As I indicated in a recent article, the B-team, or even the C-team, is now heading up the national evening news in America. These anchors’ faces and voices (Muir, Glor, and Holt) are not even faint reminders of the so-called Golden Age, when father figures like Cronkite and Reasoner fed official truth into the brains of viewers. The new C-team is vague gloss from a paint job on a used car. This is an ominous sign for the news bosses in the upstairs suites. They can’t find adequate hypnotists anymore.
What happened?
Many things—among them, the father figures left the fold. They decided to sell real estate or take corporate work in PR. They saw the handwriting on the wall: the networks were fostering a youth movement, seeking younger and prettier talent. Why? Because Madison Avenue was convinced the younger viewer demographic was the important one, in terms of consumer buying power. Therefore, on-air news faces had to be younger as well. This sounded right, but it overlooked one vital fact. The young news anchors couldn’t pull off the appropriate level of mind control. They were merely bland robots. Friendly, nice, literate to the point of being able read copy. (Lester Holt at NBC is a bit older, but he comes across as a corpse someone dug up at a cemetery for a role in a Frankenstein remake.)
There is another gross miscalculation. The commercials, between news segments, are overwhelmingly pharmaceutical. Those drugs aren’t intended for the youth demographic. They’re for the middle-aged and the seniors, who want to toxify themselves for the rest of their lives.
So the commercials are playing to the older crowd, while the faces of the news are supposedly attracting younger viewers. It’s a mess. The news execs and programmers really have no idea what they’re doing.
They’re basically hoping their game somehow lasts until they can retire.
There’s more.
Terrified by “visionary” Ted Turner, who started CNN as a 24/7 cable news outlet in 1980, NBC decided they had to spin off their own cable news channel. This move, on its own, splintered the unitary hypnotic effect of having one anchor deliver one version of the news to one audience. Suddenly, there were several hypnotists on stage, all talking at once. It was a disaster in the making.
Then you had the various financial news channels, and FOX, and the sports channels, and the weather channel, and Bloomberg, and C-SPAN, etc. Plus all the local news outlets.
This fragmentation began to erode the programmed mind of the viewer. If, hoping to retreat to an earlier time, he sought out one face and one voice and one great father figure on ANY of these channels, he came up empty. The archetype was gone.
In a pinch, a viewer on the political right might opt for Bill O’Reilly, and a viewer on the Globalist left might choose Charlie Rose. But they’re both out of the picture now.
Enter, from stage left, the goo-goo behemoth, the CIA- connected Facebook, which, amidst building a tower of likes for infantile posts, is trying to convince its adherents that it IS the Internet and a source of tailored news that is sufficient unto the day. Unanchored news. No single voice or face.
Big media, in all its forms, has lost the mind control war.
It has lost it from inside itself.
Into the vacuum have swept the million voices of independent media. I’ve written about that revolution at length, and won’t recap it here.
Instead, consider the Youth Phenomenon. You could peg it at the Beatles’ US invasion of 1964.
Why? Because that was the moment when children began to be entertained by other children. Seriously, deeply, religiously.
Add in the drugs, and other factors, and you had the groundswell of the 1960s.
Stay young forever. Never grow up. Adults are dull dolts.
These children eventually became parents, and their children became parents…and you have the whole generation-to-generation, societal, eternal-youth package. “I want to be young. I want to be happy forever.”
How do you sell these people the news?
You put a nice face on it.
And you lose the hypnosis.
You still have all the lies and cover-ups and diversions and omissions…but the trance element at the core grows weaker over time.
Like the snowfall from a great blizzard, the aftermath shows patches of snow disappearing, piece by piece.
This is happening, and the news titans can do nothing to stop it.
It’s a long-term trend, and it’s called good news.
Back in October of 2016, I wrote a somewhat divisive essay in which I suggested that political dissent is being systematically pathologized. In fact, this process has been ongoing for decades, but it has been significantly accelerated since the Brexit referendum and the Rise of Trump (or, rather, the Fall of Hillary Clinton, as it was Americans’ lack of enthusiasm for eight more years of corporatocracy with a sugar coating of identity politics, and not their enthusiasm for Trump, that mostly put the clown in office.)
In the twelve months since I wrote that piece, we have been subjected to a concerted campaign of corporate media propaganda for which there is no historical precedent. Virtually every major organ of the Western media apparatus (the most powerful propaganda machine in the annals of powerful propaganda machines) has been relentlessly churning out variations on a new official ideological narrative designed to generate and enforce conformity. The gist of this propaganda campaign is that “Western democracy” is under attack by a confederacy of Russians and white supremacists, as well as “the terrorists” and other “extremists” it’s been under attack by for the last sixteen years.
I’ve been writing about this campaign for a year now, so I’m not going to rehash all the details. Suffice to say we’ve gone from Russian operatives hacking the American elections to “Russia-linked” persons “apparently” setting up “illegitimate” Facebook accounts, “likely operated out of Russia,” and publishing ads that are “indistinguishable from legitimate political speech” on the Internet. This is what the corporate media is presenting as evidence of “an unprecedented foreign invasion of American democracy,” a handful of political ads on Facebook. In addition to the Russian hacker propaganda, since August, we have also been treated to relentless white supremacist hysteria and daily reminders from the corporate media that “white nationalism is destroying the West.” The negligible American neo-Nazi subculture has been blown up into a biblical Behemoth inexorably slouching its way towards the White House to officially launch the Trumpian Reich.
At the same time, government and corporate entities have been aggressively restricting (and in many cases eliminating) fundamental civil liberties such as freedom of expression, freedom of the press, the right of assembly, the right to privacy, and the right to due process under the law. The justification for this curtailment of rights (which started in earnest in 2001, following the September 11 attacks) is protecting the public from the threat of “terrorism,” which apparently shows no signs of abating. As of now, the United States has been in a State of Emergency for over sixteen years. The UK is in a virtual State of Emergency. France is now in the process of enshrining its permanent State of Emergency into law. Draconian counter-terrorism measures have been implemented throughout the EU. Not just the notorious American police but police throughout the West have been militarized. Every other day we learn of some new emergency security measuredesigned to keep us safe from “the terrorists,” the “lone wolf shooters,” and other “extremists.”
Conveniently, since the Brexit referendum and unexpected election of Trump (which is when the capitalist ruling classes first recognized that they had a widespread nationalist backlash on their hands), the definition of “terrorism” (or, more broadly, “extremism”) has been expanded to include not just Al Qaeda, or ISIS, or whoever we’re calling “the terrorists” these days, but anyone else the ruling classes decide they need to label “extremists.” The FBI has designated Black Lives Matter “Black Identity Extremists.” The FBI and the DHS have designated Antifa “domestic terrorists.” Hosting corporations have shut down several white supremacist and neo-Nazi websites, along with their access to online fundraising. Google is algorithmically burying leftist news and opinion sources such as Alternet, Counterpunch, Global Research, Consortium News, and Truthout, among others. Twitter, Facebook, and Google have teamed up to cleanse the Internet of “extremist content,” “hate speech,” and whatever else they arbitrarily decide is inappropriate. YouTube, with assistance from the ADL (which deems pro-Palestinian activists and other critics of Israel “extremists”) is censoring “extremist” and “controversial” videos, in an effort to “fight terrorist content online.” Facebook is also collaborating with Israel to thwart “extremism,” “incitement of violence,” and whatever else Israel decides is “inflammatory.” In the UK, simply reading “terrorist content” is punishable by fifteen years in prison. Over three thousand people were arrested last year for publishing “offensive” and “menacing” material.
