of DCI Richard Helms, so it’s possible that OM documents were among them. (Source: “Joint Hearings Before the Select Committee on Intelligence,” August 3, 1977, p. 3.)

By the time the CIA was repurposed from the obsolete postwar OSS, Operation Mockingbird was already well underway. As CIA director, Dulles pressed on with his objective to manipulate the common volk with dodgy news copy and op-ed treatises. It was a Dulles initiative before the CIA took Mockingbird under its wing.

Frank Wisner, the notorious Nazi recruiter, was selected to oversee the program. Wisner was recruited by Dean Acheson 1947 for a slot in the State Department’s Office of Occupied Territories. Shortly thereafter, the CIA created a the Office of Policy Coordination (OPC), the covert operations division of the Agency,  and Wisner was put in charge of the off-the-books media operation. (“Project Mockingbird,” the CIA journalist surveillance op, may well have been a sub-program.) So Mockingbird was a going concern by 1950, the year given by SourceWatch, among others, for its inception. Another common misunderstanding is the assumption that, because the CIA interacts with the media, all news is “fake news.” It isn’t. The overwhelming majority of journalists are independent of control beyond the editor’s desk. The lion’s share of all news reports are accurate enough — with the exception of the ultra-conservative echo chamber. But “fake news” is planted in the public print. Reader’s Digest, for instance, was a Mockingbird disinformation outlet for decades, and still prints propaganda. But the magazine wasn’t filled cover-to-cover with CIA perception management. One or two articles on Cold War topics were dropped into a mix of compressed books, human interest pieces, recipes, dieting tips, and the usual Digest  mom’s-jowls content. In some instances, paid CIA assets wrote the political articles. It’s the occasional planted story that warps public opinion. It’s not all that heavy-handed, a poison pill not a sledge hammer.

Newsweek was (and is) among the magazines most useful to the Operation. The code name may be unofficial, but infiltration of the media is not hard to prove, and it doesn’t take a complicit news weekly to know which way the wind blows.

Prostitutes of the Press

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By Stephen Lendman

Source: The Stephen Lendman Blog

Western MSM operate as fake news ministries of truth in nations where they’re located.

They’re bribed with big bucks to lie and mass-deceive by sticking exclusively to the fabricated official narrative.

On major world and national issues, what’s reported on TV, radio or in print is based on state-approved talking points.

Orwell long ago explained today’s reality, his no longer fiction dystopian “1984” novel saying the following:

“The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation.” 

“These contradictions are not accidental, nor do they result from from ordinary hypocrisy.”

“They are deliberate exercises in doublethink.”

Orwell’s Ministry of Truth was all about controlling the message, eliminating whatever conflicts with it, memory holes used for this purpose.

What’s suppressed is “whirled away (in) enormous furnaces…devoured by flames,” Orwell, adding:

“(T)here were the directing brains who co-ordinated the whole effort and laid down policy which made it necessary that this fragment of the past should be preserved, that one falsified, and the other rubbed out of existence.”

No memory holes are needed today throughout the decadent, depraved West.

MSM operate as willing co-conspirators in support of manipulating the public mind with rubbish unfit to print or report electronically.

A daily diet of fake news over the real thing includes drug pushing by heavily promoting health-destroying kill shots, the scourge of Nazism in Ukraine and use of its criminal class for perpetual war on Russia because it’s free from hegemon USA control.

Truth and full disclosure are mortal enemies of peace, equity, justice, imperial rampaging and the rule of law.

So MSM are used to suppress what conflicts with the fabricated official narrative in support of hegemon USA-dominated NATO’s war on humanity domestically and worldwide.

Russia and China are targeted for regime change because they alone stand in the way of the US war party’s drive for unchallenged hegemony by a policy of perpetual war-making on invented enemies.

Throughout the US/West, free and open societies, including democracy as it should be, are virtually banned.

Nor do their ruling regimes tolerate these notions anywhere, targeting them for elimination where exist.

Yet state-approved MSM-proliferated fake news, information and opinion pretend otherwise.

Turning reality on its head and trampling on it, they pretend that Nazi-infested Ukraine is democratic, that its battered and degraded military is defeating overwhelmingly superior Russian firepower.

And well over $100 billion worth of weapons, munitions and equipment supplied to Ukrainian Nazis by US/Western regimes since 2014 were largely destroyed by Russia or resold by Kiev kleptocrats for self-enrichment.

Unable to defeat Russia’s military superiority on the battlefield, regime troops largely focus on terror-shelling of its residential areas in Donetsk, Lugansk and elsewhere to kill, injure and terrorize noncombatants in harm’s way.

Yet US/Western regimes, Kiev Nazis and their MSM press agents falsely blame Russia for war crimes committed against the state and its people.

There’s been no ambiguity about the ability of Russian forces to demilitarize and deNazify Ukraine from day-one of its liberating SMO.

And sanctions war on Russia by US/Western regimes is deindustrializing Europe as planned by the empire of lies, while leaving the Russian Federation largely unscathed. 

Separately on Wednesday, Sergey Lavrov stressed the following:

Hegemon USA-dominated Western regimes “closed ranks” against Russia.

“Their mentality of domination” is hard-wired with no signs of “moderat(ing).”

