Tag Archives: Hyperreality

Automatons – Life Inside the Unreal Machine

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By Kingsley L. Dennis

Source: Waking Times

ɔːˈtɒmət(ə)n/

noun

a moving mechanical device made in imitation of a human being.

a machine which performs a range of functions according to a predetermined set of coded instructions.

used in similes and comparisons to refer to a person who seems to act in a mechanical or unemotional way.

“Don’t you wish you were free, Lenina?”

“I don’t know what you mean. I am free. Free to have the most wonderful time. Everybody’s happy nowadays.”

He laughed. “Yes, ‘Everybody’s happy nowadays.’ We have been giving the children that at five. But wouldn’t you like to be free to be happy in some other way, Lenina? In your own way, for example; not in everybody else’s way.”

“I don’t know what you mean,” she repeated.

Aldous Huxley, Brave New World

Are we turning into a mass of unaware sleepwalkers? Our eyes are seemingly open and yet we are living as if asleep and the dream becomes our waking lives. It seems that more and more people, in the highly technologized nations at least, are in danger of succumbing to the epidemic of uniformity. People follow cycles of fashions and wear stupid clothes when they think it is the ‘in thing;’ and hyper-budget films take marketing to a whole new level forcing parents to rush out to buy the merchandise because their kids are screaming for it. And if one child in the class doesn’t have the latest toy like all their classmates then they are ostracized for this lack. Which means that poor mummy and daddy have to make sure they get their hands on these gadgets. Put the two items together – zombies and uniformity – and what do you get? Welcome to the phenomenon of Black Fridays, which have become the latest manifestation of national Zombie Days.

Unless you’ve been living in a cave somewhere (or living a normal, peaceful existence) then you will know what this event is – but let me remind you anyway of what a Black Friday is. It is a day when members of the public are infected with the ‘must buy’ and ‘act like an idiot’ virus that turns them into screaming, raging hordes banging on the doors of hyper-market retailers hours before they open. Many of these hordes sleep outside all night to get early entry. Then when the doors are finally opened they go rushing in fighting and screaming as if re-enacting a scene from Games of Thrones. Those that do survive the fisticuffs come away with trolleys full of boxes too big to carry. This display of cultural psychosis, generally named as idiocracy, is also a condition nurtured by societies based on high-consumption with even higher inequalities of wealth distribution. In other words, a culture conditioned to commodity accumulation will buy with fervour when things are cheap. This is because although conditioned to buy, they lack the financial means to satiate this desire. Many people suffer from a condition which psychologists have named as ‘miswanting,’ which means that we desire things we don’t like and like things we don’t desire. What this is really saying is that we tend to ‘want badly’ rather than having genuine need. What we are witnessing in these years is an epidemic of idiocracy and its propagating faster than post-war pregnancies. And yet we are programmed by our democratic societies to not think differently. In this respect, many people also suffer from a condition known as ‘confirmation bias.’

Confirmation bias is our conditioned tendency to pick and choose that information which confirms our pre-existing beliefs or ideas. Two people may be able to look at the same evidence and yet they will interpret it according to how it fits into and validates their own thinking. That’s why so many debates go nowhere as people generally don’t wish to be deviated away from those ideas they have invested so much time and effort in upholding. It’s too much of a shock to realize that what we thought was true, or valid, is not the case. To lose the safety and security of our ideas would be too much for many people. It is now well understood in psychology that we like to confirm our existing beliefs; after all, it makes us feel right!

Many of our online social media platforms are adhering to this principle by picking and choosing those items of news, events, etc that their algorithms have deemed we are most likely to want to see. As convenient as it may seem, it is unlikely to be in our best interests in the long term. The increasing automation of the world around us is set to establish a new ecology in our hyperreality. We will be forced to acknowledge that algorithms and intelligent software will soon, if it isn’t already, be running nearly everything in our daily lives. Historian Yuval Harari believes that ‘the twenty-first century will be dominated by algorithms. “Algorithm” is arguably the single most important concept in our world. If we want to understand our life and our future, we should make every effort to understand what an algorithm is.’1 Algorithms already follow our shopping habits, recommend products for us, pattern recognize our online behavior, help us drive our cars, fly our planes, trade our economies, coordinate our public transport, organize our energy distribution, and a lot, lot more that we are just not really aware of. One of the signs of living in a hyperreality is that we are surrounded by an invisible coded environment, written in languages we don’t understand, making our lives more abstracted from reality.

Modern societies are adapting to universal computing infrastructures that will usher in new arrangements and relations. Of course, these are only the early years, although there is already a lot of uncertainty and unpredictability. As it is said, industrialization didn’t turn us into machines and automation isn’t going to turn us into automatons. Which is more or less correct; after all, being human is not that simple. Yet there will be new dependencies and relations forming as algorithms continue to create and establish what can be called ‘pervasive assistance.’ Again, it is a question of being alert so that we don’t feel compelled just to give ourselves over to our algorithms. The last thing we want is for a bunch of psychologists trying to earn yet more money from a new disease of ‘algorithmic dependency syndrome’ or something similar.

It needs stating that by automating the world we also run the risk of being distanced from our own responsibilities. And this also implies, importantly, the responsibility we have to ourselves – to transcend our own limitations and to develop our human societies for the better. We should not forget that we are here to mature as a species and we should not allow the world of automation to distract us from this. Already literature and film have portrayed such possibilities. Examples are David Brin’s science-fiction novel Kiln People (2002 – also adapted into the film Surrogates, 2009), which clearly showed how automation may provide a smokescreen for people to disappear behind their surrogate substitutes.

Algorithms are the new signals that code an unseen territory all around us. In a world of rapidly increasing automation and digital identities we’ll have to keep our wits about us in order to retain what little of our identities we have left. We want to make sure that we don’t get lost in our emoji messages, our smilies of flirtation; or, even worse, loose our life in the ‘death cult’ of the selfies. Identities by their very nature are constructs; in fact, we can go so far as to call them fake. They are constructed from layers of ongoing conditioning which a person identifies with. This identity functions as a filter to interpret incoming perceptions. The limited degree of perceptions available to us almost guarantees that identities fall into a knowable range of archetypes. We would be wise to remember that who we are is not always the same as what we project. And yet some people on social media are unable to distinguish their public image from their personal identity, which starts to sound a bit scary. Philosopher Jean Baudrillard, not opposed to saying what he thought, stated it in another way:

We are in a social trance: vacant, withdrawn, lacking meaning in our own eyes. Abstracted, irresponsible, enervated. They have left us the optic nerve, but all the others have been disabled…All that is left is the mental screen of indifference, which matches the technical in-difference of the images.2

Baudrillard would probably be the first to agree that breathing is often a disguise to make us think that someone is alive. After all, don’t we breathe automatically without thinking about it?

We must not make the human spirit obsolete just because our technological elites are dreaming of a trans-human future. Speaking of such futures, inventor and futurist Ray Kurzweil predicts that in the 2030s human brains will be able to connect to the cloud and to use it just like we use cloud computing today. That is, we will be able to transfer emails and photos directly from the cloud to our brain as well as backing up our thoughts and memories. How will this futuristic scenario be possible? Well, Kurzweil says that nanobots – tiny robots constructed from DNA strands – will be swimming around in our brains. And the result? According to Kurzweil we’re going to be funnier, sexier, and better at expressing our loving sentiments. Well, that’s okay then – nanobot my brain up! Not only will being connected to the computing cloud make us sexier and funnier humans, it will even take us closer to our gods says Kurzweil – ‘So as we evolve, we become closer to God. Evolution is a spiritual process. There is beauty and love and creativity and intelligence in the world – it all comes from the neocortex. So we’re going to expand the brain’s neocortex and become more godlike.’3 It’s hard to argue with such a bargain – a few nanobots in our brain to become godlike? I can imagine a lot of people will be signing up for this. There may even be a hefty monthly charge for those wanting more than 15GB of back-up headspace. Personally, I prefer the headspace that’s ad infinitum and priceless. I hope I’m not in the minority.

Looking at the choices on offer so far it seems that there is the zombie option, which comes with add-on idiocracy (basic model), and the trans-human nanobot sexy-god upgrade (pricy). But then let’s not forget that in an automated world it may be the sentient robots that come out on top. Now, that would be an almost perfect demonstration of a simulation reality.

Life in Imitation

There are those who believe that self-awareness is going to be the end game of artificial intelligence – the explosive ‘wow factor’ that really throws everything into high gear. The new trend now is deep machine-learning to the point where machines will program not only themselves but also other machines. Cognitive computer scientists are attempting to recapture the essence of human consciousness in the hope of back-engineering this complexity into machine code. It’s a noble endeavor, if not at least for their persistence. The concern here is that if machines do finally achieve sentience then the next thing that we’ll need to roll out will be machine psychologists. Consciousness, after all, comes at a price. There is no free lunch when it comes to possessing a wide-awake brain. With conscious awareness comes responsibilities, such as values, ethics, morality, compassion, forgiveness, empathy, goodness, and good old-fashioned love. And I personally like the love part (gives me a squishy feeling every time).

