Jodorowsky’s new film ENDLESS POETRY (Poesía Sin Fin)

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By Satori Films

Source: Kickstarter

Alejandro Jodorowsky, father of the midnight movie, wants to exchange your money into Poetic Money to make his latest film.

About this project

I was trying not to prepare anything. I didn’t want to prepare what I was going to say to you. Why? Because I am searching for my inner truth, I want to know what will I say. In two more days I will be 86 years old… it’s a lot. Why, at 86 years of age, am I fighting to make a picture? Why? Nothing is that important for me. Is it so important for a person who can die one day to the other, to make a picture? Because when you are 86 years old, every morning you awake and you say “I am still alive”. You are happy to be alive but you are maybe at the end of something. Why make a picture? What is a picture? Some pictures are only fun and show. It’s necessary, because in the world we are all nervous about everything that’s happening, no? They even say we are destroying the planet. So we need to go, to see a picture, to forget ourselves. Perhaps this is necessary, but for me a picture is not that. For me a picture is for remembering your self, not for forgetting yourself. But what does it mean to remember your self? What can we remember? For me, movies are really an art. And what is art? It is the search for your inner beauty. That is art. I don’t want to make a picture in order to make money. But if money comes, I open the pocket in order to make more pictures. But that’s not the finality. It’s not the finality to being admired by others. It’s not the finality to lie and invent things you’ve never lived.

In order to say something you need to know the thing you’re speaking of. It needs to be an experience, what you show on the screen. What will I show in this picture? What are human beings, art, museums and movie theatres showing to us? Are we those anti-heroes? Those people who have no dignity? We are slaves? We are liars? Thieves? What are we now? I don’t want to show that kind of person. I don’t know how to make pictures of everyone fighting one another, to have money, to steal money Why ?! I don’t want to speak about “love” either; about this “love” that isn’t real, that’s a fairytale. Love is something great, incredible, “sublime”… I don’t know how you say “sublime” in English… The most beautiful thing. Marpa was a saint in Tibet and he said “ Life, everything, is an illusion”. One day his son died, his young son died and he was crying and crying and crying and the disciples asked Marpa “Why are you crying? Your son is an illusion.” “Yes, my son is an illusion. But he is the most beautiful illusion.” Movies are an illusion but need to be the most beautiful illusion. I know what it’s like to scream because one of your sons died. It’s terrible. It’s terrible And in that moment you ask yourself, “ Why am I doing art, movies? Why?!” and then you say I am making movies and art in order to heal my soul. I need to open! Open ! open ! myself, in order to fin myself. To remember what the human being is. The beautifulness of the human being. The beautifulness of you. I need to show how beautiful the human being is. Now.

In Chile, in the forties, I was 24 years old… it was a fantastic moment. The war was all over the planet, and in Chile : no war. Because we are far and separate of the world: no television, mountains, ocean, peace! It was so peaceful. It was beautiful. And then a miracle happened : Poetry came to the country. Great poets started to write marvelous, marvelous poems; two of them have the Nobel Prize, Pablo Neruda and Gabriela Mistral – our father and our mother.

And then, everything was poetry. We were living our adolescence in this situation: poetry everywhere. And we started to search for the “poetical act”. For how it was to live with beautifulness. How it was to live in the mind: free! In heart : in union with world. In the sex: in full creativity.

How to make poetical action in order to discover the beautifulness of Life. There it was. In that time, the poetry was there. The human being was there. We had love, we had artists, we discovered all kinds of art.

And that suddenly disappeared. When I was 24 I left this paradise, and went to Europe where the world is illusion or disillusion, you don’t know.

But now I want to show what a spiritual paradise is: a young person, searching for the beautifulness of poetry. That is all that I want. I want to express… how to say it in English?… How I am obliged to this past… because I knew how it was to live in poetry. I knew that. And I want to show the world that it’s possible. It’s possible to remember your self. It’s possible to open your mind. It’s possible to open your heart. It’s possible to open your creativity. To live with less, but to live well. Well. That is what I want. Poetry without end. Endless Poetry. That is what I will do.

 

ENDLESS POETRY(Poesía Sin Fin) Official site: http://www.poesiasinfin.com/

After a 23 yearlong absence, the director of cult classics El Topo (1969) and Holy Mountain (1973) made his comeback in film direction in 2013 with The Dance of Reality. The film was based on the first part of Alejandro Jodorowsky’s homonymous autobiographical book, depicting his childhood years in Tocopilla, Chile. His new film ENDLESS POETRY (Poesía Sin Fin) will be based on the latter half of the same book, depicting the author’s youth in lively Santiago de Chile.

Our world is suffering from a devastating absence of poetry. Naïvely we sometimes hope to reconnect with it through film. But the greed-riddled industry, having colonized this magnificent art form, has done everything to strip it of its poetic power. With this film, Jodorowsky directs his energy more than ever into creating a film that can serve as a vehicle for awaking consciousness. It is our duty to enable all efforts to fight the powers that insist on lowering cinema to just a product in a commercial market. This film will bring forth an example of film’s poetic power.

ENDLESS POETRY (Poesía Sin Fin) flashes back to those decisive years in Alejandro Jodorowsky’s youth; years that defined the principle that would reign over his entire life: Poetry. The director’s life has been a constant effort to expand his imagination and push back against his own limits in order to apprehend and harness the potential for liberation that lies within each and every one of us. His career has been an open invitation to follow him in his efforts.

ENDLESS POETRY (Poesía Sin Fin) will be carried out as an offering both to film and to the general audience, who are infinitely more profound, intelligent and sensitive than the Hollywood industry would like to admit.

ENDLESS POETRY (Poesía Sin Fin) explores the magic reality underlying our surrounding world. The film seeks to inspire and encourage us all to dare to find our true selves. It is an invitation to Life.

Synopsis

Leaving his childhood and his native Tocopilla behind, the adolescent Alejandro Jodorowsky follows his parents to Santiago de Chile. Between his lack of self-confidence and the family pressure he is under, Alejandro struggles to express his desires and find his own path. But the flourishing capital, filled with artists and poets offers the perfect setting for him to grow out of his cage. Thinking he’d fit in well, Alejandro’s cousin Ricardo takes the young boy to the home of Veronica and Carmen Cereceda, where puppeteers, dancers, sculptors and painters all live and create together. There, defying all of his old limitations, Alejandro takes the first step on his path to becoming a poet in the Chilean artistic epicenter of the 1940s. Alongside rising poets like Enrique Linh, Nicanor Parra and in the arms of his first love, Stella Diaz, Alejandro’s poetic destiny takes form and a new world unravels … changing his life forever.

Production Schedule and Budget

The film will be shot in Santiago de Chile from July to August 2015 for eight weeks. Its post-production such as editing, music tracks, visual effects and so forth will take place in Paris and Tokyo with completion slated for the end of February 2016. The total buget will be about three million dollars.

Why Kickstarter?

Alejandro Jodorowsky says; « The necessity for expression is more important than the type of film you want to make. I make a film when I have something I need to express. I don’t think about investors, industries or commercialisation. I just need to express myself.

In order to realize Jodorowsky’s new film production, we need the support of micro producers across the world who understand his vision of cinema.

Jodorowsky’s Poetic Money

Jodorowsky thinks that all money should be transformed into poetry. And so that is what he will do with this Kickstarter project. No matter what level you pledge at, Jodorowsky will exchange your pledge into his brand new Poetic Money (DINERO POÉTICO) and send it back to you. This money can’t be spent on any material goods — only on the poetry of the universe.

The exchange rate is 1US$=1DP.

(In the case of $10,000 or more pledge, it is 0.5US$=1DP)

There are 3 bill denominations: 1DP, 10DP and 100DP. Each bill has an original money-related poem written by Jodorowsky printed on it in Spanish. There are two versions of each DP bill, each version of the bill presenting a different poem. There are 6 kinds of bills in total.

Jodorowsky wants to fill the world with poetry. So when you pledge, please mumble a poem in your heart. If you have a twitter account, please tweet a poem with #EndlessPoetryMyPoem. Your poem will be on the official site of ENDLESS POETRY (Poesía Sin Fin).

