Imagine walking to a park in a fairly average medium-sized city on a warm Summer day. There you see groups, pairs and individuals of different ages and races slowly milling about, some with dogs, some with baby carriages. Approaching closer, you realize nearly everyone in the park other than yourself is staring intently at their phone, occasionally tapping and swiping the screen. It seems odd, though not completely out of the ordinary in this day and age. Then, off in the distance at the far end of the park, someone shouts what sounds like a word in an alien language or dialect triggering a crowd to rapidly swarm towards the general area; most speed-walking or jogging but all aiming their phones at the same destination. Soon everyone in the vicinity of the park (except yourself a few vagrants and junkies of a less tech-savvy sort) surges towards the center of the swarm of over a hundred participants as if sucked into a vortex. As quickly as it started, the crowd disperses and an “normalcy” resumes, albeit temporarily since the pattern repeats continuously at half hour to one hour intervals throughout different areas of the park.
This dream-like scenario is an outsider’s description of a Pokémon Go session on a typical Summer weekend at Bellevue Downtown Park. The crowd might have been slightly larger than usual due to the balmy weather, but numerous videos posted on YouTube indicate such occurrences aren’t completely anomalous.
An example:
Still, the relative newness and novelty of the experience doesn’t make it feel any less like being in a dystopian narrative such as a Philip K. Dick novel or an episode of Charlie Brooker’s “Black Mirror”. However, the sense of social displacement and alienation for non-gamers is dampened by nearly a decade of collective exposure to increasingly advanced internet-enabled cellphones whose ubiquity and usage has steadily increased over the years.
Prior to the release of Pokémon Go more people have been spending increasing hours using smartphones for talking, texting, email, news, entertainment and social media, selfies, etc. In the context of modern industrial society it’s almost an aberration to be without a device, or to not be heavily reliant on one. What sets Pokémon Go apart is its ability to simulate a fusion of material and virtual worlds by depicting through phone screens digital sprites superimposed on real-time images of physical environments to its users.
Just as shamans would use entheogens to peer behind the veil of reality, augmented reality allows users to perceive additional veils over reality. This is not necessarily a bad thing because there’s potential for “digital veils” to assist us in seeing what certain interests might prefer to keep hidden. For example, what if everyone could literally see the interests orchestrating a politician’s rise to power? What if we could walk into any store and instantly know which products were made by war-profiteers, polluters, and/or sweatshop owners? Would people want to know? How much of an impact would it have on decisions and actions in the context of a media environment inundated with heavily financed government/corporate PR and marketing? Of course, even without augmented reality the virtual realm affects the “real world”, most notably with the economic dominance of the tech industry as well as the social, political and economic havoc wreaked by hackers; but rarely is such influence immediately manifested as when crowds swarm newly spawned Pokémon sprites.
In many ways, Pokémon Go was the ideal vehicle to bring augmented reality to the masses. Many apps have utilized it for different purposes such as navigating, translating, finding dates, viewing celestial objects, narrating self-guided tours, weather forecasting, image enhancement, etc., but only Pokémon was able to use the technology to bring a fictional universe closer to life by creating a cross-generational craze. Alfie Brown of ROAR Magazine, characterized virtual Pokémon as the perfect example of what Jacques Lacan called the objet petit a, a fetishized yet ephemeral and unobtainable object of desire, a key concept behind consumerist neoliberalism’s push towards cheap, chronically obsolete, ephemeral and now digital goods and services.
But what makes Pokémon creatures so desirable? In regard to children, they seem naturally drawn towards cute and brightly colored cartoon characters. The mechanics of the game taps into natural tendencies to collect things and to display one’s collection to others (a phenomenon South Park astutely critiqued on episodes lampooning World of Warcraft and “freemiums”). In consumer societies children and adults are prone to feeling prestige and power from the size and perceived value of their collections; however, children are mostly limited in terms of the acquisitive power: video games elicit a rare opportunity to gain more prestige and power than adults have in real life.
As for older folks, there’s a variety of additional interconnected factors. For teens and young adults, peer pressure alone might be enough to hook some people, but the mainstreaming of geek culture no doubt plays a part, making fandom, quirkiness and technological obsession more accepted and valued. The transition to adulthood also happens to be a time when there’s increased pressure to establish one’s sense of identity, become more independent and to succeed academically and professionally. Games are a means of escape from such pressures (as real life opportunities for economic advancement continue to dwindle) while at the same time functioning as structured activities for social interaction and, more broadly, to build communities. For adults, reasons may include all of those previously mentioned in addition to fascination with technology, bonding with younger friends and family, the feeling of being part of a global phenomena, or nostalgia for the original Pokémon games, for example.
Returning to Pokémon Go’s more dystopian aspects, the game has been used as a tool by the unscrupulous for crimes such as robbery and sexual assault. Though crowds created by Pokémon Go spawning areas or “gyms” (locations where players battle each other in teams to increase their avatars’ abilities) have been a benefit to some local businesses, residential neighbors in some cases view game players as unwanted loiterers invading their privacy. There have also been news reports of video game battles escalating to physical brawls and innocent gamers being racially profiled as suspicious threats.
As with most online tools, there’s a risk of the app and users being exploited for surveillance, social control, to extract money and personal data, etc. Modern media literacy requires an understanding of how businesses benefit from our use of game and service apps (especially “free” ones) and how intentional or unknowing misuse of collected data could serve government/corporate/criminal interests. Augmented reality games are an exciting new media with potential to be used in novel and fun ways, but we should be vigilant of its potential to influence beliefs as well as decisions regarding how we spend time and resources.
Pokémon Go is at the forefront of the increasing power of tech companies such as Google and Niantic (the software developer behind Pokémon Go) to control and use information to manipulate the masses. Such power in itself is disturbing, but more sensational examples might include news reports of car accidents caused by drivers mindlessly following Google Maps off the road or colliding into other cars while playing Pokémon Go. Such cases may seem absurd but they prompt a number of important questions. Why do some prioritize and trust mediated information over their own senses? As online personas increase in perceived importance, at what lengths will people go to sustain it and would it be at the expense of others things (such as personal safety)? Are we becoming addicted to cognitive “skinner boxes” with our needs perpetually triggered and gratified by apps? In an increasingly hyperreal world in which the boundary between the real and virtual becomes more permeable, what new hazards await?
Much has been written about the approaching Police State in alternative media. Commentary ranges from various warnings, to shock and outrage, and fear over an impending martial law takeover in North America and Western Europe. It’s hitting us from so many different angles, and yet the mainstream conversation continues to be woefully inadequate in both characterising the situation and offering a remedy.
In order to really understand the modern Police State, we need to explore some very profound and difficult questions. Many people who consider themselves aware think Western society has already reached the tipping point and the deteriorating situation is simply inevitable. If you feel like Winston Smith right about now you aren’t alone.
Prior to the mid 1990s, one might have described the militarisation of public law enforcement something of a creeping paradigm, but one that was still a long way off. Society explored many aspects of the Police State, both the physical and Orwellian psychological scenario, through literature and film. American science fiction writer Philip K. Dick penned some significant works like The Minority Report, and cinematic hits like Paul Verhoeven’s Robocop and Terry Gilliam’s Brazil also explored what this dystopic, future vision of fascist technocracy might look like. As it turned out, and far from fantasy, countless devices, systems and themes depicted in so many of these supposedly ‘fictional’ classics have since made their way into our day to day lives. The dark dream became real.
Unfortunately, as humanity’s freshmen class of the early 21st century, we can no longer afford the intellectual distance enjoyed by previous generations between life today and that blurry, far-off spectre of something that might arrive sometime at some point in the future.
Any modern globalised Police State requires a social engineering framework in order to provide its shape and scope of law enforcement. The latest social engineering blueprint for global technocratic management was unveiled at this year’s 70th United Nations General Assembly in New York City. Their ‘new’ agenda (newer than the old one) entitled, Agenda 2030,1 hopes to “transform our world for the better by 2030.” Author Michael Snyder from the blog ‘End of The American Dream’ explains: “The entire planet is going to be committing to work toward 17 sustainable development goals and 169 specific sustainable development targets, and yet there has been almost a total media blackout about this…”2
Within its 17 ‘universal goals’, the actual Police State provision for Agenda 2030 can be found within Goal 11, which states how the new global government will, “Make cities and human settlements inclusive, safe, resilient and sustainable.” Translated in technocracy terms, this means more Big Brother tech, smart grid tracking and big data surveillance states.
The age of computerisation and database integration, along with advances in military and crowd control technology perfected overseas, have enabled a sharp advance toward the Police State. Trying to make sense of ‘it’ is a major challenge, to say the least. In its totality, the control system is both multifaceted and multilayered. It may have been possible to describe it, or even define it 20, 30, or 40 years ago, as Philip K. Dick and so many others did. Today, as society has already eclipsed the possible, we face a situation whereby the very thing we are trying to describe is woven through nearly every fabric of modern social, professional, family, religious and political life.
If you happen to live in one of the technocratic nations, you can’t opt out, nor can you fully repeal the advances already made by the control system. What other options are available?
Firstly, we have to try and understand, from an economic, cultural and political perspective at least, how this control system came to be.
What are its strongest areas? Can we reform those areas? Where is it still emerging? Cannot those areas be slowed down? What was the political climate that enabled it?
How to Build a Police State
When you observe a modern Police State, the first things you might notice will not necessarily be the batons, shield, helmets or MRAPs. Think Switzerland or Singapore. A modern Police State will be neat, clean and efficient. Retail zones will be shiny and feature all the top designer brands. Many of the people you see in public will be well-groomed, well-healed and beautiful, but often with only one political party and a strict public code.
Just like admirers of the modern Chinese State, Singapore’s proponents refer to the single party State as “a great argument for Authoritarianism.” Order and civility rule the day, so long as you don’t fall foul of the narrow perimeters set by the State.
What has been accomplished in Southeast Asia since 1965, and what is possible in previously ‘free’ countries like the US, UK and Australia, are two very different social and political evolutions. Still, the modern Police State is advancing globally and it’s being driven primarily by three factors: technology, for-profit industry, and an age-old obsession by the ruling class to manage the masses.
The first and easiest area to challenge is the physical realm of the control system. The most obvious of these are the gadgets and toys. They are easy to see. Look at your local police department and notice the difference between what officers looked like and what they wore in the 1970s, 1980s, 1990s and now in the 21st century. Notice the firearms and tasers, the ‘Bat-Belts’, and now the body cameras. Your average officer today looks like a cross between a soldier and an android. Dress them like robots and don’t be surprised when they act like machines (and it won’t be long until many of them are replaced by machines).
If you’ve ever attended a street protest or witnessed some civil unrest, then you’ll have noticed the high-tech body armour, the riot and ‘crowd suppression’ equipment.
My first intense experience where I felt the full force of the modern Police State was in 2009, at the G20 Protests in the City of London, England. It was early in the evening and approximately 4,000 demonstrators suddenly found themselves trapped at Bishopsgate. Several hundred police officers on foot and horseback had blocked all the entrances and egresses in and out of the main road. Even alleyways were manned by riot police. Then police began charging the crowds, and beating protesters with clubs. They alternated their ‘surge’ efforts, from different ends of the street, north to south, one brutal flurry after another. The worst part about it was there was no escape route away from the police. Many were beaten and trampled on that evening. It was as if police planners were playing a video game.
Finally, at around 9pm, after being forced to stand, surrounded by police in a ‘Kettle’ for nearly three hours, along with 500 other demonstrators and press, who spent most of that time pressed up against police shields and not knowing what would happen next – I realised this is an impersonal, disinterested and totally uncompromising machine. It does not care who you are, what your views and opinions are, or whether you were innocent or guilty. The lesson was simple: “next time, stay home.” The only detail this machine is concerned with is that you comply with orders, and if no orders are given, then the machine demands you stay where you are until the machine decides what to do with you. If you complain too much, or become emotional, or heaven forbid act out in any way, then the machine will move in to subdue and detain you. That is all there is to it.
Big Brother Reality
It’s well-known that Great Britain is home of the world’s largest and most sophisticated physical Police State, including tens of millions of closed circuit television (CCTV) cameras, covering every conceivable inch of habitable space, both indoors and outdoors. The CCTV phenomenon in Britain was fuelled by an obsession with cameras that became increasingly popular with both government and corporate technocrats in the 1980s and 1990s. The psychology behind the exponential proliferation in cameras was mainly a fairly crude bit of criminology which held that the cameras would somehow act as a deterrent to criminal behaviour, and thus subdue the feral population into a more docile state. Industry used this line too, as sales persons were deployed en masse with endless flip charts and statistical models that claimed CCTV cameras would prevent the UK’s spiralling social malaise.
The only problem is that more cameras don’t equal less crime. Canadian writer Cory Doctorow observed this reality back in 2011, explaining: “After all, that’s how we were sold on CCTV – not mere forensics after the fact, but deterrence. And although study after study has concluded that CCTVs don’t deter most crime (a famous San Francisco study showed that, at best, street crime shifted a few metres down the pavement when the CCTV went up), we’ve been told for years that we must all submit to being photographed all the time because it would keep the people around us from beating us, robbing us, burning our buildings and burglarising our homes.”3
The CCTV is only one single aspect of Big Brother. It turns out that the real value of the CCTV camera grid is not so much the monitoring of crime per se, as it is in mass applied behavioural psychology.
