After the Crash

Dispatches From a Long Recovery (Est. 10/2024)

After the Crash

The Role of Dystopian Fiction in a Dystopian World

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By Luther Blissett and J. F. Sebastian of Arkesoul

A few years ago, Neal Stephenson wrote a widely-shared article called Innovation Starvation for the World Policy Institute. He began the piece lamenting our inability to fulfill the hopes and dreams of mid-20th century mainstream American society. Looking back at the majority of sci-fi visions of the era, it’s clear many thought we’d be living in a utopian golden age and exploring other planets by now. In reality, the speed of technological innovation has seemingly declined compared to the first half of the 20th century which saw the creation of cars, airplanes, electronic computers, etc. Stephenson also mentions the Deepwater Horizon oil spill and Fukushima disasters as examples of how we’ve collectively lost our ability to “execute on the big stuff”.

Stephenson’s explanation for this predicament is two-fold; outdated bureaucratic structures which discourage risk-taking and innovation, and the failure of cultural creatives to provide “big visions” which dispute the notion that we have all the technology we’ll ever need. While there’s much to be said about archaic, inefficient (and corrupt) bureaucracies, there’s also a compelling argument invoked over the cultural importance of storytelling and art and how best to utilize it. One of the solutions offered by Stephenson, in this regard, is Project Hieroglyph which he describes as “an effort to produce an anthology of new SF that will be in some ways a conscious throwback to the practical techno-optimism of the Golden Age.”

While Project Hieroglyph may be a noble endeavor, one could argue that it’s based on a flawed premise. The role of science fiction has never been just about supplying grand visions for a better future, but to make sense of the present. There seems to be an assumption that the optimistic Golden Age had a causal relationship with a perceived technological golden age when it may have simply been a reflection of it— just as dystopian sci-fi reflects and strongly resonates with the world today. Stephenson may be correct in his view that much SF today is written in a “generally darker, more skeptical and ambiguous tone”, but this more nuanced perspective does not necessarily signify the belief that “we have all the technology we’ll ever need”. Rather, it reflects decades of collective experience and knowledge of unforeseen and cumulative effects of technologies. Nor does such fiction focus only on destructive effects of technology, as large a component of the narrative it may be simply because it makes for better drama and the subtext is often intended as a critique rather than celebration. For example, the archetypal hacker protagonists of technocratic cyberpunk dystopias employ technology for more positive ends (though some question whether good SF, as in speculative fiction, needs to involve new technology at all).

A particularly positive function for dystopian sci-fi is its use as rhetorical shorthand. It’s increasingly common in public discourse on major issues of the day to invoke dystopian references. Disastrous social effects of peak oil or post-collapse are often characterized as Mad Max scenarios. Various negative aspects of genetic modification and pharmaceutical development conjure Brave New World. Anxiety over out-of-control AI and resultant devaluing of human life brings to mind films as varied as Blade Runner, The Matrix and Terminator films. The expanding police/surveillance state is reminiscent of 1984 and numerous classics which have followed in its footsteps including V for Vendetta and Brazil. General fears of duplicitous, psychopathic power elites and social manipulation have elevated They Live from relatively obscure b-movie to cult classic. The entry of the term “zombie apocalypse” into the popular lexicon may in part stem from fear (and uncomfortable recognition) of images of viral social disintegration and martial law-enforced containment efforts depicted throughout various media. The burgeoning omnipotence of multinational corporations and hackers in Mr. Robot may have been the stuff of cyberpunk dystopias such as Neuromancer and Max Headroom 30 years ago, yet, it still has much to contribute to the public discourse as contemporary drama. Such visions may not prevent (or have not prevented) the scenarios they warn us of but have provided a vocabulary and framework for understanding such problems, and who’s to say how much worse it could be had such cautionary memes never existed?

The prophetic nature of storytelling, inasmuch as it derives from the minds of authors, artists and commentators that coexist with tensions and contexts particular to their epochs, resonate with the oughts, ifs, and whats inherent to our daily lives. As it were, the cautionary element of narrative is a natural product of the human mind, and the premium of what involves sharing our mental reserves to the world. To creatively dwelve and concoct problems and solutions from experience, is an axiom analogous to that of the categorical imperative—purely, and in abstract terms of what rationality involves. Yet, often times, we find material that is in favor of cultural malaise; of all things pathological in our society, such as censorship, conformity, bureaucracy, authoritarianism, militarism, and capital marketing; things which underpin issues that, if left untouched, can engulf the real brilliance of our spirit.

