“I rebel—therefore we exist.” ~Albert Camus, The Rebel
Dissent is a tricky subject. The need to rebel against atrocity is deeply ingrained in the human condition. Even if most of us don’t act on it, the impulse is still there, churning our guts with disgust, getting our hearts pumping, moving us to spit curse words in lathered fury and shout in angry defiance. The problem is that most of us don’t know what to do with this powerful and sometimes overwhelming energy.
Most of us were raised in violent societies that use violence to keep the culture churning in a diabolical conquer-control-consume-repeat cycle. So, most of us tend to use violence to channel our deep and powerful need for dissent, thus perpetuating more violence. When the culture is jamming violence down our throat as a solution to its problems, are we really that surprised when our acts of rebellion turn out to be violent? Something’s got to give if we want to break this cycle of violence deeply imbedded in our culture.
In his book, The Rebel: An Essay on Man in Revolt, Albert Camus wrote about the “true rebel.”The true rebel is in revolt against oppression, violence, slavery and tyranny for the sake of others through constructive and life-affirming action. The true rebel protests out of love, so that others may be free. Intent is everything. True rebellion, Camus argues, is an act motivated but concerned with the common good rather than by self-interest. The rebel in revolt out of selfishness, greed, or need for power, eventually becomes a tyrant. The rebel in revolt for the sake of others, becomes a hero.
Whether you are alt-right or alt-left, republican’t or democan’t, voluntarist or anarchist, if you are seeking power over others for your own selfish and greedy ends, your revolution means fuck-all. You’re just another would-be-tyrant getting churned out of the meat-mill of violence begetting violence. It doesn’t matter how noble or important you think your cause is; if you need to use violence to persuade others to follow it, your cause is fundamentally flawed and immoral. Acting violently in a violent culture only perpetuates violence. Similarly, acting immorally in an immoral society just perpetuates immorality. Unhealthy acts beget unhealthy acts. Like Gandhi said, “An eye for an eye makes the whole world blind.”
Lest we all go blind, we must rebel so that others may freely exist. This requires our dissent to be based in freedom for everyone, even those we don’t agree with. A kind of metamorality arises from this kind of thinking, like Joshua Greene writes about in his book, Moral Tribes. But, and here’s the rub, any freedom which seeks to violate the nonaggression principle must not be tolerated. Violence is where the line must be drawn. As someone once said, “Your freedom to swing your fist ends an inch from my nose” (unknown). In such cases, self-defense is paramount. As Gandhi also advised, “When there is only a choice between cowardice and violence, I would advise violence.”
A true rebel doesn’t seek out rebellion for the sake of rebellion, or just as an excuse to act out violently. No. A true rebel passionately seeks a healthy environment (physically, culturally, and psychologically) and they rebel against anything that stands in the way of that healthy environment. As Camus said, “Rebellion, though apparently negative, since it creates nothing, is profoundly positive in that it reveals the part of man which must always be defended.” And that’s what it comes down to: self-defense, self-preservation, and survival. Not just personal survival, but the survival of the species.
That’s where life-affirming action comes in. When our rebellion is life-affirming, freedom-affirming, and based on nonviolence, it is healthy (heroic). When our rebellion is life-denying, freedom-denying, and based on violence, it is unhealthy (tyrannical). The hero is free, and uses that freedom with the soul intent to free others. The tyrant (or would be tyrant) is also free, but uses that freedom with the soul intent to rule others. We escape tyranny when we seek to free others through our own freedom. Liberty coincides with heroism when we’re able to go from asking, ‘free from what?’ to asking, ‘free for what?’
At the end of the day, the history of our culture of violence is only fruitful through a vigilant rebellion against it. This means a vigilant rebellion against oppression, hate, violence, and slavery of all kinds. Those who dedicate themselves to this culture of violence dedicate themselves to nothing and, in turn, are nothing. But those who dedicate themselves to life, freedom, and health, despite the culture of violence, dedicate themselves to survival and reap from it the harvest that sows its seed in the progressive evolution of our species.
A species hellbent on violence against itself is unhealthy and eventually destroys itself. A species determined to be healthy only ever uses violence as a last resort in self-defense and for the preservation of the species itself. From the former, the defiant tyrant juts his ugly head, declaring himself free at the expense of the freedom of others. From the latter, the defiant hero rises up, denying the tyrant’s violent oppression, and affirming freedom through the freedom of us all. That’s what Camus meant when he wrote: “I rebel –therefore we exist.”
As someone who grew up on the internet, I credit it as one of the most important influences on who I am today. I had a computer with internet access in my bedroom from the age of 13. It gave me access to a lot of things which were totally inappropriate for a young teenager, but it was OK. The culture, politics, and interpersonal relationships which I consider to be central to my identity were shaped by the internet, in ways that I have always considered to be beneficial to me personally. I have always been a critical proponent of the internet and everything it has brought, and broadly considered it to be emancipatory and beneficial. I state this at the outset because thinking through the implications of the problem I am going to describe troubles my own assumptions and prejudices in significant ways.
One of the thus-far hypothetical questions I ask myself frequently is how I would feel about my own children having the same kind of access to the internet today. And I find the question increasingly difficult to answer. I understand that this is a natural evolution of attitudes which happens with age, and at some point this question might be a lot less hypothetical. I don’t want to be a hypocrite about it. I would want my kids to have the same opportunities to explore and grow and express themselves as I did. I would like them to have that choice. And this belief broadens into attitudes about the role of the internet in public life as whole.
I’ve also been aware for some time of the increasingly symbiotic relationship between younger children and YouTube. I see kids engrossed in screens all the time, in pushchairs and in restaurants, and there’s always a bit of a Luddite twinge there, but I am not a parent, and I’m not making parental judgments for or on anyone else. I’ve seen family members and friend’s children plugged into Peppa Pig and nursery rhyme videos, and it makes them happy and gives everyone a break, so OK.
But I don’t even have kids and right now I just want to burn the whole thing down.
Someone or something or some combination of people and things is using YouTube to systematically frighten, traumatise, and abuse children, automatically and at scale, and it forces me to question my own beliefs about the internet, at every level. Much of what I am going to describe next has been covered elsewhere, although none of the mainstream coverage I’ve seen has really grasped the implications of what seems to be occurring.
To begin: Kid’s YouTube is definitely and markedly weird. I’ve been aware of its weirdness for some time. Last year, there were a number of articles posted about the Surprise Egg craze. Surprise Eggs videos depict, often at excruciating length, the process of unwrapping Kinder and other egg toys. That’s it, but kids are captivated by them. There are thousands and thousands of these videos and thousands and thousands, if not millions, of children watching them.
As I write this he has done a total of 4,426 videos and counting. With so many views — for comparison, Justin Bieber’s official channel has more than 10 billion views, while full-time YouTube celebrity PewDiePie has nearly 12 billion — it’s likely this man makes a living as a pair of gently murmuring hands that unwrap Kinder eggs. (Surprise-egg videos are all accompanied by pre-roll, and sometimes mid-video and ads.)
That should give you some idea of just how odd the world of kids online video is, and that list of video titles hints at the extraordinary range and complexity of this situation. We’ll get into the latter in a minute; for the moment know that it’s already very strange, if apparently pretty harmless, out there.
Another huge trope, especially the youngest children, is nursery rhyme videos.
Little Baby Bum, which made the above video, is the 7th most popular channel on YouTube. With just 515 videos, they have accrued 11.5 million subscribers and 13 billion views. Again, there are questions as to the accuracy of these numbers, which I’ll get into shortly, but the key point is that this is a huge, huge network and industry.
On-demand video is catnip to both parents and to children, and thus to content creators and advertisers. Small children are mesmerised by these videos, whether it’s familiar characters and songs, or simply bright colours and soothing sounds. The length of many of these videos — one common video tactic is to assemble many nursery rhyme or cartoon episodes into hour+ compilations —and the way that length is marketed as part of the video’s appeal, points to the amount of time some kids are spending with them.
YouTube broadcasters have thus developed a huge number of tactics to draw parents’ and childrens’ attention to their videos, and the advertising revenues that accompany them. The first of these tactics is simply to copy and pirate other content. A simple search for “Peppa Pig” on YouTube in my case yielded “About 10,400,000 results” and the front page is almost entirely from the verified “Peppa Pig Official Channel”, while one is from an unverified channel called Play Go Toys, which you really wouldn’t notice unless you were looking out for it:
Play Go Toys’ channel consists of (I guess?) pirated Peppa Pig and other cartoons, videos of toy unboxings (another kid magnet), and videos of, one supposes, the channel owner’s own children. I am not alleging anything bad about Play Go Toys; I am simply illustrating how the structure of YouTube facilitates the delamination of content and author, and how this impacts on our awareness and trust of its source.