It may not actually be the sentient robots we need to worry about; it’s the mindless ones we need to be cautious of (of course, we could say the same thing about ourselves). One of the methods used in training such robots is, in the words of their trainers, to provide them with enough ‘intrinsic motivation.’ Not only will this help the robots to learn their environments, it is also hoped that it will foster attention in them to acquire sufficient situational awareness. If I were to write a science-fiction scenario on this I would make it so that the sentient robots end up being more human than we are, and humans turn into their automated counterparts. Funny, maybe – but more so in the funny-bone hurting sort of way rather than the laugh-out-loud variety. Or perhaps it’s already been done. It appears that we are attempting to imbue our devices with qualities we are also striving to possess for ourselves. Humans are naturally vulnerable; it is part of our organic make-up. Whatever we create may inherit those vulnerabilities. However, this here is not a discussion on the pros and cons of smart machines and artificial intelligence (there are many more qualified discussions on that huge topic).

While we are creating, testing, worrying, or arguing over machines and their like we are taking our attention away from the center – ourselves. The trick of surviving in the ‘unreal machine’ of life is by becoming more human, the very antithesis of the robotic. Technology can assist us in interacting and participating to a better degree with our environments. The question, as always, is the uses to which such tools are put – and by whom. Such tools can help us realize our dreams, or they can entrap us in theirs. Algorithms, smart machines, intelligent infrastructure, and automated processes: these are all going to come about and be a part of our transforming world. And in many respects, they will make life more comfortable for us. Yet within this comfort zone we still need to strive and seek for our betterment. We should not allow an automated environment to deprive us of our responsibility, and need, to find meaning and significance in our world. Our technologies should force us to acknowledge our human qualities and to uplift them, and not to turn us into an imitation of them.

Another metaphor for the simulated ‘robotic’ creature is the golem. The golem legend speaks of a creature fashioned from clay, a Cabbalistic motif which has appeared frequently in literary and cinematic form (such as Frankenstein). The Cabbalistic automaton that is the golem, which means ‘unformed,’ has often been used to show the struggle between mechanical limitation and human feelings. This struggle depicts the tension that combines cogs and consciousness; the entrapment in matter and the spirit of redemption and liberation. This is a myth that speaks of the hubris in humanity fashioning its own creatures and ‘magically’ bestowing life upon them. It is the act of creating a ‘sacred machine’ from the parts and pieces of a material world and then to imbue them with human traits. And through this human likeness they are required to fulfil human chores and work as slaves. Sounds familiar? The Cabbalistic humanoid – the sentient robot – is forever doomed, almost like the divine nature of Man trapped within the confines and limitations of a material reality. They represent the conflict of being torn between a fixed fate and freedom.

Our material reality may be the ultimate unreal machine. We are the cogs, the clay golem, the imperfect creature fashioned by another. Our fears of automation may only be a reflection of our own automation. We struggle to express some form of release whilst unaware that the binds that mechanize us are forever tightening.

We have now shifted through the zombie-idiocracy model (basic), the trans-human nanobot sexy-god model (pricy), to arrive at the realization that it is us – and not our sentient robots – that are likely to be the automaton (tragic). And this is the biblical fall from grace; the disconnection from our god(s). We have come loose from Central Source and we have lost our way.

We are now living in the hyperreal realm where zombies, cyborgs, and golem robots all reside – but it is not the place for the genuine human. Things are going to have to change. Not only do we have to retain our humanity, we also must remain sane. With our continuing modern technologies, our augmented reality and bioengineering, the difference between fiction and reality will blur even further. And this blurring is likely to become more prominent as people increasingly try to reshape reality to fit around their own imaginative fictions. Staying sane, grounded, and balanced is going to be a very, very good option for the days to come.

We are going to be sharing our planetary space with the new smart machines. I am reminded of the Dr. Seuss book Horton Hears a Who! that has the refrain, ‘a person’s a person no matter how small.’ Size doesn’t count – but being human does. And staying human in these years will be the hard task allotted to us.

Phantom Performances – The Rise of the Spectacle

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By Kingsley L. Dennis

Source: Waking Times

ˈspɛktək(ə)l/

noun

a visually striking performance or display

an event or scene regarded in terms of its visual impact

“Now the death of God combined with the perfection of the image has brought us to a whole new state of expectation. We are the image.” ~John Ralston Saul, Voltaire’s Bastards

“Magical thinking is the currency not only of celebrity culture, but also of totalitarian culture.” ~Chris Hedges, Empire of Illusion

Welcome to the spectacle. Or perhaps I should say the kind of spectacle that has become the face of entertainment that pervades our westernized cultures. The way that the spectacle succeeds is that it isn’t so much about fooling us into believing its lies as real, but rather that it is we who ask to be fooled. We seek to suspend our sense of reality, to pursue a space of escape. The spectacle pulls us in because we lend our willingness to its agenda. If we are honest, in this post-truth age, we will admit to living in an age of spectacle. And it is from this that many of us receive our interpretation of reality. Since the middle of the 20th century onwards the ‘western spectacle’ has been in the form of media advertisement and propaganda. We may think that we’ve only recently arrived at the age of the spectacle, where Disneylandification is becoming the norm, and Super Bowls are interspersed with scantily-clad singers, and TV programs appear in the slots between advertisers. Yet the whole spectacle show has been a form of function creep ever since telecommunications first emerged as a social phenomenon. The image has been with humanity since the first dawn of our arising; from cave paintings to hieroglyphics to cuneiform clay tablets. The major difference is that today the spectacle of the image has not only gone global, but it has also gotten inside of our heads.

Western cultures especially (and the US specifically) have now made the image, the spectacle, and hence the illusion so grand, so vivid, and so persuasively realistic that they are becoming our basis of reality. We swing from one illusion to the alternative, which is still yet another grand spectacle; just as we swing from the political left to the right, believing each side is distinctly different. Yet each is a part of the same bubble that customizes our lives – they form a part of our news, our heroes, our tragedies, and our dreams. We now serve a mosaic of ideals carefully crafted as a patchwork of phantom performances. Nothing is ever real anymore except the painful extremes that pervade our daily existence: the violence, the suffering, the deprivation, the inequality, the disease. Only these fragments that create great pain become the real, and from these many of us seek refuge in a plenitude of diversions, distractions, and triviality.

Western civilization has chosen to be played out upon a grand stage where the performance – of invented storylines and scripts – runs the show. We move through social realities that are an entanglement of signs, virtual connections, and social media status. It’s all about who is going to be the next ‘influencer’? We are encouraged to project back into the world our entertainment-mediatized fantasies. People begin to act out their imaginary landscapes, often in violent and distorted ways, as young students massacre their classmates before going to eat at McDonalds. This is the hyperreal that distorts a stable reality, making it harder to gain a grounded perspective on things. People are increasingly being guided by the false totems of media-militarized-entertainment.

The media spectacle gives us our modern guiding images. This is similar to how in the Middle Ages images depicted in stained glass windows and paintings of religious torment or salvation acted to control and influence the social behavior of our ancestors. For many of us the white-bearded god above is dead, so we have media depictions of heroes, adventurers, McGyvers, celebrity-cosmetic makeovers, beauty pageants, talk shows and reality television to be our social guides. An illusory sensate reality has been erected that runs on pseudo-lives and phantom performances. Such phantom performances mask our personal failures and conveniently hide them behind a curtain of the unreal. People prefer to watch the rich and famous on television rather than face the domestic unhappiness of their own lives. Why have ice when you can have bubblegum-flavored ice-cream?

Luckily for those of us who live in the west we inhabit a world of easy-correction where we can make ourselves better if we buy certain products, ingest certain foods, and hang-out in the right yoga gyms. For every situation there is seemingly a commercial solution. We have not been abandoned, after all. In the realm of hyperreality, our fantasies are no longer an impediment to success. On the contrary, our fantasies are the portals through which we enter. All we need is for the world of the media to give us our dream. Everybody has talent, as the reality shows tell us – ‘Britain’s Got Talent,’ ‘America’s Got Talent:’ in fact, we’ve all got talent! We are all of us hidden unique performers, and the world ‘out there’ is begging for our arrival. This is not to be confused with the manipulation by greedy commercial enterprises that are ready to discard you as soon as your ‘talent’ no longer sells.

Yet the truth of the matter is that the spectacle of celebrity culture seeks commodities, not real individuals or souls. It doesn’t want that we seek for any form of transcendence, illumination, or real growth. It is a world that seeks only those that feed the phantom and encourage others to do the same. It is the ‘real’ that gets pushed into a black hole – to become a figment of the imagination, whilst imaginary dreams take its place. Celebrity culture thrives from the very lack of inner reflection. There is no ‘going within’ unless it is a form of medication going down our throats. If we are brutally honest, the celebrity spectacle is an ugly specter that can be as cruel as it is superficial.

The Spectacle of Celebrity Culture

No one achieves celebrity status on their own. It is a stage performance that requires a hoard of cultural enablers; from media, marketers, promoters, agents, handlers, and a host of hungry and gullible people. It is a veritable stage of actors, with each person in it to gain something for themselves. They either seek attention, satisfaction, fame, wealth, or a combination of these. Celebrity culture has come to dominate how many of us define our sense of belonging. It has come to define how we relate to the world around us, and in this respect has disfigured our notions of social belonging and community. Celebrity culture funds and feeds our own movies inside our heads as we invent our roles and behavior. It is a culture in which very few participants are even real for a day.