The Panopticon
The physical Police State could not exist without some philosophical underpinning. Before Orwell, there was Bentham…
In the mid 19th century Britain developed a new style of prison architecture known as the ‘Panopticon’ under the aegis of utilitarian philosopher Jeremy Bentham.4 The unique feature of this Panopticon concept was the transparent nature of each prisoner cell, visible to a central surveillance guard tower that could eye inmates at all times. The result of this psychological experiment, according to the pragmatic Benthamite philosophy, was to produce a regime of “self-policing” amongst the inmates, a kind of early behavioural conditioning. For technocrats and emerging utilitarian social managers of that era, this was seen as the most economic and efficient solution. Ultimately, this Benthamite concept is what underpinned phase one of the mass CCTV deployment throughout the UK. Sitting well above the security minions and the industry profiteers, elite scholars knew full well that CCTV cameras do not stop crime.
The real power of the Panopticon is in convincing the general population they are under constant surveillance. After that point, through a long-term process of nudging, diversions and scare tactics, the State gradually moulds the behaviour and thoughts of its subjects.
In order to keep citizens locked into this new conscious state of fear and trepidation, the State needs anenemy…
The Long War & ‘The Extremist’
One of the chief campaigns to nudge society towards a fully-functional Orwellian State is the War on Terror. Ever since September 11, 2001, the concept of an endless war against the ‘terrorists’ – a seemingly ubiquitous and constantly shape-shifting enemy – has been used to justify nearly every large new security expenditure and policy. Back in 2006, US President George W. Bush’s chief architect of the ‘long war’, Secretary of Defense Donald Rumsfeld, laid out the tea leaves for the next 100 years, stating: “It does not have to do with deployment of US military forces, necessarily. It has to do with the struggle that’s taking place within that faith between violent extremists – a small number of them, relatively – who are capable of going out and killing a great many people, as they’re doing, and the overwhelming majority of that religion that does not believe in violent extremism or terrorism.”5
In George Orwell’s classic novel 1984, Winston Smith also grappled with the State’s endless war. “Oceania was at war with Eurasia: therefore Oceania had always been at war with Eurasia.”
In Oceania, people eventually forgot what started the long war. The news was just one terrorist attack after another. They enemy was everywhere, but nowhere too. The population learned to acquiesce to the idea that war was the permanent state of affairs, and that questioning the provenance of this idea was futile.
“Winston could not definitely remember a time when his country had not been at war, but it was evident that there had been a fairly long interval of peace during his childhood, because one of his early memories was of an air raid, which appeared to take everyone by surprise. Perhaps it was the time when the atomic bomb had fallen on Colchester. He did not remember the raid itself.”
And so it was, in the early moments of the 21st century, Orwell’s dream suddenly became a waking reality. Social engineers are firm believers that if the Panopticon (married with the threat of an invisible enemy) can remain in place for a generation, then the State could fundamentally change a once free-thinking society into something noticeably different – a much more fearful and compliant populace.
The Social Media Panopticon
As terror scares and attacks become somewhat of a daily event in the West, identifying and quarantining the ‘extremist’ becomes a primary fetish of the Police State and its media arms. This is very much evident in how terrorists and ‘active shooters’ (dead or alive) are now profiled after the event. The mainstream media has integrated this into its work practice by crafting the post hoc guilty verdict of the accused, prior to a trial, with circumstantial or non sequitur accusations based on an individual’s “web history” that may have “radicalised” the suspect. In effect, the mainstream media’s function as an establishment propaganda arm results in trial by media – the bypassing of any trial by jury as the accused have already been implicitly or explicitly declared guilty by association or something as nebulous as “web history.”
Such incidents, as they are portrayed in the media for psychological conditioning purposes, are intended to cause the public mind to dismiss outdated notions of fair and due process and rule of law in favour of fiat corporate news and government “official” pronouncements. The net effect of this trend is that social media users, ie. the majority of the population, are adopting self-policing habits in their communications online. According to the principals of applied behavioural psychology, if you change the language people use, then eventually you change the way they think and act.
Like Bentham’s Panopticon, this new social media monitoring system works by utilising the digital web, which is arguably the most economic and efficient solution. The acceptance of self-policing and vague terms such as “radicalised” that are subject to the increasingly elastic definitions of the social engineering establishment.
This leads to one of the most profound questions one might ask in the wake of Edward Snowden’s NSA spying revelations: Knowing what we know now, are people more outspoken or are they more self-policing because of the Snowden leaks?
‘The Daily Shooter’
By extension, once the technocrat has regained some modicum of physical control, then the next domain to be conquered is the mind. In 1984, the technocracy was viewed through the eyes of the protagonist Winston Smith, who while remaining a physical prisoner of the Police State, could still retreat into his own mental state.
In our day, the expansion of the surveillance State and vast spying by the likes of the NSA and GCHQ are precisely intended to achieve this same effect, with the justification for such intrusions being an endless series of terror spectacles and lone wolf public shooting events. In the US, these mass shootings and terror scares are happening on an almost daily basis, hence, ‘The Daily Shooter’. Media coverage is both chaotic and relentless. As a result, the pubic are left stupefied and completely unable to challenge whatever narrative the government-media complex is selling at that time. The Police State marches forward.
A similar psychodrama also played out for 1984’s protagonist Winston Smith. As time progressed, however, maintaining some level of autonomy in one’s own thoughts became increasingly difficult for Winston. The final objective of the Police State, it seemed, was not only to fundamentally transform the way citizens act, but how they think too. The all-seeing and all-controlling “Big Brother” State was also the de facto social authority figure. The State’s law enforcement police force also became the “thought police.”
We see this same exact narrative playing out today as the State’s political figureheads continue in their mission to widen their definition of “extremism” along with other State-issued euphemisms used to describe citizens who should be regarded with suspicion.
Fall out of line and you might even be segregated or sent away to a special camp. Following the recent mass shooting in Chattanooga, Tennessee, retired US General and NATO Commander Wesley Clark proposed that any “disloyal Americans” should be sent to internment camps for the “duration of the conflict.”Notice the language: “for the duration of the conflict.” Indeed, it seems that Oceania is at war. He went even further, calling for the US government to identify people most likely to be “radicalised” so we can “cut this off at the beginning.”
“At the beginning?” Here, it seems Clark might be alluding to pre-crime, which will be powered by A.I…
Artificial Intelligence
Post-September 11, UK society was still hooked on their CCTV matrix, and with millions of cameras already in place and crime continuing to rise, security ‘experts’ and politicians simply doubled down on their previous wager, insisting that what the country really needed was more cameras. They believed that once a certain CCTV saturation was reached, by default they would somehow reached their twisted utopia.
It turned out that’s not humanly possible for security workers, most of whom are on a mere £7-10 (aud$14-20) per hour, to keep track, let alone analyse, a seemingly endless stream of footage. For the technocrat, the operative word here is ‘humanly’. Enter A.I…
Once again, advanced technology enters the narrative and supplies the solution to this previous insurmountable problem. The age of Artificial Intelligence, or A.I., is nearly upon us, and this next step in technological development is certain to radically change the entire concept of the Police State.
Laying down the framework an A.I. grid is not easy because the grid must be designed to cope with the application of A.I. As A.I.’s potential and practical applications have not yet been fully realised, designing the grid upon which it will be unleashed has been problematic up to this point. Sadly, society on the whole appears disinterested in questioning the social and unethical imperative currently driving the adoption of these new technologies.
At present, the big money is on the Smart Grid. Technocrats and their corporate partners are hoping to usher in their new surveillance grid under the auspices of ‘smart’ technologies. With A.I. in play, technocrats will be able to utilise the smart grid – which includes your mobile phone – to detect and track multiple targets over a wide area.6 Add facial recognition and data profiling to the mix and it’s a recipe for a full-on A.I. Smart Grid future. The ultimate hands-free, ‘surveillance selfie’ – compliments of Big Brother.
Just imagine, one day you’re simply walking down the street and pointing to something in the air. All of it is being captured on a 1.8 billion pixel video stream from the sky. They already know your identity and location with the phone in your pocket, and they already have your face logged and tracked.7
At this point we introduce Philip K. Dick’s concept of “pre-crime” whereby an A.I. system can predict an action you are likely to take.8 The system will then close the ‘Big Data’ loop by storing the video footage alongside your profile into a massive data ‘mash-up’. It will then compare with other potentially ‘suspicious’ activity in the area. Great Britain’s national police force, the Metropolitan Police, are already using a type of pre-crime software that British technocrats believe will somehow ‘revolutionalise’ modern policing in the 21st century.9
UK consumer advocate Pippa King explains how CCTV is already being phased out: “CCTV, closed circuit television, is not quite what is operating on our streets today. What we have now isIPTV, an internet protocol television network that can relay images to analytical software that uses algorithms to determine pre-crime area in real time.”
“Currently this AI looks at areas that may be targeted for crimes such as burglaries or joyriding,10 with the predicted hotspot information being sent direct to law enforcement smart phones in the field. This analytical software is being used in Glasgow, hailed as Britain’s first ‘smart city’,11 where the Israeli security firm NICE Systems are running the CCTV/IPTV network, analysing data from the 442 fixed HD surveillance cameras and 30 mobile units under a project called ‘Community Safety Glasgow’,12 whose primary objectives are described as ‘delivering Glasgow a more efficient traffic management system, identifying crime in the city and tracking individuals’.”13
This all can happen thanks to the US Defense Advanced Research Projects Agency’s (DARPA) latest creation – the ARGUS camera, Autonomous Real-Time Ground Ubiquitous Surveillance.14 According to its designers ARGUS, “melds together video from each of its 368 chips to create a 1.8 billion pixel video stream” all in real-time and archived. It’s just one of the many new toys used by the State to realise its Orwellian ambitions.
Who’s Paying For It All?
Aside from its ability to trample over the rights of law abiding citizens, the Police State has one other chief characteristic which may also be its Achilles heal: it’s bankrupting the State. Here’s how it works:
The gravy chain is endless, but only with the help of taxpayers’ money, along with a series of bribes and favours between politicians and corporates. If you have ‘friends’ in government administration, then you are more likely to cash in on any number of lucrative ‘domestic defense’ contracts.
Where you have constant crisis you also have constant business opportunity. In this dark paradigm, timing is everything. As US President Barack Obama’s sociopathic15 former chief of staff, now Mayor of Chicago, Rahm Emmanuel, once said:
“You never let a serious crisis go to waste. And what I mean by that it’s an opportunity to do things you think you could not do before.”
With that mantra in mind, in the wake of any shooting, terror scare, or crisis, industrial lobbyists and their elected political gophers will waste no time pushing for new federally-funded add-ons like training courses, workplace psychologists, regulators, specialist contractors, police cameras and other big-ticket items16 – anything to help “solve the crisis.” One such program in the US is known simply as the ‘1033’.
“The 1033 program has flooded our local police forces with military equipment, and has turned them from Peace Officers, to a domestic army.”
“Officers stopped looking like officers, and more like soldiers all kitted out with fully automatic weapons, armoured vehicles, body armour, grenades launchers, night vision, and even bayonets! Besides the cost of liberty, how much has this domestic army cost you the tax payer?”17
In the US, no single entity embodies the Police State gravy train more than the Department of Homeland Security (DHS), where federal grants are used to bribe local law enforcement and absorb them into a larger framework of institutional dependency.
At over $200 billion per year, the DHS is now America’s most expensive federal agency. As any sane local law enforcement chief will tell you, once you smoke from the federal crack pipe, you’re hooked for life. Remember that each federal Police State agenda item has a lucrative contract attached to it. With each move central government makes, a large amount of money is also made (by someone).
By cutting off public money that is driving the runaway federal Police State in Western countries, the people have a chance to mitigate and potentially reform the current agenda.
If we hope to preserve what is left of our hard fought democracy, then now is the time to put it to the test. The alternative is unthinkable.
About the Author
Patrick Henningsen is an independent investigative reporter, editor, and journalist. A native of Omaha, Nebraska and a graduate of Cal Poly San Luis Obispo in California, he is currently based in London, England and is the managing editor of 21st Century Wire – News for the Waking Generation (www.21stCenturyWire.com) which covers exposés on intelligence, geopolitics, foreign policy, the war on terror, technology and Wall Street. Patrick is a regular commentator on Russia Today.
[Editor’s note: on this 34th anniversary of the death of Philip K. Dick, I’m sharing the 10th and final chapter of Patricia S. Warrick’s bibliographical retrospective “Mind in Motion” (1987). It’s a good reminder of what makes PKD’s work so unique and enduringly relevant.]
This critical study of Dick’s fiction is a work without a concluding chapter – and appropriately so. To summarize his ideas, to categorize his work, to deliver the final word would be to violate Dick’s vision. He saw a universe of infinite possibility, with shapes that constantly transformed themselves – a universe in process. He had not delivered his final word when he died on March 2, 1982, because for him the Word was truly the Living Word, the power that creates and re-creates patterns. Trapped in the stasis of a final statement, the Word would have been defeated by entropy and death.
But if we cannot make a final statement, we can at least note the significance of his opus of fiction for the times in which we live. Great creative personalities often see the essence of an age with a clarity denied to the mass of people. their vision is so vivid that when subsequent events confirm it, humanity, slower at arriving at a realization of its present, hails them as prophetic. I believe that Dick may well be one of those creative personalities whom we hail as visionaries. The claim seems a strange one, considering the literary form in which he worked. Blake, Wordsworth, Yeats – the Romantics with the the elegance of poetic diction make up the visionary company, not writers working in a prose form often regarded as trash. But let us for the moment ignore the form in which he was forced to write and consider instead his vision.
