Saturday Matinee: The Hidden

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In the fine tradition of Robocop and They Live, “The Hidden” (1987) is a sci-fi thriller with a layer of social commentary skewering excesses of late 80s American culture. The plot revolves around the pursuit of a psychopathic body-snatching alien with a predilection for things that happen to be Hollywood action movie tropes (ie. sex, drugs, rock and roll, fast cars, guns, money, etc). Whether intended by the filmmakers or not, the shapeshifting alien is a perfect metaphor for the corporate Id free from the moral and ethical constraints of the Superego; an embodiment of pure unbridled greed. Whatever it wants it takes through brute force with no regard for the interests of others or even the bodies it inhabits, a strategy which gets it dangerously close to the highest levels of political power. Various actors depicting hosts for the villain effectively convey their possession by the same entity while Kyle MacLachlan stars as a more benevolent alien posing as a detective with a performance reminiscent of his role as Dale Cooper in Twin Peaks. Michael Nouri plays a skeptical cop who goes through the traditional buddy cop story story arc (though it’s made more intriguing by the fact that he’s partnered with an alien).

“Radio Free Albemuth” Gets June 27 Theatrical Release

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“Radio Free Albemuth” happens to be my favorite Philip K. Dick novel, so I’ve followed the development of its cinematic incarnation since hearing a production company bought the movie rights nearly a decade ago. As one of the lucky few who has seen an early rough-cut (and has seen nearly every other feature length film based on a PKD novel) I can say with authority that it’s one of the most faithful PKD film adaptations yet. For fans of the novelist, it will probably stand among the ranks of “A Scanner Darkly” and “Blade Runner” but the film should appeal to many non-fans as well because:

  • Stories set in dystopias are all the rage. The alternate reality America depicted in Radio Free Albemuth is particularly compelling because of its similarity to our own.
  • For those not into sci-fi, it’s also a political/psychological thriller with themes of friendship, sacrifice and spiritual awakening.
  • Though not as polished as Hollywood productions with higher budgets, the indie film aesthetic meshes well to the story’s setting (and author’s sensibility) adding to its sense of authenticity.

From the official Radio Free Albemuth website:

Radio Free Albemuth has been in ‘radio silence’ mode while we were in the midst of negotiating relatively complex distribution strategies for the film – and completing the unexpectedly difficult and technically complex “delivery” of the film.

But “delivery” is complete – And we finally have definitive news to announce…

JUNE 27th –

In 1905 – Russian sailors mutinied onboard the Battleship Potemkin (the basis for Sergei Eisenstein’s landmark film
in 1929 – the first color television was demonstrated
in 1942 – FBI captured 8 Nazi saboteurs from a sub off Long Island, New York.
1967 – The world’s first ATM is installed in London.
1969 – Police raid Stonewall Bar in Greenwich Village, NY, hundreds of gay patrons protest against police for 3 days
1990 – Salman Rushdie, condemned to death by Iran for his novel The Satanic Verses.
Birthday of anarchist Emma Goldman, blind-deaf author Helen Keller, and the great Polish director Krzysztof Kieslowski, and…
In 2014 – the day that Radio Free Albemuth will open in theaters in at least ten cities across the United States. Also the same day that Radio Free Albemuth will be available across a wide array of Video on Demand Platforms in the U.S. To be followed by the DVD release and an exclusive subscription streaming window to be announced shortly.

This is a day that both RFA filmmakers and Philip K. Dick fans have been waiting for patiently – (and sometimes not so patiently!)

The first and most important of several deals with partner companies has been signed – and the ink is not even yet dry on the page. Our theatrical booking for the initial ten city release and digital sales partner will be a Los Angeles based company called Freestyle which has overseen the release and digital sales of other indie films such as Bottle Shock, Me & Orson Welles and The Illusionist.

More details will follow shortly about other distribution partners – and hopefully news on the international front.

Many thanks to all our Distribution Kickstarter Backers, Slacker Backers and Philip K. Dick fans and people who saw Radio Free Albemuth at film festivals for your support, sharing and enthusiasm. We can’t do this without you!

We’ll be asking for your help in the weeks that follow to make this an unprecedented grass-roots success in bringing the vision of Philip K. Dick to the widest audience possible. You can start now by sharing this announcement on social media, signing up on our mailing list and liking Radio Free Albemuth Facebook page.

