Tag Archives: V For Vendetta

Authoritarians Drunk on Power: It Is Time to Recalibrate the Government

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By John W. Whitehead & Nisha Whitehead

Source: The Rutherford Institute

“The executive power in our government is not the only, perhaps not even the principal, object of my solicitude. The tyranny of the legislature is really the danger most to be feared, and will continue to be so for many years to come. The tyranny of the executive power will come in its turn, but at a more distant period.”― Thomas Jefferson, Democracy in America

It is time to recalibrate the government.

For years now, we have suffered the injustices, cruelties, corruption and abuse of an entrenched government bureaucracy that has no regard for the Constitution or the rights of the citizenry.

By “government,” I’m not referring to the highly partisan, two-party bureaucracy of the Republicans and Democrats. Rather, I’m referring to “government” with a capital “G,” the entrenched Deep State that is unaffected by elections, unaltered by populist movements, and has set itself beyond the reach of the law.

We are overdue for a systemic check on the government’s overreaches and power grabs.

We have lingered too long in this strange twilight zone where ego trumps justice, propaganda perverts truth, and imperial presidents—empowered to indulge their authoritarian tendencies by legalistic courts, corrupt legislatures and a disinterested, distracted populace—rule by fiat rather than by the rule of law.

This COVID-19 pandemic has provided the government with the perfect excuse to lay claim to a long laundry list of terrifying lockdown powers (at both the federal and state level) that override the Constitution: the ability to suspend the Constitution, indefinitely detain American citizens, bypass the courts, quarantine whole communities or segments of the population, override the First Amendment by outlawing religious gatherings and assemblies of more than a few people, shut down entire industries and manipulate the economy, muzzle dissidents, reshape financial markets, create a digital currency (and thus further restrict the use of cash), determine who should live or die, and impose health mandates on large segments of the population.

These kinds of crises tend to bring out the authoritarian tendencies in government.

That’s no surprise: power corrupts, and absolute power corrupts absolutely.

Where we find ourselves now is in the unenviable position of needing to rein in all three branches of government—the Executive, the Judicial, and the Legislative—that have exceeded their authority and grown drunk on power.

This is exactly the kind of concentrated, absolute power the founders attempted to guard against by establishing a system of checks of balances that separate and shares power between three co-equal branches: the executive, the legislative and the judiciary.

“The system of checks and balances that the Framers envisioned now lacks effective checks and is no longer in balance,” concludes law professor William P. Marshall. “The implications of this are serious. The Framers designed a system of separation of powers to combat government excess and abuse and to curb incompetence. They also believed that, in the absence of an effective separation-of-powers structure, such ills would inevitably follow. Unfortunately, however, power once taken is not easily surrendered.”

Unadulterated power in any branch of government is a menace to freedom.

There’s no point debating which political party would be more dangerous with these powers.

The fact that any individual—or branch of government—of any political persuasion is empowered to act like a dictator is danger enough.

So what we can do to wrest back control over a runaway government and an imperial presidency?

It won’t be easy.

We are the unwitting victims of a system so corrupt that those who stand up for the rule of law and aspire to transparency in government are in the minority.

This corruption is so vast it spans all branches of government: from the power-hungry agencies under the executive branch and the corporate puppets within the legislative branch to a judiciary that is, more often than not, elitist and biased towards government entities and corporations.

We are ruled by an elite class of individuals who are completely out of touch with the travails of the average American.

We are viewed as relatively expendable in the eyes of government: faceless numbers of individuals who serve one purpose, which is to keep the government machine running through our labor and our tax dollars. Those in power aren’t losing any sleep over the indignities we are being made to suffer or the possible risks to our health. All they seem to care about are power and control.

We are being made to suffer countless abuses at the government’s hands.

We have little protection against standing armies (domestic and military), invasive surveillance, marauding SWAT teams, an overwhelming government arsenal of assault vehicles and firepower, and a barrage of laws that criminalize everything from vegetable gardens to lemonade stands.