Russia is “at war with the collective West led by” nuclear armed and recklessly dangerous USA.

“China is next in line.”

“It poses the most formidable and systemic longterm challenge and is the only country capable of surpassing (hegemon USA) in almost all areas” to eventually become the dominant world power politically, economically, financially and militarily.

The notion has both wings of the US war party planning for war on a nation it cannot win.

Yet with Taiwan as an invented pretext like Ukraine is used against Russia, the threat of war on China by the empire of lies is ominously real. 

Built on a one-China foundation a half century ago, normalized Sino/US relations no longer exist.

A state of war exists by hegemon USA against nonthreatening Russia, China earmarked for regime change by its war party in similar fashion.

Brave new dystopian world order proponent/notorious international con man, George Soros, once said we need a global sheriff.

Did he have hegemon USA or himself in mind by enforcing a policy of perpetual war on humanity?

Questioning The Official Story About Official Stories: A Role for Citizen Investigations

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By Time Hayward

Source: Tim Hayward Blog

Official stories, according to the official story about them, are (nearly) always true. The ‘nearly’ gets mentioned just because, on rare occasions, an official story is acknowledged to have been wrong, as, for instance, with Iraq’s falsely alleged weapons of mass destruction in 2003. But that’s considered an exception to the rule, and to extrapolate from it to a more pervasive mistrust is to be foolish, ill-informed or even a dupe of hostile propaganda. In fact, diagnosing what is wrong with sceptics about official stories, and proposing ways of curing or otherwise dealing with them, are now becoming a growth industry in the media and academia. So we hear a lot about how dissenting from official narratives is to fall victim to ‘conspiracy theory’ or ‘disinformation’; and dissenters may be diagnosed as needing re-education or even psychological help. As for the dissent itself, this is increasingly subject to censure and censorship.

However, a major question is left unaddressed: What is it that’s supposed to make official stories so credible?

The assumption is that official stories are produced by people with relevant expert knowledge, so disputing them is a product of ignorance; and since experts have credentials, experience and the backing of competent institutions, rejecting their expertise is unwise or even delusional. Also assumed is that official stories are generally produced and disseminated in good faith.

But are those assumptions generally warranted? In probing their grounds we are brought to question whether the official meta-story, as we may call it, overstates reasons for automatically accepting official stories and underestimates the competence that members of the public can bring to independent inquiries.

Why Believe Official Stories?

No serious thinker would suggest that an official story should be believed just because it comes from officials. Indeed, use of the very expression ‘official story’, in practice, tends to imply that there is also some alternative story that does not have the backing of officials but might be more credible. We know, too, that many societies from various times and places have maintained order by invoking all manner of mythological stories, ideological stories, and blatantly discriminatory stories. Sometimes this has meant denying, suppressing or persecuting as heretics people engaged in rigorous intellectual questioning of officialdom.

A more plausible reason for believing official stories has been set out by the philosopher Neil Levy (2007). He points out that we all know most of the things we know in life because we have learned them from others: our direct personal experience of the world is extremely limited compared to the expanse of our general knowledge and the intricacies of our more specialist understandings. We rely on the testimony and good faith of others in almost everything we do, so just to live a normal life in society we trust a wide range of institutions and social arrangements. To doubt their general dependability would contradict the tacit assumptions that get us through life and would render inexplicable how even a tolerably well-ordered society could ever be possible.

The force of that consideration is strong, but not absolute – and how strong also depends on what kinds of communication we are referring to as official stories. It is strongest if one uses the term to refer to all public communications that emanate from an official source. In actual usage, however, that is not how the term ‘official story’ is normally understood. We don’t regard it as an ‘official story’ that to get a passport you need to submit an authenticated photograph of yourself; we don’t regard it as an ‘official story’ that in UK cars are to be driven on the left; and nor do we these days regard it as an ‘official story’ that smoking is bad for our health. By far the greater part of public pronouncements, like these, are simply taken to state how matters stand. When the distinctive term ‘official story’ occurs, it is typically in contexts where a public pronouncement has met with scepticism. So, for example, whereas we seldom nowadays hear the rationale for mandating wearing seatbelts in cars referred to as an ‘official story’, because there is no longer serious dissent, recent claims that the rationale for mandating mRNA injections against SARS-Cov2 was substantially comparable to that for seatbelts encountered resistance: the ‘official story’ about the benefits and safety of the mRNA injections has been subject to criticism from some sections of medical and scientific communities.

Of course, the mere fact of scepticism in some quarters does not mean that a given official story is necessarily mistaken, but it does highlight how an official story is not just an uncontroversial statement of how matters stand. It leads thoughtful people to look more closely at the nature of authority claimed for an official story.

Are There Experts in Expertise?

The authority claimed for official stories derives, as Levy explains, from the fact of being produced by ‘people socially acknowledged as the relevant experts on a topic’ (Levy 2022). Relevance here is understood in terms of knowledge and experience relating to the salient subject matter. However, certain people might officially be appointed as relevant experts, on other bases, such as known affinities with the organisation’s mission. So it is possible for designated experts to support an official story while a number of other people with materially relevant knowledge and experience take a quite different view.

