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Obama Incites Bloodshed in Venezuela

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By Nil Nikandrov

Source: Strategic Culture Foundation

The US special services together with their “assistants” from Canada and Great Britain tried again to stage a coup in Venezuela. In the middle of February, Venezuelan President Nicolas Maduro said the national security services frustrated the plans of US embassy and put an end to its hostile actions. As a result, a number of people were arrested, including Venezuelan air force officers and activists of radical opposition. The subversive activities were guided by Western diplomatic missions. The names of those behind the plot are known but they cannot be brought to justice being protected by diplomatic immunity. The President said the plotters wanted to assassinate him. The United States embassy guaranteed that the perpetrators would be granted asylum in America.

The Bolivarian National Intelligence Service (El Servicio Bolivariano de Inteligencia Nacional – SEBIN) had been warned about the conspiracy preparations. A Super Tucano aircraft (a light, highly agile Brazilian aircraft designed principally for pilot training and counterinsurgency operations) used before for special operations by Academi (former Blackwater), an American private military company, was handed over to plotters in the United States. The plane had the insignia of Venezuelan air force. It was armed and prepared to make a flight from Columbia to the island of Curacao where a US forward operating location is stationed. The CIA-recruited pilots, who betrayed the Bolivarian regime and their home country, learned well which targets they had to strike: the presidential palace, the buildings of ministries of Defense and General Staff and TV company TeleSUR. Security agencies found caches of arms, the equipment to provide guidance to the target and a video footage showing air force officers and opposition leaders involved in the plot addressing people. The video footage was given in Miami to journalist Patricia Poleo, a fierce opponent of the current Venezuelan government. She was to make it go on air but the plan was thwarted. The video material got into the hands of SEBIN operatives.

The video showed the plotters with balaclavas on their heads announcing the beginning of insurgency in the armed forces and the establishment of interim government. It was prepared to be made public by El Nacional newspaper at the time of coup. Three key figures of the Venezuelan opposition – Leopoldo López, the mayor of Caracas, Antonio Ledezma, the leader of Voluntad Popular (People’s Will) and former member of parliament Maria Corina Machado signed and distributed a joint communique on February 11, just one day before the planned coup plot that President Nicolas Maduro denounced was to take place. All these people were known to be close to the United States. Entitled “The Call for a National Transition Agreement,” the statement calls for unification of Venezuelans behind a national plan aimed at supplanting the current socialist administration of President Nicolas Maduro. It says the country was going through hardships unparalleled in its history. It is the fault of regime that has been trying for sixteen years to impose a failed system. In the text the current government is described as a “failed” “corrupt” and “inefficient” regime, made up of an “elite of no more 100 people” who have pilfered public funds “which could have been used for the benefit of all”. It also states that Venezuela is on the brink of a “humanitarian crisis” whilst the Maduro government is “delegitimised” and in its “terminal phase”. It says nothing about the hard struggle against the United States trying to overthrow the regime fallen out of its favor. In the effort to achieve the goal, the US uses all any methods without hesitation, including economic sabotage, subversive activities against oil and energy sectors, never ending information war, organizing street protests in big cities and the use of local criminals and Columbian paramilitaries to destabilize the situation in the country. The list also includes artificially created shortages of food and basic consumer goods. The operations against Salvador Allende in Chile come to mind. The US uses the same dirty methods in Venezuela. Waiting in line has become a common occurrence in Venezuelan cities since 2013. Different prices in Columbian and Venezuelan shops are one of the reasons. Almost everything is smuggled to Columbia – from super cheap gas to corn meal and sugar. To some extent the military called by President Maduro to fight the cross border smuggling helped to control the situation.

According to the plotters’ plans, Maria Corina Machado was to head the new government. She has been patronized by former US President George Bush Jr. The Machado’s three minute meeting in the White House with the President of the United States in March 2005 attracted unusually high attention of pro-US media. Maria was painted as the most promising politician able to defeat President Hugo Chavez and become a Venezuelan President absolutely loyal to the United States. The revelations about the Machado’s ties with US intelligence services spoiled the plans. She was the founder, former vice president, and former president of the Venezuelan volunteer civil organization Sumate that used US-provided funds. When it was revealed that Machado got large sums of money from special services, she had to keep away from spotlight. Today the United States needs her again. She is ready to go to any length in an effort to overthrow Nicolas Maduro. Washington wants her to lead the country.

The planning has been done. A group of pro-US Latin American presidents is carrying out the mission. Former Mexican President Felipe Calderón, former Chilean President Sebastian Piñera and former Colombia President Andres Pastrana came to the country under the pretext of expressing their support for Leopoldo López. The real purpose was to see the real situation in the country. Nicolas Maduro never stood in their way. He only said that these people came to support ultra-right wing radicals who do not recognize the government and call for a bloody coup. Maduro warned that the visitors would have their hands soaked in blood if they hobnob with this kind of people.

Of those who signed the statement Machado is the only one who is still at large. A year ago Leopoldo López was put behind bars for inciting street protests resulting in dozens of victims. Antonio Ledezma was detained a few days ago charged with involvement in coup attempt. The conditions of detainment are not so tough; he can continue the struggle against the Bolivarian regime. Recently he sent a letter to media outlets calling for continuing protests and peaceful struggle against Nicolas Maduro to make the current President resign. In the letter he stuck rigidly to the constitution. It says “We must keep up the struggle in the street, in a civil manner with the constitution in our hands and with the truth in front of us” Ledezma wrote. “They [the government] have the weapons but we have the ideas to unite the Venezuelan people. Violence is a pointless vacuum that leads nowhere.” He wants no mercy and calls for solidarity to protect democratic values in Venezuela. He stands out among Venezuelan politicians for his aggressive style and vindictiveness. It is suggested that if the plotters won, he would have headed the Interior Ministry to cleanse the national politics from Bolivarians, Chavistas and other elements hostile to the United States.

After the leading plotters were arrested and their ties with special services and embassies of the United States, Canada and Great Britain were revealed, Nicolas Maduro could say with certainty that another coup attempt orchestrated by Washington was effectively foiled. The tension in the relationship with the United States remains. In December 2014, President Obama endorsed sanctions against top officials of Venezuela accused by Washington of human rights violations. Maduro warned Americans that arbitrary sanctions and other attempts to exert pressure would deteriorate the bilateral relationship even further. He said the United States tried to stage coups in Venezuela a number of times. The US interference into the internal affairs of other countries has become a constant factor to negatively affect the situation in the world.

