Author Archives: Reid Mukai

Saturday Matinee: Night Tide

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By Steve Johnson

Source: Bright Lights

The first shot proper in Curtis Harrington’s 1961 feature film debut, Night Tide, situates main character Johnny Drake leaning over a pier in his sailor gear, slightly off-angle, so we understand that there’s something unresolved in his character, something at un-rest. The setting is Venice, California, a long way off from the Poe-like submerged city it’s named for, as are many of the film’s characters from their similar sources. A clairvoyant later calls Johnny innocent and searching, and everything about the moody composition reinforces this notion as he gazes into the reflective waters. There at the brink between land and sea, consciousness and dream, he’s Narcissus regarding himself in the pool, much like the protagonist of Harrington’s attention-getting 1946 short Fragment of Seeking.

In that earlier, experimental film, Harrington’s character — played by the director himself — pursues a robed figure after the fashion of Maya Deren’s “Meshes of the Afternoon,” only to discover that what he had taken to be a woman is instead himself, in drag. (The scenario is a gloss on such Poe tales as “William Wilson” and “The Assignation”; Harrington’s first short was an adaptation of “The Fall of the House of Usher,” a new version of which was also his final film work.) This motif of inquiring into gender and the self is revisited in film after film of Harrington’s no matter how personal or indifferent, from the exploration of the twin-gendered Venus and Mars of his next feature, Queen of Blood, through the various pursuits of his ’70s TV movies The Dead Don’t Die and How Awful About Allan, the latter climaxing in the reverse-unmasking of the lead’s veiled malefactor — whom he had assumed was a male boarder — as in fact his own sister.

This lunar pull toward some split-off aspect of the self is part allegorical, part autobiographical. In Night Tide, the division in Johnny’s object of fascination, the sideshow mermaid named Mora who believes she’s the real thing, represents our peculiarly human nature, being not entirely animal yet not entirely separate, either. In both evolutionary and individually developmental terms, she recalls the amniotic origins Johnny contemplates from his privileged perspective at the start of the picture, which viewpoint the film reiterates at other key points and in other key locations. That tension between our innocent beginnings and present “fallen” state reflects the director’s own attitude toward his ambitions and the course his career would take in the baroque and carnivalesque Hollywood where he found himself working for the next 25 years after this self-written and -financed calling card of a film.

Though Harrington’s character, and indeed the tone of his feature, is naïve, Harrington himself was not. True to the Hollywood Babylon of friend and early co-conspirator Kenneth Anger’s series of infamous industry exposés, the portrait of that town in such later Harringtons as What’s the Matter with Helen? maintains the grime on the city’s underbelly. For the novice filmmaker, Tinseltown was the Mora-like Lorelei whose song lured many a hapless romantic to his ruin. As his career lost its way from the wide-eyed optimism on display here, it bent itself to an increasing sordidness, the decadence that underlay his scenarios become less and less berobed with the illusion of glamor. By the time of his penultimate theatrical feature, the Exorcist knockoff Ruby, the putative Golden Age apostrophized throughout his work in the casting of mostly played-out Hollywood luminaries was at last seen as a nest of gangsters reduced to working for the title singer at her drive-in theater, her daughter the innocent supernatural woman of Night Tide become the actual agent of the violent deaths of which Mora, in her film, is falsely accused.

In conversation with David Del Valle on the latter’s cable interview program, The Sinister Image, Harrington described his first studio film, Games, as concerning the seeping of “European decadence” into innocent America. In that film, Night Tide‘s boardwalk attractions are literally internalized in the pinball-filled apartment and juvenile, prank-prone relationship of its socialite couple — based on Night Tide star Dennis Hopper and his Hollywood-royalty wife, Brooke Hayward — all of which turn malevolent under the influence of a French mystic played by Simone Signoret. In Night Tide this figure appears in the form of the Greek-speaking Mystery Woman (played by Marjorie Cameron, a consort of reputed Black Arts practitioner Aleister Crowley) and in Queen of Blood the vampiric cod-European extraterrestrial; in later tele-films The Dead Don’t Die it’s the zombie leader Varek, Killer Bees‘ queen-bee Madame von Bohlen, and the witchy Martine Beswick character of Devil Dog: Hound of Hell, as well as the soigné Nazi psychologist of theatrical career-closer Mata Hari.