Whatever your opinion of these organizations and “extremist” persons is beside the point. I’m not a big fan of neo-Nazis, personally, but neither am I a fan of Antifa. I don’t have much use for conspiracy theories, or a lot of the nonsense one finds on the Internet, but I consume a fair amount of alternative media, and I publish in CounterPunch, The Unz Review, ColdType, and other non-corporate journals. I consider myself a leftist, basically, but my political essays are often reposted by right-wing and, yes, even pro-Russia blogs. I get mail from former Sanders supporters, Trump supporters, anarchists, socialists, former 1960s radicals, anti-Semites, and other human beings, some of whom I passionately agree with, others of whom I passionately disagree with. As far as I can tell from the emails, none of these readers voted for Clinton, or Macron, or supported the TPP, or the debt-enslavement and looting of Greece, or the ongoing restructuring of the Greater Middle East (and all the lovely knock-on effects that has brought us), or believe that Trump is a Russian operative, or that Obama is Martin Luther Jesus-on-a-stick. What they share, despite their opposing views, is a general awareness that the locus of power in our post-Cold War age is primarily corporate, or global capitalist, and neoliberal in nature. They also recognize that they are being subjected to a massive propaganda campaign designed to lump them all together (again, despite their opposing views) into an intentionally vague and undefinable category comprising anyone and everyone, everywhere, opposing the hegemony of global capitalism, and its non-ideological ideology (the nature of which I’ll get into in a moment).
As I wrote in that essay a year ago, “a line is being drawn in the ideological sand.” This line cuts across both Left and Right, dividing what the capitalist ruling classes designate “normal” from what they label “extremist.” The traditional ideologicalparadigm, Left versus Right, is disappearing (except as a kind of minstrel show), and is being replaced, or overwritten, by a pathological paradigm based upon the concept of “extremism.”
* * *
Although the term has been around since the Fifth Century BC, the concept of “extremism” as we know it today developed in the late Twentieth Century and has come into vogue in the last three decades. During the Cold War, the preferred exonymics were “subversive,” “radical,” or just plain old “communist,” all of which terms referred to an actual ideological adversary. In the early 1990s, as the U.S.S.R. disintegrated, and globalized Western capitalism became the unrivaled global-hegemonic ideological system that it is today, a new concept was needed to represent the official enemy and its ideology. The concept of “extremism” does that perfectly, as it connotes, not an external enemy with a definable ideological goal, but rather, a deviation from the norm. The nature of the deviation (e.g., right-wing, left-wing, faith-based, and so on) is secondary, almost incidental. The deviation itself is the point. The “terrorist,” the “extremist,” the “white supremacist,” the “religious fanatic,” the “violent anarchist” … these figures are not rational actors whose ideas we need to intellectually engage with in order to debate or debunk. They are pathological deviations, mutant cells within the body of “normality,” which we need to identify and eliminate, not for ideological reasons, but purely in order to maintain “security.”
A truly global-hegemonic system like contemporary global capitalism (the first of this kind in human history), technically, has no ideology. “Normality” is its ideology … an ideology which erases itself and substitutes the concept of what’s “normal,” or, in other words, “just the way it is.” The specific characteristics of “normality,” although not quite arbitrary, are ever-changing. In the West, for example, thirty years ago, smoking was normal. Now, it’s abnormal. Being gay was abnormal. Now, it’s normal. Being transgender is becoming normal, although we’re still in the early stages of the process. Racism has become abnormal. Body hair is currently abnormal. Walking down the street in a semi-fugue state robotically thumbing the screen of a smartphone that you just finished thumbing a minute ago is “normal.” Capitalism has no qualms with these constant revisions to what is considered normal, because none of them are threats to capitalism. On the contrary, as far as values are concerned, the more flexible and commodifiable the better.
See, despite what intersectionalists will tell you, capitalism has no interest in racism, misogyny, homophobia, xenophobia, or any other despotic values (though it has no problem working with these values when they serve its broader strategic purposes). Capitalism is an economic system, which we have elevated to a social system. It only has one fundamental value, exchange value, which isn’t much of a value, at least not in terms of organizing society or maintaining any sort of human culture or reverence for the natural world it exists in. In capitalist society, everything, everyone, every object and sentient being, every concept and human emotion, is worth exactly what the market will bear … no more, no less, than its market price. There is no other measure of value.
Yes, we all want there to be other values, and we pretend there are, but there aren’t, not really. Although we’re free to enjoy parochial subcultures based on alternative values (i.e., religious bodies, the arts, and so on), these subcultures operate within capitalist society, and ultimately conform to its rules. In the arts, for example, works are either commercial products, like any other commodity, or they are subsidized by what could be called “the simulated aristocracy,” the ivy league-educated leisure classes (and lower class artists aspiring thereto) who need to pretend that they still have “culture” in order to feel superior to the masses. In the latter case, this feeling of superiority is the upscale product being sold. In the former, it is entertainment, distraction from the depressing realities of living, not in a society at all, but in a marketplace with no real human values. (In the absence of any real cultural values, there is no qualitative difference between Gerhard Richter and Adam Sandler, for example. They’re both successful capitalist artists. They’re just selling their products in different markets.)
The fact that it has no human values is the evil genius of global capitalist society. Unlike the despotic societies it replaced, it has no allegiance to any cultural identities, or traditions, or anything other than money. It can accommodate any form of government, as long as it plays ball with global capitalism. Thus, the window dressing of “normality” is markedly different from country to country, but the essence of “normality” remains the same. Even in countries with state religions (like Iran) or state ideologies (like China), the governments play by the rules of global capitalism like everyone else. If they don’t, they can expect to receive a visit from global capitalism’s Regime Change Department (i.e., the US military and its assorted partners).
Which is why, despite the “Russiagate” hysteria the media have been barraging us with, the West is not going to war with Russia. Nor are we going to war with China. Russia and China are developed countries, whose economies are entirely dependent on global capitalism, as are Western economies. The economies of every developed nation on the planet are inextricably linked. This is the nature of the global hegemony I’ve been referring to throughout this essay. Not American hegemony, but global capitalist hegemony. Systemic, supranational hegemony (which I like to prefer “the Corporatocracy,” as it sounds more poetic and less post-structural).
…
We haven’t really got our minds around it yet, because we’re still in the early stages of it, but we have entered an epoch in which historical events are primarily being driven, and societies reshaped, not by sovereign nation states acting in their national interests but by supranational corporations acting in their corporate interests. Paramount among these corporate interests is the maintenance and expansion of global capitalism, and the elimination of any impediments thereto. Forget about the United States (i.e., the actual nation state) for a moment, and look at what’s been happening since the early 1990s. The US military’s “disastrous misadventures” in Iraq, Libya, Afghanistan, Syria, and the former Yugoslavia, among other exotic places (which have obviously had nothing to do with the welfare or security of any actual Americans), begin to make a lot more sense. Global capitalism, since the end of the Cold War (i.e, immediately after the end of the Cold War), has been conducting a global clean-up operation, eliminating actual and potential insurgencies, mostly in the Middle East, but also in its Western markets. Having won the last ideological war, like any other victorious force, it has been “clear-and-holding” the conquered territory, which in this case happens to be the whole planet. Just for fun, get out a map, and look at the history of invasions, bombings, and other “interventions” conducted by the West and its assorted client states since 1990. Also, once you’re done with that, consider how, over the last fifteen years, most Western societies have been militarized, their citizens placed under constant surveillance, and an overall atmosphere of “emergency” fostered, and paranoia about “the threat of extremism” propagated by the corporate media.