As another blogger notes, one of the traditional roles of branded content is that it is a trusted source. Whether it’s Peppa Pig on children’s TV or a Disney movie, whatever one’s feelings about the industrial model of entertainment production, they are carefully produced and monitored so that kids are essentially safe watching them, and can be trusted as such. This no longer applies when brand and content are disassociated by the platform, and so known and trusted content provides a seamless gateway to unverified and potentially harmful content.
(Yes, this is the exact same process as the delamination of trusted news media on Facebook feeds and in Google results that is currently wreaking such havoc on our cognitive and political systems and I am not going to explicitly explore that relationship further here, but it is obviously deeply significant.)
A second way of increasing hits on videos is through keyword/hashtag association, which is a whole dark art unto itself. When some trend, such as Surprise Egg videos, reaches critical mass, content producers pile onto it, creating thousands and thousands more of these videos in every possible iteration. This is the origin of all the weird names in the list above: branded content and nursery rhyme titles and “surprise egg” all stuffed into the same word salad to capture search results, sidebar placement, and “up next” autoplay rankings.
Play Go Toys’ channel consists of (I guess?) pirated Peppa Pig and other cartoons, videos of toy unboxings (another kid magnet), and videos of, one supposes, the channel owner’s own children. I am not alleging anything bad about Play Go Toys; I am simply illustrating how the structure of YouTube facilitates the delamination of content and author, and how this impacts on our awareness and trust of its source.
As another blogger notes, one of the traditional roles of branded content is that it is a trusted source. Whether it’s Peppa Pig on children’s TV or a Disney movie, whatever one’s feelings about the industrial model of entertainment production, they are carefully produced and monitored so that kids are essentially safe watching them, and can be trusted as such. This no longer applies when brand and content are disassociated by the platform, and so known and trusted content provides a seamless gateway to unverified and potentially harmful content.
(Yes, this is the exact same process as the delamination of trusted news media on Facebook feeds and in Google results that is currently wreaking such havoc on our cognitive and political systems and I am not going to explicitly explore that relationship further here, but it is obviously deeply significant.)
A second way of increasing hits on videos is through keyword/hashtag association, which is a whole dark art unto itself. When some trend, such as Surprise Egg videos, reaches critical mass, content producers pile onto it, creating thousands and thousands more of these videos in every possible iteration. This is the origin of all the weird names in the list above: branded content and nursery rhyme titles and “surprise egg” all stuffed into the same word salad to capture search results, sidebar placement, and “up next” autoplay rankings.
A striking example of the weirdness is the Finger Family videos (harmless example embedded above). I have no idea where they came from or the origin of the children’s rhyme at the core of the trope, but there are at least 17 million versions of this currently on YouTube, and again they cover every possible genre, with billions and billions of aggregated views.
Once again, the view numbers of these videos must be taken under serious advisement. A huge number of these videos are essentially created by bots and viewed by bots, and even commented on by bots. That is a whole strange world in and of itself. But it shouldn’t obscure that there are also many actual children, plugged into iphones and tablets, watching these over and over again — in part accounting for the inflated view numbers — learning to type basic search terms into the browser, or simply mashing the sidebar to bring up another video.
What I find somewhat disturbing about the proliferation of even (relatively) normal kids videos is the impossibility of determining the degree of automation which is at work here; how to parse out the gap between human and machine. The example above, from a channel called Bounce Patrol Kids, with almost two million subscribers, show this effect in action. It posts professionally produced videos, with dedicated human actors, at the rate of about one per week. Once again, I am not alleging anything untoward about Bounce Patrol, which clearly follows in the footsteps of pre-digital kid sensations like their fellow Australians The Wiggles.
And yet, there is something weird about a group of people endlessly acting out the implications of a combination of algorithmically generated keywords: “Halloween Finger Family & more Halloween Songs for Children | Kids Halloween Songs Collection”, “Australian Animals Finger Family Song | Finger Family Nursery Rhymes”, “Farm Animals Finger Family and more Animals Songs | Finger Family Collection – Learn Animals Sounds”, “Safari Animals Finger Family Song | Elephant, Lion, Giraffe, Zebra & Hippo! Wild Animals for kids”, “Superheroes Finger Family and more Finger Family Songs! Superhero Finger Family Collection”, “Batman Finger Family Song — Superheroes and Villains! Batman, Joker, Riddler, Catwoman” and on and on and on. This is content production in the age of algorithmic discovery — even if you’re a human, you have to end up impersonating the machine.
Other channels do away with the human actors to create infinite reconfigurable versions of the same videos over and over again. What is occurring here is clearly automated. Stock animations, audio tracks, and lists of keywords being assembled in their thousands to produce an endless stream of videos. The above channel, Videogyan 3D Rhymes — Nursery Rhymes & Baby Songs, posts several videos a week, in increasingly byzantine combinations of keywords. They have almost five million subscribers — more than double Bounce Patrol — although once again it’s impossible to know who or what is actually racking up these millions and millions of views.
I’m trying not to turn this essay into an endless list of examples, but it’s important to grasp how vast this system is, and how indeterminate its actions, process, and audience. It’s also international: there are variations of Finger Family and Learn Colours videos for Tamil epics and Malaysian cartoons which are unlikely to pop up in any Anglophone search results. This very indeterminacy and reach is key to its existence, and its implications. Its dimensionality makes it difficult to grasp, or even to really think about.
We’ve encountered pretty clear examples of the disturbing outcomes of full automation before — some of which have been thankfully leavened with a dark kind of humour, others not so much. Much has been made of the algorithmic interbreeding of stock photo libraries and on-demand production of everything from tshirts to coffee mugs to infant onesies and cell phone covers. The above example, available until recently on Amazon, is one such case, and the story of how it came to occur is fascinating and weird but essentially comprehensible. Nobody set out to create phone cases with drugs and medical equipment on them, it was just a deeply weird mathematical/probabilistic outcome. The fact that it took a while to notice might ring some alarm bells however.
Likewise, the case of the “Keep Calm and Rape A Lot” tshirts (along with the “Keep Calm and Knife Her” and “Keep Calm and Hit Her” ones) is depressing and distressing but comprehensible. Nobody set out to create these shirts: they just paired an unchecked list of verbs and pronouns with an online image generator. It’s quite possible that none of these shirts ever physically existed, were ever purchased or worn, and thus that no harm was done. Once again though, the people creating this content failed to notice, and neither did the distributor. They literally had no idea what they were doing.
What I will argue, on the basis of these cases and of those I’m going to describe further, is that the scale and logic of the system is complicit in these outputs, and requires us to think through their implications.
(Also again: I’m not going to dig into the wider social implications of such processes outside the scope of what I am writing about here, but it’s clear that one can draw a clear line from examples such as these to pressing contemporary issues such as racial and gender bias in big data and machine intelligence-driven systems, which require urgent attention but in the same manner do not have anything resembling easy or even preferable solutions.)
Let’s look at just one video among the piles of kid videos, and try to parse out where it comes from. It’s important to stress that I didn’t set out to find this particular video: it appeared organically and highly ranked in a search for ‘finger family’ in an incognito browser window (i.e. it should not have been influenced by previous searches). This automation takes us to very, very strange places, and at this point the rabbithole is so deep that it’s impossible to know how such a thing came into being.
Once again, a content warning: this video is not inappropriate in any way, but it is decidedly off, and contains elements which might trouble anyone.It’s very mild on the scale of such things, but. I describe it below if you don’t want to watch it and head down that road. This warning will recur.
The above video is entitled Wrong Heads Disney Wrong Ears Wrong Legs Kids Learn Colors Finger Family 2017 Nursery Rhymes. The title alone confirms its automated provenance. I have no idea where the “Wrong Heads” trope originates, but I can imagine, as with the Finger Family Song, that somewhere there is a totally original and harmless version that made enough kids laugh that it started to climb the algorithmic rankings until it made it onto the word salad lists, combining with Learn Colors, Finger Family, and Nursery Rhymes, and all of these tropes — not merely as words but as images, processes, and actions — to be mixed into what we see here.