In the name of national security, we’re being subjected to government agencies such as the NSA, FBI and others listening in on our phone calls, reading our mail, monitoring our emails, and carrying out warrantless “black bag” searches of our homes. Adding to the abuse, we have to deal with surveillance cameras mounted on street corners and in traffic lights, weather satellites co-opted for use as spy cameras from space, and thermal sensory imaging devices that can detect heat and movement through the walls of our homes.

That doesn’t even begin to touch on the many ways in which our Fourth Amendment rights are trampled upon by militarized police and SWAT teams empowered to act as laws unto themselves.

In other words, freedom—or what’s left of it—is threatened from every direction.

The predators of the police state are wreaking havoc on our freedoms, our communities, and our lives. The government doesn’t listen to the citizenry, it refuses to abide by the Constitution, which is our rule of law, and it treats the citizenry as a source of funding and little else. Police officers are shooting unarmed citizens and their household pets. Government agents—including local police—are being armed to the teeth and encouraged to act like soldiers on a battlefield. Bloated government agencies are fleecing taxpayers. Government technicians are spying on our emails and phone calls. Government contractors are making a killing by waging endless wars abroad.

In other words, the American police state is alive and well and flourishing.

Nothing has changed, and nothing will change unless we insist on it.

We have arrived at the dystopian future depicted in the 2005 film V for Vendetta, which is no future at all.

Set in the year 2020, V for Vendetta (written and produced by the Wachowskis) provides an eerie glimpse into a parallel universe in which a government-engineered virus wreaks havoc on the world. Capitalizing on the people’s fear, a totalitarian government comes to power that knows all, sees all, controls everything and promises safety and security above all.

Concentration camps (jails, private prisons and detention facilities) have been established to house political prisoners and others deemed to be enemies of the state. Executions of undesirables (extremists, troublemakers and the like) are common, while other enemies of the state are made to “disappear.” Populist uprisings and protests are met with extreme force. The television networks are controlled by the government with the purpose of perpetuating the regime. And most of the population is hooked into an entertainment mode and are clueless.

Sounds painfully familiar, doesn’t it?

As director James McTeighe observed about the tyrannical regime in V for Vendetta, “It really showed what can happen when society is ruled by government, rather than the government being run as a voice of the people. I don’t think it’s such a big leap to say things like that can happen when leaders stop listening to the people.”

Clearly, our leaders have stopped listening to the American people.

We are—and have been for some time—the unwitting victims of a system so corrupt that those who stand up for the rule of law and aspire to transparency in government are in the minority. This corruption is so vast it spans all branches of government—from the power-hungry agencies under the executive branch and the corporate puppets within the legislative branch to a judiciary that is, more often than not, elitist and biased towards government entities and corporations.

We are ruled by an elite class of individuals who are completely out of touch with the travails of the average American. We are relatively expendable in the eyes of government—faceless numbers of individuals who serve one purpose, which is to keep the government machine running through our labor and our tax dollars.

What will it take for the government to start listening to the people again?

In V for Vendetta, as in my new novel The Erik Blair Diaries, it takes an act of terrorism for the people to finally mobilize and stand up to the government’s tyranny: in Vendetta, V the film’s masked crusader blows up the seat of government, while in Erik Blair, freedom fighters plot to unmask the Deep State.

These acts of desperation and outright anarchy are what happens when a parasitical government muzzles the citizenry, fences them in, herds them, brands them, whips them into submission, forces them to ante up the sweat of their brows while giving them little in return, and then provides them with little to no outlet for voicing their discontent: people get desperate, citizens lose hope, and lawful, nonviolent resistance gives way to unlawful, violent resistance.

This way lies madness.

Then again, this madness may be unavoidable unless we can wrest back control over our runaway government starting at the local level.

How to do this? It’s not rocket science.

There is no 10-step plan. If there were a 10-step plan, however, the first step would be as follows: turn off the televisions, tune out the politicians, and do your part to stand up for freedom principles in your own communities.

