Tag Archives: independent media

Journalists who challenge NATO narratives are now ‘information terrorists’

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By Vanessa Beeley

Source: Vanessa Beeley Substack

A US state department sponsored round table on ‘countering disinformation’ was recently held at the National Security and Defence Council of Ukraine.

“Information terrorists should know that they will have to answer to the law as war criminals” Andrii Shapovalov

According to the press release – “NGOs, mass media and international experts” took part in the round table discussions. Delegates discussed ‘disinformation methods’ used in Ukraine and abroad. On the agenda was legal and state prevention of ‘fakes and disinformation in the context of cyber security’.

Andrii Shapovalov, head of the Ukrainian Centre for Combatting Disinformation emphasized that those who ‘deliberately spread disinformation are information terrorists’. Shapovalov recommended changes to the legislation to crack down on these terrorists – reminiscent of the pre-WW2 Nazi Germany suppression of media and information channels. Shapovalov determined that ‘information terrorists should know that they will have to answer to the law as war criminals’.

It goes without saying that the crushing of dissent is essential for public support for NATO’s proxy war in Ukraine to be maintained. Russian media has already been wiped from the Western-controlled internet sphere. Ukrainian ‘kill lists’ such as the infamous Myrotvorets already include the courageous Canadian independent journalist Eva Bartlett and outspoken Pink Floyd co-founder Roger Waters.

Bartlett was also doxxed on Twitter by former UK Conservative Party MP Louise Mensch who alerted Ukrainian Special Forces to her presence in Donetsk. A few days later an attack was carried out on the hotel in Donetsk housing multiple journalists including Bartlett – coincidence?

German journalist Alina Lipp has been effectively sanctioned and threatened with prosecution by the German government for reporting on the daily atrocities committed by Ukrainian Nazi forces against civilians in Donetsk and Lughansk. Lipp told Stalkerzone:

“They just closed my bank account. Then they closed my father’s account. A month ago, I noticed that all the money disappeared from my account – 1,600 euros. I realised that something was happening in Germany. A few days ago, I received a notification from the prosecutor’s office, and a criminal case was opened against me for supporting the special operation. In Germany, special operations are considered a crime, and I am also a criminal. I face three years in prison or a huge fine.”

British journalist Graham Philips has illegally been sanctioned by the UK regime without any investigation or Philips being given a ‘right to reply’. Most mainstream media reports on this violation of his human rights describe Philips as ‘one of the most prominent pro-Kremlin online conspiracy theorists’. A familiar smear deployed by NATO-aligned media outlets to dehumanise and discredit challenging voices.

Philips like many other journalists being targeted lives in Donbass which has been threatened with brutal ethnic cleansing by the NATO proxy Ukrainian Nazi and ultra-nationalist forces since Washington’s Victoria Nuland- engineered coup in 2014.

These journalists transmit the voices of the Russian-speaking Ukrainians who have been subjected to horrendous war crimes, torture, detention and persecution for eight years and ignored by the West. For this they are now to be designated ‘information terrorists’ – because they expose terrorism sanctioned by NATO member states.

Organisations are springing up in the UK like Molfar Global whose ‘Book of Orcs’ project employs 200 alleged volunteers to identify ‘Russian (Orcs) war criminals’ and to compile a legal ‘kill list’. The ‘Orc’ terminology is another dehumanisation process, converting Russian citizens and military into fantasy science fiction monsters to soften western publics to the measures being taken to silence and punish them for…being Russian or speaking Russian. They state on their website homepage:

“Every Russian occupier must be identified and punished according to the law. War crimes and and crimes against Humanity have no statute of limitations. That is why we set ourselves the goal of finding everyone and preventing them from escaping justice”

Who determines who should be put on the list? Who determines their fate? What justice? In a country like Ukraine seeped in corruption – where executions or the disappearance of dissidents and political or media opposition is a regular occurrence – who is to be made accountable for action taken against those listed on the ‘Orc hit list’? This is lawless justice that falls under the umbrella of US “rules based global governance” – comply or die and newly furnished legislation will make your death or state-sanctioned assassination a legal one.

The organisers of the round table were the National Security Service Academy, the US State Department/Department of Defence-funded Civilian Research and Development Fund (CRDF Global Urkaine), the International Academy of Information, the US state department-linked National Cyber Security Cluster.

The tentacles of US and UK dominated intelligence agencies are spreading further and deeper into society trying to strangle kick back against their respective regime oppressive domestic policies and foreign policy perpetual war objectives. We are all under attack, we are all facing the same fate as Julian Assange if we do not break the cycle and start to fight back.

If you oppose imperialist wars, racism, Nazism, terrorism, violent extremism, global health tyranny, technocratic supremacy, predator class elitism and pharmaceutical-controlled Eugenics- you are a ‘terrorist’. We are all ‘terrorists’.

Ukraine and the Politics of Permanent War

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Permanent war requires permanent censorship.

War Inc. – by Mr. Fish

By Chris Hedges

Source: The Chris Hedges Report

No one, including the most bullish supporters of Ukraine, expect the nation’s war with Russia to end soon. The fighting has been reduced to artillery duels across hundreds of miles of front lines and creeping advances and retreats. Ukraine, like Afghanistan, will bleed for a very long time. This is by design.

On August 24, the Biden administration announced yet another massive military aid package to Ukraine worth nearly $3 billion. It will take months, and in some cases years, for this military equipment to reach Ukraine. In another sign that Washington assumes the conflict will be a long war of attrition it will give a name to the U.S. military assistance mission in Ukraine and make it a separate command overseen by a two- or three-star general. Since August 2021, Biden has approved more than $8 billion in weapons transfers from existing stockpiles, known as drawdowns, to be shipped to Ukraine, which do not require Congressional approval.

Including humanitarian assistance, replenishing depleting U.S. weapons stocks and expanding U.S. troop presence in Europe, Congress has approved over $53.6 billion ($13.6 billion in March and a further $40.1 billion in May) since Russia’s February 24 invasion. War takes precedence over the most serious existential threats we face. The proposed budget for the Centers for Disease Control and Prevention (CDC) in fiscal year 2023 is $10.675 billion while the proposed budget for the Environmental Protection Agency (EPA) is $11.881 billion. Our approved assistance to Ukraine is more than twice these amounts. 

The militarists who have waged permanent war costing trillions of dollars over the past two decades have invested heavily in controlling the public narrative. The enemy, whether Saddam Hussein or Vladimir Putin, is always the epitome of evil, the new Hitler. Those we support are always heroic defenders of liberty and democracy. Anyone who questions the righteousness of the cause is accused of being an agent of a foreign power and a traitor.

The mass media cravenly disseminates these binary absurdities in 24-hour news cycles. Its news celebrities and experts, universally drawn from the intelligence community and military, rarely deviate from the approved script. Day and night, the drums of war never stop beating. Its goal: to keep billions of dollars flowing into the hands of the war industry and prevent the public from asking inconvenient questions. 

In the face of this barrage, no dissent is permitted. CBS News caved to pressure and retracted its documentary which charged that only 30 percent of arms shipped to Ukraine were making it to the front lines, with the rest siphoned off to the black market, a finding that was separately reported upon by U.S. journalist Lindsey Snell. CNN has acknowledged there is no oversight of weapons once they arrive in Ukraine, long considered the most corrupt country in Europe. According to a poll of executives responsible for tackling fraud, completed by Ernst & Young in 2018, Ukraine was ranked the ninth-most corrupt nation from 53 surveyed. 

There is little ostensible reason for censoring critics of the war in Ukraine. The U.S. is not at war with Russia. No U.S. troops are fighting in Ukraine. Criticism of the war in Ukraine does not jeopardize our national security. There are no long-standing cultural and historical ties to Ukraine, as there are to Great Britain. But if permanent war, with potentially tenuous public support, is the primary objective, censorship makes sense.

War is the primary business of the U.S. empire and the bedrock of the U.S. economy. The two ruling political parties slavishly perpetuate permanent war, as they do austerity programs, trade deals, the virtual tax boycott for corporations and the rich, wholesale government surveillance, the militarization of the police and the maintenance of the largest prison system in the world. They bow before the dictates of the militarists, who have created a state within a state. This militarism, as Seymour Melman writes in The Permanent War Economy: American Capitalism in Decline, “is fundamentally contradictory to the formation of a new political economy based upon democracy, instead of hierarchy, in the workplace and the rest of society.” 

“The idea that war economy brings prosperity has become more than an American illusion,” Melman writes. “When converted, as it has been, into ideology that justifies the militarization of society and moral debasement, as in Vietnam, then critical reassessment of that illusion is a matter of urgency. It is a primary responsibility of thoughtful people who are committed to humane values to confront and respond to the prospect that deterioration of American economy and society, owing to the ravages of war economy, can become irreversible.”

If permanent war is to be halted, as Melman writes, the ideological control of the war industry must be shattered. The war industry’s funding of  politicians, research centers and think tanks, as well as its domination of the media monopolies, must end. The public must be made aware, Melman writes, of how the federal government “sustains itself as the directorate of the largest industrial corporate empire in the world; how the war economy is organized and operated in parallel with centralized political power — often contradicting the laws of Congress and the Constitution itself; how the directorate of the war economy converts pro-peace sentiment in the population into pro-militarist majorities in the  Congress; how ideology and fears of job losses are manipulated to marshal support in Congress and the general public for war economy; how the directorate of the war economy uses its power to prevent planning for orderly conversion to an economy of peace.”

Rampant, unchecked militarism, as historian Arnold Toynbee notes, “has been by far the commonest cause of the breakdown of civilizations.” 