We idolize celebrities and often project them as idealized forms of ourselves. And yet through this substitution we move further away from any real self-actualization. The transcendent – the Real – does not do substitutes. By throwing our fantasies onto others we are diminishing our own power. In the words of one serious journalist,

We are chained to the flickering shadows of celebrity culture, the spectacle of the arena and the airwaves, the lies of advertising, the endless personal dramas, many of them completely fictional, that have become the staple of news, celebrity gossip, New Age mysticism, and pop psychology …in contemporary culture the fabricated, the inauthentic, and the theatrical have displaced the natural, the genuine, and the spontaneous, until reality itself has been converted into stagecraft. 1

We are subtly pushed through the well-structured stagecraft whilst all the time thinking that it is real. Our contemporary ‘death of the gods’ has been replaced by a divine adoration of celebrities and celebrity culture. Celebrity items, like holy relics, are paraded, idolized, and sold for vast sums. People rush for autographs, only to sell them later on eBay to make an unhealthy profit. Celebrity personal possessions are sold off at prestigious auction houses for astronomical prices, so aging people can wear the clothes of their idols. The glitzy suit that Elvis wore before dying in a Las Vegas toilet; or the dress that Marilyn Monroe wore to show her knickers to the world above a subway vent. Everything is up for grabs – the profane is made sacred, and then sacrificed as celebrity talismans. It all engenders a performance of hysteria, leading sometimes to stalking, or what is nowadays referred to as ‘trolling,’ as celebrity private photos are hacked and shared online. It’s happened to Emma Watson, Jennifer Lawrence, Kate Upton, Jessica Alba, Kate Hudson, Scarlett Johansson…and the list goes on, and on, and on.

The world of celebrity culture thrusts us into a moral void. People are valued by their appearance and their skin-deep beauty rather than their humanity. Such a culture focuses upon onanistic desires and ways for self-gratification. The cult of self ‘has within it the classic traits of psychopaths: superficial charm, grandiosity, and self-importance; a need for constant stimulation, a penchant for lying, deception, and manipulation, and the inability to feel remorse or guilt.’2 The cult of self also promotes the right to get whatever we wish, and celebrity media plays into this, often at the cost of the celebrity who suffers from social media harassment and online trolling. Celebrity public life is not a sacred space; instead, it has become a theatre of performance that is open for all spectators. And those spectators who surround themselves with celebrity culture tend to live in the present, fed by an endless stream of packaged information. They live by credit promises, ignorant to the future prospect of unmanageable debt. They are hostage to a culture that keeps them enthralled, like a television commercial replete with pleasing jingles. They navigate their purchases through well-known brands, eyeing the famous logos as guides. It is an image-saturated reality, bright and tantalizing, offering comfort and satisfaction upon all levels – until the credit runs out. Then the person becomes an outlaw to the very system that fattened them up like foie gras ducks.

These are the trivial diversions that for many are necessary, and which exist in cultures that prize shallow entertainment above substance. We may wonder whether the consumerist celebrity culture is a compensation for the loss of our true freedom regarding the human spirit and our well-being. And celebrities too are often trapped within their own fairy-tale prisons. They are skillfully controlled by their handlers and pushed in front of the media – all this to compensate for the insatiable appetites of those thirsty spectators that swarm upon celebrity culture. We are tantalizingly shown that even us, the humble spectators, can triumph in fame through the lens of reality television. The celebrity machinery oils itself on the media-creation of third and fourth-rate celebrities that have their fifteen minutes of fame – crammed together on desert islands, stuffing insects into their mouths as they bad-mouth their once beloved ‘best-friend’ and vote them off the show. Reality survival, it seems, comes at a cost. And then when they finally emerge into the ‘real world’ of the hyperreal they throng and mingle with other reality-stars under the glare of media spotlight in the vain hope that together they can populate an illusory world of the celebrity.

The world of reality television is another limb on the body of phantom performance. In the last decade a multitude of reality shows have cropped up on our television screens; and they all have one thing in common – they involve being constantly watched. Popular shows such as Big Brother put strangers to live together with round-the-clock constant surveillance. These strangers are even videoed in their beds as they sleep or fondle and kiss with other contestants. Sex lives are ogled over alongside the tears and on-screen breakdowns. Then the television psychologists are wheeled out to offer ‘expert commentary’ on the contestant’s state for mass consumption. Yet underneath all this glamour and glitz is the subtle message that intrusive surveillance is a normal feature of contemporary societies. In fact, it even masquerades as something cool that can be shared online, and which can make us famous. However, the brute reality is that such reality shows normalize what would otherwise be blatant non-constitutional intervention. And yet such shows make surveillance not only routine but a potentially enjoyable part of our modern lives. We are being conditioned into monitoring and sharing our own lives for others to see. Our phantom performances can make any one of us into an enviable star.

Social media is now rife with home-grown videos where everyone from toddler to teenager to retiree is making their performances visible to the image-hungry collective. Selfies too are the new fashionable rage as we perform in front of ourselves. This trend has become so pervasive that each year the number of selfie-related deaths has been increasing. In 2015 more people died from taking selfies than from shark attacks.[i] A dedicated online Wikipedia page has been established to record some of the ongoing ‘selfie-deaths.’ Here are a few examples:

Two young men died in the Ural Mountains after they pulled the pin from a live hand grenade to take a selfie. The phone with the picture remained as evidence of the circumstance of their deaths. (Russia, January 2015)

An 18-year-old died when she attempted to take the “ultimate selfie”, posing with a friend on top of a train in the north-eastern Romanian city of Iași when her leg touched a live wire above which electrocuted her with 27,000 volts. (Romania, May 2015)

A 19-year-old from Houston died after trying to take an Instagram selfie while holding a loaded gun to his head. He accidentally fired the gun and shot himself in the throat. (USA, September 2015)

A 17-year-old student, Andrey Retrovsky from Vologda, Russia, fell to his death attempting to take a selfie while hanging from a rope from a nine-story building. The rope snapped. Retrovsky was known for taking ‘extreme’ selfies and posting them to his Instagram account. (Russia, September 2015)

Selfie deaths, it seems, are global – and not a rare occurrence. Our phantom performances come at a cost. In a world where the image is iconic, more and more people are losing themselves in a reality where a sense of achievement comes from catching the ‘ultimate selfie.’

The drive for inner fulfilment, transcendence, and growth has been wavered aside in favor of the pixilated image. We fear not being seen. We dread being anonymous. Even being a spectral ghost is preferable to being dead.

We Are the Image

The new perspective on the world is pixilated. We are awash with images without substance and which are routinely fetishized as iconic. Signs are lacking immanence; they are fleeting and transient like never before. That is why corporations spend millions trying to find an image logo that will stick around long enough to be implanted into our minds. Images are becoming signs to the disappearance of the real. Images are the new believable reality; now no one cares that the original behind the image has quietly slipped away. The world exists as if in a play of phantom appearances. The image has taken centerstage within the space of the new real. We are now the image.

Yet the danger here is that in being given the image with its glamour and glitz we are in return giving up our critical and intellectual tools that help us cope with a complex world. Where once we had the faculty of separating illusion from reality we now have a simplified hyperreal world where everything can be explained away by a platitude of post-truth phrases. Does it even matter anymore that Las Vegas with its illusion of France with the mock Eiffel Tower, or its pseudo-canals of Venice, are far from the reality of France or Venice? How many people care? Or that the fantasy worlds within the various Disney theme parks are merging with the entertainment-saturated lives outside? Would it truly matter if we were all living within a controlled environment as depicted within the film The Truman Show? Or maybe, just maybe, such films are actually trying to tell us something – to wake us up?

The danger now is that our cultural spectacles – our celebrity culture and spectral images – are making any other alternative seem dull to us. It may be that in an age of simplified gratification any complex reality is boring. What the ‘real’ presents us with may no longer be enough. In its place we are perhaps seeking a false magic.

We have lost touch with that essential something that can work like magic in our lives. As one thinker recently stated:

We live in changing times whereby humanity is undergoing a transformation…We need to understand phenomena at deeper levels, and not just accept what we are told, or what is fed to us through well-structured social institutions and channels. We must learn to accept that our thinking is a great tangible spiritual force for change. 2

The notion that our ideas, our vision, our projections onto the world can be a ‘great tangible spiritual force for change’ is eluding us. Never before has it been so important to trust in the power of the human spirit, and to put forth, with honesty and integrity, the innate human power. The alternative is that we slide into the slipstream of our own phantom performances – we become the image.

 

Extract from the book Bardo Times: hyperreality, high-velocity, simulation, automation, mutation – a hoax?

Endnotes 

1 Hedges, Chris. 2010. Empire of Illusion: The End of Literacy and the Triumph of Spectacle. New York: Nation Books, p15

 2 Gulbekian, S.E. 2004. In the Belly of the Beast: Holding Your Own in Mass Culture. Charlottesville, VA: Hampton Roads, p251

[i] See http://www.telegraph.co.uk/technology/11881900/More-people-have-died-by-taking-selfies-this-year-than-by-shark-attacks.html

Hyperreality (or What Not There Isn’t to Believe?)

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By Kingsley L. Dennis

Source: Waking Times

‘The attraction of the void is irresistible.’ ~Jean Baudrillard

If you feel like you are unsure of what is real and what is unreal then you are not alone. Our materialistic mode of life is accelerating and expanding so rapidly that it is saturating our modern cultures to the point of abstraction. Life in materially-privileged societies is increasingly shifting into a world of image and show. Many people today are living within their bubbles that are customized by all the digital conveniences tailored to individual needs. By being surrounded by conveniences that satisfy all our needs we are deliberately excluding so much else, including all of life’s serendipities.