Stand up for your own rights, of course, but more importantly, stand up for the rights of those with whom you might disagree. Defend freedom at all costs. Defend justice at all costs. Make no exceptions based on race, religion, creed, politics, immigration status, sexual orientation, etc. Vote like Americans, for a change, not Republicans or Democrats.

Most of all, use your power—and there is power in our numbers—to nullify anything and everything the government does that undermines the freedom principles on which this nation was founded.

Don’t play semantics. Don’t justify. Don’t politicize it. If it carries even a whiff of tyranny, oppose it. Demand that your representatives in government cut you a better deal, one that abides by the Constitution and doesn’t just attempt to sidestep it.

That’s their job: make them do it.

As I make clear in my book Battlefield America: The War on the American People, all freedoms hang together. They fall together, as well.

The police state does not discriminate. Eventually, we will all suffer the same fate.

You Want a Picture of the Future? Imagine a Boot Stamping on Your Face

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By John W. Whitehead

Source: The Rutherford Institute

“The Internet is watching us now. If they want to. They can see what sites you visit. In the future, television will be watching us, and customizing itself to what it knows about us. The thrilling thing is, that will make us feel we’re part of the medium. The scary thing is, we’ll lose our right to privacy. An ad will appear in the air around us, talking directly to us.”—Director Steven Spielberg, Minority Report

We have arrived, way ahead of schedule, into the dystopian future dreamed up by such science fiction writers as George Orwell, Aldous Huxley, Margaret Atwood and Philip K. Dick.

Much like Orwell’s Big Brother in 1984, the government and its corporate spies now watch our every move.

Much like Huxley’s A Brave New World, we are churning out a society of watchers who “have their liberties taken away from them, but … rather enjoy it, because they [are] distracted from any desire to rebel by propaganda or brainwashing.”

Much like Atwood’s The Handmaid’s Tale, the populace is now taught to “know their place and their duties, to understand that they have no real rights but will be protected up to a point if they conform, and to think so poorly of themselves that they will accept their assigned fate and not rebel or run away.”

And in keeping with Philip K. Dick’s darkly prophetic vision of a dystopian police state—which became the basis for Steven Spielberg’s futuristic thriller Minority Report which was released 15 years ago—we are now trapped into a world in which the government is all-seeing, all-knowing and all-powerful, and if you dare to step out of line, dark-clad police SWAT teams and pre-crime units will crack a few skulls to bring the populace under control.

Minority Report is set in the year 2054, but it could just as well have taken place in 2017.

Seemingly taking its cue from science fiction, technology has moved so fast in the short time since Minority Report premiered in 2002 that what once seemed futuristic no longer occupies the realm of science fiction.

Incredibly, as the various nascent technologies employed and shared by the government and corporations alike—facial recognition, iris scanners, massive databases, behavior prediction software, and so on—are incorporated into a complex, interwoven cyber network aimed at tracking our movements, predicting our thoughts and controlling our behavior, Spielberg’s unnerving vision of the future is fast becoming our reality.

Both worlds—our present-day reality and Spielberg’s celluloid vision of the future—are characterized by widespread surveillance, behavior prediction technologies, data mining, fusion centers, driverless cars, voice-controlled homes, facial recognition systems, cybugs and drones, and predictive policing (pre-crime) aimed at capturing would-be criminals before they can do any damage.

Surveillance cameras are everywhere. Government agents listen in on our telephone calls and read our emails. Political correctness—a philosophy that discourages diversity—has become a guiding principle of modern society.

The courts have shredded the Fourth Amendment’s protections against unreasonable searches and seizures. In fact, SWAT teams battering down doors without search warrants and FBI agents acting as a secret police that investigate dissenting citizens are common occurrences in contemporary America.

We are increasingly ruled by multi-corporations wedded to the police state. Much of the population is either hooked on illegal drugs or ones prescribed by doctors. And bodily privacy and integrity has been utterly eviscerated by a prevailing view that Americans have no rights over what happens to their bodies during an encounter with government officials, who are allowed to search, seize, strip, scan, spy on, probe, pat down, taser, and arrest any individual at any time and for the slightest provocation.