This breakdown is accelerated by the rigid standardization and uniformity of public discourse. The manipulation of public opinion, what Walter Lippman calls “the manufacture of consent,” is imperative as the militarists gut social programs; let the nation’s crumbling infrastructure decay; refuse to raise the minimum wage; sustain an inept, mercenary for-profit health care system that resulted in 25 percent of global Covid deaths — although we are less than 5 percent of the world’s population — to gouge the public; carries out deindustrialization; do nothing to curb the predatory behavior of banks and corporations or invest in substantial programs to combat the climate crisis. 

Critics, already shut out from the corporate media, are relentlessly attacked, discredited and silenced for speaking a truth that threatens the public’s quiescence while the U.S. Treasury is pillaged by the war industry and the nation disemboweled. 

You can watch my discussion with Matt Taibbi about the rot that infects journalism here and here.

The war industry, deified by the mass media, including the entertainment industry, is never held accountable for the military fiascos, cost overruns, dud weapons systems and profligate waste. No matter how many disasters — from Vietnam to Afghanistan — it orchestrates, it is showered with larger and larger amounts of federal funds, nearly half of all the government’s discretionary spending. The monopolization of capital by the military has driven the U.S. debt to over $30 trillion, $6 trillion more than the U.S. GDP of $24 trillion. Servicing this debt costs $300 billion a year. We spend more on the military, $813 billion for fiscal year 2023, than the next nine countries, including China and Russia, combined.

An organization like NewsGuard, which has been rating what it says are trustworthy and untrustworthy sites based on their reporting on Ukraine, is one of the many indoctrination tools of the war industry. Sites that raise what are deemed “false” assertions about Ukraine, including that there was a U.S.-backed coup in 2014 and neo-Nazi forces are part of Ukraine’s military and power structure, are tagged as unreliable. Consortium News, Daily Kos, Mint Press and Grayzone have been given a red warning label. Sites that do not raise these issues, such as CNN, receive the “green” rating” for truth and credibility.  (NewsGuard, after being heavily criticized for giving Fox News a green rating of approval in July revised its rating for Fox News and MSNBC, giving them red labels.) 

The ratings are arbitrary. The Daily Caller, which published fake naked pictures of Alexandria Ocasio-Cortez, was given a green rating, along with a media outlet owned and operated by The Heritage Foundation. NewsGuard gives WikiLeaks a red label for “failing” to publish retractions despite admitting that all of the information WikiLeaks has published thus far is accurate. What WikiLeaks was supposed to retract remains a mystery. The New York Times and The Washington Post, which shared a Pulitzer in 2018 for reporting that Donald Trump colluded with Vladimir Putin to help sway the 2016 election, a conspiracy theory the Mueller investigation imploded, are awarded perfect scores. These ratings are not about vetting journalism. They are about enforcing conformity.

NewsGuard, established in 2018, “partners” with the State Department and the Pentagon, as well as corporations such as Microsoft. Its advisory board includes the former Director of the CIA and NSA, Gen. Michael Hayden; the first U.S. Homeland Security director Tom Ridge and Anders Fogh Rasmussen, a former secretary general of NATO.

Readers who regularly go to targeted sites could probably care less if they are tagged with a red label. But that is not the point. The point is to rate these sites so that anyone who has a NewsGuard extension installed on their devices will be warned away from visiting them. NewsGuard is being installed in libraries and schools and on the computers of active-duty troops. A warning pops up on targeted sites that reads: “Proceed with caution: This website generally fails to maintain basic standards of accuracy and accountability.”

Negative ratings will drive away advertisers, which is the intent. It is also a very short step from blacklisting these sites to censoring them, as happened when YouTube erased six years of my show On Contact that was broadcast on RT America and RT International. Not one show was about Russia. And not one violated the guidelines for content imposed by YouTube. But many did examine the evils of U.S. militarism.

In an exhaustive rebuttal to NewsGuard, which is worth reading, Joe Lauria, the editor-in-chief of Consortium News, ends with this observation:

NewsGuard’s accusations against Consortium News that could potentially limit its readership and financial support must be seen in the context of the West’s war mania over Ukraine, about which dissenting voices are being suppressed. Three CN writers have  been kicked off Twitter. 

PayPal’s cancellation of Consortium News’ account is an evident attempt to defund it for what is almost certainly the company’s view that CN violated its restrictions on “providing false or misleading information.” It cannot be known with 100 percent certainty because PayPal is hiding behind its reasons, but CN trades in information and nothing else.  

CN supports no side in the Ukraine war but seeks to examine the causes of the conflict within its recent historical context, all of which are being whitewashed from mainstream Western media.

Those causes are: NATO’s expansion eastward despite its promise not to do so; the coup and eight-year war on Donbass against coup resisters; the lack of implementation of the Minsk Accords to end that conflict; and the outright rejection of treaty proposals by Moscow to create a new security architecture in Europe taking Russia’s security concerns into account.  

Historians who point out the onerous Versailles conditions imposed on Germany after World War I as a cause of Nazism and World War II are neither excusing Nazi Germany nor are they smeared as its defenders.

The frantic effort to corral viewers and readers into the embrace of the establishment media — only 16 percent of Americans have a great deal/quite a lot of confidence in newspapers and only 11 percent have some degree of confidence in television news — is a sign of desperation. 

As the persecution of Julian Assange illustrates, the throttling of press freedom is bipartisan. This assault on truth leaves a population unmoored. It feeds wild conspiracy theories. It shreds the credibility of the ruling class. It empowers demagogues. It creates an information desert, one where truth and lies are indistinguishable. It frog-marches us towards tyranny. This censorship only serves the interests of the militarists who, as Karl Liebknecht reminded his fellow Germans in World War I, are the enemy within.

Joe Rogan shows us the real purpose of cancel culture

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By Kit Knightly

Source: Off-Guardian

Joe Rogan has just been cancelled. Again. It’s not about covid “misinformation” this time.

No, now he’s a racist.

Some enterprising young mind combed through 13 years and hundreds of episodes of The Joe Rogan Experience, and cut together around twenty instances of Rogan using “the n-word”.

This video was shared by award-winning musician India Arie, and used to explain her pulling her music from Spotify’s platform in protest of Rogan’s continued presence there.

Rogan claims that these clips are all taken out of context in his recent apology video, and none were ever intended to be racist. This may well be true…we can’t check for ourselves, because Spotify removed all the episodes.

These important bits of context were, naturally, removed from the viral video. Besides, it has since been said that context doesn’t even matter.

And you know what, they’re right. The context doesn’t matter, perhaps the intention doesn’t even matter, what matters is “Why now?”

Some of these clips are over twelve years old, and yet there have never been any calls to boycott Spotify or cancel his show until just the last couple of days.

Were they not racist before? Or was everyone just OK with the racism? Could there be something else behind this?

…but why bother pausing the hate-fest to ask questions, right?

The only message that matters is – Joe Rogan is a racist now, and streaming giant Spotify have pulled over seventy episodes of his show from their platform as a result.

Of course the cyber-torches and internet-pitchforks coming for Joe Rogan is nothing new. Having preached the tenets of a healthy lifestyle, promoted alternate Covid treatments, and invited dissenting experts onto his show, Rogan has obviously been on the establishment’s hit list for a while.

This reached a peak in January when ageing rock royalty Neil Young gave Spotify an ultimatum: Remove Joe Rogan’s “misinformation”, or take my music down.

Despite adding a weasely disclaimer to the beginning of the podcast’s episodes, Spotify essentially sided with Rogan, probably because they couldn’t be seen to bow to that kind of pressure, and because they figured most people had forgotten Neil Young was still alive.

In short, and despite other musicians like Joni Mitchell adding their voices to Young’s, the gambit failed and Rogan remained on the air.

Then, just last week, White House Press Secretary Jen Psaki added fuel to the fire by announcing the President would like to see “more done” by tech companies to “limit the amount of misinformation” on their platforms.

Within days of that press conference, the viral video compilation of racial slurs had appeared, and Rogan is now a racist as well as an “anti-vax covidiot” or whatever they are calling us these days.

He’s also an object lesson in the entire purpose of cancel culture, and extreme identity politics in general.

I don’t know how many of our readers are gamers, or remember Half Life 2, but go with me here…

Around two-thirds of the way through the game you encounter giant insect-like aliens called Ant Lions, and soon afterwards get a special attack: The ability to “paint” enemies with pheromones which cause an unending swarm of Ant Lions to attack them.

Of course, the giant insects don’t know WHY they are attacking your enemies, they don’t sympathise with your aims and are not capable of understanding your plans, all they know is the chemical signals driving them to fits of rage.

You probably don’t need me to explain the metaphor.

This is the purpose of rampant, hysterical identity politics. You can paint your enemies as a target and watch the mindless swarm do its work.

As much as “cancel culture” is portrayed as a totally organic process, without any top-down control, this is simply not the case.

It is almost NEVER organic, and seemingly ALWAYS contrived.

If you need to be persuaded of that, simply look at who is immune to it.

Both Joe Biden and Justin Trudeau have got enough racist (or at least racist-seeming) scandals to get them cancelled if the process really was anything but a covert tool of maintaining the status quo. And yet still they stand.

To show how selective it is, we have examples of the same exact behaviour eliciting complete opposite responses depending on the person involved.

When Gina Carano compared the hatred of the unmasked and unvaccinated to the way Jews were treated in Nazi Germany, she lost her job and her agent.

When Margaret Hodge made similar comments about Corbyn’s Labour party, there was no rebuke at all.

It seems only people outside the establishment, or promoting the ‘wrong’ opinions, are ever in real danger of falling victim to ‘organic’ cancellation.

