Having Sucked America Dry, Tech Giants Seek New Markets Beyond Reach of US Antitrust Laws

Sept. 27, 2015 Facebook CEO Mark Zuckerberg hugs Prime Minister of India Narendra Modi at Facebook in Menlo Park, Calif. (AP Photo/Jeff Chiu, File)

An aggressive push to consolidate companies in the tech sector, coupled with the world’s ever-increasing dependence on digital platforms and tools, is quickly leading to a crisis of sovereignty.

By Raul Diego

Source: MintPress News

The American consumer market for big tech gadgets appears to have reached the point of saturation as the novelty of mobile devices and laptops plateau and the persistent lockdown sees savings dwindle and discretionary spending disappear. Apple, which has enjoyed reigning over the smartphone market for more than a decade, has been forced to drop its prices over the last year as a result of a market at full capacity.

Nevertheless, one of the world’s most liquid companies, along with other tech giants like Facebook and Google – whose parent company, Alphabet, Inc. recently overtook Apple as the most cash-rich company in the world – are taking full advantage of their position to gobble up startups in emerging sectors in the Artificial Intelligence (AI) space like Natural Language Processing (NLP), Machine Learning (ML) and Deep Learning (DL), in order to solidify their place in other, mostly untapped markets in developing nations.

Big tech’s insatiable appetite, as manifested in this current sprint to further consolidate their assets, is bound to give them even more control over their already substantial access to our data and other digital activities of the population at large.  Earlier this year, then Presidential candidate Elizabeth Warren led the call to “Break Them Up,” in reference to the big tech companies, declaring that they had “bulldozed competition, used our private information for profit, and tilted the playing field against everyone else. And in the process, they have hurt small businesses and stifled innovation.” Her plan to “level the playing field,” however, seems to have gone away with her fleeting candidacy.

Nonetheless, they are all gearing up to face an election-year challenge to their growing power as a year-long House Judiciary subcommittee investigation is set to conclude and will more than likely provide plenty of fodder for the antitrust battles looming on the horizon. Some analysts have speculated that the U.S. government could impose fines on companies like Google in the tens of billions for past violations. But, whether or not this Congress implements measures with any real teeth remains to be seen.

Captive market shares

American tech giants are turning their focus to south-east Asia as their original markets in the U.S. can no longer support most of their quarterly profit projections. Apple’s recent acquisition of Seattle-based Xnor.ai, which specializes in “low-power, edge-based artificial intelligence tools” that will help them develop low-cost hardware for things like security cameras using artificial visual intelligence.

The Xnor.ai acquisition is just one of several made by Apple this year. Others include an Irish AI platform called Voysis that enables voice interactions with digital retailers; NextVR, a virtual reality headset company that holds over 40 patents in that space and will help Apple carve out a niche in the burgeoning world of streaming music and sporting events.

Google, which already has a virtual monopoly over Internet search capabilities and related tools, is aggressively pursuing startups in the cloud computing space, healthcare, and advertising market. A salient example is the ongoing $2.1 Billion-dollar acquisition of Fitbit, which has reportedly entered its final stages but has raised calls in some quarters for U.S. antitrust regulators to take a closer look.

The bank of Zuckerberg

Meanwhile, Facebook is continuing its incursion into the virtual entertainment arena with the purchase of Sanzaru Games in February as the social media giant solidifies its VR stake by taking over both hardware and software sides of that emerging market. Zuckerberg has also added to his social media empire with plans to acquire animated gif search engine Giphy for $400 Million, extending his consolidation over two of the most popular social media and communication platforms in its portfolio: Instagram and WhatsApp.

Facebook’s recent $5.7 Billion-dollar investment in India’s Jio Platforms also reveals how the tech giant is betting on Asia for its future growth. Facebook claims that Jio has “brought more than 388 million people online” and is poised to leverage its ubiquitous presence in the country through WhatsApp, boasting that the chat/call app has become a “commonly used verb across many Indian languages and dialects.”

The Indian telecom, led by that nation’s richest man, also includes a recently launched e-commerce site called JioMart, that further opens the door for Facebook’s digital payments platform and has the very real potential to put the social media company in a new class as a payment processing giant, shaking up the status quo in a space largely controlled by the banking sector.

Breaking out of the virtual gold cage

Having sucked the American market dry, these colossal corporations continue their unfettered growth and are increasingly beyond the reach of national anti-monopoly laws. Their aggressive push to consolidate across sectors in the technology space, coupled with the world’s ever-increasing dependence on digital platforms and tools is quickly leading us into a crisis of sovereignty.

If three companies own or have a stake in virtually all of the apps, gadgets and software that are ultimately responsible for collecting out data, performing our transactions and providing the content we consume, we will effectively become prisoners of these same corporations.

Even if Google were to re-instate the infamous “don’t be evil” motto in its code of conduct, such a state of affairs would render that promise moot. The slew of acquisitions by the world’s top tech companies in the midst of an economic depression for the rest of us does not bode well for a future of greater self-determination as the wealth and knowledge gaps grow larger.

Efforts to bridge these gaps are being undertaken by people like Dion Devow in Australia, an entrepreneur who is on a mission to close the gap between Indigenous Australians and IT. But, how effective can such efforts really be in the long run if the technological infrastructure continues to accumulate in the hands of so very few?

Corporate Media Looks to Purveyors of State Violence Abroad to Condemn State Violence at Home

By Loretta Graceffo

Source: FAIR.org

Anti-racist protests have swept across the country over the past month, demanding justice for George Floyd, police accountability and the defunding of law enforcement.

In response to these uprisings, President Donald Trump publicly toyed with the idea of deploying active-duty military to American cities—a proposal that most corporate media, with a few glaring exceptions, have condemned as an abuse of power.

However, when we look at who media have called upon to denounce the Trump administration’s response, a revealing pattern emerges. Rather than providing a platform for protesters, who were met by heavily armed law enforcement toting chemical agents and flashbang grenades, media decided to turn to the enforcers of state violence abroad: the US national security apparatus. Several outlets asked current and former intelligence officials to weigh in on Trump’s response, utilizing their testimony to equate the crackdowns with those in other countries:

  • Washington Post (6/2/20): “CIA Veterans Who Monitored Crackdowns Abroad See Troubling Parallels in Trump’s Handling of Protests”
  • Independent (6/2/20): “I Asked Police, Veterans and a Former CIA Agent What They Think of Trump’s Response to the Protests. Even They Are Horrified.”
  • International Business Times (6/3/20): “George Floyd White House Protest: Donald Trump Acting Like Dictator During Racial Tensions, Intelligence and Defense Officials Warn.”

These articles are correct in pointing out that Trump’s militarized suppression of dissent at home has “troubling parallels” with authoritarian crackdowns abroad. The testimony of US state officials, especially former ones, can aid the public in taking cognizance of these parallels, given that they are responsible for enforcing similar crackdowns around the world. But because media present these sources uncritically and refuse to include vital context, they fail to examine our own empire, and ultimately make all the wrong connections.

Whitewashing war on dissent

In response to the Trump administration’s handling of the protests, the Post article includes a quote from Marc Polymeropoulos, who spent 26 years in the CIA:

“It reminded me of what I reported on for years in the Third World,” Polymeropoulos said on Twitter. Referring to the despotic leaders of Iraq, Syria and Libya, he said: “Saddam. Bashar. Qaddafi. They all did this.”

While it’s true that Trump’s response has been militant, these articles present this reaction as a disturbing departure from otherwise morally sound US leadership throughout history. Trump may be the first US president to tweet the words, “When the looting starts, the shootings starts,” but despite media’s historical amnesia, violent government crackdowns on anti-racist protests in the US have always been the norm, not the exception.

Take, for example, the FBI’s COINTELPRO program, which targeted thousands of activists through tactics like psychological warfare, blackmail and assasination. Or when the Philadelphia Police Department dropped a bomb on a residential neighborhood in order to disband a Black liberation group, killing nearly a dozen people and leaving hundreds of residents homeless. More recently, the FBI’s counterterrorism division has labeled “Black identity extremists” as a domestic terror threat, due to their “perceptions of police brutality against African Americans.”

By relying on CIA testimony, media shift the focus away from the tyranny in our own backyard in favor of pointing fingers at the “despotic leaders” of “the Third World”—never mind the fact that the US has no qualms with oppressive leadership in the Middle East when it aligns with our interests, as evidenced by our alliance with Saudi Arabia.

The articles by the Post and International Business Times both include a quote from Rep. Abigail Spanberger, who tweeted, in response to Trump’s crackdowns on protests: “As a former CIA officer, I know this playbook.” Her tweet goes on to compare his actions to those “undertaken by authoritarian regimes throughout the world.”

Of course Spanberger, as a former CIA official, knows this playbook—it’s one that the CIA practically wrote themselves. In 1973, it sponsored a coup that overthrew Chile’s democratically elected socialist government, installing the autocratic Augusto Pinochet, who rounded up, tortured and executed thousands of political dissidents. The CIA also opposed democratic forces in Zaire and backed the corrupt dictator Mobutu, whose decades-long regime regularly tortured and murdered its critics. And in the early 2010s, the Pentagon armed and trained Turkish mercenary forces, who went on to commit a litany of war crimes, including beheading Kurds in Northern Syria.

But the Post presents Spanberger’s intimate knowledge of this “playbook” as a result of her experience “monitoring democratic regression” and “societal unraveling” in the Global South. Another CIA analyst, Gail Helt, is described as “responsible for tracking developments in China and Southeast Asia.”

Nowhere in these articles is there any admission that the US national security apparatus does not just “track developments” abroad—it also plays a monumental role in shaping those developments, often using the same tactics of brutality and repression they claim to oppose.

Endless wars come home

By looking to state agents for moral authority and failing to provide any context that would impugn the CIA’s legitimacy, media espouses US imperialism by default, and reaffirms the chauvinistic belief that we have the right to impose our will on other countries by any means necessary.

The Post includes a quote from Brett McGurk, who helped institutionalize America’s bloody imperial occupation of Iraq, and pushed for the euphemistic “surge” which saw an additional 30 thousand US troops deployed to Iraq in 2007:

“The imagery of a head of state in a call with other governing officials saying, ‘Dominate the streets, dominate the battlespace’ — these are iconic images that will define America for some time,” said McGurk…. “It makes it much more difficult for us to distinguish ourselves from other countries we are trying to contest” or influence, he said.

But whether or not the US has ever had the credibility required to shape other countries’ policies—let alone present ourselves as a model of freedom and democracy—remains largely unexamined.