Jodorowsky’s Poems About Money and Wealth

 <1 Dinero Poético>

1 dinero poético – A
Money is like the Buddha; you can’t obtain it unless you work for it. If you keep it from flowing, it disappears.

1 dinero poético – B
To those who use it to make the flower of the world blossom, money gives its light. Those who glorify themselves, mistaking wealth for the soul, money destroys.

<10 Dinero Poético>

10 dinero poético – A
In pursuance of wealth I throw a spear through the Goddess and bathe in her blood.

10 dinero poético – B
Just as gold does not cease to shine when clouds cover the sun, the soul, beneath flesh and bone, continues to glow with its own light.

<100 Dinero Poético>

100 dinero poético – A
There is no difference between money and consciousness.
There is no difference between consciousness and death.
There is no difference between death and wealth.

100 dinero poético – B
Money is like blood: it gives life if it flows.
Money is like the Christ: it blesses you if you share it.
Money is like a woman: it offers itself to you if you cherish it.

Read more and/or back the project at Jodorowsky’s Kickstarter Page.

 

Corporate Monopoly Themes in ROBOCOP

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An interesting analysis of the corporate themes in Paul Verhoeven’s Robocop (note: original video was removed by author but will be available on Rob Ager films & articles volume 7 at his site. This shorter version is still up at the moment):

The creator of the video, Rob Ager, has a number of equally intriguing film dissections on his YouTube channel and website for other genre classics such as 2001: A Space Odyssey, A Clockwork Orange, The Shining, The Matrix, Starship Troopers and Alien.

Bonus Clip: Ager’s first impressions of Mad Max 4: Fury Road

The Cowardly and Despicable American Presstitutes

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By Paul Craig Roberts

Source: Paul Craig Roberts Institute for Political Economy

There is a brouhaha underway about an American journalist who told a story about being in a helicopter in a war zone. The helicopter was hit and had to land. Which war zone and when I don’t know. The US has created so many war zones that it is difficult to keep up with them all, and as you will see, I am not interested in the story for its own sake.

It turns out that the journalist has remembered incorrectly. He was in a helicopter in a war zone, but it wasn’t hit and didn’t have to land. The journalist has been accused of lying in order to make himself seem to be “a more seasoned war correspondent than he is.”

The journalist’s presstitute colleagues are all over him with accusations. He has even had to apologize to the troops. Which troops and why is unclear. The American requirement that everyone apologize for every word reminds me of the old Soviet practice, real or alleged by anti-communists, that required Soviet citizens to self-criticize.

National Public Radio (2-5-15) thought this story of the American journalist was so important that the program played a recording of the journalist telling his story. It sounded like a good story to me. The audience enjoyed it and was laughing. The journalist telling the story did not claim any heroism on his part or any failure on the part of the helicopter crew. It is normal for helicopters to take hits in war zones.

Having established that the journalist had actually stated that the helicopter was hit when in fact it wasn’t, NPR brought on the program a psychologist at the University of California, Irvine, an expert on “false memory.” The psychologist explained various reasons a person might have false memories, making the point that it is far from uncommon and that the journalist is most likely just another example. But the NPR presstitute still wanted to know if the journalist had intentionally lied in order to make himself look good. It was never explained why it made a journalist look good to be in a helicopter forced to land. But few presstitutes get to this depth of questioning.

Now to get to the real point. I was listening to this while driving as it was less depressing to listen to NPR’s propaganda than to listen to the Christian-Zionist preachers. In the previous hour NPR had presented listeners with three reports about civilian deaths in the break-away provinces in eastern and southern Ukraine. The first time I heard the report, the NPR presstitute recounted how explosives had hit a hospital killing 5 people in the break-away Donetsk Republic. The presstitute did not report that this was done by Ukrainian forces, instead suggesting that it could have been done by the “Russian-supported rebels.” He didn’t offer any explanation why the rebels would attack their own hospital. The impression left for that small percentage of informed Americans capable of thought is that presstitutes are not allowed to say that the Washington-backed Ukrainians attacked a hospital.

In all three reports, Secretary of State John Kerry was broadcast saying that the US wanted a diplomatic, peaceful solution, but that the Russians were blocking a peaceful solution by sending tank columns and troops into Ukraine. On my return trip, I heard over NPR Kerry twice more repeating the unsupported claim that Russian tanks and troops are pouring into Ukraine. Obviously, NPR was serving as a propaganda voice that Russia was invading Ukraine.

Think about this for a minute. We have been hearing from high US government officials, including the president himself, for months and months about Russian tank columns and troops entering Ukraine. The Russian government denies this steadfastly, but, of course, we cannot trust the now-demonized Russians. We are not allowed to believe them, because they are positioned as the Enemy, and good patriotic Americans never believe the Enemy.

But how can we help but believe the Russians? If all these Russian tank columns and troops that have allegedly been pouring into Ukraine were real, Washington’s puppet government in Kiev would have fallen sometime last year, and the conflict would be over. Anyone with a brain knows this.

So, we arrive at my point. A journalist told a harmless story and has been roasted alive and forced to apologize to the troops for lying. In the middle of this brouhaha, the US Secretary of State, the President of the United States, innumerable senators, executive branch officials, and presstitutes have repeatedly reported month after month Russian tank columns and troops entering Ukraine. Yet, despite all these Russian forces, the civilians in the break-away provinces of eastern and southern Ukraine are still being slaughtered by Washington’s puppet state in Kiev.

If Russian tanks and troops are this ineffective, why are NATO commanders and neoconservative warmongers warning of the dire danger that Russia poses to the Baltics, Poland, and Eastern Europe?

It doesn’t make any sense, does it?

So the question is: Why are the presstitutes all over some hapless journalist rather than holding accountable the Great Liars, John Kerry and Barak Obama?

The answer is: It is costless to the presstitutes to try to destroy, for totally insignificant reasons–perhaps just for the pleasure of it, like “American Sniper” killing people for fun–one of their own, but they would be fired if they hold Kerry and Obama accountable, and they know it. But they have to get someone, so they eat their own.

A democracy without an honest media cannot exist. In America democracy is a facade behind which operates every evil inclination of mankind. During the past 14 years the American people have supported governments that have invaded, bombed, or droned seven countries, killing, maiming, and displacing millions of people for no reason other than profit and hegemonic power. There is scant sign that this has caused very many Americans sleepless nights or a bad conscience.

When Washington is not bombing and killing, it is plotting to overthrow reformist governments, such as the Honduran government Obama overthrew, and the Venezuelan, Bolivian, Ecuadoran, and Argentine governments that the Obama regime is current trying to overthrow. And, also, of course the democratically elected government in Ukraine that has been supplanted by Washington’s coup.

The new Greek government is in the crosshairs, and so is Putin himself.

Washington and its fawning presstitutes branded the elected Ukrainian government that was a victim of Washington’s coup, “a corrupt dictatorship.” The replacement government consists of a combination of Washington puppets and neo-nazis with their own military forces sporting Nazi insignias. The American presstitutes have been careful not to notice the Nazi insignias.

Ask yourself why a journalist’s false memory episode of an insignificant event is so important to the American presstitutes, while John Kerry’s and Barak Obama’s extraordinary, blatant, blockbuster, and dangerous lies are ignored.

In the event you have forgotten the efficiency of the Russian military, remember the fate of the American and Israeli trained and equipped Georgian Army that Washington sicced on South Ossetia. The Georgian invasion of South Ossetia resulted in the deaths of Russian peace-keeping soldiers and Russian citizens. The Russian military intervened, and the American and Israeli trained and equipped Georgian Army collapsed in five hours. All of Georgia was back in Russian hands, but the Russians withdrew and left the former province of Russia independent, despite the lies from Washington that Putin intends to restore the Soviet Empire.

The only correct conclusion that any American can make is that every statement of the US government and its presstitute media is a blatant lie designed to serve a secret agenda that the American people would not support if they knew of its existence.

Whenever Washington and its whore media speak, they lie.

Dr. Paul Craig Roberts was Assistant Secretary of the Treasury for Economic Policy and associate editor of the Wall Street Journal. He was columnist for Business Week, Scripps Howard News Service, and Creators Syndicate. He has had many university appointments. His internet columns have attracted a worldwide following. Roberts’ latest books are The Failure of Laissez Faire Capitalism and Economic Dissolution of the West and How America Was Lost.