Indeed, one can be a totally white-bread member of the entertainment industry for years and be safe in the knowledge your racism/homophobia/misogyny etc will never really come to light, but step out of line on the wrong subject at the wrong time, and you will suddenly find yourself facing a tidal wave of past “sins” about to wash over you.

Look at Donald Trump, an insider to the bone when he was just a billionaire reality TV host, but then he ran against Hillary and became “literally Hitler” overnight.

Rogan is a perfect examplar of this phenomenon. Spend ten years going on about legalising weed, taking DMT and talking about martial arts and you can say “the n-word” as much as you want and nobody notices or cares. But the minute you even mildly interrogate an important media narrative, then the mob ‘organically’ remembers you were a racist the whole time.

The evidence of contrivance is obvious. Simply ask yourself: where did this video compilation of racial slurs actually come from? Who made it?

Rogan’s uses of “the n-word” are not new. They are all several years old and from 23 separate episodes, all multiple hours long. And there are almost 1800 episodes of the show to plough through if you decide to go searching. So making this video is at least two days’ work of simply watching the episodes – and that’s assuming you know where to start looking.

And that’s before editing or trying to make it “go viral”.

Was all this done on a whim by some bored pro-vaxxer?

Does that sound likely?

Far more likely is that it was created and deployed to discredit Rogan’s COVID-questioning without having to engage with the Covid sceptic evidence or arguments.

It’s even possible the video may even have already existed before the current controversy. After all, why create this climate of stifling sensitivity if you don’t have the tools to use it?

Perhaps most authors, actors, comedians etc. have a “tape” in the vault somewhere. A database of racism, homophobia or transphobia just waiting to be released when needed. A collection of neo-kompromat that works best as a deterrent, but is always ready to be loosed if needed.

Those people who do step too far out of their box are taken down, and act as an example to others. Ensuring everyone on the public stage is singing from the same hymn sheet.

Because that, it seems, is what cancel culture is for.

Professor Michel Chossudovsky: Truthteller Extraordinaire

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By Edward Curtin

Source: Behind the Curtain

History teaches us that eventually the fog of propaganda, no matter how thick and unrelenting, is dissipated by the sun of truth.

Not really: By truthtellers such as Michel Chossudovsky.

It often takes decades or much longer for that to happen and even then it takes openness of mind and spirit to accept it in all its disturbing reality, for propaganda often enters into the deepest recesses of the mind and soul and many find they must forever defend it even when it is patently exposed.  Even if the truth is finally accepted, however, the damage has been done.

Presently, we are far along the path to worldwide totalitarianism as a result of the corona crisis, what is euphemistically called the “New Normal.”  As C. J. Hopkins, a wise analyzer of this pathological development, has said:

We have watched as the New Normal transformed our societies into paranoid, pathologized, authoritarian dystopias where people now have to show their “papers” to see a movie or get a cup of coffee and publicly   display their ideological conformity to enter a supermarket and buy their groceries.

This crackdown on freedom and the growth of elite control has dramatically accelerated in recent days and only those blind to history refuse to see it.  It’s an old story with a new twist; create enough fear – this time with a virus – and many people will bow to the authorities. Censor dissenting voices and many will make believe it isn’t happening and that their freedoms are not at risk.  The great psychoanalyst and sociologist Erich Fromm called this refusal the “escape from freedom.”  This perennial human tendency to submit to authority whose lust for power is equally never-ending is only thwarted by the unquenchable thirst for freedom exhibited by courageous freedom fighters.

Michel Chossudovsky is a freedom fighter.

In the case of the corona crisis propaganda campaign, the truth has been available nearly from the start, and Chossudovsky, with his website Global Research, has been one of the most unrelenting voices of sanity and freedom.

Global Research has for decades been on top of the most important issues of our times, from the events of September 11, 2001 through the Iraq War, the endless so-called war on terror, the U.S. wars on Afghanistan, Libya, Syria, Yemen, Serbia, Palestine, Cuba, Chile, Nicaragua, etc., the multiple financial crises, CIA coups and assassinations of domestic and foreign leaders, the new Cold wars against Russia and China, right up to today’s world-wide covid propaganda war.

Started by Michel Chossudovsky on September 9, 2001, the website is part of The Centre for Research on Globalization (CRG), which is an independent research and media organization based in Montreal, Canada.

Global Research has been a beacon of light for twenty dark years.  It has ignored no topic, no matter how controversial.  It has published an enormous amount of writing and research by many writers, exploring matters from multiple viewpoints, including conflicting ones.  Like any website that posts an enormous amount to engender debate, the quality of the articles varies, but on average it is very high.  Chossudovsky’s own writing has been outstanding and comprehensive.

Starting in January 2020, at the start of the corona crisis, he has been assiduously tracking its development in article after article. (Other contributors, such as Peter Koenig, et al., have also published very important work on the crisis at GR.)  Michel’s work (he is my friend and colleague and I am a long-time contributor) on this is similar to what he has done for twenty years since the murderous events of September 11, 2001 and the official propaganda about them. Global Research is a deep repository of research and writing exposing the official lies about those attacks.

In December 2020, he released a free E-Book of his corona crisis writings and has continually updated it, the last being on July 27, 2021.  In addition, he continues to write regular powerful articles on the corona propaganda and other matters.

What follows is a short quasi-review of Chossudovsky’s extraordinary contribution to exposing the vast official lies surrounding COVID-19. I say quasi because it will serve no purpose to repeat much of what he writes. Like all true gifts, his E-Book is given freely, but in the spirit of genuine gift exchange, readers of it should pass it on to others, for we are at a world-wide turning-point that has few if any precedents.  If you doubt that, a reading of his work will disabuse you of your reticence in recognizing its reality.  He introduces the book with these words:

We are at the crossroads of one of the most serious crises in World history. We are living history, yet our understanding of the sequence of events since January 2020 has been blurred.  Worldwide, people have been misled both by their governments and the media as to the causes and devastating consequences of the Covid-19 “pandemic”. The unspoken truth is that the novel coronavirus provides a pretext and a justification to powerful financial interests and corrupt politicians to precipitate the entire World into a spiral of mass unemployment, bankruptcy, extreme poverty and despair. More than 7 billion people Worldwide are directly or indirectly affected by the corona crisis.

It’s the powerful financiers and billionaires who are behind this project which has contributed to the destabilization (Worldwide) of the real economy. And there is ample evidence that the decision to close down a national economy (resulting in poverty and unemployment) will inevitably have an impact on patterns of morbidity and mortality. 

Since early February 2020, the Super Rich have cashed in on billions of dollars.

Amply documented, it’s the largest redistribution of global wealth in World history, accompanied by a process of Worldwide impoverishment. 

Those are strong words, but they are accurate.  Perhaps even an understatement.  For we have now entered the phase of this crisis where the authorities have tripled their efforts at intimidation and fear-mongering to coerce those whom Anthony Fauci recently called “the recalcitrant ones” to submit to their control.

Obey or else is being shouted daily from the corporate media’s headlines, even as they report a mélange of facts that contradict their own claims in a stupefying display of intentionally created chaos.  Their method is to fragment and polarize populations while openly announcing their intentions to mock the public who can still think and choose to do their own research.  Those who fail to do so now and simply accept the authorities propaganda will bear a heavy burden of guilt in the years to come.

Chossudovsky’s E-Book will be an eye-opener for those who have not yet faced the facts.  He chronicles the historical evolution of the corona crisis from its start and provides a timeline; explains clearly what Covid-19 and SARS-CoV-2 are, how they are allegedly identified and estimated; lays out its devastating mental, economic and financial consequences; shows how its lockdowns have produced mass worldwide poverty and unemployment and enriched billionaires, etc.

All this based on fraudulent PCR tests, fake statistics of “cases” and deaths from Covid-19, and the promotion of experimental and unapproved so-called vaccines that are in reality very dangerous “messenger” mRNA shots that are being mandated across the board.

To what end?  A high-tech digital dystopia controlled by and for the interests of the world’s wealthiest ruling elites.  Regular people need to reject their seductive lies, for they will find that they themselves, if they have bought into the vaccine propaganda, have already seen their numbers reduced by a demonic plan created by evil nihilists.

A reading of – and a watching of the videos included – in this E-Book provides a comprehensive lesson in how there is a global coup d’état under way called “The Great Reset” that if not resisted and defeated by freedom loving people everywhere will result in a dystopian future not yet imagined.

Pass on this free gift from Professor Chossudovsky before it’s too late.  You will not find so much valuable information and analysis in one place.  And if you find what I say here to be true, support Global Research in its twentieth anniversary year. It was right about 9/11, Iraq, the war on terror, etc., and is right again about the Corona Crisis.

That is quite a legacy in twenty young years.

Social media fact-checking, brought to you by the Deep State

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By Daniel Espinoza

Source: Off-Guardian

Almost four years of mainstream media hype about “fake news” and “Russian meddling” propaganda has brought to the world exactly what they were intended to bring: an effective mechanism for internet and social media censorship.

In the center of this move toward global discourse control is an organization called the Poynter Institute, home to the International Fact-Checking Network (IFCN), a body created to coordinate, promote and train dozens of fact-checkers from around the world.

The IFCN and many non-profits working in the same field are funded by the big capitalist “philanthropists” of our era, like George Soros, Pierre Omidyar, Bill Gates, and even the Koch brothers…but also by the US Department of State and a shady “aid” – in reality, political meddling – organization, the National Endowment for Democracy (NED), historically linked to the CIA and regime change operations.

Google and Facebook – itself tied to the warmongering Atlantic Council and its “Digital Forensic Research Lab” – are also associated with Poynter, by funding and partnerships to fight “fake news” (including the development of an “automated” fact-checking program for the upcoming 2020).