You can also support the filmmakers through the purchase of items related to the film (available after the theatrical release) on this site: http://www.radiofreealbemuth.com/

Saturday Matinee: The Fourth World War

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From Big Noise Films:

From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, and the North; from Seattle to Genova, and the War on Terror in New York, Afghanistan, and Iraq, The Fourth World War is the story of men and women around the world who resist being annihilated in this war.While our airwaves are crowded with talk of a new world war, narrated by generals and filmed from the noses of bombs, the human story of this global conflict remains untold. The Fourth World War brings together the images and voices of the war on the ground. It is a story of a war without end and of those who resist.The product of over two years of filming on the inside of movements on five continents, The Fourth World War is a film that would have been unimaginable at any other moment in history. Directed by the makers of This Is What Democracy Looks Like and Zapatista, produced through a global network of independent media and activist groups, it is a truly global film from our global movement.

For English speakers, portions of the film may need translation, activated by clicking on the “CC” button on bottom right corner of the video (on some mobile device browsers the function can be found on the upper right corner).

Saturday Matinee: Meet the Feebles

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Long before director Peter Jackson’s Lord of the Rings blockbusters and even before the moderate success of his cult horror film “Dead Alive”, he created a gleefully twisted take on the Muppets, “Meet the Feebles” (1989). A brief synopsis from IMDB:

Heidi, the star of the “Meet The Feebles Variety Hour” discovers her lover Bletch, The Walrus, is cheating on her, and with all the world waiting for the show the assorted co-stars must contend with their own problems. These include drug addiction, extortion, robbery, disease, Drug dealing, and even murder. While this is happening the love between two of the stars is threatened by the devious Trevor the Rat, who wishes to exploit the young starlet for use in his porno movie business.

Obama to Putin: Do as I Say Not as I Do

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By Ralph Nader

Originally posted at Counterpunch.org

Dear President Obama:

As you ponder your potential moves regarding President Vladimir V. Putin’s annexation of Crimea (a large majority of its 2 million people are ethnic Russians), it is important to remember that whatever moral leverage you may have had in the court of world opinion has been sacrificed by the precedents set by previous American presidents who did not do what you say Mr. Putin should do – obey international law.

The need to abide by international law is your recent recurring refrain, often used in an accusatory context toward Mr. Putin’s military entry in Crimea and its subsequent annexation, following a referendum in which Crimean voters overwhelmingly endorsed rejoining Russia. True, most Ukrainians and ethnic Tatars boycotted the referendum and there were obstacles to free speech. But even the fairest of referendums, under UN auspices, would have produced majority support for Russia’s annexation.

Every day, presidential actions by you violate international law because they infringe upon national sovereignties with deadly drones, flyovers and secret forays by soldiers – to name the most obvious.

President Bush’s criminal invasion and devastation of Iraq in 2003 violated international law and treaties initiated and signed by the United States (such as the Geneva Conventions and the UN Charter). What about your executive branch’s war on Libya, now still in chaos, which was neither constitutionally declared, nor authorized by Congressional appropriations?

“Do as I say, not as I do,” is hard to sell to Russians who are interpreting your words of protest as disingenuous. This is especially the case because Crimea, long under the rule of the Ottoman Empire, became part of Russia over 200 years ago. In 1954, Soviet leader, Nikita Khrushchev gave Crimea to Ukraine, which was then part of the Soviet Union, out of sympathy for what Ukraine endured under the Nazi invasion and its atrocities. It mattered little then because both “socialist republics,” Ukraine and Crimea, were part of the Soviet Union. However, it is not entirely clear whether Khrushchev fully complied with the Soviet constitution when he transferred Crimea to Ukraine.

Compare, by the way, the United States’ seizure of Guantanamo from Cuba initially after the Spanish-American War, which was then retained after Cuba became independent over a century ago.

The Russians have their own troubles, of course, but they do have a legitimate complaint and fear about the United States’ actions following the collapse of the Soviet Union. Led by President William Jefferson Clinton, the United States pushed for the expansion of the military alliance NATO to include the newly independent Eastern European countries. This was partly a business deal to get these countries to buy United States fighter aircrafts from Lockheed Martin and partly a needless provocation of a transformed adversary trying to get back on its feet.

As a student of Russian history and language at Princeton, I learned about the deep sensitivity of the Russian people regarding the insecurity of their Western Front. Hitler’s attack on the Soviet Union took many millions of Russian lives. The prolonged Nazi siege of the city of Leningrad alone is estimated to have cost over 700,000 civilian lives, which is about twice the total number of United States soldiers killed in World War II.

The memories of that mass slaughter and destruction, and of other massacres and valiant resistance are etched deeply in Russian minds. The NATO provocation was only one of the West’s arrogant treatments of post-Soviet Russia, pointed out in the writings of Russian specialist, NYU professor Stephen Cohen (see his pieces in The Nation here:http://www.thenation.com/authors/stephen-f-cohen). That sense of disrespect, coupled with the toppling of the elected pro-Russian President of Ukraine in February, 2014 (which was not lawful despite his poor record) is why Mr. Putin’s absorption of Crimea and his history-evoking speech before the Parliament, was met with massive support in Russia even by many of those who have good reasons to not like his authoritarian government.