The video consists of a regular version of the Finger Family song played over an animation of character heads and bodies from Disney’s Aladdin swapping and intersecting. Again, this is weird but frankly no more than the Surprise Egg videos or anything else kids watch. I get how innocent it is. The offness creeps in with the appearance of a non-Aladdin character —Agnes, the little girl from Despicable Me. Agnes is the arbiter of the scene: when the heads don’t match up, she cries, when they do, she cheers.
The video’s creator, BABYFUN TV (screenshot above), has produced many similar videos. As many of the Wrong Heads videos as I could bear to watch all work in exactly the same way. The character Hope from Inside Out weeps through a Smurfs and Trolls head swap. It goes on and on. I get the game, but the constant overlaying and intermixing of different tropes starts to get inside you. BABYFUN TV only has 170 subscribers and very low view rates, but then there are thousands and thousands of channels like this. Numbers in the long tail aren’t significant in the abstract, but in their accumulation.
The question becomes: how did this come to be? The “Bad Baby” trope also present on BABYFUN TV features the same crying. While I find it disturbing, I can understand how it might provide some of the rhythm or cadence or relation to their own experience that actual babies are attracted to in this content, although it has been warped and stretched through algorithmic repetition and recombination in ways that I don’t think anyone actually wants to happen.
Toy Freaks is a hugely popular channel (68th on the platform) which features a father and his two daughters playing out — or in some cases perhaps originating — many of the tropes we’ve identified so far, including “Bad Baby”, above. As well as nursery rhymes and learning colours, Toy Freaks specialises in gross-out situations, as well as activities which many, many viewers feel border on abuse and exploitation, if not cross the line entirely, including videos of the children vomiting and in pain. Toy Freaks is a YouTube verified channel, whatever that means. (I think we know by now it means nothing useful.)
As with Bounce Patrol Kids, however you feel about the content of these videos, it feels impossible to know where the automation starts and ends, who is coming up with the ideas and who is roleplaying them. In turn, the amplification of tropes in popular, human-led channels such as Toy Freaks leads to them being endlessly repeated across the network in increasingly outlandish and distorted recombinations.
There’s a second level of what I’m characterising as human-led videos which are much more disturbing than the mostly distasteful activities of Toy Freaks and their kin. Here is a relatively mild, but still upsetting example:
A step beyond the simply pirated Peppa Pig videos mentioned previously are the knock-offs. These too seem to teem with violence. In the official Peppa Pig videos, Peppa does indeed go to the dentist, and the episode in which she does so seems to be popular — although, confusingly, what appears to be the real episode is only available on an unofficial channel. In the official timeline, Peppa is appropriately reassured by a kindly dentist. In the version above, she is basically tortured, before turning into a series of Iron Man robots and performing the Learn Colours dance. A search for “peppa pig dentist” returns the above video on the front page, and it only gets worse from here.
Disturbing Peppa Pig videos, which tend towards extreme violence and fear, with Peppa eating her father or drinking bleach, are, it turns out very widespread. They make up an entire YouTube subculture. Many are obviously parodies, or even satires of themselves, in the pretty common style of the internet’s outrageous, deliberately offensive kind. All the 4chan tropes are there, the trolls are out, we know this.
In the example above, the agency is less clear: the video starts with a trollish Peppa parody, but later syncs into the kind of automated repetition of tropes we’ve seen already. I don’t know which camp it belongs to. Maybe it’s just trolls. I kind of hope it is. But I don’t think so. Trolls don’t cover the intersection of human actors and more automated examples further down the line. They’re at play here, but they’re not the whole story.
I suppose it’s naive not to see the deliberate versions of this coming, but many are so close to the original, and so unsignposted — like the dentist example — that many, many kids are watching them. I understand that most of them are not trying to mess kids up, not really, even though they are.
I’m trying to understand why, as plainly and simply troubling as it is, this is not a simple matter of “won’t somebody think of the children” hand-wringing. Obviously this content is inappropriate, obviously there are bad actors out there, obviously some of these videos should be removed. Obviously too this raises questions of fair use, appropriation, free speech and so on. But reports which simply understand the problem through this lens fail to fully grasp the mechanisms being deployed, and thus are incapable of thinking its implications in totality, and responding accordingly.
The New York Times, headlining their article on a subset of this issue “On YouTube Kids, Startling Videos Slip Past Filters”, highlights the use of knock-off characters and nursery rhymes in disturbing content, and frames it as a problem of moderation and legislation. YouTube Kids, an official app which claims to be kid-safe but is quite obviously not, is the problem identified, because it wrongly engenders trust in users. An article in the British tabloid The Sun, “Kids left traumatised after sick YouTube clips showing Peppa Pig characters with knives and guns appear on app for children” takes the same line, with an added dose of right-wing technophobia and self-righteousness. But both stories take at face value YouTube’s assertions that these results are incredibly rare and quickly removed: assertions utterly refuted by the proliferation of the stories themselves, and the growing number of social media posts, largely by concerned parents, from which they arise.
But as with Toy Freaks, what is concerning to me about the Peppa videos is how the obvious parodies and even the shadier knock-offs interact with the legions of algorithmic content producers until it is completely impossible to know what is going on. (“The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.”)
Here’s what is basically a version of Toy Freaks produced in Asia (screenshot above). Here’s one from Russia. I don’t really want to use the term “human-led” any more about these videos, although they contain all the same tropes and actual people acting them out. I no longer have any idea what’s going on here and I really don’t want to and I’m starting to think that that is kind of the point. That’s part of why I’m starting to think about the deliberateness of this all. There is a lot of effort going into making these. More than spam revenue can generate — can it? Who’s writing these scripts, editing these videos? Once again, I want to stress: this is still really mild, even funny stuff compared to a lot of what is out there.
Here are a few things which are disturbing me:
The first is the level of horror and violence on display. Some of the times it’s troll-y gross-out stuff; most of the time it seems deeper, and more unconscious than that. The internet has a way of amplifying and enabling many of our latent desires; in fact, it’s what it seems to do best. I spend a lot of time arguing for this tendency, with regards to human sexual freedom, individual identity, and other issues. Here, and overwhelmingly it sometimes feels, that tendency is itself a violent and destructive one.
The second is the levels of exploitation, not of children because they are children but of children because they are powerless. Automated reward systems like YouTube algorithms necessitate exploitation in the same way that capitalism necessitates exploitation, and if you’re someone who bristles at the second half of that equation then maybe this should be what convinces you of its truth. Exploitation is encoded into the systems we are building, making it harder to see, harder to think and explain, harder to counter and defend against. Not in a future of AI overlords and robots in the factories, but right here, now, on your screen, in your living room and in your pocket.
Many of these latest examples confound any attempt to argue that nobody is actually watching these videos, that these are all bots. There are humans in the loop here, even if only on the production side, and I’m pretty worried about them too.
I’ve written enough, too much, but I feel like I actually need to justify all this raving about violence and abuse and automated systems with an example that sums it up. Maybe after everything I’ve said you won’t think it’s so bad. I don’t know what to think any more.
This video, BURIED ALIVE Outdoor Playground Finger Family Song Nursery Rhymes Animation Education Learning Video, contains all of the elements we’ve covered above, and takes them to another level. Familiar characters, nursery tropes, keyword salad, full automation, violence, and the very stuff of kids’ worst dreams. And of course there are vast, vast numbers of these videos. Channel after channel after channel of similar content, churned out at the rate of hundreds of new videos every week. Industrialised nightmare production.
For the final time: There is more violent and more sexual content like this available. I’m not going to link to it. I don’t believe in traumatising other people, but it’s necessary to keep stressing it, and not dismiss the psychological effect on children of things which aren’t overtly disturbing to adults, just incredibly dark and weird.
A friend who works in digital video described to me what it would take to make something like this: a small studio of people (half a dozen, maybe more) making high volumes of low quality content to reap ad revenue by tripping certain requirements of the system (length in particular seems to be a factor). According to my friend, online kids’ content is one of the few alternative ways of making money from 3D animation because the aesthetic standards are lower and independent production can profit through scale. It uses existing and easily available content (such as character models and motion-capture libraries) and it can be repeated and revised endlessly and mostly meaninglessly because the algorithms don’t discriminate — and neither do the kids.
These videos, wherever they are made, however they come to be made, and whatever their conscious intention (i.e. to accumulate ad revenue) are feeding upon a system which was consciously intended to show videos to children for profit. The unconsciously-generated, emergent outcomes of that are all over the place.