Even among designated expert advisers, however, achieving an authoritative consensus on the kind of matter that official stories relate to is not straightforward. This is for reasons similar to those involved in giving policy advice (see e.g. Grundmann 2017). Insofar as an official story appeals to a scientific basis, it should be borne in mind that findings of science – a process of open, collaborative and progressive inquiry – have a provisional status, with all scientific statements being in principle corrigible. This means that a scientific adviser’s confidence can never be completely unconstrained or unhedged. Zeynep Panuk (2021) refers to a ‘paradox of scientific advice’ that arises from the difficulties of basing decisions on scientific knowledge that is almost always uncertain and subject to disagreement. Panuk cites experience of how overconfident scientists in advisory committees may suppress dissent so as to present a consensus view, only to find that its implementation had unfortunate or even disastrous consequences. Recent experiences of overconfident pronouncements on ‘The Science’ during the Covid pandemic have furnished further examples (Miller 2022; Nelson 2022).

The kind of controversy for which an ‘official story’ comes into play will not normally reduce to some specialist detail of basic science, or even a collection of these, but will concern a situation involving many factors – including those pertaining to social organisation, human action and decision-making. Such situations are similar to those where policy advice is sought from scientific experts (SAPEA 2019 Ch. 2; Martin et al 2020). Official stories are seldom if ever straightforward statements of scientific opinion on a single well-defined scientific research question: they typically relate to situations where many interacting variables may not all be clearly disaggregable. There is in principle no necessary reason why an independent and unofficial grouping of investigators with materially relevant expertise might not be as well-suited to an inquiry as an official grouping. In fact, challenges to official stories can sometimes draw on impressive constellations of expertise.

Citizen Investigations

If the official meta-story may overestimate the dependability of designated expert advice, it may also underestimate the investigative competence of ordinary citizens. For challenges to official stories can be mustered not just by isolated individuals, caricatured as ‘doing their own research’ while ‘reading things on the internet,’ but by well-informed collaborative groups. These can be better able to track truths than independent individuals: ‘the superiority of the group over the individual does not require that one member has the right answer prior to deliberation: group deliberation may enable the aggregation of the genuine insights of several members and the rejection of the false hypotheses of some of the same individuals.’ (Levy 2019: 316)

Furthermore, if it is the case that ‘[g]roups of individuals who are strangers to one another are better at tracking truths than groups of individuals who have a shared history’ (Levy 2019: 318) then this is an advantage of groups comprising people who come together in cyberspace from all walks of life and may have little or no biographical information about those they connect with. Citizens doing their own research sometimes start their own Wikis, or form groups on Reddit, or informally deliberate via Twitter or Telegram. Sometimes they create investigative collectives offline.

It was from participating in chatrooms, for instance, that the now much-feted organisation Bellingcat originated: its founder, Eliot Higgins, a gamer-turned-investigative-citizen, would review copious amounts of war footage from his sofa in Leicester and discuss his observations in chatrooms. The work of his investigative collaborative has come to be ‘commended in the global media and by global agencies such as Amnesty International and Human Rights Watch.’ (Nguyen and Scifo 2018: 377) Impressed by the methods of ‘open source intelligence’ (D’Alessandra and Sutherland 2021), curators of official stories in the West – particularly those relating to geopolitical issues involving Russia – have bestowed accolades on Bellingcat, along with generous funding and encouragement.

So, there is precedent for treating citizens’ investigations as authoritative. Other groups of citizen investigators, that do not receive any funding, have mounted significant challenges to some of the West’s own official stories. Thus, directly countering Bellingcat, on occasion, is the Working Group on Syria, Propaganda and Media which has earned the confidence of whistleblowers rather than officials (OPCW 2020).

Aside from the benefits of collaboration, the reality of serious dissent in the digital sphere is that it can involve myriad critical individuals with significant independent claims to epistemic authority in their professional fields and who exhibit judicious awareness of both their own limitations and the value of others’ insights. For instance, challenging various official narratives are whistleblowers who include scientists, diplomats, intelligence officers, and various state or corporate employees. Challenges come too from professionals with relevant specialist expertise across fields like medicine, architecture, engineering, pharmaceuticals, and a gamut of others. Also worth highlighting are those journalists with previous careers in mainstream media organisations who found they could only maintain their professional integrity by becoming independent.[1] When a group of people independently deliberating together can include, for instance, a former head of a nation’s armed services, a UN weapons inspector, a senior diplomat, an intelligence officer, a world leading International Relations expert and a seasoned war correspondent, the insights they generate regarding situations relevant to foreign policy may well be no less sound than those informing the official story.[2] Indeed, in virtue of their freedom from institutional constraints, they may be more reliably informative for the public than the official story.

If serious challenges to official stories have become more prevalent in recent years, as they arguably have, this is likely due in good part to the sheer extent to which mainstream media have excluded the voices of experts who, maintaining their professional integrity and independence in the face of sometimes considerable hostility, have continued to articulate their challenges to official stories. Attentive members of the public notice this – just as they notice when the force of the state is brought to bear on those who bring to light its lies and malfeasance, and not only in high profile cases like Edward Snowden, Chelsea Manning, Katharine Gun or Julian Assange.