The Man in the High Castle: When a Nazi-Run World Isn’t So Dystopian

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(Editor’s note: I recently viewed the pilot for the new “The Man in the High Castle” series and was disappointed for the same reasons mentioned in the article. For a PKD adaptation more faithful to the source material see Radio Free Albemuth.)

By Noah Berlatsky

Source: The Atlantic

Amazon’s new television adaptation The Man In the High Castle—part of the streaming service’s 2015 pilot season—opens in a conquered New York. The Nazis won World War II, and the American flag now bears a swastika. A few freedom fighters struggle on—we see one in particular brutally tortured and beaten to death—and the police are everywhere. Life in this alternate dystopia is a thing of fear and hardship, as in 1984, or The Handmaid’s Tale, or The Hunger Games. The familiar forces of freedom struggle against the familiar totalitarian forces of dystopia, epitomized, in the usual way, by a cruel, sadistic supervillain (here portrayed by Rufus Sewell as SS officer John Smith). If the Nazis had won the war, the TV series warns us, the world would have been much, much worse.

This message, as it happens, is a complete inversion of Philip K. Dick’s 1962 novel of the same name, on which the series is based. As such, it betrays the source material’s difficult and conflicted message in the interest of the banal genre default of plucky Americans fighting for freedom against the evil invaders; as Adi Robertson of The Verge suggests, it might as well be Red Dawn.

Superficially, perhaps, the novel isn’t all that different. Dick also imagines that the Nazis have won World War II, and the world under the Nazis is certainly horrible enough: The novel mentions several times that after their victory in the war, the Germans set about murdering everyone in Africa. Slavery has been reinstituted in the southern United States (an uncomfortable detail that isn’t mentioned in the pilot episode), and American Jews in Nazi-controlled areas have been systematically gassed. One of the Jewish main characters, Frank Frink (née Fink) is arrested on the Japanese-controlled west coast and scheduled for deportation to Germany. Meanwhile, in the TV series, Frink (Rupert Evans) only has a Jewish grandparent, which seems a bizarre alteration.

But while life in the novel’s alternate reality is certainly awful in many ways, it’s not exactly a dystopia, which is precisely why it’s so chilling. Dick’s book has little of the pulp melodrama of the TV pilot; there are no torture scenes, no supervillains, and not even a single scene set in the repressive Nazi-controlled region of the former U.S. Instead, the action occurs in the independent Mountain States or on the Japanese-controlled Pacific areas, and most of the characters go about their daily lives just as most of us do now. They have small problems and worries and cares, they adapt to quotidian injustices. But they do so without great urgency about the genocidal violence being inflicted on people on the other side of the world, continent, or neighborhood. The frightening thing isn’t the dystopia. It’s that the dystopia is so familiar it doesn’t really feel dystopian at all.

This is nowhere more clear than in the novel’s treatment of race. In the TV pilot, the bad guys are racists, and the good guys are not. Frank’s wife, Juliana Frink (Alexa Davalos), makes it clear that she opposes the racial laws that threaten her husband and that she harbors no racist feelings toward the Japanese conquerors. But in the book, things are a lot murkier. Juliana and Frank are estranged, and in her internal monologue she sneers at him for liking “Japs” and for being “ugly” with “large pores” and a “big nose.” Another character who doesn’t appear in the pilot, the salesman R. Childan, vacillates between obsequious paeans to Japanese racial superiority and resentful, vicious Orientalist stereotyping. Even Mr. Tagomi, the Japanese official who is the moral center of the book in most respects, lapses occasionally into racist invective—”white barbarian. Neanderthalyank. That subhuman …”— although he regrets it almost immediately.

It makes sense that a world in which the Axis won the war would be, in just about every way, more racist. But the uncomfortable question is, just how much more racist is it? Again, the Nazis seem to have created a protectorate of sorts in the southern U.S., the implication being that whites who supported Jim Crow there would find the Nazi racial doctrines quite congenial. And when Mr. Tagomi, in a quintessential Dickian moment, stumbles out of his alternate reality into the “real” 1962, his own racist preconceptions (as he orders whites around) are met in turn with the simmering racist antipathy of the world in which America won the war. (“Watch it, Tojo,” one man says to him.) The racism in Dick’s alternate universe isn’t alien. It’s homey.

The imagined and the real fit together in a number of other ways as well. One of Dick’s characters muses, for example, that the basic insanity of the Nazis is that “They want to be the agents, not the victims, of history. They identify with God’s power and believe they are godlike … Man has not eaten God; God has eaten man.” That’s a reasonable analysis of Nazi obsessions. But it’s also a reasonable analysis of American obsessions, as Carl Freedman points out in his book Critical Theory and Science Fiction. Dick, Freedman says, is linking “the quintessential Western will to domination with the horrors of genocidal Nazism.” And that Western will to domination is shown most clearly in the book through the Nazi plan to drop a bomb on the Japanese home islands. But in the real world the Nazis didn’t drop a bomb on the home islands. America did.

In the TV pilot, Juliana finds a banned newsreel called The Grasshopper Lies Heavy, which portrays a world in which the Allies won the war. The idea that this might be true fills her with an almost religious, tearful enthusiasm. In Dick’s version, The Grasshopper Lies Heavy is a book. Juliana discovers that that book is true—but her reaction is not exactly fervor. Instead, it’s a mixture of hope, bafflement, and a kind of displaced, distant fear. “Truth, she thought. As terrible as death.” That truth, or at least one possible truth suggested by Dick, is that there is no radical disjunction between his alternate history and our own. The TV show encourages us to congratulate ourselves on our horror at the Nazis, and our distance from them. But Dick’s novel suggests, disturbingly, that the defeat of the Nazis did not, in fact, truly transform the world. Their evil was not banished; it’s still here with us, a dystopia we can choose, and that many of us do choose, every day.

McDonald’s cringe-inducing “Signs” ad receives richly deserved parody

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By Joe Blevins

Source: Onion AV Club

In a development that should surprise no one with reliable Internet access and at least intermittent contact with the real world, McDonald’s suddenly-ubiquitous “Signs” ad campaign has met with immediate, strong backlash across social media from critics who accuse the struggling fast food behemoth of tastelessly capitalizing on various national tragedies, including 9/11 and the Boston Marathon bombings, in order to sell McWraps, McBites, McNuggets, and other McMenu items to jaded millennials. The offending ad, for those who have been away from their televisions lately, is simply a montage of McDonald’s signs bearing theoretically inspiring messages (including “Keep Jobs In Toledo,” “God Protect The USA,” and “Pray For Drew”), all set to a saccharine children’s choir version of “Carry On” by Fun. The intended message is that, through bad times and even worse times, the one constant in this crazy, mixed-up world is the ubiquitous, clown-centric hamburger chain. And now, just surely as smoke follows a fire, the treacly original commercial has inspired a sardonic YouTube parody. Credited only to the enigmatic Signlover 15, “McDonald’s: Signs (fo real)” closely follows the form of its predecessor, right down to the music. This time, however, the messages that flash on the screen are significantly less guilt-inducing. Among them: “Now Hiring Losers,” “Try Our New Crap,” and, of course, “Extra McRib With Proof Of Boner.”

Meanwhile the AV Club’s sister site offers a glimpse into McDonalds’ upcoming “brand transformation” to win over the millenial demographic.

Bonus clips:

The Victory of ‘Perception Management’

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By Robert Parry

Source: Consortium News

To understand how the American people find themselves trapped in today’s Orwellian dystopia of endless warfare against an ever-shifting collection of “evil” enemies, you have to think back to the Vietnam War and the shock to the ruling elite caused by an unprecedented popular uprising against that war.

While on the surface Official Washington pretended that the mass protests didn’t change policy, a panicky reality existed behind the scenes, a recognition that a major investment in domestic propaganda would be needed to ensure that future imperial adventures would have the public’s eager support or at least its confused acquiescence.

This commitment to what the insiders called “perception management” began in earnest with the Reagan administration in the 1980s but it would come to be the accepted practice of all subsequent administrations, including the present one of President Barack Obama.

In that sense, propaganda in pursuit of foreign policy goals would trump the democratic ideal of an informed electorate. The point would be not to honestly inform the American people about events around the world but to manage their perceptions by ramping up fear in some cases and defusing outrage in others – depending on the U.S. government’s needs.