Stephenson fails to see this point. SF, as any form of intelligent culture, denounces and opposes systems of oppression, and even shows us the how, when, and why—the frameworks, the makings of apparent utopias into dystopias. Dystopian storytelling can serve the efforts of downtrodden creators with utopian ideals as effectively as utopian stories can reframe a societal trajectory led by beneficiaries of real world dystopia (though it may be experienced as utopia for a privileged few). SF does not only conjure visions of better futures. They lend us vocabularies and syntaxes to understand, and impede the fallenness of a confused, and ever increasingly isolated humanity. They are languages that pervade our interiorities, and that allow the exterior to change.

At the core, SF is prophecy through reasoned extrapolation and artistic intuition. This is what SF stands for when properly aligned with the subjectivities of the oppressed, and not with the voices of oppression: true testaments of a space and a time; visions of the future that carefully partake in not committing the mistakes of the past; and tools for our personal and collective flourishing.

Skynet Ascendant

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By Cory Doctorow

Source: Locus Online

As I’ve written here before, science fiction is terrible at predicting the future, but it’s great at predicting the present. SF writers imagine all the futures they can, and these futures are processed by a huge, dynamic system consisting of editors, booksellers, and readers. The futures that attain popular and commercial success tell us what fears and aspirations for technology and society are bubbling in our collective imaginations.

When you read an era’s popular SF, you don’t learn much about the future, but you sure learn a lot about the past. Fright and hope are the inner and outer boundaries of our imagination, and the stories that appeal to either are the parameters of an era’s political reality.

Pay close attention to the impossibilities. When we find ourselves fascinated by faster than light travel, consciousness uploading, or the silly business from The Matrix of AIs using human beings as batteries, there’s something there that’s chiming with our lived experience of technology and social change.

Postwar SF featured mass-scale, state-level projects, a kind of science fictional New Deal. Americans and their imperial rivals built cities in space, hung skyhooks in orbit, even made Dyson Spheres that treated all the Solar System’s matter as the raw material for the a new, human-optimized megaplanet/space-station that would harvest every photon put out by our sun and put it to work for the human race.

Meanwhile, the people buying these books were living in an era of rapid economic growth, and even more importantly, the fruits of that economic growth were distributed to the middle class as well as to society’s richest. This was thanks to nearly unprecedented policies that protected tenants at the expense of landlords, workers at the expense of employers, and buy­ers at the expense of sellers. How those policies came to be enacted is a question of great interest today, even as most of them have been sunsetted by successive governments across the developed world.

Thomas Piketty’s data-driven economics bestseller Capital in the Twenty-First Century argues that the vast capital destruction of the two World Wars (and the chaos of the interwar years) weakened the grip of the wealthy on the governments of the world’s developed states. The arguments in favor of workplace safety laws, taxes on capital gains, and other policies that undermined the wealthy and benefited the middle class were not new. What was new was the political possibility of these ideas.

As developed nations’ middle classes grew, so did their material wealth, political influence, and expectations that governments would build am­bitious projects like interstate highways and massive civil engineering projects. These were politically popular – because lawmakers could use them to secure pork for their voters – and also lucrative for government contractors, making ‘‘Big Government’’ a rare point of agreement between the rich and middle-income earners.

(A note on poor people: Piketty’s data suggests that the share of the national wealth controlled by the bottom 50% has not changed much for several centuries – eras of prosperity are mostly about redistributing from the top 10-20% to the next 30-40%)

Piketty hypothesizes that the returns on investment are usually greater than the rate of growth in an economy. The best way to get rich is to start with a bunch of money that you turn over to professional managers to invest for you – all things being equal, this will make you richer than you could get by inventing something everyone uses and loves. For example, Piketty contrasts Bill Gates’s fortunes as the founder of Microsoft, once the most profitable company in the world, with Gates’s fortunes as an investor after his retirement from the business. Gates-the-founder made a lot less by creating one of the most successful and profitable products in history than he did when he gave up making stuff and started owning stuff for a living.

