Documentary Zeitgeist: The Movie, authored by Peter Joseph, reflects on the the myth of Jesus, the attacks of 9/11, and the Federal Reserve Bank as well as on a number of conspiracy theories related to those three main topics. It was released free online via Google Video in June 2007. A remastered version was presented as a global premiere on November 10, 2007 at the 4th Annual Artivist Film Festival & Artivist Awards. The film has attracted significant public interest.
If you dig deep enough into any one of the issues and resolutions presented in the film you’ll find that there are actual facts to support each one of them. We have been lied to! It’s as simple as that. We need to wake up on a planetary level and work towards a fossil fuel free planet. We can’t afford to wait and debate whether “God” exists or not. Stop nitpicking the particulars and act. We’re running out of time and most importantly resources. If there is a God, I doubt he likes this use of money and the monetary system and how those in power (with money) have used it to benefit only themselves and further destroy the environment and all life on this planet.
Think about it. Six corporations, (mostly made up of families who have married each other for years) are determining the fate of the human race and the planet, through their advertising money spent and blatant misuse and abuse of power. Are we going to stand here like sheep? Or are we going to work together and help change the future of humankind for the betterment of all?
We choose to be greedy, we choose to be hateful, we chose to segregate each other into categories, we chose to twist the rules, omit a word, and judge where none of us has a right to judge. We can only do the best we can. It’s not even about faith really, it’s about being deeply human. How we choose to deal with our humanity is just a choice. We all have the same finish line to look forward to. Faith is what you choose to hope for after you cross it.
In a shocking piece of news, investigative reporter Millie Weaver and her husband were arrested at their home. The arrest comes in the wake of her documentary release on the topic of the US “shadow government” which was all set to be screened on YouTube as she had teased in her last tweet. While there seems to be no confirmation as to why she was taken by the officers, a string of speculative theories seem to have popped up on social media.
Born on February 6, 1991, in San Bernardino, California, United States, Weaver was an aspiring actress and singer who went on to be a political activist and reporter. She is a mother to a four-year-old son and a nine-month-old daughter, as per a report from YHStars.com. Not just that, the same report says that the 29-year-old was named as one Newsmax’s “30 Most Influential Republicans Under 30.”
On August 11, 2020, she posted the trailer with the caption: “The ObamaGate scandal only scratches the surface. This may the biggest whistleblowing event to date. Official Trailer – Shadow Gate.” After the shocking news, the tweet went viral with over 7,000 retweets and 8,000 likes in a few hours. The narration in the trailer says, “Both parties are equally guilty in what should turn out to be an even bigger scandal. Shadow Gate the tactical and operational role the shadow government played behind the scenes carrying out the coup against President Trump.” The trailer also detailed that the documentary would detail who the real puppetmasters and string-pullers are.
As per a USSA News report, her documentary ‘Shadow Gate’ was all set to tell the tale of two whistleblowers who claim that a secretive network of government and military insiders have ‘backdoor’ access to intelligence agencies and information on elite personalities including politicians which would be used to blackmail powerful people. Not just that, the film was also set to show how military psychological warfare programs are used against people through mainstream corporate media and social media.
According to the same report, one of the whistleblowers in the film named Tore was recently suspended by Twitter. When reporter Spiro Skouras tried getting in touch with the Portage County Sheriff’s Office, they confirmed Weaver is in their custody and said that she was served a secret indictment. Currently, she is being charged for tampering with evidence, obstruction of justice, and domestic violence. As per the Sheriff’s Office, she is being held without bond and will remain in custody over the weekend until she appears before a judge on Monday morning, August 17.
The news first surfaced on Twitter when Weaver posted a video of officers knocking her door and announcing her arrest in front of crying children. When she asked the reason, she was told that a “Grand Jury indicted her for burglary”. The one-minute 50-second clip soon made its way to Twitter and was posted by several social media users.
Cassandra Fairbanks shared a fundraiser on Twitter and tried to seek help from people for her release. The GoFundMe page reads: “Millie Weaver, the popular independent journalist, was arrested today in a shocking raid. No information is publicly available, and in cell phone footage of the arrest, Millie repeatedly asks what the arrest is for, with police providing no answers. Whatever the case, we know Millie will need financial help — to pay for a lawyer and other expenses.”
It further adds: “I have just spoken with a work colleague of Millie, and with her friend Tore, who have given me their approval to launch this fundraiser. They confirm that it will not conflict with any other actions to help Millie. All proceeds will be transferred to Millie or her designate as soon as she’s out of custody.” At the time of writing, $13,880 has been raised of $20,000 goal and in an update, the organizer Ezra Levant posted: “I have been in touch with Millie’s friend Tore about connecting with legal counsel. I won’t disclose anything confidential, but it is my goal to help support any legal effort, including (if applicable) paying bail.”
Wild theories started to spiral out of nowhere, many of which said that she was arrested for allegedly obtaining leaked government documents. However, there is no confirmed report or news and MEA World Wide cannot independently verify these claims or allegations.
Every American Should Watch Abby Martin’s New Afghanistan War Documentary
Abby Martin’s new documentary, “Afghanistan War Exposed: An Imperial Conspiracy,” is a tour de force, a must watch for every American seeking a holistic understanding of American’s longest-running war.