The marriage between Poynter’s IFCN, politically inclined billionaires, the State Department – and the whitewashed public face of the Deep State – suggest that the institute is probably working in what Nelson Poynter, its founder, worked on for a key part of his life: propaganda and censorship for the US government.

Although this information is not available in Nelson Poynter’s Wikipedia profile or in poynter.org’s history page, his work for a government propaganda agency is not exactly a secret. A resemblance of his wife, Henrietta, also at the institute’s website, quickly passes over the fact that Poynter did work for the Office of War Information (OWI) during WWII, but his specific role as a government censor and propagandist is never mentioned.

Nevertheless, Hollywood Goes to War, a book written in 1987 by Clayton R. Koppes and Gregory D. Black, is one of the many historical sources that tell the details of Poynter’s job.

FILM CENSORSHIP AND THE BIRTH OF THE VOICE OF AMERICA

Nelson Poynter was recruited by the OWI with his wife Henrietta, who worked as assistant program chief under Elmer Davis, head of the agency. She came up with the name for the “Voice of America”, the famous psychological war operation of the US government.

The radio project was established in February 1942 and soon grew to be the most important US overt propaganda arm of the Cold War.

Unlike his wife’s job, Poynter’s regarded not radio – or his previous line of work, journalism – but movies. In 1942, the OWI’s Bureau of Motion Pictures (BMP) set up office in Hollywood, naming Poynter as its head. His mission was to act as liaison between the agency and the owners of Warner Brothers, Twentieth Century Fox, MGM and the other big studio names.

Elmer Davis, head of the OWI, regarded films as:

The easiest way to inject a propaganda idea into most people’s minds”, in part, because they “do not realize that they are being propagandized”.

Davis was a career journalist who worked for ten years for the New York Times before being recruited by the government. Franklin D. Roosevelt’s White House needed the film industry to incorporate specific themes in their movies, ideas that promoted the notion of WWII as being a “popular” war, fought to defend his Four Freedoms.

But at first, Poynter’s office in Hollywood had little veto power over what the industry could produce – for the entire Western world – limiting itself to suggest cosmetic changes here and there, or the toning down of reactionary and racist imagery and language, an inherent feature in the Hollywood of that era.

The heads of the studios were in fairly good terms with the US Army, historically close to the industry. Its owners were happy to portrait US wars abroad as heroic, in exchange for the lending of military equipment, installations and expert advice.

But in most cases, a disappointed Poynter complained, war ended up only as “a backdrop” for shallow romance, cheap comedies and other proven formulas. Poynter and his boss at the BMP, Lowell Mellett, also hired a former assistant of Harold Lasswell, a famous social researcher who said – back in the 30s – that democracy needed propaganda because people were not the best judges of their own interest.

Eventually, the team devised a way to exert more power over the unruly, reactionary and overly commercial Hollywood studios. They decided to ask the US Office of Censorship to weight in and threat them with banning “offending” films from export, seriously reducing their potential earnings.

According to Koppes and Black’s Hollywood Goes to War, it was a success, prompting MGM, Warner and the other big names to start turning their scripts for review to the Poynter. The BMP knew it was important to intervene right at that stage, before big amounts of money were spent in production.

Poynter was a diligent censor and propagandist, going as far as to suggest dialogues for the movie scripts he was reviewing, breaching “one of the industries taboos” and provoking the powerful tycoons, according to the authors mentioned above.

When the war ended, Poynter went back to journalism. He eventually took over the St. Petersburg Times (renamed Tampa Bay Times in 2012), owned by his father. He also founded the Congressional Quarterly with his wife Henrietta, who died in 1968. As we can read in the Poynter institute’s website:

When Henrietta died suddenly at the age of 66, Nelson mourned deeply. ‘Her passing marked the end of an era for Mr. Poynter,’ said David Shedden, former research librarian at The Poynter Institute. ‘He started looking to the future and thinking about his legacy. He focused on creating a school for journalists, which of course became the Modern Media Institute, and then the Poynter Institute’.”

Nevertheless, historian W.C. Bourne explains that many of the OWI’s top brass – as Elmer Davis and Nelson Poynter, former journalists – returned to the corporate media after the war, but “retained an abiding belief in the things for which OWI stood and the possibilities of accomplishment in the international information picture”.

Many of them also retained the Deep State contacts and a nationalistic “spirit of collaboration”.

A LEGACY OF CENSORSHIP

Nelson Poynter’s work for the government ended many decades ago, and it would be reasonable to suggest that his ties to the US government and its propaganda apparatus probably never involved the journalism institution he founded years after leaving the OWI.

But we have evidence pointing precisely in the opposite direction.

Firstly, the obvious – and open – ties between the institute and today’s version of the foreign meddling machine installed by the US during the Cold War (i.e. the NED). As informed on many occasions by independent journalists, one of the founders of the National Endowment for Democracy once admitted that:

A lot of what we do today was done covertly twenty-five years ago by the CIA.”

Secondly, the intimate ties between the Poynter Institute and the US State Department, which selected it to conduct the “Edward Murrow Program for Journalists”. It brings together “more than 100 emerging international journalists from around the world to examine journalistic practices in the United States”.

In other words, to be indoctrinated in Western corporate journalism and culture and start a relationship with a potential foreign opinion leader.

The State Department’s Murrow program is part of Bureau of Educational and Cultural Affairs (ECA), an agency dedicated to “cultural diplomacy”, intimately tied to intelligence and foreign policy since way before the Cold War. The participants to be trained by Poynter are chosen by US embassies abroad.

A 2017 report of the historical success of the educational exchange agency stated that:

…565 alumni of the ECA programs are current heads or former heads of state and government, and 31 alumni are heads of international organizations.”

Thirdly, the Poynter Institute, too, redacted an infamous blacklist of “fake news” sites, with the intention of marginalize and, in this case, deny many of them of any kind of advertisement money.

A BLACKLIST TO DEFUND THEM ALL

For this operation, launched on April 30, 2019, Poynter ganged-up with the rest of the fact-checking “cartel”, so to speak.

The institute gathered the blacklists and analysis done in recent years by Snopes, Fact-check.org, Politifact (owned by the Tampa Bay Times and Poynter), OpenSources and the Fake News Codex, and used them to create the mother of all blacklists, naming 515 “unreliable” news websites.

It was retracted shortly after its publication, on May 2, after coming under criticism for “unreliability and poor methodology”. The irony! And this should be understood as an indictment on the whole bunch. As one critic from the George Washington University noted:

Beneath the veneer of its precision, the fact-checking enterprise relies heavily on opinion and interpretation…If a list summarizing fact-checking results and verified by fact checkers is ultimately retracted by those same fact checkers for not being rigorous, it underscores the question of why we should trust anything from the fact-checking community.”

To add insult to injury, Poynter’s dubious list of “unreliable websites” was intended to cause financial harm to those named in it, by guiding advertisers and ad-technology applications to deny them of ads.

After the retraction, Stephen Gutowski, a writer from one of the affected websites, Free Beacon, wrote:

What a disgusting exercise in bad faith from an organization that’s supposed to be about improving and promoting journalism. Instead, they’re creating tabloid-level listicles to smear reporters without offering even a single piece of evidence. Shame on you, @Poynter.”

Philip Klein, from The Washington Examiner – also listed – thought it was:

…worrisome to call for advertisers blacklisting news organizations, especially given the opacity of the process and arbitrariness of many of the judgements [sic].”

THE “CARTEL”

Most of the non-profits behind Poynter’s blacklist share patrons, except for the controversial Snopes, that runs on less grant money than advertisement revenues.

The International Fact-checking Network and its more than a hundred “associated” – subordinated – smaller fact checkers around the globe, are also funded by the same “philanthropists”, like Bill Gates, whose foundation already finances tens of mainstream corporate news outlets with tens of millions of dollars, just like the Columbia Journalism Review recently uncovered.

Regarding Poynter and Gates, specifically:

…Poynter senior vice president Kelly McBride said Gates’s money was passed on to media fact-checking sites, including Africa Check, and noted that she is “absolutely confident” that no bias or blind spots emerged from the work, though she acknowledged that she has not reviewed it herself.”

In a blatant conflict of interests, those same fact-checkers often (try to) debunk information related to the Gates Foundation, just like a private PR agency.

Many lesser players in the global constellation of fact checkers are also funded directly by George Soros and his Open Society Foundation, the Ford Foundation, the US embassy and/or the NED.

When “fact-checking”, the members of this private-public consortium often limit themselves to copy/paste from their “parent” sources, like Poynter’s Politifact and Snopes.

As Emil Marmol and Lee Mager recently wrote for Project Censored, the “fake news” psychological operation was little more than a “Trojan horse for silencing alternative news and reestablishing corporate news dominance”:

The fake news hysteria created by those in government and echoed by the corporate news media is being harnessed and used as a pretext for the suppression of dissent and counterhegemonic viewpoints while re-establishing the corporate press’s preeminence as the sole purveyor and manufacturer of public opinion”.

The Covid-19 pandemic has accelerated the degenerative process under the guise of “protecting us”, prompting democratic governments to take dangerous paths, like arresting citizens for promoting street marches on Facebook.

The internet opened up a world of information to the regular citizen, we must keep it open so more of us can take a look.

 

Daniel Espinosa lives in Arequipa, second largest city of Peru. He graduated in Communication Sciences in Lima and started researching propaganda and mainstream media. He writes for a Peruvian in-print weekly, Hildebrandt en sus trece, since 2018, and collaborates with many online media. His writings are a critique of the role of mass media in society. You can read his previous work through his MuckRack profile.

Elite television news rescued by COVID

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By Jon Rappoport

Source: NoMoreFakeNews.com

Yet another consequence of the fake pandemic is the propping up of that doddering old fool, elite television news.