He had a remarkable sense of the cultural transformation taking place in the last half of the twentieth century. He pointed out the cracks in our institutions, our ideologies, and our value systems that would inevitably lead to their collapse. He understood that what had been functional in an industrial age would not work as our culture transformed itself and moved into an Information Age. Such changes often march in with violence. As Dick’s fiction declares again and again, the late twentieth century is a time at war with itself, not with an external enemy. To fight against what one abhors without realizing it lies within is to destroy all. Dick warns us against doing this to ourselves. The cloud of chaos inevitably hangs above the Dickian landscape, a reminder that a like chaos will descend on the real world and envelop us if we continue to make war.
Dick’s fiction calls up our basic cultural assumptions, requires us to reexamine them, and points out the destructive destinations to which they are carrying us. The American Dream may have succeeded as a means of survival in the wilderness of early America; it allowed us to subdue that wilderness and build our holy cities of materialism. But now, the images in Dick’s fiction declare, we live in a new kind of wilderness, a wasteland wilderness, because those cities and the culture that built them are in decay. We need a new American dream to overcome this wasteland. Dick’s ubiquitous wasteland landscape is a moral mirror asking us to journey within and explore the universe of mind and psyche where all the forms that shape the outer world are created. The critical journey of discovery is into the mysterious realm of inner space. Just as Dick’s Fomalhaut Cosmos was a universe created by his imagination, so the universe in which we live is constructed of our ideas about it. To change it we must change our ideas.
Dick’s work makes no new declarations about our time; we knew early in the twentieth century that ours was an Age of Anxiety. But the gift of his powerful mythmaking ability is to give us the stories that help us see both what we are and what we may become as we move into the Space Age. His novel contribution is the bizarre images he creates that so vividly picture our anxieties. Phantasmagoric shapes, the Dickian protagonist calls them, as he muses about the swirl of awesome possibilities sweeping through his mind. They are disorienting images – without clear boundary, inconsistent, contradictory, fragmented, at war with one another. They force us to reconsider our conventional conception of reality. Dick said that “science fiction is uniquely a kind of semi-reality. It is not a statement that ‘this is,’ but a statement, ‘What if this were.’ The difference is crucial in every respect.” Frightening as are some of the futures Dick imagines for mankind, they are not fixed. We are Leo Buleros, we are “choosers,” Dick tells us in the Three Stigmata of Palmer Eldritch; and The Divine Invasion envisions another future than nuclear destruction that we can choose.
We have noted Dick’s wide acquaintance with the classics. But much as Dick loved classical literature, he did not draw on this source in creating his characters. The Dickian fictional world is a world without Titans or Heroes; instead it is a world cut off from the gods. It is filled with little people lacking in power or wisdom, who daily face the dilemma of trying to survive in the face of the inexplicable destructive forces that constantly try to snuff them out. Yet they are not the conventional antiheroes of modern fiction. Perhaps the oxymoron heroic antihero best describes Dick’s protagonist. finally, the Dickian hero acts. He may writhe and struggle to escape, but in the end he accepts the burden of his existential freedom. Daily, he finally learns, he must once again to push the boulder of moral responsibility up the hill of right action. Freedom thus becomes of highest value in Dick’s code. The individual must be free to make moral choices, even though he may often fail to make the right choice. Dick declares again and again, for the individual to be turned into a machine programmed to carry out the decisions of others is “the greatest evil imaginable; the placing on what was a free man who laughed and cried and made mistakes and wandered off into foolishness and play a restriction that limits him, despite what he may imagine or think, to fulfilling an aim outside his own personal – however puny – destiny.”
Our study of Dick’s writings has traced the journey of his restless mind, watching as it grasped an idea, created a metaphor for it in a fictional pattern of antimonies, discarded it for another idea – always spiraling forward albeit often in a wobbling, erratic course. Yet from the beginning one element remains constant in all the fiction – Dick’s faith in the power of empathy. The idea was not well developed or labeled when it first appeared. We see empathy in two of his early short stories as through a glass darkly. He has not yet given it a name. Instead, his characters act it out, and only later does he recognize what his fiction has said. In “Roog” Dick pictures a dog who guards the garbage can of his owners against the garbage men who come to collect it each week. The dog is driven crazy because he cannot offer protection to his owners against these weekly raids. Years later, Dick commented on the story, explaining that he was describing an actual dog owned by a Berkeley neighbor. “I watched the dog suffer, and I understood a little of what was destroying him, and I wanted to speak for him. That’s the whole of it right there. Snooper couldn’t talk. I could. In fact I could write it down, and someone could publish it and many people could read it. Writing fiction has to do with this: becoming the voice for those without voices. It’s not your own voice, you the author; it is all those other voices which normally go unheard.”
“Beyond Lies the Wub,” Dick’s first published story, also dramatizes the concept of empathy. It tells the story of a pig-like alien captured and eventually eaten be a crew of space adventurers despite the fact that the wub possesses human characteristics. Captain Franco and his men lack the ability to see beneath the wub’s appearance. Twenty years later Dick said of the story”:
The idea I wanted to get down on paper had to do with the definition of “human.” The dramatic way I trapped the idea was to present ourselves, the literal humans, and then an alien life form that exhibits the deeper traits that I associate with humanity: not a biped with an enlarged cortex — a forked radish that thinks, to paraphrase the old saying — but an organism that is human in terms of its soul.
I’m sorry if the word “soul” offends you, but I can think of no other term. Certainly, when I wrote the story “Beyond Lies the Wub” back in my youth in politically active Berkeley, I myself would never have thought of the crucial ingredient in the wub being a soul; I was a fireball radical and atheist, and religion was totally foreign to me. However, even in those days (I was about twenty-two years old) I was casting about in an effort to contrast the truly human from what I was later to call the “android or reflex machine” that looks human but is not — the subject of the speech I gave in Vancouver in 1972 [“The Android and the Human,” included herein] — twenty years after “Beyond Lies the Wub” was published. The germ of the idea behind the speech lies in this, my first published story. It has to do with empathy, or, as it was called in earlier times, caritas or agape.
In this story, empathy (on the part of the wub, who looks like a big pig and has the feelings of a man) becomes an actual weapon for survival. Empathy is defined as the ability to put yourself in someone else’s place. The wub does this even better than we ordinarily suppose could be done: Its spiritual capacity is its literal salvation. The wub was my idea of a higher life form; it was then and it is now. On the other hand, Captain Franco (the name is deliberately based on General Franco of Spain, which is my concession in the story to political considerations) looks on other creatures in terms of sheer utility; they are objects to him, and he pays the ultimate price for this total failure of empathy. So I show empathy possessing a survival value; in terms of interspecies competition, empathy gives you the edge. Not a bad idea for a very early story by a very young person!
Two years after writing “The Wub,” Dick again explored the concept in “The Last of the Masters” (1954) and now he named it and actually called it empathy. In the story a young freedom fighter, Silvia, finally encounters the head of the coercive government and discovers he is a robot. She says in horror, “My God, you have no understanding of us. You run all this, and you’re incapable of empathy. You’re nothing but a mechanical computer.”
By the second period of Dick’s fiction when he writes his great novels of the 1960s, empathy is regularly used as the key element defining the authentic human being. the concept is made concrete most vividly in “The Little Black Box,” published in 1964. Dick then incorporates the black empathy box in Do Androids Dream where those like J.R. Isidore who use it regularly gain the strength to climb up through the difficulties of their daily lives. Beyond that, the power of empathy frees the individual from the prison house of his own consciousness and allows him to slip through the mirror forever reflecting back his own image. Once beyond, he sees the world from an alien consciousness to which he gives the same rights and worth as his own awareness. All life, not just his own, becomes sacred.
At first glance, Dick seems to be a contemporary writer who in many ways espouses an old-fashioned moral view that places him in the long tradition of humanistic writers. From the beginning, his writing insists that each individual has a responsibility to act in a moral way, even though that early fiction makes no reference to God. And of course by the end of his career, the novels focus on the major concepts of the Judeo-Christian tradition. While these concepts are never accepted in their entirety – in fact they are almost always revised – they are never denied or negated.
A closer examination of Dick’s moral code, however, shows us that given the complexities of the contemporary world, the values of traditional Christian humanists are too simple to be workable. He develops a code of valor that is much more demanding. Choice is no longer a choice between good and evil, as the moralist in an earlier age would have declared. Today the problem facing each man is that even when he practices empathy and yearns to make the right moral choice, he often finds himself in a moral dilemma where in order to do right he must also do wrong. Again and again the Dickian hero is faced with this tragic choice: to do the right thing he must violate his own moral nature: for example, Tagomi, Glen Runciter, Joseph Adams, Joe Chip, Rick Deckard. The moral road is not an easy one. The critical metaphor for this arduous journey is the upward climb – Wilbur Mercer on the hill, Joe Chip on the stairs.
In an interview near the end of his life Dick once again reinforced his belief that moral values are the ultimate values: “In a sense what I’m saying is that all life is a moral issue. Which is a very Jewish idea. The Hebrew idea about god is that God is found in morality, not in epistemology. That is where the Almighty exists, in the moral area. It isn’t just what I said once, that in Hebrew monotheism ethics devolve directly god. that’s not it. It’s that God and ethics are so interwoven that where you have one you have the other.”
Dick is an iconoclastic literary figure. His fiction refuses to conform to the characteristics of any particular category. Because he uses many of the techniques of science fiction, he is customarily labeled as a writer in that genre. But the strong, often overwhelming, elements of realism in his fiction – novels Martian Time-Slip and Dr. Bloodmoney, for example – make that label somewhat inaccurate. In many ways he seems to fit into the tradition of Absurdist literature, and he readily admitted the influence in his formative stage of Beckett, Genet, and other Absurdist dramatists. The typical Absurd hero inhabits a grotesque world whose structures violate reason and common sense but are nevertheless true. He is constantly frustrated, muddled, or horrified by the inexplicable events that seem to happen only to him and finally lead him in paranoiac panic to decide that Fate is deliberately playing pranks on him. Not the Fall of Man but his pratfalls are the concern of the Absurdist writer. So, too, are pratfalls often Dick’s concerns. Yet in fuller assessment, we find that Dick does not fit neatly into this category because he refuses to give in to the nihilism of the French Absurdists.
Dick on occasion proclaimed himself a writer in the Romantic tradition who was particularly influenced by German Romanticism. He read Goethe and Schiller when he was young, and the works of Beethoven and other German romantic composers were among his favorites. His intuitive mode of creativity and his emotional excesses characterize him as a romantic, as does his rebellion against all institutions that violate individual freedom. “I’m a Sturm and Drang romantic,” he himself declares in one interview.
When we continue to look for Dick’s literary ancestors, we discover that the ones from which he is rooted most directly are the metaphysical poets. Dick claimed them as among his favorite poets and uses quotations from Vaughan and Marvell and Donne in his fiction. For example, he quotes Donne’s Holy Sonnet XIV, “Batter my Heart, three person’d God,” in its entirety in Timothy Archer. His four chambered metaphors resemble metaphysical conceits with their concentrated images that involve an element of dramatic contrast, or strain, or of intellectual difficulty. Like Donne, he uses a colloquial style. Both writers are obsessed with the idea of death and treat it again and again in their works. So, too, do both writers blend wit and seriousness, intense feelings and vast erudition.
A discussion of literary influences is not a discussion of the essence of Dick’s fiction because his literary voice is unique. He is an eclectic, choosing and using ideas, techniques, and quotations from the literary tradition as he creates in his own distinctive form. He is a synthesizer but never an imitator. the bibliography accompanying Timothy Archer demonstrates the wide range of literature that yielded material to him: the Bible, works of Aeschylus, Plato, Virgil, Dante, Shakespeare, Donne, Vaughan, Goethe, Schiller, Yeats, to name the major writers. In this final novel Dick felt free to reveal his debt to and use of the great literary tradition, a use that he hid under cryptic allusions in most of his science fiction.
Time must be the judge of Dick’s literary worth. If, as some of us suspect it will, Time does declare him one of the major writers of the twentieth century, he will be hailed as the synthesizer of a new literary form yoking realism and the fantastic. The novels to which I have given major attention in this study (with the possible exception of A Scanner Darkly) all succeed in this new form, for which I have chosen the term quantum-reality fiction. Dick’s fiction gives too little emphasis to science to be called true science fiction. It gives too much emphasis to the real world to be called fantasy. It violates common-sense reality too often to be called realistic fiction. He sees with a new vision as he creates imaginary worlds for his reader – a vision that declares all worlds to be fictions, brought into existence by the consciousness of the creator. Man faces the void and keeps it at bay only by the power of his intelligence to create forms.
The universe where Dick’s characters live when they fall out of commonsense reality is built on concepts that are a part of quantum physics. As physicists describe it, quantum reality is evasive and seems forever to hide beyond direct observation. Quantum physicists do not entirely agree about the nature of quantum reality, except in labeling it as bizarre. A contemporary physicist notes, “if we take the claims [of some outspoken physicists] at face value, the stories physicists tell resemble the tales of mystics and madmen… Not ignorance, but the emergence of unexpected knowledge forces on us all new visions of the way things really are.” Quantum theory holds that all elementary events occur at random, governed only by statistical laws. And Heisenberg’s famous uncertainty principle forbids an accurate knowledge of a quantum particle’s position and momentum. Beyond that, the prevailing quantum theory holds that there is no reality without the act of observation. Dick’s fiction catches the essence of this quantum reality, and he is probably the first writer of fiction to have done so.
In addition to his creation of quantum reality fiction, Dick also deserves recognition for the development of the complex four-chambered metaphor that allows him to picture the dialectical mode of the human mind as it moves in the process of thinking.