All of this has come about with little more than a whimper from a clueless American populace largely comprised of nonreaders and television and internet zombies. But we have been warned about such an ominous future in novels and movies for years.

The following 15 films may be the best representation of what we now face as a society.

Fahrenheit 451 (1966). Adapted from Ray Bradbury’s novel and directed by Francois Truffaut, this film depicts a futuristic society in which books are banned, and firemen ironically are called on to burn contraband books—451 Fahrenheit being the temperature at which books burn. Montag is a fireman who develops a conscience and begins to question his book burning. This film is an adept metaphor for our obsessively politically correct society where virtually everyone now pre-censors speech. Here, a brainwashed people addicted to television and drugs do little to resist governmental oppressors.

2001: A Space Odyssey (1968). The plot of Stanley Kubrick’s masterpiece, as based on an Arthur C. Clarke short story, revolves around a space voyage to Jupiter. The astronauts soon learn, however, that the fully automated ship is orchestrated by a computer system—known as HAL 9000—which has become an autonomous thinking being that will even murder to retain control. The idea is that at some point in human evolution, technology in the form of artificial intelligence will become autonomous and that human beings will become mere appendages of technology. In fact, at present, we are seeing this development with massive databases generated and controlled by the government that are administered by such secretive agencies as the National Security Agency and sweep all websites and other information devices collecting information on average citizens. We are being watched from cradle to grave.

Planet of the Apes (1968). Based on Pierre Boulle’s novel, astronauts crash on a planet where apes are the masters and humans are treated as brutes and slaves. While fleeing from gorillas on horseback, astronaut Taylor is shot in the throat, captured and housed in a cage. From there, Taylor begins a journey wherein the truth revealed is that the planet was once controlled by technologically advanced humans who destroyed civilization. Taylor’s trek to the ominous Forbidden Zone reveals the startling fact that he was on planet earth all along. Descending into a fit of rage at what he sees in the final scene, Taylor screams: “We finally really did it. You maniacs! You blew it up! Damn you.” The lesson is obvious here, but will we listen? The script, although rewritten, was initially drafted by Rod Serling and retains Serling’s Twilight Zone-ish ending.

THX 1138 (1970). George Lucas’ directorial debut, this is a somber view of a dehumanized society totally controlled by a police state. The people are force-fed drugs to keep them passive, and they no longer have names but only letter/number combinations such as THX 1138. Any citizen who steps out of line is quickly brought into compliance by robotic police equipped with “pain prods”—electro-shock batons. Sound like tasers?

A Clockwork Orange (1971). Director Stanley Kubrick presents a future ruled by sadistic punk gangs and a chaotic government that cracks down on its citizens sporadically. Alex is a violent punk who finds himself in the grinding, crushing wheels of injustice. This film may accurately portray the future of western society that grinds to a halt as oil supplies diminish, environmental crises increase, chaos rules, and the only thing left is brute force.

Soylent Green (1973). Set in a futuristic overpopulated New York City, the people depend on synthetic foods manufactured by the Soylent Corporation. A policeman investigating a murder discovers the grisly truth about what soylent green is really made of. The theme is chaos where the world is ruled by ruthless corporations whose only goal is greed and profit. Sound familiar?

Blade Runner (1982). In a 21st century Los Angeles, a world-weary cop tracks down a handful of renegade “replicants” (synthetically produced human slaves). Life is now dominated by mega-corporations, and people sleepwalk along rain-drenched streets. This is a world where human life is cheap, and where anyone can be exterminated at will by the police (or blade runners). Based upon a Philip K. Dick novel, this exquisite Ridley Scott film questions what it means to be human in an inhuman world.