Reality – whatever that is or was – has retreated behind a spectacle of make-believe that is playing at being the new, shimmering façade for the 21st century. One result of this is that things which once stood in opposition to one another are losing their meaning and becoming indistinguishable. That is, fixed identities that used to make life easy for us – us/them, friend/enemy, good/bad, and the rest – are now more like false realities. Life has shifted, or has been pushed, into a realm of invention that is being exploited ever more overtly by politicians, mainstream media, and their propaganda machinery. Out of this, a different sense of reality has emerged that succeeds in absorbing differences and contradictions and making them seem smooth rather than jagged. And the result is what I refer to as hyperreality.

The Hyperreality Pill

It is no longer the jagged pill we are forced to swallow, but the smooth pill we are willing to pop. And this smoothness is presented as succulent and easy to swallow. Our modern cultures want us to think that they are simple, smooth, and therefore require our willing obedience. As a consequence, many of us no longer know, or care in knowing, where the resistance is. And if we do feel the need to express resistance, we find ourselves at a loss of where it should be placed. The ‘smooth ideal’ is that society is managed so there can be no efficient resistance against it. This is what Herbert Marcuse once referred to as a ‘comfortable, smooth, reasonable, democratic unfreedom.’ The hyperreal evades any real contact. It is like being at the end of a phone call when waiting for the automated voice service. This evasive strategy of the hyperreal has succeeded in obscuring any site of resistance. It’s all so ‘real,’ and yet of course it is not.

The original notion of hyperreality (a term borrowed from semiotics and postmodern theory) is an inability of consciousness to distinguish reality from a simulation of reality, especially in technologically advanced societies. We are no longer faced with the threat of struggling with our shadows – we are now faced with the threat of our clones. This may be the radical illusion we are slipping into.

Yet the radical illusion of the world has been faced by all cultures. It has been described by mystics, symbolized by art, and struggled over by philosophers. The notion of illusion is not the main issue – rather, it is the medium through which it is conveyed. Or, more importantly, whether it is deliberately exaggerated and amplified. And how, by who – and why? Illusion is now perhaps our greatest industry, especially in western societies. Illusion is the consensus story we are told when growing up and which we all believe in. It’s the story that’s always been told because ‘that’s the way it’s always been.’ No wonder there is so much confusion, which is then fed by another great western industry – therapy.

Hyperreality plays a somewhat different game, with new rules and a different deck of cards. The paradox today is that those of us caught up in the game have no idea what the gameplay is. This is similar to a Jorge Luis Borges short story ‘The Lottery in Babylon’ where all activities in life are governed by the lottery; that is, by chance. And the lottery is run by ‘The Company,’ the rules of which not only are the rules of the game but become the rules of life. If that’s not confusing enough, then we need another hyperreality pill.

Please Sir, Can I Have Some More Hyperreality?

Hyperreality – the inability to distinguish the real from simulation – has become our new reality structure (perception set) and is constructed so that everyone believes in it and goes along with it. There is an underlying feeling that something is not quite right, yet our sense of reality often appears so extreme that it becomes ‘extra-plausible.’ It appears that strange walls of falsehood are being erected between the individual and what is real. The result is a distortion of how we see things. In other words, a perception distortion. To put it simply, hyperreality can be described as the normalization of delusion. When mass society adheres to a collective delusion we call it normal, or ‘reality,’ and if one person strays too far from this consensus thinking then we often label them as delusional, or unstable. It is as if we have been struck by on-coming car headlights and we are like dazed rabbits in the middle of the road. Better not sit around too long wagging our fluffy tails!

The hyperreal smoothes and soothes all contradictions. When once we thought we had ‘left’ politics and ‘right’ politics, these distinctions are now nullified. There is no more any ‘left’ or ‘right,’ only agendas that use varying means to acquire the same power. Any basis of truth has slipped into the sleek substitution – the simulation. Let me ask a question: Do we really think that the face of politics, for example, represents any vestige of truth? There is no more truth in politics than there is in someone wearing a laboratory coat in a television commercial trying to persuade us to buy a particular brand of detergent. There is persuasion and falsity that parades as an element of truth, yet it is a pure simulation. We have slipped into an age where the new ‘reality principle’ tells us that nothing is out of reach and that almost everything can be bought for a price. That is, the real is solid and exists as the flow of goods, services, desires, wants, pleasures, and an almost instant availability.

The question now is how far can the world go before yielding to a permanent state of hyperreality? Perhaps we are already in this state right now; after all, the hyperreal is contagious, like a chain reaction. In the hyperreal world the space of communications is condensed into the simultaneous now; marginal spaces on the periphery are now the hidden spaces where secrecy flows in offshore networks. Our networks of mobility and movement are fragmented into those that privilege some and exclude the many. Even the space above our heads is colonized by the satellites that spy on us. We have street views being watched and analyzed by Google. Our movement, speech, and text being spied on, processed, and interpreted by intelligent algorithms. We have injected a ‘smart-virus’ into the Earth in order to monitor all activity.

Our smooth digital flows allow – with precision and efficiency – for many aspects of our national and private economies to be shifted to the periphery where the secret networks operate. Only the hyperreal economies remain in the spotlight. There is now a global offshore world that moves in exclusive, mostly secretive networks. The phenomenon of offshoring has transformed peripheral and marginal places into central nodes. Offshored economies had mostly operated in the unseen shadows until the scandal of the Panama Papers in 2015. This massive leaking of documents led to political and celebrity scandals across the world, forcing many politicians to resign from their coveted positions. Presidents are now further pressed to release their tax returns to prove their legitimacy. Yet with the farce within the hyperreal, such players as US President Donald Trump can evade these processes with blatant deceptions. Offshored secrecy and surveillance are central to the functioning of contemporary societies.

Hyperreality is also about disappearance.

Please Sir, Can You Tell Me Where I Can Find Some Hyperreality?

Hyperreality is not only about speed and velocity; it is also about size – things are condensing into ever smaller spaces before disappearing altogether. Our urban habitats, information flows, financial transactions, have all shown increased density at the same time as velocity. Financial crashes today are more explosive because they affect so many more systems on a global level. They are dense in their complexity.

At the core of the condensed form what we once knew as the real begins to disappear. At the extremity of economics, the value of money disappears. At the extremity of warfare there is no real humanity, only insanity and immense sorrow, loss, and pain. At the extremity of sexuality there is no warmth only the pornography of lust and the commodity of desire. At the extremity of goodness there is the greed to do good. And even at the extremity of love there is no real love, but obsession and possession. Within these extremities we lose touch with anything that once came close to the real. We are in the slipstream of the hyperreal where the substitute replaces its former host. And the substitute is ‘always-on’ 24/7.

An ‘always-on’ hyperreal world also creates the illusion of mobility. Precisely because we can be connected throughout the world by the technologies in our pocket we are no longer required to move. We can be in the office while speaking with colleagues across the globe; or chatting with friends on another continent whilst remaining seated on our sofas. The contradiction here is that hypermobility creates its own sedentary life. This was explored in the sci-fi film Surrogates (2009) where people purchase remote-controlled humanoid robots to conduct their social life and affairs whilst the real person remains at home wired to their chair. Of course, everyone chooses a pretty or handsome humanoid to represent them (just like avatars in the online world) whilst their real bodies lie fat and underused in the unmoving chair.

We have yet little cultural experience to protect us from the invasion of simulation, artificiality, and the hyperreal. It has all happened too quickly for us and our senses have not fully adjusted. Some of us are struggling with aching bodies, restless sleep cycles, and tired eyes from all the screens in our lives. It is not motion sickness we are suffering from more and more but monitor sickness. One of the features of hyperreality is that communication occurs extremely rapidly, and we are bombarded with information almost constantly.

The hyperreal brings to the fore a convincing collection of disastrous non-events. Everything that is happening somehow gets reported, transmitted, and commented upon, creating an explosive babble of micro-impacts that dominate our superficial conversations. Then the next day they have disappeared into a black hole of amnesia and replaced by another twenty-four-hour dose of attention-topics. This hyperreal lifestyle creates a background noise; a seemingly endless low static buzz that infests our everyday spaces. It’s like the static we experience when changing radio channels, or when a digital television channel isn’t yet synchronized.

Many of us are living in a high-velocity, always-connected, post-historic world. For those people who are not yet attuned to this it is highly unpleasant. Things seemingly take place, but we are not quite sure. This is the dilemma. The hyperreal takes the wounded soul and Photoshops it into a caricature of its former self. It becomes glorified and falsely beautified into the less real, but with hyper-appeal. Events and issues are glossed over, making truths little more than quick sound-bites that flash before our eyes. Despite these absurdities we are still living in a world that is physically very real.

The Hyperreal in Overreaction and Overload

We ultra-react because we are continually under bombardment by a stream of information that keeps us in overload. We wish to know as much as possible about what is going on in our environment because this used to be an evolutionary survival strategy for our ancestors. Yet our distant ancestors didn’t have the Internet, smartphones, and a whole array of connected gadgets – they had clubs and hatchets. We’ve changed our rhythms, or rather our new technologically-pervasive environment has altered our rhythms, and we’ve not had sufficient time biologically, as well as psychologically, to adjust. We are waking up to a world in a new rhythm, with a new, faster speed and an altered resonance; and frankly for most of us it makes us feel as if we’re partially inebriated. The world is making our children respond to its hyperreal energy, and then subsequently we go about tranquilizing them. The rise of young schoolchildren in the modern world taking medications for ADHD (attention deficit hyperactivity disorder) is phenomenal. In such a world it becomes much harder to practice and maintain certain types of attention, such as contemplative, reflective, and introspective thought. We are accessing information, yet less so are we translating this information into rich, interior states or memories.