Beyond his accomplishments as a writer, Dick merits recognition for his accomplishments as a human. He struggled to live by his code of valor. In the face of great adversity, he survived and created. He was a tortured genius, condemned to live within a brilliant mind that compulsively drove itself to gather up and live out all the anxiety, pain, and torment of our age. Perhaps he needed so to suffer before he could transform our shared experiences into literature. Perhaps he did not choose but worked heroically in the shadow of a mental illness from which he had no escape. He is not the first writer to be so tortured. I recently reread a biography of Virginia Woolf which describes her struggle to write in the face of repeated nervous breakdowns, and I noted how similar Dick’s life was in this respect. He was less fortunate than she; he had no lifetime spouse like Leonard Woolf to shelter him economically and emotionally and to publish his works.
Dick’s life was a quest for meaning, a struggle with the great metaphysical problem of our time – how to reconcile what he knew in his head with what he knew in his heart. He identified himself with his little men, unheroic protagonists who endure in the face of great adversity, going quietly about their work. His work was writing and he, too, went about it quietly, eschewing publicity. Through all the mental and physical illness he never stopped writing for more than a brief time. He never lost faith in the power of literature to create a shared consciousness for the community of men. Looking at our strife-torn world, he said:
The key is this. We must shape a joint dream that differs for and from each of us, but it must harmonize in the sense that it must not exclude and negate from section to section. How this is to be done I can’t of course say; maybe it can’t be done. But… if two people dream the same dream it ceases to be an illusion; the sole prior test that distinguished reality from hallucination was the consensus gentium, that one other or several others saw it, too. This is the idios kosmos, the private dream, contrasted to the shared dream of us all, the koinos kosmos. What is new in our time is that we are begining to see the plastic, trembling quality of the koinos kosmos – which scares us, its insubstantiality – and the more-the-merrier-vapor quality of the hallucination. Like science fiction, a third reality is formed half way between.
In his writing Dick shared with us his private dreams and his nightmares about this new reality in the future toward which we move. He said he was disturbed by those reviewers who found only bitterness and pessimism in his fiction because his mood was one of trust. “Perhaps,” he said, “they are bothered by the fact that what I trust is so very small. They want something vaster. I have news for them; there is nothing vaster.” For Dick all that one could trust was the capacity of the ordinary person to act with courage when courage is required. He explained, “To me the great joy in writing a book is showing some small person, some ordinary person doing something in a moment of great valor, for which he would get nothing and which would be unsung in the real world. the book, then, is the song about his valor.”
Perhaps this book can be regarded at least in part as a song about the valor of Philip K. Dick. For he continued to write over the years, hounded by poverty, often depressed, and ignored by the mainstream literary world where he hoped for recognition. He lived in a sea of emotional disaster, he was often ill, he used drugs, he alienated his friends, he destroyed five marriages… Yet incredibly he wrote well over forty novels and one hundred short stories, and at least eight of those novels, the ones we have examined in detail, seem likely to become classics. He was one of the most courageous of writers, a man who lived by his own code of valor.
Editor’s note: On this 87th anniversary of the birth of Philip K. Dick (December 16, 1928 – March 2, 1982), enjoy a deep dive into some of the more paranormal aspects of his life and how they relate to experiences of other visionaries.
This article will look at some of the similarities between the contact experiences of two American writers, Philip K Dick and Robert Anton Wilson. In the 1973-1974 time frame, both would have unusual experiences that they thought could be contact with an extraterrestrial civilization. Or some undefinable something that wanted them to think it was extraterrestrial. And as incredible as it sounds, some of their experiences are confirmed by other people, and include verified transmission of knowledge that it seems they could not have obtained from any human source. We will also look very briefly at some other possibly related contact experiences involving musician and cultural icon John Lennon, researcher into human-dolphin communication and consciousness Dr. John Lilly and the Swiss scientist and inventor of LSD Dr. Albert Hofmann.
NOTE: William Burroughs first told Robert Anton Wilson about the “23 Enigma”. Wilson and Kerry Thornley incorporated it into their ideas and created the related concept of the Discordian Law of Fives (2+3=5). The number 23 and the numbers 2 & 3 & 5 recur at multiple points in this article. In most cases I do not note them but the interested reader may wish to note how many times they recur and if it is more than expected by chance.
PHILIP K DICK
Philip K Dick was a science fiction writer with a prolific output from 1953 to 1981 of 121 short stories and 44 novels. Since his death in l982 he has become even better known. His stories have been made into major films like “Blade Runner”, “A Scanner Darkly,” and “Minority Report”. He has also been acknowledged as a major influence on other films, including “The Matrix”. The recent indie film “Radio Free Albemuth” is an excellent adaptation of Phil’s novel of the same name, dealing with Phil’s fictional version of the true events dealt with in this article.
PKD had themes that recur over and over again throughout his stories – What is real? What is human? How do we know that what we think of as reality is actually real? What defines humanity? Will humans be replaced by machines? PKD also had political themes and religious themes. Though he turned 40 in l968, he identified with the youth counterculture of the l960’s. He was against the Vietnam War and the Nixon administration. He refused to pay federal taxes in protest of the war, and his name appeared in published ads of writers and artists involved in the protest. The federal government confiscated his car for back taxes.
A typical PKD hero was a writer, small businessman, a TV repairman and/or a backyard inventor. He finds his life turned upside down when he discovers that reality is not what it seemed. He wages a fight against vast evil empires of heartless corporations, fascist governments, robots posing as humans, and alien invaders. He is often assisted by a beautiful and intelligent dark haired girl.
Starting in 1971, Phil was no longer just writing about government conspiracies, alternative realities, and struggles against an empire. He started living it. His home was broken in to. Things were damaged, papers were taken, but little of value was stolen. It did not seem like a traditional burglary. Strangely, part of Phil was actually relieved. He thought, “See! I’m not some crazy paranoid. They really are after me.” But he was also horrified and scared of what they would do next. It also validated him however. He must be getting through and having an impact if he was enough of a threat to have this done to him.
His wife Tessa confirms that in 1969 Phil got a phone call from a fan, Dr. Timothy Leary. She wonders if that call was wiretapped by Feds trailing Leary, and if Phil came on their radar screen then, if he had not before. When Leary escaped from Folsom prison, she wonders if Phil got attention because of the Leary connection. Phil claimed that he also talked to John Lennon as part of this same phone call. The connection was probably Rolling Stone writer Paul Williams, who knew PKD well and wrote about him in Rolling Stone magazine, and Williams was with Lennon and Leary in Canada.
President Nixon had called Leary “the most dangerous man in America”, a label he only used for one other person, Pentagon Papers leaker Daniel Ellsberg. Nixon had authorized a break in at Ellsberg’s psychiatrist’s office. The FBI, BNDD(DEA) and the CIA were involved in the hunt and recapture of Leary. Did one of those agencies do the break in looking for clues to where Leary was hiding? Nixon was also using the pretext of a marijuana conviction to try to get Lennon deported. The real reason was his anger over Lennon’s support of the anti-war movement, both lyrically and financially.
Aside from the Leary/Lennon connection, Phil had also attracted government attention on his own, as he had in the Ramparts magazine anti-war tax protest. He later found out that letters he had sent to Soviet scientists had been intercepted by the CIA. His books appeared on a list compiled by the government of works that promoted the drug culture. (This was ironic as Phil later became very anti-hard drugs, because he felt they robbed people of their humanity and led to tragic results). In between marriages, Phil opened his home to and hung out with drug users, small time criminals, political radicals, teenage runaways and street people. An Orange County cop told Phil “They don’t need crusaders here.” Phil says he was afraid to ask the cop who or what he thought he was crusading for.
Phil obsessed over who did the break in – the FBI? CIA? KGB? Local police? A right wing group like the Neo-Nazis? A criminal gang? But eventually something else even bigger would come along to obsess over.
In February and March of l974, Phil had amazing contact experiences that changed his life. He would spend the rest of his life trying to figure out what exactly happened, and who or what was responsible. His theories included mental illness at one end, to direct contact with God at the other end. In between were the theories of contact with an alien race, time travelers, an AI (Artificial Intelligence) computer from the future, a government agency or a secret society.
Eventually he came to call what contacted him VALIS, for Vast Active Living Intelligence System. Phil would have different ideas on what VALIS was – a satellite beaming information to him from an alien world or just a manifestation of God? He came to think VALIS was a satellite from advanced entities perhaps from the Sirius double star system. One of the missions of VALIS was to fight the Empire,(“The Empire never ended”) the continuation of the Roman Empire in the evil power elites in the East and West, who were secretly connected in their desire to keep their populations enslaved. The second mission of VALIS was to enlighten people with information and knowledge, to spark creativity, invention, art and innovation. This was also partially done through the true hidden and suppressed gospels of Jesus Christ which were revealed to the world in the Gnostic Gospels found at Nag Hammadi in 1945. This information is a living plasmate that comes alive in every person who reads the gospels or who reads about VALIS in the stories of Philip K Dick. The final mission of VALIS was to show Phil that this is a fake world, a “Black Iron Prison”, a “criminal virus” that occludes people from seeing that the world is alive. In fact the world that we see is fake, and we may be living in a computer simulation or a hologram. Now you can see why the creators of “The Matrix” acknowledge PKD as a major influence.
He would write what he called his Exegesis to investigate and explain what he came to call the “2-3-74” experience, meaning February and March of 1974. His Exegesis would grow to over 8,000 pages. Recently a 900 page version was published. Phil increasingly came to favor theological interpretations of VALIS, but at one point, after reading Arthur C. Clarke’s novel “Childhood’s End”, he expressed his experience in Clarke language and classic Sci-Fi terms:
(1)We are not only being watched; we are being controlled, but don’t know it; they remain beyond our threshold of vision.
(2) They work for a higher purpose, one we can’t understand but which fits our concepts of spiritual, moral purposes.
(3) We are instruments, therefore, of an invisible spiritual force which causes us to grow and develop in certain arranged directions.
(4) Some of us are either part of their race or can be elevated to their level, as they work through these individuals.
(5) The probable reason for their concealment is our evil qualities. We cannot be trusted, individually or collectively (man qua beast).
(6) A critical moment has approached or is approaching; this is a unique period in their work, therefore in our use-purpose.
(7) The extent of camouflage and delusion induced in us is extraordinary in amount and degree
Understand that the above formulation was not Phil’s favorite. As I stated he increasingly came to favor a more theological interpretation, bringing in elements from Buddha, Dionysus, and mysticism, but primarily Gnostic Christianity as revealed in the Nag Hammadi scriptures uncovered in 1945. But I like the formulation above because it is clear and concise and perhaps fits best with some of the other experiences we will look at later. Section #5 about concealment deals with a subject Phil talked a lot about, which was the fate of men like Socrates, Christ, Bruno, JFK , MLK and his friend Bishop Jim Pike. Given that history, VALIS must conceal itself most of the time, and rather than announce itself on the lawn of the White House, and be sent to federal prison or worse, it would reveal itself gradually in scattered trash, pulp magazines, rock music songs, comic books, B movies, episodes of “Star Trek”, sci-fi paperbacks and through an imperfect odd California science fiction writer.
In part of the 2-3-74 experience Phil saw a cartoon cat that appeared in the pink light of a rectangle that reflected the “Golden Ratio.” The Golden Ratio of 1.618 occurs throughout nature, and is seen in everything from galaxies to sea shells to flowers to the human face. Phil’s cat had just died and he said the cartoon cat came over to him and put his paw on his shoulder, as if to console him and tell him it will be all right.
In another part of the2- 3-74 experience, Phil said he experienced hundreds of abstract and expressionist art paintings. They were as vivid and colorful and real as anything he had ever seen in his life. He mentioned Kandinsky and Klee as the type of art that he saw.
Then throughout 1974 he experienced strange events, some seemingly “good”, and some seemingly “bad”. Strange synchronicities, “coincidences” that seemed to have underlying connections. If VALIS was a positive moral force aiding Phil and humanity, there were also other dark forces wanting to keep humanity enslaved and blind, and Phil feared these dark forces. He gave his son Christopher an improvised Christening with chocolate milk and a bit of hot dog bun, as a way to protect him from these dark forces.
Phil had multiple marriages and divorces and a documented history of mental illness; and of course, he had a vivid imagination, as seen in his stories. Add in that he had a reputation as a drug user, and it is tempting to write off these interesting but unverifiable experiences as hallucinations, insanity, and/or hoaxes.
It’s true that Phil had mental health issues, but they mostly revolved around depression. In this period, living with his wife Tessa and young son Christopher, he was happy most of the time. Phil did take legal uppers, and he experimented with LSD, but only twice. His reputation as a wild man drug user was exaggerated in the press. One time Phil was eating dinner at a sci-fi convention, and a fan snatched a pill beside his plate and swallowed it. “What’s going to happen to me?” the fan asked. Phil explained, “Well, if you have a sore throat it will feel better.”
First of all, it is doubtful that Phil would have been moved to devote the time and energy of an 8,000 page exegesis if all these events were just hoaxes or misperceptions. Secondly, a few key incidents have been verified either by outside facts and/or his wife at the time, Tessa.
Tessa B. Dick has written her own book called “Remembering Firebright: My Life with Philip K. Dick”. In a few instances she explains how she thinks Phil misconstrued ordinary facts into something fantastic. One senses she is honestly recounting things as best she can remember, and that like Phil, she has struggled over the years to understand these events. But on several key incidents, she largely confirms Phil’s account of events. She says that unusual and unexplainable things did happen.
One of these is the “Firebright” of the book’s title. Phil said this was a small baseball size sphere of blue light. He said he thought it facilitated communication between him and an alien satellite that was in orbit around the earth. This satellite explained mysteries of the universe to him, sometimes by historical figures he admired (or simulations thereof), like Francis Bacon and Thomas Aquinas. Tessa did not experience that aspect, but she states she did see Firebright, that she and Phil could see it together, and each correctly describe what it was doing. Was it a shared hallucination? Was it a shared reality?