I’m not suggesting there’s a bunch of capitalists sitting around in a room somewhere in their shiny black top hats planning all of this. I’m talking about systemic development, which is a little more complex than that, and much more difficult to intelligently discuss because we’re used to perceiving historico-political events in the context of competing nation states, rather than competing ideological systems … or non-competing ideological systems, for capitalism has no competition. What it has, instead, is a variety of insurgencies, the faith-based Islamic fundamentalist insurgency and the neo-nationalist insurgency chief among them. There will certainly be others throughout the near future as global capitalism consolidates control and restructures societies according to its values. None of these insurgencies will be successful.
Short some sort of cataclysm, like an asteroid strike or the zombie apocalypse, or, you know, violent revolution, global capitalism will continue to restructure the planet to conform to its ruthless interests. The world will become increasingly “normal.” The scourge of “extremism” and “terrorism” will persist, as will the general atmosphere of “emergency.” There will be no more Trumps, Brexit referendums, revolts against the banks, and so on. Identity politics will continue to flourish, providing a forum for leftist activist types (and others with an unhealthy interest in politics), who otherwise might become a nuisance, but any and all forms of actual dissent from global capitalist ideology will be systematically marginalized and pathologized.
This won’t happen right away, of course. Things are liable to get ugly first (as if they weren’t ugly enough already), but probably not in the way we’re expecting, or being trained to expect by the corporate media. Look, I’ll give you a dollar if it turns out I’m wrong, and the Russians, terrorists, white supremacists, and other “extremists” do bring down “democracy” and launch their Islamic, white supremacist, Russo-Nazi Reich, or whatever, but from where I sit it looks pretty clear … tomorrow belongs to the Corporatocracy.
Story artist for film and television, Lubomir Arsov, has just released his most recent creation titled In Shadow. It is a 13-minute animated short that is a powerful and sometimes grim look at the veil that modern society has placed upon nearly every epidemic that plagues the human condition. However, as the story progresses, the seeds are planted in the journey toward awakening and self-empowerment.
Written, Directed & Produced by Lubomir Arsov
Original Soundtrack “Age of Wake” by Starward Projections
Composited by Sheldon Lisoy
Additional Compositing by Hiram Gifford
Art Directed & Edited by Lubomir Arsov
As someone who grew up on the internet, I credit it as one of the most important influences on who I am today. I had a computer with internet access in my bedroom from the age of 13. It gave me access to a lot of things which were totally inappropriate for a young teenager, but it was OK. The culture, politics, and interpersonal relationships which I consider to be central to my identity were shaped by the internet, in ways that I have always considered to be beneficial to me personally. I have always been a critical proponent of the internet and everything it has brought, and broadly considered it to be emancipatory and beneficial. I state this at the outset because thinking through the implications of the problem I am going to describe troubles my own assumptions and prejudices in significant ways.
One of the thus-far hypothetical questions I ask myself frequently is how I would feel about my own children having the same kind of access to the internet today. And I find the question increasingly difficult to answer. I understand that this is a natural evolution of attitudes which happens with age, and at some point this question might be a lot less hypothetical. I don’t want to be a hypocrite about it. I would want my kids to have the same opportunities to explore and grow and express themselves as I did. I would like them to have that choice. And this belief broadens into attitudes about the role of the internet in public life as whole.
I’ve also been aware for some time of the increasingly symbiotic relationship between younger children and YouTube. I see kids engrossed in screens all the time, in pushchairs and in restaurants, and there’s always a bit of a Luddite twinge there, but I am not a parent, and I’m not making parental judgments for or on anyone else. I’ve seen family members and friend’s children plugged into Peppa Pig and nursery rhyme videos, and it makes them happy and gives everyone a break, so OK.
But I don’t even have kids and right now I just want to burn the whole thing down.
Someone or something or some combination of people and things is using YouTube to systematically frighten, traumatise, and abuse children, automatically and at scale, and it forces me to question my own beliefs about the internet, at every level. Much of what I am going to describe next has been covered elsewhere, although none of the mainstream coverage I’ve seen has really grasped the implications of what seems to be occurring.
To begin: Kid’s YouTube is definitely and markedly weird. I’ve been aware of its weirdness for some time. Last year, there were a number of articles posted about the Surprise Egg craze. Surprise Eggs videos depict, often at excruciating length, the process of unwrapping Kinder and other egg toys. That’s it, but kids are captivated by them. There are thousands and thousands of these videos and thousands and thousands, if not millions, of children watching them.
As I write this he has done a total of 4,426 videos and counting. With so many views — for comparison, Justin Bieber’s official channel has more than 10 billion views, while full-time YouTube celebrity PewDiePie has nearly 12 billion — it’s likely this man makes a living as a pair of gently murmuring hands that unwrap Kinder eggs. (Surprise-egg videos are all accompanied by pre-roll, and sometimes mid-video and ads.)
That should give you some idea of just how odd the world of kids online video is, and that list of video titles hints at the extraordinary range and complexity of this situation. We’ll get into the latter in a minute; for the moment know that it’s already very strange, if apparently pretty harmless, out there.
Another huge trope, especially the youngest children, is nursery rhyme videos.
Little Baby Bum, which made the above video, is the 7th most popular channel on YouTube. With just 515 videos, they have accrued 11.5 million subscribers and 13 billion views. Again, there are questions as to the accuracy of these numbers, which I’ll get into shortly, but the key point is that this is a huge, huge network and industry.
On-demand video is catnip to both parents and to children, and thus to content creators and advertisers. Small children are mesmerised by these videos, whether it’s familiar characters and songs, or simply bright colours and soothing sounds. The length of many of these videos — one common video tactic is to assemble many nursery rhyme or cartoon episodes into hour+ compilations —and the way that length is marketed as part of the video’s appeal, points to the amount of time some kids are spending with them.
YouTube broadcasters have thus developed a huge number of tactics to draw parents’ and childrens’ attention to their videos, and the advertising revenues that accompany them. The first of these tactics is simply to copy and pirate other content. A simple search for “Peppa Pig” on YouTube in my case yielded “About 10,400,000 results” and the front page is almost entirely from the verified “Peppa Pig Official Channel”, while one is from an unverified channel called Play Go Toys, which you really wouldn’t notice unless you were looking out for it:
Play Go Toys’ channel consists of (I guess?) pirated Peppa Pig and other cartoons, videos of toy unboxings (another kid magnet), and videos of, one supposes, the channel owner’s own children. I am not alleging anything bad about Play Go Toys; I am simply illustrating how the structure of YouTube facilitates the delamination of content and author, and how this impacts on our awareness and trust of its source.
As another blogger notes, one of the traditional roles of branded content is that it is a trusted source. Whether it’s Peppa Pig on children’s TV or a Disney movie, whatever one’s feelings about the industrial model of entertainment production, they are carefully produced and monitored so that kids are essentially safe watching them, and can be trusted as such. This no longer applies when brand and content are disassociated by the platform, and so known and trusted content provides a seamless gateway to unverified and potentially harmful content.
(Yes, this is the exact same process as the delamination of trusted news media on Facebook feeds and in Google results that is currently wreaking such havoc on our cognitive and political systems and I am not going to explicitly explore that relationship further here, but it is obviously deeply significant.)
A second way of increasing hits on videos is through keyword/hashtag association, which is a whole dark art unto itself. When some trend, such as Surprise Egg videos, reaches critical mass, content producers pile onto it, creating thousands and thousands more of these videos in every possible iteration. This is the origin of all the weird names in the list above: branded content and nursery rhyme titles and “surprise egg” all stuffed into the same word salad to capture search results, sidebar placement, and “up next” autoplay rankings.