Nineteen Eighty-Four (1984). The best adaptation of Orwell’s dark tale, this film visualizes the total loss of freedom in a world dominated by technology and its misuse, and the crushing inhumanity of an omniscient state. The government controls the masses by controlling their thoughts, altering history and changing the meaning of words. Winston Smith is a doubter who turns to self-expression through his diary and then begins questioning the ways and methods of Big Brother before being re-educated in a most brutal fashion.

Brazil (1985). Sharing a similar vision of the near future as 1984 and Franz Kafka’s novel The Trial, this is arguably director Terry Gilliam’s best work, one replete with a merging of the fantastic and stark reality. Here, a mother-dominated, hapless clerk takes refuge in flights of fantasy to escape the ordinary drabness of life. Caught within the chaotic tentacles of a police state, the longing for more innocent, free times lies behind the vicious surface of this film.

They Live (1988). John Carpenter’s bizarre sci-fi social satire action film assumes the future has already arrived. John Nada is a homeless person who stumbles across a resistance movement and finds a pair of sunglasses that enables him to see the real world around him. What he discovers is a world controlled by ominous beings who bombard the citizens with subliminal messages such as “obey” and “conform.” Carpenter manages to make an effective political point about the underclass—that is, everyone except those in power. The point: we, the prisoners of our devices, are too busy sucking up the entertainment trivia beamed into our brains and attacking each other up to start an effective resistance movement.

The Matrix (1999). The story centers on a computer programmer Thomas A. Anderson, secretly a hacker known by the alias “Neo,” who begins a relentless quest to learn the meaning of “The Matrix”—cryptic references that appear on his computer. Neo’s search leads him to Morpheus who reveals the truth that the present reality is not what it seems and that Anderson is actually living in the future—2199. Humanity is at war against technology which has taken the form of intelligent beings, and Neo is actually living in The Matrix, an illusionary world that appears to be set in the present in order to keep the humans docile and under control. Neo soon joins Morpheus and his cohorts in a rebellion against the machines that use SWAT team tactics to keep things under control.

Minority Report (2002). Based on a short story by Philip K. Dick and directed by Steven Spielberg, the setting is 2054 where PreCrime, a specialized police unit, apprehends criminals before they can commit the crime. Captain Anderton is the chief of the Washington, DC, PreCrime force which uses future visions generated by “pre-cogs” (mutated humans with precognitive abilities) to stop murders. Soon Anderton becomes the focus of an investigation when the precogs predict he will commit a murder. But the system can be manipulated. This film raises the issue of the danger of technology operating autonomously—which will happen eventually if it has not already occurred. To a hammer, all the world looks like a nail. In the same way, to a police state computer, we all look like suspects. In fact, before long, we all may be mere extensions or appendages of the police state—all suspects in a world commandeered by machines.

V for Vendetta (2006). This film depicts a society ruled by a corrupt and totalitarian government where everything is run by an abusive secret police. A vigilante named V dons a mask and leads a rebellion against the state. The subtext here is that authoritarian regimes through repression create their own enemies—that is, terrorists—forcing government agents and terrorists into a recurring cycle of violence. And who is caught in the middle? The citizens, of course. This film has a cult following among various underground political groups such as Anonymous, whose members wear the same Guy Fawkes mask as that worn by V.

Children of Men (2006). This film portrays a futuristic world without hope since humankind has lost its ability to procreate. Civilization has descended into chaos and is held together by a military state and a government that attempts to keep its totalitarian stronghold on the population. Most governments have collapsed, leaving Great Britain as one of the few remaining intact societies. As a result, millions of refugees seek asylum only to be rounded up and detained by the police. Suicide is a viable option as a suicide kit called Quietus is promoted on billboards and on television and newspapers. But hope for a new day comes when a woman becomes inexplicably pregnant.