The perpetual occupation of Afghanistan has become so normalized that it mostly serves as background noise to most Americans. It’s even jokingly referred to as the “Forever War,” accepted as just another constant reality. A soldier dies now and again, a couple of dozen civilians get killed in another bombing. It’s never enough to stir the population to pressure Washington enough to stop it. And the endless war drags on.
From George W. Bush to Barack Obama, to Donald Trump, every U.S. president has promised to end the war. But their plans to bring the troops home inevitably require first sending more troops to the country. You can’t look at all this rhetoric and reality and not conclude that the United States wants to stay in Afghanistan forever. And there is a reason, despite an unresolvable military quagmire, that the Empire won’t let go of Afghanistan.
In this latest “Empire Files” documentary, journalist Abby Martin covers reveals the reality of America’s Wars in Afghanistan, from the CIA construct of the 1980s through today’s senseless stalemate. MintPress brings you documentary in its entirety, published with permission from filmmaker Abby Martin.
Independent journalists expose government lies and corporate deception, inspired by the legendary investigative journalist I.F. Stone.
With government deception rampant, and intrusion of state surveillance into private life never more egregious, independent voices like Glenn Greenwald, Jeremy Scahill, and Amy Goodman are crucially important. All three are inspired by the iconoclastic rebel journalist named I. F. Stone, whose fearless, independent reporting from 1953 to 1971 filled a tiny 4-page newsletter which he wrote, published and carried to the mailbox every week.
This documentary will change the way you look at the mainstream media. Giant media conglomerates are increasingly reluctant to investigate or criticize government policies, particularly on defense, security and intelligence issues.
Drawn from a cache of personal video recordings from the past 22 years, director Steve Loveridge’s Sundance award winning MATANGI / MAYA / M.I.A. is a startlingly personal profile of the critically acclaimed artist, chronicling her remarkable journey from refugee immigrant to pop star.
She began as Matangi. Daughter of the founder of Sri Lanka’s armed Tamil resistance, she hid from the government in the face of a vicious and bloody civil war. When her family fled to the UK, she became Maya, a precocious and creative immigrant teenager in London. Finally, the world met her as M.I.A. when she emerged on the global stage, having created a mashup, cut-and-paste identity that pulled from every corner of her journey along the way; a sonic sketchbook that blended Tamil politics, art school punk, hip-hop beats and the unwavering, ultra-confident voice of a burgeoning multicultural youth.
Never one to compromise on her vision, Maya kept her camera rolling throughout. MATANGI / MAYA / M.I.A. provides unparalleled, intimate access to the artist in her battles with the music industry and mainstream media as her success and fame explodes, becoming one of the most recognizable, outspoken and provocative voices in music today.
A new documentary by Olivier Berruyer, editor of the website les-crises.fr, released in conjunction with Consortium News on Monday, sorts out the complicated scandal and the role Joe Biden played in it.
As relevant today as when it was first released, Faces of the Enemy follows social psychologist Sam Keen as he unmasks how individuals and nations dehumanize their enemies to justify the inhumanity of war.
Using archival news footage, public service announcements, and editorial cartoons, Keen unveils the same frightening pattern in conflict after conflict – World War II, the Vietnam War, the Cold War, Islamic and Christian Fundamentalism – and prefigures the current War on Terrorism. First we identify ourselves as victims. Then we blame, demonize and finally dehumanize our adversaries, rationalizing our murder of other human beings.
Faces of the Enemy contends that before a drop of blood is spilled we must ‘think each other to death.’ It is a story replayed on the nightly news, in Islamic Fundamentalists’ characterization of the West as the ‘Great Satan’ and our own stereotyping of Muslims as terrorists. In a revealing examination of the images and iconography of war Keen interviews the nation’s leading editorial cartoonists. They discuss how they use an almost universal language of stereotypes and prejudices to tap into readers’ most visceral emotions.
In a chilling example of the psychological roots of enmity, we meet David Rice, an unemployed welder now an inmate on Death Row. Influenced by far-right propaganda, Rice decided communism was responsible for his personal problems. He bludgeoned to death a family of four whom he (mistakenly) thought were communists. He remains without remorse regarding them as ‘collateral damage’ in a war against the Evil Empire. The Christian Fundamentalist leaders who inspired Rice are only too happy to explain that they are in a holy war against communists and any non-believers.
By contrast, William Broyles, a Viet Nam veteran and author, returned after the war to personalize the individuals who had been his enemies’ to humanize the abstractions. He explains how racist terms and images can be used to turn human beings into monsters. These epithets and images extend the circumstances of war into terrible brutality. But he also explains how we can move beyond these dehumanizing thoughts and seek out the humanity of others.
Psychologists Robert Lifton and Steven Kull explain how war and artificial enemies provide people with the moral and mental certainties they crave, giving them a sense of purpose in a sometimes-ambiguous world. Mythologist Joseph Campbell, providing a note of hope, suggests that underneath the mask of the enemy we ultimately recognize ourselves. This, Campbell further contends, may be the origin of compassion, brotherhood and altruism, in other words the inverse of war.
Director Jennifer Abbott and Mark Achbar’s “The Corporation” (2003) is a comprehensively researched film exploring the history of corporations, how they operate and how they’ve come to attain so much political power. Related topics include the 1933 attempted corporate coup exposed by General Smedley Butler, the Fox news coverup of the dangers of Monsanto’s Bovine Growth Hormone, and the mass protests in Bolivia sparked by the attempted privatization of their water supply in 2000.
After the Crash 