To expose children to this content is abuse. We’re not talking about the debatable but undoubtedly real effects of film or videogame violence on teenagers, or the effects of pornography or extreme images on young minds, which were alluded to in my opening description of my own teenage internet use. Those are important debates, but they’re not what is being discussed here. What we’re talking about is very young children, effectively from birth, being deliberately targeted with content which will traumatise and disturb them, via networks which are extremely vulnerable to exactly this form of abuse. It’s not about trolls, but about a kind of violence inherent in the combination of digital systems and capitalist incentives. It’s down to that level of the metal.
This, I think, is my point: The system is complicit in the abuse.
And right now, right here, YouTube and Google are complicit in that system. The architecture they have built to extract the maximum revenue from online video is being hacked by persons unknown to abuse children, perhaps not even deliberately, but at a massive scale. I believe they have an absolute responsibility to deal with this, just as they have a responsibility to deal with the radicalisation of (mostly) young (mostly) men via extremist videos — of any political persuasion. They have so far showed absolutely no inclination to do this, which is in itself despicable. However, a huge part of my troubled response to this issue is that I have no idea how they can respond without shutting down the service itself, and most systems which resemble it. We have built a world which operates at scale, where human oversight is simply impossible, and no manner of inhuman oversight will counter most of the examples I’ve used in this essay. The asides I’ve kept in parentheses throughout, if expanded upon, would allow one with minimal effort to rewrite everything I’ve said, with very little effort, to be not about child abuse, but about white nationalism, about violent religious ideologies, about fake news, about climate denialism, about 9/11 conspiracies.
This is a deeply dark time, in which the structures we have built to sustain ourselves are being used against us — all of us — in systematic and automated ways. It is hard to keep faith with the network when it produces horrors such as these. While it is tempting to dismiss the wilder examples as trolling, of which a significant number certainly are, that fails to account for the sheer volume of content weighted in a particularly grotesque direction. It presents many and complexly entangled dangers, including that, just as with the increasing focus on alleged Russian interference in social media, such events will be used as justification for increased control over the internet, increasing censorship, and so on. This is not what many of us want.
I’m going to stop here, saying only this:
What concerns me is not just the violence being done to children here, although that concerns me deeply. What concerns me is that this is just one aspect of a kind of infrastructural violence being done to all of us, all of the time, and we’re still struggling to find a way to even talk about it, to describe its mechanisms and its actions and its effects. As I said at the beginning of this essay: this is being done by people and by things and by a combination of things and people. Responsibility for its outcomes is impossible to assign but the damage is very, very real indeed.
In a recent incident in the United States, yet another unarmed man was shot dead by police after opening his front door in response to their knock. The police were going to serve an arrest warrant on a domestic violence suspect – the man’s neighbour – but went to the wrong address. See ‘Police kill innocent man while serving warrant at wrong address’.
For those who follow news in the United States, the routine killing of innocent civilians by the police has become a national crisis despite concerted attempts by political and legal authorities and the corporate media to obscure what is happening. See ‘Killed by Police’ and ‘The Counted: People killed by police in the US’.
So far this year, US police have killed 1,044 people. In contrast, from 1990 to 2016, police in England and Wales killed just 62 people. See ‘Fatal police shootings’.
So why are the police so violent? you might ask. Well, several scholars have offered answers to this question and you can read a little about what they say in these articles reviewing recent books on the subject. See ‘The Fraternal Order of Police Must Go’ and ‘Our Ever-Deadlier Police State’.
While there is much in these works with which I agree – such as the racism in US policing and the corruption of the legal system which is used to violently manage oppressed peoples in the name of ‘justice’ while leaving the individuals, banks and corporations on Wall Street unaccountable for their endless, ongoing and grotesque crimes against society, the economy and the environment – I would like to pose a deeper question: Why are police in the USA so terrified? This is the important question because only people who are terrified resort to violence, even in the context of policing. Let me explain why this is the case and how it has occurred in the police context in the USA.
Violence does not arise ‘out of nowhere’. And, sadly, its origin can be traced to what is euphemistically called the ‘socialization’ of children but which is more accurately labeled ‘terrorization’. You might think that this sounds extreme but if you spend some time considering the phenomenal violence – ‘visible’, ‘invisible’ and ‘utterly invisible’ – that we adults inflict on children during the ordinary course of the day – see ‘Why Violence?’ and ‘Fearless Psychology and Fearful Psychology: Principles and Practice’ – while deluding ourselves that we are preparing them to become just, decent and powerful citizens, then you might be willing to reconsider your concept of what it means to nurture children. Tragically, we are so far from any meaningful understanding of this notion, that it is not even possible to generate a widespread social discussion about how we might go about it.
So, having terrorized children into submission so that they unthinkingly and passively accept their preordained role in life – to act as a cog in a giant and destructive enterprise which they are terrorized into not questioning and over which they have no control – each of them takes their place in the global ‘economy’ wherever they can find a set of tasks that feels least painful. The idea of seeking their true path in order to search out their own unique destiny never even occurs to most of them and so they lead ‘shadow lives’ endlessly suppressing their awareness of the life that might have been.
Some of these individuals end up as recruits at a police training facility, where they are further terrorized into believing an elite-sponsored ideology that precludes genuine appreciation of the diversity of people in the community they will later police (that is, terrorize) in the name of ‘law and order’. After all, elite social control is more readily maintained when people, including the police, live in fear.
Police training further terrorizes the individuals involved and militarizes policing by encouraging recruits ‘to adopt a “warrior” mentality and think of the people they are supposed to serve as enemies’; the equipment they use, such as battering rams, flashbang grenades and Armoured Personnel Carriers, evoke a sense of war. See ‘War Comes Home: The Excessive Militarization of American Policing’.
But it doesn’t end with terrorization during childhood and then police training. Police practice functions within a long-standing cultural framework which has both wider social dimensions and narrower, localized ones. And this cultural framework has been changing, more quickly in recent years too. Unfortunately, more than ever before, this framework is increasingly driven by fear and older, delusional social expectations that police are there to maintain public safety or defend the community from criminal violence have given way to militarized assumptions, language and procedures that regard virtually everyone (and certainly indigenous people and people of color) as both dangerous and guilty until proven otherwise and treat the family home and car as targets to be ‘neutralized’ with military-style tactics and weapons. And this trend has been accelerated under Donald Trump. See ‘Trump to lift military gear ban for local police’.
By triggering fear and using military-style tactics and weapons, however, the very essence of the relationship between police and civilians is more rapidly, completely and detrimentally transformed in accord with elite interests. It equates law-enforcement with counter-terrorism and community safety with social control.
Fundamentally, of course, this plays its part in ensuring minimal effective resistance to the broader elite agenda to secure militarized control of the world’s populations and resources for elite benefit.
This transformation in the relationship between police and civilians has been accelerated by training US police in the use of military tactics that the Israeli military employs against the occupied Palestinians. See ‘Israel trains US law-enforcement in counter-terrorism’.
But consider the implications of this.
As Rashid Khalidi, the Edward Said professor of modern Arab studies at Columbia University, has noted in discussing this phenomenon: US police are learning paramilitary and counterinsurgency tactics from the Israeli military, border patrol and intelligence services, which enforce military law.
‘If American police and sheriffs consider they’re in occupation of neighborhoods like Ferguson and East Harlem, this training is extremely appropriate – they’re learning how to suppress a people, deny their rights and use force to hold down a subject population’. See ‘US Police Get Antiterror Training In Israel’.
Moreover, the most tangible evidence that the militarized training is having an impact on US policing is that both Israel and the US are using identical equipment against demonstrators, according to a 2013 report by the Israeli human rights organization B’Tselem and photographs of such equipment taken at three demonstrations in the USA. ‘Tear gas grenades, “triple chaser” gas canisters and stun grenades made by the American companies Combined Systems Inc. and Defense Technology Corp. were used in all three U.S. incidents, as well as by Israeli security forces and military units.’ See ‘US Police Get Antiterror Training In Israel’.
Given the sheer terror that drives Israeli military policy towards occupied and militarily undefended Palestine, it is little wonder that this fear is transmitted as part of any training of US police. All knowledge and technology is embedded with emotion, and fear is utterly pervasive in any military activity. Especially when it is directed in pursuit of unjust ends.
If you want to work towards ending the underlying fear that drives police (and other) violence, consider making ‘My Promise to Children’. In essence, if you want powerful individuals who are capable of resisting elite social control, including that implemented through police violence, then don’t expect children terrorized into obedience by parents, teachers and religious figures to later magically have this power.
Why are the police so terrified? Essentially because they were terrorized as children and then terrorized during police training to violently defend elite interests against the rest of us. Elite control depends on us being too terrified to defend ourselves against their violence.