Part of the official meta-story currently is that the internet and social media are being flooded by targeted disinformation that is misleading and confusing people. However, from another perspective one might see that thanks to digital communications citizens can become aware of arguments developed by other experts which are suppressed by protectors of an ‘official story’. An example would be the authors of the Great Barrington Declaration (GBD) (2020), advocating an approach to dealing with the Covid situation characterized as ‘focused protection’ instead of the officially promoted lockdown approach. Lay persons may not be able to adjudicate first hand between recommendations from the GBD and the John Snow Memorandum (2020), which defended lockdown, but they can understand enough to know that the latter does not command an unproblematic consensus such as would be rational simply to defer to. Members of the public can assess the trustworthiness of expertise and official stories without a high level of technical knowledge, as science studies scholars have shown (Yearley 2005; Hess 2012).

People understand that if a view is suppressed rather than openly addressed and rebutted the reason might be that it cannot be rebutted. If an attentive public observes that dissent is simply treated as inadmissible, and especially if those formulating it are subject to smearing or censorship, then there is a corresponding diminution of public trust in the orthodox view.

Tension At The Heart of An Official Story

If the claim that the authority of an official story derives from an expert consensus can be questionable, something more certain is that an official story is asserted with the kind of authority that comes with power. People may defer to an official story not because they necessarily find it credible but out of a prudent concern to avoid the costs of dissidence. Those with power can also incentivise wider media of communication to stick to the narrative. This difference between epistemically earned authority and politically declared authority is a tension at the heart of official stories. Understanding it helps explain why we find a good many journalistic and scholarly studies of the supposed pathologies of dissident citizens and rather little reflection on the real nature of the authority of official stories.

Today we find a welter of studies of online ‘disinformation’ that trace webs of connection across cyberspace seeking to link influential dissenting accounts on social media with bots and trolls associated with malign actors. These communications are said to be engaged in strategically. That is, their aim is to persuade the public to accept a pre-established story rather than to allow people to determine, through open deliberations, what the most credible story is.

Yet this is exactly what the promulgators of official stories themselves do. Regardless of whether the content of a given official story is reliable or not, the form of an official story – in virtue of fulfilling its official function – is that of a strategic communication. Its communication, as official, is presented as a matter not for deliberation but for public acceptance. It is not submitted to public scrutiny with an implicit invitation for critical feedback. It is not up for discussion. It is communicated not to advance debate but to settle it.

This is the inherent tension in an official story: its assertion of epistemic authority depends on an implicit claim that it can be backed by processes of deliberative reasoning, but the pronouncement of an official story as a settled opinion curtails any such process.

What this means in practice has been illustrated, for instance, in the situation arising with the UK Government’s Covid response, which professedly aimed to ‘Follow The Science’ (Stevens 2020). This notion can only ever be ‘a misleading oversimplification’ of what it means to base policy on science (Abbasi 2020), and when UK government ministers claimed to be ‘guided by the science’, what they meant in practice was being guided by their scientists: ‘Ministers formed strong relationships with key scientific advisors, relied on evidence from their Scientific Advisory Group for Emergencies (SAGE), and ignored or excluded many other sources.’ (Cairney 2021) Thus a policy of public communications was decided on the basis of a selective interpretation of scientific findings. But more than this, instead of caution in the face of uncertainty, a policy of robustly promoting a particular view involved the use of psychological operations of a kind more normally associated with a war effort than with public health advice (Sidley 2021, 2022).

Unfortunately, as that example also showed, the defence of an official story against criticism can include counter-measures taken to smear and discredit dissenters. This is never an edifying approach, but is especially troubling when it involves discrediting serious critics who have their own credible claim to epistemic authority. This was illustrated in the case of the eminent scientists who signed the Great Barrington Declaration. They were widely vilified not only in the media but even by other academics, for pointing to certain established principles of epidemiology – including those developed over the two preceding decades of pandemic preparedness planning – that were being set aside and overridden by policy-makers on the basis of modellers’ projections in favour of a ‘zero-covid’ strategy (Ioannidis 2022). This vilification involved not only overt smearing but also something more insidious, namely, the pre-emptive dismissal of their views – notwithstanding their impeccable academic pedigree – as too far ‘beyond the pale’ to warrant serious consideration (HART 2022).

This situation showed that the other institutions of civil society, including the media and academia, which the official meta-story claims provide critical scrutiny, can in fact simply amplify official strategic communications. Thus the organisations that Levy recommends we rely on as guarantors of the authors of official stories can in reality see it as their responsibility to promote and defend the official story rather than question it. Public perceptions that this is the case are accompanied by a deficit of trust in the media and institutions more generally.

The official meta-story blames ‘conspiracy theorists’ and other critical questioners for this lack of trust. But perhaps that gets things the wrong way round.

Conclusion

Trust is something that has to be won, and, if betrayed, it can be lost. As the public’s trust in official stories diminishes, the official meta-story looks to blame this on ‘conspiracy theorists’ and other ‘disruptive influences’. Perhaps a more credible story about official stories would include serious reflection on how they might be made more transparently trustworthy.