Which is not to say that this influence need necessarily be European. The director just as easily gave it a domestic face in the form of Helen‘s radio evangelist played by Agnes Moorehead and her disturbed disciple Shelley Winters, and The Killing Kind‘s mother, Ann Sothern — symbols of Golden Age Hollywood, all, as was Bees‘ Gloria Swanson. The decadence, if any, is organic to its milieu; if it hails from any Old World to speak of, it’s a world within.

Harrington has said that all of his films are tragedies. Night Tide, at least, ends hopefully. When Ellen Sands, the land girl who vies for his affections, sees Johnny off, the implication is that she’ll be a soft place for him to land when he comes down from his guilty obsession over Mora; her offer of coffee on his way out is as Ariadne’s gift to Theseus of the thread of consciousness that would lead him out of the minotaur maze. With the more exotic love of Mora suggesting the primitive, deep and unfathomable artistic nature (she being first encountered in a subterranean jazz club and later doing an improvisational dance to a bongo beat) that Harrington would leave behind in the pursuit of bigger budgets, greater technical resources, and a wider audience, Ellen’s boardwalk merry-go-round suggests the simple, commercial (if mechanical) pleasures of an “innocent,” old-fashioned entertainment, and Night Tide the chronicle of a passage from avant-garde mother to the feature-length mainstream cinema Harrington would spend a quarter of a century courting with varying degrees of success.

We take solace in Johnny’s being escorted out by the Shore Patrol, suggesting that the questing sailor has found his feet and will one day return to the merry-go-round girl. It’s an odd early endorsement of heterosexual love and normality for a director the overwhelming bulk of whose later work describes such relations and their familial expression in grotesque terms — the undead marathon dancers of The Dead Don’t Die, the forced rape-participation of The Killing Kind, the suburban kennel that is Devil Dog‘s home and family (with its figurative “breeders”), as the ancestral-home hive of Bees. It’s no surprise, then, that the further Harrington came from the hopes of establishing the kind of career he may have envisioned, the harsher the satire became, until the disaster of the attempted Sylvia Kristel vehicle Mata Hari crumbled under the weight of its disinterest in the softcore couplings that were its generic reason for being. Afterward, it was series television for him, the likes of which — Dynasty, primarily — offered a more comfortable haven for his outright cynical — no longer conflicted — attitudes. It was as if Johnny had returned to find Ellen had given up the wait for him and gone. All that was left now was to join the amusements.

Manufacturing Panic: Social Engineering, Domination and Control

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By S.C. Hickman

Source: Techno Occulture

In the 21st century, the social engineering of dread and longing have evolved into a bio-political arena of terror and a psycho-political culture of internalized domination. The globally deployed technology of the spectacle transforms to a creative panic industry, the pacification of the self and the silencing of multitudes. With no visible alternatives to universal pancapitalism there seems to be no need for payoffs for the disenchanted, no necessity to bribe the dissenting segments of the population and no incentive to grant extension of freedoms.1

Instead of peddling hope and visions of mutually shared commonwealth, authority is maintained by the production of synthetic fear and the need to secure property against some other. Deimos and Phobos, the gods of panic, angst and terror dominate the omni-directional realm of geo-psychological strategies in an asymmetric world war against invisible enemies without qualities. Market concentrations benefit neo-feudal power structures that know how to use access to media, private security and intelligence services to advance their interests. Austerity, power, and impersonal anonymity interface with a world replete with vast global migrations, desperation, and panic victims who willingly comply and give up liberties for shared security. An Orwellian world of competing agencies, wars, famines, and pestilence drive the panic cities of current criminal elements to traffic in sex, drugs, and war.

Private oligarchic networks of finance and business cartels cultivate relations to governmental entities controlling state agencies and military units. Media narratives and public relations strategies transform synthetic fear into advantages that produce windfalls of power and profit. This theater of fear is a skillful interplay of compartmentalized information units, privatized command centers, loyal officials and gatekeepers as well as professional Special Forces. Technocommercial Black-Ops programs that infiltrate both governmental and public spheres through experimental use of technics and pharmakon in collusion with DARPA and other shadow or Deep State agencies across the globe provide a base infrastructure for a 21st century society of control. Productions of artificial angst call for scenarios of counter-terrorist theater rehearsals and paramilitary actors as well as the professional staging of scapegoats and dupes. The dark networks draw on privatized intelligence units, so called “asteroids”, business entities which provide cover for compartmentalized operations.2

Space was formerly known as heaven and manned space flight from earth could be understood as mechanical equivalent to an ascent to divinity. Johannes Kepler suspected paradise to be located on the moon and Konstantin Tsiolkowsky, the Russian pioneer of modern rocket science, saw manned space flight as a freeway to the supernatural. In his novel “Gravity’s Rainbow” Thomas Pynchon contemplates the ambiguous interrelations between sex, rockets and magic.