By the early 1980s, the share of wealth controlled by the top decile tipped over to the point where they could make their political will felt again – again, Piketty supports this with data showing that nations elect seriously investor-friendly/worker-unfriendly governments when investors gain control over a critical percentage of the national wealth. Leaders like Reagan, Thatcher, Pinochet, and Mulroney enacted legislative reforms that reversed the post-war trend, dis­mantling the rules that had given skilled workers an edge over their employers – and the investors the employers served.

The greed-is-good era was also the cyberpunk era of literary globalized corporate dystopias. Even though Neuromancer and Mirrorshades predated the anti-WTO protests by a decade and a half, they painted similar pictures. Educated, skilled people – people who comprised the mass of SF buyers – became a semi-disposable under­class in world where the hyperrich had literally ascended to the heavens, living in orbital luxury hotels and harvesting wealth from the bulk of humanity like whales straining krill.

Seen in this light, the vicious literary feuds between the cyberpunks and the old guard of space-colonizing stellar engineer writers can be seen as a struggle over our political imagination. If we crank the state’s dials all the way over the right, favoring the industrialist ‘‘job creators’’ to the exclusion of others, will we find our way to the stars by way of trickle-down, or will the overclass graft their way into a decadent New Old Rome, where reality TV and hedge fund raids consume the attention and work we once devoted to exploring our solar system?

Today, wealth disparity consumes the popular imagination and political debates. The front-running science fictional impossibility of the unequal age is rampant artificial intelligence. There were a lot of SF movies produced in the mid-eighties, but few retain the currency of the Termina­tor and its humanity-annihilating AI, Skynet. Everyone seems to thrum when that chord is plucked – even the NSA named one of its illegal mass surveillance programs SKYNET.

It’s been nearly 15 years since the Matrix movies debuted, but the Red Pill/Blue Pill business still gets a lot of play, and young adults who were small children when Neo fought the AIs know exactly what we mean when we talk about the Matrix.

Stephen Hawking, Elon Musk, and other luminaries have issued pan­icked warnings about the coming age of humanity-hating computerized overlords. We dote on the party tricks of modern AIs, sending half-admiring/half-dreading laurels to the Watson team when it manages to win at Jeopardy or randomwalk its way into a new recipe.

The fear of AIs is way out of proportion to their performance. The Big Data-trawling systems that are supposed to find terrorists or figure out what ads to show you have been a consistent flop. Facebook’s new growth model is sending a lot of Web traffic to businesses whose Facebook followers are increasing, waiting for them to shift their major commercial strategies over to Facebook marketing, then turning off the traffic and demanding recurr­ing payments to send it back – a far cry from using all the facts of your life to figure out that you’re about to buy a car before even you know it.

Google’s self-driving cars can only operate on roads that humans have mapped by hand, manually marking every piece of street-furniture. The NSA can’t point to a single terrorist plot that mass-surveillance has disrupted. Ad personalization sucks so hard you can hear it from orbit.

We don’t need artificial intelligences that think like us, after all. We have a lot of human cognition lying around, going spare – so much that we have to create listicles and other cognitive busy-work to absorb it. An AI that thinks like a human is a redundant vanity project – a thinking version of the ornithopter, a useless mechanical novelty that flies like a bird.

We need machines that don’t fly like birds. We need AI that thinks unlike humans. For example, we need AIs that can be vigilant for bomb-parts on airport X-rays. Humans literally can’t do this. If you spend all day looking for bomb-parts but finding water bottles, your brain will rewire your neurons to look for water bottles. You can’t get good at something you never do.

What does the fear of futuristic AI tell us about the parameters of our present-day fears and hopes?

I think it’s corporations.

We haven’t made Skynet, but we have made these autonomous, transhuman, transnational technolo­gies whose bodies are distributed throughout our physical and economic reality. The Internet of Things version of the razorblade business model (sell cheap handles, use them to lock people into buying expensive blades) means that the products we buy treat us as adversaries, checking to see if we’re breaking the business logic of their makers and self-destructing if they sense tampering.

Corporations run on a form of code – financial regulation and accounting practices – and the modern version of this code literally prohibits corporations from treating human beings with empathy. The principle of fiduciary duty to inves­tors means that where there is a chance to make an investor richer while making a worker or customer miserable, management is obliged to side with the investor, so long as the misery doesn’t backfire so much that it harms the investor’s quarterly return.