Land of the Blind (2006). This dark political satire is based on several historical incidents in which tyrannical rulers were overthrown by new leaders who proved just as evil as their predecessors. Maximilian II is a demented fascist ruler of a troubled land named Everycountry who has two main interests: tormenting his underlings and running his country’s movie industry. Citizens who are perceived as questioning the state are sent to “re-education camps” where the state’s concept of reality is drummed into their heads. Joe, a prison guard, is emotionally moved by the prisoner and renowned author Thorne and eventually joins a coup to remove the sadistic Maximilian, replacing him with Thorne. But soon Joe finds himself the target of the new government.

All of these films—and the writers who inspired them—understood what many Americans, caught up in their partisan, flag-waving, zombified states, are still struggling to come to terms with: that there is no such thing as a government organized for the good of the people. Even the best intentions among those in government inevitably give way to the desire to maintain power and control at all costs.

Eventually, as I point out in my book Battlefield America: The War on the American People, even the sleepwalking masses (who remain convinced that all of the bad things happening in the police state—the police shootings, the police beatings, the raids, the roadside strip searches—are happening to other people) will have to wake up.

Sooner or later, the things happening to other people will start happening to us and our loved ones.

When that painful reality sinks in, it will hit with the force of a SWAT team crashing through your door, a taser being aimed at your stomach, and a gun pointed at your head. And there will be no channel to change, no reality to alter, and no manufactured farce to hide behind.

As George Orwell warned, “If you want a picture of the future, imagine a boot stamping on a human face forever.”

Saturday Matinee: Terror in Resonance

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“Terror in Resonance” is an 11 episode anime series directed by Shinichirō Watanabe (director of a number of cult anime titles such as Cowboy Bebop, Space Dandy and Samurai Champloo). This latest series (known in Japan as Terror in Tokyo) centers on two teenage terrorist masterminds code-named Nine and Twelve who collectively go by the name Sphynx. They set off a number of targeted bombs around the city while releasing videos designed to communicate cryptic messages to authorities. What starts off as a conventional “cat & mouse” detective story gradually becomes an even more intriguing parapolitical parable. Terror in Resonance stands out for its mixture of elements from Akira, Dark Angel and V for Vendetta and references to familiar topics in the conspiracy milieu such as thermite bombs, remotely piloted planes, EMPs and human experimentation.

Watch the first five episodes for free on Hulu:

Cult Movie Inspires Global Protest Against Internet Censorship

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Anonymous to Commemorate Guy Fawkes Day with Hundreds of Events

By Klaus Marre

Source: WhoWhatWhy.org

Here’s something sure to raise “hackles” in corporate boardrooms everywhere: The hacker collective Anonymous is marching in cities around the world today in the name of a free Internet.

The more than 600 events scheduled coincide with Guy Fawkes Day, an English holiday that animates the plot of the popular anti-tyranny movie V for Vendetta. Guy Fawkes was a notorious rebel who tried to blow up the English Parliament in 1605.

The Free Flow of Information: Unstoppable

“This year you are invited to stand against censorship and tyranny, corruption, war, poverty,” Anonymous said in a video on the Million Mask March website. “Millions will unite around the globe on the 5th of November to make their voices heard and let the various governments of the world know that they’ll never stop the free flow of information.”

Most of the events will be held in the US and Europe. In London protesters will gather outside the Ecuadorian embassy, where Wikileaks founder Julian Assange has found temporary refuge from prosecution. Hacktivists see his prosecution as payback for his making public vast numbers of top-secret files. Another major demonstration is planned for Washington, DC.

Others actions are scheduled for remote areas like Greenland and even, purportedly, scientific stations in Antarctica.

Only a handful of events are planned in countries like Russia and China, which have a history of dealing harshly with protesters.

The Million Mask March website warns marchers to be prepared for government counter-measures.

“Don’t risk your safety. Depending upon your country, if you believe you must go with superhero costumes, flowers, peace signs and pink sunglasses, do it,” the site states. “Go with a buddy. Keep your cameras on, and never surrender your camera.”

“Governments Don’t Work for the Interest of the People”

While advising caution, Anonymous frames the rationale for the Million Mask March in the starkest terms.