Jack Parsons, a key figure in American rocketry, lost his reputation and security clearance in obsessive pursuit of occult rituals and sexual mumbo-jumbo before he diffused into space in a lab explosion in 1952. A crater on the dark side of the moon is named in memory of Parsons, a tribute to the shady cofounder of the famed Jet Propulsion Laboratory (JPL). The 19th century spiritualist pseudoscience of a world of ghosts and occult belief in spirits, a complex adaptation to modernity, has morphed into 20th century sciences. From social theories and “optimization” of the workplace, from operations research to scientific communication and applied psychology, many genres of academic disciplines and the influence business are rooted in the twilight zone of the netherworlds.

When Norbert Wiener, who developed his work on cybernetics from ballistics research, writes that “Communication and control belong to the essence of man’s inner life, even as they belong to his life in society” he evokes the ancient art of assessing the human personality and exploiting motivations. Developed out of clandestine mind control programs in the 1960’s, the methodical application of Personality Assessment Systems became standard operating procedure in business and intelligence. Systems of discipline and control which took shape in the 19th century on the basis of earlier procedures have mutated into new and aggressive forms, beyond simplistic theories of state and sovereignty. In the past, the science of power branched into the twin vectors of political control and control of the self.

In the 21st century the technologies of material control and subjective internalization are in a process of converging. The traditional twin operations, with which the authorities aim to win the hearts and minds, the binding maneuvers of law enforcement and the dazzling illusionist control of the imagination, are transforming into each other. Not unlike werewolves using the powers of the moon for a violent metamorphosis, contemporary agencies of power turn into shape shifters and fluctuating modes of dominance. Star Wars technology shape-shifts into applications of creative industries, into the domain of desire, imagination and mediated lunacy.

Technologies of individualization bound to controllable identities and the global machinery of homogenization are superimposing to a double-bind of contemporary power structures. The renaissance heretic Giordano Bruno anticipates these developments in his visionary treatise “De Vinculis in Genere” – a general account of bonding – on operational phantasms and the libidinal manipulation of the human spirit. The disputatious philosopher of an infinite universe, beyond his unique investigation into the imaginary and the persuasion of masses and the individual, also challenged the ontological separation between the spheres of the heavens and the sublunary world of his time.

Today, in a technological marriage of heaven and earth, there is a full spectrum military entertainment fusion of global conflict management. A strategic analysis of the enforced colonization of space and mind will certainly provide a more comprehensive understanding of the parameters of life and death on planet Earth. The extraterrestrial highway in the United States, is near the zone 51, a top secret area of the American army. In this zone “black projects” subjected to the secrecy defense are carried out. In 1994 a Congressional subcommittee revealed that up to 500,000 Americans were endangered by secret defense related tests between 1940 and 1974. They included covert experiments with radioactive materials, mustard gas, LSD, and biological agents.3

Disneyland and the global media sightings of men on the moon are exemplary for the universal power of imagination management and the spectacle. Receptiveness for the spectacle is deeply embedded in human desires for excitement, stimulation, knowledge acquisition and the construction of self esteem. Largely based on the biocybernetic exploitation of human response mechanisms that influence emotion, excitement and thrill, the technological spectacle in its play with danger and disorientation is rooted in the biology of ancient neural patterns. But its arena has been dramatically extended through technology. The machinery of the spectacle generates affect by triggering failures of orientation and control. This can be loss of physical balance, a rollercoaster ride or cognitive dissonance. The intensity of affect is directly correlated with the depth of disorientation and the more that vital human response structures are touched, the deeper the effect. Contextual parameters of relatively secure environments allow appreciating these disorientations as hedonistic experiences instead of discomfort and panic. These mechanisms trigger delight and numinous experiences, moving and enthusing audiences.