If humans are to survive this elite-driven onslaught, we need people courageous enough to resist police violence and other elite-driven violence strategically. Can we count on you?
Biodata: Robert J. Burrowes has a lifetime commitment to understanding and ending human violence. He has done extensive research since 1966 in an effort to understand why human beings are violent and has been a nonviolent activist since 1981. He is the author of ‘Why Violence?’ His email address is flametree@riseup.net and his website is here.
— Robert J. Burrowes P.O. Box 68 Daylesford Victoria 3460 Australia Email: flametree@riseup.net
As it becomes increasingly clear that yesterday’s conspiracy theories are today’s real news, the call to kill the messengers just gets more shrill and hysterical.
The attacks on free speech with high-tech censorship campaigns and old-fashioned hit pieces in the “War on Fake News” are massive and concerted.
The book burners are starting so many fires it’s impossible to stamp them all out.
What are the horrible thought crimes committed by the alternative press?
The new media has consistently exposed the lies and crimes of our corrupt and broken institutions.
Pioneers of alt media have passionately and convincingly made the case that The Patriot Act literally reversed the gains to human liberty codified in The Bill of Rights.
Independent media dismantled the lies that were presented as the pretexts to the invasion of Iraq. The same lies aggressively promoted by Bush, Hillary Clinton, CNN and The New York Times and that resulted in the death of a million people and global chaos. By contrast, how many people have died as a result of alternative media reports? The answer iszero.
The independent press interviewed NSA whistleblowers who accurately described how the U.S. government was illegally spying on its citizens and retaining our data, and how these whistleblowers were being persecuted by their own government for coming forward and refusing to break the law.
This was years before anyone heard of Edward Snowden.
Amazingly, there was very little interest in these bombshell allegations in the mainstream press.
It’s hard to believe now, but in those days, people who claimed the government was surveilling innocent citizens were dismissed as paranoid by the self-proclaimed arbiters of truth at the NYT and CNN.
Grassroots media detailed a decade ago how police forces all over America were becoming militarized and predicted that this dangerous trend would lead to racially charged conflict on the streets of the nation. What kooks!
We have also railed against; torture, needless wars, police brutality, government corruption, the two-party duopoly, the criminality of the banksters and the end of privacy.
Now the very same mainstream media hacks who promoted the lies that lead to war in Iraq and Syria and mindlessly regurgitate whichever talking point is uploaded onto their teleprompter are gleefully assassinating what they call “fake news” using edited tape and misleading hit-pieces.
While these discredited war cheerleaders lie about why our sons and daughters are sent to die, we are bravely exposing the fraudulent casus belli they traitorously and disgracefully promote.
While these corporate spokespeople work for the interests of the oil and drug companies and political forces that pay their salaries, we risk everything to expose the crimes and scams of these same broken institutions.
We have done a great public service by exposing the deceptive, psychological methods used by the ruling elite to warp historical narratives, manipulate patriotism and manufacture consent.
By helping people to recognize and suspend their belief in propaganda and therefore their own complicity in it, the alternative media is helping to create a public awareness to the tactics our enemies use to keep us divided, steal our rights and slaughter countless innocents all over the world.
I know it’s fun and easy to call us tin-foil-hat wearers, or whatever pejorative has been chosen for you today, but let’s be clear about whose dirty work some are doing. Ironically, many are using talking-points written by deep-state operatives to ridicule the idea that the deep-state exists at all!!
Alternative media is in direct competition with the mainstream media for revenue and the MSM want to control the information we are exposed to.
The MSM are waging a concerted demonization campaign aimed at destroying some of the dominant platforms exposing the lies and crimes of their corporate and deep-state masters and many are helping them do it.
The MSM is an enemy of the truth and of the people. Friends of mine have been accused of being Russian agents in The NYT because they simply told the truth about Clinton during the campaign.
The corporate press has gone from lying to the American people to lyingabout the American people.
Do we have the will and power to destroy our common enemy?
These are tough days to be a serious journalist. Report a story now, with your facts all lined up nicely, and you’re still likely to have it labeled “fake news” by anyone whose ox you’ve gored — and even by friends who don’t share your political perspective. For good measure, they’ll say you’ve based it on “alternative facts.”
Historians say the term “fake news” dates from the late 19th-century era of “yellow journalism,” but the term really took off in 2016, a little over a year ago, during Donald Trump’s run for the presidency. It described several different things, from fact-free, pro-Trump online media to sensationalistic and largely untrue stories whose only goal was eyeballs and dollars. During the primary season, Trump himself began labeling all mainstream media stories about him as “fake news.” The idea that there could be different truths, while dating at least back to the administration of President George W. Bush, when his consigliere Karl Rove claimed that the administration “made its own” reality, gained currency when Trump adviser Kellyanne Conway, caught making stuff up in a TV interview, claimed that she was relying on “alternative facts.”
That dodge would be fine, on its own. Most people are primed to believe that politicians lie — whatever party or persuasion they represent — so their attempts to deny it when called a conjurer of falsehoods posing tend to be recognized as such.
The corporate media — The New York Times, The Washington Post, the network news programs and even National Public Radio — have all responded to being called liars and “fake news” fabricators of by promoting themselves as “the reality-based community” (NPR), or claiming they are fighting the good fight against ignorance, as demonstrated by the Post’s new masthead slogan “Democracy dies in darkness.” The Times has stuck with its hoary “All the news that’s fit to print”slogan, but has added a page-three daily feature listing “noteworthy facts from today’s paper” and has taken to calling out Trump administration whoppers as “lies.”
Last December Congress passed a new law, promptly signed by then-President Barack Obama, that enacted an Orwellian amendment to the Defense Authorization Act of 2017. Called the Countering Disinformation and Propaganda Act, this measure tasks the State Department, in consultation with the Department of Defense, the director of national intelligence and an obscure government propaganda organization called the Broadcasting Board of Governors, to establish a “Center for Information Analysis and Response.” The job of this new center, funded by a $160 million, two-year budget allocation, would be to collect information on “foreign propaganda and disinformation efforts” and “proactively advance fact-based narratives that support United States allies and interests.”
What is “fake news”? The target keeps moving
This might all seem laughable, but as a journalist who has worked in this field for 45 years, in both mainstream newspapers and television and in the alternative media, and as a long-time freelancer who has written for publications as widely varied as Business Week, the Nation, the Village Voice and a collectively run news site called ThisCantBeHappening.net, I have watched as this obsession with “fake news” has turned into an attack on alternative news and alternative news organizations.
Last Nov. 24, The Washington Post published a McCarthyite-style front-page article declaring that some 200 news sites on the web were actually witting or unwitting “purveyors of pro-Russian propaganda.” The article, by Post National Security Reporter Craig Timberg, was based on the work of a shady outfit called PropOrNot, whose owner-organizers were kept anonymous by Timberg and whose source of funding was left unexplained. PropOrNot, Timberg wrote, had developed a list of sites which it had determined to be peddling “pro-Russia propaganda.”
For one of the sites on the list, the prominent left-wing journal Counterpunch, founded decades ago by former Village Voice and Nation columnist Alexander Cockburn, PropOrNot offered up two articles as justification for its designation. One of those articles was by me. It was a piece I’d actually written for ThisCantBeHappening, which had been republished with credit by Counterpunch. The reviewer, a retired military intelligence officer named Joel Harding (who I discovered is linked to Fort Belvoir outside Washington, home to the U.S. Army’s Information Operations Command, or INSCOM), labeled my article “absurdly pro-Russian propaganda.”
In fact, the article was a pretty straightforward report on the Sept. 29, 2016 findings by the joint Dutch-Australian investigation into the July 2014 shoot-down of a Malaysian jumbo passenger jet over Ukraine, which concluded that Russia was the culprit. I noted in the article that this investigation was not legitimate, because two nations — Russia and Ukraine — were known to possess the Buk missiles and launchers that had brought down the plane, but only one of them, Ukraine, was permitted to offer evidence. Russian offers of evidence in the case were repeatedly rebuffed. The report also failed to mention that the Ukrainian government had received veto power over any conclusions reached by the investigators.
Was my report “fake news” or propaganda? Not at all.
The fake news in this case has been what has been written and aired by virtually all of the U.S. media, including the Times, the Post and all the major networks, about that horrific tragedy. They all continue to state as fact that a Russian Buk missile downed that plane, though no honest investigation has been conducted. (Technically it is true that the Buk missiles are all “Russian,” in that they were all manufactured in Russia. Left unsaid is that Ukraine’s military had Buk launchers since their nation was part of the Soviet Union and continued to purchase them after independence.)