“It must be clear by now that governments don’t work for the interest of the people, but for big banks and corporations,” the hacker collective says in the video. “Do you or your children really want to live in a world where the government spies on its own citizens and sees you as a potential terrorist or criminal?”

Anonymous also announced that it would release today the names of KKK members that it gathered from hacked websites and databases. This would be the group’s latest high-profile action.

Anonymous is credited with dozens of “hacktivist” activities — against a wide range of government and private entities that rouse its ire. Previous targets have included the governments of the US and Israel, the Church of Scientology, child pornography sites, major corporations and the rabidly anti-gay Westboro Baptist Church.

The hacker collective sees the Internet as “one of the last truly free vessels that we the citizens have access to” and it has come out against what they view as harmful to that freedom. This includes government initiatives such as the Stop Online Privacy Act, the Cyber Intelligence Sharing and Protection Act, and the Trans-Pacific Partnership.

Remember, Remember, the 5th of November

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In honor of Guy Fawkes Day I’d like to bring attention to a few intriguing statements from Alan Moore (writer of the graphic novel V for Vendetta) on the connections between his fictions and reality from an interview he did shortly after the start of the Occupy Movement.

Via The Guardian:

I suppose I’ve gotten used to the fact that some of my fictions percolate out into the material world.

…I suppose when I was writing V for Vendetta I would in my secret heart of hearts have thought: wouldn’t it be great if these ideas actually made an impact? So when you start to see that idle fantasy intrude on the regular world… It’s peculiar. It feels like a character I created 30 years ago has somehow escaped the realm of fiction.

…And when you’ve got a sea of V masks, I suppose it makes the protesters appear to be almost a single organism – this “99%” we hear so much about. That in itself is formidable. I can see why the protesters have taken to it. It turns protests into performances.

The mask is very operatic; it creates a sense of romance and drama. I mean, protesting, protest marches, they can be very demanding, very grueling. They can be quite dismal. They’re things that have to be done, but that doesn’t necessarily mean that they’re tremendously enjoyable – whereas actually, they should be.

I think it’s appropriate that this generation of protesters have made their rebellion into something the public at large can engage with more readily than with half-hearted chants, with that traditional, downtrodden sort of British protest. These people look like they’re having a good time. And that sends out a tremendous message.

The reason V’s fictional crusade against the state is ultimately successful is that the state, in V for Vendetta, relies upon a centralised computer network which he has been able to hack. Not an obvious idea in 1981, but it struck me as the sort of thing that might be down the line. This was just something I made up because I thought it would make an interesting adventure story. Thirty years go by and you find yourself living it.

I have no particular connection or claim to what [the protesters] are doing, nor am I suggesting that these people are fans of mine, or of V for Vendetta…So there’s always… Now I didn’t feel responsible, but…at the moment, the demonstrators seem to me to be making clearly moral moves, protesting against the ridiculous state that our banks and corporations and political leaders have brought us to.

…It would probably be better if the authorities accepted this is a new situation, that this is history happening. History is a thing that happens in waves. Generally it is best to go with these waves, not try to make them turn back – the Canute option. I’m hoping that the world’s leaders will realise this.

…Vox populi, Voice of the people. And I think that if the mask stands for anything, in the current context, that is what it stands for. This is the people. That mysterious entity that is evoked so often – this is the people.

Read the full article here: http://www.theguardian.com/books/2011/nov/27/alan-moore-v-vendetta-mask-protest

Last July Moore was interviewed by Salon.com to talk about his new Kickstarter project, Jimmy’s End, but he also shared the following relevant observations about emerging NSA revelations, the surveillance state and technology:

There seems to be something going on, even from the briefest appraisal of the news, with the amount of events transpiring. This is such a connected world, it’s useless to isolate any part of it as a discrete phenomenon. You can’t really talk about the problems in Syria, because its problems are global. The waves of discontent and outrage — whether in the Arab countries, or in Brazil, or in America and Europe over the degrees to which its citizens are being monitored — are not separate phenomena. They are phenomena of an emergent world, and the existence of the Internet is one of its major drivers. We have got no idea how it’s going to turn out, because the nature of our society is such that if anything can be invented, then we will invent it. Sooner or later, if it is possible.