Thus, you have the current hysteria over Russia’s supposed “aggression” in Ukraine when the crisis was actually provoked by the West, including by U.S. neocons who helped create today’s humanitarian crisis in eastern Ukraine that they now cynically blame on Russian President Vladimir Putin.

Yet, many of these same U.S. foreign policy operatives – outraged over Russia’s limited intervention to protect ethic Russians in eastern Ukraine – are demanding that President Obama launch an air war against the Syrian military as a “humanitarian” intervention there.

In other words, if the Russians act to shield ethnic Russians on their border who are being bombarded by a coup regime in Kiev that was installed with U.S. support, the Russians are the villains blamed for the thousands of civilian deaths, even though the vast majority of the casualties have been inflicted by the Kiev regime from indiscriminate bombing and from dispatching neo-Nazi militias to do the street fighting.

In Ukraine, the exigent circumstances don’t matter, including the violent overthrow of the constitutionally elected president last February. It’s all about white hats for the current Kiev regime and black hats for the ethnic Russians and especially for Putin.

But an entirely different set of standards has applied to Syria where a U.S.-backed rebellion, which included violent Sunni jihadists from the start, wore the white hats and the relatively secular Syrian government, which has responded with excessive violence of its own, wears the black hats. But a problem to that neat dichotomy arose when one of the major Sunni rebel forces, the Islamic State, started seizing Iraqi territory and beheading Westerners.

Faced with those grisly scenes, President Obama authorized bombing the Islamic State forces in both Iraq and Syria, but neocons and other U.S. hardliners have been hectoring Obama to go after their preferred target, Syria’s President Bashar al-Assad, despite the risk that destroying the Syrian military could open the gates of Damascus to the Islamic State or al-Qaeda’s Nusra Front.

Lost on the Dark Side

You might think that the American public would begin to rebel against these messy entangling alliances with the 1984-like demonizing of one new “enemy” after another. Not only have these endless wars drained trillions of dollars from the U.S. taxpayers, they have led to the deaths of thousands of U.S. troops and to the tarnishing of America’s image from the attendant evils of war, including a lengthy detour into the “dark side” of torture, assassinations and “collateral” killings of children and other innocents.

But that is where the history of “perception management” comes in, the need to keep the American people compliant and confused. In the 1980s, the Reagan administration was determined to “kick the Vietnam Syndrome,” the revulsion that many Americans felt for warfare after all those years in the blood-soaked jungles of Vietnam and all the lies that clumsily justified the war.

So, the challenge for the U.S. government became: how to present the actions of “enemies” always in the darkest light while bathing the behavior of the U.S. “side” in a rosy glow. You also had to stage this propaganda theater in an ostensibly “free country” with a supposedly “independent press.”

From documents declassified or leaked over the past several decades, including an unpublished draft chapter of the congressional Iran-Contra investigation, we now know a great deal about how this remarkable project was undertaken and who the key players were.

Perhaps not surprisingly much of the initiative came from the Central Intelligence Agency, which housed the expertise for manipulating target populations through propaganda and disinformation. The only difference this time would be that the American people would be the target population.

For this project, Ronald Reagan’s CIA Director William J. Casey sent his top propaganda specialist Walter Raymond Jr. to the National Security Council staff to manage the inter-agency task forces that would brainstorm and coordinate this “public diplomacy” strategy.

Many of the old intelligence operatives, including Casey and Raymond, are now dead, but other influential Washington figures who were deeply involved by these strategies remain, such as neocon stalwart Robert Kagan, whose first major job in Washington was as chief of Reagan’s State Department Office of Public Diplomacy for Latin America.

Now a fellow at the Brookings Institution and a columnist at the Washington Post, Kagan remains an expert in presenting foreign policy initiatives within the “good guy/bad guy” frames that he learned in the 1980s. He is also the husband of Assistant Secretary of State for European Affairs Victoria Nuland, who oversaw the overthrow of Ukraine’s elected President Viktor Yanukovych last February amid a very effective U.S. propaganda strategy.

During the Reagan years, Kagan worked closely on propaganda schemes with Elliott Abrams, then the Assistant Secretary of State for Latin America. After getting convicted and then pardoned in the Iran-Contra scandal, Abrams reemerged on President George W. Bush’s National Security Council handling Middle East issues, including the Iraq War, and later “global democracy strategy.” Abrams is now a senior fellow at the Council on Foreign Relations.

These and other neocons were among the most diligent students learning the art of “perception management” from the likes of Raymond and Casey, but those propaganda skills have spread much more widely as “public diplomacy” and “information warfare” have now become an integral part of every U.S. foreign policy initiative.

A Propaganda Bureaucracy

Declassified documents now reveal how extensive Reagan’s propaganda project became with inter-agency task forces assigned to develop “themes” that would push American “hot buttons.” Scores of documents came out during the Iran-Contra scandal in 1987 and hundreds more are now available at the Reagan presidential library in Simi Valley, California.

What the documents reveal is that at the start of the Reagan administration, CIA Director Casey faced a daunting challenge in trying to rally public opinion behind aggressive U.S. interventions, especially in Central America. Bitter memories of the Vietnam War were still fresh and many Americans were horrified at the brutality of right-wing regimes in Guatemala and El Salvador, where Salvadoran soldiers raped and murdered four American churchwomen in December 1980.

The new leftist Sandinista government in Nicaragua also was not viewed with much alarm. After all, Nicaragua was an impoverished country of only about three million people who had just cast off the brutal dictatorship of Anastasio Somoza.

So, Reagan’s initial strategy of bolstering the Salvadoran and Guatemalan armies required defusing the negative publicity about them and somehow rallying the American people into supporting a covert CIA intervention inside Nicaragua via a counterrevolutionary force known as the Contras led by Somoza’s ex-National Guard officers.

Reagan’s task was made tougher by the fact that the Cold War’s anti-communist arguments had so recently been discredited in Vietnam. As deputy assistant secretary to the Air Force, J. Michael Kelly, put it, “the most critical special operations mission we have … is to persuade the American people that the communists are out to get us.”

At the same time, the White House worked to weed out American reporters who uncovered facts that undercut the desired public images. As part of that effort, the administration attacked New York Times correspondent Raymond Bonner for disclosing the Salvadoran regime’s massacre of about 800 men, women and children in the village of El Mozote in northeast El Salvador in December 1981. Accuracy in Media and conservative news organizations, such as The Wall Street Journal’s editorial page, joined in pummeling Bonner, who was soon ousted from his job.

But these were largely ad hoc efforts. A more comprehensive “public diplomacy” operation took shape beginning in 1982 when Raymond, a 30-year veteran of CIA clandestine services, was transferred to the NSC.

A slight, soft-spoken New Yorker who reminded some of a character from a John le Carré spy novel, Raymond was an intelligence officer who “easily fades into the woodwork,” according to one acquaintance. But Raymond would become the sparkplug for this high-powered propaganda network, according to a draft chapter of the Iran-Contra report.

Though the draft chapter didn’t use Raymond’s name in its opening pages, apparently because some of the information came from classified depositions, Raymond’s name was used later in the chapter and the earlier citations matched Raymond’s known role. According to the draft report, the CIA officer who was recruited for the NSC job had served as Director of the Covert Action Staff at the CIA from 1978 to 1982 and was a “specialist in propaganda and disinformation.”

“The CIA official [Raymond] discussed the transfer with [CIA Director] Casey and NSC Advisor William Clark that he be assigned to the NSC as [Donald] Gregg’s successor [as coordinator of intelligence operations in June 1982] and received approval for his involvement in setting up the public diplomacy program along with his intelligence responsibilities,” the chapter said.

“In the early part of 1983, documents obtained by the Select [Iran-Contra] Committees indicate that the Director of the Intelligence Staff of the NSC [Raymond] successfully recommended the establishment of an inter-governmental network to promote and manage a public diplomacy plan designed to create support for Reagan Administration policies at home and abroad.”

During his Iran-Contra deposition, Raymond explained the need for this propaganda structure, saying: “We were not configured effectively to deal with the war of ideas.”