Laziest form of media criticism
“Labeling news reports that you don’t like as ’fake news’ is the laziest form of media criticism,” says Jim Naureckas, editor of Fairness and Accuracy In Reporting, a New York-based journalism review. “It’s like putting your fingers in your ears and going ‘la la la’ really loudly. Both the government and the corporate media have reasons for not wanting the public to hear points of view that are threats to their power.”
While Kellyanne Conway claimed her right to offer “alternative facts” as a way to justify getting caught in a lie, there are also alternative facts which are real but don’t get reported in the corporate media. A classic example was in the run-up to the U.S. invasion of Iraq, when the entire corporate media reported as fact that Saddam Hussein had weapons of mass destruction and was attempting to develop a nuclear bomb.
There were plenty of alternative news organizations who quoted UN inspectors saying that none of that was true and there were no WMDs or WMD programs in Iraq, but they were simply blacked out by the corporate media like the Times, the Post and the major news networks.
These days another dubious story is that the Russians “hacked” the server of the Democratic National Committee. It may have happened that way, but in fact, the vast intelligence system the U.S. has constructed to monitor all domestic and foreign telecommunications has offered up no hard evidence of such a hack. National Security Agency whistleblower William Binney and retired CIA analyst Ray McGovern have suggested that some evidence indicates a DNC insider must have been involved.
There iscertainly fake news all over the internet, and baseless conspiracies run rampant on both the left and the right. But all too often, articles like mine cited by PropOrNot (a genuine purveyor of fake news!) are being labeled as propaganda in what Naureckas says is simply “the use of irony as a defense mechanism” by news organizations that themselves are actually guilty of publishing really fake news, as the Post did with its PropOrNot blacklist “scoop.”
“What the government and the corporate media are trying to do, with the help of the big internet corporations,” argues Mickey Huff, director of the Project Censored organization in California, “is basically to shut down alternative news sites that question the media consensus position on issues.”
A wide threat to online media
That’s a threat to any online news organization, including this one, that depend upon equal access to the internet and to fast download speeds. Already, Huff charges, there are reports that Facebook is slowing down certain sites that have links on its platform, in a misguided response to charges that it sold ad space to Russian government-linked organizations accused of trying to influence last November’s presidential election.
An end to internet neutrality, the equal access to high-speed internet for surfing and downloading that has been guaranteed to all users — but that is now under attack by the Trump administration, its Federal Communications Commission and a Republican-led Congress — would make it that much easier for such a shutdown of alternative media to happen.
The real answer, of course, is for readers and viewers of all media, mainstream or alternative, to become critical consumers of news. This means not just looking at articles critically, including this one, but going to multiple sources for information on important issues. Relying on just the Times or the Post, or on Fox News or NPR, will leave you informationally malnourished — not just uninformed but misinformed. Even if you were to read both those papers and watch both those networks, you’d often be left with an incomplete version of the truth.
To get to the truth, we need to also check out alternative news sources, whether of the left, right or center — and we need to maintain the critical distinction between unpopular or unorthodox points of view and blatant lies or propaganda. Without such a distinction, and the freedom to make such decisions for ourselves, maintaining democracy will be impossible.
In one of the most horrendous blows to press freedom since the anti-communist witch hunts of the 1950s, the U.S. Department of Justice has forced the news broadcaster RT America to file under the Foreign Agents Registration Act (FARA).
The assault on RT America, on which I host the show “On Contact,” has nothing to do with the dissemination of Russian propaganda. It is driven by RT America’s decision to provide a platform to critics of American capitalism and imperialism, critics who lambast a system of government that can no longer be called democratic. And it is accompanied by the installation of algorithms by Google, Facebook and Twitter that divert readers away from left-wing, progressive and anti-war websites, including Truthdig. The World Socialist Web Site has seen its search traffic from Google fall by 74 percent since April. Google, in a further blow, this month removed RT from its list of “preferred” channels on YouTube. Twitter has blocked all advertising by the channel.
Put the censorship campaigns together and the message is clear: Left-wing critics, already marginalized by the state, must be silenced.
It would seem, given how we are locked out of the corporate media and public broadcasting, that the assault is overkill. But the ideology that sustains the corporate state, the “free market” and neoliberalism has lost all credibility. The corporate state has no counterargument to its critics. The nakedness of corporate greed, exploitation and repression is transparent across the political spectrum. The ideological fortress erected by corporate power and sustained by its courtiers in the press and academia has collapsed. All it has left is a crude censorship.
Complicit in this censorship is a bankrupt liberal class. The institutions tasked with defending press freedom—including the ACLU, Human Rights Watch, the Committee to Protect Journalists and PEN—along with major news outlets such as The New York Times, have served as the corporate state’s useful idiots. Only a handful of journalists, including Truthdig Editor in Chief Robert Scheer, grasp and decry the very real danger before us.
The charge that RT and these left-wing sites disseminate “foreign propaganda” is the beginning, not the end, of a broad campaign against press freedom. Once this precedent of state censorship is normalized, far more tepid and compliant media outlets will be targeted. Max Blumenthal wrote two good pieces on AlterNet about the puppet masters behind the censorship campaign. [Click here and here.]
The venom of the state toward its critics was displayed in a report by the Director of National Intelligence (DNI), “Assessing Russian Activities and Intentions in Recent U.S. Elections,” issued Jan. 6. In the report, seven pages were specifically directed at RT America, much of the language focused on the journalist Abby Martin. Martin became one of the best-known critics of the corporate state during the Occupy movement. Her show on RT, “Breaking the Set,” which had been off the air for nearly two years when the report was published—a glaring error for an intelligence community awash in budgets of tens of billions of dollars—was denounced as a disseminator of “radical discontent.” The report complained that RT gave airtime to third-party candidate debates. The document attacked RT hosts for asserting that the two-party system does not represent the views of at least one-third of the population and is a sham. It excoriated the network for covering Black Lives Matter, Occupy Wall Street and fracking.
The report charged:
RT’s reports often characterize the United States as a “surveillance state” and allege widespread infringements of civil liberties, police brutality, and drone use.
RT has also focused on criticism of the US economic system, US currency policy, alleged Wall Street greed, and the US national debt. Some of RT’s hosts have compared the United States to Imperial Rome and have predicted that government corruption and “corporate greed” will lead to US financial collapse.
The “Alice in Wonderland” quality of the report would be laughable if it was not so ominous. The United States, in fact, is a surveillance state. Civil liberties have been eviscerated. Police brutality is endemic. Our drone wars have made us state terrorists. The economic structure serves the wealthiest corporations and oligarchs. Wall Street is run by a criminal class. Our debt is unsustainable, especially once the dollar is no longer the world’s reserve currency, and like all decaying empires we are headed for collapse. The DNI report clarifies what the ruling elites fear—not fake news but the truth. And the truth is that the elites have destroyed the country and are traitors to democracy.
The DNI report was followed by a congressional hearing on “Extremist Content and Russian Disinformation Online,” held Oct. 31. Executives of Facebook, Twitter and Google were grilled about their roles in distributing fake news and extremist content that in the words of Republican Sen. Chuck Grassley included “spread[ing] stories about abuse of black Americans by law enforcement.” The executives promised to double down on their censorship, and they did so.
The ruling elites are desperately trying to shift the focus away from the cause of the political insurgencies on the left and the right: extreme social inequality. It is for this reason that critics who highlight and explore the roots and causes of social inequality must be discredited or silenced. If social inequality is accepted as the driving force behind the decay of the American state and the mounting rage of much of the population, then the structures that profit from this inequality will come under assault. All the elites have left is to paint their critics as “agents of a foreign power.”
The United States increasingly resembles a totalitarian state. Our anemic democracy is on life support. A reasoned debate about social inequality or the crimes and misjudgments of empire is becoming impossible. This presages a frightening future. There will be many “good” Americans who, when the history of this moment is recorded, will be responsible. And one day, to their surprise, they too will be victims.
At the end of the 20th century people believed in the truth. While they had several truths, — liberalism, conservativism, classic Communism of the kind once espoused by Che Guevara and in places a naive form of apocalyptic Islam — at least each believed the world’s problems could be solved if their truth should triumph over the rest.