Now, you are facing the question of how far to go with sanctions against the Russian government, its economy and its ruling class. Welcome to globalization.

Russia is tightly intertwined with the European Union, as a seller and buyer of goods, services and assets, and to a lesser but significant degree with the United States government and its giant corporations such as oil and technology companies. Sanctions can boomerang, which would be far worse than just being completely ineffective in reversing the Russian annexation of Crimea.

As for sanctions deterring any unlikely future Russian moves westward into Ukraine, consider the following role reversal. If Russia moved for sanctions against the United States before Afghanistan, Iraq, Libya, Yemen and other attacks, would that have deterred either you or George W. Bush from taking such actions? Of course not. Such an outcome, politically and domestically, would not be possible.

If you want continued Russian cooperation, as you do, on the critical Iranian and Syrian negotiations, ignore the belligerent baying pack of neocons who always want more United States wars, which they and their adult children avoid fighting themselves. Develop a coalition of economic support for Ukraine, with European nations, based on observable reforms of that troubled government. Sponsor a global conference on how to enforce international law as early as possible.

Drop the nonsense of evicting Russia from the G8 – a get-together forum of leaders. Get on with having the United States comply with international law, and our constitution on the way to ending the American Empire’s interventions worldwide, as has been recommended by both liberal and conservative/libertarian lawmakers, along with much public opinion.

Concentrate on America, President Obama, whose long unmet necessities cry out from “sea to shining sea.”

Ralph Nader is a consumer advocate, lawyer and author of Only the Super-Rich Can Save Us! He is a contributor to Hopeless: Barack Obama and the Politics of Illusion, published by AK Press. Hopeless is also available in a Kindle edition.

Editor’s note: Those unfamiliar with the life and career of Ralph Nader should check out the excellent documentary “An Unreasonable Man” (2006), which happens to be available on YouTube:

Saturday Matinee: Nothing Lasts Forever

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“Nothing Lasts Forever” (1984) is the only feature length film directed by Tom Schiller (who was an early writer and director for Saturday Night Live), but it’s a remarkable one. The film takes place in a dystopian world in which the Port Authority controls New York and determines the career paths of citizens based on mandatory tests. After failing an art test, aspiring artist Adam (Zach Galligan) is forced to work as a Holland Tunnel inspector under authoritarian boss Buck (Dan Aykroyd). After getting a brief taste of the art world through an artist he has an affair with, he befriends a homeless man who gives him an opportunity to fulfill his destiny on the moon.

Nothing Lasts Forever could be characterized as a lower budget and more hopeful precursor to “Brazil”. Besides Aykroyd, the film features appearances by comedians such as Bill Murray, Imogene Coca, and legendary stand-up comic (and mentor of Lenny Bruce) Mort Sahl. Due to copyright clearance problems with a number of archive clips used in the film, it has never had an official DVD release.

Saturday Matinee: Grant Morrison: Talking with Gods

Notes from GrantMorrisonMovie.com:

Grant Morrison is one of the most popular writers in comics, and one of the most controversial. He is the Rock Star of Comics, a philosopher and chaos magician, who has used his comics to change both himself and his audience. He is a man living on the border between FICTION and REALITY, and this is his STORY.

The film was produced in close collaboration with Morrison and features extensive interviews with him, as well as never before seen photos and documents spanning his childhood to the present day.

Complimenting Morrison’s own words are interviews with his closest collaborators and friends, including Frank Quitely, Douglas Rushkoff, Cameron Stewart, Phil Jimenez, Mark Waid, Geoff Johns, Jill Thompson and many more. The film makes extensive use of found and abstract footage to make the documentary feel like a Morrison comic.

Saturday Matinee: Mind Game

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“Mind Game” (2004) is possibly the strangest anime feature film ever made. It was produced by the groundbreaking Studio 4C animation studio and directed by Masaaki Yuasa, previously most famously known for his involvement in the “Crayon Shin-chan” series (sort of a Japanese take on “The Simpsons”). The film’s plot is deceptively simple, centering on a young man named Nishi who is killed while trying to defend his childhood crush Myon. After a short visit to the afterlife he has a chance to change his fate, transforming his previously dull life into a psychedelic, mythopoetic adventure. At times the film overwhelms the senses with its wild mix of animation styles, exaggerated colors and perspectives, absurd situations and wild soundscape by Seiichi Yamamoto of noise rock band The Boredoms. Mind Game has never had an official DVD release in the U.S. but last June a kind soul put it on YouTube for the world to enjoy.