The COVID story doesn’t need Walter Cronkite. It only needs wall to wall. From 5AM to midnight, pandemic updates (mixed now with riot coverage), and the network ratings get well. The ratings jump out of the dumpster and rumble on the studio set and do cartwheels.

I’ve written a number of articles about network television news. Here are excerpts—

NEWS ABOUT THE NEWS.

The elite anchor is not a person filled with passion or curiosity. Therefore, the audience doesn’t have to be passionate or filled with curiosity, either.

The anchor is not a demanding voice on the air; therefore, the audience doesn’t have to be demanding.

The anchor isn’t hell-bent on uncovering the truth. For this he substitutes a false dignity. Therefore, the audience can surrender its need to wrestle with the truth and replace that with a false dignity of its own.

The anchor takes propriety to an extreme: it’s unmannerly to look below the surface of things. Therefore, the audience adopts those manners.

On air, the anchor is neutral, a castratus, a eunuch.

This is a time-honored ancient tradition. The eunuch, by his diminished condition, has the trust of the ruler. He guards the emperor’s inner sanctum. He acts as a buffer between his master and the people. He applies the royal seal to official documents.

Essentially, the television anchor is saying, “See, I’m ascetic in the service of truth. Why would I hamstring myself this way unless my mission is sincere objectivity?”

All expressed shades of emotion occur and are managed within that persona of the dependable court eunuch. The anchor who can move the closest to the line of being human without actually arriving there is the champion. In recent times, it was Brian Williams—until his “conflations” and “misremembrances” surfaced, and he was exiled to the wasteland of MSNBC.

The vibrating string between eunuch and human is the frequency that makes an anchor “great.” Think Cronkite, Chet Huntley, Edward R Murrow. Huntley was just a touch too masculine, so they teamed him up with David Brinkley, a medium-boiled egg. Brinkley supplied twinkles of comic relief.

The cable news networks don’t have anyone who qualifies as an elite anchor. Wolf Blitzer of CNN made his bones during the first Iraq war only because his name fit the bombing action so well. Brit Hume of FOX has more anchor authority than anyone now working in network television, but he’s semi-retired, content to play the role of contributor, because he knows the news is a scam on wheels.

There are other reasons for “voice-neutrality” of the anchor. Neutrality conveys a sense of science. “We did the experiment in the lab and this is how it turned out.”

Neutrality implies: we, the news division, don’t have to make money (a lie); we’re not like the cop shows; we’re on a higher plane; we’re performing a public service; we’re a responsible charity.

From the early days of television, there has been a parade of anchors/actors with know-how—intonation, edge of authority, parental feel, the ability to execute seamless blends from one piece of deception to the next:

John Daly, Douglas Edwards, Ed Murrow, Chet Huntley, David Brinkley, Harry Reasoner, Walter Cronkite, Dan Rather, and more recently, second-stringers—Brian Williams, Diane Sawyer, Scott Pelley.

They’re all gone.

Now we have Lester Holt, David Muir, and the newly appointed Norah O’Donnell. They couldn’t sell water in the desert.

Lester Holt is a cadaverous presence on-air, whose major journalistic achievement thus far is interrupting Donald Trump 41 times during a presidential debate; David Muir has the gravitas of a Sears underwear model; Norah O’Donnell, long-term, will have the energy needed to illuminate a miniature Xmas-tree light bulb.

The networks have no authoritative anchor-fathers waiting in the wings. They don’t breed them and bring them up through the minor leagues anymore.

Instead, armies of little Globalists, and ideologues who don’t realize they’re working for Globalists, have been infiltrating the news business. At best, they’re incompetent.

Thus, news-production techniques that enable an ongoing illusion of oceanic authority collapse like magnetic fields that have been suddenly switched off.

The selective mood lighting, the restful blue colors on the set, the inter-cutting of graphics and B-roll footage, the flawless shifts to reporters in far-flung places…it’s as if all these supporting features have suddenly been overcome by actors in a stage play who are abruptly stepping out of character. The spell is broken.

Elite mainstream news, in a fatuous attempt to save itself, is trying a democratic approach. Anchors are sharing more on-air minutes with gaggles of other reporters. But this is counter-productive in the extreme. The News has always meant one face and one authority and one voice and one tying-together of all broadcast elements. It’s as if, in a hypnotherapist’s office, the therapist decides to bring in colleagues to help render the patient into an alpha-state.

If by some miracle, the news bosses could raise Walter Cronkite, “the father of our country,” from the dead and put him back in the chair… but too many years have gone by; years of unaccomplished anchors. The horse is out of the barn, the cat is out of the bag.

This is why major news outlets have been appealing to social media/big tech for help, AKA censorship of independent voices.

One veteran news director told me several years ago, “We don’t have the stars [elite anchors] anymore. The star system is dead. You could comb all the local news outlets in America, and you wouldn’t find one face and voice who could really carry the freight. They’ve vanished. The up and coming people are lame. We’ve made them that way. It’s some cockeyed standard of equality we’ve internalized. And now we’re paying the price.”

The news is all about manipulating the context of stories. The thinner the context, the thinner the mind must become to accept it.

Imagine a rectangular solid. The news covers the top surface. Therefore, the viewer’s mind is trained to work in only two dimensions. Then it can’t fathom depth, and it certainly can’t appreciate the fact that the whole rectangular solid moves through time, the fourth dimension.

First, we have the studio image itself, the colors in foreground and background, the blend of restful and charged hues. The anchor and his/her smooth style.

Then we have the shifting of venue from the studio to reporters in the field, demonstrating the reach of coverage: the planet. As if this equals authenticity.

Actually, those reporters in the field rarely dig up information on location. A correspondent standing on a rooftop in Cairo could just as easily be positioned in a bathroom in a Las Vegas McDonald’s. His report would be identical.

The managing editor, usually the elite news anchor, chooses the stories to cover and has the final word on their sequence.

The anchor goes on the air: “Our top story tonight, more signs of gridlock today on Capitol Hill, as legislators walked out of a session on federal budget negotiations…”

The viewer fills in the context for the story: “Oh yes, the government. Gridlock is bad. Just like traffic on the I-5. We want the government to get something done, but they won’t.”

The anchor: “The Chinese government reports the new flu epidemic has spread to three provinces. Forty-two people have already died, and nearly a hundred are hospitalized…”

The viewer again supplies context, such as: “Flu. Dangerous. Epidemic. Get my flu shot.”

The anchor: “A new university study states that gun owners often stock up on weapons and ammunition…”

The viewer: “People with guns. Why do they need a dozen weapons? I don’t need a gun. The police have guns. Could I kill somebody if he broke into the house?”

The anchor: “Doctors at Yale University have made a discovery that could lead to new treatments in the battle against autism…”

Viewer: “Good. More research. Laboratory. The brain.”

If, at the end of the newscast, the viewer bothered to review the stories and his own reactions to them, he would realize he’d learned nothing. But reflection is not the game.

In fact, the flow of the news stories has washed over him and created very little except a sense of (false) continuity.

Therefore, every story on the news broadcast achieves the goal of keeping the context thin—night after night, year after year. The overall effect of this staging is: small viewer’s mind, small viewer’s understanding.

Next we come to words and pictures. More and more, news broadcasts are using the rudimentary film technique of a voice narrating what the viewer is seeing on the screen.

People are shouting and running and falling in a street. The anchor or a field reporter says: “The country is in turmoil. Parliament has suspended sessions for the third day in a row, as the government decides what to do about uprisings aimed at forcing democratic elections…”

Well, the voice must be right, because we’re seeing the pictures. If the voice said the riots were due to garbage-pickup cancellations, the viewer would believe that, too.

We see Building #7 of the WTC collapse. Must have been the result of a fire. The anchor tells us so. Words give meaning to pictures.

Staged news.

Since the dawn of time, untold billions of people have been urging a “television anchor” to “explain the pictures.”

The news gives them that precise solution, every night.

“Well, Mr. Jones,” the doctor says, as he pins X-rays to a screen in his office. “See this? Right here? We’ll need to start chemo immediately, and then we may have to remove most of your brain, and as a follow-up, take out one eye.”

Sure, why not? The patient saw the pictures and the anchor explained them.

Eventually, people get the idea and do it for themselves. They see things, they invent one-liners to explain them.

They’re their own anchors. They short-cut and undermine their own experience with vapid summaries of what it all means.

For “intelligent” viewers, there is a sober mainstream choice in America, a safety valve: PBS. That newscast tends to show more pictures from foreign lands.

“Yes, I watch PBS because they understand the planet is interconnected. It isn’t just about America. That’s good.”

Sure it’s good, if you want the same thin-context or false-context reports on events in other countries. Instead of the two minutes NBC might give you about momentous happenings in Syria, PBS will give you four minutes.

PBS experts seem kinder and gentler. “They’re nice and they’re more relaxed. I like that.”

Yes, the PBS experts are taking Valium, and they’re not drinking as much coffee as the CBS experts.

When network television news was created in the late 1940s, no one in charge knew how to do it. It was a new creature.

Sponsors? Yes. A studio with a desk and an anchor? Yes. A list of top stories? Yes. Important information for the public? Yes.

Of course, “important information” could have several definitions—and the CIA already had a few claws into news, so there would be boundaries and fake stories within those boundaries.

The producers knew the anchor was the main event; his voice, his manner, his face. He was the actor in a one-man show. But what should he project to the audience at home?

The first few anchors were dry sandpaper. John Cameron Swayze at NBC, and Douglas Edwards at CBS. But Swayze, also a quiz show host, broke out of the mold and imparted a bit of “cheery” to his broadcasts. A no-no. So he was eventually dumped.