It is as if we are afraid to be bored. We may feel that being bored – or being boring – is a failure; that we have failed to make use of all the information and opportunities at our fingertips. Yet the brain is continually working hard to process all information and external impacts, and so we need to take time off to relax, recharge, and replenish. We need to retain our attentiveness instead of giving in to the lazy approach of digitally-offloading our attention. We cannot navigate our own path through life by GPS. At the same time, retaining attention should not require artificial, chemical inducers. Nor should it require copious amounts of fantasy masquerading as the real. Many highly developed cultures are already basking in the ‘Disneyfication’ effect where western commercial pursuits, practices, and values are promoted around the world as a panacea for all. Disneyfication gives us bigger, faster, and better entertainment that’s the same the world over – US mass culture values on the global stage. Disneyfication hides the ‘real’ places, yet paradoxically many people seem to prefer being in the imaginary. Perhaps its real function is to make us believe that the rest of society is imaginary and only that which resides within the walls of Disney is real. In the hyperreal the spectacle becomes the lived space of our social lives. Disney is colonizing our lives and that colonization becomes the new world map.

The Argentinean writer Jorge Luis Borges famously wrote of a great Empire that created a map that was so detailed it was as large as the Empire itself. The actual map grew and decayed as the Empire itself conquered or lost territory. When the Empire finally crumbled, all that remained was the map. This ‘imaginary map’ finally became the only remaining reality of the great Empire: a simulation of the once physical reality that has now been colonized by its own spectacle. This is where the Real loses its center and becomes origin-less.

The hyperreal too evades a sense of origin, which accounts for the rise in nostalgia, retro-revival, and people dressing up as superheroes. Star trek conventions, speaking Klingon, and entering a whole new universe meshes with the online worlds and their avatars. In the realm of the hyperreal the origin is origin-less, and real place is place-less. We are given new maps of celebration and celebrity that hide a commodity fetishism – yet where is the meaning? We crave for meaning.

The hyperreal incorporates everything within itself. There is no outer or inner within its realm. The only escape is a form of transcendence – a process or act of gnosis – that can see through the superficiality of the spectacle. This is the current dilemma – our systems are extending but not transcending themselves. Many of us are in this situation: we go for more of the same, only a little bit different. The answer lies in becoming beyond difference. Life has always been a sequence of events that we ascribe meaning too. When we experience this sequence in a reasonable enough form then we create our meanings. It is when this sequence of events and signs becomes asymmetrical, non-linear, or accelerated beyond our limits of standardized perception that we begin to lose our ability to ascribe significance to it. Hyperreality is the zone where this slippage occurs and meaning loses its anchorage. The result is that we feel we are being carried away from ourselves. We are being pulled into the flux and flow of this hyperreality and we lose sight of the ground. Not only the grounded-ness of place, but also our inner ground – that part of us which makes us feel human. It is the soulful part of us that we are losing.

In these hyperreal times we need to find a new balance and arrangement between things. Our old arrangements are shifting, and those things once in perceived stability and order are losing their moorings. We should remember that the ‘Real’ exists somewhere inside of us and keep this in mind as the world outside continues its head-long rush into a frenetic, whirlwind of chaotic events. In the end, we can only truly rely on our own good sense and intuition. As Václev Havel stated in one of his addresses, ‘Transcendence is the only real alternative to extinction.’

We must try to remain stable and as sane as possible as life accelerates into its own hyperreality. Otherwise we may not find our own center within the global maelstrom. The ride has only just begun.

 

About the Author

Kingsley L. Dennis is the author of The Phoenix Generation: A New Era of Connection, Compassion, and Consciousness, and The Sacred Revival: Magic, Mind & Meaning in a Technological Age, available at Amazon. Visit him on the web at http://www.kingsleydennis.com/.

References:

[1] Yates, Francis. The Rosicrucian Enlightenment. London: Routledge, 2001.

[2] Quoted in Noble, David F. The Religion of Technology: The Divinity of Man and the Spirit of Invention. London: Penguin, 1999, 134.

[3] Davis, Erik. Techgnosis: Myth, Magic and Mysticism in the Age of Information. New York: Three Rivers Press, 1998, 9.

Lost in the Theatre of Data, Dada, and Emotional Manipulation

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By Edward Curtin

Source: OpEdNews.com

“It is not only information that they need — in this Age of Fact, information often dominates their attention and overwhelms their capacities to assimilate it”What they need, and what they feel they need, is a quality of mind that will help them to use information and to develop reason in order to achieve lucid summations of what is going on in the world and of what may be happening within themselves”what may be called the sociological imagination.”

— C. Wright Mills, The Sociological Imagination, 1959

“‘Our own death is indeed, unimaginable,’ Freud said in 1915, ‘and whenever we make the attempt to imagine it we can perceive that we really survive as spectators.’ It is thus the very habit of military situations that turn them theatrical. And it is their utter unthinkableness: it is impossible for a participant to believe that he is taking part in such murderous proceedings in his own character. The whole thing is too grossly farcical, perverse, cruel, and absurd to be credited as a form of ‘real life.’ Seeing warfare as theatre provides a psychic escape for the participant: with a sufficient sense of theatre, he can perform his duties without implicating his ‘real’ self and without impairing his innermost conviction that the world is still a rational place. Just before the attack on Loos, Major Pilditch testifies to ‘a queer new feeling these last few days, intensified last night. A sort of feeling of unreality as if I were acting on a stage”.'”

— Paul Fussell, The Great War and Modern Memory

“The society whose modernisation has reached the stage of integrated spectacle
is characterised by the combined effect of five principal factors: incessant technological renewal, integration of state and economy, generalised secrecy, unanswerable lies, and eternal present . . . .”

— Guy Debord, The Society of the Spectacle

“Hi-diddle-dee-dee

An actor’s life for me..

Hi-diddle-dee-dum

An actor’s life is fun”

— Walt Disney, “Pinocchio”

It was 100 years ago this November 11th when World War I ended. This “War to End All Wars,” resulted in the death of approximately 9 million soldiers and 9 million civilians. The brilliant leaders who waged this war — the crème de la crème — men who, in their own warped minds, possessed impeccable logic and rigorous reasoning, expected the war to be over in a few months. It lasted four years. Like their more current American counterparts before they launched the war against Iraq in 2003, they expected a “cakewalk” or a “slam-dunk” (the former term is racist and the latter a sports term, perfect unconscious verbiage for the slaughter of “lesser” humans). All these principals were data demented, they had lined up their little toy ducks in a row and expected a neat and logical outcome. Or so they said. The new weapons would make quick mincemeat of the enemy. Technology would expeditiously destroy to expeditiously save. Nothing has changed in one hundred years

Such instrumental logic and its positivistic data reductionism has now deeply infected the popular mind, as common sense has been destroyed by government and mass media propaganda so blatantly ridiculous that only a hypnotized person could believe it. But so many have been hypnotized and follow the repetitious and overwhelming streaming of each day’s markedly ad hoc “news,” following the Pied Piper to their doom via the wizardry of digital technology. Raptly attentive to the “politainment” that passes for journalism, they pin ball between alleged assertions of fact cobbled together with tendentious and faulty logic and theatrical displays of emotion meant to manipulate an audience of spectators in the national theatre of absurdity. It is all show and tell in which the audience is expected to react emotionally rather than think, with images and feelings having replaced concentrated reflection, and facts and evidence having disappeared like a coin from a magician’s hand.

This technological surround-sound theatre has reduced everything to play-acting, with audiences and their puppeteers playing reciprocal parts. Theodor Adorno analogizes thus:

“Real life is becoming indistinguishable from the movies. The sound film, far surpassing the theatre of illusion, leaves no room for imagination or reflection on the part of the audience, who is unable to respond within the structure of the film, yet deviate from its precise detail without losing the thread of the story; hence the film forces its victims to equate it directly with reality. The stunting of the mass-media consumer’s powers of imagination and spontaneity does not have to be traced back to any psychological mechanisms; he must ascribe the loss of those attributes to the objective nature of the products themselves, especially to the most characteristic of them, the sound film. They are so designed that quickness, powers of observation, and experience are undeniably needed to apprehend them at all; yet sustained thought is out of the question if the spectator is not to miss the relentless rush of facts.”

Meanwhile, the real business of murder, mayhem, and economic exploitation continues apace. As one “small” example of a fact relegated to oblivion by our mainstream media, in Gaza this past week, Israeli occupation forces killed Nasser Azim Musabeh (12), Mohammed Nayef Ai (14), Mohammed Ali Mohasmmed Anshasi, (18), Iyar Khalil Al-Sha’er (18), Mohasmmed Bassam Mohammed (24), Mohammed Walid Haniyeh (23), and Mohammed Ashraf Awawdeh (23). But such facts don’t matter since these dead young people were already reduced to invisible people not worthy of a mention.

Rather, pseudo-debates and pseudo-events are created by media and political magicians whose goal is to confuse the audience through information (data) and emotional overload into thinking that they are “freely” choosing what is always the same, to paraphrase Theodor Adorno. It is a conjurer’s act of mind manipulation in support of a repressive political and economic ideology built on false dichotomies. The political/media empire creates its own “reality” that the captivated audience takes as reality, as their emotions swing from outrage to laughter and their electronic clickers jump them from show to show, from CNN or Fox or the New York Times to Saturday Night Live in the land where there is no business but show business. “Amusing ourselves to death,” as Neal Postman so aptly put it. To which I would add: As we put others to death outside the show.