Play Go Toys’ channel consists of (I guess?) pirated Peppa Pig and other cartoons, videos of toy unboxings (another kid magnet), and videos of, one supposes, the channel owner’s own children. I am not alleging anything bad about Play Go Toys; I am simply illustrating how the structure of YouTube facilitates the delamination of content and author, and how this impacts on our awareness and trust of its source.
As another blogger notes, one of the traditional roles of branded content is that it is a trusted source. Whether it’s Peppa Pig on children’s TV or a Disney movie, whatever one’s feelings about the industrial model of entertainment production, they are carefully produced and monitored so that kids are essentially safe watching them, and can be trusted as such. This no longer applies when brand and content are disassociated by the platform, and so known and trusted content provides a seamless gateway to unverified and potentially harmful content.
(Yes, this is the exact same process as the delamination of trusted news media on Facebook feeds and in Google results that is currently wreaking such havoc on our cognitive and political systems and I am not going to explicitly explore that relationship further here, but it is obviously deeply significant.)
A second way of increasing hits on videos is through keyword/hashtag association, which is a whole dark art unto itself. When some trend, such as Surprise Egg videos, reaches critical mass, content producers pile onto it, creating thousands and thousands more of these videos in every possible iteration. This is the origin of all the weird names in the list above: branded content and nursery rhyme titles and “surprise egg” all stuffed into the same word salad to capture search results, sidebar placement, and “up next” autoplay rankings.
A striking example of the weirdness is the Finger Family videos (harmless example embedded above). I have no idea where they came from or the origin of the children’s rhyme at the core of the trope, but there are at least 17 million versions of this currently on YouTube, and again they cover every possible genre, with billions and billions of aggregated views.
Once again, the view numbers of these videos must be taken under serious advisement. A huge number of these videos are essentially created by bots and viewed by bots, and even commented on by bots. That is a whole strange world in and of itself. But it shouldn’t obscure that there are also many actual children, plugged into iphones and tablets, watching these over and over again — in part accounting for the inflated view numbers — learning to type basic search terms into the browser, or simply mashing the sidebar to bring up another video.
What I find somewhat disturbing about the proliferation of even (relatively) normal kids videos is the impossibility of determining the degree of automation which is at work here; how to parse out the gap between human and machine. The example above, from a channel called Bounce Patrol Kids, with almost two million subscribers, show this effect in action. It posts professionally produced videos, with dedicated human actors, at the rate of about one per week. Once again, I am not alleging anything untoward about Bounce Patrol, which clearly follows in the footsteps of pre-digital kid sensations like their fellow Australians The Wiggles.
And yet, there is something weird about a group of people endlessly acting out the implications of a combination of algorithmically generated keywords: “Halloween Finger Family & more Halloween Songs for Children | Kids Halloween Songs Collection”, “Australian Animals Finger Family Song | Finger Family Nursery Rhymes”, “Farm Animals Finger Family and more Animals Songs | Finger Family Collection – Learn Animals Sounds”, “Safari Animals Finger Family Song | Elephant, Lion, Giraffe, Zebra & Hippo! Wild Animals for kids”, “Superheroes Finger Family and more Finger Family Songs! Superhero Finger Family Collection”, “Batman Finger Family Song — Superheroes and Villains! Batman, Joker, Riddler, Catwoman” and on and on and on. This is content production in the age of algorithmic discovery — even if you’re a human, you have to end up impersonating the machine.
Other channels do away with the human actors to create infinite reconfigurable versions of the same videos over and over again. What is occurring here is clearly automated. Stock animations, audio tracks, and lists of keywords being assembled in their thousands to produce an endless stream of videos. The above channel, Videogyan 3D Rhymes — Nursery Rhymes & Baby Songs, posts several videos a week, in increasingly byzantine combinations of keywords. They have almost five million subscribers — more than double Bounce Patrol — although once again it’s impossible to know who or what is actually racking up these millions and millions of views.
I’m trying not to turn this essay into an endless list of examples, but it’s important to grasp how vast this system is, and how indeterminate its actions, process, and audience. It’s also international: there are variations of Finger Family and Learn Colours videos for Tamil epics and Malaysian cartoons which are unlikely to pop up in any Anglophone search results. This very indeterminacy and reach is key to its existence, and its implications. Its dimensionality makes it difficult to grasp, or even to really think about.
We’ve encountered pretty clear examples of the disturbing outcomes of full automation before — some of which have been thankfully leavened with a dark kind of humour, others not so much. Much has been made of the algorithmic interbreeding of stock photo libraries and on-demand production of everything from tshirts to coffee mugs to infant onesies and cell phone covers. The above example, available until recently on Amazon, is one such case, and the story of how it came to occur is fascinating and weird but essentially comprehensible. Nobody set out to create phone cases with drugs and medical equipment on them, it was just a deeply weird mathematical/probabilistic outcome. The fact that it took a while to notice might ring some alarm bells however.
Likewise, the case of the “Keep Calm and Rape A Lot” tshirts (along with the “Keep Calm and Knife Her” and “Keep Calm and Hit Her” ones) is depressing and distressing but comprehensible. Nobody set out to create these shirts: they just paired an unchecked list of verbs and pronouns with an online image generator. It’s quite possible that none of these shirts ever physically existed, were ever purchased or worn, and thus that no harm was done. Once again though, the people creating this content failed to notice, and neither did the distributor. They literally had no idea what they were doing.
What I will argue, on the basis of these cases and of those I’m going to describe further, is that the scale and logic of the system is complicit in these outputs, and requires us to think through their implications.
(Also again: I’m not going to dig into the wider social implications of such processes outside the scope of what I am writing about here, but it’s clear that one can draw a clear line from examples such as these to pressing contemporary issues such as racial and gender bias in big data and machine intelligence-driven systems, which require urgent attention but in the same manner do not have anything resembling easy or even preferable solutions.)
Let’s look at just one video among the piles of kid videos, and try to parse out where it comes from. It’s important to stress that I didn’t set out to find this particular video: it appeared organically and highly ranked in a search for ‘finger family’ in an incognito browser window (i.e. it should not have been influenced by previous searches). This automation takes us to very, very strange places, and at this point the rabbithole is so deep that it’s impossible to know how such a thing came into being.
Once again, a content warning: this video is not inappropriate in any way, but it is decidedly off, and contains elements which might trouble anyone.It’s very mild on the scale of such things, but. I describe it below if you don’t want to watch it and head down that road. This warning will recur.
The above video is entitled Wrong Heads Disney Wrong Ears Wrong Legs Kids Learn Colors Finger Family 2017 Nursery Rhymes. The title alone confirms its automated provenance. I have no idea where the “Wrong Heads” trope originates, but I can imagine, as with the Finger Family Song, that somewhere there is a totally original and harmless version that made enough kids laugh that it started to climb the algorithmic rankings until it made it onto the word salad lists, combining with Learn Colors, Finger Family, and Nursery Rhymes, and all of these tropes — not merely as words but as images, processes, and actions — to be mixed into what we see here.
The video consists of a regular version of the Finger Family song played over an animation of character heads and bodies from Disney’s Aladdin swapping and intersecting. Again, this is weird but frankly no more than the Surprise Egg videos or anything else kids watch. I get how innocent it is. The offness creeps in with the appearance of a non-Aladdin character —Agnes, the little girl from Despicable Me. Agnes is the arbiter of the scene: when the heads don’t match up, she cries, when they do, she cheers.
The video’s creator, BABYFUN TV (screenshot above), has produced many similar videos. As many of the Wrong Heads videos as I could bear to watch all work in exactly the same way. The character Hope from Inside Out weeps through a Smurfs and Trolls head swap. It goes on and on. I get the game, but the constant overlaying and intermixing of different tropes starts to get inside you. BABYFUN TV only has 170 subscribers and very low view rates, but then there are thousands and thousands of channels like this. Numbers in the long tail aren’t significant in the abstract, but in their accumulation.