In came a duo. Chet Huntley and David Brinkley. NBC co-anchors from 1956 to 1970. Chet was the heavy, with a somber baritone, and David was “twinkly,” as he was called by network insiders. He lightened the mood with a touch of sarcasm and an occasional grin. It worked. Ratings climbed. Television news as show biz started to take off. At the end of every broadcast, there was: “Good night, Chet.” “Good night, David.” The audience ate it up. They loved that tag.

However, rival CBS wasn’t standing still. They offloaded their anchor, Douglas Edwards, a bland egg, and brought in Walter Cronkite, who would go on to do 19 years in the chair (1962-1981). Walter was Chet Huntley with a difference. As he grew older, he emerged as a father, a favorite uncle, with an authoritative hills-and-valleys baritone that created instant trust. Magic. A news god was born.

Despite many efforts at the three major networks, no anchor over the past 40 years has been able to pull off the full Cronkite effect.

The closest recent competitor—until he was fired for lying and exiled to the waste dump at MSNBC—was Brian Williams. Williams artfully executed a reversal of tradition. He portrayed the youthful prodigy, a gradually maturing version of a newsboy who once bicycled along country roads, threw folded up papers on front porches, and knew all his customers by name. A good boy. A local boy. Your neighbor under the maple trees of an idyllic town. Cue the memories.

By the time Williams took over the helm at NBC, television news was decidedly a team operation. There were reporters in the field. The technology enabled the anchor to go live to these bit players, who tried to exude the impression they were actually running down leads and interviewing key sources on the spot—when in fact they could just as easily be doing their stand-ups from a hot dog cart outside 30 Rockefeller Plaza, the home studio of the network—because most of their information was really coming from inside that studio.

Nevertheless, the team was everything. The anchor was a manager, and his job was to impart an authentic feel to every look-in, from the White House to Paris to Berlin to Jerusalem to Beijing to a polar bear on an iceberg.

And local television news was blowing up to gargantuan proportions. Every city and town and village and hamlet seemed to have its own gaggle of hearty faces delivering vital info of interest to the citizenry. Branding and shaping this local phenomenon evolved into: FAMILY. Yes, that was the ticket. These bubbly, blown-dry, enthused, manic news and weather and sports hawks were really “part of the community.” Local News was no longer shoveled high and deep with an air of objectivity. “Aloof” was out. Share and care was in. What that had to do with actual news was anyone’s guess, but there it was. “Hi, we’re your team at KX6, and we feel what you feel and we live here with you and we know when the roads are icy and the wrecks pile up on the I-15 and the cops arrest someone for cocaine possession and when the charity bake sale is coming up to pay for [toxic] meds for seniors and when your cousin Judy passes away we mourn as you do…”

News for and by a fictional collective.

Disney news.

A caricature of a simulacrum of an imitation.

The discovery was: the viewing audience wanted news as a cartoon.

The problem is: this model deteriorates. The descending IQ of the news producers and anchors and reporters undergoes a grotesque revolution. Year by year, broadcasts make less sense. Even on the national scene, NBC hands its prime anchor spot to Lester Holt, who plays the old Addams Family living corpse, Lurch.

ABC, always looking for a new face, goes all in with David Muir, a Sears underwear-model type.

CBS counters with a youngish cipher, Jeff Glor, after ridding itself of Scott Pelley, who, true to his on-camera persona, might show up on The Young and the Restless as a lunatic surgeon doing operations without anesthetic.

The networks are losing it.

It’s a sight to behold.

Cable news is even worse. The longest surviving anchor is Wolf Blitzer at CNN. Wolf’s energy level tops out as a man in a tattered bathrobe, in his kitchen, chatting with his cousin while they play checkers.

When professionals broadcast one absurdity after another, they begin to see the effects are actually strengthening their own position of authority.

It’s a revelation. It’s also a continuation of the tradition of the Trickster archetype. For example, with just a few minor adjustments, Brian Williams can be seen as the sly Reynard the Fox…

From the viewpoint of elite television news, controlling the minds of its audience depends on what’s politely called “cognitive dissonance”:

As the anchor recites a news story, the viewer sees an obvious hole through which he could drive a truck.

The story makes no sense, yet it’s being presented as bland fact. The trusted anchor clearly has no problem with it.

What’s the viewer to do? He experiences a contradiction, a “dissonance.”

For example, this year’s flu vaccine. The US government has admitted the vaccine is geared to a flu virus that isn’t circulating in the population. Therefore, even by conventional standards, the vaccine is useless. But the kicker is, the CDC says people should take the vaccine anyway.

The anchor relays all this information—and never seriously questions the situation, never torpedoes the government for recommending the vaccine.

The average viewer feels a tug, a pulse of discomfort, a push-pull. The vaccine story is idiocy (side one), but the trusted anchor accepts it (side two).

Dissonance.

The top chiefs of news—and top propaganda operatives—anticipate cognitive dissonance. In a real sense, they want it to happen. They make it happen. Over and over.

Why?

Because it throws the viewer into a tailspin. And in that mental state, in his effort to resolve the contradiction, he will normally choose to…give in. Surrender. Believe in the anchor. It’s the easier path.

The viewer will even doubt his own perception. “I see no good reason for Building 7 to collapse, but the news doesn’t bring that up, so…it must be me.”

This is the power of the news. It presents absurdities and then moves right along, as if nothing has happened.

The introduction of contradiction, dissonance, and absurdity parading as ordinary reality is an intentional feature of brainwashing.

On the nightly news, the anchor reports that US government debt has risen by another three trillion dollars. He then cuts to a statement from a Federal Reserve spokesman: the new debt level isn’t a problem; in fact, it’s sound monetary policy; it strengthens the economy.

The viewer, caught up in this absurdity, tries to make sense of it, then gives up and passively accepts it. Brainwashing.

Smoothly transitioning from this story, the anchor relays information from the CDC: vaccination rates must achieve 90% in the population, in order to protect people from dangerous viruses. The viewer thinks, “Well, my daughter is already vaccinated, so if she comes into contact with a child who isn’t vaccinated, why would there be a problem? Why does 90% of the population have to be vaccinated to keep her safe? She’s already vaccinated.”

The viewer wrestles with this craziness for a moment, then gives in and accepts what the CDC and the anchor are saying. More passivity. More brainwashing.

The anchor moves right along to the next story: “The US is experiencing one of the coldest winters in history, further evidence of the effects of global warming, according to scientists at the United Nations.”

The viewer shakes his head, tries to deal with this dissonance, surrenders, and accepts what he is hearing. Deeper passivity is the result. Deeper brainwashing.

On and on it goes, day after day, month after month, year after year, on the news.

Contradiction, absurdity, dissonance; acceptance, surrender, passivity.

The same general formula is used in interrogations and formal mind control. It adds up to disorientation of the target.

Most disoriented people opt for the lowest- common-denominator solution: give in; accept the power of the person of authority.

Among the many supporters of conventional news is the education system. Most teachers never learn logic, and they don’t teach it. The result? Their students never gain the ability or the courage to reject the news and its dissonances.

What little these students gain from 12 or 16 years of schooling they eventually sacrifice on the altar of consensus reality—as broadcast every night on the screen before them.

Salvador Dali, surrealist, was one of the most reviled painters of the 20th century.

He disturbed Conventional Folk who just wanted to see an apple in a bowl on a table.

Dali’s apples and bowls were executed with a technical skill few artists could match—except the apples were coming out of a woman’s nose while she was ironing the back of a giraffe, who was on fire.

“It doesn’t go together! It doesn’t make sense! He’s Satan!”

Yet, these same Folk sit in front of the television screen every night and watch the entirely surreal network news. Elite anchors seamlessly and quickly move from blood running in the streets of a distant land to a hairdryer product-recall to an unseasonal hail storm in Michigan to a debate about public policy on pedophiles to genetically engineered mosquitoes in Florida to a possible breakthrough in storing computer simulations of human brains for later recapture to squirrels gathering nuts in New Jersey.

Nothing surreal about this??

When the elite anchor goes on air and digs in, he’s paid to be seamless. He could be transitioning from mass killings in East Asia to sub-standard air conditioners, and he makes the audience track through the absurd curve in the road.

The elite anchor should have a voice that soothes just a bit but brooks no resistance. It’s authoritative but not demanding.

Scott Pelley (CBS) was careful to watch himself on this count, because his tendency was to shove the message down the viewer’s throat like a surgeon making an incision with an icepick. Pelley was a high-IQ android who was training himself to be human.

Diane Sawyer wandered into sloppiness, like a housewife who’s still wearing her bathrobe at 4 in the afternoon. She exuded sympathetic syrup, as if she’d had a few cocktails for lunch. And she affected a pose of “caring too much.”

Brian Williams was head and shoulders above his two competitors. You had to look and listen hard to spot a speck of confusion in his delivery. He knew how to believe his act was real. He could also flick a little aw-shucks apple-pie at the viewer. Country boy who moved to the big city.

Segues, blends are absolutely vital. These are the transitions between one story and another. “Earlier today, in Boston.” “Meanwhile, in New York, the police are reporting.” “But on the Hill, the news was somewhat disappointing for supporters of the president.”

Doing excellent blends can earn an anchor millions of dollars. The audience doesn’t wobble or falter or make distinctions between what went before and what’s coming now. It’s all one script. It’s one winding weirdness of story every night.

And NOW, we have COVID, and we have riots. The current stories— the lies are egregious and relentless, the editorializing is cheesy. The omissions are Grand Canyons.

Surreal, cognitively dissonant, smoothly blended, outrageous:

The News Business. As Usual.

But with the junior varsity anchors, and their lack of skill, the networks need overwhelming stories to sell their act. They need COVID and riots. They have to have government manufacturing chaos and destruction and tighter control, in order to keep viewers coming back night after night.