Jen Psaki, the spokesperson for the United States Department of State, as usually rejected all the accusations of US involvement into the conspiracy to organize a coup in Venezuela. “Well, I think we’ve seen continued accusations, no question, that are false and baseless. And our view continues to be that political transitions must be democratic, constitutional, peaceful, and legal. We do not support a political transition in Venezuela by non-constitutional means. We’re not promoting unrest in Venezuela, nor are we attempting to undermine Venezuela’s economy or its government. And this is a continued effort – ongoing, because I do feel like we talk about these incidents once a week at least – about – of the Venezuelan Government to try to distract attention from the country’s economic and political problems and focus and try to distract and make these false accusations.”

Meanwhile, the investigation continues. Nicolas Maduro says Antonio Ledezma tried to abuse his position to organize a violent coup and destabilize the country. New arrests are to follow. The government of Venezuela is adamant in its desire to prevent the events unfolding according to a scenario worked out by the United States Central Intelligence Agency.

Related Articles:

Obama Failed his Coup in Venezuela (By Thierry Meyssan, Voltairenet.org)

US Aggression Against Venezuela (By Eva Golinger, Counterpunch.org)

Venezuela in the Crosshairs (By Coromoto Jaraba, IntrepidReport.com)

Celluloid and Simulation

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By Cary Hill

Source: Moviepilot

The medium is the message. This is merely to say that the personal and social consequences of any medium – that is, of any extension of ourselves – result from the new scale that is introduced into our affairs by each extension of ourselves, or by any new technology. — Marshall McLuhan

A friend recently remarked to me that it felt increasingly more like his childhood was being repackaged and sold back to him. We were discussing the recent rash of movies, toys, and TV shows based on things from our childhood: GI Joe, Transformers, etc. New Hollywood franchises (including merchandise) are being launched from shows we watched 30 years ago, targeting our generation and our children. Nostalgia is now big business.

So I wondered: If the majority of Hollywood’s efforts are being put to resurrecting original content from decades ago in an attempt to exploit nostalgia, what happens when all new films and toys are based on prior existing material? We’ve seen Hollywood not even balk at rebooting an existing franchise (Spiderman, Batman, Teenage Mutant Ninja Turtles, The Hulk), but with the lack of original content (OC) it could reach a theoretical point — or singularity — where there is no original content to recycle.

A reboot or remake is, at the bottom level, a copy. It may have different characters or actors, but the story remains the same. Marc Webb’s The Amazing Spider-Man was essentially the same story as Sam Raimi’s Spider-Man (yes, the villain was different but it was still his origin story). And Raimi’s film was based on Stan Lee’s comic. So Webb’s film is a copy of a copy. The upcoming sequel to Webb’s film creates an extension of the copy’s copy. Even if you claim Webb’s film adapts Lee’s comic directly, it still becomes a copy of Raimi’s film which adapted the same source.

Teenage Mutant Turtles is perhaps a better example. Originally a 1980s comic by Kevin Eastman and Peter Laird, it was adapted into a cartoon series (and toys) and then a feature film. It spawned two sequels then an animated remake in 2007, and finally a live (with heavy CGI) remake last year. This order of simulacra, is chronologically correct in my generation’s minds because we lived through it. Our memory can align which came first and trace the comic book origin back to 1984. But for our children’s generation, there is merely a group of copies to choose from with no memory attached.

So if our nostalgia is packaged and sold as a reimagining, reboot, reset, or remake, there has to be something from our childhood to appeal to us. There is that OC that remember being so new, so awesome, and so…unique. If there is a lack of original content and new franchises, studios are further pushed to recycle existing properties. Recycling begets recycling as all resources are consumed to merely recreate a film or property that already exists. And as there are less and less original films, the risks becomes even greater to take a chance on something novel.

This is, of course, theoretical. I’m sure readers are quick to point out “new” franchises like The Hunger Games that are doing well at the box office. After all, these Young Adult books have become a hot-ticket item, perfect fodder for Hollywood’s most cherished demographic: the teenager. These books (and films) aren’t that revolutionary in plot or story, and seem to share a lot of common themes among them. Regardless, they can play out as something “different” for the purposes of this article. However, given their box office take, one wouldn’t be too shocked to see them remade anyway.

In our theoretical, Simulacra and Simulation-esque (The Matrix, anyone?), Baudrillard vision of Hollywood, at some point the entire palate of films would consist of pre-existing material. The 80s and 90s childhoods repackaged and consumed by the same people (now adults) and their children of the 2000s and 2010s. So in the 2020s and 2030s, can nostalgia be repackaged if there’s no OC from the 2000s/2010s to resurrect? Or do you repackage the repackage?

Baudrillard’s 3rd stage of Simulacra:

The third stage masks the absence of a profound reality, where the simulacrum pretends to be a faithful copy, but it is a copy with no original. Signs and images claim to represent something real, but no representation is taking place and arbitrary images are merely suggested as things which they have no relationship to.

What makes this even more head-spinning is the fact that film is, by definition, simulacrum. Cinema is a representation of something else (a story, or screenplay), played out by actors pretending to be characters. In a decade or two or repackaging, you would have a copy of a copy of a copy of a simulacra. The result, according to Baudrillard’s book, is a decay of meaning through each additional simulacrum.

And maybe that’s just it. Baudrillard’s decay of meaning makes the reboot less effective — people don’t bother to see a fourth or fifth reboot of Teenage Mutant Turtles. At some point it just couldn’t be that different, right? So if the reboot carries no value, it makes it unmarketable by Hollywood to sell. Perhaps at this point all reboots are done away with and there is only original content. A child born in 2030 could have three or four versions of the same franchise to watch, and with so much selection why go to the theater to see that fifth version?

Then again, the “Greatest Story Ever Told,” the birth and death of Jesus Christ, remains a popular adaptation to make over and over since Griffith’s Intolerance (1916) . If Spider-Man and other superheroes are a post-modern, cinematic parallel to Christ, then perhaps their stories too will always be remade over and over.