The clash of civilizations since September 11, 2001 has left every culture wounded and guilty in its own way. Western civilization, dominant through the modern era appears to be destroying itself in self-hatred, literally choosing extinction. “In 2015, all European Union countries had a sub-replacement fertility rate.” With the replacement fertility at 2.33, the average for the EU was 1.58. At the same time Islam was tearing itself apart in a global civil war while the United States was riven by discord.
No one seems to have the answers any more. Technological warfare only seems to increase entropy rather than reduce it. Yemen, Libya, Afghanistan are stories of one set of villains replacing another. So many Black Swans have appeared that they are no longer novelties. The old status quo faces the possibility that Brexit, Trump, Catalonia and the North Korean nuclear breakout far from being exceptions to the rule are harbingers of things to come.
What seems to have changed is our mental furniture though we don’t quite understand how it happened. Globalization has allowed drastic mutations that biologist Ernst Mayr notes often originates “in a relatively small and isolated population” to propagate very rapidly into a new normal. The new normal in Europe is depopulation, don’t ask how because the periphery can now become the center with surprising speed. The New York Times report that “major liberal donors, posing an insurgent challenge to some of the left’s most venerable institutions — and the Democratic Party itself” are no longer funding politicians like Hillary but the Resistance itself should come as no surprise.
“We’re in a disruptive period, and when we get through it, the progressive infrastructure landscape may look different,” said Gara LaMarche, president of the Democracy Alliance, a club of wealthy liberals who donate at least $200,000 a year to recommended groups.
The new variability is overwhelming the old political elite. As the World Wars and the Black Death demonstrated upheaval can produce wild mood swings in a populace. “The tremendous emotional shock [of the Black Death] … created a state of … depression and sometimes even panic” which turned people to fanaticism as others sought scapegoats for their troubles or lost themselves in a debauchery made famous by Poe’s Masque of the Red Death and the wild abandon of Weimar.
The underlying disruption is creating a similar volatility today. Currently we are obsessed with 71 genders but a nuclear or biological disaster can can flip decades of political correctness and deference to technology into their opposite. Considering all the freedoms and privacy the West has already given up to preserve the status quo the mantra “we can’t let it change us” is mockingly ironic. It is change, not changelessness which is characteristic of the present.
Perhaps the world is living through history’s first information epidemic and like the medievals who fell to unseen pathogens we can scarcely understand the catastrophe befalling us. Many are at a loss to explain entropy and anomie on a scale never seen before. But we cannot respond effectively to chaos without realizing the threat is not merely physical but an information corruption challenge.
At least Hillary’s call for more censorship on social media shows the old establishment is belatedly waking up to the informational nature of the threat without fully understanding it. “This is a new kind of Cold War — and it is just getting started,” Clinton said in a speech at Stanford University, using the language of 1945 to describe 2017. Clinton seems to regard the machinery of manipulation per se as acceptable as long as it does not fall into the wrong hands and is probably counting on it to restore order. She fails to see that manipulation itself — the Narrative — is the root problem and that the Narrative is likely to master her rather than the other way round.
Human sanity was long anchored in reality. Religions might have been flawed but they usually tried to explain things in the light of contemporary knowledge. Common people spent the greater part of their day in contact with society and family in a smartphone-free world that seems to be lost forever. They were innoculated against much craziness. That world had a self-centering property that is now missing.
Today we have live in an environment where whole populations are immersed in an ocean of deliberate lies. People can believe anything — and often do. The Narrative is malware corroding our sense of humanity and reality. Instead of increasing privacy so data miners cannot engage in the targeted lying which makes “fake news” so effective we decrease it the better to help the manipulators. We’ve reached the point where having real human networks instead of social ones is slightly suspicious. “Fear the man,” we are told when pondering Steven Paddock, “with no digital footprint.”
Perhaps humanity was better off with rival truths rather than rival lies. In retrospect the status quo got bitten by its own creation in 2016 after Putin wrested a surprising chunk of the Narrative from the Gatekeepers. But the politicians far from learning their lesson want the handlers to take a firmer grip on the snake instead of defanging it. It will bite them again and more venomously next time.
Since today marks the birthday of the late Carl Sagan, we can remember a lesser-known aspect of his greatness by reading (or re-reading) the following 1969 essay he wrote under the pseudonym “Mr. X” published in 1971 in Lester Grinspoon’s “Marihuana Reconsidered”:
It all began about ten years ago. I had reached a considerably more relaxed period in my life – a time when I had come to feel that there was more to living than science, a time of awakening of my social consciousness and amiability, a time when I was open to new experiences. I had become friendly with a group of people who occasionally smoked cannabis, irregularly, but with evident pleasure. Initially I was unwilling to partake, but the apparent euphoria that cannabis produced and the fact that there was no physiological addiction to the plant eventually persuaded me to try. My initial experiences were entirely disappointing; there was no effect at all, and I began to entertain a variety of hypotheses about cannabis being a placebo which worked by expectation and hyperventilation rather than by chemistry. After about five or six unsuccessful attempts, however, it happened. I was lying on my back in a friend’s living room idly examining the pattern of shadows on the ceiling cast by a potted plant (not cannabis!). I suddenly realized that I was examining an intricately detailed miniature Volkswagen, distinctly outlined by the shadows. I was very skeptical at this perception, and tried to find inconsistencies between Volkswagens and what I viewed on the ceiling. But it was all there, down to hubcaps, license plate, chrome, and even the small handle used for opening the trunk. When I closed my eyes, I was stunned to find that there was a movie going on the inside of my eyelids. Flash . . . a simple country scene with red farmhouse, a blue sky, white clouds, yellow path meandering over green hills to the horizon. . . Flash . . . same scene, orange house, brown sky, red clouds, yellow path, violet fields . . . Flash . . . Flash . . . Flash. The flashes came about once a heartbeat. Each flash brought the same simple scene into view, but each time with a different set of colors . . . exquisitely deep hues, and astonishingly harmonious in their juxtaposition. Since then I have smoked occasionally and enjoyed it thoroughly. It amplifies torpid sensibilities and produces what to me are even more interesting effects, as I will explain shortly.
I can remember another early visual experience with cannabis, in which I viewed a candle flame and discovered in the heart of the flame, standing with magnificent indifference, the black-hatted and -cloaked Spanish gentleman who appears on the label of the Sandeman sherry bottle. Looking at fires when high, by the way, especially through one of those prism kaleidoscopes which image their surroundings, is an extraordinarily moving and beautiful experience.
I want to explain that at no time did I think these things ‘really’ were out there. I knew there was no Volkswagen on the ceiling and there was no Sandeman salamander man in the flame. I don’t feel any contradiction in these experiences. There’s a part of me making, creating the perceptions which in everyday life would be bizarre; there’s another part of me which is a kind of observer. About half of the pleasure comes from the observer-part appreciating the work of the creator-part. I smile, or sometimes even laugh out loud at the pictures on the insides of my eyelids. In this sense, I suppose cannabis is psychotomimetic, but I find none of the panic or terror that accompanies some psychoses. Possibly this is because I know it’s my own trip, and that I can come down rapidly any time I want to.
While my early perceptions were all visual, and curiously lacking in images of human beings, both of these items have changed over the intervening years. I find that today a single joint is enough to get me high. I test whether I’m high by closing my eyes and looking for the flashes. They come long before there are any alterations in my visual or other perceptions. I would guess this is a signal-to-noise problem, the visual noise level being very low with my eyes closed. Another interesting information-theoretical aspects is the prevalence – at least in my flashed images – of cartoons: just the outlines of figures, caricatures, not photographs. I think this is simply a matter of information compression; it would be impossible to grasp the total content of an image with the information content of an ordinary photograph, say 108 bits, in the fraction of a second which a flash occupies. And the flash experience is designed, if I may use that word, for instant appreciation. The artist and viewer are one. This is not to say that the images are not marvelously detailed and complex. I recently had an image in which two people were talking, and the words they were saying would form and disappear in yellow above their heads, at about a sentence per heartbeat. In this way it was possible to follow the conversation. At the same time an occasional word would appear in red letters among the yellows above their heads, perfectly in context with the conversation; but if one remembered these red words, they would enunciate a quite different set of statements, penetratingly critical of the conversation. The entire image set which I’ve outlined here, with I would say at least 100 yellow words and something like 10 red words, occurred in something under a minute.