This is especially evident in the piece by Post, which claims that the Trump administration’s response characterized “US cities as a foreign war zone” and includes an anecdote about a US intelligence official “venturing into downtown Washington…as if taking measure of the street-level mood in a foreign country.”

The Independent describes “helicopters with US Army markings flying low over protesters,” a technique that one of the pilots they interviewed says is “for use against enemy insurgents overseas, not Americans protesting on the streets of Washington.”

In other words, when Defense Secretary Mark T. Esper urged governors to “dominate the battlespace” to end the unrest in cities, it was wrong only because he was talking about American cities.

The Independent article later includes a quote from ex–CIA officer Patrick Skinner, who has previously provided valuable insight into the ways that fascist maneuvers abroad inevitably make their way home. Skinner correctly condemns a dangerous “mentality among police that they are soldiers in a ‘war on crime.’”

If media had any real interest in exposing the reciprocity between urban policing at home and counterinsurgency abroad, as these articles supposedly propose, this would have been a good time for them to delve into the many ways in which the American carceral state and our endless wars in the Middle East are intrinsically connected.

Perhaps they could include that the tactic used to murder George Floyd—the knee on the neck—has also been used by the Israeli Defense Forces, who are bankrolled by the US and frequently provide training for American cops, including those in Minnesota.  (As many have pointed out, there are stark parallels between the police murder of George Floyd and the police murder of Iyad Halak, an unarmed, autistic Palestinian man whose killing has sparked protests in Jerusalem.)

Or media could mention other tactics that police, many of whom are military veterans, have picked up over years of continuous warfare: the use of torture to get confessions, stop- and-frisk searches targeting blacks and Latinos, and invasive surveillance techniques aimed at Muslim residents. Also relevant is the fact that, since the 1990s, the military has given police departments billions of dollars worth of surplus equipment—including tanks, grenade launchers and assault weapons—with a requirement that they make use of it within a year.

When done right, international analysis in times of domestic upheaval can shed light on the shared, global struggle for liberation against US occupation and militarism—a movement which spans from Minneapolis to Palestine.

But, as is inevitable when they uncritically look to the CIA for “expertise” on freedom and human rights, media come to an entirely different conclusion: It’s normal, necessary and perhaps even noble—after all, it is in the name of democracy—for our military tanks to line the streets of the Middle East. But when those same military tanks invade DC, New York or Minneapolis, they’ve gone too far.

Sidelining activists to uplift the state

This reliance on state agents to shape the narrative is also a staple of network Sunday morning political talk shows. In the two weeks after the police murder of George Floyd, FAIR analyzed every episode of ABC’s This WeekCBS’s Face the NationCNN’s State of the UnionFox News Sunday, and NBC’s Meet the Press. Across all networks, only one show featured an interview with someone affiliated with Black Lives Matter in its coverage of the protests. However, every network found time to interview current and former members of the US national security apparatus, resulting in 12 appearances altogether.

Among these guests was Chad Wolf, secretary of the Department of Homeland Security, who was asked to weigh in on the protests by ABC’s This Week (6/7/20) and Fox News Sunday (6/7/20). He spoke in support of Trump’s call to send active-duty troops to quell the uprisings—a predictable stance, given that, as one of the architects of the family separation policy, Wolf’s response to undocumented migration has been to take at least 4,000 children away from their parents and imprison them in cages. Despite this horrifying resume, NBC and Fox still saw it fit to give him a platform on national television to share his thoughts on state violence.

One of the guests featured on CNN’s State of the Union (5/31/20) was Robert O’Brien, the US National Security advisor, who has long defended the  indefensible—including Trump’s pardon of war criminals, and the assassination of Iranian military leader Qassem Solemani. Like Wolf, he denied the irrefutable fact that US law enforcement is intertwined with systematic racism—a declaration that was barely challenged by CNN’s Jake Tapper.

Only moments after defending Trump’s militaristic response to the uprisings, O’Brien favorably compared the US attitude towards the protests with other countries: “That’s the difference between us and our foreign adversaries. We’re going to allow people to protest.” Given that the US has arrested at least 10,000 protesters (AP6/4/20), this seems like a dubious distinction.

This is not to say there’s no value in interviewing former intelligence officials; some have provided valuable insight on the military/industrial complex, and many have provided critical information as whistleblowers.

Much more frequently, however, these interviews serve only to legitimize US authoritarianism abroad and whitewash state violence at home. As protesters take to the streets, facing tear gas, rubber bullets and arrest for demanding change, perhaps instead of uplifting the voices of state officials, media should hand the microphone to the people.

Elite television news rescued by COVID

By Jon Rappoport

Source: NoMoreFakeNews.com

Yet another consequence of the fake pandemic is the propping up of that doddering old fool, elite television news.

The COVID story doesn’t need Walter Cronkite. It only needs wall to wall. From 5AM to midnight, pandemic updates (mixed now with riot coverage), and the network ratings get well. The ratings jump out of the dumpster and rumble on the studio set and do cartwheels.

I’ve written a number of articles about network television news. Here are excerpts—


NEWS ABOUT THE NEWS.

The elite anchor is not a person filled with passion or curiosity. Therefore, the audience doesn’t have to be passionate or filled with curiosity, either.

The anchor is not a demanding voice on the air; therefore, the audience doesn’t have to be demanding.

The anchor isn’t hell-bent on uncovering the truth. For this he substitutes a false dignity. Therefore, the audience can surrender its need to wrestle with the truth and replace that with a false dignity of its own.

The anchor takes propriety to an extreme: it’s unmannerly to look below the surface of things. Therefore, the audience adopts those manners.

On air, the anchor is neutral, a castratus, a eunuch.

This is a time-honored ancient tradition. The eunuch, by his diminished condition, has the trust of the ruler. He guards the emperor’s inner sanctum. He acts as a buffer between his master and the people. He applies the royal seal to official documents.

Essentially, the television anchor is saying, “See, I’m ascetic in the service of truth. Why would I hamstring myself this way unless my mission is sincere objectivity?”

All expressed shades of emotion occur and are managed within that persona of the dependable court eunuch. The anchor who can move the closest to the line of being human without actually arriving there is the champion. In recent times, it was Brian Williams—until his “conflations” and “misremembrances” surfaced, and he was exiled to the wasteland of MSNBC.

The vibrating string between eunuch and human is the frequency that makes an anchor “great.” Think Cronkite, Chet Huntley, Edward R Murrow. Huntley was just a touch too masculine, so they teamed him up with David Brinkley, a medium-boiled egg. Brinkley supplied twinkles of comic relief.

The cable news networks don’t have anyone who qualifies as an elite anchor. Wolf Blitzer of CNN made his bones during the first Iraq war only because his name fit the bombing action so well. Brit Hume of FOX has more anchor authority than anyone now working in network television, but he’s semi-retired, content to play the role of contributor, because he knows the news is a scam on wheels.

There are other reasons for “voice-neutrality” of the anchor. Neutrality conveys a sense of science. “We did the experiment in the lab and this is how it turned out.”

Neutrality implies: we, the news division, don’t have to make money (a lie); we’re not like the cop shows; we’re on a higher plane; we’re performing a public service; we’re a responsible charity.


From the early days of television, there has been a parade of anchors/actors with know-how—intonation, edge of authority, parental feel, the ability to execute seamless blends from one piece of deception to the next:

John Daly, Douglas Edwards, Ed Murrow, Chet Huntley, David Brinkley, Harry Reasoner, Walter Cronkite, Dan Rather, and more recently, second-stringers—Brian Williams, Diane Sawyer, Scott Pelley.

They’re all gone.

Now we have Lester Holt, David Muir, and the newly appointed Norah O’Donnell. They couldn’t sell water in the desert.

Lester Holt is a cadaverous presence on-air, whose major journalistic achievement thus far is interrupting Donald Trump 41 times during a presidential debate; David Muir has the gravitas of a Sears underwear model; Norah O’Donnell, long-term, will have the energy needed to illuminate a miniature Xmas-tree light bulb.

The networks have no authoritative anchor-fathers waiting in the wings. They don’t breed them and bring them up through the minor leagues anymore.

Instead, armies of little Globalists, and ideologues who don’t realize they’re working for Globalists, have been infiltrating the news business. At best, they’re incompetent.

Thus, news-production techniques that enable an ongoing illusion of oceanic authority collapse like magnetic fields that have been suddenly switched off.

The selective mood lighting, the restful blue colors on the set, the inter-cutting of graphics and B-roll footage, the flawless shifts to reporters in far-flung places…it’s as if all these supporting features have suddenly been overcome by actors in a stage play who are abruptly stepping out of character. The spell is broken.

Elite mainstream news, in a fatuous attempt to save itself, is trying a democratic approach. Anchors are sharing more on-air minutes with gaggles of other reporters. But this is counter-productive in the extreme. The News has always meant one face and one authority and one voice and one tying-together of all broadcast elements. It’s as if, in a hypnotherapist’s office, the therapist decides to bring in colleagues to help render the patient into an alpha-state.

If by some miracle, the news bosses could raise Walter Cronkite, “the father of our country,” from the dead and put him back in the chair… but too many years have gone by; years of unaccomplished anchors. The horse is out of the barn, the cat is out of the bag.

This is why major news outlets have been appealing to social media/big tech for help, AKA censorship of independent voices.

One veteran news director told me several years ago, “We don’t have the stars [elite anchors] anymore. The star system is dead. You could comb all the local news outlets in America, and you wouldn’t find one face and voice who could really carry the freight. They’ve vanished. The up and coming people are lame. We’ve made them that way. It’s some cockeyed standard of equality we’ve internalized. And now we’re paying the price.”


The news is all about manipulating the context of stories. The thinner the context, the thinner the mind must become to accept it.

Imagine a rectangular solid. The news covers the top surface. Therefore, the viewer’s mind is trained to work in only two dimensions. Then it can’t fathom depth, and it certainly can’t appreciate the fact that the whole rectangular solid moves through time, the fourth dimension.

First, we have the studio image itself, the colors in foreground and background, the blend of restful and charged hues. The anchor and his/her smooth style.

Then we have the shifting of venue from the studio to reporters in the field, demonstrating the reach of coverage: the planet. As if this equals authenticity.

Actually, those reporters in the field rarely dig up information on location. A correspondent standing on a rooftop in Cairo could just as easily be positioned in a bathroom in a Las Vegas McDonald’s. His report would be identical.

The managing editor, usually the elite news anchor, chooses the stories to cover and has the final word on their sequence.