 

Jodorowsky’s new film ENDLESS POETRY (Poesía Sin Fin)

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By Satori Films

Source: Kickstarter

Alejandro Jodorowsky, father of the midnight movie, wants to exchange your money into Poetic Money to make his latest film.

About this project

I was trying not to prepare anything. I didn’t want to prepare what I was going to say to you. Why? Because I am searching for my inner truth, I want to know what will I say. In two more days I will be 86 years old… it’s a lot. Why, at 86 years of age, am I fighting to make a picture? Why? Nothing is that important for me. Is it so important for a person who can die one day to the other, to make a picture? Because when you are 86 years old, every morning you awake and you say “I am still alive”. You are happy to be alive but you are maybe at the end of something. Why make a picture? What is a picture? Some pictures are only fun and show. It’s necessary, because in the world we are all nervous about everything that’s happening, no? They even say we are destroying the planet. So we need to go, to see a picture, to forget ourselves. Perhaps this is necessary, but for me a picture is not that. For me a picture is for remembering your self, not for forgetting yourself. But what does it mean to remember your self? What can we remember? For me, movies are really an art. And what is art? It is the search for your inner beauty. That is art. I don’t want to make a picture in order to make money. But if money comes, I open the pocket in order to make more pictures. But that’s not the finality. It’s not the finality to being admired by others. It’s not the finality to lie and invent things you’ve never lived.

In order to say something you need to know the thing you’re speaking of. It needs to be an experience, what you show on the screen. What will I show in this picture? What are human beings, art, museums and movie theatres showing to us? Are we those anti-heroes? Those people who have no dignity? We are slaves? We are liars? Thieves? What are we now? I don’t want to show that kind of person. I don’t know how to make pictures of everyone fighting one another, to have money, to steal money Why ?! I don’t want to speak about “love” either; about this “love” that isn’t real, that’s a fairytale. Love is something great, incredible, “sublime”… I don’t know how you say “sublime” in English… The most beautiful thing. Marpa was a saint in Tibet and he said “ Life, everything, is an illusion”. One day his son died, his young son died and he was crying and crying and crying and the disciples asked Marpa “Why are you crying? Your son is an illusion.” “Yes, my son is an illusion. But he is the most beautiful illusion.” Movies are an illusion but need to be the most beautiful illusion. I know what it’s like to scream because one of your sons died. It’s terrible. It’s terrible And in that moment you ask yourself, “ Why am I doing art, movies? Why?!” and then you say I am making movies and art in order to heal my soul. I need to open! Open ! open ! myself, in order to fin myself. To remember what the human being is. The beautifulness of the human being. The beautifulness of you. I need to show how beautiful the human being is. Now.

In Chile, in the forties, I was 24 years old… it was a fantastic moment. The war was all over the planet, and in Chile : no war. Because we are far and separate of the world: no television, mountains, ocean, peace! It was so peaceful. It was beautiful. And then a miracle happened : Poetry came to the country. Great poets started to write marvelous, marvelous poems; two of them have the Nobel Prize, Pablo Neruda and Gabriela Mistral – our father and our mother.

And then, everything was poetry. We were living our adolescence in this situation: poetry everywhere. And we started to search for the “poetical act”. For how it was to live with beautifulness. How it was to live in the mind: free! In heart : in union with world. In the sex: in full creativity.

How to make poetical action in order to discover the beautifulness of Life. There it was. In that time, the poetry was there. The human being was there. We had love, we had artists, we discovered all kinds of art.

And that suddenly disappeared. When I was 24 I left this paradise, and went to Europe where the world is illusion or disillusion, you don’t know.

But now I want to show what a spiritual paradise is: a young person, searching for the beautifulness of poetry. That is all that I want. I want to express… how to say it in English?… How I am obliged to this past… because I knew how it was to live in poetry. I knew that. And I want to show the world that it’s possible. It’s possible to remember your self. It’s possible to open your mind. It’s possible to open your heart. It’s possible to open your creativity. To live with less, but to live well. Well. That is what I want. Poetry without end. Endless Poetry. That is what I will do.

 

ENDLESS POETRY(Poesía Sin Fin) Official site: http://www.poesiasinfin.com/

After a 23 yearlong absence, the director of cult classics El Topo (1969) and Holy Mountain (1973) made his comeback in film direction in 2013 with The Dance of Reality. The film was based on the first part of Alejandro Jodorowsky’s homonymous autobiographical book, depicting his childhood years in Tocopilla, Chile. His new film ENDLESS POETRY (Poesía Sin Fin) will be based on the latter half of the same book, depicting the author’s youth in lively Santiago de Chile.

Our world is suffering from a devastating absence of poetry. Naïvely we sometimes hope to reconnect with it through film. But the greed-riddled industry, having colonized this magnificent art form, has done everything to strip it of its poetic power. With this film, Jodorowsky directs his energy more than ever into creating a film that can serve as a vehicle for awaking consciousness. It is our duty to enable all efforts to fight the powers that insist on lowering cinema to just a product in a commercial market. This film will bring forth an example of film’s poetic power.

ENDLESS POETRY (Poesía Sin Fin) flashes back to those decisive years in Alejandro Jodorowsky’s youth; years that defined the principle that would reign over his entire life: Poetry. The director’s life has been a constant effort to expand his imagination and push back against his own limits in order to apprehend and harness the potential for liberation that lies within each and every one of us. His career has been an open invitation to follow him in his efforts.

ENDLESS POETRY (Poesía Sin Fin) will be carried out as an offering both to film and to the general audience, who are infinitely more profound, intelligent and sensitive than the Hollywood industry would like to admit.

ENDLESS POETRY (Poesía Sin Fin) explores the magic reality underlying our surrounding world. The film seeks to inspire and encourage us all to dare to find our true selves. It is an invitation to Life.

Synopsis

Leaving his childhood and his native Tocopilla behind, the adolescent Alejandro Jodorowsky follows his parents to Santiago de Chile. Between his lack of self-confidence and the family pressure he is under, Alejandro struggles to express his desires and find his own path. But the flourishing capital, filled with artists and poets offers the perfect setting for him to grow out of his cage. Thinking he’d fit in well, Alejandro’s cousin Ricardo takes the young boy to the home of Veronica and Carmen Cereceda, where puppeteers, dancers, sculptors and painters all live and create together. There, defying all of his old limitations, Alejandro takes the first step on his path to becoming a poet in the Chilean artistic epicenter of the 1940s. Alongside rising poets like Enrique Linh, Nicanor Parra and in the arms of his first love, Stella Diaz, Alejandro’s poetic destiny takes form and a new world unravels … changing his life forever.

Production Schedule and Budget

The film will be shot in Santiago de Chile from July to August 2015 for eight weeks. Its post-production such as editing, music tracks, visual effects and so forth will take place in Paris and Tokyo with completion slated for the end of February 2016. The total buget will be about three million dollars.

Why Kickstarter?

Alejandro Jodorowsky says; « The necessity for expression is more important than the type of film you want to make. I make a film when I have something I need to express. I don’t think about investors, industries or commercialisation. I just need to express myself.

In order to realize Jodorowsky’s new film production, we need the support of micro producers across the world who understand his vision of cinema.

Jodorowsky’s Poetic Money

Jodorowsky thinks that all money should be transformed into poetry. And so that is what he will do with this Kickstarter project. No matter what level you pledge at, Jodorowsky will exchange your pledge into his brand new Poetic Money (DINERO POÉTICO) and send it back to you. This money can’t be spent on any material goods — only on the poetry of the universe.

The exchange rate is 1US$＝1DP.

(In the case of $10,000 or more pledge, it is 0.5US$=1DP）

There are 3 bill denominations: 1DP, 10DP and 100DP. Each bill has an original money-related poem written by Jodorowsky printed on it in Spanish. There are two versions of each DP bill, each version of the bill presenting a different poem. There are 6 kinds of bills in total.

Jodorowsky wants to fill the world with poetry. So when you pledge, please mumble a poem in your heart. If you have a twitter account, please tweet a poem with #EndlessPoetryMyPoem. Your poem will be on the official site of ENDLESS POETRY (Poesía Sin Fin).

Jodorowsky’s Poems About Money and Wealth

 <1 Dinero Poético>

1 dinero poético – A
Money is like the Buddha; you can’t obtain it unless you work for it. If you keep it from flowing, it disappears.

1 dinero poético – B
To those who use it to make the flower of the world blossom, money gives its light. Those who glorify themselves, mistaking wealth for the soul, money destroys.

<10 Dinero Poético>

10 dinero poético – A
In pursuance of wealth I throw a spear through the Goddess and bathe in her blood.

10 dinero poético – B
Just as gold does not cease to shine when clouds cover the sun, the soul, beneath flesh and bone, continues to glow with its own light.

<100 Dinero Poético>

100 dinero poético – A
There is no difference between money and consciousness.
There is no difference between consciousness and death.
There is no difference between death and wealth.

100 dinero poético – B
Money is like blood: it gives life if it flows.
Money is like the Christ: it blesses you if you share it.
Money is like a woman: it offers itself to you if you cherish it.

Read more and/or back the project at Jodorowsky’s Kickstarter Page.

 

Welcome to the Matrix: Enslaved by Technology and the Internet of Things

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By John W. Whitehead

Source: The Rutherford Institute

“There will come a time when it isn’t ‘They’re spying on me through my phone’ anymore. Eventually, it will be ‘My phone is spying on me.’” ― Philip K. Dick

If ever Americans sell their birthright, it will be for the promise of expediency and comfort delivered by way of blazingly fast Internet, cell phone signals that never drop a call, thermostats that keep us at the perfect temperature without our having to raise a finger, and entertainment that can be simultaneously streamed to our TVs, tablets and cell phones.

Likewise, if ever we find ourselves in bondage, we will have only ourselves to blame for having forged the chains through our own lassitude, laziness and abject reliance on internet-connected gadgets and gizmos that render us wholly irrelevant.

Indeed, while most of us are consumed with our selfies and trying to keep up with what our so-called friends are posting on Facebook, the megacorporation Google has been busily partnering with the National Security Agency (NSA), the Pentagon, and other governmental agencies to develop a new “human” species, so to speak.

In other words, Google—a neural network that approximates a global brain—is fusing with the human mind in a phenomenon that is called “singularity,” and they’ve hired transhumanist scientist Ray Kurzweil to do just that. Google will know the answer to your question before you have asked it, Kurzweil said. “It will have read every email you will ever have written, every document, every idle thought you’ve ever tapped into a search-engine box. It will know you better than your intimate partner does. Better, perhaps, than even yourself.”

But here’s the catch: the NSA and all other government agencies will also know you better than yourself. As William Binney, one of the highest-level whistleblowers to ever emerge from the NSA said, “The ultimate goal of the NSA is total population control.”

Science fiction, thus, has become fact.

We’re fast approaching Philip K. Dick’s vision of the future as depicted in the film Minority Report. There, police agencies apprehend criminals before they can commit a crime, driverless cars populate the highways, and a person’s biometrics are constantly scanned and used to track their movements, target them for advertising, and keep them under perpetual surveillance.

Cue the dawning of the Age of the Internet of Things, in which internet-connected “things” will monitor your home, your health and your habits in order to keep your pantry stocked, your utilities regulated and your life under control and relatively worry-free.

The key word here, however, is control.

In the not-too-distant future, “just about every device you have — and even products like chairs, that you don’t normally expect to see technology in — will be connected and talking to each other.”

By 2018, it is estimated there will be 112 million wearable devices such as smartwatches, keeping users connected it real time to their phones, emails, text messages and the Internet. By 2020, there will be 152 million cars connected to the Internet and 100 million Internet-connected bulbs and lamps. By 2022, there will be 1.1 billion smart meters installed in homes, reporting real-time usage to utility companies and other interested parties.

This “connected” industry—estimated to add more than $14 trillion to the economy by 2020—is about to be the next big thing in terms of societal transformations, right up there with the Industrial Revolution, a watershed moment in technology and culture.

Between driverless cars that completely lacking a steering wheel, accelerator, or brake pedal, and smart pills embedded with computer chips, sensors, cameras and robots, we are poised to outpace the imaginations of science fiction writers such as Philip K. Dick and Isaac Asimov. By the way, there is no such thing as a driverless car. Someone or something will be driving, but it won’t be you.

The 2015 Consumer Electronics Show in Las Vegas is a glittering showcase for such Internet-connected techno gadgets as smart light bulbs that discourage burglars by making your house look occupied, smart thermostats that regulate the temperature of your home based on your activities, and smart doorbells that let you see who is at your front door without leaving the comfort of your couch.

Nest, Google’s $3 billion acquisition, has been at the forefront of the “connected” industry, with such technologically savvy conveniences as a smart lock that tells your thermostat who is home, what temperatures they like, and when your home is unoccupied; a home phone service system that interacts with your connected devices to “learn when you come and go” and alert you if your kids don’t come home; and a sleep system that will monitor when you fall asleep, when you wake up, and keep the house noises and temperature in a sleep-conducive state.

The aim of these internet-connected devices, as Nest proclaims, is to make “your house a more thoughtful and conscious home.” For example, your car can signal ahead that you’re on your way home, while Hue lights can flash on and off to get your attention if Nest Protect senses something’s wrong. Your coffeemaker, relying on data from fitness and sleep sensors, will brew a stronger pot of coffee for you if you’ve had a restless night.

It’s not just our homes that are being reordered and reimagined in this connected age: it’s our workplaces, our health systems, our government and our very bodies that are being plugged into a matrix over which we have no real control.

Moreover, given the speed and trajectory at which these technologies are developing, it won’t be long before these devices are operating entirely independent of their human creators, which poses a whole new set of worries. As technology expert Nicholas Carr notes, “As soon as you allow robots, or software programs, to act freely in the world, they’re going to run up against ethically fraught situations and face hard choices that can’t be resolved through statistical models. That will be true of self-driving cars, self-flying drones, and battlefield robots, just as it’s already true, on a lesser scale, with automated vacuum cleaners and lawnmowers.”

For instance, just as the robotic vacuum, Roomba, “makes no distinction between a dust bunny and an insect,” weaponized drones—poised to take to the skies en masse this year—will be incapable of distinguishing between a fleeing criminal and someone merely jogging down a street. For that matter, how do you defend yourself against a robotic cop—such as the Atlas android being developed by the Pentagon—that has been programmed to respond to any perceived threat with violence?

Unfortunately, in our race to the future, we have failed to consider what such dependence on technology might mean for our humanity, not to mention our freedoms.

Ingestible or implantable chips are a good example of how unprepared we are, morally and otherwise, to navigate this uncharted terrain. Hailed as revolutionary for their ability to access, analyze and manipulate your body from the inside, these smart pills can remind you to take your medication, search for cancer, and even send an alert to your doctor warning of an impending heart attack.

Sure, the technology could save lives, but is that all we need to know? Have we done our due diligence in asking all the questions that need to be asked before unleashing such awesome technology on an unsuspecting populace?

For example, asks Washington Post reporter Ariana Eunjung Cha:

What kind of warnings should users receive about the risks of implanting chip technology inside a body, for instance? How will patients be assured that the technology won’t be used to compel them to take medications they don’t really want to take? Could law enforcement obtain data that would reveal which individuals abuse drugs or sell them on the black market? Could what started as a voluntary experiment be turned into a compulsory government identification program that could erode civil liberties?

Let me put it another way. If you were shocked by Edward Snowden’s revelations about how NSA agents have used surveillance to spy on Americans’ phone calls, emails and text messages, can you imagine what unscrupulous government agents could do with access to your internet-connected car, home and medications? Imagine what a SWAT team could do with the ability to access, monitor and control your internet-connected home—locking you in, turning off the lights, activating alarms, etc.

Thus far, the public response to concerns about government surveillance has amounted to a collective shrug. After all, who cares if the government can track your whereabouts on your GPS-enabled device so long as it helps you find the fastest route from Point A to Point B? Who cares if the NSA is listening in on your phone calls and downloading your emails so long as you can get your phone calls and emails on the go and get lightning fast Internet on the fly? Who cares if the government can monitor your activities in your home by tapping into your internet-connected devices—thermostat, water, lights—so long as you can control those things with the flick of a finger, whether you’re across the house or across the country?

As for those still reeling from a year of police shootings of unarmed citizens, SWAT team raids, and community uprisings, the menace of government surveillance can’t begin to compare to bullet-riddled bodies, devastated survivors and traumatized children. However, both approaches are just as lethal to our freedoms if left unchecked.

Control is the key here. As I make clear in my book A Government of Wolves: The Emerging American Police State, total control over every aspect of our lives, right down to our inner thoughts, is the objective of any totalitarian regime.

George Orwell understood this. His masterpiece, 1984, portrays a global society of total control in which people are not allowed to have thoughts that in any way disagree with the corporate state. There is no personal freedom, and advanced technology has become the driving force behind a surveillance-driven society. Snitches and cameras are everywhere. And people are subject to the Thought Police, who deal with anyone guilty of thought crimes. The government, or “Party,” is headed by Big Brother, who appears on posters everywhere with the words: “Big Brother is watching you.”

Make no mistake: the Internet of Things is just Big Brother in a more appealing disguise.

Even so, I’m not suggesting we all become Luddites. However, we need to be aware of how quickly a helpful device that makes our lives easier can become a harmful weapon that enslaves us.

This was the underlying lesson of The Matrix, the Wachowski brothers’ futuristic thriller about human beings enslaved by autonomous technological beings that call the shots. As Morpheus, one of the characters in The Matrix, explains:

The Matrix is everywhere. It is all around us. Even now, in this very room. You can see it when you look out your window or when you turn on your television. You can feel it when you go to work… when you go to church… when you pay your taxes. It is the world that has been pulled over your eyes to blind you from the truth.

“What truth?” asks Neo.

Morpheus leans in closer to Neo: “That you are a slave, Neo. Like everyone else you were born into bondage. Born into a prison that you cannot smell or taste or touch. A prison for your mind.”

 

Corporate Monopoly Themes in ROBOCOP

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An interesting analysis of the corporate themes in Paul Verhoeven’s Robocop (note: original video was removed by author but will be available on Rob Ager films & articles volume 7 at his site. This shorter version is still up at the moment):

The creator of the video, Rob Ager, has a number of equally intriguing film dissections on his YouTube channel and website for other genre classics such as 2001: A Space Odyssey, A Clockwork Orange, The Shining, The Matrix, Starship Troopers and Alien.

Bonus Clip: Ager’s first impressions of Mad Max 4: Fury Road

The Difference Between the Death Star and the Pentagon

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By Carey Wedler

Source: The Anti-Media

The Imperial Death Star from Star Wars and the Pentagon have much in common. It is not difficult to observe the similarities between the two behemoth structures and what they represent-especially in recent years.

For one, both used to be part of representative republics and both represent the military wings of the empires in power. In 2007, Alternet reported that the U.S. had 737 bases, 38 of which were “major,” and that

“…perhaps the optimum number of major citadels and fortresses for an imperialist aspiring to dominate the world is somewhere between thirty-five and forty.”

The desire of the military’s operatives to exert control over regions all over the world parallels the desire of the Emperor and Vader to rule the galaxy.

Another similarity is the desire of both the Death Star’s leaders and those at the Pentagon to weed out dissent. One of the main objectives of the dark side’s adherents is to find the rebels and eliminate them.

Though the Pentagon hasn’t quite started assassinating political dissidents (or entire planets, though Hiroshima and Nagasaki are an earthly comparison to Alderaan), it has made its views crystal clear: protesters are a form of terrorist and anyone deemed associated with terrorism may be denied his or her rights.

Still another commonality between the two ministries of war and destruction is the level of decadence afforded to the galactic and American agencies. The Death Star was a moon-sized, laser-clad behemoth for the Dark Side. The Pentagon employs 23,000 people in a floor space three times the size of the Empire state building and spawns doomsday technology. In both societies, the resources devoted to violence far outweigh those dedicated to promoting peace or the well-being of humanity (or alienhood).

It is easy to compare the Death Star and the Pentagon as manifestations of evil that seek power and rule by force. But there exists at least one stark difference:

In the Washington Post this week, it was revealed that the Pentagon is looking for someone to fill its “Yoda” position.

The job ad for “Director of the Office of Net Assessment” currently reads:

“The Director’s primary function is to develop assessments that compare the standings, trends and future prospects of U.S. military capability and military potential with that of other countries.”

The job was founded and held by longtime analyst Andrew W. Marshall, who recently retired. Because of his wisdom and knowledge throughout the years, he came to be known as “Yoda.”

And therein lies the difference between the rulers of the Death Star and the rulers of the Pentagon: at least Darth Vader, the emperor and their cohorts knew they were evil.

Vader repeatedly spoke of the powers of the Dark Side, of the great benefit of crossing over into evil. In the Empire Strikes Back, he tempted Luke to join the dark side to rule the galaxy with him:

“Luke, you can destroy the Emperor. He has foreseen this. It is your destiny, join me and together we can rule the galaxy as father and son.”

He iterated the slavery of being on the dark side in Return of the Jedi:

“You don’t know the power of the dark side. I must obey my master.”

Considering the empire practices what is called the “dark side” of the force, its members knew exactly what they signed up for.

But to a clearly significant portion of employees at the Pentagon, the irony is lost. It has gone over their heads that working for the world’s biggest, arguably most vicious military, is not working on the side of morality, peace, or freedom.

By calling a man who works for the Pentagon “Yoda”-a virtuous practitioner of the force- it is clear that many who work for the Pentagon believe they are working for a “force” of good. It’s scary. It’s scarier that the Pentagon likely has employees who know of its evil and yet continue to work there.

May all Pentagon employees recognize its evil, quit their jobs at the American Death Star, and work to promote the true meaning of the “force” (the same goes for soldiers of governments around the world). As the real Yoda said:

“Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.”

This is exactly how violent governments keep their people and foot soldiers under control and realizing this is the first step to achieving freedom and peace.

 

 

 

Rollerball Amerika 2015

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By Philip A. Farruggio

Source: World News Trust

You must see or revisit Norman Jewison’s 1975 film Rollerball, starring James Caan as superstar player Jonathan E.

In it, we see a world no longer made up of countries, but of corporations that control every bit of life for the people. There are no longer wars, just a complacent populace who “go along to get along.”

A very select few are chosen by the corporations to become executives, giving them elite status. It seems everyone loves the violent sport Rollerball, which is like our current NFL football on steroids.

Jonathan E. is their Michael Jordan or Lebron James superplayer who is revered worldwide, even by the fans of opposing teams. He has everything a man could wish to have: a fine sprawling ranch, with servants and horses, and gorgeous female companions chosen for him by the Energy corporation that rules Houston and the surrounding areas.

Yet, even someone as popular and valued as he must sacrifice, such as when the corporation took away his wife and gave her to an executive. There is a scene in the film, when the highest corporation board decides they want Jonathan E. to retire due to the fear that his popularity has become too great. A man like that becomes too influential, thus too dangerous to control.

They send his ex wife, whom he still pines for, to visit him at his ranch and get him to agree to retire without any complications. They go for a walk and he expresses reservations about doing this. He tells her of his newfound epiphany about their society.

He knows now that the corporations long ago offered them all the choice between freedom and comfort… and the masses chose the latter. Her brief answer becomes the gist of the whole film: “Comfort IS freedom.”

And that is what we have here in 21st Century Amerika for many of our fellow citizens. The “Good German” lives on.

To study Nazi Germany in the early 40s allows us to see how the German public, to a great degree, was either apathetic or voluntarily blind as to what their regime was doing. Kristallnact was not an event that went unseen or even unheard about by multitudes of German citizens.

When the Wehrmacht invaded Russia along with the SS death squads, word did leak out through many soldiers of what had transpired. Even the most heinous of all crimes committed by the Nazis, the death camps AKA Concentration Camps, was not totally kept from the populace as many revisionists have always alleged. When tons of human hair and millions of personal effects were shipped back to companies in Germany, surely word got out.

We can, and we should forgive, the many Germans who did care about the terrible wrongs of their government at that time. Why? Well, it was a police state and dissent was stomped out rather brutally. Not everyone can be as heroic as Sophie Scholl and her brother and friends, to risk being tortured and finally beheaded.

Yet, there is this terrible pain that gnaws at this writer. That being the pain of realizing how many out there just do NOT give a shit unless it is happening to one of their own!

The late and great New Orleans district attorney Jim Garrison, who Oliver Stone centered his fine film JFK on, understood so much more than many of his peers in the 1960s. Years after his defeat in the case against Clay Shaw and others for the assassination of JFK, Garrison wrote this:

“What worries me deeply is that we in America are in great danger of slowly evolving into a proto-fascist state. It will be a different kind of fascist state from the one of the Germans; theirs grew out of depression and promised bread and work, while ours is based on power and on the inability to put human goals and human conscience above the dictates of the state. It’s origins can be traced to the tremendous war machine we’ve built since 1945, the ‘Military Industrial Complex’ that Eisenhower vainly warned us against, which now dominates every aspect of our lives… In a very real and terrifying sense, our government IS the CIA and the Pentagon, with Congress reduced to a ‘debating society.'”

Cassius had said it most succinctly: “The fault dear Brutus is not in our stars but in our selves.”

(Philip A. Farruggio is son and grandson of Brooklyn, NYC longshoremen. He is a freelance columnist (found on Nation of Change Blog, Truthout.org, TheSleuthJournal.com, Worldnewstrust.com, The Intrepid Report, The Peoples Voice, Information Clearing house, Dandelion Salad, Activist Post, Dissident Voice and many other sites worldwide). Philip works as an environmental products sales rep and has been an activist leader since 2000. In 2010 he became a local spokesperson for the 25% Solution Movement to Save Our Cities by cutting military spending 25%. Philip can be reached at PAF1222@bellsouth.net)

The Matrix Is Real and How It Will Change All Of Our Lives

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By Paul Craig Roberts

Source: King World News

Americans are the most manipulated people in history. Since 2008, the economy has been manipulated for the benefit of a few oversized banks “too big to fail.” US foreign policy has been manipulated to serve the hegemonic agenda of a handful of neoconservatives. These manipulations have undercut the consumer basis of the US economy and have pushed the American people into a conflict situation with Russia and China.

Lies, US Economic Collapse And Nuclear War

US economic collapse and nuclear war are the two most likely outcomes of Washington’s manipulations of the American people. Time and again, the American public has fallen for transparent lies and orchestrated events. 2015 is a decisive year. Will a credulous people cast off their gullibility, or will they be swept away by economic collapse and war?

There are reasons to believe that the government’s manipulations have overreached and are crossing the point of believability, even on the part of credulous Americans. Let’s review some of these manipulations — first, economic, and then foreign policy.

Unemployment Number Is Meaningless

On January 9, the US government told Americans that the unemployment rate had fallen to a comforting 5.6 percent, an indication that the Federal Reserve’s policy of Quantitative Easing was successful in restoring the US economy. A 5.6 percent rate of unemployment suggests that Americans have a reasonable chance of finding a job. Yet we know there are millions of discouraged workers who have given up looking for a job.

The explanation of this paradox is that the 5.6 percent unemployment rate (U.3) does not include unemployed people who have not looked for a job in the previous four weeks. These unemployed are called “discouraged workers.” If they have been discouraged for less than one year, they are counted in a seldom-reported measure of unemployment (U.6). This rate stands at 11.2 percent, twice as high as the unemployment rate stressed by government and financial media.

The 11.2 percent rate is an official measure, but it is not publicized because it indicates a dismal employment outlook 5.5 years after the 2008 recession was declared over, in June 2009. What kind of recovery is it when the unemployment rate remains at 11.2 percent years after the recession has officially ended?

The Great Lie Exposed

The story worsens. The 11.2 percent rate does not include the millions of unemployed long-term discouraged workers (those discouraged for more than one year). Prior to 1994, the US Bureau of Labor Statistics counted the long-term discouraged as unemployed, and the government of Canada still does. John Williams (shadowstats.com) continues to include the long-term discouraged. When the long- term discouraged are added to the U.6 measure, the rate of unemployment again doubles, to 23 percent.

In other words, the actual unemployment rate is actually four times higher than the comforting figure released January 9.

Inflation Rate Also Falls Victim

The government engages in similar deception with the inflation rate. If the price of an item in the index rises, a lower-priced item is substituted, thus eliminating inflation by substitution. Inflation also is eliminated by redefining a price rise as a quality improvement.

By undercounting inflation, the government reports price increases as real economic growth, denies cost-of-living increases to Social Security recipients, and justifies paying savers negative real interest rates. These manipulations provide banks with free money, thus boosting bank profits while encouraging the stock market with “good news.”

Americans who search for jobs without success know other Americans in the same situation. As time passes, they learn from experience that the unemployment rate cannot be low and falling when jobs are harder to find. People who shop for food and pay utility bills know inflation is far higher than the government reports. Experience and the passage of time make the government’s numbers less and less believable.

Global Financial Markets Manipulated

The financial markets also are manipulated. To protect the dollar from declining in value due to its overproduction, the Federal Reserve’s bullion bank agents drive down the price of gold and silver by dumping uncovered shorts in the futures market. Since 2011, we have had the extraordinary situation in which the prices of gold and silver have been driven down despite strong demand and constraints on supply — a result that can be achieved only by manipulation in the futures market.

The dollar’s value also is manipulated by foreign central banks in cooperation with Washington. The Japanese and European central banks print yen and euros to protect the dollar’s exchange value. If all major currencies also are being printed, the dollar cannot decline.

The government’s Plunge Protection Team can prevent major stock-market corrections by stepping in and purchasing S&P futures, thus preventing the market’s overvaluation from bursting the bubble.

These manipulations are apparent to experienced investors. Sooner or later, attentive Americans will realize that the government’s deceit is not limited to the marketplace, but extends into foreign policy.

Fooled Over And Over Into War

Ever since the Clinton regime’s demonizations of Yugoslavia and Serbia, Americans have been deceived into supporting expensive wars and foreign-policy positions that are not in their interest. Washington’s demonizations of the Taliban, Osama bin Laden, Saddam Hussein, Gaddafi, Assad, Iran and of Muslims generally have resulted in 14 years of wars in which seven or eight countries have been invaded, bombed and attacked with drones. Increasingly, people at home and abroad understand these wars and bombings are based on lies and deceptions.