One reason for this shortcoming was that federal law forbade taxpayers’ money from being spent on domestic propaganda or grassroots lobbying to pressure congressional representatives. Of course, every president and his team had vast resources to make their case in public, but by tradition and law, they were restricted to speeches, testimony and one-on-one persuasion of lawmakers.

But things were about to change. In a Jan. 13, 1983, memo, NSC Advisor Clark foresaw the need for non-governmental money to advance this cause. “We will develop a scenario for obtaining private funding,” Clark wrote. (Just five days later, President Reagan personally welcomed media magnate Rupert Murdoch into the Oval Office for a private meeting, according to records on file at the Reagan library.)

As administration officials reached out to wealthy supporters, lines against domestic propaganda soon were crossed as the operation took aim not only at foreign audiences but at U.S. public opinion, the press and congressional Democrats who opposed funding the Nicaraguan Contras.

At the time, the Contras were earning a gruesome reputation as human rights violators and terrorists. To change this negative perception of the Contras as well as of the U.S.-backed regimes in El Salvador and Guatemala, the Reagan administration created a full-blown, clandestine propaganda network.

In January 1983, President Reagan took the first formal step to create this unprecedented peacetime propaganda bureaucracy by signing National Security Decision Directive 77, entitled “Management of Public Diplomacy Relative to National Security.” Reagan deemed it “necessary to strengthen the organization, planning and coordination of the various aspects of public diplomacy of the United States Government.”

Reagan ordered the creation of a special planning group within the National Security Council to direct these “public diplomacy” campaigns. The planning group would be headed by the CIA’s Walter Raymond Jr. and one of its principal arms would be a new Office of Public Diplomacy for Latin America, housed at the State Department but under the control of the NSC.

CIA Taint

Worried about the legal prohibition barring the CIA from engaging in domestic propaganda, Raymond formally resigned from the CIA in April 1983, so, he said, “there would be no question whatsoever of any contamination of this.” But Raymond continued to act toward the U.S. public much like a CIA officer would in directing a propaganda operation in a hostile foreign country.

Raymond fretted, too, about the legality of Casey’s ongoing involvement. Raymond confided in one memo that it was important “to get [Casey] out of the loop,” but Casey never backed off and Raymond continued to send progress reports to his old boss well into 1986. It was “the kind of thing which [Casey] had a broad catholic interest in,” Raymond shrugged during his Iran-Contra deposition. He then offered the excuse that Casey undertook this apparently illegal interference in domestic politics “not so much in his CIA hat, but in his adviser to the president hat.”

As a result of Reagan’s decision directive, “an elaborate system of inter-agency committees was eventually formed and charged with the task of working closely with private groups and individuals involved in fundraising, lobbying campaigns and propagandistic activities aimed at influencing public opinion and governmental action,” the draft Iran-Contra chapter said. “This effort resulted in the creation of the Office of Public Diplomacy for Latin America and the Caribbean in the Department of State (S/LPD), headed by Otto Reich,” a right-wing Cuban exile from Miami.

Though Secretary of State George Shultz wanted the office under his control, President Reagan insisted that Reich “report directly to the NSC,” where Raymond oversaw the operations as a special assistant to the President and the NSC’s director of international communications, the chapter said.

“Reich relied heavily on Raymond to secure personnel transfers from other government agencies to beef up the limited resources made available to S/LPD by the Department of State,” the chapter said. “Personnel made available to the new office included intelligence specialists from the U.S. Air Force and the U.S. Army. On one occasion, five intelligence experts from the Army’s 4th Psychological Operations Group at Fort Bragg, North Carolina, were assigned to work with Reich’s fast-growing operation.”

A “public diplomacy strategy paper,” dated May 5, 1983, summed up the administration’s problem. “As far as our Central American policy is concerned, the press perceives that: the USG [U.S. government] is placing too much emphasis on a military solution, as well as being allied with inept, right-wing governments and groups. …The focus on Nicaragua [is] on the alleged U.S.-backed ‘covert’ war against the Sandinistas. Moreover, the opposition … is widely perceived as being led by former Somozistas.”

The administration’s difficulty with most of these press perceptions was that they were correct. But the strategy paper recommended ways to influence various groups of Americans to “correct” the impressions anyway, removing what another planning document called “perceptional obstacles.”

“Themes will obviously have to be tailored to the target audience,” the strategy paper said.

Casey’s Hand

As the Reagan administration struggled to manage public perceptions, CIA Director Casey kept his personal hand in the effort. On one muggy day in August 1983, Casey convened a meeting of Reagan administration officials and five leading ad executives at the Old Executive Office Building next to the White House to come up with ideas for selling Reagan’s Central American policies to the American people.

Earlier that day, a national security aide had warmed the P.R. men to their task with dire predictions that leftist governments would send waves of refugees into the United States and cynically flood America with drugs. The P.R. executives jotted down some thoughts over lunch and then pitched their ideas to the CIA director in the afternoon as he sat hunched behind a desk taking notes.

“Casey was kind of spearheading a recommendation” for better public relations for Reagan’s Central America policies, recalled William I. Greener Jr., one of the ad men. Two top proposals arising from the meeting were for a high-powered communications operation inside the White House and private money for an outreach program to build support for U.S. intervention.

The results from the discussions were summed up in an Aug. 9, 1983, memo written by Raymond who described Casey’s participation in the meeting to brainstorm how “to sell a ‘new product’ – Central America – by generating interest across-the-spectrum.”

In the memo to then-U.S. Information Agency director Charles Wick, Raymond also noted that “via Murdock [sic] may be able to draw down added funds” to support pro-Reagan initiatives. Raymond’s reference to Rupert Murdoch possibly drawing down “added funds” suggests that the right-wing media mogul had been recruited to be part of the covert propaganda operation. During this period, Wick arranged at least two face-to-face meetings between Murdoch and Reagan.

In line with the clandestine nature of the operation, Raymond also suggested routing the “funding via Freedom House or some other structure that has credibility in the political center.” (Freedom House would later emerge as a principal beneficiary of funding from the National Endowment for Democracy, which was also created under the umbrella of Raymond’s operation.)

As the Reagan administration pushed the envelope on domestic propaganda, Raymond continued to worry about Casey’s involvement. In an Aug. 29, 1983, memo, Raymond recounted a call from Casey pushing his P.R. ideas. Alarmed at a CIA director participating so brazenly in domestic propaganda, Raymond wrote that “I philosophized a bit with Bill Casey (in an effort to get him out of the loop)” but with little success.

Meanwhile, Reich’s Office of Public Diplomacy for Latin America (S/LPD) proved extremely effective in selecting “hot buttons” that would anger Americans about the Sandinistas. He also browbeat news correspondents who produced stories that conflicted with the administration’s “themes.” Reich’s basic M.O. was to dispatch his propaganda teams to lobby news executives to remove or punish out-of-step reporters – with a disturbing degree of success. Reich once bragged that his office “did not give the critics of the policy any quarter in the debate.”

Another part of the office’s job was to plant “white propaganda” in the news media through op-eds secretly financed by the government. In one memo, Jonathan Miller, a senior public diplomacy official, informed White House aide Patrick Buchanan about success placing an anti-Sandinista piece in The Wall Street Journal’s friendly pages. “Officially, this office had no role in its preparation,” Miller wrote.

Other times, the administration put out “black propaganda,” outright falsehoods. In 1983, one such theme was designed to anger American Jews by portraying the Sandinistas as anti-Semitic because much of Nicaragua’s small Jewish community fled after the revolution in 1979.

However, the U.S. embassy in Managua investigated the charges and “found no verifiable ground on which to accuse the GRN [the Sandinista government] of anti-Semitism,” according to a July 28, 1983, cable. But the administration kept the cable secret and pushed the “hot button” anyway.

Black Hats/White Hats

Repeatedly, Raymond lectured his subordinates on the chief goal of the operation: “in the specific case of Nica[ragua], concentrate on gluing black hats on the Sandinistas and white hats on UNO [the Contras’ United Nicaraguan Opposition].” So Reagan’s speechwriters dutifully penned descriptions of Sandinista-ruled Nicaragua as a “totalitarian dungeon” and the Contras as the “moral equivalent of the Founding Fathers.”