Aldous Huxley once remarked that there are two kinds of propaganda— rational propaganda in favor of action that is consonant with the enlightened self-interest of those who make it and those to whom it is addressed, and non-rational propaganda that is not consonant with anybody’s enlightened self-interest, but is dictated by, and appeals to, passion. 4

In the years and decades ahead both invasive and non-invasive technologies will enslave the uneducated masses, luring them with technologies of delight or fear to do the bidding of the Oligarchs without little or any resistance since for the most part people will willingly give up there freedoms for comfort, security, and happiness. Of course not all will give into such notions, nor condone the power of persuasion through both extrinsic propaganda and public relations, nor intrinsically through technological pharmakon or invasive forms of implants or nanobots. But these resistant anti-bodies will like any virus be hunted down and annihilated in a society that will have become a unified fascist enclave, a mindless world of automated machines both inorganic and organic. For in the end there will be no barriers between them, only the merger and enhancement of their twined potentials. This is the dark truth-condition of our future… can we stop it?

  1. Konrad Becker, Hypno Politics, Hyper State Control, Law Entrainment and the Symbolic Order. Center for Cognitive Liberty (2015)
  2. Lofgren, Mike. The Deep State: The Fall of the Constitution and the Rise of a Shadow Government. Penguin Books (January 5, 2016); Englehardt, Tom. Shadow Government: Surveillance, Secret Wars, and a Global Security State in a Single-Superpower World. Haymarket Books (September 15, 2014)
  3. Valentine, Douglas. The CIA as Organized Crime: How Illegal Operations Corrupt America and the World. Clarity Press (December 31, 2016)
  4. Huxley, Aldous. Brave New World Revisited. Harper Perennial; Reprint edition (July 1, 2014)

Power Corrupts: A Culture of Compliance Breeds Despots and Predators

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President Bill Clinton and Miramax Chief, Harvey Weinstein at Hillary Clinton’s Birthday Party at the Hudson Hotel in New York City. October 25, 2000 (Photo: Nick Elgar/ImageDirect)

By John W. Whitehead

Source: The Rutherford Institute

“All governments suffer a recurring problem: Power attracts pathological personalities. It is not that power corrupts but that it is magnetic to the corruptible.”― Frank Herbert

Power corrupts.

Worse, as 19th-century historian Lord Acton concluded, absolute power corrupts absolutely.

It doesn’t matter whether you’re talking about a politician, an entertainment mogul, a corporate CEO or a police officer: give any one person (or government agency) too much power and allow him or her or it to believe that they are entitled, untouchable and will not be held accountable for their actions, and those powers will eventually be abused.

We’re seeing this dynamic play out every day in communities across America.

A cop shoots an unarmed citizen for no credible reason and gets away with it. A president employs executive orders to sidestep the Constitution and gets away with it. A government agency spies on its citizens’ communications and gets away with it. An entertainment mogul sexually harasses aspiring actresses and gets away with it. The U.S. military bombs a civilian hospital and a school and gets away with it.

Abuse of power—and the ambition-fueled hypocrisy and deliberate disregard for misconduct that make those abuses possible—works the same whether you’re talking about sexual harassment, government corruption, or the rule of law.

For instance, 20 years ago, I took up a sexual harassment lawsuit on behalf of a young woman—a state employee—who claimed that her boss, a politically powerful man, had arranged for her to meet him in a hotel room, where he then allegedly dropped his pants, propositioned her and invited her to perform oral sex on him.

Despite the fact that this man had a well-known reputation for womanizing and this woman was merely one in a long line of women who had accused the man of groping, propositioning, and pressuring them for sexual favors in the workplace, she was denounced as white trash and subjected to a massive smear campaign by the man’s wife, friends and colleagues (including the leading women’s rights organizations of the day), while he was given lucrative book deals and paid lavish sums for speaking engagements.

William Jefferson Clinton eventually agreed to settle the case and pay Paula Jones $850,000.

Here we are 20 years later and not much has changed.

We’re still shocked by sexual harassment in the workplace, the victims of these sexual predators are still being harassed and smeared, and those who stand to gain the most by overlooking wrongdoing (all across the political spectrum) are still turning a blind eye to misconduct when it’s politically expedient to do so.