The other day I was in a library and was looking through a large book of World War I photographs from the Imperial War Museum that I found lying on a table. They were arranged chronologically from the start of the war in 1914 to its end in 1918. Fascinating photos, I thought. I went through the book page by page, examining the photos one by one, beginning with the assassination of Archduke Ferdinand by a young guy, on through the photos of stiff British war-hawk leaders in double-breasted suits, through photos of the trenches and the new weapons until I reached photos of the treaty to “end” it. By the conclusion, I felt exhausted and knew nothing new. Photos as data. Click, click, click: How many are enough? It was like spending an hour with the mainstream corporate media, and much of the alternative press. It was like a black and white movie in no motion. Same old, same old, as a young man I know often says when I ask him what’s new. Same old data via photographs. War is hell. Ditto. Bodies get blown to bits and decompose in mud. Ditto. Heads get separated from necks and blood pours forth. Ditto. War is hell. Ditto. Great leaders meet and end the carnage. Ditto.

Ditto Data Dada. I had to imagine the subsequent pages and years as these great leaders, so disgusted by war, prepared for the next one, and the one following, etc. Ditto, data, dada.

I understood then why the first famous Dadaist piece of art that emerged from absolute disgust with the data driven crazies who started and waged WW I was Marcel Duchamp’s 1917 “Fountain,” a porcelain urinal signed by R. Mutt, a message to tell the “great” leaders to piss off.

But Dadaist art, like all avant-garde art, gets quickly sucked into the maw of the entertainment complex, which is another name for the propaganda complex. As the word media means etymologically — magicians — these sorcerer’s have developed and use every bit of black magic to engineer the consent of the bewildered herd, to blend the words of two of America’s key propagandists from the past: Edward Bernays, Freud’s American nephew and President Woodrow Wilson’s master propagandist for WW I, and the famous journalist Walter Lippman. Bernays put it straight and succinctly:

It is impossible to overestimate the importance of engineering of consent. The engineering of consent is the very essence of the democratic process. It affects almost every aspect of our daily lives.

Last week I attended a production of the play Annie in a community theatre in a liberal town in the northeast. The show was sold out, and I was there because my lovely granddaughter was performing in the play, one whose story and music I was very familiar with. The show was delightful and the audience was enraptured by the performances and the wonderful music. If you are not familiar with the story, it is about an 11 year old orphan named Annie who, in 1933 when FDR has assumed the presidency, is in search of her biological parents. Together with other orphans in a NYC orphanage, she is treated miserably by a character named Miss Hannigan. By the play’s end, Annie is adopted by a wealthy man to presumably live happily ever after. At one point in the play, this wealthy man brings Annie to Washington D. C. to meet his friend, President Roosevelt. He says to FDR, Franklin, you need to do something and get my factories humming again. In this scene, Roosevelt and his cabinet, the wealthy man, and Annie sing the very upbeat song — “Tomorrow” — which Roosevelt loves since it offers hope in the dark time of the great depression. Everyone sings the stirring song, many in the audience silently singing along and the mood in the theater elevates. By the play’s end Annie is adopted by the wealthy man, whose name is Daddy Warbucks. This super-capitalist billionaire with a mansion on Fifth Avenue and a heart of gold has made his riches making weapons for WW I, though this is not spelled out in the show. I kept wondering what the audience of liberal-minded people were thinking, or if they were, about the strange fact the hero of the show was a man with a war-monger’s name whose factories had produced armaments that had created tens of thousands of war orphans and who was urging the liberal Roosevelt to get his munitions factories up and running again in 1933. I suspected they weren’t thinking about this at all and that the work of subtle propaganda was being magically induced at an unconscious level. For how could such a nice, caring guy, who adopts the cute Annie and who sings such tuneful songs, be a killer?

I guiltily thought: I shouldn’t be thinking such thoughts, as I also thought how can I not think them. Emotionally I felt one thing, and intellectually another. This was the classic double-bind.

Upon further reflection, I realized that this is how the finest propaganda works. It splits people in two and works subtly. Emotionally you are pulled one way, and intellectually another, if you are thinking at all. There are certain connections you are not supposed to make or verbalize, when to oppose the powerful sway of the media’s emotional appeals is considered a betrayal of your humanity and certain victims, such as a cute orphan or acceptable victims, even when that doesn’t follow logically.

But in the Magic Theatre that is American life, false choices are the essence of the show. Democrats vs. Republicans, Clinton vs. Bush, Bush vs. Obama, Obama vs. Trump, liberals vs. conservatives, and on and on endlessly. It’s Dada, my friends, all theater. The next election will change everything, right? “The sun’ll come out/Tomorrow, So ya gotta hang on/’Till tomorrow/ Come what may.”

Only when we leave the theatre can we see the real play. But that’s a bold act for which no Oscars, Tonys, or Emmys are handed out. And outside the theater’s warm embrace, it’s cold, and you feel like an orphan looking for a home, no matter how much blood-money purchased it. But don’t go in; it’s a trap.

 

Unsouling From the Wilderness

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By Kingsley L. Dennis

Source: Waking Times

“Crazy Horse dreamed and went into the world where there is nothing but the spirits of all things. That is the real world that is behind this one, and everything we see here is something like a shadow from that one.” ~Black Elk, Black Elk Speaks

“Modern man, I dutifully noted, is in search of a soul, and the age is an age of longing.” ~Theodore Roszak, Where the Wasteland Ends

Perhaps the reason some of us are feeling a sense of loss and longing is that we are, as Black Elk informs us, living in the shadow world. Our reality on this side may only be the fleeting ghosts of a place that is more real somewhere else. On this side we have broken our commitment to the earth and have unsouled ourselves from the wilderness. By the first century CE, the essayist Plutarch was asking, “Why is it that the gods are no longer speaking to us?”

For a long time now, we have been trying to create a new and different image of ourselves. It is an image where modern humanity is placed at the center of its own universe. We learn by observing, probing, experimenting, and finally dissecting and destroying the dynamic world we live within. From this, the modern mind started to develop a new reality for itself.

The collective reality in which we now reside does not take kindly to opposing perspectives. We have inherited an alienated consciousness that views the world as an outside entity – a world of objects that move in mechanical motion. This alienated consciousness has substituted the enchantment and mystery of living within a dynamic and animated world with a dream of the artificial, and ultimately the unreal. The modern landscape is now more scattered with administration than adventure. The central image of our modern age has been that of consumerism: the ability of the average person to buy the material goods they require in order to have a decent standard of living. A standard of living albeit promoted to us through our mainstream media and glamorous propaganda.

Only recently have some of us come to realize that consumerism has now become a contemporary form of crash therapy for unsatisfied people wanting to buy their way into happiness to escape from the very system they are simultaneously supporting. The easy acquisition of things has become more about trying to cover up anxiety as a substitute for contentment. Modern life, especially in the highly-developed West, is now rife with people parading their false selves in place of authenticity.

The modern history of the West has been about the removal of mystery, mind, and magic from the world around us. In the past there were realms of wilderness that existed outside of the social order, and each culture had these ‘wild zones’ where people danced with the little folk in the woods, undertook initiations in caves, circles, and hard-to-find corners. There were pagan rituals, crazy ecstasies, and unknown zones where primal energies were released. These were the places of wilderness, where dreamtime reigned, and clock-time was banned. And now these wild places are fewer and fewer as a new ‘reality order’ becomes the manifesto of the day. Now it is many of us who are feeling haunted. We have lost the presence of the ‘transcendent’ within our modern societies.

We must now recognize that something has happened – a break, a mutation, has occurred that has placed us in an ‘intermediate’ stage between eras. Modern life is being not so much rewritten as reconfigured. We are seeing odd things occurring in relation to time, speed, and distance. It’s as if right now the clock, and our sense of timing, is malfunctioning. This ahistorical period is out of time, until it resets itself. And here, the possibility of transcendence lingers like a phantasma.

We are in a time of carnivalesque distortion where ‘fast food’ is a parody of our normal food preparation and consumption; mediatized sport is a spectacle of its original form; and the music industry is one huge commercial carnival that mocks genuine creativity. In the pop music industry, the spectacle, the live show – the ‘carnival performance’ – is often more important than the actual merit of the song (even when the performer mimes, as they often do). We are in a different world right now – or at least a seemingly different reality.

In this new world of different relations, symbols, and meanings we have become unmoored from our harbors. We are talking about the fractal, the quantum, the molecular, the nano, the bots, artificial intelligence, and the singularity – yet we find we have no soulful connection with any of these terms or their significances. Perhaps we have entered a void-time.

The Sense of the Void

With human life having lost its reference to transcendence and the notion of the sacred, there is the ever-present danger that we may descend to a form of human morality that lacks any real meaning or higher principles. It is not hard to believe that a degree of inertia has crept into our modern societies. The result is that many of us may now be finding ourselves with a hollow space inside. This space becomes the perfect seedbed for the consuming desires, distractions, and attractions of modernity’s excesses. Within such an environment we wonder whether we may find ourselves waking up to a world where the dream is still dreaming itself and we can no longer distinguish what is real.