The anchor goes on the air: “Our top story tonight, more signs of gridlock today on Capitol Hill, as legislators walked out of a session on federal budget negotiations…”

The viewer fills in the context for the story: “Oh yes, the government. Gridlock is bad. Just like traffic on the I-5. We want the government to get something done, but they won’t.”

The anchor: “The Chinese government reports the new flu epidemic has spread to three provinces. Forty-two people have already died, and nearly a hundred are hospitalized…”

The viewer again supplies context, such as: “Flu. Dangerous. Epidemic. Get my flu shot.”

The anchor: “A new university study states that gun owners often stock up on weapons and ammunition…”

The viewer: “People with guns. Why do they need a dozen weapons? I don’t need a gun. The police have guns. Could I kill somebody if he broke into the house?”

The anchor: “Doctors at Yale University have made a discovery that could lead to new treatments in the battle against autism…”

Viewer: “Good. More research. Laboratory. The brain.”

If, at the end of the newscast, the viewer bothered to review the stories and his own reactions to them, he would realize he’d learned nothing. But reflection is not the game.

In fact, the flow of the news stories has washed over him and created very little except a sense of (false) continuity.

Therefore, every story on the news broadcast achieves the goal of keeping the context thin—night after night, year after year. The overall effect of this staging is: small viewer’s mind, small viewer’s understanding.

Next we come to words and pictures. More and more, news broadcasts are using the rudimentary film technique of a voice narrating what the viewer is seeing on the screen.

People are shouting and running and falling in a street. The anchor or a field reporter says: “The country is in turmoil. Parliament has suspended sessions for the third day in a row, as the government decides what to do about uprisings aimed at forcing democratic elections…”

Well, the voice must be right, because we’re seeing the pictures. If the voice said the riots were due to garbage-pickup cancellations, the viewer would believe that, too.

We see Building #7 of the WTC collapse. Must have been the result of a fire. The anchor tells us so. Words give meaning to pictures.

Staged news.

Since the dawn of time, untold billions of people have been urging a “television anchor” to “explain the pictures.”

The news gives them that precise solution, every night.

“Well, Mr. Jones,” the doctor says, as he pins X-rays to a screen in his office. “See this? Right here? We’ll need to start chemo immediately, and then we may have to remove most of your brain, and as a follow-up, take out one eye.”

Sure, why not? The patient saw the pictures and the anchor explained them.

Eventually, people get the idea and do it for themselves. They see things, they invent one-liners to explain them.

They’re their own anchors. They short-cut and undermine their own experience with vapid summaries of what it all means.

For “intelligent” viewers, there is a sober mainstream choice in America, a safety valve: PBS. That newscast tends to show more pictures from foreign lands.

“Yes, I watch PBS because they understand the planet is interconnected. It isn’t just about America. That’s good.”

Sure it’s good, if you want the same thin-context or false-context reports on events in other countries. Instead of the two minutes NBC might give you about momentous happenings in Syria, PBS will give you four minutes.

PBS experts seem kinder and gentler. “They’re nice and they’re more relaxed. I like that.”

Yes, the PBS experts are taking Valium, and they’re not drinking as much coffee as the CBS experts.


When network television news was created in the late 1940s, no one in charge knew how to do it. It was a new creature.

Sponsors? Yes. A studio with a desk and an anchor? Yes. A list of top stories? Yes. Important information for the public? Yes.

Of course, “important information” could have several definitions—and the CIA already had a few claws into news, so there would be boundaries and fake stories within those boundaries.

The producers knew the anchor was the main event; his voice, his manner, his face. He was the actor in a one-man show. But what should he project to the audience at home?

The first few anchors were dry sandpaper. John Cameron Swayze at NBC, and Douglas Edwards at CBS. But Swayze, also a quiz show host, broke out of the mold and imparted a bit of “cheery” to his broadcasts. A no-no. So he was eventually dumped.

In came a duo. Chet Huntley and David Brinkley. NBC co-anchors from 1956 to 1970. Chet was the heavy, with a somber baritone, and David was “twinkly,” as he was called by network insiders. He lightened the mood with a touch of sarcasm and an occasional grin. It worked. Ratings climbed. Television news as show biz started to take off. At the end of every broadcast, there was: “Good night, Chet.” “Good night, David.” The audience ate it up. They loved that tag.

However, rival CBS wasn’t standing still. They offloaded their anchor, Douglas Edwards, a bland egg, and brought in Walter Cronkite, who would go on to do 19 years in the chair (1962-1981). Walter was Chet Huntley with a difference. As he grew older, he emerged as a father, a favorite uncle, with an authoritative hills-and-valleys baritone that created instant trust. Magic. A news god was born.

Despite many efforts at the three major networks, no anchor over the past 40 years has been able to pull off the full Cronkite effect.

The closest recent competitor—until he was fired for lying and exiled to the waste dump at MSNBC—was Brian Williams. Williams artfully executed a reversal of tradition. He portrayed the youthful prodigy, a gradually maturing version of a newsboy who once bicycled along country roads, threw folded up papers on front porches, and knew all his customers by name. A good boy. A local boy. Your neighbor under the maple trees of an idyllic town. Cue the memories.

By the time Williams took over the helm at NBC, television news was decidedly a team operation. There were reporters in the field. The technology enabled the anchor to go live to these bit players, who tried to exude the impression they were actually running down leads and interviewing key sources on the spot—when in fact they could just as easily be doing their stand-ups from a hot dog cart outside 30 Rockefeller Plaza, the home studio of the network—because most of their information was really coming from inside that studio.

Nevertheless, the team was everything. The anchor was a manager, and his job was to impart an authentic feel to every look-in, from the White House to Paris to Berlin to Jerusalem to Beijing to a polar bear on an iceberg.

And local television news was blowing up to gargantuan proportions. Every city and town and village and hamlet seemed to have its own gaggle of hearty faces delivering vital info of interest to the citizenry. Branding and shaping this local phenomenon evolved into: FAMILY. Yes, that was the ticket. These bubbly, blown-dry, enthused, manic news and weather and sports hawks were really “part of the community.” Local News was no longer shoveled high and deep with an air of objectivity. “Aloof” was out. Share and care was in. What that had to do with actual news was anyone’s guess, but there it was. “Hi, we’re your team at KX6, and we feel what you feel and we live here with you and we know when the roads are icy and the wrecks pile up on the I-15 and the cops arrest someone for cocaine possession and when the charity bake sale is coming up to pay for [toxic] meds for seniors and when your cousin Judy passes away we mourn as you do…”

News for and by a fictional collective.

Disney news.

A caricature of a simulacrum of an imitation.

The discovery was: the viewing audience wanted news as a cartoon.

The problem is: this model deteriorates. The descending IQ of the news producers and anchors and reporters undergoes a grotesque revolution. Year by year, broadcasts make less sense. Even on the national scene, NBC hands its prime anchor spot to Lester Holt, who plays the old Addams Family living corpse, Lurch.

ABC, always looking for a new face, goes all in with David Muir, a Sears underwear-model type.

CBS counters with a youngish cipher, Jeff Glor, after ridding itself of Scott Pelley, who, true to his on-camera persona, might show up on The Young and the Restless as a lunatic surgeon doing operations without anesthetic.

The networks are losing it.

It’s a sight to behold.

Cable news is even worse. The longest surviving anchor is Wolf Blitzer at CNN. Wolf’s energy level tops out as a man in a tattered bathrobe, in his kitchen, chatting with his cousin while they play checkers.


When professionals broadcast one absurdity after another, they begin to see the effects are actually strengthening their own position of authority.

It’s a revelation. It’s also a continuation of the tradition of the Trickster archetype. For example, with just a few minor adjustments, Brian Williams can be seen as the sly Reynard the Fox…

From the viewpoint of elite television news, controlling the minds of its audience depends on what’s politely called “cognitive dissonance”:

As the anchor recites a news story, the viewer sees an obvious hole through which he could drive a truck.

The story makes no sense, yet it’s being presented as bland fact. The trusted anchor clearly has no problem with it.

What’s the viewer to do? He experiences a contradiction, a “dissonance.”

For example, this year’s flu vaccine. The US government has admitted the vaccine is geared to a flu virus that isn’t circulating in the population. Therefore, even by conventional standards, the vaccine is useless. But the kicker is, the CDC says people should take the vaccine anyway.

The anchor relays all this information—and never seriously questions the situation, never torpedoes the government for recommending the vaccine.

The average viewer feels a tug, a pulse of discomfort, a push-pull. The vaccine story is idiocy (side one), but the trusted anchor accepts it (side two).

Dissonance.

The top chiefs of news—and top propaganda operatives—anticipate cognitive dissonance. In a real sense, they want it to happen. They make it happen. Over and over.

Why?

Because it throws the viewer into a tailspin. And in that mental state, in his effort to resolve the contradiction, he will normally choose to…give in. Surrender. Believe in the anchor. It’s the easier path.

The viewer will even doubt his own perception. “I see no good reason for Building 7 to collapse, but the news doesn’t bring that up, so…it must be me.”

This is the power of the news. It presents absurdities and then moves right along, as if nothing has happened.

The introduction of contradiction, dissonance, and absurdity parading as ordinary reality is an intentional feature of brainwashing.

On the nightly news, the anchor reports that US government debt has risen by another three trillion dollars. He then cuts to a statement from a Federal Reserve spokesman: the new debt level isn’t a problem; in fact, it’s sound monetary policy; it strengthens the economy.

The viewer, caught up in this absurdity, tries to make sense of it, then gives up and passively accepts it. Brainwashing.

Smoothly transitioning from this story, the anchor relays information from the CDC: vaccination rates must achieve 90% in the population, in order to protect people from dangerous viruses. The viewer thinks, “Well, my daughter is already vaccinated, so if she comes into contact with a child who isn’t vaccinated, why would there be a problem? Why does 90% of the population have to be vaccinated to keep her safe? She’s already vaccinated.”

The viewer wrestles with this craziness for a moment, then gives in and accepts what the CDC and the anchor are saying. More passivity. More brainwashing.

The anchor moves right along to the next story: “The US is experiencing one of the coldest winters in history, further evidence of the effects of global warming, according to scientists at the United Nations.”

The viewer shakes his head, tries to deal with this dissonance, surrenders, and accepts what he is hearing. Deeper passivity is the result. Deeper brainwashing.

On and on it goes, day after day, month after month, year after year, on the news.

Contradiction, absurdity, dissonance; acceptance, surrender, passivity.

The same general formula is used in interrogations and formal mind control. It adds up to disorientation of the target.

Most disoriented people opt for the lowest- common-denominator solution: give in; accept the power of the person of authority.