Meanwhile, it is reasonable to suggest that each serious challenge to an official story should be assessed on its merits. This does not mean being swayed by extravagant contrarian hypotheses, since these should be treated with even more caution, and, when appropriate, summarily rejected. It does mean being duly aware of how the presumption in favour of official stories is necessarily defeasible. That is the case not just because any story may prove to be mistaken, even in all good faith, but also because we know that any organisation with politically-conferred authority is liable at times to come under political pressures that may, in certain circumstances, override scruples of honesty.

References

Abbasi, Kamran. 2020. ‘Covid-19: politicisation, “corruption,” and suppression of science’. BMJ; 371:m4425, 13 November: doi:10.1136/bmj.m4425   

Cairney, Paul. 2021. ‘The UK Government’s COVID-19 Policy: What Does “Guided by the Science” Mean in Practice?’ Frontiers in Political Science 3. 15 March.https://www.frontiersin.org/articles/10.3389/fpos.2021.624068 DOI: 10.3389/fpos.2021.624068

D’Alessandra, Federica and Kirsty Sutherland. 2021. ‘The Promise and Challenges of New Actors and New Technologies in International Justice’. Journal of International Criminal Justice, 19(1): 9–34. https://doi.org/10.1093/jicj/mqab034

Great Barrington Declaration. 2020. https://gbdeclaration.org/

Grundmann, Reiner. 2017. ‘The Problem of Expertise in Knowledge Societies’. Minerva 55, 25–48 (2017). https://doi-org.ezproxy.is.ed.ac.uk/10.1007/s11024-016-9308-7

HART [Health Advisory and Recovery Team]. 2022. ‘The crushing of dissent throughout the covid era’, 8 October: https://www.hartgroup.org/the-crushing-of-dissent-throughout-the-covid-era/

Hess, David J. 2012. Science Studies: An Advanced Introduction. New York: NYU Press.

Ioannidis, John P. 2022. ‘Citation impact and social media visibility of Great Barrington and John Snow signatories for COVID-19 strategy.’ BMJ Open 2022;12:e052891. doi:10.1136/ bmjopen-2021-052891

John Snow Memorandum. 2020. https://www.johnsnowmemo.com/

Levy, Neil. 2007. ‘Radically Socialized Knowledge and Conspiracy Theories’, Episteme 4(2): 181-192.

Levy, Neil. 2019. ‘Due deference to denialism: explaining ordinary people’s rejection of established scientific findings’. Synthese 196: 313-327.

Levy, Neil. 2022. ‘Do Your Own Research!’ Synthese 200: 356. https://doi.org/10.1007/s11229-022-03793-w

Martin, Graham P., Esmée Hanna, Margaret McCartney and Robert Dingwall. 2020. ‘Science, society, and policy in the face of uncertainty: reflections on the debate around face coverings for the public during COVID-19’. Critical Public Health 30:5: 501-508, DOI: 10.1080/09581596.2020.1797997

Miller, Ian. 2022. Unmasked: The Global Failure of COVID Mask Mandates.

Nelson, Fraser. 2022. ‘The lockdown files: Rishi Sunak on what we weren’t told.’ The Spectator, 27 August: https://www.spectator.co.uk/article/the-lockdown-files-rishi-sunak-on-what-we-werent-told/

Nguyen, An and Salvatore Scifo. 2018. ‘Mapping the Citizen News Landscape: Blurring Boundaries, Promises, Perils, and Beyond.’ In Journalism, edited by Tim P. Vos. Berlin/Boston: De Gruyter.

OPCW [Organisation for the Prohibition of Chemical Weapons]. 2019. ‘Report Of The Fact-Finding Mission Regarding The Incident Of Alleged Use Of Toxic Chemicals As A Weapon In Douma, Syrian Arab Republic, On 7 April 2018.’ OPCW Technical Secretariat S/1731/2019: https://www.opcw.org/sites/default/files/documents/2019/03/s-1731-2019%28e%29.pdf

Panuk, Zeynep (2021) ‘COVID-19 and the Paradox of Scientific Advice.’ Perspectives on Politics 20(2): 562-576. DOI: https://doi.org/10.1017/S1537592721001201

SAPEA [Science Advice for Policy by European Academies]. 2019. Making sense of science for policy under conditions of complexity and uncertainty. Berlin: SAPEA. https://doi.org/10.26356/MASOS 

Sidley, Gary. 2021. ‘A Year of Fear.’ The Critic 23 March: https://thecritic.co.uk/a-year-of-fear/

Sidley, Gary. 2022. ‘Britain’s unethical Covid messaging must never be repeated.’ The Spectator 6 February: https://www.spectator.co.uk/article/britain-s-unethical-covid-messaging-must-never-be-repeated/

Stevens, Alex. 2020. ‘Governments cannot just ‘follow the science’ on COVID-19’. Nature Human Behaviour 4, 560: https://doi.org/10.1038/s41562-020-0894-x

Yearley, Steven. 2005. Making Sense of Science: Understanding the Social Study of Science. Thousand Oaks, CA: Sage.

[1] This is the case, for instance, with Jonathan Cook (formerly of The Guardian), Chris Hedges (formerly with the New Yorker), John Pilger (award-winning documentary film maker), and the late Robert Parry who founded the independent outlet Consortium News.