An age of the quantifiable has been ushered in and everyone, and everything, gets given a mark or a measurement. Ever since the industrial age brought in the points system – the marking scores – into mass education we’ve been carrying numbers around with us. Before then, students were known as apprentices and they spent time embedded in their discipline learning its skills. They either learnt great skills or they didn’t; now they get an 85, a 78, a 66, or a 45. Now all modern institutions think in numbers and our social status is quantified by such numbers, or grades, that allow us into other specialized zones – such as the members clubs, the elite institutions, or even into the ‘good credit’ rating books. The organic nature and capacity of a person has been stripped down to the quantifiable, and this measures the worth of an individual according to such grades. These associated numbers then follow the person around for the rest of their lives, influencing their careers, associations, and social freedoms. Society is now painting-by-numbers.

The mesmerizing void that is modern life tries to appease us with simulated pleasures. Through our unsouling from the greater transcendent wilderness we have become all too easily appeased by seeking inadequate answers to life’s meaning. By not seeking for the essential, we cannot hope to be anything other than temporary. Within the past century millions of people in developed parts of the world have distanced and divorced themselves from nature. We are negotiating how to adapt to a world structured within an increasingly artificial environment. The mutational shift is well underway, and new arrangements will need to be sought.

A potential lack of understanding can disconnect us from a world that is at the same time becoming increasingly connected. For thousands of years our ancestors lived alongside natural forces, learning from environmental cycles, and reading the world around them. This uncoupling from the wilderness is not only in favor of urban settings but eventually artificially constructed settings that will soon be made ‘smart.’ The profusion of what are called ‘mega-cities’ are set to implement ‘smart’ technologies which will be a combination of connected information and communication infrastructures.

A Moment of Reflection

We are, it is said, the most highly-developed and articulate species on planet Earth, and yet we live in a world of reflections. We are doomed never to be able to see directly our own faces. Our face, as well as our ‘true face’ as they say, is non-visible to us; and so we are guided by reflections and their appearances.

There is a short-story from Argentinean writer Jorge Luis Borges entitled ‘Fauna of Mirrors’ that tells of a time during the reign of the Yellow Emperor when the world of mirrors and the world of men were not, like today, cut off from one another.[i] Both kingdoms lived in harmony and each could come and go through the mirrors. Yet one night the mirror people invaded the earth and a mighty battle ensued until finally the magic arts of the Yellow Emperor prevailed. The mirror people were pushed back and imprisoned into their mirrors, and punished by being forced to repeat, as if in a dream, all the actions of the world of men. They were stripped of their power and their forms and reduced to mere reflections. A day will come, however, when the magic spell will be broken and little by little these reflections will awaken and will slowly differ from us. Then they will stop imitating the world of humans and eventually they will break through the glass once again to enter the earth.

They say that life imitates art far more than art imitates life. Upon reflection, every culture and society claim a portion of our private psyche as its own. With the narrowing of our sensibilities comes not only a much-diminished reality but also a contracted perspective whereby this condensed form of perception and visibility becomes as hyperreality to us. If it’s true that modern life has muffled the call of transcendental mystery, then it is equally true that it has made transcendence both a more needed and yet more difficult promise. The cry for the ‘death of the soul’ and the unsouling from the wilderness has helped to pave the slippery path toward a simplified hyperreality that is now stealing the show. Fasten seatbelts…

A Bardo Chat with: Aranyani, Hindu Goddess of the Forests 

Author (A): Hello Aranyani. Are you there?

Aranyani (Ai): (short pause) Hello…hello!

A: Hello Aranyani. How are you today?

Ai: Today? Why today? I don’t have days like you do.

A: Ah yes, sorry. I was thinking in my own terms of time. It’s a frequent trap!

Ai: That’s okay, we understand. Traps are there to break out of. I am good, thank you. I am well.

A: That is good to hear. I am glad to know you are well amidst all this disconnection going on right now.

Ai: Disconnection? I am gently strolling through my forests. There is no disconnection (another short pause). All is well here.

A: Sorry, I should have been more specific. I meant disconnection between us, humans, and the natural world. It seems that we’ve done a terrible job of respecting Nature and our environment.

Ai: Mmm, yes, that is so. I am not fond of strolling too near to your civilizations. But why do you call it a job? You see, already you show a wrong way to look at things. Your way of words shows how your mind thinks. Looking after the natural world, as you put it, is not a ‘job.’ It is a recognition of respect, or mutual interdependence, and of compassion and love.

A: Sorry again. I know that I use my words too loosely. It is the way we use phrases here.

Ai: Yes, I know how your species is. For one thing, you don’t listen at all very well. You consider yourselves as a separate species. My dear, nothing is separate. You see space between bodies and you label this as separation. You think and behave like children, and Nature is your forgiving mother.

A: I know, we’ve got a lot of things back-to-front. Would you care to explain more on this relationship?

Ai: (a soft sigh) Maybe a little. Everything communicates here, it always has. You don’t necessarily need a mouth or words or letters to communicate. It all communicates energetically, and you humans are also attuned to this. Every part was supposed to work together. You are strange in that you forgot how to properly listen. And now you build devices outside of yourselves to wrap around the earth – but you don’t need them. And there will be a time when you shall know this, and learn to communicate correctly, as you were always meant to – and not with your machine things. All of nature is alive, don’t you know that?

A: Yes, some of us do; but not enough, unfortunately.

Ai: You knew better before, a long time ago.

A: Yes, I have a feeling we did. Yet we now need to learn how to know in a different way.

Ai: Well….. (long pause)

A: Hello, are you there Aranyani?

Ai: Oh yes, sorry, I was dancing. I have a tune in my head. It’s been given to me from the trees.

A: Wonderful! I was saying that we need to learn how to know in a different way.

Ai: That’s not really how it is. Learning, knowing, and all these things – it’s all head stuff. You live too much in your heads. You always think you need to grab onto something – to know better, and the like. I would say you have to open up more, and to remember everything that was placed inside you. You are coming to a different place now…

A: Yes, thank you. And what do you mean by ‘coming to a different place’?

Ai: I mean you are not in your little tribal units anymore. You are now all over the earth. You grew and connected as you should, and now you are coming to a time when you can really be of help to the earth.

A: You mean as a global species?

Ai: (laughs) You and your fancy words. Yes, you are connecting more strongly with the body of Gaia now. Soon you will find your minds being changed for you. That should be fun!

A: Ah, and what do you mean by that?

Ai: (hums to herself) I don’t feel I should reveal too much just now. Not too many of you have realized that your minds are attuned to Gaia, your planet consciousness. Consciousness is not only those thoughts in your head, silly! (laughs). This is the true language, the natural language, and it is everywhere. This language flows through the trees, the plants, the animals, and through all of Gaia. There is a language that connects, and the humans are disconnected from this. Yes, that is the true disconnection. You talk about disconnect from Nature, but really it is disconnection from your shared language. You speak in tongues but only babble silly words.

A: Yes, true – we do babble a lot.

Ai: Babble, babble, yes you do! Like that story you tell yourselves. You call it the Tower of Babel, right?

A: Yes, that’s true. And it’s a perfect analogy. We tried to build a tower to our Creator and we ended up being divided in languages through our ignorance.

Ai: Yes, that’s it right there. You were disconnected through your ignorance.

A: Mm…yes (sighs)

Ai: Don’t worry, dear. You still have it all inside of you. Your connection to Origin and the universal language is still there. And you are not disconnected from us either. You are always with us, and you always have been.

A: Okay, sure. And thanks. But by being with you always are we not making the balance of Nature worse?

Ai: Oh, dear ones – it’s always about you, isn’t it!? Let me tell you that Nature is far more capable of taking care of herself than you are. Things change, yes. And you are making a mess and not clearing up your mess, like children. This is true too. Yet so many more things come to pass that are not in your hands – that is Nature. She is so far beyond your comprehension of her. You think of these separate things within Nature, like the trees and the forests, and the rivers. But you cannot yet see them as being all together as a wondrous Being. She is a Being far beyond your little minds. And she cares for you. Little children, wake up!

A: Yes, yes.

Ai: Be more joyful and love the things you have, and which surround you. The disconnection you speak of is less from Nature and more from yourselves (starts to sing)

A: That is so true – thank you.

Ai: I have to go now…byeee (voice fades into distance)

A: Yes, thank you Aranyani – bye!

 

About the Author

Kingsley L. Dennis is the author of The Phoenix Generation: A New Era of Connection, Compassion, and Consciousness, and The Sacred Revival: Magic, Mind & Meaning in a Technological Age, available at Amazon. Visit him on the web at http://www.kingsleydennis.com/.

References:

[i] See his short-story collection The Book of Imaginary Beings.

Weaponized Hyperreality: Social Engineering Through Corporate State Propaganda and Religion

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By Luther Blissett and J. F. Sebastian of Arkesoul

Perhaps no philosophical concept more aptly describes the current cultural milieu than hyperreality, characterized by wikipedia as “an inability of consciousness to distinguish reality from a simulation of reality, especially in technologically advanced postmodern societies.” The predominance of hyperreality comes at a time when people in power have never had more to conceal, distort and distract the population from while there’s never been more people who have more means and motives to stay distracted. This is evident in many aspects of contemporary life from corporate news narratives shaped by sponsors and “official sources”, increasingly absurd denials of the true state of the economy from (mis)leaders, widespread dependence on pharmaceuticals worsened by direct-to-consumer advertising and a sham drug war, fanatical worship of celebrities, to slavish acquiescence to fads and fashion. But most obvious is the increasing amount of time spent in front of screens whether for work, shopping, social media, education, self-expression, games, web content, or the exponentially growing volume of video entertainment. Though video games and web series are catching up, the primary narrative formats for cultural expression and transmission today are still television and film.