Among the many supporters of conventional news is the education system. Most teachers never learn logic, and they don’t teach it. The result? Their students never gain the ability or the courage to reject the news and its dissonances.

What little these students gain from 12 or 16 years of schooling they eventually sacrifice on the altar of consensus reality—as broadcast every night on the screen before them.


Salvador Dali, surrealist, was one of the most reviled painters of the 20th century.

He disturbed Conventional Folk who just wanted to see an apple in a bowl on a table.

Dali’s apples and bowls were executed with a technical skill few artists could match—except the apples were coming out of a woman’s nose while she was ironing the back of a giraffe, who was on fire.

“It doesn’t go together! It doesn’t make sense! He’s Satan!”

Yet, these same Folk sit in front of the television screen every night and watch the entirely surreal network news. Elite anchors seamlessly and quickly move from blood running in the streets of a distant land to a hairdryer product-recall to an unseasonal hail storm in Michigan to a debate about public policy on pedophiles to genetically engineered mosquitoes in Florida to a possible breakthrough in storing computer simulations of human brains for later recapture to squirrels gathering nuts in New Jersey.

Nothing surreal about this??

When the elite anchor goes on air and digs in, he’s paid to be seamless. He could be transitioning from mass killings in East Asia to sub-standard air conditioners, and he makes the audience track through the absurd curve in the road.

The elite anchor should have a voice that soothes just a bit but brooks no resistance. It’s authoritative but not demanding.

Scott Pelley (CBS) was careful to watch himself on this count, because his tendency was to shove the message down the viewer’s throat like a surgeon making an incision with an icepick. Pelley was a high-IQ android who was training himself to be human.

Diane Sawyer wandered into sloppiness, like a housewife who’s still wearing her bathrobe at 4 in the afternoon. She exuded sympathetic syrup, as if she’d had a few cocktails for lunch. And she affected a pose of “caring too much.”

Brian Williams was head and shoulders above his two competitors. You had to look and listen hard to spot a speck of confusion in his delivery. He knew how to believe his act was real. He could also flick a little aw-shucks apple-pie at the viewer. Country boy who moved to the big city.

Segues, blends are absolutely vital. These are the transitions between one story and another. “Earlier today, in Boston.” “Meanwhile, in New York, the police are reporting.” “But on the Hill, the news was somewhat disappointing for supporters of the president.”

Doing excellent blends can earn an anchor millions of dollars. The audience doesn’t wobble or falter or make distinctions between what went before and what’s coming now. It’s all one script. It’s one winding weirdness of story every night.


And NOW, we have COVID, and we have riots. The current stories— the lies are egregious and relentless, the editorializing is cheesy. The omissions are Grand Canyons.

Surreal, cognitively dissonant, smoothly blended, outrageous:

The News Business. As Usual.

But with the junior varsity anchors, and their lack of skill, the networks need overwhelming stories to sell their act. They need COVID and riots. They have to have government manufacturing chaos and destruction and tighter control, in order to keep viewers coming back night after night.

You’ve got elite Globalists and elite government on one edge, and elite news on the other edge. They feed into each other. They bolster each other.

So why must they spend so much time censoring dissent?

Because freedom exists.

Because, no matter what, it always will.

And underestimating its power, time and time again, has proven to be a colossal mistake.

Deadly Rainbow: Will 5G Precipitate the Extinction of All Life on Earth?

By Robert J. Burrowes

In his recently revised and updated book The Invisible Rainbow: A History of Electricity and Life, scientist Arthur Firstenberg has made both science and history comprehensible by explaining the importance and significance to life on Earth of a vital consideration that has long been ‘invisible’: electricity.

Indeed, as Firstenberg makes clear, if we want to understand life on Earth, we cannot do so without understanding the role that electricity plays in making life possible, healing it and, if abused, threatening us all.

Firstenberg’s book is unusual on at least two counts. Based on decades of scientific research, he carefully explains each point in language accessible to the non-scientist while documenting his case with exceptional clarity and detail complemented by a 138-page bibliography.

If you want to really understand this issue, and what is at stake, you will be doing yourself a favor by reading this book.

The Universe, Electricity and Life: In Brief

As Firstenberg’s subtitle promises, his book includes a history of electricity and its role in the Universe but particularly on Earth.

‘Almost all of the matter in the universe is electrically charged…. The stars we see are made of… charged particles in constant motion. The space between the stars and galaxies, far from being empty, teems with electrically charged subatomic particles, swimming in vast swirling electromagnetic fields, accelerated by those fields to near-light speeds. Plasma is such a good conductor of electricity, far better than any metals, that filaments of plasma – invisible wires billions of light-years long – transport electromagnetic energy in gigantic circuits from one part of the universe to another…. Under the influence of electromagnetic forces, over billions of years, cosmic whirlpools of matter collect along these filaments, like beads on a string, evolving into the galaxies that decorate our night sky.’

The Milky Way, the galaxy in which Earth is located, is a medium-sized spiral galaxy that is 100,000 light-years across; it rotates around its center every 250,000,000 earth years, generating around itself a galactic-size magnetic field. Filaments of plasma, 500 light-years long, generate additional magnetic fields.

Our sun, also made of plasma, sends out an ocean of electrons, protons and helium ions in a steady current called the solar wind. This wind bathes the Earth before diffusing out into the plasma between the stars.

The Earth, with its core of iron, rotates on its axis in the electric fields of the solar system and the galaxy, in turn generating its own magnetic field that traps and deflects the charged particles of the solar wind wrapping the Earth in an envelope of plasma called the magnetosphere. Some of the particles from the solar wind collect in layers we call the Van Allen belts where they circulate 600 to 35,000 miles overhead.

The sun also bombards the Earth with ultraviolet light and X-rays. In addition, atomic nuclei and subatomic particles (known as cosmic rays) shower the Earth from all directions as well. It is these cosmic rays from Space and the radiation emitted by uranium and other radioactive elements in Earth’s crust that provide the small ions that carry the electric currents that surround us in the lower atmosphere.

It is within this electromagnetic environment – a fairly constant vertical field averaging 130 volts per meter – that all life, including Homo Sapiens, evolved on Earth.

In fair weather, the ground beneath us has a negative charge and the ionosphere above us a positive charge. ‘Electricity courses through the sky far above us, explodes downward in thunderstorms, rushes through the ground beneath us, and flows gently back up through the air in fair weather.’ This happens in an endless cycle as about 100 bolts of lightning, each delivering a trillion watts of energy, strike the Earth every second.

Every living thing is part of this circuit. The current enters our heads from the sky, circulates through our meridians, and enters the earth through the soles of our feet. This current provides the energy for growth, healing, and life itself. See ‘Putting the Earth Inside a High-Speed Computer’.

The strength of the atmospheric electrical current is between 1 and 10 picoamperes (trillionths of an ampere) per square meter. Dr. Robert Becker found that 1 picoampere is all the current that is necessary to stimulate healing in frogs…. It is these tiny currents that keep us alive and healthy. See ‘Planetary Emergency’.

The fundamental point about all this is simple: The Earth is incredibly delicately balanced with a great many forces making up this balance and thus making life possible.

One of the many ways in which we have been disrupting this balance is by disturbing the global electrical circuit, that evolved over eons and sustains all life, without paying genuine and sincere attention to what we are doing and what this means for the Earth and all of its inhabitants, including us.

Given the profound implications of generating ‘electric pollution’, some might label this behaviour insane. It is certainly unaware.

Human-Generated Electricity on Earth

It was in 1746 that scientists were finally able to ‘capture’ electricity so that a start could be made on using it directly for human ends. Sure, the wider implications of its use were not considered but it offered opportunities not previously available. And when the damage from its use, on humans and other living organisms, started and then rapidly picked up pace, the association between the spread of electricity (particularly through the telegraph wires in the mid-nineteenth century and electric lighting a few decades later) and the adverse health and environmental impacts were not made, or ignored when they were. And so diseases not previously recorded in the medical literature started to appear: anxiety disorder, influenza, diabetes, heart disease and cancer.

But it wasn’t just us that was impacted; so were the other living organisms of our planet.

And now we are bathed in the 60-cycle current in our house-wiring; the ultrasonic frequencies in our computers, Wi-Fi routers and modems; the radio waves in our televisions; the microwaves in our cell phones and the electromagnetic radiation generated by everything from baby monitors to ‘smart’ devices of all kinds, as well as the vast network of satellites, transmission towers and power lines all endlessly but variably impacting, adversely, virtually every human being on Earth. And if 5G is deployed, there will be nowhere on Earth that is safe for humans, insects, birds, animals and plants.

We will have fundamentally altered the very conditions that made the evolution of life on Earth possible.

An exaggeration?

Here is the briefest sample of the damage existing human-generated electromagnetic radiation is causing life on Earth.

Forests

Apart from being logged mercilessly, burned down to create cattle or soy farms or palm oil plantations, destroyed by the endless proliferation of mining for various mineral resources including coal and oil, damaged by dam construction, wildlife poaching and the extraction of resources like rayon, viscose and modal to make clothing, and adversely impacted in many other ways, forests are being destroyed by electromagnetic radiation inflicted by humans. While acid rain and global warming have been blamed for much of the ‘forest die-off’ that has occurred over the past 40 years, the evidence that electromagnetic radiation has been the real, or at least primary, cause is rather overwhelming once the full circumstances of the damage are seriously investigated. While Firstenberg cites many very compelling examples, the case of the Amazon rainforest makes the point rather starkly.

In 2005, it was noticed that trees were dying without obvious cause. This has been blamed on global warming which caused an unusual drought in that year. However, on 27 July 2002, the US-financed and Raytheon-built System for Vigilance of the Amazon (SIVAM), a $US1.4 billion system of radars and sensors, began its monitoring activities in a two million square mile area of remote wilderness.

Ostensibly to deprive drug traffickers and guerrillas a safe haven, it also ‘required pretending that blasting the rainforest with radiation at levels that were unprecedented in the history of the world was of no consequence to the forest’s precious inhabitants, human or otherwise’. So the system’s ‘25 enormously powerful surveillance radars, 10 Doppler weather radars, 200 floating water-monitoring stations, 900 radio-equipped “listening posts”, 32 radio stations, 8 airborne state-of-the-art surveillance jets equipped with fog-penetrating radar, and 99 “attack/trainer” support aircraft’ can track individual human beings and ‘hear a twig snap’ anywhere in the Amazon.

Again, at the cost of electromagnetically damaging every living organism in the rainforest.