This time, it’s Hollywood producer Harvey Weinstein—longtime Clinton associate and a powerhouse when it comes to raising money for Democrats—who is being accused of decades of sexual assaults, aggressively sexual overtures and harassment.

I won’t go into the nauseating details here. You can read them for yourself at the New York Times and the New Yorker.

Suffice it to say that it’s the same old story all over again: man rises to power, man abuses power abominably, man intimidates and threatens anyone who challenges him with retaliation or worse, and man gets away with it because of a culture of compliance in which no one speaks up because they don’t want to lose their job or their money or their place among the elite.

From what I’ve read, this was Hollywood’s worst-kept secret.

In other words, everyone who was anyone knew about it. They were either complicit in allowing the abuses to take place, turning a blind eye to them, or helping to cover them up.

It’s not just happening in Hollywood, however.

And it’s not just sexual predators that we have to worry about.

For every Harvey Weinstein (or Roger Ailes or Bill Cosby or Donald Trump) who eventually gets called out for his sexual misbehavior, there are hundreds—thousands—of others in the American police state who are getting away with murder—in many cases, literally—simply because they can.

The cop who shoots the unarmed citizen first and asks questions later might get put on paid leave for a while or take a job with another police department, but that’s just a slap on the wrist. The shootings and SWAT team raids and excessive use of force will continue, because the police unions and the politicians and the courts won’t do a thing to stop it. Case in point: The Justice Department will no longer attempt to police the police when it comes to official misconduct. Instead, it plans to give police agencies more money and authority to “fight” crime.

The war hawks who are making a profit by waging endless wars abroad, killing innocent civilians in hospitals and schools, and turning the American homeland into a domestic battlefield will continue to do so because neither the president nor the politicians will dare to challenge the military industrial complex. Case in point: Rather than scaling back on America’s endless wars, President Trump—like his predecessors—has continued to expand America’s military empire and its attempts to police the globe.

The National Security Agency that carries out warrantless surveillance on Americans’ internet and phone communications will continue to do so, because the government doesn’t want to relinquish any of its ill-gotten powers. Case in point: The USA Liberty Act, proposed as a way to “fix” all that’s wrong with domestic surveillance, will instead legitimize the government’s snooping powers.

Unless something changes in the way we deal with these ongoing, egregious abuses of power, the predators of the police state will continue to wreak havoc on our freedoms, our communities, and our lives.

Police officers will continue to shoot and kill unarmed citizens. Government agents—including local police—will continue to dress and act like soldiers on a battlefield.

Bloated government agencies will continue to fleece taxpayers while eroding our liberties. Government technicians will continue to spy on our emails and phone calls. Government contractors will continue to make a killing by waging endless wars abroad.

And powerful men (and women) will continue to abuse the powers of their office by treating those around them as underlings and second-class citizens who are unworthy of dignity and respect and undeserving of the legal rights and protections that should be afforded to all Americans.

As Dacher Keltner, professor of psychology at the at the University of California, Berkeley, observed in the Harvard Business Review, “While people usually gain power through traits and actions that advance the interests of others, such as empathy, collaboration, openness, fairness, and sharing; when they start to feel powerful or enjoy a position of privilege, those qualities begin to fade. The powerful are more likely than other people to engage in rude, selfish, and unethical behavior.”

After conducting a series of experiments into the phenomenon of how power corrupts, Keltner concluded: “Just the random assignment of power, and all kinds of mischief ensues, and people will become impulsive. They eat more resources than is their fair share. They take more money. People become more unethical. They think unethical behavior is okay if they engage in it. People are more likely to stereotype. They’re more likely to stop attending to other people carefully.”

Power corrupts.

And absolute power corrupts absolutely.

However, it takes a culture of entitlement and a nation of compliant, willfully ignorant, politically divided citizens to provide the foundations of tyranny.

As researchers Joris Lammers and Adam Galinsky found, those in power not only tend to abuse that power but they also feel entitled to abuse it: “People with power that they think is justified break rules not only because they can get away with it, but also because they feel at some intuitive level that they are entitled to take what they want.”

That sense of entitlement and immunity from charges of wrongdoing dovetails with Richard Nixon’s belief that “when the President does it, that means that it is not illegal.”

For too long now, America has played politics with its principles and allowed the president and his colleagues to act in violation of the rule of law.

“We the people” are paying the price for it now.