As one NSC official told me, the campaign was modeled after CIA covert operations abroad where a political goal is more important than the truth. “They were trying to manipulate [U.S.] public opinion … using the tools of Walt Raymond’s trade craft which he learned from his career in the CIA covert operation shop,” the official admitted.

Another administration official gave a similar description to The Miami Herald’s Alfonso Chardy. “If you look at it as a whole, the Office of Public Diplomacy was carrying out a huge psychological operation, the kind the military conduct to influence the population in denied or enemy territory,” that official explained. [For more details, see Parry’s Lost History.]

Another important figure in the pro-Contra propaganda was NSC staffer Oliver North, who spent a great deal of his time on the Nicaraguan public diplomacy operation even though he is better known for arranging secret arms shipments to the Contras and to Iran’s radical Islamic government, leading to the Iran-Contra scandal.

The draft Iran-Contra chapter depicted a Byzantine network of contract and private operatives who handled details of the domestic propaganda while concealing the hand of the White House and the CIA. “Richard R. Miller, former head of public affairs at AID, and Francis D. Gomez, former public affairs specialist at the State Department and USIA, were hired by S/LPD through sole-source, no-bid contracts to carry out a variety of activities on behalf of the Reagan administration policies in Central America,” the chapter said.

“Supported by the State Department and White House, Miller and Gomez became the outside managers of [North operative] Spitz Channel’s fundraising and lobbying activities. They also served as the managers of Central American political figures, defectors, Nicaraguan opposition leaders and Sandinista atrocity victims who were made available to the press, the Congress and private groups, to tell the story of the Contra cause.”

Miller and Gomez facilitated transfers of money to Swiss and offshore banks at North’s direction, as they “became the key link between the State Department and the Reagan White House with the private groups and individuals engaged in a myriad of endeavors aimed at influencing the Congress, the media and public opinion,” the chapter said.

The Iran-Contra draft chapter also cited a March 10, 1985, memo from North describing his assistance to CIA Director Casey in timing disclosures of pro-Contra news “aimed at securing Congressional approval for renewed support to the Nicaraguan Resistance Forces.”

The chapter added: “Casey’s involvement in the public diplomacy effort apparently continued throughout the period under investigation by the Committees,” including a 1985 role in pressuring Congress to renew Contra aid and a 1986 hand in further shielding the Office of Public Diplomacy for Latin America from the oversight of Secretary Shultz.

A Raymond-authored memo to Casey in August 1986 described the shift of the S/LPD office – where Robert Kagan had replaced Reich – to the control of the Bureau of Inter-American Affairs, which was headed by Assistant Secretary of State Elliott Abrams, who had tapped Kagan for the public diplomacy job.

Even after the Iran-Contra scandal unraveled in 1986-87 and Casey died of brain cancer on May 6, 1987, the Republicans fought to keep secret the remarkable story of the public diplomacy apparatus. As part of a deal to get three moderate Republican senators to join Democrats in signing the Iran-Contra majority report, Democratic leaders agreed to drop the draft chapter detailing the CIA’s domestic propaganda role (although a few references were included in the executive summary). But other Republicans, including Rep. Dick Cheney, still issued a minority report defending broad presidential powers in foreign affairs.

Thus, the American people were spared the chapter’s troubling conclusion: that a secret propaganda apparatus had existed, run by “one of the CIA’s most senior specialists, sent to the NSC by Bill Casey, to create and coordinate an inter-agency public-diplomacy mechanism [which] did what a covert CIA operation in a foreign country might do. [It] attempted to manipulate the media, the Congress and public opinion to support the Reagan administration’s policies.”

Kicking the Vietnam Syndrome

The ultimate success of Reagan’s propaganda strategy was affirmed during the tenure of his successor, George H.W. Bush, when Bush ordered a 100-hour ground war on Feb. 23, 1991, to oust Iraqi troops from Kuwait, which had been invaded the previous August.

Though Iraqi dictator Saddam Hussein had long been signaling a readiness to withdraw – and Soviet President Mikhail Gorbachev had negotiated a withdrawal arrangement that even had the blessings of top U.S. commanders in the field – President Bush insisted on pressing ahead with the ground attack.

Bush’s chief reason was that he – and his Defense Secretary Dick Cheney – saw the assault against Iraq’s already decimated forces as an easy victory, one that would demonstrate America’s new military capacity for high-tech warfare and would cap the process begun a decade earlier to erase the Vietnam Syndrome from the minds of average Americans.

Those strategic aspects of Bush’s grand plan for a “new world order” began to emerge after the U.S.-led coalition started pummeling Iraq with air strikes in mid-January 1991. The bombings inflicted severe damage on Iraq’s military and civilian infrastructure and slaughtered a large number of non-combatants, including the incineration of some 400 women and children in a Baghdad bomb shelter on Feb. 13. [For details, see Consortiumnews.com’s “Recalling the Slaughter of Innocents.”]

The air war’s damage was so severe that some world leaders looked for a way to end the carnage and arrange Iraq’s departure from Kuwait. Even senior U.S. military field commanders, such as Gen. Norman Schwarzkopf, looked favorably on proposals for sparing lives.

But Bush was fixated on a ground war. Though secret from the American people at that time, Bush had long determined that a peaceful Iraqi withdrawal from Kuwait would not be allowed. Indeed, Bush was privately fearful that the Iraqis might capitulate before the United States could attack.

At the time, conservative columnists Rowland Evans and Robert Novak were among the few outsiders who described Bush’s obsession with exorcising the Vietnam Syndrome. On Feb. 25, 1991, they wrote that the Gorbachev initiative brokering Iraq’s surrender of Kuwait “stirred fears” among Bush’s advisers that the Vietnam Syndrome might survive the Gulf War.

“There was considerable relief, therefore, when the President … made clear he was having nothing to do with the deal that would enable Saddam Hussein to bring his troops out of Kuwait with flags flying,” Evans and Novak wrote. “Fear of a peace deal at the Bush White House had less to do with oil, Israel or Iraqi expansionism than with the bitter legacy of a lost war. ‘This is the chance to get rid of the Vietnam Syndrome,’ one senior aide told us.”

In the 1999 book, Shadow, author Bob Woodward confirmed that Bush was adamant about fighting a war, even as the White House pretended it would be satisfied with an unconditional Iraqi withdrawal. “We have to have a war,” Bush told his inner circle of Secretary of State James Baker, national security adviser Brent Scowcroft and Gen. Colin Powell, according to Woodward.

“Scowcroft was aware that this understanding could never be stated publicly or be permitted to leak out. An American president who declared the necessity of war would probably be thrown out of office. Americans were peacemakers, not warmongers,” Woodward wrote.

The Ground War

However, the “fear of a peace deal” resurfaced in the wake of the U.S.-led bombing campaign. Soviet diplomats met with Iraqi leaders who let it be known that they were prepared to withdraw their troops from Kuwait unconditionally.

Learning of Gorbachev’s proposed settlement, Schwarzkopf also saw little reason for U.S. soldiers to die if the Iraqis were prepared to withdraw and leave their heavy weapons behind. There was also the prospect of chemical warfare that the Iraqis might use against advancing American troops. Schwarzkopf saw the possibility of heavy U.S. casualties.

But Gorbachev’s plan was running into trouble with President Bush and his political subordinates who wanted a ground war to crown the U.S. victory. Schwarzkopf reached out to Gen. Powell, chairman of the Joint Chiefs of Staff, to make the case for peace with the President.

On Feb. 21, 1991, the two generals hammered out a cease-fire proposal for presentation to the NSC. The peace deal would give Iraqi forces one week to march out of Kuwait while leaving their armor and heavy equipment behind. Schwarzkopf thought he had Powell’s commitment to pitch the plan at the White House.

But Powell found himself caught in the middle. He wanted to please Bush while still representing the concerns of the field commanders. When Powell arrived at the White House late on the evening of Feb. 21, he found Bush angry about the Soviet peace initiative. Still, according to Woodward’s Shadow, Powell reiterated that he and Schwarzkopf “would rather see the Iraqis walk out than be driven out.”

In My American Journey, Powell expressed sympathy for Bush’s predicament. “The President’s problem was how to say no to Gorbachev without appearing to throw away a chance for peace,” Powell wrote. “I could hear the President’s growing distress in his voice. ‘I don’t want to take this deal,’ he said. ‘But I don’t want to stiff Gorbachev, not after he’s come this far with us. We’ve got to find a way out’.”