The question becomes: how did this come to be? The “Bad Baby” trope also present on BABYFUN TV features the same crying. While I find it disturbing, I can understand how it might provide some of the rhythm or cadence or relation to their own experience that actual babies are attracted to in this content, although it has been warped and stretched through algorithmic repetition and recombination in ways that I don’t think anyone actually wants to happen.
Toy Freaks is a hugely popular channel (68th on the platform) which features a father and his two daughters playing out — or in some cases perhaps originating — many of the tropes we’ve identified so far, including “Bad Baby”, above. As well as nursery rhymes and learning colours, Toy Freaks specialises in gross-out situations, as well as activities which many, many viewers feel border on abuse and exploitation, if not cross the line entirely, including videos of the children vomiting and in pain. Toy Freaks is a YouTube verified channel, whatever that means. (I think we know by now it means nothing useful.)
As with Bounce Patrol Kids, however you feel about the content of these videos, it feels impossible to know where the automation starts and ends, who is coming up with the ideas and who is roleplaying them. In turn, the amplification of tropes in popular, human-led channels such as Toy Freaks leads to them being endlessly repeated across the network in increasingly outlandish and distorted recombinations.
There’s a second level of what I’m characterising as human-led videos which are much more disturbing than the mostly distasteful activities of Toy Freaks and their kin. Here is a relatively mild, but still upsetting example:
A step beyond the simply pirated Peppa Pig videos mentioned previously are the knock-offs. These too seem to teem with violence. In the official Peppa Pig videos, Peppa does indeed go to the dentist, and the episode in which she does so seems to be popular — although, confusingly, what appears to be the real episode is only available on an unofficial channel. In the official timeline, Peppa is appropriately reassured by a kindly dentist. In the version above, she is basically tortured, before turning into a series of Iron Man robots and performing the Learn Colours dance. A search for “peppa pig dentist” returns the above video on the front page, and it only gets worse from here.
Disturbing Peppa Pig videos, which tend towards extreme violence and fear, with Peppa eating her father or drinking bleach, are, it turns out very widespread. They make up an entire YouTube subculture. Many are obviously parodies, or even satires of themselves, in the pretty common style of the internet’s outrageous, deliberately offensive kind. All the 4chan tropes are there, the trolls are out, we know this.
In the example above, the agency is less clear: the video starts with a trollish Peppa parody, but later syncs into the kind of automated repetition of tropes we’ve seen already. I don’t know which camp it belongs to. Maybe it’s just trolls. I kind of hope it is. But I don’t think so. Trolls don’t cover the intersection of human actors and more automated examples further down the line. They’re at play here, but they’re not the whole story.
I suppose it’s naive not to see the deliberate versions of this coming, but many are so close to the original, and so unsignposted — like the dentist example — that many, many kids are watching them. I understand that most of them are not trying to mess kids up, not really, even though they are.
I’m trying to understand why, as plainly and simply troubling as it is, this is not a simple matter of “won’t somebody think of the children” hand-wringing. Obviously this content is inappropriate, obviously there are bad actors out there, obviously some of these videos should be removed. Obviously too this raises questions of fair use, appropriation, free speech and so on. But reports which simply understand the problem through this lens fail to fully grasp the mechanisms being deployed, and thus are incapable of thinking its implications in totality, and responding accordingly.
The New York Times, headlining their article on a subset of this issue “On YouTube Kids, Startling Videos Slip Past Filters”, highlights the use of knock-off characters and nursery rhymes in disturbing content, and frames it as a problem of moderation and legislation. YouTube Kids, an official app which claims to be kid-safe but is quite obviously not, is the problem identified, because it wrongly engenders trust in users. An article in the British tabloid The Sun, “Kids left traumatised after sick YouTube clips showing Peppa Pig characters with knives and guns appear on app for children” takes the same line, with an added dose of right-wing technophobia and self-righteousness. But both stories take at face value YouTube’s assertions that these results are incredibly rare and quickly removed: assertions utterly refuted by the proliferation of the stories themselves, and the growing number of social media posts, largely by concerned parents, from which they arise.
But as with Toy Freaks, what is concerning to me about the Peppa videos is how the obvious parodies and even the shadier knock-offs interact with the legions of algorithmic content producers until it is completely impossible to know what is going on. (“The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.”)
Here’s what is basically a version of Toy Freaks produced in Asia (screenshot above). Here’s one from Russia. I don’t really want to use the term “human-led” any more about these videos, although they contain all the same tropes and actual people acting them out. I no longer have any idea what’s going on here and I really don’t want to and I’m starting to think that that is kind of the point. That’s part of why I’m starting to think about the deliberateness of this all. There is a lot of effort going into making these. More than spam revenue can generate — can it? Who’s writing these scripts, editing these videos? Once again, I want to stress: this is still really mild, even funny stuff compared to a lot of what is out there.
Here are a few things which are disturbing me:
The first is the level of horror and violence on display. Some of the times it’s troll-y gross-out stuff; most of the time it seems deeper, and more unconscious than that. The internet has a way of amplifying and enabling many of our latent desires; in fact, it’s what it seems to do best. I spend a lot of time arguing for this tendency, with regards to human sexual freedom, individual identity, and other issues. Here, and overwhelmingly it sometimes feels, that tendency is itself a violent and destructive one.
The second is the levels of exploitation, not of children because they are children but of children because they are powerless. Automated reward systems like YouTube algorithms necessitate exploitation in the same way that capitalism necessitates exploitation, and if you’re someone who bristles at the second half of that equation then maybe this should be what convinces you of its truth. Exploitation is encoded into the systems we are building, making it harder to see, harder to think and explain, harder to counter and defend against. Not in a future of AI overlords and robots in the factories, but right here, now, on your screen, in your living room and in your pocket.
Many of these latest examples confound any attempt to argue that nobody is actually watching these videos, that these are all bots. There are humans in the loop here, even if only on the production side, and I’m pretty worried about them too.
I’ve written enough, too much, but I feel like I actually need to justify all this raving about violence and abuse and automated systems with an example that sums it up. Maybe after everything I’ve said you won’t think it’s so bad. I don’t know what to think any more.
This video, BURIED ALIVE Outdoor Playground Finger Family Song Nursery Rhymes Animation Education Learning Video, contains all of the elements we’ve covered above, and takes them to another level. Familiar characters, nursery tropes, keyword salad, full automation, violence, and the very stuff of kids’ worst dreams. And of course there are vast, vast numbers of these videos. Channel after channel after channel of similar content, churned out at the rate of hundreds of new videos every week. Industrialised nightmare production.
For the final time: There is more violent and more sexual content like this available. I’m not going to link to it. I don’t believe in traumatising other people, but it’s necessary to keep stressing it, and not dismiss the psychological effect on children of things which aren’t overtly disturbing to adults, just incredibly dark and weird.
A friend who works in digital video described to me what it would take to make something like this: a small studio of people (half a dozen, maybe more) making high volumes of low quality content to reap ad revenue by tripping certain requirements of the system (length in particular seems to be a factor). According to my friend, online kids’ content is one of the few alternative ways of making money from 3D animation because the aesthetic standards are lower and independent production can profit through scale. It uses existing and easily available content (such as character models and motion-capture libraries) and it can be repeated and revised endlessly and mostly meaninglessly because the algorithms don’t discriminate — and neither do the kids.
These videos, wherever they are made, however they come to be made, and whatever their conscious intention (i.e. to accumulate ad revenue) are feeding upon a system which was consciously intended to show videos to children for profit. The unconsciously-generated, emergent outcomes of that are all over the place.