[2] This is to characterize part of the composition of the Berlin Group 21 that has produced the Statement of Concern relating to whistleblowers from the OPCW. See https://berlingroup21.org/ and associated press release: https://www.einnews.com/pr_news/538579944/leading-international-voices-call-on-opcw-and-its-scientific-advisors-to-allow-all-douma-investigators-to-be-heard

WE ARE TRAPPED IN A TRUMAN SHOW DIRECTED BY PSYCHOPATHS

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“Whether in actual fact the policy of the boot-on-the-face can go on indefinitely seems doubtful. My own belief is that the ruling oligarchy will find less arduous and wasteful ways of governing and of satisfying its lust for power, and these ways will resemble those which I described in Brave New World. Within the next generation I believe that the world’s rulers will discover that infant conditioning and narco-hypnosis are more efficient, as instruments of government, than clubs and prisons, and that the lust for power can be just as completely satisfied by suggesting people into loving their servitude as by flogging and kicking them into obedience.” – Aldous Huxley – Letter to George Orwell about 1984 in 1949

“There will be, in the next generation or so, a pharmacological method of making people love their servitude, and producing dictatorship without tears, so to speak, producing a kind of painless concentration camp for entire societies, so that people will in fact have their liberties taken away from them, but will rather enjoy it, because they will be distracted from any desire to rebel by propaganda or brainwashing, or brainwashing enhanced by pharmacological methods. And this seems to be the final revolution” ― Aldous Huxley

When I step back from the day-to-day minutia and trivialities flooding my senses from all directions and media devices, it almost appears as if I’m living in a highly scripted reality TV program where the characters and plots are designed to create passions and reactions to support whatever narrative is being weaved by those directing the show. Huxley really did foresee the future as clearly and concisely as anyone could, decades before his dystopian vision came to fruition.

Orwell’s boot on the face vision is only now being initiated because a few too many critical thinkers have awoken from their pharmaceutically induced stupor and begun to question the plotline of this spectacle masquerading as our reality. The mass formation psychosis infecting the weak-minded masses; relentless mass propaganda designed to mislead, misinform, and brainwash a dumbed down and government indoctrinated populace; and complete control of the story line through media manipulation, regulation, and censorship of the truth; has run its course. As Charles Mackay stated 180 years ago, the masses go mad as a herd, but only regain their senses slowly, and one by one.

My recognition that the world seems to be scripted and directed by Machiavellian managers, working behind a dark shroud, representing an invisible governing authority, molding our minds, suggesting our ideas, dictating our tastes, and creating fear, triggered a recollection of the 1998 Jim Carrey movie – The Truman Show. The movie, directed by Peter Weir (Gallipoli, Witness, Dead Poet’s Society), had the surreal feel of Forest Gump, while beckoning the horrendous introduction of reality TV (Big Brother, Survivor), which poisons our shallow unserious society to this day. The plot of the movie focuses on individuality versus conformity, consumerism, voyeurism, reality versus manipulation, false narratives, the truth about the American Dream, and the dangers of surveillance in a technologically advanced society.

Truman Burbank is the unsuspecting star of The Truman Show, a reality television program filmed 24/7 through thousands of hidden cameras and broadcast to a worldwide audience. Christof, the show’s creator seeks to capture Truman’s authentic emotions and give audiences a relatable every man. Truman has been the unsuspecting star of the show since he was born 30 years prior. Truman’s hometown of Seahaven Island is a complete set built within an enormous dome, populated by crew members and actors who highlight the product placements that generate revenue for the show. The elaborate set allows Christof to control almost every aspect of Truman’s life, including the weather. The picture-perfect home, with picket fence and plastic people, is an attempt to convince Truman he is living the American Dream rather than in an inescapable dystopian techno-prison.

To prevent Truman from discovering his false reality, Christof manufactures scenarios that dissuade Truman’s desire for exploration, such as the “death” of his father in a sea storm to instill aquaphobia, and by constantly broadcasting and printing messages of the dangers of traveling and the virtues of staying home. One cannot but acknowledge the plotline to keep Truman under control, obedient, and locked down in his controlled environment, with no escape hatch visible, as exactly the plotline used by our overlords during the Covid scam. Using fear to regulate your subjects is a familiar theme used by those controlling the narrative and pulling the strings behind the scenes of our glorious democracy of dystopia.

The first task was to instill fear into the masses through fake videos, fake medical experts spewing fake “facts”, denying the reality masks, social distancing, and locking down the world did not stop a microscopic virus, while suppressing treatments which were clearly safe and effective (ivermectin, hydroxychloroquine) and forcing Fauci’s remdesivir and ventilators on patients – insuring their deaths. Truman’s life was built upon lies, deception, and fake narratives, controlled by a tyrannical director putting on a show to please his bosses and maximize profits. We are experiencing the same reality today.

Since March 2020 we have been trapped in a dystopian reality show based on lies, deception, and fake narratives about a weaponized virus created in a lab funded by Anthony Fauci and utilized to further the totalitarian Great Reset agenda of Schwab, Gates and their ilk, while maximizing the profits of Pfizer, TV networks and filling the pockets of politicians, shills, and apparatchiks willing to sellout the people of our country for thirty pieces of silver.