Powell sought Bush’s attention. “I raised a finger,” Powell wrote. “The President turned to me. ‘Got something, Colin?’,” Bush asked. But Powell did not outline Schwarzkopf’s one-week cease-fire plan. Instead, Powell offered a different idea intended to make the ground offensive inevitable.

“We don’t stiff Gorbachev,” Powell explained. “Let’s put a deadline on Gorby’s proposal. We say, great idea, as long as they’re completely on their way out by, say, noon Saturday,” Feb. 23, less than two days away.

Powell understood that the two-day deadline would not give the Iraqis enough time to act, especially with their command-and-control systems severely damaged by the air war. The plan was a public-relations strategy to guarantee that the White House got its ground war. “If, as I suspect, they don’t move, then the flogging begins,” Powell told a gratified president.

The next day, at 10:30 a.m., a Friday, Bush announced his ultimatum. There would be a Saturday noon deadline for the Iraqi withdrawal, as Powell had recommended. Schwarzkopf and his field commanders in Saudi Arabia watched Bush on television and immediately grasped its meaning.

“We all knew by then which it would be,” Schwarzkopf wrote. “We were marching toward a Sunday morning attack.”

When the Iraqis predictably missed the deadline, American and allied forces launched the ground offensive at 0400 on Feb. 24, Persian Gulf time.

Though Iraqi forces were soon in full retreat, the allies pursued and slaughtered tens of thousands of Iraqi soldiers in the 100-hour war. U.S. casualties were light, 147 killed in combat and another 236 killed in accidents or from other causes. “Small losses as military statistics go,” wrote Powell, “but a tragedy for each family.”

On Feb. 28, the day the war ended, Bush celebrated the victory. “By God, we’ve kicked the Vietnam Syndrome once and for all,” the President exulted, speaking to a group at the White House. [For more details, see Robert Parry’s Secrecy & Privilege.]

So as not to put a damper on the post-war happy feelings, the U.S. news media decided not to show many of the grisliest photos, such as charred Iraqi soldiers ghoulishly still seated in their burned-out trucks where they had been incinerated while trying to flee. By that point, U.S. journalists knew it wasn’t smart for their careers to present a reality that didn’t make the war look good.

Enduring Legacy

Though Reagan’s creation of a domestic propaganda bureaucracy began more than three decades ago – and Bush’s vanquishing of the Vietnam Syndrome was more than two decades ago – the legacy of those actions continue to reverberate today in how the perceptions of the American people are now routinely managed. That was true during last decade’s Iraq War and this decade’s conflicts in Libya, Syria and Ukraine as well as the economic sanctions against Iran and Russia.

Indeed, while the older generation that pioneered these domestic propaganda techniques has passed from the scene, many of their protégés are still around along with some of the same organizations. The National Endowment for Democracy, which was formed in 1983 under the supervision of Walter Raymond’s NSC operation, is still run by the same neocon, Carl Gershman, and has an even bigger budget, now exceeding $100 million a year.

Gershman and his NED played important behind-the-scenes roles in instigating the Ukraine crisis by financing activists, journalists and other operatives who supported the coup against elected President Yanukovych. The NED-backed Freedom House also beat the propaganda drums. [See Consortiumnews.com’s “A Shadow Foreign Policy.”]

Two other Reagan-era veterans, Elliott Abrams and Robert Kagan, have both provided important intellectual support for continuing U.S. interventionism around the world. Earlier this year, Kagan’s article for The New Republic, entitled “Superpowers Don’t Get to Retire,” touched such a raw nerve with President Obama that he hosted Kagan at a White House lunch and crafted the presidential commencement speech at West Point to deflect some of Kagan’s criticism of Obama’s hesitancy to use military force.

A New York Times article about Kagan’s influence over Obama reported that Kagan’s wife, Assistant Secretary of State Victoria Nuland, apparently had a hand in crafting the attack on her ostensible boss, President Obama.

According to the Times article, the husband-and-wife team share both a common world view and professional ambitions, Nuland editing Kagan’s articles and Kagan “not permitted to use any official information he overhears or picks up around the house” – a suggestion that Kagan’s thinking at least may be informed by foreign policy secrets passed on by his wife.

Though Nuland wouldn’t comment specifically on Kagan’s attack on President Obama, she indicated that she holds similar views. “But suffice to say,” Nuland said, “that nothing goes out of the house that I don’t think is worthy of his talents. Let’s put it that way.”

Misguided Media

In the three decades since Reagan’s propaganda machine was launched, the American press corps also has fallen more and more into line with an aggressive U.S. government’s foreign policy strategies. Those of us in the mainstream media who resisted the propaganda pressures mostly saw our careers suffer while those who played along moved steadily up the ranks into positions of more money and more status.

Even after the Iraq War debacle when nearly the entire mainstream media went with the pro-invasion flow, there was almost no accountability for that historic journalistic failure. Indeed, the neocon influence at major newspapers, such as the Washington Post and the New York Times, only has solidified since.

Today’s coverage of the Syrian civil war or the Ukraine crisis is so firmly in line with the State Department’s propaganda “themes” that it would put smiles on the faces of William Casey and Walter Raymond if they were around today to see how seamlessly the “perception management” now works. There’s no need any more to send out “public diplomacy” teams to bully editors and news executives. Everyone is already onboard.

Rupert Murdoch’s media empire is bigger than ever, but his neocon messaging barely stands out as distinctive, given how the neocons also have gained control of the editorial and foreign-reporting sections of the Washington Post, the New York Times and virtually every other major news outlet. For instance, the demonizing of Russian President Putin is now so total that no honest person could look at those articles and see anything approaching objective or evenhanded journalism. Yet, no one loses a job over this lack of professionalism.

The Reagan administration’s dreams of harnessing private foundations and non-governmental organizations have also come true. The Orwellian circle has been completed with many American “anti-war” groups advocating for “humanitarian” wars in Syria and other countries targeted by U.S. propaganda. [See Consortiumnews.com’s “Selling ‘Peace Groups’ on US-Led Wars.”]

Much as Reagan’s “public diplomacy” apparatus once sent around “defectors” to lambaste Nicaragua’s Sandinistas by citing hyped-up human rights violations now the work is done by NGOs with barely perceptible threads back to the U.S. government. Just as Freedom House had “credibility” in the 1980s because of its earlier reputation as a human rights group, now other groups carrying the “human rights” tag, such as Human Rights Watch, are in the forefront of urging U.S. military interventions based on murky or propagandistic claims. [See Consortiumnews.com’s “The Collapsing Syria-Sarin Case.”]

At this advanced stage of America’s quiet surrender to “perception management,” it is even hard to envision how one could retrace the many steps that would lead back to the concept of a democratic Republic based on an informed electorate. Many on the American Right remain entranced by the old propaganda theme about the “liberal media” and still embrace Reagan as their beloved icon. Meanwhile, many liberals can’t break away from their own wistful trust in the New York Times and their empty hope that the media really is “liberal.”

To confront the hard truth is not easy. Indeed, in this case, it can cause despair because there are so few voices to trust and they are easily drowned out by floods of disinformation that can come from any angle – right, left or center. Yet, for the American democratic Republic to reset its goal toward an informed electorate, there is no option other than to build institutions that are determinedly committed to the truth.

Investigative reporter Robert Parry broke many of the Iran-Contra stories for The Associated Press and Newsweek in the 1980s. You can buy his latest book, America’s Stolen Narrative, either in print here or as an e-book (from Amazon and barnesandnoble.com). You also can order Robert Parry’s trilogy on the Bush Family and its connections to various right-wing operatives for only $34. The trilogy includes America’s Stolen Narrative. For details on this offer, click here.

The Curtain Rises on Another Act in the Continual Global War on Terror Play

hebdo-shooters

By Wayne Madsen

Source: Strategic Culture Foundation

The attacks in Paris on the editorial offices of the weekly satirical journal Charlie Hebdo and a kosher supermarket have, once again, conveniently turned the attention of the world away from the economic turmoil in the European Union and the extreme unpopularity of its major leaders to the seemingly never-ending «global war on terror».