Another incident described by Phil was when his radio kept playing, even after he turned it off and even after he unplugged it. He said the radio was saying messages attacking him. Tessa does confirm the radio kept playing even after being unplugged, and it was not the type that had batteries. She did not hear personal attacks on Phil, but normal pop songs. However, she can’t explain how or why it kept playing. She did note at the time that the neighbor’s apartment was mostly vacant, as if nobody actually lived there, but they had a lot of electronic equipment, so there may be a natural earth-bound explanation for the strange radio incident. She felt then and now that they were spying on someone, be it Phil or someone else. But that would not explain the mystery of “Firebirght”, nor would it explain the following mystery.
Sometime in the late summer of 1974, Phil reported drifting between sleep and waking while listening to the Beatles song “Strawberry Fields Forever,” sung by John Lennon. At the point in the song where it says “Living is easy with eyes closed,” Phil opened his eyes. He cried out to Tessa to “Call the doctor and tell him that Christopher has an inguinal hernia and he could die if it strangulated”. Tessa says Phil looked as if he were in a trance and she confirms what he said, and that he stated the medical terms correctly. She took their 14 month old son Christopher to a doctor, and the doctor confirmed Phil’s diagnosis, and the doctor scheduled and eventually did the potentially life-saving surgery as soon as Christopher was old enough, which was a couple of months later. In the meantime they were instructed to be careful not to let him cry for any prolonged period.
In subsequent conversations with the “normal” Phil, Tessa says he went back to not understanding the medical terms and was mispronouncing them. Who or what intervened and gave Phil the information that saved his son’s life? Was it VALIS?
I was able to recently ask Phil’s last wife Tessa about this incident. She again confirmed most of the elements of Phil’s story as correct. She said the doctor told her that if Christopher had been left to cry throughout the night for an extended period, the hernia could have strangulated and cut off blood flow, causing serious injury or even death. She does not remember the stereo being on, so unless Phil had the small radio on, she wondered if Phil heard “Strawberry Fields Forever” in his dream. I asked her how was Phil able to correctly diagnose the hernia? Was it VALIS, a religious miracle, just really good intuition or simply unexplainable? She stated:
“I have no earthly explanation for how Phil could have known that our son had a hernia. He did not change diapers, and he had little medical knowledge. I knew that something was wrong with our baby, but I had not yet discussed it with Phil.”
Phil felt that it was VALIS, and that it also intervened in his life in other positive ways. He says it prompted him to ask his agent for back royalties on books sold overseas, and he subsequently received substantial checks. He also had a sense of renewed creativity and in addition to the non-fiction Exegesis, the strange events in his life gave inspiration to several excellent novels, including “Radio Free Albemuth”, “VALIS”, “The Divine Invasion”, and others. His income from book sales greatly increased, and his novel “Do Androids Dream of Electric Sheep” was made into the movie “Blade Runner” (the title came from William Burroughs). He saw parts of the film before it was released and was greatly impressed. He told the makers of the film that it validated his entire career and even his life.
Tragically, he never got to see the entire film and the world got no more PKD stories. He had a series of strokes leading to a heart attack , which caused his death on March 2, 1982. Before he died and when he was in seemingly good health, he may have had a premonition about his death, as he told Tessa, whom he had divorced but was seeing again, “You will remember, and you will tell them”.
ROBERT ANTON WILSON
Robert Anton Wilson was an editor at Playboy magazine — a very good, interesting and well paid job. But he left the magazine in 1971 to pursue his other interests. These interests included sex, drugs, higher states of consciousness, libertarian economics, anarchist politics, Constitutional rights, philosophy, quantum physics, history, psychology and the occult.
Along with Robert Shea he wrote the “Illuminatus!” trilogy, the most complex exposure of the conspiracies running the world and/or satire of such theories. He wrote many successful books, and he approached all topics with his trademark agnosticism and maybe logic. This avoided the traps of dogmatism and guruism. He wrote about serious subjects with a sense of humor, but treated even seemingly crazy ideas seriously.
Within weeks of meeting Timothy Leary in 1964, he and his family saw their first UFO. Timothy Leary, who was kicked out of Harvard for his LSD experiments, would become a good friend, mentor, frequent teacher, major influence, sometime student, co-author, and partner in “thought crime”.
Philip K. Dick met several times with RAW, and they became correspondents. PKD famously said that “Wilson managed to reverse every mental polarity in me, as if I had been pulled through infinity.” PKD mentions RAW in his Exegesis, and RAW mentions PKD in his books. Just as PKD’s fiction seemingly came to life in his contact experiences, RAW’s fiction also escaped from the page into his life.
RAW embarked on a course of what he called “deliberately induced brain change.” From July 23, 1973 until October, 1974, he entered a belief system in which he was (perhaps) receiving telepathic messages from advanced entities on a planet near the double star Sirius.
Were these entities real? To him, at the time, they “seemed real enough”, though “not as real as the IRS”, but “easier to get rid of.”
In keeping with his model agnosticism and desire not to get trapped in any one reality tunnel, RAW undertook a multiple-paths-all-at-once approach to making contact with higher intelligence. He used incantations and rites by Aleister Crowley to invoke the Holy Guardian Angel. Wilson says that if you look at Crowley’s words on the page, they mostly seem like “pretentious rubbish”, but when read out loud, it “vibrates, moans and sings with eerie power.” He also used a hypnosis tape called “Beliefs Unlimited” by Dr. John Lilly, the pioneer in inter-species communication and consciousness research. At first he also used Mescaline and LSD. He later achieved similar results without any drugs. He also tried tantric sex with his wife with the goal of breaking through to new levels of consciousness (and having fun, which RAW always liked to do).
In a dream on July 23, 1973, he got the message “Sirius is very important.” He did not know what it meant. He found out that Sirius was a double star system about 8.6 light years away from Earth. Further research showed him that Sirius (maybe) played an important role in the belief systems of Crowley, the Freemasons, and various occult groups. He then found out that in the ancient Egyptian tradition, the dog star Sirius was celebrated from July 23 to September 8. This was the period when contact between Sirius and Earth was said to be strongest.
He wrote about his experiences in his book “Cosmic Trigger.” You don’t just read this book, you go along on his intellectual, spiritual and physical adventure with him. The topics he writes about start happening in his life. In similar and different ways to what happened to PKD, strange things, unexplained events and seeming “coincidences” linked by underlying synchronicity start to occur.
In this book he mentions Philip K. Dick and his novel “VALIS” based on real events. He notes some of the similarities and differences in their experiences. He also mentions a book by Robert KG Temple called “The Sirius Mystery”.
In reading Temple’s book, he learned that there was evidence (maybe) that Egypt, Sumeria and other ancient civilizations told legends of contact with advanced men who came down from the sky to teach them engineering, science and arts, and that these men came from the Sirius system. He learned that the Dogon tribe in West Africa also had legends of contact with entities from Sirius, and knew that Sirius had a companion star which was not visible to the naked eye. How did they know it existed? Because they really were visited long ago by entities from Sirius who told then about it? Well maybe. But maybe they learned about it from more recent European visitors. But if so why did they claim it was a long standing part of their belief system? What about all the other evidence of “Ancient Astronauts” and many peoples who tell legends of men from the sky, including stories from the Bible?
Wilson quotes this key part by Robert KG Temple from his book “The Sirius Mystery”:
“I would even venture that we may be under observation or surveillance at this very moment, with an extraterrestrial civilization based at the Sirius system, monitoring our development to see when we will be ready ourselves for their contacting us . . .Would they think that (this book) was their cue? If what I propose in this book really is true, then am I pulling a cosmic trigger?”
Most of the experiences Wilson describes are fascinating, but subjective and unverifiable. He himself comes to no definite conclusion about them. But one in particular stands out as unexplainable, and like the incident with Philip K. Dick and his son, it involves a child in danger. On April 26, 1974, Wilson was with a group of self-proclaimed witches in a new version of the Golden Dawn occult group. He had a vision of his son Graham lying on the ground with police walking toward him. He was afraid this indicated that Graham had been in an accident or some kind of trouble.
He invoked a cone of protection around his son and tried to send a message to call him in the morning. The next morning Graham did call and he explained that he and his friends had been illegally sleeping in a field. Police spotted their car, and walked towards them with their flashlights. They were certain they would be seen and then arrested, but amazingly, the cops did not see them and just walked away. This happened a few minutes before midnight, which was the same time that Wilson had his vision of Graham lying in a field with police walking towards him.
Wilson would later have another vision that a member of his family was in danger, and thought again it was Graham. Tragically, it turned out to be his daughter Luna, killed in a violent and senseless robbery. He writes movingly of her life and death. A lifelong opponent of the death penalty, even in his grief and anger, he does not want her killer to die, because he believes more than ever in the value of life over death.
Wilson comes to no final conclusions about his experiences. He suspects that the Holy Guardian Angel and the extraterrestrials from Sirius probably do not exist outside of our imaginations. But even if they are not literally real, RAW thinks that a belief in them was a tool to open up access to a previously untapped area of his brain.
On the other hand, remembering Arthur C. Clarke’s idea that any sufficiently advanced technology may be indistinguishable from magic, RAW wondered “what if Temple’s book was true?” What if PSI powers like ESP and telepathy are true? Stars can last 9 billion years. We are only half way through the life cycle of our star. That means there could be civilizations from Sirius or elsewhere that are one billion years more advanced than us. RAW asks what would be the technological capabilities and PSI powers of a civilization 100 million years, 500 million years, two billion years more advanced than we are now? RAW wonders if they will use psychic powers and/or technologically advanced communication methods to aid our evolution. Which sounds a lot like VALIS.
In his book “The Illuminati Papers”, Wilson quotes Dr. Ronald Bracewell from Stanford and Dr. Frank Drake of Cornell as saying that advanced aliens may have immortality and may be “trying to communicate with us right now.” Dr. Brian O’Leary, a Berkeley PHD and former NASA employee, states that aliens, be they extraterrestrial or inter-dimensional, may be on Earth now and have “technologies of consciousness.” Did an advanced race use “technologies of consciousness” to contact PKD and RAW?
Wilson in “Cosmic Trigger” also noted that the genius Tesla reported getting whole detailed descriptions and blue prints for inventions into his mind from an unknown source and sometimes had conversations with unseen entities. He reported that Dr. Jacques Valle told him that over 100 scientists had similar experiences of transmission of ideas but most are afraid to go public for fear of ridicule. Dr. Jack Sarfatti is one of the few who have gone public.
The discoverer of DNA, Nobel Prize winner Dr. Francis Crick, was a regular user of marijuana and may have first perceived the double helix shape of DNA while on LSD. Dr. Kary Mullis says taking LSD was one of the most important things he ever did and that he would not have won the Nobel prize for perfecting the PCR DNA method if he had not done it. He also had a strange UFO or Mothman Prophecies type encounter with an entity. Steve Jobs said taking LSD was one of the most important things he had done and convinced him that the goal of life was not just to make money but to invent and design things that would go into the stream of history and affect consciousness. Both the DNA and computer internet revolutions owe something to the (VALIS directed?) discovery of LSD Dr. Hofmann which we will examine. Is DMT or LSD a pathway to communication with higher intelligence? Or is it a pathway to open up previously untapped parts of our brain? Maybe. But this is a reason for LSD and other drugs to be legal, so they can be correctly manufactured and taken in safe doses at facilities with medical and psychological professionals. Both RAW and PKD strongly warned people not to take street drugs, they each saw the bad consequences that can result.
JOHN LENNON, DR JOHN LILLY, DR ALBERT HOFMANN
Finally I want to mention very briefly some other experiences that may have some similarities to the PKD and RAW experiences. John Lennon, as part of the Beatles and on his own, was a huge catalyst for the Sixties counter-culture revolution. Not only a force in music and the arts, he affected politics through his support of the anti-war movement and giving money to radical groups. He even gave money to Dr. Timothy Leary when he was on the run. John had a life-long interest in the subject of UFO’s, including subscribing to British journals on the subject. In a period when he separated from Yoko Ono and was living with May Pang, he actually saw a UFO from the balcony of his NY apartment. It was on August 23, 1974. John actually cried out for the UFO to take him. They took pictures but they did not come out. They called all their friends. One of their friends called the police and newspapers and was told others had seen it as well.
May Pang later said that Lennon told her “if the masses started to accept UFO’s, it would profoundly affect their attitudes toward life, politics, everything. It would threaten the status quo.” Pang also said that 1974 was not his first sighting. He told her more than once he suspected he had been abducted as a child and that this experience made him different from other people the rest of his life. Abducted by aliens? “Yes, but John didn’t go into detail about it”. Pang said.
Dr. John Lilly, MD, was a genius who pioneered human – dolphin communication and researched communication among whales and gorillas. He also researched human consciousness with himself as a test subject. He did experiments with LSD, Ketamine and other substances, sometimes in conjunction with an isolation tank he developed. His work with dolphins inspired the film “Day of the Dolphin” and his research on consciousness inspired the film “Altered States”.
Adam Gorightly wrote an article called “John Lilly, Ketamine and the Entities from ECCO”. He describes two incidents that have some similarities to the experiences discussed here. Adam told me he got the information from a book by Lilly called “John Lilly, So Far”. The first incident seems to have taken place in the summer of 1973, the summer of the RAW Sirius experience. Lilly took Ketamine and got into his hot tub. His body could not support itself and he sank under. He was drowning. His friend Phil Halecki had a sudden urge to call him. He called him at that moment. He got John’s wife Toni who said John was fine he was in the hot tub. Phil insisted she get him right now. She did and saw John face down and drowning. She saved him and performed CPR, which she had just learned the day before from a magazine article.