Americans have allowed Congress, the White House and the Judiciary to wreak havoc with our freedoms. They have tolerated an oligarchy in which a powerful, elite group of wealthy donors is calling the shots. They have paid homage to patriotism while allowing the military industrial complex to spread death and destruction abroad. And they have turned a blind eye to all manner of wrongdoing when it was politically expedient.

This culture of compliance must stop.

The empowerment of petty tyrants and political gods must end.

For starters, let’s go back to the basics: the Declaration of Independence, the U.S. Constitution and the Bill of Rights.

Let’s recommit to abiding by the rule of law.

Here’s what the rule of law means in a nutshell: it means that everyone is treated the same under the law, everyone is held equally accountable to abiding by the law, and no one is given a free pass based on their politics, their connections, their wealth, their status or any other bright line test used to confer special treatment on the elite.

Let’s demand scrutiny and transparency at all levels of government, which in turn will lead to accountability.

We need to stop being victimized by these predators.

As I point out in my book Battlefield America: The War on the American People, I’m not just talking about the political predators in office, but the ones who are running the show behind the scenes—the shadow government—comprised of unelected government bureaucrats whose powers are unaffected by elections, unaltered by populist movements, and beyond the reach of the law.

There is no way to erase the scars left by the government’s greed for money and power, its disregard for human life, its corruption and graft, its pollution of the environment, its reliance on excessive force in order to ensure compliance, its covert activities, its illegal surveillance, and its blatant disdain for the rule of law.

“We the people”—men and women alike— have been victims of the police state for so long that not many Americans even remember what it is to be truly free anymore. Worse, few want to shoulder the responsibility that goes along with maintaining freedom.

Still, we must try.

CIA-Connected Google Aims to Weaken RT

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By Stephen Lendman

Source: StephenLendman.org

Google transformed itself from a search engine to online censor.

Last July, the World Socialist Web Site reported “changes to its search service to make it harder for users to access what it called ‘low-quality’ information such as ‘conspiracy theories’ and ‘fake news.’ “

It’s Google’s code language for blocking what’s most important to know, what reliable sites like WSWS report daily, publishing vital information conflicting with the official narrative the corporate media feature, all rubbish all the time on vital world and national issues.

RT is the most widely viewed news operation on YouTube, owned by Google – no surprise it’s using it to censor truth-telling content, considered detrimental to the national security state because it exposes what it wants kept secret.

RT’s popularity keeps growing, why it’s considered a threat. Last month, its multi-language videos were watched over five billion times on YouTube.

Google declared war on the operation in cahoots with Washington, pulling it from its YouTube prime ad list in America without notification, a despicable action. RT’s deputy editor-in-chief Kirill Karnovich-Valua commented saying:

“RT has been Google’s premium partner since 2010 and accredited to an official status of the most watched TV news network on YouTube.”

“The fact that RT is no longer included in the Google Preferred advertising list in the US in itself does not affect RT distribution and monetization on the platform.”

“Yet, it is absolutely unacceptable that, while there were no notifications of any policy changes sent to RT, such internal info appears to have been leaked to the US media by Google.”

“This speaks to the unprecedented political pressure increasingly applied to all RT partners and relationships in a concerted effort to push our channel out of the US market entirely, and by any means possible.”

Censorship is a flagrant First Amendment violation, Russia, its officials and English-languish news operations prime targets for vilification and undermining – notably after Moscow was falsely accused of US election hacking, no evidence ever presented proving it.

RT and Sputnik News are threatened. Washington demanded a company providing services to RT America register as a foreign agent.

The FBI is investigating Sputnik, unheard of actions, perhaps prelude to preventing them from reaching a US audience.

Both are highly respected news and information services, media operations, not Russian propaganda as falsely claimed, nothing fake about their reporting – worlds apart from deplorable US media, disinformation operations.

Vilifying Russia persists on many fronts, a recklessly dangerous situation, risking direct confrontation – what’s coming if things continue on their present course.

And empires die

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Source: Intrepid Report

Nothing ever seems to last, everybody changes oh so fast,
promises made promises lost and pride is kept at any cost,
And flowers die, and children cry, and lonely people carry on.
—Palermo & Farruggio 1970

That was from the song And Flowers Die, by prolific composer Michael Palermo and this writer as lyricist. How appropriate to compare this song with the ‘death song’ of our Military-Industrial Amerikan Empire, now in only its 72nd year of prominence. How great and powerful our empire was for so long. We controlled the economies and governments of so many countries, even continents. Now it is the autumn of our status as Number One. The Asian rim, as many refer to it, being led by China and all those other nations in that region, will become the future economic powerhouse of this planet.