As the Truman Show approached its 30th anniversary, Truman began discovering unusual elements, such as a spotlight falling out of the sky in front of his house and a radio channel that precisely described his movements. He began to awaken to the fact he was nothing but a peculiarity trapped in a cage and constantly deterred from escaping at every turn, for the good of the show. He lived in a scripted world of conformity, where questioning the plot was not allowed, and the masses just played their parts.

This is exactly how a dictatorship without tears uses technology, pharmaceuticals, and psychological manipulation to convince the masses to love their servitude. This is the reality show we have been living in during this 21st Century dictatorship dystopia of dunces. But this psychological phenomenon is not new to mankind, as Plato described an ancient Truman Show analog in the 4th Century BC with his Allegory of the Cave. The nature of human beings has not changed across the trials and tribulations of history.

In the allegory, Plato describes a group of people who have lived chained in a cave all their lives, facing a blank wall. The people watch shadows projected on the wall from objects passing in front of a fire behind them and give names to these shadows. The shadows are the prisoners’ reality but are not an accurate representation of the real world. An enlightened man is like a prisoner who is freed from the cave and comes to understand the shadows on the wall are not reality.

The ignorant inmates do not desire to leave their prison/cave, for it is the only life they know, and they fear reality. The fire and the puppets, used to create shadows, are controlled by artists. Plato indicates the fire is also the political doctrine taught by a nation state. The artists use light and shadows to indoctrinate the masses with the dominant doctrines of the times. Few humans ever escape the cave. Most humans will remain at the bottom of the cave, with a small few elevated as major artists, to project the shadows keeping the masses disoriented, confused and fearful.

“Whereas the truth is that the State in which the rulers are most reluctant to govern is always the best and most quietly governed, and the State in which they are most eager, the worst.” ― Plato, The Allegory of the Cave

“Most people are not just comfortable in their ignorance, but hostile to anyone who points it out.” ― Plato, The Allegory of the Cave

The State is run by an eager group of psychopaths who are hell bent on destroying our civil society and common culture on behalf of globalists attempting to implement their Great Reset agenda, and enforcing it through technological surveillance, mind control through propaganda messaging, and strict management of the daily plot via mainstream media and social media censorship of the truth. As Plato contemplated twenty four centuries ago, most men will remain in their cave, believing shadows presented by their overlords is reality, never questioning their servitude or seeking the truth.

Never has this fact been truer than during this covid pandemic reality show directed by our Christof – mass murderer Anthony Fauci. The willful ignorance of the masses was assumed by the covid controllers who cast shadows of fear and death on the cave walls of the locked down extras in this well-orchestrated reality show. Using a purposefully misleading PCR test to vastly overestimate “cases”, paying hospitals to classify all deaths as covid, and having the propaganda professionals at CNN, MSNBC and Fox showing Covid Death Counters on their screens 24/7 to terrify the masses into compliance was the Covid Show.

Once the fear level was ramped to eleven on the control dial, the producers of this show introduced the miraculous Big Pharma vaccine antidote to save the day. Their script was so believable they were able to convince over 5 billion members of their captive audience to inject themselves with an untested, unproven genetic therapy, that didn’t prevent you from catching, transmitting, getting sick, being hospitalized, or dying from the Fauci funded Wuhan lab produced virus. But, as a dramatic twist to the tale, it seems the “vaccine” causes myocarditis, blood clots, infertility, miscarriages, heart attacks, cancer, and sudden death.

Despite the obvious dangers and failures of these “vaccines”, those bullied into getting jabbed became so comfortable in their ignorance, they were easily persuaded to hate the unjabbed and wish for their deaths. Orwell’s “Two Minutes of Hate” was extended for over a year and continues to this day. Rather than think critically and question why annual flu cases averaged 35 million per year prior to 2020 but dropped to near ZERO during the covid “emergency”, the cave dwellers lashed out in anger at anyone questioning the plot, because to admit they were duped would destroy their self-esteem and decrease their virtue signal credits.

The annual flu didn’t disappear. Covid was the annual flu, with a multi-billion-dollar marketing campaign. This wasn’t a pandemic, but an IQ test, and most people failed miserably. But the critical thinking unvaxxed are still considered the enemy of the state, especially since they have been proven right.

Whether we are trapped in an artificial world produced in a dome, cave, or our current technologically advanced surveillance propaganda state, the goal of those controlling our false reality is to take away our freedoms, crush dissent, keep us ignorant of the truth, and treat us as plebs to be taxed and molded. Christof, whose name is supposed to invoke him being a god-like figure ruling over Truman’s world, declares Truman could discover the truth and leave at any time, while using every diabolical trick to keep that from ever happening, because his show generated revenues exceeding the GDP of a small country.

Truman and ourselves are essentially prisoners in a vast production, and our overlords believe it is their duty to convince us to love our servitude and prefer our cells, because it is financially beneficial to the overlords and their crew.

Our world is not fake, but it is tightly controlled by those running the show. Seemingly random events, plots, and subplots are manipulated to generate specific emotions and reactions by the public in order to achieve the objectives of those benefiting from the various storylines. They are molding our minds and forming our tastes through psychological and technological manipulation of our daily existence. Christof explained why most rarely discover the truth or question the world they live in – “We accept the reality of the world with which we’re presented. It’s as simple as that.”