You’ve got elite Globalists and elite government on one edge, and elite news on the other edge. They feed into each other. They bolster each other.

So why must they spend so much time censoring dissent?

Because freedom exists.

Because, no matter what, it always will.

And underestimating its power, time and time again, has proven to be a colossal mistake.

The Incredible Belief That Corporate Ownership Does Not Influence Media Content

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By Alison Rose Levy

Source: FAIR.org

As Sen. Bernie Sanders (CJR, 8/26/19) has recently noted, corporate ownership of media interferes with the core societal function of the press: reporting and investigating key issues at the intersection of public need and governance. And nowhere is that more critical than when it comes to climate. Due to their corporate conflicts of interest, trusted news authorities have diverted us from our primary responsibility—assuring a viable habitat for our children and grandchildren.

As a journalist who has worked both inside and outside of establishment media, I see influence as embedded in a corporate media culture rather than in isolated cases of CEO dictates. It happens in little ways, such as how an interviewer frames a question, and in big ways, like the decision to exclude a topic, a person or a group of people from the airwaves.

Like most US companies, news organizations are hierarchies, which people who have worked in corporate offices can readily understand. Given that “90% of the United States’ media is controlled by five media conglomerates,” the top executive at many news outfits is likely the CEO of a multinational corporation. The word comes down from the business execs to the company’s division chiefs, as seen in countless movies (like the 1976 classic Network). This was how it was when I worked on primetime national news at CBS in the 1990s.

On the inside, it wasn’t easy to see organizational bias, when job security and team work required overlooking it. The response to the heavily promoted primetime news pairing of two well-known anchors exemplified how news personnel learn to toe the line. The two anchors had zero chemistry, but no one mentioned it, as if an unwritten code had been instantly internalized. This dragged on for two years, pulling down the network’s ratings.

Higher-ups would never offer editorial staff direct input on content. That’s what the executive and middle management were for. Would these managers confide to their staff that the big guns gave them a certain direction? No. Whatever it was, they would present it as their own, and it would be adopted.

Within this culture, controlling the content goes on in whispers, frowns, headshakes and decisions made behind closed doors. If anyone strays into a verboten zone, as I did when I proposed a feature about Native Americans, those in the know privately communicate the ethos that is expected and allowed. “We never put American Indians on air because they talk too slow,” a producer explained.

Despite such experiences, when I left CBS, I respected the many producers with whom I’d worked, many of whom are still employed at the various networks. That work experience honed editorial judgment in ways impossible to measure, for which I am infinitely grateful. It also showed me that organizational agendas and values can trump claims to objectivity.

Reporting from Independent Media

Yet over a decade later, working in progressive online media, I was still astonished that several major stories I covered, were anywhere from underplayed to entirely absent from establishment news.

When I began to cover fracking in New York state in 2009, at first both 60 Minutes (11/14/10) and the New York Times (11/27/09, 10/29/11) covered it as a Hatfield/McCoy feud between upstate rural neighbors, rather than as an invasive industrial activity with a host of health and environmental repercussions.

During the critical years of the major fracking buildout from 2005 to 2016, the  New York Times gave a prominent environmental platform to self-declared “climate champion” Andrew Revkin, whose reporting FAIR (Extra!, 2/10) called “a source of some comfort—and crowing—for the climate change denial crowd.” His pro-industry stance on fracking and naysaying on methane impacts condoned an industrial expansion that has produced far-reaching environmental damage.

The Times’ Ian Urbina (6/25/11)  did invaluable reporting on fracking’s faulty economic model. But in 2013, the paper of record closed its environmental desk, even as   Inside Climate News (1/11/13) was reporting that “worldwide coverage of climate change continued a three-year slide.”

MSNBC show hosts like Rachel Maddow and Chris Hayes rarely covered fracking, instead letting gas and oil industry ads reassert claims of safety. Nonprofit environmental groups, leading activists, along with a growing body of independent journalists filled the media void, including my own reporting at Huffington Post, AlterNet and EcoWatch.

The TTP

In 2014, I began to report on the Transpacific Partnership (TTP) and other concurrent global trade agreements, which are often characterized as core to President Barack Obama’s “legacy” (e.g., New York Times, 6/14/15; Washington Post, 6/24/15). The agreement’s full provisions were never revealed to the public prior to the June 2015 vote granting absolute trade authority to Obama—authority that would have passed to Trump if the agreement had been ratified in late 2016, as Obama hoped.

In conducting multiple interviews with trade analysts, as well as following the protests in Europe and the resulting leaks of the contents, I learned from  trade analyst William Waren (Connect the Dots,  1/28/15) that even prior to the TPP’s  passage and ratification, plans were underway for the buildout of  fracking, gas and oil, and coal trade and global export freed by its anticipated passage.

Nothing within the unenforceable Paris Agreement would have prevented it. In fact, the Paris Agreement provisions were nonbinding, while the trade agreements that were being secretly negotiated concurrently, including the Trade in Services Agreement(TiSA), were designed to be binding, to “effectively trump whatever commitment is made in Paris,” Waren revealed on Connect the Dots (12/9/15).

Further, the TPP’s planned instatement of an international corporate tribunal with international legal authority over all nations would have mortally injured global democracies. In 2016, Mark Ruffalo summed up what was at stake in the fight: Expanding the Investor-State Dispute Settlement (ISDS) provisions in NAFTA via TPP

would block worldwide environmental and social progress while empowering corporations to undermine existing climate and environmental policies.

As we witness the Trump administration’s deconstruction of US environmental regulatory infrastructure—appointment by appointment, policy by policy—let’s appreciate that in defeating TPP and associated trade deals (thanks to the work of grassroots organizers and independent media), Americans dodged a bullet.

If the US had passed the TPP as planned during the 2016 lame duck session of Congress, both the US and all co-signers (a total of 12 countries) would have been contractually bound to a wholesale takedown of environmental regulations and economic barriers to fossil fuel development—as well as the loss of any right to challenge corporate rule or prevent health and environmental impacts. The climate impacts of the intended gas and oil buildout would likely have been devastating and decisive.

Nevertheless, the forward drive to pass the TPP occurred in a near void of corporate coverage. What had been negotiated behind closed doors with multinational corporations remained their business secrets. Prior to its authorization in June 2015, no mainstream outlet thoroughly investigated and disclosed the TPP’s provisions. Obama’s most memorable pro-TPP television appearance was singing about it with Jimmy Fallon.  FAIR (6/11/16) called the enthused Vox coverage (6/10/16) of Obama’s performance

a borderline parody of everything wrong with corporate-owned “new media”: What we have here is a Comcast-funded website plugging a Comcast-owned TV show to promote a trade deal aggressively lobbied for by Comcast.

Both the New York Times and its liberal economist columnist, Paul Krugman, covered the TPP infrequently. Krugman (10/6/15) professed he was a “lukewarm opponent” of it, and minimized its importance. “We’re not talking about a world-shaking deal here,” he wrote (3/11/15) three months before the Senate granted Obama the authority to sign the final agreement without further consultation or deliberation.

Prior to the vote, a college friend of the MSNBC host Chris Hayes assured me that Hayes, a former environmental reporter for The Nation, would be deeply concerned about these trade deals. I was dubious, but she was insistent. With the contact she provided, I sent all of my TPP research and sources on to Hayes. I received no response.

Rather than cover the TPP, MSNBC went on to fire Ed Schultz, the sole show host who covered trade agreements. (Sadly, the 64-year-old Schultz died in 2018.) In surveying TPP coverage, Media Matters(2/4/15) found that Schultz was the exception in a near-total blackout by all three major networks. Week after week, Hayes and other MSNBC hosts devoted airtime to meticulously dissecting far more minor concerns.

As in any large organization, the firing and hiring of staff speaks volumes to surviving staff members about the owners’ priorities. The unseen casualties among reporters of integrity, and the disservice to journalism, cannot be overestimated. Those working in corporate media get the message without anyone having to tell them, and highly paid show hosts have the most to lose.

The press’ mission is to inform the citizenry and flag abuses to power, not promote special interests. When citizens blind themselves to a news organization’s corporate entanglements, and trust the outlet to be truthful anyway, it is, to put it mildly, extraordinarily naïve.

It’s not about whether or not the public has access to a private conversation or confidential memo sent to editorial with a corporate dictate. The evidence is what’s given airtime and what isn’t over many years.

Was it just happenstance that MSNBC, for example, failed to cover the TPP after firing Ed Schultz? Comcast, the owner of MSNBC, sat at the table behind closed doors during the five-year long negotiations of the TPP’s specific trade provisions.

Have MSNBC or any of its competitors uncovered Comcast’s agenda for the trade agreements? What if concerns over intellectual property rights, for example, made it a corporate mission to pass a deal that also happened to radically hasten the climate tipping point? Should any company have that much power?

No business, no matter how sizeable, should have the right to subvert the actions and political choices necessary to address climate, as well as the activated movement capable of assuring that at long last we do what needs to be done. The only sane response is to support the movement, and the independent media outlets that provide a platform for ideas, facts, studies, polls, policy initiatives and disclosures outside the corporate media frame—and to overhaul the media to address this unfair use of public airwaves for gain and compromise as the world burns.

EMPIRES ARE A SECRET UNTIL THEY START FALLING

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By Margaret Flowers and Kevin Zeese

Source: Popular Resistance

In the past, we have written about the 2020s as a decade when the United States Empire will end. This is based on Alfred McCoy’s predictions (listen to our interview with him on Clearing the FOG). Sociologist and peace scholar John Galtung believes US Empire will fall much faster, losing world dominance by 2020. Much of what he predicted when he said this in 2016 is happening now. In particular, there is a rise in “reactionary fascism” or a desire to go back to the “good old days,” the cost of maintaining the empire is taking an increasing economic toll and other countries are starting to rebuke the US, both its requests for military assistance and its unfair economic demands.