John felt he was saved by the work of what he playfully called the Earth Coincidence Control Office, or ECCO. He first encountered these entities of light and love as a child and given his religious upbringing he thought of them as angels. He came to believe that they arrange “coincidences” on Earth to assist in the growth of knowledge and for the greater good. ECCO sounds very similar to what PKD called VALIS, the Vast Active Living Intelligence System, which he felt intervened in his life to save his son, impart knowledge and fight the Empire. Both ECCO and VALIS also sound similar to the Carl Jung concepts of synchronicity, the collective unconscious and archetypes. They also resonate with what quantum physicist David Bohm called the “implicate order” and Celtic legends call Fairyland.
While ECCO works on the side of aiding humans, an entity Dr. Lilly called Solid State Intelligence (SSI) works to achieve dominance for computers and machines over all biological forms, in particular intelligent mammals like humans, dolphins and whales. Think of the machines in “The Matrix” or the mega computer Skynet in “The Terminator”. Dr. Lilly used computers and technology for good purposes but feared there use for bad purposes, by evil men of the military-industrial corporate state or even self-aware AI computers on their own.
The other incident is said by the book to have happened in the fall of 1974, but as the book is loose with dates and even years, I have reason to think it was probably 1973. John and Toni were on a flight to Los Angeles. Dr. Lilly took Ketamine on the flight and then looked at the Comet Kahoutek and it greatly increased in brightness. He then received a message that said SSI was going to shut down all systems at LAX. He told this to Toni, who disapproved of John’s increasing drug experiments and thought ECCO was nonsense. But minutes later, the pilot announced they could not land at LAX because a plane had crashed into power lines causing a black out. The plane landed safely elsewhere. Terence Kahoutek was not visible to the naked eye in 1974 but it was visible in 1973. There was a plane that hit power lines on November 17, 1973.
John later felt that the message was from ECCO about the dangers of SSI. Had the pilot attempted to land at LAX when the power and lights went out, he might have crashed. Did ECCO/VALIS send Dr. Lilly a warning? As it had sent to his friend when he was drowning? As ECCO/VALIS had sent to PKD and RAW about their sons? Dr. Lilly later got warning messages of nuclear devastation from ECCO in 1974.
Dr. Albert Hofmann was the Swiss chemist who had many great patents and discoveries, but his greatest was discovering LSD. He said that he had planned a career in the humanities or arts but that “Mystical experiences in childhood, in which nature was altered in magical ways” caused him to want to understand the world and he choose chemistry. At the website for the Albert Hofmann Foundation writer John Beresford notes that the first major step in the creation of the atom bomb happened on December 2, 1942, in Chicago. Enrico Fermi as part of the Manhattan Project caused the first nuclear chain reaction.
About 131 or 132 days later Dr. Hofmann had what he called in German a “Vorgefuhl”, which roughly translates as a presentiment, about LSD-25. He actually first discovered that 5 years ago, on November 16, 1938, but he had discarded it on the useless pile, no doubt with hundreds of other failures. Dr. Hofmann would not say if the Vorgefuhl happened when he was asleep or awake. But it was strong enough that it caused him to go back to this formula from 5 years ago, and on April 16, 1943 he (re) discovered LSD – 25, and changed the history of the world. World War II was raging and the stakes got even higher some 132 days before with the Chicago nuclear chain reaction.
Beresford writes:
“One is free to speculate that the “instruction” to re-synthesize LSD came from a spiritual power which intervenes in the affairs of man to restore order when the danger of disorder has become too great. The reckless act of science in Chicago in December, 1942 was remedied in Basel four months later with Albert Hofmann chosen as the instrument to perform the cure.”
What he describes sounds very much like VALIS. Along these lines one should also consider that the first detonation of an atom bomb occurred on July 16, 1945 (7/16=23?) at the Trinity Site at White Sands Missile Range, New Mexico. About two years later, around June 16, 1947, the “flying saucer” enters American culture with the reality (or myth) of a saucer crash at Roswell, New Mexico, just 114 miles to the east of the Trinity Site at White Sands Missile Range, New Mexico. On June 21, 1947 the Maury Island UFO is sighted in Puget Sound, Washington. On June 24, 1947 pilot Kenneth Arnold sees nine shining discs near Mt. Rainer in Washington. Others pilots also see them and a man photographs these discs.
Terence McKenna believed that the reality (or myth) of UFO’s were a confounding of the close minded scientific, corporate and government establishments, in the same way that the reality (or myth) of the resurrection of Jesus was a confounding of Greek empiricism and Roman Imperialism. McKenna felt that what he called the “Overmind” of the planet can create UFO’s, miracles and other events when technology and power out run ethics. His “Overmind” also sounds a lot like PKD’s VALIS, except it is probably not extraterrestrial in origin. But then again VALIS may not actually be extraterrestrial either, even if it wanted to appear to be so at times.
Carl Jung felt the massive wave post war UFO sightings indicated “changes in the constellation of psychic dominants, of the archetypes, or “gods” as they used to be called, which bring about, or accompany, long-lasting transformations of the collective psyche.” He compared them to the “signs and wonders” that accompanied the transition from paganism to Christianity. Constantine seeing a cross in the sky and the spinning disc and lights seen at Fatima in 1917 might also fit in here.
This entity, let us call it VALIS, is not necessarily always pro-Christianity, or pro or anti-technology, or UFO. As Dr. Jacques Vallee states it is a cultural thermostat. In the summer the thermostat cools your house, in the winter it warms it. At the time of the brutal Roman Empire the Christian idea of universal love was needed. When Christianity became a Roman Empire of its own, a new confounding was needed. (PKD=”The Empire never ended”) VALIS acted to spur science and technology when needed and to counter it when needed. Dr. Vallee felt these things have been with us a long time but ancient man called them gods from the sky, later man called them angels or demons, the Celts called them fairies.
Jung felt that some UFO’s were real in the sense that they are picked up on radar screens and in some cases can be photographed, and McKenna felt that they were “real” in every sense of the word, though most or all were probably not nuts and bolts craft and most or all were not probably not extraterrestrial in origin. It presents another way to think about unexplained things. These alternative ideas are explored best in “Passport to Magonia” by Dr. Jacques Vallee , “The Mothman Prophecies” and “Our Haunted Planet” by John Keel, “The Archaic Revival” by Terence McKenna and “Flying Saucers: A Modern Myth of Things Seen in the Skies” by Carl Jung.
We can perhaps tie the presentiment about LSD and the start of the UFO sightings to the end of WWII and the start of the nuclear era. Why did the experiences of PKD, RAW, Lennon and Lilly happen in the 1973/1974 era? Was it related to the Nixon drive for war abroad and a police state at home? Was there a higher danger for nuclear war or other calamity in this time frame? General Alexander Haig, in the waning days of the Nixon regime which ended on August 9, 1974, issued instructions to the military not to follow orders from the President, reportedly out of fears revolving around his drinking and mental state, and concerns he might start a nuclear war or use troops to refuse to cede power if impeached.
Philip K Dick felt VALIS had a political dimension. He had received the message “The Empire never ended”. He took this to mean the Roman Empire continued through Nazi Germany, through totalitarian communism in the East and the military-industrial complex ruling elite in the West. PKD felt The Nixon regime in particular had come to power through the murders of JFK, RFK and MLK, and now posed the threat of outright fascist dictatorship and a police state through the pretext of the War on Drugs and the criminalization of dissent and free thought. PKD thought VALIS helped to defeat Nixon in this crucial 1973/1974 period. In his novels the character President Ferris F Fremont was an even more McCarthyite and fascistic version of Nixon. “The Empire never ended.” That was the message PKD got from VALIS. The true Gnostic Christian rebels helped by VALIS defeated Nixon in August 1974.
Or was the 1973/1974 era also the time for a need for a change in culture and the arts, in ways that we cannot understand or explain? Was there, as Carl Jung would put it, a need for a change in the collective psyche?
CONCLUSION
RAW was excited when Ken Campbell did a stage play in Liverpool of “Illuminatus!” in 1986. In 2014 Ken’s daughter, Daisy Eris Campbell did a stage play of “Cosmic Trigger”. Graphic novelist Alan Moore has often talked about the influence RAW had on him. Moore has also stated that he has read and admired PKD. Moore supported the new play and provided the voice for an off stage character. Moore wrote the magnificent graphic novel “V for Vendetta” which was the basis for the film of the same name. RAW was quite happy when a German youth named Karl Koch adopted the name of his “Illuminatus!” anarchist hero Hagbard Celine as his computer hacker name and became (in)famous.
PKD, through the films “Blade Runner” and “The Matrix” as well as his many novels, stories and non-fiction, influenced modern science fiction, art, film, the Cyberpunk movement and the computer hacker culture. Influenced by PKD, RAW and Moore, the cyberpunks, white knight computer hackers and hacktivists try to turn the technology of the modern corporate police state against itself. The RAW influenced Alan Moore was very pleased when members of autonomous groups like the pro-democracy activists in Eastern Europe and the Middle East, Occupy and Anonymous started using the stylized Guy Fawkes masks used by his hero V from “V for Vendetta” in real life protests. Moore stated that when he wrote “V for Vendetta” he would have thought “wouldn’t it be great if these ideas actually made an impact? So when you start to see that idle fantasy intrude on the regular world…It’s peculiar. It feels like a character I created 30 years ago has somehow escaped from the realm of fiction.”
The change we want will not come from over optimism and simply waiting for God, the New Age , the UFO or LSD or any other one thing alone to rescue us. Nor will it come from over pessimism and thinking the Rockefellers and Bushes and their plutocratic ilk control the world and we are totally helpless to affect change. As RAW said those guys may think they run the world, “but I prefer to think me and my friends run the world”. He believed time would judge whether the power of money or the power of ideas would win in the long run. He felt the power of ideas would. If VALIS or something like it is actually real then it should be studied further, to find ways to connect to it, to enable it (or even just the untapped powerful parts of our brain) to assist us. But in the end it is up to us. Wilson said that any single act of love or hope could be the grain of sand that tips the scales towards utopia, while any single act of cruelty or injustice may be the grain of sand that tips the scales the other way, toward oblivion. It is up to all of us.
As Alan Moore said in 2014 in a promotion for the “Cosmic Trigger” play, “It is time to take the safety off and pull the Cosmic Trigger.”
Is VALIS real? Most seem to quickly write off the experiences of Philip K Dick and Robert Anton Wilson as products of their over active imaginations. Yet parts of their stories are verified by others and resist such easy explanations. Who or what gave Phil the information that probably saved his son Christopher’s life? What caused the accurate vision of Wilson? What caused Dr. Hofmann to ‘remember” a useless formula from years ago, which led to the (re) invention of LSD? Indeed what is the seemingly intelligent force behind evolution, that has taken us from amphibian to ape, from ape to caveman, and from caveman to Einstein, Shakespeare and Beethoven? And from there to what a 1,000 years from now? Philip K Dick said the Vast Active Living Intelligence System exists to 1) Fight the Empire in all its manifestations and 2) Exult, inspire and direct man to higher intelligence, creativity and achievement.
Whatever we are talking about, it seems unlikely it involves entities from across the galaxy – unless such distances can be traveled instantly. And it is not clear why entities light years away would take such an interest in us. So rather than ET’s the evidence is more supportive of Inter Dimensional entities. As some quantum physicists postulate, there may be multiple dimensions coexisting with us here on Earth. They have some capacity to communicate with us. At different times in history we have called these entities Gods, men from the sky, fairies, angels or aliens. They seem to communicate to certain individuals at certain critical times in our history. They may be part of the active intelligent force that has created our planet, the life on it and has directed our evolution.
Consider the words of Nobel Prize winning physicist Max Planck, think about the perfect rotation of our Earth around the sun, and reflect on how closely Planck’s description matches PKD’s concept of a Vast Active Living Intelligence System: “[As a hard headed physicist I tell you that] there is no such thing as matter as such. All matter originates and exists only by virtue of a force which brings the particle of an atom to vibration and holds this most minute solar system of the atom together. We must assume behind this force the existence of a conscious and intelligent mind. This mind is the matrix of all matter.”
Max Planck, The nature of Matter Speech, 1944
AK WILKS AUTHOR BIO
AK Wilks has a BA in Political Philosophy and a Juris Doctor in Law. He has worked as an attorney, researcher and writer. He is also a screenwriter. He is continuing his research into the subjects of PKD, RAW, LSD, HP Lovecraft, Crowley, the UFO enigma, contacts with higher intelligence and related subjects for a book and/or film.
VALIS is a 1981 science fiction novel by Philip K. Dick. The title stands for Vast Active Living Intelligence System, which in some respects is very close to the living intelligence I discuss in this series of essays.[i] A living intelligence also suggests a non-local field view of reality. The latest findings in the quantum sciences (notably quantum mechanics and biophysics) posit a field-view understanding that is said to underpin the construction of our universe, and hence the nature of our reality.
In the past, various people — mystics, psychologists, and consciousness researchers — have alluded to this intelligence field by a variety of names: cosmic consciousness, superconsciousness, transpersonal consciousness, integral consciousness, etc. All these descriptions share common themes; namely, a heightened sense of intuition and empathy, a feeling of greater connectivity to the world and to people, a sense of ‘inner knowing’ (gnosis), and the realization that humanity exists and evolves within a universe of intelligence and meaning. Forms and intimations of these new consciousness patterns are already emerging in the world, but as yet they have not become a part of our accepted paradigm.