This writer will leave it to the many progressive scholars out there for the explanation of the how and why of this equation. Let me just say that we all, from grade school on, have been fed the pabulum of America as a democracy, benevolent to the entire world. Many sadly still believe that lie, and that strengthens the reason why this empire is in freefall.

Since we became the preeminent world empire at the end of WW2, two things held the greedy ones who run things in we’ll say half check: The progressive federal tax rate and the union movement. The top tax rate from 1953 to 1963 was 91%. Now, we know that the super rich did not pay at that rate, but even after their accountants sharpened a few pencils, many still had to pay at least 50%, for argument sake. Today’s top rate is 39.6%, meaning that folks like mega millionaire Mitt Romney pay at around 15%-20%. Do the math and see how much more went into the treasury then as opposed to now. The second factor that held this empire in half check was the stronger union movement in the ‘50s, ‘60s and ‘70s. In the 1950s, about 35% of American workers belonged to unions. In 1983, it went down to around 20%. Now, the percentage is around 12%. So, that means that three times more working stiffs in the recent past had the protection of a union, however weak or compliant that union may have been. Today, this empire can breathe easily as fewer and fewer working stiffs even have a union!

To this writer, with all the many factors that have contributed to the demise of our nation via this Military-Industrial Empire, the number one factor is our foreign policy. When over half of your spending goes for military reasons, how can a nation sustain itself at home? When you have over 1,000 military bases in over 100 countries, and you consistently are involved in these phony wars, the home front must feel the strain. Our myriad of domestic bleeding is so obvious . . . yet so few here will acknowledge it. Our infrastructure is crumbling, our health care is a mess, too many mediocre paying jobs (with too many being part time with NO benefits), our political system is controlled by Big Money, our media is controlled by the same Big Money . . . and the fools still fight amongst each other over the Two Party/One Party con job.

Let’s face it: All the major industrialized nations are controlled by their super rich. There are really few exceptions. Sadly, with over 99+ % of the populace in all these countries being just simple working stiffs, it is time for a change of mindset. The mindset must be simple: The super rich need to go back to paying their fair share, and government needs to become what Mark Twain prescribed: ‘To protect us from the crooks and scoundrels.’

As Babies are Prescribed Pharmaceuticals, Have We Reached Dystopia?

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Tablets Pills Baby

By Joe Jarvis

Source: The Daily Bell

Would you let a five-year-old smoke a joint? I certainly hope not. Yet that would probably be less harmful than loading kids up on pharmaceuticals.

Currently, over a million American children UNDER SIX YEARS OLD are taking psychiatric drugs. Babies are literally being doped up by the pharmaceutical industry. Over 274,000 babies UNDER ONE-YEAR-OLD are given drugs, mostly for anxiety.

Anxiety drugs for babies. Have they tried motherly love? Or is that just an old fashioned, outdated concept?

You know, I like to mention society’s similarity to Orwell’s 1984. And surely the growing police state, war on drugs, and endless military campaigns–where the enemy seems to change daily–are reminiscent of the fictional dictatorship of Big Brother.

But it seems the powers that be are working tirelessly to blend together the dystopia of 1984, with that of Aldous Huxley’s Brave New World.

In that dystopia, there is no police state or war. Society has been perfectly designed by scientists, inspired by Ford’s assembly line. Babies are grown in the lab, cloned to all look alike, depending on their class. Parents are an embarrassing relic of the past. How silly to think a child needs family when they have the state!

The lower castes are deprived of oxygen as embryos to stunt their mental development. In America, they use fluoride in the drinking water instead.

In Brave New World, children listen to 24-hour propaganda in their cribs. Betas hear:

Alpha children wear grey. They work much harder than we do, because they’re so frightfully clever. I’m really awfully glad I’m a Beta, because I don’t work so hard. And then we are much better than the Gammas and Deltas. Gammas are stupid. They all wear green, and Delta children wear khaki. Oh no, I don’t want to play with Delta children. And Epsilons are still worse.