To reiterate though, the Amazon is not the only forest in the world adversely impacted by electromagnetic radiation with many studies examining the issue, wherever they are conducted, consistently revealing forest damage by electromagnetic radiation from civilian and military installations (and even recovery when, as happens occasionally, the local radiation stops).

Insects

In 1901, Marconi sent the world’s first long-distance radio transmission from the Isle of Wight, off the southern coast of England. By 1906 and now host to the greatest density of radio transmissions in the world, the island was almost empty of bees. ‘Thousands, unable to fly, were found crawling and dying on the ground outside their hives’. And healthy bees, imported from the mainland, began dying within a week of arrival. ‘Isle of Wight disease’ was then reported in European countries, South Africa, Australia and North America over following decades with almost everyone assuming it was infectious. Despite various suspected diseases and parasites accused over many decades, each was eventually ‘cleared’ of causing the problem.

But in the second half of the 1990s, the ‘disappearing bee’ problem again accelerated and acquired the name ‘colony collapse disorder’ in 2007 as bee populations were decimated in many parts of the world. And despite the resistance of beekeepers (who are largely convinced that infectious diseases are driving bee losses and that toxic pesticides are necessary to kill mites), some scientists were starting to investigate the impact of electromagnetic radiation on bees. The simplest experiments involved placing a cell phone inside a bee hive: ‘The results of such experiments, considering the complete denial by our society that wireless technology has any environmental effects at all, have been almost unbelievable.’

‘The quickest way to destroy a bee hive, investigators have found, is to place a wireless telephone inside it.’ Landmark research conducted originally in 2009 and then subsequently, which involved placing two cell phones in a hive for 30 minutes at a time every few days, demonstrated that electromagnetic fields interfere with cellular metabolism: bees practically could not metabolize sugars, proteins or fats and, as in humans but far more rapidly, their cells become oxygen starved. Three months, at this modest level of exposure, would destroy a hive.

One particularly nasty development that occurred in the (northern) Winter of 2006-2007 that is considered by some the likely immediate cause of the disastrous colony collapse disorder at the time, is that the US military’s HAARP – High-frequency Active Auroral Research Project – in Alaska reached full power with the installation of the last of its 180 antennas at that time. HAARP is the most powerful radio transmitter on Earth and ‘turned the ionosphere itself – the life-giving layer of sky to which every creature is tuned – into a gigantic radio transmitter’. Why? HAARP was being used for US military communications, particularly with submarines. Even in 1988, when HAARP was still being planned, physicist Richard Williams, a consultant to Princeton University’s David Sarnoff Laboratory, called the project ‘an irresponsible act of global vandalism’ given the power levels that were to be used.

In fact, according to other researchers, the HAARP project has also been used to research and develop electromagnetic weapons, such as directed energy beams. See ‘HAARP: Secret Weapon Used For Weather Modification, Electromagnetic Warfare’.

But whatever its functions, even though now transferred to the University of Alaska Fairbanks, Ulrich Warnke points out that the frequencies of HAARP superimpose unnatural magnetic fields on the natural resonant frequencies of the sky, the daily variations of which have not changed since life appeared on Earth. This is disastrous for bees because they ‘lose an orientation that served them for millions of years as a reliable indicator of the time of day’.

Of course bees are not the only insects adversely impacted by this recent human obsession with electromagnetic radiation. Experiments with other insects, such as ants and fruit flies, again simply using exposure to cell phones rather than any specialized equipment, revealed equally instructive results. A few minutes exposure for a few days, for example, dramatically reduced the reproductive success of the flies. And exposed to phones turned off, in standby mode and then turned on, ants displayed a variety of behaviors including leaving their nest and taking all of their eggs, larvae and nymphs with them.

As an aside, experiments of this nature also revealed ‘intensity windows’ of maximal effect. This means that ‘the greatest damage is not always done by the greatest levels of radiation. Holding your cell phone away from your head may actually worsen the damage.’ And even a cell phone that is turned off but has the battery in it, is ‘clearly and obviously dangerous’.

Birds

The disastrous effects of radio waves on birds were first noted in the 1930s. It was immediately obvious, for example, to diverse groups of people who worked with pigeons – those involved in pigeon racing and those still using pigeons for military communications – when the birds lost their way during the rapid expansion of radio broadcasting. But by the late 1990s, as cell phone towers proliferated and vastly greater numbers of birds were unable to fly home, pigeon-racing plummeted compelling pigeon-fanciers to revisit an issue they had earlier set aside. Unfortunately, it was too late. In 1998, shortly after Motorola’s launch of 66 Iridium satellites had begun providing the first cell phone service from Space, 90% of pigeons being raced in various locations in the United States over a two-week period vanished.

Of course, it is not just pigeon populations that are being decimated. Wherever dramatic bird population declines are being studied and electromagnetic radiation is considered as a possible factor (which is not always the case), the results usually reveal a link even if the damaging impact is variable.

If electromagnetic radiation totally disorients pigeons, how do migratory birds navigate? Often enough, they don’t. For example, in 2004, scientists at the University of Oldenburg in Germany were shocked to discover that migratory songbirds they had been studying were no longer able to orient themselves for their migratory journeys. Conducting a simple experiment – surrounding the aviaries of European robins with grounded aluminium sheeting to remove the influence of electromagnetic radiation – the immediate and positive impact ‘on the birds’ orientation capabilities was profound’, they noted in a study published in 2014.

One series of studies was conducted by wildlife biologist Alfonso Balmori Martínez in Spain for more than a decade from the 1990s, after noting the dramatic increase in leukemias, cancers, headaches, insomnia, memory loss, heart arrhythmias and acute neurological reactions suffered by people near a new installation of antennas adjacent to a local school. His subsequently published research revealed, among many other points, the following: kestrels vanishing from breeding sites after antennas for mobile telecommunications were installed, nest abandonment by storks near the radiation beams from telephone masts, rock doves dead near phone masts, plumage deterioration and locomotive problems in magpies at points highly contaminated with microwave radiation, and a dramatic decline in sparrow populations in irradiated areas, which matched a European-wide trend with, for example, sparrows in the UK declining by 75% between 1994 and 2002. Balmori’s conclusion was simple: ‘This coincides with the rollout of mobile telephony.’

One of the problems peculiar to birds, already identified by Canadian researchers in the 1960s, is that ‘feathers make fine receiving aerials for microwaves’.

By the way, have a ponder what happens when a bird (or animal, reptile, amphibian, fish or even insect, for that matter) is radio tagged so that its behavior can be monitored. It exposes the creatures to immediate radiation, in comparison to that from distant cell phone towers, thus adversely impacting their functioning and altering their behavior! Firstenberg characterized this procedure, politely in my view, as ‘scientific folly’. Other scientists have documented many serious, adverse impacts from radio tagging but the practice is far from over with most wildlife scientists simply assuming that tagging has zero impact.

Amphibians

The ongoing serious decline of frogs, toads, salamanders and other amphibians all over the world has been notable since at least the 1980s. Not something you think about?

Well, amphibians have been falling silent for a range of reasons but, once again, electromagnetic radiation is a key one. Notably, even iconic species, such as the famous and highly protected Golden Toad, named for its brightly colored skin and resident of the Monteverde Cloud Forest Preserve in Costa Rica, have gone extinct without any real fight to save them.

Puzzling to most scientists was the fact that amphibians have been vanishing even in ‘many pristine, remote environments that they thought to be unpolluted’. And they were pristine, except for the ‘invisible pollutant’ that permeated even these environments: electromagnetic radiation.

Needless to say, the usual range of scientific studies has long since proved that exposure of amphibians to electromagnetic radiation is ‘incompatible with [their] survival’.

As Firstenberg notes:

Environmentalists, for the most part, like the rest of modern humanity, have one terrific blindspot: they don’t acknowledge electromagnetic radiation as an environmental factor, and they are comfortable with placing power lines, telephone relay towers, cell towers, and radar stations in the middle of the most remote, pristine mountainous locations, never realizing that they are intensely polluting those environments.

The key question is this: Will humanity, and not just environmentalists, wake up to the threat posed by electromagnetic radiation in time?

Humans

In this brief review, I am not going to discuss the extensive evidence of the damage to human health caused by electromagnetic radiation. But there is not a significant, modern human disease – diabetes, ‘influenza’, cancer, heart disease, strokes, obesity… – and a host of other mental and physical ill-effects (including anxiety, memory loss, impaired motor function, attention-deficit, sleep disturbance, reduced lung capacity, higher white cell counts and headaches as well as a disturbed balance in the boy/girl birth ratio) that can be fully understood without understanding the impact of living in a disturbed electrical environment. Again, Firstenberg spells it out in gruesome detail.

However, to mention two brief examples: Firstenberg explains how electromagnetic radiation damages the mitochondria – thus inhibiting cellular metabolism – with disastrous consequences for those many individuals impacted. However, they are only rarely medically diagnosed as such. And the effects of radio waves on blood sugar are extremely well documented but none of this research has been done in the United States or western Europe.

As an aside, you might be interested to know that a large, rapid, qualitative change in the Earth’s electromagnetic environment has occurred six times in Earth’s history, as noted by Firstenberg: in 1889 power line harmonic radiation began (accompanied by the 1889 pandemic of influenza), in 1918 the radio era began (accompanied by the ‘Spanish’ influenza pandemic), in 1957 the radar era began (accompanied by the Asian flu pandemic), in 1968 the satellite era began (accompanied by the Hong Kong flu pandemic), and twice more coinciding with changes that you can read in the book.

Since a few months before the book was published in February 2020, however, the deployment of 5G technology has been proceeding in earnest, as discussed below. Interesting that during this time people have also been impacted by a ‘virus’ labeled COVID-19, don’t you think?

Anyway, as you probably guessed as well, electromagnetic radiation causes biological damage to fruit trees, crops, farm birds and animals too, with adverse implications for the human food supply (apart from the shocking impact from the mass killing of pollinators such as bees).

What is the State of Play Now?

Despite its enormous health hazards and implications for military violence, as well as its potential for intrusive surveillance, which is also extensively documented – see How Big Wireless Lobbied Governments to Build 5G for Citizen Data Collection and Surveillance – and the vulnerability of satellites to cyber attacks with potentially horrific consequences – see ‘Hackers could shut down satellites – or turn them into weapons’ – the deployment of 5G has begun. From the elite perspective, it is critical to implementation of the so-called fourth industrial revolution. See Techno-Tyranny: How The US National Security State Is Using Coronavirus To Fulfill An Orwellian Vision.