To expose children to this content is abuse. We’re not talking about the debatable but undoubtedly real effects of film or videogame violence on teenagers, or the effects of pornography or extreme images on young minds, which were alluded to in my opening description of my own teenage internet use. Those are important debates, but they’re not what is being discussed here. What we’re talking about is very young children, effectively from birth, being deliberately targeted with content which will traumatise and disturb them, via networks which are extremely vulnerable to exactly this form of abuse. It’s not about trolls, but about a kind of violence inherent in the combination of digital systems and capitalist incentives. It’s down to that level of the metal.
This, I think, is my point: The system is complicit in the abuse.
And right now, right here, YouTube and Google are complicit in that system. The architecture they have built to extract the maximum revenue from online video is being hacked by persons unknown to abuse children, perhaps not even deliberately, but at a massive scale. I believe they have an absolute responsibility to deal with this, just as they have a responsibility to deal with the radicalisation of (mostly) young (mostly) men via extremist videos — of any political persuasion. They have so far showed absolutely no inclination to do this, which is in itself despicable. However, a huge part of my troubled response to this issue is that I have no idea how they can respond without shutting down the service itself, and most systems which resemble it. We have built a world which operates at scale, where human oversight is simply impossible, and no manner of inhuman oversight will counter most of the examples I’ve used in this essay. The asides I’ve kept in parentheses throughout, if expanded upon, would allow one with minimal effort to rewrite everything I’ve said, with very little effort, to be not about child abuse, but about white nationalism, about violent religious ideologies, about fake news, about climate denialism, about 9/11 conspiracies.
This is a deeply dark time, in which the structures we have built to sustain ourselves are being used against us — all of us — in systematic and automated ways. It is hard to keep faith with the network when it produces horrors such as these. While it is tempting to dismiss the wilder examples as trolling, of which a significant number certainly are, that fails to account for the sheer volume of content weighted in a particularly grotesque direction. It presents many and complexly entangled dangers, including that, just as with the increasing focus on alleged Russian interference in social media, such events will be used as justification for increased control over the internet, increasing censorship, and so on. This is not what many of us want.
I’m going to stop here, saying only this:
What concerns me is not just the violence being done to children here, although that concerns me deeply. What concerns me is that this is just one aspect of a kind of infrastructural violence being done to all of us, all of the time, and we’re still struggling to find a way to even talk about it, to describe its mechanisms and its actions and its effects. As I said at the beginning of this essay: this is being done by people and by things and by a combination of things and people. Responsibility for its outcomes is impossible to assign but the damage is very, very real indeed.
My personal Facebook account, which has the maximum 5,000 friends and an additional 5,000+ followers, has been blocked from posting for three days. My page hasn’t been blocked yet, but we’ll see; I shared the article there, too.
The reason given for this ban by the little pop-up boxes when I logged on just now was that a couple months ago I had shared an article about admitted false flag operations perpetrated by governments around the world. I don’t know what happened that made Facebook’s system decide to crack down on me now all of a sudden, but I do know I’ve been a bit naughtier than usual in my last couple of articles.
The article I got the banhammer for sharing is titled For Those Who Don’t ‘Believe’ In ‘Conspiracies’ Here Are 58 Admitted False Flag Attacks. According to the site’s ticker it has 50,667 shares as of this writing. It’s laden with hyperlinks for further reading, and lists only instances of false flag operations that insiders are on the record as having admitted to themselves. It’s a good compilation of important information. People should be allowed to share it.
The notifications say I can be permanently banned if I continue posting that sort of material. I’ve had that account since 2007.
So. Who wants to see my Barbra Streisand impression?
(Image by Caitlin Johnstone)
(Image by Caitlin Johnstone)
In a corporatist system of government, corporate censorship is state censorship. When there’s no meaningful space between corporate power and government power, it doesn’t make much difference whether the guy silencing your dissent is Mark Zuckerberg or Jeff Sessions. America most definitely has such a system.
If they’re going to get us locked down and propagandized into their vapid brain boxes, this will be how they’ll do it. Not by government censorship, but by corporate censorship. Government can’t make an overt attempt to stop a dissenting voice from speaking, but the corporations who own the venue of their speech can.
In a recent Senate Judiciary Committee hearing, plutocrat-sponsored senators spoke with top legal and security officials for Facebook, Twitter and Google in a very disturbing way about the need to silence dissenting voices.
Democratic Senator Mazie Hirono of Hawaii demanded that the companies adopt a “mission statement” declaring their commitment “to prevent the fomenting of discord.”
A former FBI agent Clint Watts kicked it up even further, saying, “Civil wars don’t start with gunshots, they start with words. America’s war with itself has already begun. We all must act now on the social media battlefield to quell information rebellions that can quickly lead to violent confrontations and easily transform us into the Divided States of America.”
“Stopping the false information artillery barrage landing on social media users comes only when those outlets distributing bogus stories are silenced”—“-silence the guns and the barrage will end,” he added.
This was on the Senate floor. Officials were speaking about the need to censor social media to prevent people from sharing dissenting ideas on the Senate floor.
World Socialist Web Site said of the hearing,
That such a statement could be made in a congressional hearing, entirely without objection, is an expression of the terminal decay of American democracy. There is no faction of the ruling class that maintains any commitment to basic democratic rights.
None of the Democrats in the committee raised any of the constitutional issues involved in asking massive technology companies to censor political speech on the Internet. Only one Republican raised concerns over censorship, but only to allege that Google had a liberal bias.
I’ll admit right now that this really scares me. Ever the optimist, I’ve been reassuring my readers that the corporatocracy would never risk taking off the black hole sun mask of corporate cheerfulness and move into regular, overt totalitarianism. I’ve contended that they must remain covert in order to keep successfully manufacture consent.
But, here we are. Through a studious application of psy-ops they have their censorship and they have their consent. Remember, in the book “Fahrenheit 451” the public wasn’t unhappy about the book burnings. They cheered them on, and that’s what we have now. The herd is mindlessly clapping their approval at censorship and even volunteering to report naughty behavior like good little hall monitors for the oligarchy. I’m sure that even some of my close friends and family will silently approve of my banning and will meet my distress with the pursed lips of a church lady secretly pleased at my comeuppance.
I tried joining Gab when I saw this coming, but it’s really alt-righty there and the energy there is just gross. Finding a new social media outlet might not even matter anyway, since these creeps just target any place people gather in large numbers.
I don’t know. I always freak out a bit when the eye of corporate censorship focuses on me. I’ve recently been told by a number of people that they’ve been banned for sharing my articles, and now it’s hitting me.
I’m babbling. This is weird. I just really, really don’t want humanity to become what these people are trying to turn it into, you know? Help me make some noise about this stuff, please. Manipulators can’t do their job when there’s a big spotlight pointed at them.
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As it becomes increasingly clear that yesterday’s conspiracy theories are today’s real news, the call to kill the messengers just gets more shrill and hysterical.
The attacks on free speech with high-tech censorship campaigns and old-fashioned hit pieces in the “War on Fake News” are massive and concerted.
The book burners are starting so many fires it’s impossible to stamp them all out.
What are the horrible thought crimes committed by the alternative press?
The new media has consistently exposed the lies and crimes of our corrupt and broken institutions.
Pioneers of alt media have passionately and convincingly made the case that The Patriot Act literally reversed the gains to human liberty codified in The Bill of Rights.
Independent media dismantled the lies that were presented as the pretexts to the invasion of Iraq. The same lies aggressively promoted by Bush, Hillary Clinton, CNN and The New York Times and that resulted in the death of a million people and global chaos. By contrast, how many people have died as a result of alternative media reports? The answer iszero.