We humans are the inconvenient gut-flora of the corporation. They aren’t hostile to us. They aren’t sympathetic to us. Just as every human carries a hundred times more non-human cells in her gut than she has in the rest of her body, every corpora­tion is made up of many separate living creatures that it relies upon for its survival, but which are fundamentally interchangeable and disposable for its purposes. Just as you view stray gut-flora that attacks you as a pathogen and fight it off with anti­biotics, corporations attack their human adversaries with an impersonal viciousness that is all the more terrifying for its lack of any emotional heat.

The age of automation gave us stories like Chap­lan’s Modern Times, and the age of multinational hedge-fund capitalism made The Matrix into an enduring parable. We’ve gone from being cogs to being a reproductive agar within which new cor­porations can breed. As Mitt Romney reminded us, ‘‘Corporations are people.’’

Saturday Matinee: Short Film Double Feature

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An imaginary friend is forced to consider retirement when his creator/best friend starts to grow up.

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The members of a fourth-grade class pull an innocent April Fool’s Day prank on their teacher that accidentally kills her. Fearing jail time, they set out to cover up the murder before their D.A.R.E. officer shows up for his weekly lesson.

Prisons Without Walls: We’re All Inmates in the American Police State

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By John W. Whitehead

Source: The Rutherford Institute

“It is perfectly possible for a man to be out of prison and yet not free—to be under no physical constraint and yet be a psychological captive, compelled to think, feel and act as the representatives of the national state, or of some private interest within the nation wants him to think, feel and act. . . . To him the walls of his prison are invisible and he believes himself to be free.”—Aldous Huxley, A Brave New World Revisited

Free worlders” is prison slang for those who are not incarcerated behind prison walls.  Supposedly, those fortunate souls live in the “free world.” However, appearances can be deceiving.

“As I got closer to retiring from the Federal Bureau of Prisons,” writes former prison employee Marlon Brock, “it began to dawn on me that the security practices we used in the prison system were being implemented outside those walls.” In fact, if Brock is right, then we “free worlders” do live in a prison—albeit, one without visible walls.

In federal prisons, cameras are everywhere in order to maintain “security” and keep track of the prisoners. Likewise, the “free world” is populated with video surveillance and tracking devices. From surveillance cameras in stores and street corners to license plate readers (with the ability to log some 1,800 license plates per hour) on police cars, our movements are being tracked virtually everywhere. With this increasing use of iris scanners and facial recognition software—which drones are equipped with—there would seem to be nowhere to hide.

Detection and confiscation of weapons (or whatever the warden deems “dangerous”) in prison is routine. The inmates must be disarmed. Pat downs, checkpoints, and random searches are second nature in ferreting out contraband.

Sound familiar?

Metal detectors are now in virtually all government buildings. There are the TSA scanning devices and metal detectors we all have to go through in airports. Police road blocks and checkpoints are used to perform warrantless searches for contraband. Those searched at road blocks can be searched for contraband regardless of their objections—just like in prison. And there are federal road blocks on American roads in the southwestern United States. Many of them are permanent and located up to 100 miles from the border.

Stop and frisk searches are taking place daily across the country. Some of them even involve anal and/or vaginal searches. In fact, the U.S. Supreme Court has approved strip searches even if you are arrested for a misdemeanor—such as a traffic stop. Just like a prison inmate.

Prison officials open, search and read every piece of mail sent to inmates. This is true of those who reside outside prison walls, as well. In fact, “the United States Postal Service uses a ‘Mail Isolation Control and Tracking Program’ to create a permanent record of who is corresponding with each other via snail mail.” Believe it or not, each piece of physical mail received by the Postal Service is photographed and stored in a database. Approximately 160 billion pieces of mail sent out by average Americans are recorded each year and the police and other government agents have access to this information.

Prison officials also monitor outgoing phone calls made by inmates. This is similar to what the NSA, the telecommunication corporation, and various government agencies do continually to American citizens. The NSA also downloads our text messages, emails, Facebook posts, and so on while watching everything we do.

Then there are the crowd control tactics: helmets, face shields, batons, knee guards, tear gas, wedge formations, half steps, full steps, pinning tactics, armored vehicles, and assault weapons. Most of these phrases are associated with prison crowd control because they were perfected by prisons.

Finally, when a prison has its daily operations disturbed, often times it results in a lockdown. What we saw with the “free world” lockdowns following the 2013 Boston Marathon bombing and the melees in Ferguson, Missouri and Baltimore, Maryland, mirror a federal prison lockdown.