As Dr. Richard Bucke stated in his work Cosmic Consciousness, the early signs of this new evolutionary development have been appearing within humankind for some time:
The simple truth is, that there has lived on the earth, ‘appearing at intervals’, for thousands of years among ordinary men, the first faint beginnings of another race … This new race is in the act of being born from us, and in the near future it will occupy and possess the earth.1
Such signs — or evolutionary mutations — have included, for example, visionaries, mystics, artists, psychics, and a smattering of young gifted children. I would posit that social and cultural events have occurred throughout world history that have served to seed higher functioning into human consciousness. Such events would have taken the form of artistic movements; scientific innovations; faith movements; cultural/social revolutions; architecture; fraternities; myths and legends; sporting fixtures, and more. All such socio-cultural impacts affect human consciousness in a way that prepares the human mind for periods of development and change. Within these seemingly random occurrences lie the components that act as the ‘technologies’ for developing human consciousness. In recent years we have seen the rapid expansion of our informational flows, and thus human awareness in general.
The increasing manifestation of a collective human consciousness — or rather a collective of minds accessing the living intelligence — is most likely to be in line with certain evolutionary necessities. Preparation has been necessary through a succession of events that form an overall pattern of mutually reinforcing stimuli aimed at raising humanity’s psychic awareness. This includes the expansion of intellect, psychological awareness, social development, humanitarianism, empathy, and creativity. These developments have also served to stimulate human intuition. In other words, there have been moments throughout recent human history that helped prepare the ‘mental soil’ for new patterns of consciousness to slowly seed and grow. According to one well-placed commentator on this subject:
The human being’s organism is producing a new complex of organs in response to such a need. In this age of the transcending of time and space, the complex of organs is concerned with the transcending of time and space. What ordinary people regard as sporadic and occasional bursts of telepathic or prophetic power are…nothing less than the first stirrings of these same organs.2
Similarly, the revered Persian poet Jalalludin Rumi stated,
New organs of perception come into being as a result of necessity/Therefore, O man, increase your necessity, so that you may increase your perception.[ii]
On the whole, socio-cultural and material forces are slow to react to changes in expressions of human consciousness. Yet this is nothing new, as throughout history there have been individuals who, feeling the need for transformational change, have been caught up in social-cultural upheavals. These events and human efforts, according to Gopi Krishna, indicate a stirring of the human evolutionary impulse:
I can safely assert that the progress made by mankind in any direction, from the subhuman level to the present, has been far less due to man’s own efforts than to the activity of the evolutionary forces at work within him. Every incentive to invention, discovery, aesthetics, and the development of improved social and political organizations invariably comes from within, from the depths of his consciousness by the grace of … the superintelligent Evolutionary Force in human beings.3
I would further add that in order for continued human development to occur there are particular periods of human history wherein humanity becomes ready, or in need of, the activation of particular faculties — our evolutionary potentials. During such transitional periods humanity will acquire — or be coerced into developing — new capacities for accessing consciousness (a.k.a. the living intelligence). As in all paradigm shifts, old energies must inevitably give way to the new.
In the years ahead a new wave of young people will be manifesting a consciousness that is simultaneously open to spiritual impulses as well as to the latest in scientific research. A new generation will be growing up with the desire to develop a collective sense of wellbeing, connectedness, empathy and creative vision. What we refer to as the ‘nonlocal’ will to them be the same as integral interconnectedness, and will feel natural and normal. New patterns of thinking and a stronger sense of intuition will also be a sign that greater access to the field of living intelligence is occurring. This access is the same as, in our older language, direct interaction with nonlocal and non-ordinary states of consciousness.
The experience of direct nonlocal consciousness used to be the domain of experienced practitioners (shamans, mystics, psychics) who would have undergone rigorous and lengthy training. Our ‘everyday consciousness’ of the local view of the universe has been until now largely unprepared for the realms of non-ordinary reality. In Western civilization especially, the nonlocal mode of perception (subjective experience) has not been encouraged, or even recognized. As such it has lain dormant, atrophied, and largely left to the province of the esoteric sciences. The myopic, linear, and rational view of reality has resulted in the dominating values of competition, power, ego, and greed. A nonlocal, intuitive sense of reality, however, will be one that embraces the values of Connection ~ Communication ~ Collaboration ~ Consciousness ~ Compassion. It is my view that the new generation(s) of young people in the world will be the first to embody these values in a widespread manner — thus ushering in a new epoch for the development of human consciousness.
Connected to Living Information
It appears that the Earth is now receiving different forms of energetic impacts — especially electromagnetically — which will alter the Earth’s resonant energy signature. As the Earth’s magnetic field is not a static shield, but rather like an oscillating wave, fluctuations in the field are known to affect living systems upon the Earth. Biological bodies, being electrical energy units, are sensitive to external energetic and atmospheric variations, though usually these reactions operate at a subconscious level. Likewise, magnetic variations can have unusual effects on human consciousness. Our sciences are now understanding more and more how human life – our thoughts, emotions, and behavior — are affected directly by fluctuations in Earth’s magnetic field.[iii] As the energetic resonance of the Earth alters over time, this will undoubtedly affect how human DNA calibrates itself as a newborn child enters into the world.
The knowledge that human DNA can be influenced and modulated by frequencies (sound, light, language, and thought) has been utilized by various spiritual traditions over the ages. This can be seen in the variety of exercises that utilize thought focus (prayer), sounds (music, chanting, singing), light (both natural light and produced light, such as in stained glass), and language (specific recitations such as a mantra and zikr). Similarly, various shamanic practices have alluded to the notion that DNA can be accessed through deliberate, conscious intention.4 DNA appears to function, therefore, not only as a protein builder (the minority function) but also as a medium for the storage, receiving, and communication of information.
If we understand that information is processed by us on a neurobiological level, then we can accept that our nervous systems are channels for information. Since we know that DNA is present throughout our cellular structure, we can be sure that our complete physiology is involved in and related to external energy fields — electromagnetism, gamma bursts, solar rays, as well as consciousness fields.
It appears that part of our human DNA ‘energetic signature’ can be re-calibrated in our lifetime through exercising various techniques, as in a range of meditative practices and associated stimuli (as described above). For many people, these are the exact practices that have guided them through their lives. It may be that in past epochs direct intervention — such as wisdom teachings, mystery schools, and the like — were required in preparing individuals to access the living intelligence as the current environment alone was not sufficient to provide the catalytic trigger.
This situation, I speculate, may now be changing. The young children being born today appear to be already more connected with a form of intuitive intelligence. Contact with one’s own intuitive intelligence is another way of saying a person manifests a degree of gnosis. And true gnosis is a form of transceiving of information; that is, the receiving as well as transmitting of nonlocal information. Such gnosis is likely to be in the form of informational exchange between the human nervous system and living intelligence, which together in-form the body consciousness field. A more coherent connection between a person and the living intelligence field suggests greater potential/capacity for a self-initiated awakening, without the need for external teaching environments. It may be the case that humanity has just been waiting for the establishment of an energetically conducive environment. And that time may now be at hand.
Fields of Resonance
In preceding years the human socio-cultural environment was not conducive to individual development on a large scale. For this reason many wisdom teachings or streams of perennial wisdom had to operate quietly, or as clandestine operations. And yet the human capacity to access consciously the living intelligence field is without doubt an in-born natural ability. Only that for most people this capacity has lain dormant as, like an under-exercised muscle, it was never properly used. As one source recently pointed out — ‘The information you need is encoded in the structural makeup of every single cell in your body. Contact is there.’5 The same source also noted that:
When you are aware of your totality, the Life-impulse will transmit to you everything that you need to know in any given situation. Its message will always come as your first spontaneous impulse. Be attentive.6
We now know that the entire genetic information for a human body is contained in each of the body’s many trillion cells. It may be the case — only speculative at this stage — that accessing the living intelligence also operates through connection/communication with the information that is en-folded in these communicating fields of energy. That is, our human physiology — DNA, cellular structure, nervous system, etc. — acts as a whole, coherent, transceiving apparatus that filters our consciousness from the nonlocal intelligence field. The bodily ‘transceiving apparatus’ resonates with the various energy fields that originate literally under our feet as well as above our heads.
Geologists are developing their understanding of how Earth energies are transmitted both along the surface of the crust as well as within the core of the Earth. Latest research indicates that the Earth’s core behaves more along the lines of a crystalline structure, rather than as the molten mass that many of us imagine. In 1936 it was discovered (by the seismologist Inge Lehmann) that the Earth has a solid inner core distinct from its liquid outer core. This solid inner core was deduced by observing how earthquake-generated seismic waves were being reflected off the boundary of the inner core. Likewise, the outer core was found to be liquid, as earlier suspected. However, more recent observations have shown that the inner core is not completely uniform. Rather, it contains large-scale structures indicated by seismic waves that pass more rapidly through some parts of the inner core than through others. It has even been suggested that the inner solid core is formed from iron crystals. What is known by science is that the inner core, through its dynamo action, plays a significant role in the generation of Earth’s magnetic field. Similarly, the crust of the Earth is known to support a network of energized, or ‘magnetized’ paths — variously called ley lines, Earth grid, pilgrimage routes, etc. It appears that the Earth manifests particular tracks, or routes, of increased energy upon which it is said many ancient temples, ceremonial sites, gatherings, and the like have been based. Indeed, many gatherings and buildings today continue to be based upon certain accepted energized ‘hot spots.’ Quite literally, the energy fields of the Earth pulsate under our very feet. In addition to this, above our heads the Earth’s magnetic field, interacting with solar and cosmic rays, envelopes humanity in a bubble of fluctuating energy.
The latest findings in science tell us that the Earth’s electromagnetic field is a sensitive membrane that responds to solar activity such as sun spot cycles, solar flares, coronal mass ejections, and solar winds. We also know from neuroscience that human brain activity creates small electrical charges. Further, the human heart is now understood to act as a vibrant generator of electromagnetic energy. Collate this with a human nervous system and cellular structure that communicates as a coherent quantum field, then we have intrinsic resonance between human biology and our terrestrial, solar, and cosmic environments. We are literally living amidst a VALIS – Vast Active Living Intelligence System.
This understanding connects us with notions of a nonlocal field of consciousness that has been referred to over the years as the noosphere (Teilhard de Chardin; Vladimir Vernadsky); Overmind (Sri Aurobindo); and the world sensorium (Oliver Reiser). We can also consider this ‘noosphere/overmind’ — a.k.a. living intelligence field — as emerging as a form of planetary consciousness. If this is the case, then humanity may be instrumental in facilitating the emergence of a single planetary organism with a shared living intelligence (i.e., consciousness). A collectively aligned conscious and aware human civilization could become a physical channel for this living intelligence. This suggests that, as a species, we would have arrived at the point where we now needed to interiorize the evolutionary process for further development to occur.
The manifestation of consciousness through humanity appears to be undergoing an increased psychic compression that may serve to synchronize life on this planet. This process, in fact, is nothing ‘esoteric’ as it has been part of human civilization from the first day our ancestors began to worship an external presence. The convergence of human consciousness/thought patterns takes place in ceremonial worship, and is central to human prayer. If we look at the salah practice of formal worship in Islam (it constituting one of the Five Pillars of Sunni Islam), we see that this ritual prayer obliges the worshipper to pray five times a day facing Mecca. These specifically designated times of concentrated states of consciousness create an intense convergence and focused stream of energy across the globe directed toward the geographical location of Mecca. We have many other forms of consciousness convergence (or mental synchronization) upon this planet, throughout a myriad of socio-cultural-religious-spiritual ceremonies, events, gatherings, etc. For example, the ‘Global Consciousness Project’[iv], established by Roger Nelson at Princeton University, has demonstrated how human consciousness becomes collectively coherent and synchronized at moments of global emotional release. In the past, however, heightened synchronization in the human collective consciousness field was induced by external triggers[v]. It is to be speculated whether a change is underway upon this planet that will result in supporting greater coherence in the human consciousness field. If this is the case, we may suspect that this will facilitate a clearer contact between the human transceiving apparatus (the human body) and the nonlocal living intelligence field.
It is my own sense that the coming generation(s) will be among the first to awaken en masse to an era of instinctual gnosis. That is, a generation of instinctively aware young children who inherently feel an intentional connection and communion between their ‘self’ and the living intelligence. This contact will be a young person’s primary contact in their life, providing trustful feelings and instinctual guidance. This, we can hope, will assist in making our epochal and monumental planetary transition less turbulent and more coherent. The 13th century Persian poet Jalāl ad-Dīn Rūmī – known in the West simply as Rumi – suggested this intentional coherence when he accurately wrote about the distinction between acquired and instinctual intelligence:
Two Kinds of Intelligence
There are two kinds of intelligence: One acquired,
as a child in school memorizes facts and concepts
from books and from what the teacher says,
collecting information from the traditional sciences
as well as from the new sciences.
With such intelligence you rise in the world.
You get ranked ahead or behind others
in regard to your competence in retaining
information. You stroll with this intelligence
in and out of fields of knowledge, getting always more
marks on your preserving tablets.
There is another kind of tablet, one
already completed and preserved inside you.
A spring overflowing its springbox. A freshness
in the center of the chest. This other intelligence
does not turn yellow or stagnate. It’s fluid,
and it doesn’t move from outside to inside
through the conduits of plumbing-learning.
This second knowing is a fountainhead
from within you, moving out. 7
This ‘second knowing’ which is the ‘fountainhead’ within us corresponds to the source of living intelligence – present within our very cells. Through accessing this contact/communication we are likely to find ourselves actively engaging with a developmental impulse unfolding upon this planet.