The independent press interviewed NSA whistleblowers who accurately described how the U.S. government was illegally spying on its citizens and retaining our data, and how these whistleblowers were being persecuted by their own government for coming forward and refusing to break the law.
This was years before anyone heard of Edward Snowden.
Amazingly, there was very little interest in these bombshell allegations in the mainstream press.
It’s hard to believe now, but in those days, people who claimed the government was surveilling innocent citizens were dismissed as paranoid by the self-proclaimed arbiters of truth at the NYT and CNN.
Grassroots media detailed a decade ago how police forces all over America were becoming militarized and predicted that this dangerous trend would lead to racially charged conflict on the streets of the nation. What kooks!
We have also railed against; torture, needless wars, police brutality, government corruption, the two-party duopoly, the criminality of the banksters and the end of privacy.
Now the very same mainstream media hacks who promoted the lies that lead to war in Iraq and Syria and mindlessly regurgitate whichever talking point is uploaded onto their teleprompter are gleefully assassinating what they call “fake news” using edited tape and misleading hit-pieces.
While these discredited war cheerleaders lie about why our sons and daughters are sent to die, we are bravely exposing the fraudulent casus belli they traitorously and disgracefully promote.
While these corporate spokespeople work for the interests of the oil and drug companies and political forces that pay their salaries, we risk everything to expose the crimes and scams of these same broken institutions.
We have done a great public service by exposing the deceptive, psychological methods used by the ruling elite to warp historical narratives, manipulate patriotism and manufacture consent.
By helping people to recognize and suspend their belief in propaganda and therefore their own complicity in it, the alternative media is helping to create a public awareness to the tactics our enemies use to keep us divided, steal our rights and slaughter countless innocents all over the world.
I know it’s fun and easy to call us tin-foil-hat wearers, or whatever pejorative has been chosen for you today, but let’s be clear about whose dirty work some are doing. Ironically, many are using talking-points written by deep-state operatives to ridicule the idea that the deep-state exists at all!!
Alternative media is in direct competition with the mainstream media for revenue and the MSM want to control the information we are exposed to.
The MSM are waging a concerted demonization campaign aimed at destroying some of the dominant platforms exposing the lies and crimes of their corporate and deep-state masters and many are helping them do it.
The MSM is an enemy of the truth and of the people. Friends of mine have been accused of being Russian agents in The NYT because they simply told the truth about Clinton during the campaign.
The corporate press has gone from lying to the American people to lyingabout the American people.
Do we have the will and power to destroy our common enemy?
These are tough days to be a serious journalist. Report a story now, with your facts all lined up nicely, and you’re still likely to have it labeled “fake news” by anyone whose ox you’ve gored — and even by friends who don’t share your political perspective. For good measure, they’ll say you’ve based it on “alternative facts.”
Historians say the term “fake news” dates from the late 19th-century era of “yellow journalism,” but the term really took off in 2016, a little over a year ago, during Donald Trump’s run for the presidency. It described several different things, from fact-free, pro-Trump online media to sensationalistic and largely untrue stories whose only goal was eyeballs and dollars. During the primary season, Trump himself began labeling all mainstream media stories about him as “fake news.” The idea that there could be different truths, while dating at least back to the administration of President George W. Bush, when his consigliere Karl Rove claimed that the administration “made its own” reality, gained currency when Trump adviser Kellyanne Conway, caught making stuff up in a TV interview, claimed that she was relying on “alternative facts.”
That dodge would be fine, on its own. Most people are primed to believe that politicians lie — whatever party or persuasion they represent — so their attempts to deny it when called a conjurer of falsehoods posing tend to be recognized as such.
The corporate media — The New York Times, The Washington Post, the network news programs and even National Public Radio — have all responded to being called liars and “fake news” fabricators of by promoting themselves as “the reality-based community” (NPR), or claiming they are fighting the good fight against ignorance, as demonstrated by the Post’s new masthead slogan “Democracy dies in darkness.” The Times has stuck with its hoary “All the news that’s fit to print”slogan, but has added a page-three daily feature listing “noteworthy facts from today’s paper” and has taken to calling out Trump administration whoppers as “lies.”
Last December Congress passed a new law, promptly signed by then-President Barack Obama, that enacted an Orwellian amendment to the Defense Authorization Act of 2017. Called the Countering Disinformation and Propaganda Act, this measure tasks the State Department, in consultation with the Department of Defense, the director of national intelligence and an obscure government propaganda organization called the Broadcasting Board of Governors, to establish a “Center for Information Analysis and Response.” The job of this new center, funded by a $160 million, two-year budget allocation, would be to collect information on “foreign propaganda and disinformation efforts” and “proactively advance fact-based narratives that support United States allies and interests.”
What is “fake news”? The target keeps moving
This might all seem laughable, but as a journalist who has worked in this field for 45 years, in both mainstream newspapers and television and in the alternative media, and as a long-time freelancer who has written for publications as widely varied as Business Week, the Nation, the Village Voice and a collectively run news site called ThisCantBeHappening.net, I have watched as this obsession with “fake news” has turned into an attack on alternative news and alternative news organizations.
Last Nov. 24, The Washington Post published a McCarthyite-style front-page article declaring that some 200 news sites on the web were actually witting or unwitting “purveyors of pro-Russian propaganda.” The article, by Post National Security Reporter Craig Timberg, was based on the work of a shady outfit called PropOrNot, whose owner-organizers were kept anonymous by Timberg and whose source of funding was left unexplained. PropOrNot, Timberg wrote, had developed a list of sites which it had determined to be peddling “pro-Russia propaganda.”
For one of the sites on the list, the prominent left-wing journal Counterpunch, founded decades ago by former Village Voice and Nation columnist Alexander Cockburn, PropOrNot offered up two articles as justification for its designation. One of those articles was by me. It was a piece I’d actually written for ThisCantBeHappening, which had been republished with credit by Counterpunch. The reviewer, a retired military intelligence officer named Joel Harding (who I discovered is linked to Fort Belvoir outside Washington, home to the U.S. Army’s Information Operations Command, or INSCOM), labeled my article “absurdly pro-Russian propaganda.”
In fact, the article was a pretty straightforward report on the Sept. 29, 2016 findings by the joint Dutch-Australian investigation into the July 2014 shoot-down of a Malaysian jumbo passenger jet over Ukraine, which concluded that Russia was the culprit. I noted in the article that this investigation was not legitimate, because two nations — Russia and Ukraine — were known to possess the Buk missiles and launchers that had brought down the plane, but only one of them, Ukraine, was permitted to offer evidence. Russian offers of evidence in the case were repeatedly rebuffed. The report also failed to mention that the Ukrainian government had received veto power over any conclusions reached by the investigators.
Was my report “fake news” or propaganda? Not at all.
The fake news in this case has been what has been written and aired by virtually all of the U.S. media, including the Times, the Post and all the major networks, about that horrific tragedy. They all continue to state as fact that a Russian Buk missile downed that plane, though no honest investigation has been conducted. (Technically it is true that the Buk missiles are all “Russian,” in that they were all manufactured in Russia. Left unsaid is that Ukraine’s military had Buk launchers since their nation was part of the Soviet Union and continued to purchase them after independence.)
Laziest form of media criticism
“Labeling news reports that you don’t like as ’fake news’ is the laziest form of media criticism,” says Jim Naureckas, editor of Fairness and Accuracy In Reporting, a New York-based journalism review. “It’s like putting your fingers in your ears and going ‘la la la’ really loudly. Both the government and the corporate media have reasons for not wanting the public to hear points of view that are threats to their power.”