These are just some of the similarities between the worlds inhabited by locked-up inmates and those of us who roam about in the so-called “free world.”

Is there any real difference?

To those of us who see the prison that’s being erected around us, it’s a bit easier to realize what’s coming up ahead, and it’s not pretty. However, and this must be emphasized, what most Americans perceive as life in the United States of America is a far cry from reality. Real agendas and real power are always hidden.

As Author Frantz Fanon notes, “Sometimes people hold a core belief that is very strong. When they are presented with evidence that works against that belief, the new evidence cannot be accepted. It would create a feeling that is extremely uncomfortable, called cognitive dissonance. And because it is so important to protect the core belief, they will rationalize, ignore and even deny anything that doesn’t fit in with the core belief.”

This state of denial and rejection of reality is the essential plot of John Carpenter’s 1988 film They Live, where a group of down-and-out homeless men discover that people have been, in effect, so hypnotized by media distractions that they do not see their prison environment and the real nature of those who control them—that is, an oligarchic elite.

Caught up in subliminal messages such as “obey” and “conform,” among others, beamed out of television and various electronic devices, billboards, and the like, people are unaware of the elite controlling their lives. As such, they exist, as media analyst Marshall McLuhan once wrote, in “prisons without walls.” And of course, any resistance is met with police aggression.

A key moment in the film occurs when John Nada, a homeless drifter, notices something strange about people hanging about a church near the homeless settlement where he lives. Nada decides to investigate. Entering the church, he sees graffiti on a door: They live, We sleep. Nada overhears two men, obviously resisters, talking about “robbing banks” and “manufacturing Hoffman lenses until we’re blue in the face.” Moments later, one of the resisters catches Nada fumbling in the church and tells him “it’s the revolution.” When Nada nervously backs off, the resister assures him, “You’ll be back.”

Rummaging through a box, Nada discovers a handful of cheap-looking sunglasses, referred to earlier as Hoffman lenses. Grabbing a pair and exiting the church, he starts walking down a busy urban street.

Sliding the sunglasses on his face, Nada is shocked to see a society bombarded and controlled on every side by subliminal messages beamed at them from every direction. Billboards are transformed into authoritative messages: a bikini-clad woman in one ad is replaced with the words “MARRY AND REPRODUCE.” Magazine racks scream “CONSUME” and “OBEY.” A wad of dollar bills in a vendor’s hand proclaims, “THIS IS YOUR GOD.”

What’s even more disturbing than the hidden messages, however, are the ghoulish-looking creatures—the elite—who appear human until viewed them through the lens of truth.

This is the subtle message of They Live, an apt analogy of our own distorted vision of life in the American police state. These things are in plain sight, but from the time we are born until the time we die, we are indoctrinated into believing that those who rule us do it for our good. The truth, far different, is that those who rule us don’t really see us as human beings with dignity and worth. They see us as if “we’re livestock.”

It’s only once Nada’s eyes have been opened that he is able to see the truth: “Maybe they’ve always been with us,” he says. “Maybe they love it—seeing us hate each other, watching us kill each other, feeding on our own cold f**in’ hearts.” Nada, disillusioned and fed up with the lies and distortions, is finally ready to fight back. “I got news for them. Gonna be hell to pay. Cause I ain’t daddy’s little boy no more.”

What about you?

As I point out in my book Battlefield America: The War on the American People, the warning signs have been cautioning us for decades. Oblivious to what lies ahead, most have ignored the obvious. We’ve been manipulated into believing that if we continue to consume, obey, and have faith, things will work out. But that’s never been true of emerging regimes. And by the time we feel the hammer coming down upon us, it will be too late.

As Rod Serling warned:

All the Dachaus must remain standing. The Dachaus, the Belsens, the Buchenwalds, the Auschwitzes—all of them. They must remain standing because they are a monument to a moment in time when some men decided to turn the earth into a graveyard, into it they shoveled all of their reason, their logic, their knowledge, but worst of all their conscience. And the moment we forget this, the moment we cease to be haunted by its remembrance. Then we become the grave diggers.

The message: stay alert.

Take the warning signs seriously. And take action because the paths to destruction are well disguised by those in control.

This is the lesson of history.

Lara Trace Hentz

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