We have allowed men we have never seen to dictate how we live our lives, the choices we make, and which politicians and “experts” to believe, without ever putting in the effort to understand why we are being prodded to do so. We are locked in a self-imposed prison of desires, emotions, and needs through mass media messaging and a constant barrage of advertisements. Conformity and obedience are the desired traits sought by the ruling class, while individuality and skepticism are frowned upon and punished through social ostracism.

We are conditioned from birth to believe what they tell us to believe. Government school indoctrination and mass media misinformation does the trick. Distracted by our techno-gadgets and ignorant of truth is how the globalist oligarchs methodically implement their Great Reset agenda. They are so convinced of the ignorance of the masses they openly proclaim their depopulation and techno-prison schemes with no fear of push back or retribution.

The ending of the Truman Show is a lesson in resistance, persistence, and the strength of the individual, even in the face of a technologically advanced Big Brother state. It offers a message of hope, no matter how powerful our overlords appear to be. Refusing to obey or conform by one individual can inspire others to do likewise. Once Truman ‘awoke’ to his plight as a lab rat in a scripted show, he began to plot his escape. Using a makeshift tunnel in his basement, out of view of Christof’s cameras, he disappeared and forced the suspension of the broadcast for the first time in thirty years.

Christof discovers Truman sailing away from Seahaven in a small boat, as he has overcome the fake conditioning of fear instilled in him by the man who supposedly loves him but traumatized him about the sea by faking his father’s death while at sea. Christof chooses to almost drown Truman by creating a violent storm to deter him from discovering the truth. Ultimately the storm ceases and his boat strikes the wall of the dome.

This is exactly how our controllers treat the ignorant masses. They feed us stories designed to make us fearful and compliant to the exhortations of their paid experts. Paid to lie. Paid to misinform. Paid to persuade people a dangerous concoction is “safe and effective”. The evilness of using Sesame Street characters to convince four-year-old children they need this Big Pharma gene altering toxic brew, even though essentially ZERO children on earth died from covid, is a testament to the greed and malevolent impulses of those in power. Vast amounts of ever-increasing advertising revenue are what kept The Truman Show on the air for thirty years.

The covid advertising campaign will never be topped, as Hollywood stars, top athletes, famous writers, rock legends, supposedly impartial journalists, and all the major networks said SHOW ME THE MONEY!!!! Everyone was for sale, and all they had to do was lie and say the jabs were “safe and effective”. Product placement was the money-making formula for the Truman Show, while hard selling a Big Pharma phony cure over the airwaves 24/7 using the tax dollars of the victims was the final solution of the Great Reset Cabal.

The grand finale is a clash of the philosophies of reality versus false reality, as Truman discovers a staircase leading to an exit door. Christof speaks to Truman, claiming there was no more truth in the real world than in his artificial world, and he would be safe, with nothing to fear, in a world controlled by men invisible to him assuring him they have his best interests at heart. Truman chooses individuality, truth, risk, living a real meaningful life, and seeking honest relationships over a safe existence in a bubble where all decisions were made by others. Truman bows to the audience and exits, leaving Chistof to mourn the loss of his star and the revenue he generated. The ignorant masses watching the show cheer his escape and then ask, “what’s on next?” Plato captured the uncertainty and bewilderment Truman must have felt as he walked into the light.

The covid advertising campaign will never be topped, as Hollywood stars, top athletes, famous writers, rock legends, supposedly impartial journalists, and all the major networks said SHOW ME THE MONEY!!!! Everyone was for sale, and all they had to do was lie and say the jabs were “safe and effective”. Product placement was the money-making formula for the Truman Show, while hard selling a Big Pharma phony cure over the airwaves 24/7 using the tax dollars of the victims was the final solution of the Great Reset Cabal.

The grand finale is a clash of the philosophies of reality versus false reality, as Truman discovers a staircase leading to an exit door. Christof speaks to Truman, claiming there was no more truth in the real world than in his artificial world, and he would be safe, with nothing to fear, in a world controlled by men invisible to him assuring him they have his best interests at heart. Truman chooses individuality, truth, risk, living a real meaningful life, and seeking honest relationships over a safe existence in a bubble where all decisions were made by others. Truman bows to the audience and exits, leaving Chistof to mourn the loss of his star and the revenue he generated. The ignorant masses watching the show cheer his escape and then ask, “what’s on next?” Plato captured the uncertainty and bewilderment Truman must have felt as he walked into the light.

“Anyone who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light” ― Plato, The Allegory of the Cave

This world of manufactured dystopian pleasure harkens more towards Huxley’s Brave New World, where pharmaceuticals and conditioning would keep the public seeking pleasure, pre-occupied with trivialities, distracted by materialism, unable to think critically, and reduced to passivity and egoism through the control of messaging by their controllers. Our efficient totalitarian state has gained complete control by convincing the masses to love their servitude and beg for more rules, restrictions, and reduction of liberties in the name of safety and security.

Smart phones, smart cities, and smart streets are nothing more than code for spying on you and controlling you. Truman finally understood his liberty was his to choose and not Christof’s to give. There is a small minority of Americans who are realizing the same thing after two years of totalitarian measures designed to take away our freedoms and liberty. The question is whether enough will exit this tyrannical government produced show to make a difference. The future of mankind literally depends on the answer to this question.