The cannabis experience has greatly improved my appreciation for art, a subject which I had never much appreciated before. The understanding of the intent of the artist which I can achieve when high sometimes carries over to when I’m down. This is one of many human frontiers which cannabis has helped me traverse. There also have been some art-related insights – I don’t know whether they are true or false, but they were fun to formulate. For example, I have spent some time high looking at the work of the Belgian surrealist Yves Tanguey. Some years later, I emerged from a long swim in the Caribbean and sank exhausted onto a beach formed from the erosion of a nearby coral reef. In idly examining the arcuate pastel-colored coral fragments which made up the beach, I saw before me a vast Tanguey painting. Perhaps Tanguey visited such a beach in his childhood.
A very similar improvement in my appreciation of music has occurred with cannabis. For the first time I have been able to hear the separate parts of a three-part harmony and the richness of the counterpoint. I have since discovered that professional musicians can quite easily keep many separate parts going simultaneously in their heads, but this was the first time for me. Again, the learning experience when high has at least to some extent carried over when I’m down. The enjoyment of food is amplified; tastes and aromas emerge that for some reason we ordinarily seem to be too busy to notice. I am able to give my full attention to the sensation. A potato will have a texture, a body, and taste like that of other potatoes, but much more so. Cannabis also enhances the enjoyment of sex – on the one hand it gives an exquisite sensitivity, but on the other hand it postpones orgasm: in part by distracting me with the profusion of image passing before my eyes. The actual duration of orgasm seems to lengthen greatly, but this may be the usual experience of time expansion which comes with cannabis smoking.
I do not consider myself a religious person in the usual sense, but there is a religious aspect to some highs. The heightened sensitivity in all areas gives me a feeling of communion with my surroundings, both animate and inanimate. Sometimes a kind of existential perception of the absurd comes over me and I see with awful certainty the hypocrisies and posturing of myself and my fellow men. And at other times, there is a different sense of the absurd, a playful and whimsical awareness. Both of these senses of the absurd can be communicated, and some of the most rewarding highs I’ve had have been in sharing talk and perceptions and humor. Cannabis brings us an awareness that we spend a lifetime being trained to overlook and forget and put out of our minds. A sense of what the world is really like can be maddening; cannabis has brought me some feelings for what it is like to be crazy, and how we use that word ‘crazy’ to avoid thinking about things that are too painful for us. In the Soviet Union political dissidents are routinely placed in insane asylums. The same kind of thing, a little more subtle perhaps, occurs here: ‘did you hear what Lenny Bruce said yesterday? He must be crazy.’ When high on cannabis I discovered that there’s somebody inside in those people we call mad.
When I’m high I can penetrate into the past, recall childhood memories, friends, relatives, playthings, streets, smells, sounds, and tastes from a vanished era. I can reconstruct the actual occurrences in childhood events only half understood at the time. Many but not all my cannabis trips have somewhere in them a symbolism significant to me which I won’t attempt to describe here, a kind of mandala embossed on the high. Free-associating to this mandala, both visually and as plays on words, has produced a very rich array of insights.
There is a myth about such highs: the user has an illusion of great insight, but it does not survive scrutiny in the morning. I am convinced that this is an error, and that the devastating insights achieved when high are real insights; the main problem is putting these insights in a form acceptable to the quite different self that we are when we’re down the next day. Some of the hardest work I’ve ever done has been to put such insights down on tape or in writing. The problem is that ten even more interesting ideas or images have to be lost in the effort of recording one. It is easy to understand why someone might think it’s a waste of effort going to all that trouble to set the thought down, a kind of intrusion of the Protestant Ethic. But since I live almost all my life down I’ve made the effort – successfully, I think. Incidentally, I find that reasonably good insights can be remembered the next day, but only if some effort has been made to set them down another way. If I write the insight down or tell it to someone, then I can remember it with no assistance the following morning; but if I merely say to myself that I must make an effort to remember, I never do.
I find that most of the insights I achieve when high are into social issues, an area of creative scholarship very different from the one I am generally known for. I can remember one occasion, taking a shower with my wife while high, in which I had an idea on the origins and invalidities of racism in terms of gaussian distribution curves. It was a point obvious in a way, but rarely talked about. I drew the curves in soap on the shower wall, and went to write the idea down. One idea led to another, and at the end of about an hour of extremely hard work I found I had written eleven short essays on a wide range of social, political, philosophical, and human biological topics. Because of problems of space, I can’t go into the details of these essays, but from all external signs, such as public reactions and expert commentary, they seem to contain valid insights. I have used them in university commencement addresses, public lectures, and in my books.
But let me try to at least give the flavor of such an insight and its accompaniments. One night, high on cannabis, I was delving into my childhood, a little self-analysis, and making what seemed to me to be very good progress. I then paused and thought how extraordinary it was that Sigmund Freud, with no assistance from drugs, had been able to achieve his own remarkable self-analysis. But then it hit me like a thunderclap that this was wrong, that Freud had spent the decade before his self-analysis as an experimenter with and a proselytizer for cocaine; and it seemed to me very apparent that the genuine psychological insights that Freud brought to the world were at least in part derived from his drug experience. I have no idea whether this is in fact true, or whether the historians of Freud would agree with this interpretation, or even if such an idea has been published in the past, but it is an interesting hypothesis and one which passes first scrutiny in the world of the downs.
I can remember the night that I suddenly realized what it was like to be crazy, or nights when my feelings and perceptions were of a religious nature. I had a very accurate sense that these feelings and perceptions, written down casually, would not stand the usual critical scrutiny that is my stock in trade as a scientist. If I find in the morning a message from myself the night before informing me that there is a world around us which we barely sense, or that we can become one with the universe, or even that certain politicians are desperately frightened men, I may tend to disbelieve; but when I’m high I know about this disbelief. And so I have a tape in which I exhort myself to take such remarks seriously. I say ‘Listen closely, you sonofabitch of the morning! This stuff is real!’ I try to show that my mind is working clearly; I recall the name of a high school acquaintance I have not thought of in thirty years; I describe the color, typography, and format of a book in another room and these memories do pass critical scrutiny in the morning. I am convinced that there are genuine and valid levels of perception available with cannabis (and probably with other drugs) which are, through the defects of our society and our educational system, unavailable to us without such drugs. Such a remark applies not only to self-awareness and to intellectual pursuits, but also to perceptions of real people, a vastly enhanced sensitivity to facial expression, intonations, and choice of words which sometimes yields a rapport so close it’s as if two people are reading each other’s minds.
Cannabis enables nonmusicians to know a little about what it is like to be a musician, and nonartists to grasp the joys of art. But I am neither an artist nor a musician. What about my own scientific work? While I find a curious disinclination to think of my professional concerns when high – the attractive intellectual adventures always seem to be in every other area – I have made a conscious effort to think of a few particularly difficult current problems in my field when high. It works, at least to a degree. I find I can bring to bear, for example, a range of relevant experimental facts which appear to be mutually inconsistent. So far, so good. At least the recall works. Then in trying to conceive of a way of reconciling the disparate facts, I was able to come up with a very bizarre possibility, one that I’m sure I would never have thought of down. I’ve written a paper which mentions this idea in passing. I think it’s very unlikely to be true, but it has consequences which are experimentally testable, which is the hallmark of an acceptable theory.
I have mentioned that in the cannabis experience there is a part of your mind that remains a dispassionate observer, who is able to take you down in a hurry if need be. I have on a few occasions been forced to drive in heavy traffic when high. I’ve negotiated it with no difficult at all, though I did have some thoughts about the marvelous cherry-red color of traffic lights. I find that after the drive I’m not high at all. There are no flashes on the insides of my eyelids. If you’re high and your child is calling, you can respond about as capably as you usually do. I don’t advocate driving when high on cannabis, but I can tell you from personal experience that it certainly can be done. My high is always reflective, peaceable, intellectually exciting, and sociable, unlike most alcohol highs, and there is never a hangover. Through the years I find that slightly smaller amounts of cannabis suffice to produce the same degree of high, and in one movie theater recently I found I could get high just by inhaling the cannabis smoke which permeated the theater.
There is a very nice self-titering aspect to cannabis. Each puff is a very small dose; the time lag between inhaling a puff and sensing its effect is small; and there is no desire for more after the high is there. I think the ratio, R, of the time to sense the dose taken to the time required to take an excessive dose is an important quantity. R is very large for LSD (which I’ve never taken) and reasonably short for cannabis. Small values of R should be one measure of the safety of psychedelic drugs. When cannabis is legalized, I hope to see this ratio as one of he parameters printed on the pack. I hope that time isn’t too distant; the illegality of cannabis is outrageous, an impediment to full utilization of a drug which helps produce the serenity and insight, sensitivity and fellowship so desperately needed in this increasingly mad and dangerous world.
After the Crash 