Notes
1 Bucke, R. (1972/1901) Cosmic Consciousness: A Study in the Evolution of the Human Mind. London: The Olympia Press.
2 Shah, I. (1982) The Sufis. London: Octagon, p.54
3 Krishna, G. (1993) Higher Consciousness and Kundalini. Ontario, CA: F.I.N.D. Research Trust, p.166
4 Narby, J. (1999) Cosmic Serpent: DNA and the Origins of Knowledge. London: Phoenix.
5Carey, K. (1995/1982) The Starseed Transmissions. New York: HarperCollins, p.47
6Carey, K. (1995/1982) The Starseed Transmissions. New York: HarperCollins, p.41
T.A. Wardrope‘s new novel, Arcadian Gates, tells the story of how ten years ago, the entire nation was struck by a chemical weapon which destroyed most people’s memories. Akiry, a young woman who makes her way smuggling amongst the lower caste of the rebuilt country, is haunted by dreams of a daughter she otherwise does not remember. As civil war erupts in the city around her, she takes the last chance she has to find the truth about her daughter and her past.
We talked to author and Disinfo contributor T.A. Wardrope about his new book.
T.A., Thanks for talking to me. Can you tell me a little bit about what inspired Arcadian Gates and what your process was writing it?
The book began as a short story in a writing workshop. I had fun with it and so I just kept building it forwards and backwards for quite a few years. There was a substantial amount of world building that was a byproduct of writing Akiry’s story. Next thing I knew I had a book with a glossary and a map on the inside cover.
The story itself evolved as I tried to understand Akiry’s relationship to the world around her. I wanted a dystopia that was drawn from the lore and theories that Disinfo readers would recognize. Fringe stuff that you might hear about on Darkness Radio or Art Bell’s classic Coast to Coast AM. There’s kind of a unified conspiracy theory under the whole thing. A substantial amount of Terence McKenna and William Burroughs influence too. I joke that it is my “Streets of Fire”; one book that has everything I enjoy about science-fiction in the mix.
In your book almost an entire nation loses its memory due to a chemical weapon. Memory is always a fight, even in the best of times, it can be tricky and elusive, can you touch on how the loss of a nation’s memory changes everything?
Oh, I think we can just look around. I think that part of the book comes from a place of satire or critique. Americans, in particular, are very good at forgetting the lessons of the not-so-distant past. This bizarre hyper news cycle is a particularly troublesome symptom of this. By making something so very important for a few days, nothing becomes important at all. It’s very Orwellian.
But within the Administrated Republic, the weapon’s effect allows for a constantly shifting narrative of history. It’s the least subtle method of the winner defining history. Practically speaking, families are separated, identities destroyed, and personal empowerment disintegrated. It’s very hard for people to trust who they are if they don’t really know their past. Plus the shared experience allows for national community and a national wound that is easy to use as needed. Again, we can look at our recent history for evidence of that. That Administrated Republic just takes all of this to the next level of control. They had their reasons, though. I wanted them to be much more authentic than your standard dystopic power state. I had as much writing their side of things as I did the roughnecks in Akiry’s world.
You seem to have the chops of someone who has long been a student of the Sci-fi masters. What writer influenced you along your path?
Oh, thank you. There’s a solid foundation of Isaac Asimov, Frank Herbert, Ray Bradbury and David Drake. But the actual authors who had a direct influence on how I thought about the world of Arcadian Gates would be people like Philip K. Dick, William Burroughs, Samuel Delaney, J.G. Ballard, China Mieville, Moebius, Alan Moore, Robert Anton Wilson and Margaret Atwood. My program advisor at Hamline, Lawrence Sutin, is a PKD scholar so his input was especially helpful. I am a student of cinema too, so there’s plenty of influence from that realm. Some folks have asked me to write a screenplay version, but the book seems basically unfilmmable to me. Movies about underdog drug dealers don’t get the kind of budgets it would need to get made correctly.
Are there lessons to be learned from the Dystopian world that we see in Arcadian Gates?
I see it as satire in the tradition of 1984, Brave New World or We, so the lessons available in the story are just as evident in the world around us now. I think that one reason dystopia was so popular with young readers is that the world around them is a dystopia in many ways and fiction just distills that into a less confusing form. Arcadian Gates isn’t a YA book, by any means, but every part of it is drawn from history or historical theory. I didn’t write it for a particular moral, though, I wanted to keep it focused on how one woman navigates this world and how her actions reverberate throughout that world. I suppose the lesson is that history is a collision of millions of stories driven by many more decisions and desires. Akiry’s journey is one of those stories.
What are you up to next?
I am working on a pair of books drawn from the Sirius Business blog that runs here on Disinfo. One of those will actually be in the same continuity of Arcadian Gates. There will be a sequel to Arcadian Gates, as Akiry is just getting started. In between the books there are some short stories written that are both in continuity and some not at all related. Those could wind up in a collection at some point. Finally, I’m doing some more world building for a project that is firmly grounded in the horror side of things. Sometimes I wonder if I love the development stuff too much, even the shorts have considerable background to them.
More info on all of this stuff will pop up on social media. I’ve got more things planned in support of Arcadian Gates, too. Readings and maybe some convention visits. Being an indie author requires a having a finely honed sense of the balance between creative work and promotional work. I’ve still got a lot to learn in both of those aspects, I think. I’ll be learning advanced time engineering. Whiskey, too. Plenty of whiskey.
You don’t have to be a hardheaded materialist skeptic or an atheist to be troubled by the idea of synchronicity. The fundamental mystery—or really, outrage—of synchronicities is they seem arranged, stage managed, in a way that is impossible without imagining an active higher intelligence taking interest in guiding us and arranging the events of the wider world to produce unmistakeably uncanny outcomes. Even if we believe in God, many people aren’t comfortable living in a world of miracles and signs.
This was the problem faced by Philip K. Dick, whose Christianity couldn’t countenance fully divine meddling in his psyche and life. The story had to be more complex and also more rational. Hence, he tended to think that the synchronicities he experienced in 1974 reflected his own enlarged self haunting him from an orthogonal dimension of time, perpendicular to the four spacetime dimensions we ordinarily experience.
My last post sparked an interesting discussion in the comments about the apparent role of coincidence in synchronicities if they are really, as I argued, cases of misrecognized precognition or premonition. For instance, even if Jung’s famous scarab arriving at the window of his office was a purely random event that his patient had dreamed about the night before, there is still a coincidental element to it: Why a scarab, which has an archetypal meaning connected to the patient’s therapeutic situation, as opposed to some other insect?
Here’s where I think we really need to take seriously the revised picture of time that Dick grappled with through his 8-year frenetic journaling in his Exegesis: What is the connection between the archetypal world and the multidimensional nature of time? In a Eureka moment (not unlike the hundreds recorded by the manic Dick), I think I figured it out: Archetypes are an illusory effect produced by our failure to recognize self-confirmatory actions (feedback loops) made possible by the looping nature of time. Temporal feedback loops amplify the personal significance of symbolic formations, which (because we fail to recognize psi) appear as somehow objective or external to us.
For reasons I discussed in my Psi of Regret post, most information from the future should be negated by one’s own and others’ willed actions; but in a minority of cases, a self-confirming feedback effect could arise which would actually intensify or amplify the significance of the stimulating event in the future. This would happen specifically when that event involves a minor random coincidence (which are myriad) and/or fulfills some kind of unconscious thought or desire we had harbored.
Through this time-loop mechanism, minor coincidences, when they resonate with our own personal meanings and priorities, can be the nuclei of major significant moments (synchronicities) as well as meta-symbols (archetypes). Small coincidences, in other words, may be like grains of sand around which time’s oyster builds Platonic-Jungian pearls.
Bootstrapping Ourselves Toward Meaning
The idea of information from the future reaching us in the present should be unproblematic to parapsychologists and Forteans, yet we still tend to think of it somehow as a very special case. But if we grant the experimental results of Daryl Bem and Dean Radin and the observations of J.W. Dunne and others, then information must indeed be constantly rippling backwards in the time stream; this would have to produce all the paradoxical effects familiar from time travel stories in science fiction: doubling or multiplication or intensification of information (not unlike what happens in the interesting 2004 sci-fi film Primer), as well as self-cancelling effects such as I discussed in the context of Dune Messiah, and perhaps even wholesale self-negation (the famous grandfather paradox). If I am right about the future not being etched in stone (or glass, as in the Minkowski glass football)—that is, as subject to free will—then precognitive material cannot be about what is definitely going to happen but about what is probabilistic, and much of that information will be rendered inaccurate by our willed actions, and thus we would have no way of knowing it (i.e., because it didn’t come true or wasn’t close enough to how events unfolded to be discernible). It wouldn’t even be information, just noise.
However, in special circumstances, for instance when there is a slight perceived (and random) coincidence, such as between a specific genus of insect and the theme of therapeutic rebirth, it could instead have the effect of entraining our actions to the signal, in turn amplifying the felt significance of the signal into the past, generating a precognitive or premonitory experience which in turn feeds forward to intensify the uncanniness of the stimulating event, in turn boosting the signal into the past, and so on … The result would be an informatic/emotional time-loop feedback effect centered on what emerges as a truly uncanny, meaningful, and even decisive coincidence (the ’synchronicity’) that could even alter the course of a person’s life in a significant fashion going forward.
Within Jung’s larger and less radical paradigm of “individuation,” the unconscious is ever seeking out opportunities to progress and develop and change toward wholeness, and its capitalization on significant coincidences provides a way for the individual to bootstrap him/herself toward integration. The unconscious has no sense of time, so it doesn’t recognize this operation of atemporal time-looping—that is, the artificiality of the apparent coincidence (i.e., the fact that the person him/herself created the apparent coincidence through his/her actions and attributed it to objective external reality). The tendency of ‘synchronistic’ events to have a recursive, fractal, or self-similar quality, in some way being ‘about’ the whole notion of synchronicity or coincidence, reflects the tendency of the coincidence-receptive person to be attuned to coincidences in the first place. It is, quite literally, self-fulfilling prophecy.
Jung and Plato Must Die (that Psi May Live)
Thus the kinds of events that spark an emotional ripple into the past will be ones that support the ‘prophetic enjoyment’ I mentioned in the last post: Synchronicities are self-confirming effects produced by misrecognized precognition within an overall attitude of receptivity to mystery, magic, and meaningful coincidence. Belief in synchronicity produces synchronicity, which further reinforces the belief. In a larger sense, this mechanism may underlie the “law of attraction” in all its forms. It really is just like the “strange attractor” in Chaos Theory (and which is also identical to what Lacan and Žižek call the “symptom”).
What this suggests—and this is my Eureka—is that “archetypes” as such—as well as the Platonic world of “forms” that Dick suggested was the “fifth dimension” (printing out archetypes on the paper of history as on an IBM Selectric typewriter)—are really an illusory or anamorphic effect produced by not seeing or recognizing these self-confirmatory time loops, these informational/emotional eddies in the spacetime continuum, and failing to see our own role in feeding them through our perceptions and actions. We ourselves make meaning, including the intensified meaningful nuclei in the collective unconscious that so fascinated Jung and that formed the centerpiece of Platonic metaphysics.
At times, Dick came close to saying this: He suggested that synchronicities occur because we in the future are time traveling, cultivating our own development; that our own enlarged consciousess has the power to “stage manage” not because it is a white-bearded deity sitting up in a cloud reaching down and playing with us like chess pieces, but because of the nature of time itself. Coincidences may be the product of time tampering, our own time tampering in the future.
Where I’m departing from this notion is in emphasizing misrecognition and the role of the unconscious: Instead of our future (conscious) selves meddling in the past, our unconscious minds are constantly receiving and reacting to future information without knowing it comes from the future; through our actions, we thus sometimes confirm this information, particularly when it resonates with our priorities and unconscious beliefs about meaning or our own significance in the bigger cosmic picture. That sort of information will act as an ‘attractor’ in the Chaos Theory sense and give rise to the illusion of BIG coincidences and the meta-symbols that are necessary (in Jungian thinking) to make sense of them.
We live in a world that curves and bifurcates and loops back on itself, and these loopings and crossings and doublings and cancellations exert a shaping force on our lives and larger events via what we call psi, but we (a) think linearly and do not believe in time travel, (b) generally disbelieve in psi, and (c) fail to include the knower in the known even when we do believe in those possibilities. Consciously being open to coincidence and ‘larger meaning’ but failing to recognize our own role in creating significant moments, we inevitably imagine a Higher Knower who recognizes and certifies these eternal forms or archetypes, stage-managing these amazing occurrences as signals or signposts for us. But this is a mistake.
I’m suggesting we kill both Jung and Plato here in one stroke … maybe even God. Not only synchronicities but also archetypes and Ideal Forms are illusions caused by our failure to recognize the truly science-fictional way that informational-emotional time loops may intensify the potency of confluent events and symbols in our lives, and the role we ourselves play in the process.
We live in a science-fictional universe. To move forward, we need to recognize that fact.
“eXistenZ” (1999) is the last feature film of writer/director David Cronenberg’s to feature his trademark “body horror” imagery (as of this writing). It’s also his film that most overtly displays the influence of the writings of Philip K. Dick and has much to say about the increasing influence of technology on society and cognition.
Jennifer Jason Leigh gives a standout performance as Allegra Gellar, a celebrity programmer of virtual reality games who becomes caught in a complex web of shifting alliances (and realities) involving corporate espionage and a “Realist Underground”. Jude Law and Willem Dafoe are equally outstanding in supporting roles.
After the Crash 