So the Internet is changing everything, but I wouldn’t yet want to say for good or ill. I suspect, as ever, that it will be an admixture of both. But we are all along for the ride, even those people like me who do not have Internet connections, mobile phones or even functioning televisions. I’m slowly disconnecting myself. Basically, it’s a feeling that if we are going to subject our entire culture to what is an unpredictable experiment, then I’d like to try to remain outside the petri dish. [Laughs] It’s only sensible to have somebody as a control.

To me, one of the biggest surprises of these recent surveillance revelations is how surprised people are. The level of surveillance we’ve had over here for the past 20 years now is ridiculous — and useless, I would add. Eerily enough, the security cameras on every street corner of Britain was instigated by the incoming Blair government in 1997, which was when I decided, back in 1982 or so, to set the first episode of “V for Vendetta,” which had cameras on every street corner. So yeah, we’ve had those for awhile; they’ve proliferated and multiplied for decades. More recently, there have been troops of police who have said that all these things are useful for is alienating the public. [Laughs] They are not actually useful in the prevention of crimes, or even actually apprehending their suspects.

Here’s the thing: If you’re monitoring every single thing that goes on in a given culture, if you have all the information that is there to be had, then that is the equivalent of having none of it. [Laughs] How are you going to process that amount of information? That’s when you get all these wonderful emerging paradoxes. Recently over here, there was a case where it was suspected that the people who monitor security screens were taking unnecessary toilet breaks and gossiping when they should be watching us. So it was decided that the only sensible thing to do was to put a security camera in the monitor room. [Laughs] This is answering the question that Juvenal asked so succinctly all those years ago: Who watches the watchmen? The answer is more watchmen! And yet more watchmen watch them, and of course it will eventually occur to them to ask: Can those people who are watching the people doing the watching really be trusted? Much better if they were under surveillance.

That’s the level of absurdity these Orwellian solutions bring to our increasingly complex world. George Orwell’s vision was 1947. Yes, the world was more complex than it had been, but nowhere near as complex as it was going to get. We currently have in Northampton — and I think we might be the first to have it — security cameras in some places that actually talk to you. “Pick that cigarette end up! Yes, you!” [Laughs] Which is so much like Patrick McGoohan’s vision for the Village in “The Prisoner,” all those years ago.

…Technology is always a two-edged sword. It will bring in many benefits, but also many disasters. Because of the complexity of our situation, we cannot predict what things will be until they happen. It’s just part of our responsibility as people in the modern world to do our very, very best to deal with them, and think them through, as they occur. While I’m remote from most technology to the point that I’m kind of Amish, I have played a couple of computer games — until I realized I was being bloodied with adrenalin over something that wasn’t real. At the end of a couple of hours of very addictive play, I may have procured the necessary amount of mushrooms to save a princess, but I also wasted hours of my life that I’ll never be able to get back. This is the reason I am not on the Internet. I am aware of its power as a distraction, and I don’t have the time for that.

Despite the constant clamor for attention from the modern world, I do believe we need to procure a psychological space for ourselves. I apparently know some people who try to achieve this by logging off, or going without their Twitter or Facebook for a limited period. Which I suppose is encouraging, although it doesn’t seem that remarkable from my perspective. I think that people need to establish their own psychological territory in face of the encroaching world.

Read the full interview here: http://www.salon.com/2013/07/07/alan_moore_the_revolution_will_be_crowd_funded/

Despite the fact that Moore said he disowned all Hollywood adaptations of his works, in my opinion the quality of his writing can transcend limitations inherent in such attempts, retaining power and resonance even in “watered down” form. Though I was disappointed by the film version of V for Vendetta overall, many who would not have otherwise been exposed to Moore’s work were able to absorb important aspects of his message through it and viral clips such as this: