Saudi Crown Prince Mohammed bin Salman, Masayoshi Son, SoftBank Group Corp. Chairman and CEO, and Christine Lagarde, International Monetary Fund (IMF) Managing Director, attend the Future Investment Initiative conference in Riyadh, Saudi Arabia October 24, 2017. REUTERS/Faisal Al Nasser
The decline of a currency’s world reserve status is often a long process rife with denials. There are numerous economic “experts” out there that have been dismissing any and all warnings of dollar collapse for years. They just don’t get it, or they don’t want to get it. The idea that the US currency could ever be dethroned as the defacto global trade mechanism is impossible in their minds.
One of the key pillars keeping the dollar in place as the world reserve is its petro-status, and this factor is often held up as the reason why the Greenback cannot fail. The other argument is that the dollar is backed by the full force of the US military, and the US military is backed by the US Treasury and the Federal Reserve – In other words, the dollar is backed by…the dollar; it’s a very circular and naive position.
These sentiments are not only pervasive among mainstream economists, they are also all over the place within the alternative media. I suspect the main hang-up for liberty movement analysts is the notion that the globalist establishment would ever allow the dollar or the US economy to fail. Isn’t the dollar system their “golden goose”?
The answer is no, it is NOT their golden goose. The dollar is just another stepping stone towards their goal of a one-world economy and a one-world currency. They have killed the world reserve status of other currencies in the past, why wouldn’t they do the same to the dollar?
Globalist white papers and essays specifically outline the need for a diminished role for the US currency as well as a decline in the American economy in order to make way for Central Bank Digital Currencies (CBDCs) and a new global currency system controlled by the IMF. I warned about this years go, and my position has always been that the derailment of the dollar would likely start with the end of its petro status.
In 2017 I published an article titled ‘Saudi Coup Signals War And The New World Order Reset’. I noted at the time that the sudden power shift over to crown prince Mohammed Bin Salman indicated a change in Saudi Arabia’s relationship to the US. I stated that:
“To understand how drastic this coup has been, consider this — for decades Saudi Kings maintained political balance by doling out vital power positions to separate, carefully chosen successors. Positions such as Defense Minister, the Interior Ministry and the head of the National Guard. Today, Mohammed Bin Salman controls all three positions. Foreign policy, defense matters, oil and economic decisions and social changes are now all in the hands of one man.”
The rise of MBS was backed by the Public Investment Fund (PIF), a fund comprised of trillions of dollars supplied by globalists within Carlyle Group (Bush family, etc.), Goldman Sachs, Blackstone and Blackrock. MBS garnered the favor of the globalists for one specific reason – He openly supported their “Vision For 2030”, a plan for the dismantling of “fossil fuel” based energy and the implementation of carbon controls. Yes, that’s right, the head of Saudi Arabia is backing the eventual end of oil based energy, and part of that includes the end of the dollar as the petro currency.
In exchange for their cooperation, the Saudis are being given access to ESG-like funding as well as access to AI advancements and the so-called “digital economy.” It sounds crazy, but there is much talk of AI developments to cure numerous health problems and extend lifespan. With those kinds of promises, it’s not surprising that Saudi elites would be willing to dump the dollar and even oil.
In 2017 I noted that:
“I believe the next phase of the global economic reset will begin in part with the breaking of petrodollar dominance. An important element of my analysis on the strategic shift away from the petrodollar has been the symbiosis between the U.S. and Saudi Arabia. Saudi Arabia has been the single most important key to the dollar remaining as the petrocurrency from the very beginning.”
I believed that the threat to petro status would ultimately be spurred on by a proxy war between East and West:
“World economic war is the real name of the game here, as the globalists play puppeteers to East and West. It is a geopolitical crisis they will have created to engineer public support for a solution they predetermined.”
Back then I thought that such a proxy war would be initiated in the Middle East, possibly in Iran. However, it’s clear that Ukraine is the powderkeg the globalists have chosen, at least for now, with Taiwan being the next shoe to drop.
In the years since I made these predictions the relationship between Saudi Arabia, Russia and China has grown very close. Arms deals and energy deals are becoming a mainstay of trade and this has led to a quiet but steady distancing of the Saudis from the dollar. This past week, the dominoes were set in motion for dollar collapse when Saudi Arabia announced at Davos that they are now willing to trade oil in alternative currencies.
In response, Xi Jinping pledged to ramp up efforts to promote the use of the Chinese yuan in energy deals. This falls in line with another article I wrote in 2017 titled ‘The Economic End Game Continues,’ in which I described how conflict with Eastern nations (China and Russia) would be exploited to create a catalyst for the end of the dollar’s petro status.
The importance of the Saudi announcement cannot be overstated; this is the beginning of the end of the dollar. The dollar’s world reserve status is largely dependent on its petro-status. Without one, you cannot have the other. This is almost the exact same dynamic that led to the implosion of the British Sterling decades ago as the global petro currency which resulted in the rise of the dollar to take its place.
This time, though, it will not be a single foreign currency that takes on the role of world reserve, it will be a basket currency system controlled by the IMF called Special Drawing Rights, along with a single global digital currency that is yet to be named but is now under development.
The consequences of the loss of reserve status will be devastating to the US economy. It is the only glue holding our system together – The ability to defer inflation by exporting it overseas is a superpower only the US enjoys. The Fed can print money perpetually if it wants to in order to fund the government or prop up US markets, as long as foreign central banks and corporate banks are willing to absorb dollars as a tool for global trade. If the dollar is no longer the primary international trade mechanism, the trillions upon trillions of dollars the Fed has created from thin air over the years will all come flooding back to the US through various avenues, and hyperinflation (or hyperstagflation) will be the result.
This dynamic is already in play, as foreign holders of US debt and dollars have been dumping them at record pace since 2017. The process continues at a time when the Federal Reserve is cutting it’s balance sheet and raising interest rates, which means there is no longer a buyer of last resort.
This may be why multiple foreign central banks have renewed their purchases of gold reserves and are once again stockpiling precious metals. They seem to be well aware of what is about to happen to the dollar, while the American public is kept in the dark.
The effects of the decline of the dollar may not be immediately felt, or become obvious for another year or two. What will happen is consistent inflation on top of the high prices we are already dealing with. Meaning, the Federal Reserve will continue to hold interest rates higher and prices will barely budge or they may climb in spite of monetary tightening. Even in the face of a major recessionary contraction, which I predict will be triggered starting in April, prices will STILL remain higher.
All the while the mainstream media and government economists will say they have “no idea” why inflation is so persistent, and that “nobody could have seen this coming.” Some of us saw it coming, but only because we accept the reality that the dollar’s days are numbered.
On January 20th, the great American military and geostrategic analyst Brian Berletic, who has had a stunningly high percentage of his predictions turning out to have been 100% accurate, did a youtube at his “The New Atlas” Website, headlining “US, Allies Send More Weapons to Ukraine in Absence of Real Solution”, and it had been sparked by Berletic’s advance knowledge that America and its allies would probably decide to send to Ukraine some of the German-manufactured Leopard tanks and some of the U.S.-manufactured Abrams tanks. Near the end of his video, at 25:24 in it, he summarized what the prior portion had already documented to be the case: that these tanks will be useless to turning the tide of this war away from a Russian victory, and into a U.S.-and-allied victory.
Then, on January 25th, came the announcements that America, Germany, and Poland, had, in fact, decided to do this (send those tanks to Ukraine), and the BBC reported that, “Germans endured months of political debate about concerns that sending tanks would escalate the conflict and make Nato a direct party to the war with Russia.” The reason why Germany’s leaders ultimately decided to go along with these supplies to Ukraine isn’t that they had concluded that doing so wouldn’t “escalate the conflict and make Nato a direct party to the war with Russia” (and that’s oblique terminology for “globalize the war in Ukraine and turn it into a very hot WW III between NATO (the U.S.) and Russia”) but was instead that “The US and Germany had resisted internal and external pressure to send their tanks to Ukraine for some time.” The BBC, being an extension of Britain’s own military contractors — such as the world’s 7th-largest weapons-manufacturer, BAE Systems — many of which had been lobbying heavily for this decision, refused to define, or to say anything about, what stood behind that amorphous phrase “external pressure”; and, so, as usual, what was causing what was happening here was being ignored; only the result was being reported. Its cause (source) was banned from being even discussed in the ‘news’-media. However, on Tuesday, January 24th, Politico bannered “U.S. closer to approving ‘significant number’ of Abrams tanks to Ukraine”, and reported that, “On Tuesday, shortly after news broke of the possible U.S. move, POLITICO reported that German Chancellor Olaf Scholz also plans to announce that German Leopards are heading to Ukraine. Last week, Scholz told U.S. lawmakers [in Switzerland, at the pro-imperialist WEF in Davos, where many billionaires and U.S.-and-allied Governments meet privately each year and which has increasingly come to replace the United Nations that the anti-imperialist FDR had initiated to serve as the basis for international laws, and for these imperialists to come to replace those international laws, by imposing America’s “rules-based international order”] that Berlin would approve the transfer only if the U.S. donated its own tanks first.” But, still, the key individuals who stood behind this supposedly crucial international agreement, to possibly start what could quickly become a nuclear World War Three, wasn’t, at all, being indicated; it was, instead, hidden, and that question wasn’t mentioned, at all — as-if it didn’t ‘really’ matter who, or how, and why, this decision to “escalate the conflict and make Nato a direct party to the war with Russia” had been made — what had caused it to be made.
Sending these additional armaments to Ukraine runs exactly opposite to public opinion in at least the imperial country itself.
As Russia’s war against Ukraine approaches its one-year mark, 33 percent of Americans think the United States is doing too much to help Ukraine, 21 percent think the U.S. is doing too little, and 38 percent think the U.S. is doing about the right amount to help Ukraine. This compares to a Quinnipiac University poll on February 28, 2022 after the war started, when 7 percent of Americans thought the U.S. was doing too much to help Ukraine, 45 percent thought the U.S. was doing too little, and 37 percent thought the U.S. was doing about the right amount to help Ukraine.
So: Why is America’s NATO driving its members to shovel yet more weaponry into Ukraine? Is it because these countries are “democracies”? Brian Berletic has a different answer — and, unlike the propagandized one, it recognizes that that is a pure scam excuse (like the invasion and occupation of Iraq used in 2003). The “MIC” Military-Industrial Complex (and that’s controlled by the leading stockholders in the top-100 ‘Defense’ firms) is behind it. NATO is the trade-organization for those international corporations, and it (especially in the U.S. and UK) runs their Governments. That’s why this is being done.
Now that Ukraine’s government will be receiving those tanks, Ukraine is expecting ultimately to receive American jet fighters and missiles that will enable Ukraine to invade Russia at least as far as Moscow — which is only 300 miles away from Ukraine. On the afternoon of January 25th, Reuters headlined “Ukraine sets sights on fighter jets after securing tank supplies”, and reported that Yuriy Sak, who advises Ukraine’s Defence Minister Oleksiy Reznikov, told Reuters, “They didn’t want to give us heavy artillery, then they did. They didn’t want to give us Himars systems, then they did. They didn’t want to give us tanks, now they’re giving us tanks. Apart from nuclear weapons, there is nothing left that we will not get.” If they get nuclear weapons, those will certainly be operated by Americans. And, of course, that has been the U.S. goal ever since Obama started by no later than June of 2011 to plan his coup to take Ukraine.
Investigative historian Eric Zuesse’s new book, AMERICA’S EMPIRE OF EVIL: Hitler’s Posthumous Victory, and Why the Social Sciences Need to Change, is about how America took over the world after World War II in order to enslave it to U.S.-and-allied billionaires. Their cartels extract the world’s wealth by control of not only their ‘news’ media but the social ‘sciences’ — duping the public.
In this age of ubiquitous surveillance, there are no private lives: everything is public.
Surveillance cameras mounted on utility poles, traffic lights, businesses, and homes. License plate readers. Ring doorbells. GPS devices. Dash cameras. Drones. Store security cameras. Geofencing and geotracking. FitBits. Alexa. Internet-connected devices.
There are roughly one billion surveillance cameras worldwide and that number continues to grow, thanks to their wholehearted adoption by governments (especially law enforcement and military agencies), businesses, and individual consumers.
With every new surveillance device we welcome into our lives, the government gains yet another toehold into our private worlds.
Indeed, empowered by advances in surveillance technology and emboldened by rapidly expanding public-private partnerships between law enforcement, the Intelligence Community, and the private sector, police have become particularly adept at sidestepping the Fourth Amendment.
As law professor Avidan Y. Cover explains:
A key feature of the surveillance state is the cooperative relationship between the private sector and the government. The private sector’s role is vital to the surveillance both practically and legally. The private sector, of course, provides the infrastructure and tools for the surveillance… The private sector is also critical to the surveillance state’s legality. Under the third-party doctrine, the Fourth Amendment is not implicated when the government acquires information that people provide to corporations, because they voluntarily provide their information to another entity and assume the risk that the entity will disclose the information to the government. Therefore, people do not have a reasonable expectation of privacy in their calling data, or potentially even their emails. As a result, the government does not normally need a warrant to obtain information transmitted electronically. But the Fourth Amendment is not only a source of protection for individual privacy; it also limits government excess and abuse through challenges by the people. The third-party doctrine removes this vital and populist check on government overreach.
Critical to this end run around the Fourth Amendment’s prohibitions against unreasonable searches and seizures by government agents is a pass play that allows police to avoid public transparency requirements (open bids, public meetings, installation protocols) by having private companies and individuals do the upfront heavy lifting, leaving police to harvest the intel on the back end.
Stingray devices, facial recognition technology, body cameras, automated license plate readers, gunshot detection, predictive policing software, AI-enhanced video analytics, real-time crime centers, fusion centers: all of these technologies and surveillance programs rely on public-private partnerships that together create a sticky spiderweb from which there is no escape.
As the cost of these technologies becomes more affordable for the average consumer, an effort underwritten by the tech industry and encouraged by law enforcement agencies and local governing boards, which in turn benefit from access to surveillance they don’t need to include in their budgets, big cities, small towns, urban, suburban and rural communities alike are adding themselves to the surveillance state’s interconnected grid.
What this adds up to for government agencies (that is, FBI, NSA, DHS agents, etc., as well as local police) is a surveillance map that allows them to track someone’s movements over time and space, hopscotching from doorbell camera feeds and business security cameras to public cameras on utility poles, license plate readers, traffic cameras, drones, etc.
It has all but eliminated the notion of privacy and radically re-drawn the line of demarcation between our public and private selves.
Over the past 50 years, surveillance has brought about a series of revolutions in how governments govern and populations are policed to the detriment of us all. Cybersecurity expert Adam Scott Wandt has identified three such revolutions.
The first surveillance revolution came about as a result of government video cameras being installed in public areas. There were a reported 51 million surveillance cameras blanketing the United States in 2022. It’s estimated that Americans are caught on camera an average of 238 times every week (160 times per week while driving; 40 times per week at work; 24 times per week while out running errands and shopping; and 14 times per week through various other channels and activities). That doesn’t even touch on the coverage by surveillance drones, which remain a relatively covert part of police spying operations.
The second revolution occurred when law enforcement agencies started forging public-private partnerships with commercial establishments like banks and drug stores and parking lots in order to gain access to their live surveillance feeds. The use of automatic license plate readers (manufactured and distributed by the likes of Flock Safety), once deployed exclusively by police and now spreading to home owners associations and gated communities, extends the reach of the surveillance state that much further afield. It’s a win-win for police budgets and local legislatures when they can persuade businesses and residential communities to shoulder the costs of the equipment and share the footage, and they can conscript the citizenry to spy on each other through crowdsourced surveillance.
The third revolution was ushered in with the growing popularity of doorbell cameras such as Ring, Amazon’s video surveillance doorbell, and Google’s Nest Cam.
Amazon has been particularly aggressive in its pursuit of a relationship with police, enlisting them in its marketing efforts, and going so far as to hosting parties for police, providing free Ring doorbells and deep discounts, sharing “active camera” maps of Ring owners, allowing access to the Law Enforcement Neighborhood Portal, which enables police to directly contact owners for access to their footage, and coaching police on how to obtain footage without a warrant.
Ring currently partners with upwards of 2,161 law enforcement agencies and 455 fire departments, and that number grows exponentially every year. As Vice reports, “Ring has also heavily pursued city discount programs and private alliances with neighborhood watch groups. When cities provide free or discounted Ring cameras, they sometimes create camera registries, and police sometimes order people to aim Ring cameras at their neighbors, or only give cameras to people surveilled by neighborhood watches.”
In November 2022, San Francisco police gained access to the live footage of privately owned internet cameras as opposed to merely being able to access recorded footage. No longer do police even have to request permission of homeowners for such access: increasingly, corporations have given police access to footage as part of their so-called criminal investigations with or without court orders.
We would suggest a fourth revolutionary shift to be the use of facial recognition software and artificial intelligence-powered programs that can track people by their biometrics, clothing, behavior and car, thereby synthesizing the many strands of surveillance video footage into one cohesive narrative, which privacy advocates refer to as 360 degree surveillance.
Finally, Wandt sees autonomous cars equipped with cameras that record everything around them as yet another revolutionary expansion of surveillance to be tapped by police.
Yet in the present moment, it’s those public-private partnerships that signify a watershed moment in the transition from a police state to a surveillance state and sound a death knoll for our privacy rights. This fusion of government power and private power is also at the heart of the surveillance state’s growing stranglehold on the populace.
As always, these intrusions into our personal lives are justified in the name of national security and fighting crime. Yet while the price to be paid for having the government’s so-called protection is nothing less than our right to privacy, the guarantee of safety remains dubious, at best.
As a study on camera surveillance by researchers at City University of New York concluded, the presence of cameras were somewhat effective as a deterrent for crimes such as car burglaries and property theft, but they had no significant effect on violent crimes.
On the other hand, when you combine overcriminalization with wall-to-wall surveillance monitored by police in pursuit of crimes, the resulting suspect society inevitably gives way to a nation of criminals. In such a society, we are all guilty of some crime or other.
The predatory effect of these surveillance cameras has also yet to be fully addressed, but they are vulnerable to being hacked by third parties and abused by corporate and government employees.
After all, power corrupts. We’ve seen this abuse of power recur time and time again throughout history. For instance, as an in-depth investigative report by the Associated Press concludes, the very same mass surveillance technologies that were supposedly so necessary to fight the spread of COVID-19 are now being used to stifle dissent, persecute activists, harass marginalized communities, and link people’s health information to other surveillance and law enforcement tools. As the AP reports, federal officials have also been looking into how to add “‘identifiable patient data,’ such as mental health, substance use and behavioral health information from group homes, shelters, jails, detox facilities and schools,” to its surveillance toolkit.
These cameras—and the public-private eyes peering at us through them—are re-engineering a society structured around the aesthetic of fear and, in the process, empowering “people to not just watch their neighborhood, but to organize as watchers,” creating not just digital neighborhood watches but digital gated communities.
Finally, there is a repressive, suppressive effect to surveillance that not only acts as a potentially small deterrent on crime but serves to monitor and chill lawful First Amendment activity. As Matthew Feeney warns in the New York Times, “In the past, Communists, civil rights leaders, feminists, Quakers, folk singers, war protesters and others have been on the receiving end of law enforcement surveillance. No one knows who the next target will be.”
No one knows, but it’s a pretty good bet that the surveillance state will be keeping a close watch on anyone seen as a threat to the government’s chokehold on power.
Economic sanctions and blackmail have long been the preferred methods of conducting foreign policy and advancing the United States’ own geopolitical interests.
In 2018, the US withdrew from the agreement on Iran’s nuclear program signed in May 2015, following which Washington began to implement the “maximum pressure” strategy on Iran.
In 2019, the US government imposed a slew of restrictions on the Chinese firm Huawei, which is widely regarded as a leader in digital technologies, particularly in the deployment of 5G networks. Following that, Washington began to intercept Huawei’s foreign market as a result of an open competitive struggle.
And Russia’s gas squeeze in Europe, orchestrated by the US, exacerbated an already obvious economic and financial crisis for Europeans, resulting in total population impoverishment against the backdrop of America reaping additional superprofits from the sale of expensive American LNG instead of cheap Russian gas to Europe.
Sanctions, including secondary ones, become a tool for seizing funds and assets and bankrupting competitors, and are used by the United States to strengthen its global dominance.
Although the definition of extortion as a common law crime in US criminal law varies across states, both in wording and substance, it is nevertheless recognized everywhere as a serious offense and prosecuted under domestic law. In recent years, in an effort to introduce “rules” unilaterally favorable to the United States in place of international law, Washington’s policy has begun to carry the principle of “extraterritorial” sanctions into the international arena when the United States imposes them and openly extorts not only US legal subjects but also foreign ones, including independent states.
The fact that under these conditions, the US uses the dominant role of the US dollar, blackmail, and economic sanctions as the main instruments of foreign policy (the use of sanctions almost tripled in 2009-2019 alone) makes many countries think about possible alternatives. One of them is already the increasing use of national currencies in bilateral trade.
Washington’s abuse of such criminal policies and blatantly illegal pressures are causing resentment even among the United States’ allies. It is no coincidence that in 2019 the chairman of the United Kingdom’s central bank, Mark Carney, called for the creation of an international digital currency that would weaken the dominant role of the US dollar in international trade.
Washington is increasingly using outright blackmail, not just in the political, economic, and trade spheres. It is also used in the military sphere, with the sale and subsequent use of American weapons directly threatening the national security of countries that purchase US weapons.
And one of the many egregious examples of this is the events of 2016, when the US attempted to stage a coup in Turkey by killing President Erdoğan with American weapons and preventing Turkish authorities from using US air defenses to prevent them from shooting down F-16 aircraft flying from the US military base at Incirlik. And it was only thanks to the intervention of Russian politician Alexander Dugin (against whom, by the way, Ukrainian accomplices of the United States committed an act of terrorism in 2022 and killed his daughter) and the Russian military at the behest of President Vladimir Putin that this sinister plan of Washington was foiled. The arrested Turkish coup plotters themselves have given detailed accounts of it. In particular, about how the Russian military, using seven Russian fighter jets and two S-400 missile systems in northern Syria, warned the coupist aircraft that if the radar showed any indication of their suspicious or improper actions, they would be hit directly. As a result, the Turkish F-16s could only track Erdoğan’s plane and not attack it. In addition to the testimony of the Turkish participants in this failed American coup attempt, those interested can learn more from a Turkish report published on Odatv.com on September 21, 2016.
This blackmail of Ankara with US weapons continues even now, as pointed out in particular by Bloomberg the other day, which reported that the US will not supply Turkey with F-16s until it agrees to admit Sweden to NATO.
Even if Turkey, under pressure from Washington, agrees to admit Finland and Sweden to NATO, which the United States is trying hard to push into the alliance, Turkey will never be able to use those aircraft or other American weapons unless such use would be advantageous to the White House.
And the US decision in April 2021 to withdraw US Patriot air defense batteries from the Persian Gulf region after the White House deteriorated relations with the Saudi monarchy is proof of that.
The threat from Washington to restrict the use of purchased US weapons has become increasingly serious for many countries recently. Especially considering that it is the US that sells twice as many weapons as Russia and six times as many as China, thus dominating the market for weapons of death, destruction and protection of many states from external threats, the vast majority of which are also initiated by Washington. Here one can also see the recent White House game of supplying Greece with more and more offensive weapons against Turkey, whose relations with both Athens and Washington have recently deteriorated significantly.
Washington has made similar attempts at blackmail in its arms supplies to the other two rival parties to the conflict in South Asia – Pakistan and India. Therefore, despite Washington’s blatant blackmail and intimidation of New Delhi, India continues to focus on buying arms from Russia rather than the United States. In the meantime, India has two important defense needs: the availability of weapons and their quality. In its preferential treatment of Russia on this issue, Indian leaders assume that if the country begins to buy weapons from the West, it will strengthen its autonomy but sacrifice these two needs, since Western systems are many times more expensive but inferior to Russian ones.
At the cutting edge of science and technology today is artificial intelligence and robotics, which are being driven by ever-increasing computational speeds made possible by quantum computing. When the capacity of technological computation rivals the speed of our capacity to think and process information as humans, then we will reach the singularity and a superintelligence will emerge in our society, triggering runaway technological growth.
While this is coming in the very near future, we are also now learning how this very type of quantum creative power is already at play in our world via the interplay of human consciousness and the material world. In the early 1900’s, the famous double-slit experiment demonstrated that material objects can actually change their composition based on what is being held in consciousness when said objects are observed.
In other words, the world around us is being created moment by moment, and our expectations of what the world should be is what gives it form. In order to alter its form or to change course, we can use the directed focus of the mind to envision and feel something different for ourselves, and in time and through repetition, this reality will eventually take form. The feeling is the key.
This is something we do all the time. The best example of this, perhaps, is the human body, which can by some measures be considered a projection of human consciousness. We see this everywhere. For example, just look at people’s bodies and consider their health, and you’ll be able to get a fair idea of what type of thought patterns and belief systems are at work in the everyday silence of their own minds.
The best example is someone with radiant health, high energy and intense vitality. This person didn’t get to be this way by happenstance. The patterns of thought in their mind support their belief that their body can be a radiant storehouse of health. This, in turn, supports the development of habits which create such well-being. This type of person engages in clean, clear thinking about their health and body, and the result is this very type of body. They intentionally feel how they want to feel.
On the other hand, a person with an out of shape, obese, or disease-ridden body undoubtedly engages in thought patterns and beliefs about health which support such poor health. They never believe that they can be disease free or of ideal weight, and so their thoughts reinforce habits which deteriorate their health. Inside this person’s mind is chaos, confusion, fear, self-loathing and other patterns which create dis-ease.
There is more to this, though, if we consider the possibilities unfolding in the realms of quantum physics and superintelligent technology. We are beginning to get a clear idea of what the quantum field actually is and what it can do. It appears to be waiting for us to purposefully interact with it.
The quantum world is waiting for us to make a decision so that it knows how to behave. That is why quantum physicists have such difficulties in dealing with, explaining, and defining the quantum world. We are truly, in every sense of the word, masters of creation because we decide what manifests out of the field of all-possibility and into form.
The thing is, the quantum level of reality isn’t a local and insignificant aspect of creation. It is all around us, and it is the most fundamental level of creation aside from the unified field itself. The human energy field is interacting and influencing the quantum field all around us at all times and the energy of our beliefs and intentions are infused into our energy field because they are defined by the energy of our thoughts and emotions. ~Brandon West
Final Thoughts
This may sound to some like a woo woo way of looking at the world, but there is immense practicality in this world view for improving your life, your health, your relationships, and your overall happiness. The takeaway here is that you must take control over your own mind, and plant thoughts that support the projection of a healthy body and life. As Dr. Joe Dispenza notes, you’ll need to decide what you want, then put your attention on creating that reality.
“Whatever it is that is your vision, you’re just going to have to be passionate enough to invest your attention and your energy into that future over and over again, till all of a sudden you start seeing feedback in your life.” ~Dr. Joe Dispenza
Based on the acclaimed novel by Philip K. Dick, Richard Linklater’s 2006 film of A Scanner Darkly presents a cautionary tale on drugs, surveillance, and perception in a unique formal arrangement. Set “seven years from now,” the film considers a tyrannical post-9/11 world oppressed by an ever-watchful government, widespread paranoia, corporate subjection, and pervasive pharmaceutical addiction—all elements further fuelled by the obsessive fear that governments, corporations, and even your friends conspire against you. Linklater’s decision to produce his film with rotoscoped animation turns his adaptation into one of the most visually and thematically original motion pictures in decades, and the most faithful of all Dick adaptations. The film’s world contains several Dickian existential and metaphysical dilemmas and paradoxes, from the notion of spying on oneself to becoming willing participants in one’s drug addiction. This unsettling and tragic world becomes deliciously skewed from the excessive filtering of surveillance technology and a crazed dystopian culture, so much so that it remains impossible to see anyone for who or what they really are. A Scanner Darkly beautifully, and chillingly, considers Dick’s persistent theme that our culture has destroyed its own ability to perceive objective reality.
Philip K. Dick was born in 1928 and became interested in science fiction at an early age. He attended the Berkeley, California, high school and graduated in 1947, alongside another future science fiction author, Ursula K. Le Guin, and briefly attended the University of California, Berkeley. He published his first science fiction story in 1951. From there on out, he would become one of the most prolific authors in his genre, publishing some 44 novels and more than 100 short stories until his death in 1982, just before the release of his first book-to-film adaptation, Blade Runner, based on his 1966 novel Do Androids Dream of Electric Sheep? Though science fiction was typically considered unsophisticated and a lower form of fiction, Dick’s caustic wit and social satires elevated sci-fi to the level of art. His self-proclaimed title was not that of an author but rather a truth-teller. He wrote his truth, and it consisted of a vast fictionalized philosophy, which some might argue was—and is—not necessarily fiction. His most enthusiastic followers might say his work is visionary, if not prophetic. Dick claimed his work spoke, and still speaks, to disturbed, troubled, and “off” members of society. His writing is for those who cannot rationalize society or reality: for those who need a satire, base, or frame of reference to rely on as coping mechanisms. Science fiction creates the desired satirical reality for readers, just as his characters in A Scanner Darkly see drugs as the only sane choice to escape the insane world.
Written in 1977, A Scanner Darkly stands as an ode to the drug counter-culture of Dick’s own Berkeley underground. But it’s also a thoughtful exploration of the metaphysical existence of drug users, as well as a mournful commentary on the government’s involvement in drug culture. Standing against the blatantly autocratic Nixon administration, marked by a reputation for undue suspicion and conspicuous surveillance, his Berkeley group purveyed conspiracy theories and widespread mistrust. And yet, this counter-culture also included a vast set of respected thinkers, unafraid to speak out—not just mindless stoners. According to an interview with French TV, Dick claims the group’s paranoia was not unjustified. During the interview, Dick speaks of secret CIA and FBI files on him, covert operations to get at his personal documents, and rampant spying led by the heads of various government organizations. To Nixon and his administration, the Berkeley group was an unknown element—a misunderstood collection of hippies seen through a distorted set of the administration’s famously paranoid views and political mechanisms. Fuelling this conflict between the two factions of Nixon’s administration and the Berkeley group, the author had a lifetime’s worth of experience with drugs, psychosis, and a slight case of schizophrenia. But in no way should those characteristics hinder the author’s message. Instead, Dick’s distinctiveness within the Berkeley group should reinforce that A Scanner Darkly may be more autobiographical than his other novels.
The story’s main character is Bob Arctor (Keanu Reeves), an addict of a drug called Substance D, also known as Slow Death. But Bob is also Fred, an undercover narc spying on Arctor’s group of Substance D-using friends. Arctor has lost sight of his identity because of Substance D, which chemically separates brain functions in the hemispheres; after prolonged use, the left and right sides of his brain are unaware of each other. Furthermore, the Fred portion of the main character must conceal his identity from his supervisors for his own safety. No one knows who Fred is; no one knows who Bob is—including himself. The sole man representing both the narc and the addict does not realize he is spying on himself, and in a way, informing on himself. This self-betrayal is tantamount to suicide, rendering him prey to both Substance D and the totalitarian police state that employs him. According to the novel, the drug is made from a flower called “mors ontological”—Latin for ontological death. To be sure, Dick saw first-hand the damage substance abuse caused his friends. He was not entirely unaffected himself; he relied on methamphetamines and psychedelics for much of his early career. But he weaned himself off drugs before writing this book. And at the very end of his novel, Dick dedicates his fiction to several friends who died or retained permanent physical and mental dysfunction due to excessive drug use (a dedication abbreviated at the end of Linklater’s film). He writes that users are punished excessively and even unknowingly for attempting to “play” with something dangerous.
So often, society deems drug users worthless or mindless junkies for their habits, but A Scanner Darkly—the story and the title itself—asks that we do not pass judgment until we can see, in its entirety, the role of users. However, because of the elaborate system of filters between our eyes and that which we wish to see, how can we ever trust that we see reality and not some malformed version of reality skewed through surveillance tools? These filters exist in the form of monitoring equipment such as cameras and scanners, but also the mind-altering Substance D. Drugs are the obscuring mechanism by which the narrative challenges audiences to accept and ultimately forgive the characters within. Throughout the film, viewers must accept drug use as a fact of the story rather than a downfall of the characters. The book’s title refers to a verse from the bible, namely 1 Corinthians 13: 11-12, a verse that is paradoxically read both at weddings and funerals:
For we know in part, and we prophesy in part. But when that which is perfect is come, then that which is in part shall be done away. When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now, we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.
A pattern of dualism exists in this passage, particularly after its application to popular culture. Both in the novel and the film of A Scanner Darkly (not to mention Swedish director Ingmar Bergman’s film Through a Glass Darkly), the idea of childhood versus adulthood, known and knowing, and parts versus the whole, are circumscribed so that the reader or audience cannot reconcile metonym from metaphor.
Dick’s writing often tells of worlds that are not what they seem. With A Scanner Darkly, the world remains undefined, distorted through a complicated filtration process. Linklater magnificently captures that undercurrent through his use of rotoscoped animation. Throughout the narrative, we remain unsure about Reeves’ character’s identity—in part due to the setting’s massive use of surveillance technology. The protagonist is not altogether Bob, nor is he altogether Fred; he comprises several constructs that never assemble into a single, understandable symbol. Agent Fred watches Bob on numerous holo-scanners, located everywhere; scanners see every moment of every day in every location. Someone is always watching (or that is what they want you to think). Undoubtedly, there was a time when Fred realized he was Bob, but Substance D has destroyed his understanding of his dual roles. Now, Fred cannot fully understand or see Bob. Who is this mysterious figure? Fred wonders. Is he the mastermind behind the whole thing? When Fred looks, he watches through a filter: the scanner. He cannot see clearly because his mind has been altered. At the same time, Bob has an unsettling sensation that he’s being watched. Though Bob and Fred are the same person, they cannot fully understand themselves. Meanwhile, the overwhelming network of observational devices only puts the truth at a greater distance.
The main character questions his culture’s scoptophilia-driven ways of looking and its authenticity: “What does a scanner see?” he asks himself. “Into the head? Down into the heart? Does it see into me? Into us? Clearly or darkly? I hope it sees clearly because I can’t any longer see into myself. I see only murk. I hope for everyone’s sake the scanners do better, because if the scanner sees only darkly the way I do, then I’m cursed and cursed again, too.” The protagonist’s hopes are in vain, as scanners prevent authorities from seeing their suspects clearly. Drugs debatably prevent the film’s main characters from seeing reality clearly, just as Linklater’s innovative use of animation in the film prevents audiences from seeing clearly. All these devices—scanners, drugs, animation—are filtering devices within the film. They distance the viewer or the subject from the truth, for which knowledge thereof is impossible, thus brilliantly placing us on the same disjointed plane of existence as the protagonist. We see through these filters as if a sfumato haze lingered between our eyes, and what we see is a distortion that impedes an accurate understanding.
With the film’s animation, the distortion does not take away from the audience’s understanding of the story’s message. It adds to it. The rotoscoping technique postponed the film’s scheduled release yet made the lengthy, nearly two-year production worth every moment to waiting audiences. A Scanner Darkly’s journey to the screen actually struggled for well over a decade with interested directors and forgotten scripts. In the 1990s, filmmakers ranging from Terry Gilliam to David Cronenberg attempted but failed to get their proposed adaptation before cameras. Charlie Kaufman, the writer of Being John Malkovich and the very Philip K. Dick-esque Eternal Sunshine of the Spotless Mind, also wrote a screenplay for Dick’s much-praised drug novel, although the script was never produced. Eventually, writer and director Richard Linklater wrote an adaptation. He had previously wanted to adapt Dick’s fast-paced Ubik, but settled on A Scanner Darkly for its metaphysical pondering and sense of paranoia, both themes which Linklater had explored before. George Clooney and Steven Soderbergh’s production company Section Eight agreed to produce. And eventually, the film was sanctioned by the Philip K. Dick Trust.
Based in Austin, Texas, Linklater helped launch a movement in American independent cinema with his 1991 debut, Slacker, an ultra-low-budget film that follows a group of college-age thinkers and vagabonds in loosely connected conversational vignettes. Before that, Linklater demonstrated his love of cinema when he founded The Austin Film Society in 1985, a non-profit group devoted to rare and important filmic works, which today has an Advisory Board consisting of filmmakers such as Steven Soderbergh, Quentin Tarantino, Robert Rodriguez, Tobe Hooper, and Les Blank. After Slacker, Linklater released Dazed and Confused (1993), a box-office flop that has since become a cult favorite, along with launching the careers of Ben Affleck, Matthew McConaughey, and Parker Posey. He continued with films rooted in thoughtful conversations, such as Before Sunrise (1995), the first chapter in the transcendent Before trilogy, and subUrbia (1997), adapted from Eric Bogosian’s acidic play. Eventually, Linklater experimented with commercial work, such as The Newton Boys (1998), an underwhelming Prohibition-era bank robber story, and the underrated Jack Black comedy School of Rock (2003). But the writer-director’s real talents flourish in artistic films with a sly commercial appeal—such as the highly praised sequels to Before Sunrise, 2004’s Before Sunset and 2013’s Before Midnight; his part-documentary, part-dramatized real-life murder story Bernie(2011); or his ambitious 12-year project Boyhood (2014).
Outwardly, A Scanner Darkly remains most closely tied to Linklater’s 2001 release, Waking Life, a most meandering and philosophizing work that uses rotoscoped animation to follow an ongoing series of thought-provoking conversations. The process was originally used in 1914 by cartoonist Max Fleischer, and then next by Walt Disney, to help cartoonists simulate natural movement. By painting or inking on live-action footage, the characters in a film such as Sleeping Beauty (1959) were given more realistic bodily actions and facial expressions. But A Scanner Darkly would use the method for much more than merely painting over photography; the film uses animation to establish both reality and create hallucinatory images. As a result, the original plan scheduled nine months’ worth of post-production animation, but the process took eighteen months to allow for the detail and imagination Linklater wanted in his animation. The outcome, even in seemingly insignificant scenes, is breathtaking. The flawless animation appears to be a comic book with a pulse. Combine that with the bravado performances of the film’s actors, and the animation becomes just another piece of the apparatus that disappears in the glory of a great story. Some may hold reservations towards the technique, believing that the animation takes away from the actors’ performances or the narrative. Still, the approach helps rather than hinders the actors’ places in A Scanner Darkly’s bizarre, paranoid reality, aligning perfectly with Dick’s themes of reality distortion.
The most impressive piece of animation in the picture is Fred’s ever-shifting “scramble suit,” which prevents Fred’s supervisors from identifying him, maximizing the security of his cover. Fred’s boss wears a similar suit, and neither Fred nor his boss knows who is behind the other’s suit. The “scramble suit” projects false identities via constantly shifting characteristics so that no surveillance mechanism can pinpoint the wearer’s identity, therein eliminating any possibility of exposure. Animating the suit consists of creating hundreds, if not thousands, of facial and bodily fragments that dizzily rotate at random. But each momentary identity has to maintain an overall silhouette and still project the actor underneath. When Keanu Reeves’ Fred moves, even from under the continually changing scramble suit, the audience can still recognize Reeves’ movements and body language. The performances themselves were given by actors chosen not only for their sheer talent but, seemingly, for their off-screen reputation with drugs. Keanu Reeves, Robert Downey Jr., Woody Harrelson, Winona Ryder, and Rory Cochrane have all had or even lived similar roles to theirs in A Scanner Darkly. Somehow rotoscoping wipes away that stigma, compiling a new face literally painted over the actor’s old one. The performers are made whole again, permitting the audience to forget about Downey Jr.’s reoccurring drug problems or Harrelson’s history with pot. They are no longer actors but rather characters given free-range because of the innovative medium. Their off-screen reputations linger in our subconscious, to be remembered later upon reflecting on the film’s artistry.
The most notable performance of the group is Robert Downey Jr. as Barris—a suspicious character so burnt out from the drugs and constant onslaught of paranoia that he’s become sadistically mistrusting, if only internally, of his friends. Downey Jr. plays Barris as a fast-talking, often brilliant individual that can turn at any moment. Downey’s maniacal rapid-flow speech and brazen waving of the arms bring Barris—the most conniving, intelligent, humorous, sadistic, and strangely most likable character from the novel—to life. Reeves and Cochrane’s performances deserve acknowledgment as well, as each actor completely embodies their respective role. Reeves takes Bob (or is it Fred, or later Bruce?) to the ambiguous level demanded. While Reeves has taken his share of guff for his inexpressive acting, he seems at ease and perfectly cast here. Looking back, no other actor could have given Bob-Fred-Bruce the same ambivalence to the world and himself without making it appear too unintentional (or too intentional, for that matter). Cochrane plays Freck, an overdosing Substance D fiend and one of Arctor’s group of stoner friends. The first scenes in the film involve Freck attempting to wash and kill hallucinatory aphids from his body and out of his hair. Cochrane gives Freck the perfect helpless-yet-fearful twitch of a user who knows he has gone too far. Freck is pitiable in how prey is pitiable: although aware of his deteriorating state, he is too far gone to change the situation and helpless to prevent his eventual collapse.
This could be said for any of the characters in the film. Each floats like a moth on a calm pond—having landed on the water, they are now helpless to escape. They wait for some hideous predator from the murky bottom to float up and gulp them down. Both the film and Dick’s novel share a potent message—particularly in the story’s climax, which reveals that the foundation set up to cure people of Substance D addiction is the very organization creating it, a corporation called New Path. This turn speaks against the type of suspicious world where people have no choice but to escape. Neither the film nor the book condones drug use, but they understand it. They do not blame users for attempting to distract themselves from the ever-encroaching watchful eye of society and the government looming in. Or as Dick writes in his Author’s Note at the end of his novel:
Like children playing in the street; they could see one after another of them being killed—run over, maimed, destroyed—but they continued to play anyway. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief; even when we could see it, we could not believe it.
Indeed, through A Scanner Darkly, Dick seems to indirectly remark on the allegations that the CIA participated in the Secret War in Laos, which in turn moved commercial opiates, including heroin, into the United States. Those who wished to “play” could do so thanks to their government, and in turn, they were destroyed for it. Surely Dick’s story would anticipate accusations of CIA cocaine trafficking, specifically during the Reagan and Clinton administrations: there are questions about how closely the government has worked alongside the Mexican Cartels; how the CIA has allowed drop points at the Mena Intermountain Municipal Airport; if the CIA collaborated to import cocaine and marijuana as part of the Contra war in Nicaragua; or how the CIA targeted certain Black neighborhoods during the 1980s crack epidemic. But, as with Freck and eventually Bob, we do not judge the users in A Scanner Darkly; instead, we see them as the product of ignorance, corruption, and an irresponsible government. Dick and his Berkeley group, which one can imagine were not dissimilar from Arctor’s group, were neither victims nor criminals for their usage.
Even today, several decades after his death, Dick’s work remains futurist and visionary, yet also reflective of our society. Since Blade Runner‘s release in 1982, Dick has become one of the most adapted-to-film authors, from Paul Verhoeven’s ruthless actioner Total Recall (1990, based on Dick’s short story “We Can Remember It For You Wholesale”) to Steven Spielberg’s breathless thriller Minority Report (2002, based on the short story of the same name). More recently, Amazon has turned Dick’s Hugo Award-winning book The Man in the High Castle into a triumphant series. But where other adaptations often abandon the author’s insights on the nature and illusion of existence in favor of sci-fi genre fun, Linklater’s A Scanner Darkly fully embraces Dick’s penchant for damaged souls and their metaphysical line of questioning. Linklater’s film has been praised, even by Philip K. Dick’s daughter Isa, as an accurate, generous, and artistic adaptation. Unfortunately, Dick’s work has a notorious reputation for being slaughtered by screenwriters, as viewers of Paycheck (2003) and Next (2007) can attest. The few good adaptations out there still stray from the writer’s original text, though in spirit, they remain faithful. But Linklater captured the plot, spirit, and most importantly, the questions of Dick’s original work. Instead of losing himself in science-fiction, he used the book to emphasize further the story’s focus on a particular subculture and what races through their minds.
Wondrous and curious sights are shown in this film—so wondrous that, quite intentionally, we begin to mistrust our eyes. When we cannot trust what we see and how we feel, when we suspect our senses, and when a world like the one depicted in A Scanner Darkly succeeds so well in drawing us in and making us as paranoid as its characters, we find ourselves involved in the story more so than we realized. Therein lies the subtle genius of A Scanner Darkly. Like the characters in the film, we’re involved in the long, drug-fueled conversations and skewed perceptions of reality, forgetting about the inherent dangers until all at once, we realize that Freck, Arctor, and eventually the rest, will succumb to a slow death. The film’s last shots are at once melancholy and hopeful. They find Arctor inside one of New Path’s many farms that produce the flower behind Substance D, though his brain has been fried beyond help. Perhaps, somehow, his presence and police work will lead to New Path’s end. Or perhaps not. Linklater superbly captures the sobering theme of Dick’s novel—how people are forced to rely on escape, either from their own psychosis or the world around them. Ultimately, they become willing casualties of their own addiction and complicit in their own demise; through their attempt to escape, they turn themselves into slaves of the very system they hoped to avoid.
The Ukraine conflict was caused by the U.S. backed right wing coup in 2014 and the duplicity of Europeans who claimed to be working for peace. Anyone who supports these actions but claims leftist credentials must be challenged.
“It is urgent to end this war as soon as possible. This can only be achieved through the success of Ukraine’s resistance to Russia’s invasion. Ukraine is fighting a legitimate war of self-defense, indeed a war for its survival as a nation. Calling for “peace” in the abstract is meaningless in these circumstances.”(Ukrainian Solidarity Network )
“Social-imperialists,’ that is, socialists in words and imperialists in deeds ( V.I. Lenin)
“The Western social-imperialist left that is still addicted to its material privileges and illusions of being a part of something called the “West” has a choice that it must make: either you abandon privilege and whiteness and join as class combatants against your bourgeoisie, or you will be considered part of the enemy.” (A.Baraka,The Western Imperial Left’s Collaboration with the Western Bourgeoisie)
The clear implication from this statement issued by the newly formed Ukrainian Solidarity Network is that military victory is the only solution for resolving the conflict in Ukraine. The fact that many of the individuals supporting this network self-identify as leftists, represents a new, perhaps higher form of collaboration with Western and U.S. imperialism that may have ever developed since the end of the second imperialist war in 1945. I issued an excerpt of my statement in response to the emergence of this network that caused a stir. Here is my statement in full.
One of the most positive things to emerge from the Collective West’s war in Ukraine is that it helped to expose elements of the U.S. left that have always had a soft, sentimental spot for the West. The arrogance of these Westerners who signed on to this call for more war (see below) is reflected in the fact that they don’t even feel compelled to explain how their morally superior commitment to Ukrainian self-determination against “Putin’s” war is reconciled with the various statements from former German Chancellor Angela Merkel, former French President Francois Hollande and before them, former Ukrainian president Petro Poroshenko revealing that the Minsk agreement was just a delaying tactic to prepare for war.
We ask the Network as we have been asking Zelensky and Biden, the co-coordinators of the White Lives Matter More Movement, how this phase of the conflict that started in 2014 became Putin’s war? Do we just dismiss as Kremlin propaganda that the Russian Federation felt threatened by what appeared to be the de-facto incorporation of Ukraine into NATO as the Ukrainian army was built into the most formidable fighting force in Europe outside of Russia?
Did the Russians not have any legitimate security concerns with NATO missiles facing them from Romania and Poland, a mere six minutes away from Moscow, and that Ukraine was also making a pitch for “defensive” missiles in Ukraine? And how does the Network characterize the conflict in Eastern Ukraine that started in 2014 and produced over 14,000 deaths when the Ukrainian coup government attacked its own citizens, if the current conflict started in February 2022? What happened to the fascist issue in Ukraine that was written about for years but with even more urgency after the coup in 2014? Did the Kremlin plant those stories in the Western press?
We understand that these are questions that the organizers of the Ukrainian Network will never answer because they do not have to. As Westerners they can just postulate an assertion and it is accepted. The Network and the Western bourgeoisie declare that the war in Ukraine is Putin’s war and it becomes objective truth – because that is what the West can do and can get away with. It’s called power – white power perhaps?
The Ukrainian Solidarity Network is the ultimate expression of social imperialism that has become so normalized in the U.S. and Western Europe that it is no longer even recognized. An example from the statement makes the argument that Ukraine has the “right to determine the means and objectives of its own struggle.” That is a recognized left position. But the social imperialists of the West do not extend that principle and right to nations in the global South. In fact, we ask the signers of this call to explain when the coup government of Ukraine became the representatives of the Ukrainian nation and recognized the sovereign will of the people?
Therefore, it is not a mere coincidence that the main signatories of this Network statement pledging undying support to Ukraine and its project, are also some of the same “left” forces in the forefront of giving left legitimacy to the charge leveled by Western imperialism that the struggling socialist oriented national liberationist states like Venezuela, Nicaragua, Bolivia are nothing more than “authoritarian” states more interested in power than socialist construction. Some of those forces also cheered on the NATO attack against Libya, passionately defended Western intervention in Syria and have been silent on Western plans to violently invade Haiti.
For the contemporary neocons in the leadership of the Ukrainian network, their commitment to abstract principles, and certainty that they know more than everyone else, objectively place them in the same ideological camp with Obama, Biden, NATO strategists, the Zelensky clown, and Boris Johnson. But they will argue that their positions are different, since they represent something they call the left.
For a number of individuals who signed on to this pro-Western, pro-war letter, they are in a familiar place. However, I suspect a few of the individuals on that list were probably confused or not paying attention, not thinking about who they would be affiliated with when they signed on.
That of course, is not the case for some of the key supporters of this initiative. Individuals like the Green Party’s Howie Hawkins, Eric Draitser of Counterpunch, and Bill Fletcher who normally I would not name specifically but because these individuals and the tendency they represent embody the worst of the arrogant, Western left that in so many cases (not all) objectively provides ideological cover ( rightism with left phraseology) for the imperialist program of Western capital – they should not be allowed continued left respectability without challenge.
These individuals certainly have not hesitated in offering criticisms of those of us who never wavered from our strategic priority to defeat our primary enemy – the Western white supremacist colonial/capitalist patriarchy. For us everything else represents secondary contradictions at this specific historical moment. And is why we reject the arguments these forces advance about fighting dual imperialisms as anti-dialectical nonsense and a political cover.
History has demonstrated that it would be a complete disaster if the “collective West” secured a military victory in its proxy war with Russia. For the U.S. empire it would validate their doctrine of “Full spectrum dominance” and the wisdom of their commitment to a military-first strategy to support that doctrine. It would mean that war with China was a certainty.
The commitment to global hegemony by the Western colonial/capitalist elite by any means necessary is why the U.S./EU/NATO Axis of Domination represents an existential threat to the vast majority of humanity. A “left” position on Ukraine should at best be to support a negotiated settlement to end the war before the Dr. Strangeloves making policy in the U.S. create the circumstances that will lead to a nuclear confrontation with either Russia or China.
The position of support for more war guided by the white-boy fantasy of military victory in Ukraine is madness. For Africans/Black folks, we ask, what self-respecting African would consciously place themselves on the same side with NATO, Europe, and the U.S. settler-state in any conflict? The fact that some continue to end up on the same side with our enemies only affirms that they have made a choice, and that choice is to collaborate with our enemies – which sadly, also makes them the enemy.
After the Crash 