This means that the existing fleet of functional satellites orbiting Earth, which totaled 2,666 on 1 April 2020 – see ‘Satellite Database’ – but has already grown by a couple of hundred since then, will be vastly expanded to tens of thousands in the near future.

For example, the Elon Musk corporation SpaceX has already launched 538 satellites into Space and is planning to launch another 60 every two weeks into the ionosphere. See ‘538 Satellites and Counting’. Again: ‘The ionosphere is a source of high voltage that controls the global electric circuit, which in turn provides the energy for life.’

Moreover, on 26 May 2020 SpaceX filed an application with the Federal Communications Commission (FCC) in the USA for 30,000 ‘next-generation’ (‘Gen2’) satellites. ‘If and when [SpaceX’s] Starlink signs up millions of paying customers, it is possible that nothing will survive – no humans, no animals, and no insects. It is likely that it will be blamed on COVID-19, unless this world wakes up in time.’ See ‘Putting the Earth Inside a High-Speed Computer’.

But SpaceX is not the only satellite corporation although it has a large scheme compared to most of its major competitors, except OneWeb (UK/USA) which submitted a plan to the FCC in the USA on 27 May 2020 for 48,000 satellites.

Some other private corporations or government agencies that have satellite constellations they are planning to expand include Boeing (USA), Spire Global (Luxembourg, Scotland, USA), Iridium (USA), Orbcomm (USA), Globalstar (USA), Telesat (Canada), Eutelsat (Europe), the National Aeronautics and Space Administration’s (NASA) Earth Observing System (USA), the Pentagon’s Space Development Agency (USA) with plans for hundreds or potentially thousands of satellites in seven layers – see ‘National Defense Space Architecture (NDSA), Systems, Technologies, and Emerging Capabilities (STEC)’ – the Russian Satellite Communications Company, GLONASS (Russia) and the BeiDou Navigation Satellite System (China).

Yet other groups, such as Amazon, are planning major constellations – see ‘Amazon to offer broadband access from orbit with 3,236-satellite “Project Kuiper” constellation’ – and Facebook has an experimental satellite license.

In addition, the new corporation Lynk (USA) has been deploying ‘cell-towers-in-space’ satellites and boasts ‘We will connect all 5.2 billion mobile phones on the planet, everywhere.’ How? ‘Subscribers receive coverage from terrestrial towers when they have it and satellite towers when they need it, all from their existing phone.’

As has been noted before this, the slowly-evolving night sky that creatures from Earth have observed for billions of years will be rapidly obliterated in what will presumably be the first instance of astronomical pollution. Stars visible to the naked eye will vanish from view.

On 23 March 2020, the ‘Secure 5G and Beyond Act of 2020’ became law in the United States. See Secure 5G and Beyond Act of 2020. It’s purpose?

To require the President [within 180 days] to develop a strategy to ensure the security of next generation mobile telecommunications systems and infrastructure in the United States and to assist allies and strategic partners in maximizing the security of next generation mobile telecommunications systems, infrastructure, and software, and for other purposes.

So 5G technology is now being rapidly rolled out with elite agents in the telecommunications industry advertising bigger and faster downloads. They just don’t mention that it will kill us.

‘Why not?’ you might ask. ‘Won’t it kill them too?’

Yes, but they are insane which, in this case, means that their minds are incapable of paying attention to, and considering, the ‘big picture’ (including all of the ecological and social variables impacted by their decisions) because their focus is on limited imperatives, such as profit. This is why all of those scientific studies that have consistently exposed the extreme dangers of electromagnetic radiation over recent decades have not only been ignored but great effort, including through the corporate media, has been made to prevent public discussion of the impacts based on the knowledge in this research.

For brief explanations of this insanity, see ‘The Global Elite is Insane Revisited’ and ‘Love Denied: The Psychology of Materialism, Violence and War’ with fuller explanations in ‘Why Violence?’ and Fearless Psychology and Fearful Psychology: Principles and Practice.

This insanity is why the global elite, through its corporate and political agents, is endlessly manipulating us into fighting their wars – even dragging us to the brink of nuclear war – destroying the climate and the environment, driving the collapse of biodiversity, and generating a vast range of political, economic and social crises without ever considering the fundamental outcome – its deleterious impact on all life – of their behaviors. 5G is just the latest manifestation of this insanity.

Of course, all of these crises could be resolved if we were dealing with people who were sane. And if most of us were not readily distracted from paying attention to reality. See ‘The Disintegrated Mind: The Greatest Threat to Human Survival on Earth’.

Resisting the Deployment of 5G

Given the military and surveillance implications of 5G, if you think that governments are particularly concerned to investigate and consider the extensive evidence of the enormous hazards of 5G, you might find it sobering to read the dismissive three paragraphs given to the subject in the European Parliament’s official report on 5G. See 5G Deployment: State of Play in Europe, USA and Asia’.

The reality, as touched on just above, is that elite interests are shaping what happens. You still don’t think so?

In 2002, Gro Harlem Brundtland, the Director-General of the World Health Organization (WHO) and the former Prime Minister of Norway, ordered people entering her office in Geneva to not carry a cell phone. Why? Because cell phones gave her a headache. The following year Brundtland was no longer the Director-General of the WHO. ‘No other public officials have repeated her mistake.’ See The Invisible Rainbow: A History of Electricity and Life.

Nevertheless, the resistance to 5G is rapidly gaining pace with concerned scientists and activists setting the pace. For example, you can see a ‘List of Cities, Towns, Councils and Countries that have Banned 5G’.

And if you wish to join those resisting the deployment of 5G, options include signing the International Appeal: Stop 5G on Earth and in Space, supporting legal challenges such as this one in Denmark – see ‘State of Play and Danish Suing FiveG Network’ – and simply getting rid of your mobile (cell) phone. See ‘End Cellphones Here on Earth (ECHOEarth)’.

Moreover, if you wish, you can campaign strategically to halt the deployment of 5G. You can read a list of strategic goals, as well as how to develop a local strategy to prevent/halt the deployment of 5G, at Nonviolent Campaign Strategy.

Separately from this, if you would like to join the worldwide movement of people working to end all violence, you can do so by signing the online pledge of The Peoples Charter to Create a Nonviolent World.

Conclusion

So what is Arthur Firstenberg’s chilling conclusion?

‘You cannot contaminate the global electrical circuit with millions of pulsed, modulated electronic signals without destroying all of life.’

But, as outlined above, since ‘controlling’ electricity in 1746, humans have been increasingly contaminating the global electrical circuit and it has culminated in what will now be the final electromagnetic assault on Earth.

Which means that unless we can halt the launch of these 5G satellites and the rollout of the technology ‘on the ground’ we will be ‘destroying all of life’. And while some groups advocate measures to protect ourselves as individuals, inadequate though these must be in the unfolding circumstances, no amount of measures to individually protect ourselves from this electromagnetic radiation will protect ‘all of life’ in the wild.

According to Ross Adey, the grandfather of bioelectromagnetics and atmospheric physicist Neil Cherry, we are electrically tuned to the world around us and ‘the safe level of exposure to radio waves is zero’.

There is virtually no time left to understand and act powerfully on that knowledge. What will you do?

 

Biodata: Robert J. Burrowes has a lifetime commitment to understanding and ending human violence. He has done extensive research since 1966 in an effort to understand why human beings are violent and has been a nonviolent activist since 1981. He is the author of Why Violence? His email address is flametree@riseup.net and his website is here.

 

America Has Always Been a Dystopia

Too many of us just haven’t been paying attention

By Bryan Merchant

Source: OneZero

“Trump’s American dystopia has reached a new and ominous cliff,” warns a CNN opinion headline. “The last two and a half months in America have felt like the opening montage in a dystopian film about a nation come undone,” writes New York Times columnist Michele Goldberg, in describing the images of militarized police storming U.S. cities to put down protests in the days following George Floyd’s murder, which came on the heels of two months of pandemic, panic, and widespread economic collapse. A very popular post published elsewhere on Medium was titled, bluntly, “America is a Dystopia.”

There is a lot of dystopia talk getting tossed around right now, for reasons that probably seem obvious. Those images we’ve all spent hours staring at on Twitter and cable TV — the military vehicles patrolling suburban streets, the lines of tactical vested officers cordoned around the Lincoln Memorial, the scenes of tear gas blurring flames as masked protesters clash with armed police — match up reasonably well with the aesthetics and broad strokes of a genre that we’ve spent the last 10 years staring at on Netflix and the other channels on cable TV.

But this is not “Trump’s American dystopia.” It is the continued, if inflamed, dystopian state of play as it has laid for centuries. The montage of horrors did not begin only a few months ago or when a cohort of privileged observers suddenly became aghast at the SWAT howitzers and brutal policing tactics when they were seen on suburban streets.

Years of toothless and profitable pop culture dystopias have primed consumers to ignore race, helping to obscure the fact that the real dystopia arrived long ago.

If we wanted to get pithy about it, we might say that the 2010s were the dystopia decade, a period that saw both the rise of dystopia as a reliably profitable and uniform entertainment format in mass culture and what appeared to be the IRL manifestation of the images and tropes the genre broadcast by decade’s end. The Hunger Games rose to dominate box offices and spawned a follow-on flotilla of similarly shaped YA dystopian fare. Black Mirror mainstreamed a visual mode of bleak cynicism about technology, and critical darlings like Ex MachinaHer, and Mad Max: Fury Road made apocalypses brought about by artificial intelligence and climate change palatable for the intelligentsia. Meanwhile, Blade Runner, RoboCop, Starship Troopers, and Children of Men became frequent touchstones. Partly because they are good films that offered prescient cultural and political commentary, and partly because their visuals provide handy fodder for comparative screen-grabbing on social media while we’re watching high-tech police forces brutalize popular uprisings, climate change-fueled wildfires spread across cityscapes, and A.I. take on alarming new dimensions, like being racist.

As a result, comparing America to a dystopia has become something of a national pastime; a recurring op-ed framework, a subgenre of Twitter commentary — especially during crisis points and moments of mass upheaval.

But what are we actually talking about when we talk about “dystopia”? Gesturing towards a vague constellation of injustices set to the color palette of a “gritty” summer blockbuster and declaring it dystopian won’t cut it — for dystopia to be useful as a cautionary tool for avoiding bad futures, we need to understand exactly what the ingredients setting a society on the road to ruin are. As it stands, much of the modern dystopian discourse seems content to position dystopia as something that is bad, with an air of futurity. To quote Daniel Mallory Ortberg’s famous mocking of Black Mirror: “What if phones, but too much.” What if high-tech cops, what if sea level rise, etc.