White pride, black pride, gay pride, national pride. Pride is not meant for accidents of birth. You should be proud of accomplishments and achievements, not genetics and geography. Perhaps someone has been whispering in these radicalized children’s ears.

And how jealous the Department of Education must be of the incubators of Brave New World! They have to sometimes wait years to indoctrinate children. But at least the government gets to drug them up at a young age! And if the TV is left on, most of the programming is done for them.

Of course, the adults are drugged up in Brave New World as well, just like in America. If anyone feels the least bit anxious, nervous, sad–or any other troublesome emotion–they get “soma.” It’s the perfect mix of drugs with only pleasant feelings and no ill side effects.

The 1 in 6 Americans on antidepressants, antipsychotics, and anti-anxiety medication still have to put up with side effects.

The 50 million plus Americans on psychiatric medication sometimes kill themselves, or go mad and kill others. I guess the government is still working out the kinks. Or it’s just another creative blending of 1984 and Brave New World. In the former, the proles must be properly terrified.

And there is one more thing I can remember from Brave New World that strikes eerily similar to modern America.

At what age does the public education system start teaching sex ed? Kindergarteners in some states receive “age appropriate”–according to the government–sexual education. Some studies suggest teen pregnancies rise in areas where sex ed is taught at younger ages.

How young is too young for a sex change? Kids can now choose between 43 genders, or make up a new one! It’s like Mr. Potato head, but with their own bodies. And they will be given corresponding drugs to enhance the “natural” changes.

In the classrooms of Brave New World:

“We had Elementary Sex for the first forty minutes,” she answered. “But now it’s switched over to Elementary Class Consciousness.”

The Director walked slowly down the long line of cots. Rosy and relaxed with sleep, eighty little boys and girls lay softly breathing…

He let out the amazing truth. For a very long period before the time of Our Ford, and even for some generations afterwards, erotic play between children had been regarded as abnormal (there was a roar of laughter); and not only abnormal, actually immoral (no!): and had therefore been rigorously suppressed.

Drugging the population, programming citizens with propaganda, sexualizing children, creating class divisions.

These dystopian novels were meant to be warnings, not instruction manuals.

 

Kafka Warned Us

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By Dan Corjescu

Source: CounterPunch

Kafka’s The Trial can be read in retrospect as a prelude to the Twentieth/Twenty-First century. Although probably not written as prophecy, Kafka’s short unfinished book nevertheless provides a road map to the terrors of the current Surveillance State.

As readers of CounterPunch are all too familiar, modern man, as a single individual, is at the mercy of the modern state and those who, lurking in semi-secrecy, direct it.

Kafka’s The Trial superbly conveys the unease of our current existential situation.

Early one morning, The Trial’s main protagonist, Joseph K, awakes to find that, totally unexpectedly, he has been arrested. Throughout the book he endeavors to find the reason for his arrest without any definite success.

However, what he does discover is a vast semi-secret bureaucracy/organizaton whose inner workings and outward displays of power and decision making remain opaque at best.

Initally, Joseph K, believes that he lives in a “Rechtsstaat” (a state where the rule of law is respected) and thus where it is expected that all civilized norms and laws are upheld.

Yet, he soon comes to see that he has lived in a state of fundamental error and illusion about the true nature of his existence.

What appeared to him as a well ordered and just state is, all of a sudden, revealed to be a capricious omnipotent octopus capable of strangling (in this case literally) anyone deemed to be, for whatever reason, expendable.

All law is suspended or, at least, made a mockery of. All that remains are the inner, turgid demands of power.

Joseph K. is convinced of his innocence. But his conviction is no match for the monolithic power that stands against him. He is eventually crushed, if not by his enemy’s repetitive legal machinations, then by his fatalistic far-reaching administrative power.

In the end, the “Organization” which Joseph K has confronted is almighty and can be controlled by neither appeals to law, logic, or custom. In this, modern man is in a similar situation.

He stands, at any moment, beneath the mercy of a gigantic machinery that, if it wills, can almost casually set into motion his utter annihilation. The devastation and erasure of ones past, present, and future self is an ever-present possible function of the modern state. Advances in technology and organization make such a function all the more easier.

How to combat this greatest threat to humankind’s liberty will make the difference of whether or not future generations live in a world of securely grounded freedom or if they will succumb “like a dog” to the increasingly totalitarian powers of what we call today: the Surveillance State.