What this means for people in the United States and around the world depends on whether we can build a mass popular movement with the clarity of vision, skills, and solidarity necessary to navigate what is and will surely be a turbulent period. There are no guarantees as to the outcome. Failure to act could result in a disastrous scenario – at best, that the US will continue to try to hold onto power by waging economic and military warfare abroad weakening the economy at home and undermining necessities such as housing, healthcare, education and the transition to a Green economy. At worst, as Galtung describes, there could be “an inevitable and final war” involving nuclear weapons.

When Empire Is In Decline

Alfred McCoy says that it is only when empires are in decline that people begin to recognize they live in an empire and start to talk about it. While discussion of empire hasn’t broken into the corporate media, it is certainly happening in the independent media. A concerted effort by a popular movement could bring it to the fore, just as Occupy changed the political dialogue about wealth inequality and the power of money. People in the US need to face some stark realities when it comes to declining US global power.

For starters, the United States does not currently have the capacity to wage a “Great Power Conflict” even though that is the goal of the national security strategy. The loss of its manufacturing base and lack of access to minerals necessary for producing weapons and electronics means the US does not have the resources to fight a great war. Much of the US’ manufacturing has been outsourced to other countries, including those targeted by US foreign policy. Resources necessary for weapons and electronics are in China, Afghanistan, the Democratic Republic of the Congo and Venezuela. It’s no surprise that the US is maintaining a military presence in Afghanistan, has increased its presence in Africa through AFRICOM and is struggling to wrest control of Venezuela.

Despite these attempts, the US is not having success. There is no military solution for the US in Afghanistan. As Moon of Alabama explains, the Taliban has taken control of more territory than it has had since the US started the war and has no reason to negotiate with the US. He advises, “The U.S. should just leave as long as it can. There will come a point when the only way out will be by helicopter from the embassy roof.”

Alexander Rubinstein writes the failures in Afghanistan can be attributed to Zalmay Khalilzad, currently the US Special Representative for Afghanistan Reconciliation. Khalilzad has led US foreign policy in Afganistan and Iraq since the presidency of George W. Bush, and before that worked with Carter’s National Security Advisor Zbigniew Brzezinski, who provided crucial support for the Mujahideen to draw the Soviet Union into a quagmire. The writing is on the wall that the US must leave Afghanistan, but that is unlikely to happen as long as people such as Khalilzad and Elliott Abrams, who has a similar ideology, are in charge.

As the US-led coup in Venezuela continues to fail due to a lack of support for it within the country, resilience to the effects of the unilateral coercive economic measures (sanctions) and exposure of attempts to create chaos and terror by paramilitary mercenaries, the US grows increasingly desperate in its tactics. There has already been a failed assassination attempt against President Maduro, a US freight company tied to the CIA has been caught smuggling weapons and the US and its Puppet Guaido have been implicated in a terrorist plot as the failed coup enters a more dangerous phase. This week, the Organization of American States voted to invoke a treaty, the Inter-American Treaty of Reciprocal Assistance (TIAR), which would allow military intervention. Mexico strongly opposed that possibility. This comes as Venezuela has strengthened troops at the Colombian border after discovering terrorist training camps on the Colombian side. With allies such as Russia and China, an attack on Venezuela would not only hurt the region but could go global.

Despite the Asian Pivot under President Obama during his first administration and Secretary of Defense Mark Esper’s comment this week that the US is directing a lot of energy toward China, analysts predict the US will fail to achieve dominance in the Asia-Pacific. China is purchasing weapons from Russia that are superior to US systems, is strengthening its military coordination with Russia through drills and is expanding its global ties through the Belt and Road Initiative. Matthew Ehret writes in Strategic Culture, “Those American military officials promoting the obsolete doctrine of Full Spectrum dominance are dancing to the tune of a song that stopped playing some time ago. Both Russia and China have changed the rules of the game on a multitude of levels….”

Protests in Hong Kong, as we described in a recent newsletter, are being used to stoke greater anti-China sentiment in the US. As often occurs, the sophisticated propaganda arm of US-backed color revolutions excites leftist activists, but each day it becomes clearer just how deep the US’ influence is. K. J. Noh provides a helpful guide – a list of seven signs a protest is not a popular progressive uprising. One sign is Hong Kong protesters are supporting a bill in the US Congress, the so-called “Hong Kong Human Rights and Democracy Act.” The bill would allow the United States to sanction Hong Kong officials.

Andre Vltchek attended a recent protest and interviewed some of the participants. He found the democracy protesters have little grasp on the oppression Hong Kongers faced under British colonization, they attack anyone who disagrees with them and they are destroying public infrastructure. One of the protest leaders, Joshua Wong, is openly meeting with figures connected to US regime change efforts, and NED-backed organizations are planning an anti-China protest in Washington, DC on September 29. Their new propaganda symbol is a Chinese flag with a Swastika on it. No surprise that was evident at the protests in Hong Kong this weekend.

The US is already at war with China with battlefronts on trade and the Asian Pacific. The propaganda around Hong Kong showing prejudice against China is part of manufacturing consent for the conflict between the US and China, which will define the 21st Century. US militarism is also escalating to involve space. This week, the US conducted its first space war game and Putin warned of a space arms race.

Our Tasks as Activists

It was good news this past week that President Trump asked John Bolton, a white supremacist neocon who disrupted any attempts at negotiation, to resign from his position as National Security Adviser. Glen Ford of Black Agenda Report writes, “Every sane person on the planet should be glad to see Bolton go.” But, even with Bolton gone, the US War Machine will rage on with bi-partisan support. Whether Trump starts to live up to his campaign rhetoric of non-intervention remains to be seen. The appointment of Michael Kozak as the new US envoy to Latin America is a bad sign.

Almost two centuries of Manifest Destiny that went beyond North America to spread US Empire across the globe will not end overnight. It will take a concerted effort to build a national consensus against the dominant ideologies of white supremacy and US exceptionalism to change the course of US foreign policy. Fundamental tasks of that effort include education, organizing and mobilizing. Below are some examples of each.

Education:

The Palestinian Great March of Return, a weekly nonviolent protest in Gaza demanding the right of return granted by the United Nations, continues and each week Israelis injure and murder unarmed Palestinians. Abby Martin and Mike Prysner of The Empire Files produced an excellent documentary about it, “Gaza Fights For Freedom,” and are touring the country to raise awareness. Listen to our interview with Abby Martin on Clearing the FOG. Find a showing near you or organize one.

The United States uses unilateral coercive measures (sanctions) that are illegal under international law to wage war on other countries. The Treasury Department currently lists 20 countries sanctioned by the US, but the US also uses threats of sanctions to wield power. Sanctions are warfare, even though they are not commonly viewed that way. They result in the suffering and death of mostly civilians. Kevin Cashman and Cavan Kharrazian explain how sanctions work, why they violate international law and how they threaten global stability.

Organizing:

Alison Bodine and Ali Yerevani encourage activists to avoid the organizing pitfall of getting caught up in debates about the internal politics of countries targeted by US imperialism. Our tasks, as citizens of imperialist countries, are to stop our governments from intervening in the affairs of other countries and demand they respect international law. We also have a task of building solidarity with civilians of other countries. It will require a global mass movement to address major issues such as the climate crisis, wealth inequality, colonization, and violence.

Citizen to citizen diplomacy is critical in building this mass movement and solidarity. Ann Wright, retired from the military and State Department, writes about the challenges of citizen to citizen diplomacy as she tours Russia. Ajamu Baraka, national organizer of Black Alliance for Peace, reminds us that war and militarism are class issues in his address to an international meeting of trade unions held in Syria.

We are strong believers in breaking out of the confines of the narrative presented by corporate media about countries outside the US. Our trips to Iran and Venezuela this year were invaluable learning experiences. We hope to visit more targeted countries. An effort that came out of these trips is the new Global Appeal for Peace, first steps toward creating an international network to complement the more than 120 non-aligned movement countries that are resolved to respect international law and sovereignty and take action to create peace and prevent the catastrophic climate crisis. Sign on to this effort at GlobalAppeal4Peace.net.

Mobilizing:

The People’s Mobilization to Stop the US War Machine and Save the Planet starts next weekend. On Saturday night, Black Alliance for Peace is sponsoring a discussion, “Race, Militarism and Black Resistance in the ‘Americas’” in the Bronx. On Sunday we will rally and march to the UN with Embassy Protectors, Roger Waters and many more. On Monday night, we have a special solidarity night at Community Church of New York. Registration is required as there will be high-level representatives of impacted countries speaking about the challenges they face. Click here to register.

Rage Against the US War Machine will take place October 11 and 12 in Washington, DC. This is the second annual event organized by March on the Pentagon. Click here for details.

We also ask you to join the Embassy Protectors Defense Committee. Sign the petition to drop the Trump administration’s charges against us for protecting the Venezuelan Embassy this spring. We are facing up to a year in prison and exorbitant fines even though it was the US State Department that violated the Vienna Convention by raiding the embassy in May. We will tour Northern California in October and are planning more tours to raise awareness that the struggle to end the US  coup and interventions in Venezuela continues.

John Galtung predicts that the fall of the US Empire could have a devastating impact on domestic cohesion in the United States. As the US loses its position of global supremacy, we have an opportunity to fundamentally reshape what we as a nation represent. We can become cooperative global citizens in a world free of oppression, violence, and poverty if we do the work of joining in international solidarity for these goals.