“The adjective dystopian implies fearful futures where chaos and ruin prevail,” writes Gregory Claeys, a historian and professor at Royal Holloway, University of London, and author of Dystopia: A Natural History. Though in a historical and literary sense, he says, dystopia most commonly describes “a regime defined by extreme coercion, inequality, imprisonment, and slavery.”

Because its most popular touchstones are science fiction, modern dystopia discourse tends to fixate on profit- or warfare-accelerating technologies — digital surveillance, facial recognition, automation software, drones, technologized weapons — and their capacity to serve the wealthy and powerful in a time of ecological collapse, health crises, and/or widening inequality. Our current moment fits the bill. The coronavirus, mass unemployment, and police brutality against a racial justice uprising are unfolding to the backdrop of SpaceX rocket launches and tech billionaires like Amazon’s Jeff Bezos rapidly expanding their wealth.

When I noted on Twitter that the SpaceX launch was sending astronauts on a for-profit trip into space as a surge of protests swept the country, it struck a chord. Many responded by comparing the events to Elysium, the 2013 Neill Blomkamp film about a future where the poor toil and swelter on Earth while the wealthy live in luxury in a space station that orbits above the Terran rabble.

Others pointed to the great Gil Scott Heron song, “Whitey’s On the Moon.” The musician and poet released it in 1970, one year after the NASA moon landing, which was itself one year after Dr. Martin Luther King, Jr.’s assassination provoked a mass nationwide uprising, perhaps the last at a scale comparable to the one we’re seeing today.

Some of the lyrics:

A rat done bit my sister Nell.

(with Whitey on the moon)

Her face and arms began to swell.

(and Whitey’s on the moon)

I can’t pay no doctor bill.

(but Whitey’s on the moon)

Ten years from now I’ll be payin’ still.

(while Whitey’s on the moon)

That song was recorded a half-century ago, yet the plight remains the same. It was the same in 1993, when Octavia Butler, in her own magisterial dystopia, Parable of the Sower, set in a mostly Black community in Southern California in the apocalyptic 2020s, described the news of the death of a Mars explorer as eliciting the following reaction: “People here in the neighborhood are saying she had no business going to Mars, anyway. All that money wasted on another crazy space trip when so many people here on earth can’t afford water, food, or shelter.”

Billionaires can afford to send payloads into orbit, to explore space for science and for profit, but we cannot afford to provide health care to the poor or even basic racial equality. That’s what too many of us are missing when we talk about dystopia.

As comparatively radical as a dystopia like Elysium (or, say, Snowpiercer) is — in terms of summer blockbusters, anyway — its critique is limited to class. It glosses over race. It’s Matt Damon versus Sharlto Copley and Jodi Foster and the other white orbital techno-authoritarians. Take a scan through any of the most popular dystopian cinema products of the last decade or so, and you’ll find the same thing; matters of race are omitted almost entirely from the big screen eschatologies. Not only are the genre’s prime exports — Hunger Games, Divergent, Blade Runner, Elysium, RoboCop, the list goes on — written and directed by white people, the protagonists, actors, and even antagonists are nearly uniformly white. And despite many of these being imagined, written, and made in a nation whose founding arrangement was the most dystopian system conceivable, race is never even a component of the conversation in mainstream dystopian cinema, much less what the uprisings are predicated upon. Even the Handmaid’s Tale, which exploded in the wake of Trump’s misogyny-lined ascendency to the presidency, relegates any matter of racial politics deep into the background.

Angelica Jade Bastién points all this out in “Why Don’t Dystopias Know How to Talk About Race?”, where she explains how this in effect allows white viewers to cosplay as the oppressed, without actually interrogating in any meaningful way what oppression might actually entail or who gets oppressed and why.

“Race is relegated to inspiration, coloring the towering cityscapes of these worlds, while the white characters toil under the hardships that Brown and Black people experience acutely in real life,” Bastién writes. “In this way, dystopias become less fascinating thought experiments or vital warnings than escapades in which white people can take on the constraints of what it means to be the other.”

And in so doing, these popular dystopias appropriate the other’s struggles while conveniently ignoring the actual roots of said struggle. I do still think there’s utility in dystopias and trying to heed their warnings, but only if we recognize what’s being warned against, and only, especially, if we manage to understand that many of the looming “dystopias” perceived by more affluent entertainment consumers have been the realities of plenty of communities who have faced deep inequalities, technologized surveillance, and state oppression for generations already.

There’s a tweet that’s gone viral a number of times over the dystopian decade, each time in slightly different variation. Its most recent iteration came just this January, before the pandemic and the uprising came to dominate dystopia discourse:

https://twitter.com/ElleOnWords/status/1218693768339251200

White dystopia fanboys like me, pundits, columnists, and social media users need to get this through our skulls. To invert a notorious quote attributed to William Gibson, the dystopia has always been here; it just hasn’t been evenly distributed.

The “dystopia” lens too often fixes conditions like those — heavily policed communities, invasive surveillance, state oppression — in the future, and it glosses over the realities of the present and the long histories of oppression of Black communities and bodies, plenty of which was technologically abetted. The writer Anthony Walton noted in a 1999 Atlantic piece, “Technology Versus African Americans,” that from “the caravel to the cotton gin, technological innovation has made things worse for Blacks.” Western technologies, he writes, formed the infrastructure that gave rise to Black slavery:

Arab and African slave traders exchanged their human chattels for textiles, metals, and firearms, all products of Western technological wizardry, and those same slavers used guns, vastly superior to African weapons of the time, in wars of conquest against those tribes whose members they wished to capture… The slave wars and trade were only the first of many encounters with Western technology to prove disastrous for people of African descent. In the United States, as in South America and the Caribbean, the slaves were themselves the technology that allowed Europeans to master the wilderness.

What better fits Claeys description of dystopia — “a regime defined by extreme coercion, inequality, imprisonment, and slavery” — than actual chattel slavery? America was founded as a dystopia.

Yet for white and affluent consumers, the constant generation of novel and fantastic apocalyptic scenarios serves to extend the horizon for the arrival of the hellish conditions contained in dystopia — if oppression is a nebulous but ever-approaching threat, it’s perpetually obscured, lifted away into a sub-fictional ether. It needs not be interrogated, not now, anyway. Which is how power prefers it.

That’s the other thing about dystopia: In many of its guises, it’s a plainly conservative enterprise. The most influential dystopia of the 21st century, I would argue, is not 1984, but Atlas Shrugged, which alone is responsible for a generation of greed-is-good Republican policymaking. The 600,000-page book, which I have (regrettably) read, positions a handful of great white men and women as the only thing keeping society together and inveighs against the millions of working-class “moochers” with a barely veiled racist subtext. (Its author was also openly racist.) Many dystopias are less flagrant but similarly conservative: They highlight the fear that we might all end up like the poor unwashed masses if we are not careful to uphold the social order, not the fear that the poor might never be liberated. And that, in fact, includes the ur-dystopia.

“Visions of the apocalypse are at least as old as 1000 B.C.,” according to the dystopian historian Claeys. “The triumph of chaos over order defined the Egyptian ‘Prophecies of Neferti’ foretold the complete breakdown of society.” In it, the “great no longer rule the land,’ the ‘slaves will be exalted.’” The first dystopia, in other words, was a cautionary tale for the haves against sliding into the world of the have-nots. It’s hard not to shake that vibe from a lot of the Twitter commentariat, pointing at the protests from afar, going “man it’s so dystopian” and moving on to whatever the central animating conflict is in their own personal heroic narratives.

There are still useful deployments of dystopian language — it can certainly be effective shorthand for “this is fucked in a new way, pay attention.” A good example is this series of viral tweets that chronicle a day of peaceful protest where demonstrators were in turn greeted with the creepy electrified visage of Gov. Andrew Cuomo on a towering billboard, beaming down the newly instated curfew. A couple hours later, many protesters would be beaten.

And dystopias can still jolt the politically uninvolved to wake up — this podcaster even pointed to Elysium as an entry point into radical politics. But the surfeit of commentary that amounts to “wow, this is like Blade Runner send tweet” needs an upgrade. White viewers like me need to rethink and reevaluate what it means to watch and read popular dystopian fiction, how those products are shaping our perspectives and critiques of the futures and what they’re missing. And many more Black voices clearly need to be added to the mainstream canon and the broader discussion — there’s tons of great Black dystopian fiction; Dhalgren by Samuel Delany, Who Fears Death by Nnedi Okorafor, Zone One by Colson Whitehead, pretty much anything by Ishmael Reed. Who Fears Death is in development for a TV series, which is a start, but these voices need to be better foregrounded and made central to modern dystopia discourse.

A lack of diversity has been a problem in science fiction since the genre’s inception, and it persists. When I went to the Nebulas, a high-profile sci-fi awards conference last year, attendees were overwhelmingly white. The fact that Octavia Butler’s magisterial Parable of the Sower — a dystopia that actually and skillfully manages to interrogate climate change, total economic collapse, privatization, and racist oppression — is somehow not a film or a limited series yet is as scathing an indictment of Hollywood’s insistence on whitewashing dystopias as anything. The book absolutely rips.

This is not to disparage anyone who feels like they’re living in a certain kind of almost-future hell. The number of people who genuinely experience the world as an impending or current dystopia is almost certainly rising in tandem with trends of still-increasing inequality. A decade of jobless recovery ended in 2019 with the highest levels of income inequality in 50 years, and record numbers of people of all backgrounds, even whites, are sliding into poverty and despair, and our encounters with climate change, technological surveillance, conservatism’s hard drift toward authoritarianism, and all of the above being increasingly mediated through digital devices. Our current socioeconomic system is now ideally structured to be a dystopian protagonist generator. It is rewarding elites with unprecedented wealth and luxury, equipping the agents of the state with increasingly advanced weapons and technology, exacerbating ecological collapse, and positioning us all to experience the devastation alone, blinking into a screen, hoping for tiny units of validation from a pithy comment or two about the state of the morass on social media. It is us versus [gestures wildly] all of that, out there.

Which makes it all the more imperative that white fans, pundits, and observers stop ignoring what it has historically meant to experience actual dystopian conditions. It means acknowledging and working to improve the material conditions for those who are surviving the current iteration, and not glibly waving off dystopia as some always-approaching, faceless Empire without zeroing in on the nation’s institutional prejudices, its targets for violence, its specific hatreds. It means we have to stop LARPing in appropriated fictions. It means understanding that this has always been a dystopia — and that those who have always resisted it are at the center of the story.