While Kellyanne Conway claimed her right to offer “alternative facts” as a way to justify getting caught in a lie, there are also alternative facts which are real but don’t get reported in the corporate media. A classic example was in the run-up to the U.S. invasion of Iraq, when the entire corporate media reported as fact that Saddam Hussein had weapons of mass destruction and was attempting to develop a nuclear bomb.
There were plenty of alternative news organizations who quoted UN inspectors saying that none of that was true and there were no WMDs or WMD programs in Iraq, but they were simply blacked out by the corporate media like the Times, the Post and the major news networks.
These days another dubious story is that the Russians “hacked” the server of the Democratic National Committee. It may have happened that way, but in fact, the vast intelligence system the U.S. has constructed to monitor all domestic and foreign telecommunications has offered up no hard evidence of such a hack. National Security Agency whistleblower William Binney and retired CIA analyst Ray McGovern have suggested that some evidence indicates a DNC insider must have been involved.
There iscertainly fake news all over the internet, and baseless conspiracies run rampant on both the left and the right. But all too often, articles like mine cited by PropOrNot (a genuine purveyor of fake news!) are being labeled as propaganda in what Naureckas says is simply “the use of irony as a defense mechanism” by news organizations that themselves are actually guilty of publishing really fake news, as the Post did with its PropOrNot blacklist “scoop.”
“What the government and the corporate media are trying to do, with the help of the big internet corporations,” argues Mickey Huff, director of the Project Censored organization in California, “is basically to shut down alternative news sites that question the media consensus position on issues.”
A wide threat to online media
That’s a threat to any online news organization, including this one, that depend upon equal access to the internet and to fast download speeds. Already, Huff charges, there are reports that Facebook is slowing down certain sites that have links on its platform, in a misguided response to charges that it sold ad space to Russian government-linked organizations accused of trying to influence last November’s presidential election.
An end to internet neutrality, the equal access to high-speed internet for surfing and downloading that has been guaranteed to all users — but that is now under attack by the Trump administration, its Federal Communications Commission and a Republican-led Congress — would make it that much easier for such a shutdown of alternative media to happen.
The real answer, of course, is for readers and viewers of all media, mainstream or alternative, to become critical consumers of news. This means not just looking at articles critically, including this one, but going to multiple sources for information on important issues. Relying on just the Times or the Post, or on Fox News or NPR, will leave you informationally malnourished — not just uninformed but misinformed. Even if you were to read both those papers and watch both those networks, you’d often be left with an incomplete version of the truth.
To get to the truth, we need to also check out alternative news sources, whether of the left, right or center — and we need to maintain the critical distinction between unpopular or unorthodox points of view and blatant lies or propaganda. Without such a distinction, and the freedom to make such decisions for ourselves, maintaining democracy will be impossible.
In one of the most horrendous blows to press freedom since the anti-communist witch hunts of the 1950s, the U.S. Department of Justice has forced the news broadcaster RT America to file under the Foreign Agents Registration Act (FARA).
The assault on RT America, on which I host the show “On Contact,” has nothing to do with the dissemination of Russian propaganda. It is driven by RT America’s decision to provide a platform to critics of American capitalism and imperialism, critics who lambast a system of government that can no longer be called democratic. And it is accompanied by the installation of algorithms by Google, Facebook and Twitter that divert readers away from left-wing, progressive and anti-war websites, including Truthdig. The World Socialist Web Site has seen its search traffic from Google fall by 74 percent since April. Google, in a further blow, this month removed RT from its list of “preferred” channels on YouTube. Twitter has blocked all advertising by the channel.
Put the censorship campaigns together and the message is clear: Left-wing critics, already marginalized by the state, must be silenced.
It would seem, given how we are locked out of the corporate media and public broadcasting, that the assault is overkill. But the ideology that sustains the corporate state, the “free market” and neoliberalism has lost all credibility. The corporate state has no counterargument to its critics. The nakedness of corporate greed, exploitation and repression is transparent across the political spectrum. The ideological fortress erected by corporate power and sustained by its courtiers in the press and academia has collapsed. All it has left is a crude censorship.
Complicit in this censorship is a bankrupt liberal class. The institutions tasked with defending press freedom—including the ACLU, Human Rights Watch, the Committee to Protect Journalists and PEN—along with major news outlets such as The New York Times, have served as the corporate state’s useful idiots. Only a handful of journalists, including Truthdig Editor in Chief Robert Scheer, grasp and decry the very real danger before us.
The charge that RT and these left-wing sites disseminate “foreign propaganda” is the beginning, not the end, of a broad campaign against press freedom. Once this precedent of state censorship is normalized, far more tepid and compliant media outlets will be targeted. Max Blumenthal wrote two good pieces on AlterNet about the puppet masters behind the censorship campaign. [Click here and here.]
The venom of the state toward its critics was displayed in a report by the Director of National Intelligence (DNI), “Assessing Russian Activities and Intentions in Recent U.S. Elections,” issued Jan. 6. In the report, seven pages were specifically directed at RT America, much of the language focused on the journalist Abby Martin. Martin became one of the best-known critics of the corporate state during the Occupy movement. Her show on RT, “Breaking the Set,” which had been off the air for nearly two years when the report was published—a glaring error for an intelligence community awash in budgets of tens of billions of dollars—was denounced as a disseminator of “radical discontent.” The report complained that RT gave airtime to third-party candidate debates. The document attacked RT hosts for asserting that the two-party system does not represent the views of at least one-third of the population and is a sham. It excoriated the network for covering Black Lives Matter, Occupy Wall Street and fracking.
The report charged:
RT’s reports often characterize the United States as a “surveillance state” and allege widespread infringements of civil liberties, police brutality, and drone use.
RT has also focused on criticism of the US economic system, US currency policy, alleged Wall Street greed, and the US national debt. Some of RT’s hosts have compared the United States to Imperial Rome and have predicted that government corruption and “corporate greed” will lead to US financial collapse.
The “Alice in Wonderland” quality of the report would be laughable if it was not so ominous. The United States, in fact, is a surveillance state. Civil liberties have been eviscerated. Police brutality is endemic. Our drone wars have made us state terrorists. The economic structure serves the wealthiest corporations and oligarchs. Wall Street is run by a criminal class. Our debt is unsustainable, especially once the dollar is no longer the world’s reserve currency, and like all decaying empires we are headed for collapse. The DNI report clarifies what the ruling elites fear—not fake news but the truth. And the truth is that the elites have destroyed the country and are traitors to democracy.
The DNI report was followed by a congressional hearing on “Extremist Content and Russian Disinformation Online,” held Oct. 31. Executives of Facebook, Twitter and Google were grilled about their roles in distributing fake news and extremist content that in the words of Republican Sen. Chuck Grassley included “spread[ing] stories about abuse of black Americans by law enforcement.” The executives promised to double down on their censorship, and they did so.
The ruling elites are desperately trying to shift the focus away from the cause of the political insurgencies on the left and the right: extreme social inequality. It is for this reason that critics who highlight and explore the roots and causes of social inequality must be discredited or silenced. If social inequality is accepted as the driving force behind the decay of the American state and the mounting rage of much of the population, then the structures that profit from this inequality will come under assault. All the elites have left is to paint their critics as “agents of a foreign power.”
The United States increasingly resembles a totalitarian state. Our anemic democracy is on life support. A reasoned debate about social inequality or the crimes and misjudgments of empire is becoming impossible. This presages a frightening future. There will be many “good” Americans who, when the history of this moment is recorded, will be responsible. And one day, to their surprise, they too will be victims.
After the Crash 