Struggling to retain their cultural/economic status in the face of increased competition while appeasing shareholders of their monolithic multinational corporate owners, large film and television studios are increasingly risk averse. This is glaringly apparent in the output of major studios which are for the most part the media equivalent of comfort food; familiar (formulaic), satisfying (crowd pleasing), full of empty calories (lacking intellectual/emotional complexity or challenging ideas) and generally bland in terms of content and presentation. On television this is commonly displayed through clichéd tropes, characters and situations while films are now more than ever driven by CGI enhanced spectacle. Both rely on repeating what has worked in the past and (for viewers of a certain age) appealing to nostalgia while pandering to current cultural trends.

Of course such strategies overlap, as there’s more than a few television programs that offer Hollywood style spectacle and big budget movies which imitate successful formulas in the form of adaptations, sequels, prequels, reboots, spin-offs, and mockbusters. In fact the majority of Hollywood’s summer blockbuster output is now comprised of such derivative and safe content predominantly in the form of fantasy and science fiction films.

The ideological motives and functions of cinema and other pop culture are manifold, but a major one is control and influence of mass audiences. We now know the US government has been doing it at least since the 1950s. According to a Church Committee investigation detailing Operation Mockingbird in 1976:

“The CIA currently maintains a network of several hundred foreign individuals around the world who provide intelligence for the CIA and at times attempt to influence opinion through the use of covert propaganda. These individuals provide the CIA with direct access to a large number of newspapers and periodicals, scores of press services and news agencies, radio and television stations, commercial book publishers, and other foreign media outlets.”

More recently, in 1991 the Task Force Report on Greater CIA Openness revealed the CIA “now has relationships with reporters from every major wire service, newspaper, news weekly, and television network in the nation,” which enables them to “turn some ‘intelligence failure’ stories into ‘intelligence success’ stories, and has contributed to the accuracy of countless others.” It also revealed that the CIA has “persuaded reporters to postpone, change, hold, or even scrap stories that could have adversely affected national security interests…” (Global Research, Lights, Camera… Covert Action: The Deep Politics of Hollywood)

Government influence of culture factories such as Hollywood through covert infiltration or embedded advisors ensures that the end product reflects the values and behaviors they wish to promote (ie. xenophobia, deference to authority, nationalism, parochialism, narcissism, anti-intellectualism, consumerism, rapaciousness, etc). In some cases, most notably Zero Dark Thirty and United 93,  the goal is to cement an official narrative into the collective consciousness. A more sophisticated method of social engineering via Hollywood is predictive programming; presenting through media societal changes to be implemented by leaders in order to gradually condition the public and reduce resistance to such changes.

Manipulation of public sentiment through mass media also makes sense from a purely corporate perspective. Why wouldn’t media owners gear the ideological content of their products to support the systems they benefit from while screening out more critical messages? Occasional subversive content may get past the gatekeepers if it’s immediately profitable (which it sometimes can be if particularly resonant), can be co-opted in some way that serves the status quo, or if the creative minds behind it are particularly lucky, talented, and/or well connected. Regardless, one could argue uncritical media consumption is a form of pacification through distraction and escapism and all corporate media content are a result of calculating the highest return on investment, which more often than not reflects the culture’s most deeply ingrained values and myths.

This is particularly true for fantasy/sci film films, which have become ubiquitous for a number of reasons including cultural tastes of global demographics, aesthetic trends (eg. hyperreal CG effects for evermore spectacular imagery), impact of changing media technology on the economics of production and distribution, growing awareness of the value of properties belonging to rich fictional universes which can be mined by worldbuilding studio screenwriters, and in many cases, resonance with our increasingly dystopian world. Most fundamental is profitability, especially as sfx technology becomes more advanced and affordable, licensing opportunities increase, and film franchises that come with large and passionate built-in fan bases reduce the need for marketing and practically sell themselves.

Many who grow up immersed in geek culture already have a hyperreal relationship with fantasy and science fiction realms which heightens the nostalgia evoked by the stream of multimedia incarnations and product tie-ins (bolstered by cult-like fan communities). Is it any surprise that fans who’ve extrapolated on the “Jedi” concept from the Star Wars films turned it into a religion? The Jedi cosmology (and similar ones from countless sci-fi/fantasy films) are modeled on mysticism, a philosophical framework which could fill a void for spiritually deprived materialist cultures. For many people, comic book fandom is another safe and entertaining way to explore concepts that might otherwise be too “out there” (perhaps especially among those who share an equally strong interest in materialist science). At the same time, because of the influence of marketing, the greater role of technology in society and changing cultural trends, geek culture has become a larger part of mainstream culture. Combined with celebrity worship, the lure of technology (both on-screen and off), and increasingly omnipotent powers of multinational corporations, modern big budget sci-fi/fantasy films represent a confluence of potent socioreligious crosscurrents.

Recent works such as Christopher Knowles’s Our Gods Wear Spandex and Grant Morrison’s Supergods examine to an extent superheroes as modern mythological archetypes. Bill Moyer’s The Power of Myth explored how Joseph Campbell’s theory of the monomyth (or hero’s journey) influenced and shaped the Star Wars films (which itself has influenced myriad blockbusters since). In The Hero With a Thousand Faces, Campbell identified a story template used in almost all pre-modern cultures across the globe which goes something like this:

A reluctant “chosen one” in an ordinary world receives a call to adventure and warning of a danger that must be confronted. With the training and wisdom of a mentor the hero crosses the threshold into the unknown. Companions acquired along the way assist in overcoming a series of challenges and temptations until reaching the depth of their fears and resultant apotheosis or rebirth. This empowers them to achieve their goal and return triumphant to an admiring family/community/nation etc.

It’s not hard to see the attraction of narratives such as this which tap into primal emotional needs and can be found in a wide range of religious narratives such as the lives of Buddha, Christ, Muhammad and Rama among others. It also serves as a metaphor for spiritual/psychological journeys through life.

In a recent post on his Secret Sun blog, Christopher Knowles states “Myths grow out of times of crisis and upheaval, in one way or another. The current vogue for superheroes is a symptom of the powerlessness felt by a populace under assault by the realities of Globalist social engineering, war-making and economic redundancy.” I would add that myths can also be exploited to function as part of a cultural assault to perpetuate Globalist agendas. Authoritarians are all too eager to depict themselves as monomythic demigod saviors and/or those serving them as self-sacrificing rugged individualist heroes fulfilling their grand destinies.

In the same piece, Knowles concludes: “But myths do die. They aren’t immortal. The next war or wars may in fact sweep away the myths of the 20th Century entirely. The wars may send people reaching back to far older myths as civil wars can rekindle the bonfires of identity, sending people back to the myths of ancestors. This has always emerged in times of close conflict, particularly in conflicts seen as struggles against occupying powers.”

If he’s correct, there may be some hope for our culture to reclaim myths as a means of understanding reality rather than serve as a trapdoor to fabricated hyperreality. The problem is that there is a gap that needs “filling in” between reality and hyperreality. One of the many consequences of postmodernism is the complete blurring of the line between what is real and what is not. A sort of apathy has kicked in within the human psyche given that crushing truths, not easily discernable in the past, are all out there in the raw. Religious and scientific truths once held sacred can be easily discarded. Morality is a rare hobby in a generation both cynical and powerless to discern reality. This is as well due to globalism and technology, which serve as hubs for information retrieval that wasn’t readily available. Humanity has developed thicker skin, while at the same time widened the existential void left by a reality that is less and less objectifiable. Opinion makers are everywhere, information is ubiquitous, and the species is obsessed with being entertained while answers are readily manufactured in the shape of capital fetishes, all the while ideology that purportedly made a call for a “better and different” world, such as Marxism and psychoanalysis, has become both a haunting spectre and an empty promise.

In the past these formulae failed. In the future they seem more and more unlikely. Capitalism has adapted itself to revolutionary ideology. It has generated even more power from it, defusing the motivation for change and twisting the definition of revolution, all the while turning such concepts into brands. The irony. There is call for a “new objectivism”, however. A bet for a system reboot, in which categorical truths can be retrieved and argued from. The analogy is this: keeping what works and dismissing what doesn’t. Sounds like a simple and logical plan. The problem is that those who get to define what works and what doesn’t will be the powerful, uncanny minority. This is their game, and we have cynically accepted it. It is the way it is. Unless we can evolve from reality to hyperreality, and from hyperreality back into reality, as a species that learns, adapts, understands how high the stakes really are, and moves forward as a collective that is conscious and responsible of its flaws, it appears we are doomed. Three scenarios: first, the narrative will continue as is: the majority will continue to be repressed, and will perpetually seek escape by the hand that feeds until lost completely in hyperreality. Technology moves forward, religion condenses into inconvenient myth: we completely “plug in”. Then what? Well, you just have to see Her to see into this future. The second, war extinguishes civilization and winds back the evolutionary clock, think Mad Max, until we reach the first scenario, as if in a loop. The third and most bleak, nuclear war. The species ends.

What we learn from this exercise is that we are at the apex. This is it. The crushing truth of existence is firmly on our shoulders. War is unravelling. An ever-shrinking number of brands dominate the world. And an even smaller number of people call the shots. In between reality and hyperreality there is confusion. There is no longer a basis to discern between the two. We are as it were, lost. We need to fill in this gap. We need to dig deeper than ever before for a reason to dissolve our differences. Somehow the dilemma is set: surrender or die. But the crux of the problem can be overridden if we use the knowledge and tools we have to fight for a better, and more responsible alternative.