The destruction of countries and the massive human hurt happened because the US government lied and deceived.

There were no weapons of mass destruction in Iraq. Assad did not use chemical weapons in Syria. Gaddafi did not issue Viagra to his troops to assist in the rape of Libyan women. Iran does not have a nuclear- weapons program.

Millions of Muslims have been killed, maimed and dislocated by these wars, and tens of thousands of American soldiers have been killed and physically or psychologically maimed. The destruction of countries and the massive human hurt happened because the US government lied and deceived.

The most extraordinary aspect of the Charlie Hebdo event is that the French cartoonists are being championed in the name of free speech. Yet the Anglo-American world does not have free speech. Free speech, if it involves criticism or exposure of the government, is being redefined as “domestic extremism.” Criticism of Washington now implies that the critic is hostile to the public, a possible extremist who must be deterred before he inflicts harm on innocents. As Glenn Greenwald noted, try satirizing Israelis in the manner that Charlie Hebdo satirized Muslims, and you will find out how little free speech there is. http://bit.ly/1xYF93V Free speech is used to demonize Washington’s hand-picked enemies. That’s about as far as it goes.

Washington Demonizing Russia

As 2014 drew to a close, Washington was at work demonizing Russia and its president. Russia no more invaded Ukraine than Saddam Hussein had weapons of mass destruction. But despite years of experience with the government’s foreign-policy lies, polls show that more than 60 percent of the US population has fallen for Washington’s demonization of Russia.

We now have two decades of evidence that Washington uses demonization as a prelude to war. Russia and China, recognizing Washington’s intent to destabilize, have formed a strategic alliance. War with Russia and China would not be like war with Iraq and Libya, or drone attacks on Yemen and Pakistan. Unlike Saddam Hussein and Iran, Russia and China do have weapons of mass destruction — plenty of them.

Whereas Americans are not subject to any meaningful retaliation from Washington’s wars against Muslims, Washington’s aggressive warlike policy toward Russia and China, ringing both countries with military bases while demonizing both with false charges, threatens the life of every American and every person on earth. A threat of this magnitude could pull Americans out of their insouciance and force them to confront the government over its dangerous manipulations of public opinion.

Governments successful with their deceptions end up overreaching. The Charlie Hebdo affair possibly is an overreach. The Paris shootings have many characteristics of a false-flag operation. The attack on the cartoonists’ office was a disciplined professional attack associated with special forces; yet the suspects later corralled and killed seemed bumbling and unprofessional. It is like they were two different sets of people.

Is This Really The Official Story?

Muslim terrorists are usually prepared to die in the attack; yet the two professionals who hit Charlie Hebdo so hard escaped. Their identities were established by the unprofessional and unlikely act of leaving their identification in the getaway car. This reminds me of the undamaged passport miraculously found among the ruins of the two World Trade Center towers. The incriminating passport was the only undamaged item in the entire ruins and was the basis for identifying the 9/11 alleged hijackers.

It is a plausible inference that the ID left in the getaway car was the ID of one of the two brothers later killed by police, from whom we will never hear anything, and not the ID of the professionals who attacked Charlie Hebdo. An important fact that supports this inference is the report that the third suspect in the attack, Hamyd Mourad, the alleged driver of the getaway car, when seeing his name circulating on social media as a suspect, realized the danger he was in and quickly turned himself in to police for protection against being murdered by security forces as a terrorist.

Hamyd Mourad says he has an ironclad alibi. If so, this makes him the despoiler of a false-flag attack. If that is the case, he is likely to be coerced or tortured into some sort of confession to support the official story. http://bit.ly/1Aai8pJ

Mainstream Media Clueless

The American and European media have ignored this important story. I googled Hamyd Mourad and all I found (January 12) was the main US and European media reporting that the third suspect had turned himself in. The news was reported in a fashion that gave credence to the accusation that the suspect who turned himself in was part of the attack. Not a single US mainstream media source reported that the alleged suspect turned himself in because he had an ironclad alibi. The list of sources that reported Mourad’s turning himself in to police report in a way that can be read as confirmation of his guilt.

Some merely reported it in a headline with no coverage in the report. The list of those I googled includes:

• The Washington Post (January 7, by Griff Witte and Anthony Faiola)

• Die Welt (Germany), “One suspect has turned himself in to police in connection with Wednesday’s massacre at the offices of Parisian satirical magazine, Charlie Hebdo”

• ABC News (January 7), “Youngest suspect in Charlie Hebdo Attack turns himself in”

• CNN (January 8), “Citing sources, the Agence France Presse news agency reported that an 18-year- old suspect in the attack had surrendered to police.”

High-Ranking Police Official Suddenly Commits Suicide?

Another puzzle in the official story that remains unreported, according to my 6 p.m. Google search on January 12, is the alleged suicide of a high-ranking member of the French Judicial Police who had a lead role in the Charlie Hebdo investigation. For unknown reasons, a police official involved in the most important investigation of a lifetime decided to kill himself in his police office in the middle of the night while writing his report on his investigation. The alternative media reports it: http://bit.ly/1xc8W1W So did the UK Telegraph. But no suspicion is seen in the police official’s death, and as far as the US “presstitute” media is concerned, it did not happen. There are no reports, domestic or foreign, at the time of writing, about his death and whether his report has disappeared.

Media Cloaks The Lies And Crimes Of Government

As Gerald Celente has pointed out for years and as Patrick L. Smith writes in CounterPunch (Vol. 21, No. 10, 2014), the media serve as presstitutes. The media justify withholding information from the public on the basis of patriotism. Patriotism requires the media to support the government, not the truth. Patrick Smith quotes former New York Times editor Jill Abramson, who says in defense of the New York Times misleading the American people: “Journalists are Americans, too. I consider myself to be a patriot.” Of course, journalists lie to us because their careers are controlled by government and corporations dependent on government. Patriotism has little to do with it, but it serves as a cover. Patriotism is like “national security,” a cloak for the lies and crimes of government.

Life In The Matrix

Here we have it. The media lie to us because they are patriots. We believe the lies because we are patriots. More likely, the fact of the matter might be that both the media and the people are morally and spiritually corrupt.

In other words, we willfully live in The Matrix and are our own worst enemy.