Saturday Matinee: EXP TV

EXP-TV: FREAKTASTIC NEW VIDEO CHANNEL WILL RIP YOUR FACE OFF AND EAT YOUR BRAIN

By Richard Metzger

Source: Dangerous Minds

There are certain things you don’t know you’re missing in life until you’re exposed to them, right? EXP TV just might be one of those things. It’s got an aesthetic that hovers around the same territory as Everything is Terrible! and Vic Berger, it even reminds me of Mike Kelley’s stuff, but that’s only going to get you in the ballpark. Which is good enough, but you just have to click on the link and see for yourself. It’s a barrage of strange imagery and is really quite an inspired—not to say elaborate and work intensive—art project. And just in time for a pandemic. Bored with Netflix? Have enough Amazon Prime? Maxed out on HBO Max? You need to tune in, turn on and drop your jaw to the floor at what’s screening on EXP TV.

EXP TV the brainchild of Tom Fitzgerald, Marcus Herring, Taylor C. Rowley.  I asked them a few questions via email.

What is EXP TV? What should someone expect to see when they get there?

EXP TV is a live TV channel broadcasting an endless stream of obscure media and video ephemera from our site at exptv.org.  We stream 24/7.

The daytime programming is called “Video Breaks”—a video collage series featuring wild, rare, unpredictable, and ever-changing archival clips touching on every subject imaginable. Similar to how golden era MTV played music videos all day, daytime EXP TV streams non-stop, deep cut video clips filtered through our own distinct POV.

What treasures would reward the loyal Video Breaks viewer?  Ventriloquist dummy sales demos, Filipino Pinocchios, LSD trip-induced talking hot dogs, Liberace’s recipe tips, French synth punk, primal scream therapy seminars, Deadhead parking lots, empty parking lots, Israeli sci-fi, scary animatronics, teenage girls’ homemade art films, Belgian hard techno dance instructions, Czech children’s films about UFOs, even Danzig reading from his book collection. And that’s all in just one hour!

We’ve been collecting obscure media for decades, but we’ve sorted through it all and cherry-picked the funny, the bizarre, the relevant, the irrelevant, the visually stunning, the interesting, the infamous, the good, the bad and the fugly.  We’ve done all that so the viewers don’t have to.  They get to kick back and experience the sweet spot without having to dig for rare stuff themselves or sit through an entire movie waiting for the cool part.

Our Nite Owl programming block features specialty themed video mixes and deep dives on everything under the sun: Bigfoot, underground 80s culture, Italo disco, cults, Halloween hijinks, pre-revolutionary Iranian pop culture, midnight movies, ‘ye ye’ promo films, Soviet sci-fi, reggae rarities, psychedelic animation and local news calamities. On any given night you could watch something like our Incredibly Strange Metal show followed by a conceptual video essay like Pixel Power—our exploration of early CGI art.

Aside from our unique tone and deep crate of video materials, one thing that really sets us apart in 2020 is our format.  We are *not* on demand, we are *not* interactive—just like old TV!  You can tune in anytime and something cool will be on.

That’s EXP TV in a nutshell.  It’s funny, it’s art, it’s music, it’s infotainment, it’s free and it’s 24/7.

It’s 24/7?

Yes.

What does EXP stand for?

EXP stands for…experimental, expanded, experiential, expert, exploration, expressive, expounded, exposed, explained, expeditionary, unexpected, exponents, expatriot, expedited, expectorant, exposure, expelled, expendable, expensive, express, exploded, expired…EXP TV!

We have a little bumper on our Instagram @exp.tv that illustrates this

How much material did you have in the can, ready to go at launch?

We had been quietly working on the channel for over a year so we had quite a bit of material.  When the pandemic hit, we decided to launch early as a beta so people could have an alternative to the big streaming channels – something totally different.

In this modern world of all these different streaming platforms, it feels like you spend more time deciding what to watch than you do actually watching something.  We wanted to make something you could just turn on and leave on for hours—days even—and you’d be guaranteed to catch something interesting.  We basically just made the channel we wanted to watch.

Right now, we have about 60 hours in rotation and we are regularly adding new material—new Video Breaks, new episodes of our ongoing series, and hatching entirely new concepts for shows. Stay tuned for Kung Fu Wizards coming soon!

Do you have themes? What are some of your more elaborate productions on the channel?
Our Nite Owl block has a roster of shows centered around specific themes.  A few examples include…

Pixel Power –  an homage to the early days of computer graphics.
Witches Brew – a tour through the history of witches on film.
Total News – a completely gonzo take on nightly news past and present.
Bollyweird – a huge compilation of the most “out there” Bollywood musical numbers.
Pomegranates – a survey of pre-revolutionary Iranian cinema, set to Persian psych music.
Underground USA – a continuing series archiving 80s alt culture.
Cosmonaut – our tribute to Soviet sci-fi.
Incredibly Strange Metal – exactly what it sounds like.
They Call Him Bigfoot – a search for Sasquatch in cinema.
Jamaica, No Problem – a crash course in Jamaican music culture.
The David Bowie Mixtape – The Thin White Duke’s glory years captured on film and video.
Our Star Wars Mixtape – Star Wars gone wild, gone weird, and gone wrong.
Cats – an exploration of cats in cinema and beyond.
Wow – a survey of psychedelic animation from around the world.
Mosaic – meditative compilation of short films from the world of fine art.
La Videotheque – French yeye music promo compilation.
Disco Odyssey – our series exploring the wild world of Italo disco and other dance music mutations.
And there’s so much more…

Where do you mostly find stuff? Or maybe, how do you search for it?

We have been collecting video materials for decades. Years of VHS tape-trading, pouring through mom and pop video stores (RIP), even the internet!  It makes our day to stumble upon a Bulgarian sci-fi animation title we never heard of.  We love our work! Like a hip hop dj/producer is looking for the perfect beat, we’re always searching for that perfect “clip”, that magic moment, that video gem.

What are some of your future plans for EXP TV?

The first priority is continuing to add more cool stuff to the site.  We’re looking forward to the time when there’s hundreds of hours of free entertainment.

An unexpected but welcome side effect of our offbeat media expertise is that we’ve been getting work as creative consultants to dig up obscure clips and offer fresh takes on commercials and live events.  Last year EXP TV was hired to program the Red Bull Music Film Festival in LA, and we brought in cool guests like Sun Ra Arkestra, Man Parrish, Lady Bunny, and Earth.  Our mixtapes were the throughline of the fest. Some of our shows made it down to Austin Film Society and Music Box in Chicago. Having met as programmers at Cinefamily, our background is in public exhibition, but we’re interested in exploring new ways to subject the world to our perspective. We’ve been running the stream on Twitch and Periscope. Someday we want to take a bunch of old CRT TVs and use Raspberry Pi’s to make terrestrial TVs that you flip on and they only play EXP TV.  We think that would be a fun gift for local galleries and bars.

We’re currently working on the EXP TV Apple TV app, but we wanna see EXP TV everywhere…we can see opportunities for our particular style of obscure video mixtapes as an HBO series or maybe even its own section on Netflix!

Tune in to EXP TV at http://exptv.org/

Is Data Our New False Religion?

By Charles Hugh Smith

Source: Of Two Minds

Here’s how every modern con starts: let’s look at the data. Every modern con starts with an earnest appeal to look at the data because the con artist has assembled the data to grease the slides of the con.

We have been indoctrinated into a new and false religion, the faith of data. We’ve been relentlessly indoctrinated with the quasi-religious belief that “data doesn’t lie,” when the reality is that data consistently misleads us because that is the intent.

Nobody in the False Religion of Data ever looks at what we don’t measure because that would uncover disruptive truths. My latest book Will You Be Richer or Poorer?: Profit, Power, and AI in a Traumatized World looks at everything consequential that we don’t measure, and since we don’t measure it, we assume it doesn’t exist. That’s the end-game of the False Religion of Datawhat’s actually important isn’t measured and therefore it doesn’t exist, while what is measured is artfully packaged to support a narrative that enriches those behind the screen of “objective data-based science.”

The data-based con can be constructed in any number of ways. A few data points can be cleverly extrapolated to “prove” some self-serving claim, a bit of data can be conjured into a model that just so happens to support the most profitable policy option, inconvenient data points can be covertly deleted via “filtering out the outliers,” statistical trickery can be invoked (with a wave of this magic wand…) to declare semi-random data “statistically significant,” and so on, in an almost endless stream of tricks.

Exhibit #1: the official rate of inflation. Here is the data con elevated to artistry. As I explained in Burrito Index Update: Burrito Cost Triples, Official Inflation Up 43% from 2001 (May 31, 2018), apples-to-apples unmanipulated data shows inflation is dramatically reducing the purchasing power of wages, a dynamic that is unevenly distributed: Inflation Isn’t Evenly Distributed: The Protected Are Fine, the Unprotected Are Impoverished Debt-Serfs (May 25, 2017).

While the official statistics on inflation claim an annual rate of 2.5%, unmanipulated estimates (the Chapwood Index for example) find inflation is north of 10% in major U.S. urban areas.

The official data soothsayers’ bag of tricks include completely bogus, made-up “hedonic adjustments” which magically lower the price of real-world goods and services. Autos are supposedly “cheaper” now because they’re so much safer and reliable. Perhaps, but can we be honest and admit they cost a lot more than they did a generation ago?

No, Autos Are Not “Cheaper Now” (June 28, 2019)

The poor fools giving hundreds of millions of dollars to the con artists of Big Data Marketing apparently don’t understand the flimsiness of the “science.” As Mark, Jesse and I discuss in our latest Salon, Algorithmic Guerrilla Warfare, a few purposefully misleading data points turn the entire Big Data Marketing “science” into the familar “garbage in, garbage out.”

And so here we are in the midst of a pandemic, and the battles over “what the data tells us” sound more like religious wars than science. Everybody’s in such a hurry to conjure up a profitable con or make grandiose claims for their narrative that what we aren’t measuring is ignored.

Here’s the raw data I’d like to see collected:

1. What percentage of people under the age of 50 who do not have chronic health conditions who test positive end up with severe symptoms that incapacitate them for weeks or months?

2. What percentage of these younger, healthier people who exhibit severe symptoms have organ damage that doesn’t heal in a few months?

3. What percentage of people who had antibodies for the virus end up coming down with the illness again a few months later?

Collecting this data is non-trivial, and so it may never be collected–partly because the results might not support the approved narratives: whatever data we don’t collect doesn’t exist and can’t disrupt our models, profit centers, narratives, policies, etc.

In the false religion of data, heresy is asking for data that is not being collected because it might reveal unpalatably unprofitable realities. Much safer to burn heretics at the stake than let them question the cons.