French President Francois Hollande announced that on January 11, he would march in solidarity on the streets of Paris along with German Chancellor Angela Merkel, British Prime Minister David Cameron, Italian Prime Minister Matteo Renzi, Spanish Prime Minister Mariano Rajoy, Belgian Prime Minister Charles Michel, Ukrainian President Pyotr Poroshenko, Irish Prime Minister Enda Kenny, and the ISIL-enabling Turkish Prime Minister, Ahmet Davitoglu. All of these leaders, facing huge popularity problems at home, were able to use the terrorist attacks in Paris to bolster their own flagging electoral profiles. In addition to the unpopular leaders, NATO Secretary General Jens Stoltenberg, European Council President Donald Tusk, and European Commission chief Jean-Claude Juncker were also scheduled to march in Paris in the grandiose «photo op» to help honor a magazine staff that often lampooned many of these leaders with cartoons that were almost always of a sexual nature.

Once again, the alleged perpetrators of the recent attacks, Franco-Algerian brothers Said and Cherif Kouachi, who were said to have murdered 12 people, including the editor-in-chief of Charlie Hebdo, and Franco-Senegalese Amedy Coulibaly, said to have killed hostages at the supermarket, were well-known to the French police and intelligence services. It was claimed by one of the supermarket customers that Coulibaly said proclaimed that he was from Mali and that he supported ISIL and Palestine. The Kouachis’ names were even included on the American «no-fly list».

The fact that the Kouachis had been involved in recruiting and training jihadist volunteers to fight for the Islamic State of Iraq and the Levant (ISIL) in Syria and had earlier been involved in recruitment efforts for jihadist armies in Iraq and Yemen should have placed a surveillance net over the two brothers. But, as in a previous case in France involving an alleged jihadist terrorist who allegedly killed people at random, the Kouachi brothers, as well as Coulibaly, who was also well-known to the police, were permitted to obtain weapons and other materials without tipping off law enforcement. Coulibaly actually met with French President Nicolas Sarkozy in 2009. Coulibaly worked at a Coca Cola plant in the poor «banlieue» of Grigny, outside of Paris. Coulibaly was one of ten workers selected to meet personally with Sarkozy at the Elysee Palace to discuss youth employment issues. As with the U.S. Secret Service and the American president, French security thoroughly vets those who meet with the French head of state, which makes Coulibaly’s selection to meet Sarkozy even more perplexing. «Le Parisien» quoted Coulibaly as being excited over his meeting with Sarkozy and hoped the French president might help him find him a good job. Coulibaly is said to have first met Cherif Kouachi in 2010. However, Coulibaly supposedly converted to radical Islam while serving time in prison in 2005 for armed robbery. It was in prison that Coulibaly became an adherent of Djamel Beghal, said to be a Franco-Algerian member of Al Qaeda who, in 2001, tried to blow up the U.S. embassy in Paris. Out of all the unemployed and under-employed youth in France, the French president’s security team decided to vet a known follower of an Al Qaeda member to enter the Elysee Palace to meet with Sarkozy. As the French say, «incroyable!»

Pre-attack knowledge by the authorities of an alleged perpetrator was certainly the case in the Merah affair in March 2012 when Mohammed Merah, a French national, was killed by French police. Merah was accused of killing three French paratroopers in Montauban and three students and a teacher at a Jewish school in Toulouse. It was later discovered that not only did the French Central Directorate of Internal Intelligence (DCRI) maintain a thick dossier on Merah, but that French intelligence tried to recruit him as an agent. Merah traveled with ease to Afghanistan and Pakistan with the foreknowledge of French intelligence. The then-governing conservatives of President Nicolas Sarkozy and the opposition, now ruling, Socialist Party conspired to cover up Merah’s links to French intelligence.

The Kouachi brothers are said to have returned from Syria this past summer, where the CIA and French intelligence have been backing Islamist guerrilla groups battling the government of President Bashar al-Assad. The similarities of the Kouachis and Coulibaly to Merah are amazing. All were known to French intelligence before they allegedly carried out their terrorist attacks and all had connections with Al Qaeda groups and affiliates.

Ever since the 1980 time-bombing of the Bologna train station that killed 85 and injured over 200, Western European «false flag» operations have become fairly standardized «boiler plate» operations. This was certainly the case with the three-man professional military assault carried out in a precision manner by the alleged Islamist terrorists on the Paris editorial offices of the satirical journal Charlie Hebdo. Although the two Kouachi brothers, killed by police at a warehouse north of Paris, are said to have carried out the attacks on the newspaper, there is still no explanation of what happened to the third gunman. A third suspect in that attack, a brother-in-law of the Kouachis named Mourad Hamyd, voluntarily turned himself in to the police after he heard his name broadcast by the media. However, Hamyd, 18, was in school at the time of the attack on Charlie Hebdo.

The attack on the Bologna train station began the age of modern false flag attacks. Although in 1980 the Italian government and media originally blamed the bombing on leftist radical Italian guerrillas, it was, in fact, carried out by an underground fascist cell that obtained the bomb materials from hidden caches belonging to the secret NATO «stay behind» paramilitary network known as «Gladio».

Gladio was intended to mobilize guerrilla forces to fight the Soviets in the event of a ground war in Europe. Weapons and materials were hidden underground and in caves throughout Western Europe for future guerrilla assaults on occupying Soviet troops. However, Italian rightists and Zionists attempted to use the discredited Mitrokhin Dossier, allegedly obtained from KGB files, to pin the blame for the Bologna attack on the Soviets acting in concert with radical Arabs, including Palestinian groups. It was later discovered that it was the CIA that funded such news stories in a psychological warfare operation against the Soviets and the Arab countries. From his Paris jail cell in 2005, Ilich Ramirez Sanchez, the famed terrorist known as «Carlos,» revealed that it was the CIA and Mossad that carried out the Bologna bombing and that the Mitrokhin Dossier was being used to «falsify history». Other independent accounts have proven Carlos’s allegation.

Ever since Bologna, the tell-tale signs of Western intelligence false flag operations are extremely evident in attack after attack. By sticking to the same doctrine for over 40 years, Western intelligence fingerprints are becoming as clear as day.

One such tell-tale sign of a false flag operation is the convenient discovery by police of evidence linking attacks to the perpetrators, be they unknowing double agents or patsies who believe in whatever cause has been dangled before them.

One sign of a false flag operation is that «evidence» linking the intended perpetrators to the crime scene is always discovered. French police claim they were able to pin the attack on Kouachis, because Said, the eldest brother, left his French identification card in a black Citroen used as a getaway car. Police would not say whose identification card they found. Some French security experts warned that the ID card may have been purposely planted in the car to confuse the police. Police also conveniently found Molotov cocktails and Islamist jihadist flags inside the getaway car. Alleged 9/11 hijacker Mohammed Atta’s passport was supposedly found in pristine condition in the rubble of the World Trade Center.

Often, the true perpetrators of false flag attacks are masked. This was the case with the three reported gunmen who killed the Charlie Hebdo staff.

There are always other attacks in the region to confuse police. For example, while French police were concentrating their search for the gunmen from northern Paris to the Belgian border, a French police woman was shot and killed in Montrouge, south of Paris. French authorities were quick to say the events south of Paris and at Charlie Hebdo were not linked. Later, it was announced that the two events were linked. Some witnesses at the warehouse and at the newspaper office were convinced that the masked men who turned out to be terrorists were actually counter-terrorism special troops. One man at the warehouse who escaped injury said he shook hands with one of the masked terrorists who he believed was a special policeman. At the same time French police launched their hostage-freeing operations at the warehouse and kosher supermarket, a hostage situation at a jewelry store in Montpellier, in the south of France, was being reported. Police soon said that situation was not connected to the events in the Paris region. Nevertheless, the Montpellier situation conveniently added to the fear factor.

The events in France have given a boost to anti-Islam immigration movements throughout Europe, from the PEGIDA movement and Alternative for Germany (AFD) party in Germany, to the National Front in France, and the UK Independence Party in Britain. Coming so soon after France’s UN Security Council vote to recognize Palestine as a state and the rising political fortunes of the pro-Israel National Front, a «price tag» attack on France, masked as a jihadist terrorist operation, cannot be ruled out.

 

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