Author Archives: Reid Mukai

Saturday Matinee: The Green Knight

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By Brian Tallerico

Source: RogerEbert.com

Light snow, misty fog, and falling ash blend in the opening scenes of David Lowery’s magnificent “The Green Knight,” setting a surreal tone for what’s to come. You can feel the chill and smell the air. Immediately, you feel outside yourself, far from daily concerns, set for an experience that’s unlike anything else in nearby theaters. That feeling won’t subside for over two hours.  

Lowery has adapted the 14th century chivalric romance Sir Gawain and the Green Knight into one of the most memorable films of the year, a fascinating swirl of masculinity, temptation, heroism, and religion. Arthurian experts may quibble with some of Lowery’s decisions and it is certainly a film that challenges traditional expectations of stories about heroic knights for modern audiences, but fans will be drawn to this mesmerizing journey guided by Lowery’s incredibly poetic eye, career-best work from Dev Patel, and an artistic sensibility that transports audiences to another world. It’s a film that embeds the concept of storytelling and performance into its narrative—whether it’s a King asking for a heroic tale or children watching a puppet show—while also weaving its own enchanting spell on audiences. More than any movie in a long time, I would have immediately watched it again, but it’s also a film that really strengthens in memory, swirling around your brain like the falling flakes of the opening scenes.

Sir Gawain (Dev Patel) is the nephew of King Arthur (Sean Harris) and Queen Guinevere (Kate Dickie), and the son of Morgan Le Fay (Sarita Choudhury), accused by some in the village of witchcraft. After a brief opening scene with his lover (Alicia Vikander) and mother, Gawain is off to a lavish Christmas banquet with the King and Queen, at which he is surprised to be asked to sit by their side. Arthur speaks to him of taking young Gawain for granted, and immediately Patel conveys depth with his striking eyes, relaying both the emotional pride that comes with finally feeling seen. (He does so much throughout the film in terms of physical performance, using his eyes and body to find emotion without dialogue.) Long, deliberately slow exchanges between Gawain and Arthur set the tone: This is not an action film. Arthur asks to hear a tale.

One unfolds in front of their eyes. The doors to the hall burst open and the Green Knight (Ralph Ineson) enters. Half-man, half-tree, he casts an imposing figure, and he wants to play “The Christmas Game.” He offers a deal. He challenges any of Arthur’s knights to strike him. If they can, the knight will get his imposing weapon in exchange. But there’s a cost. A year hence, the knight must come to the Green Chapel, where the Green Knight will return the exact strike given him a year earlier. Gawain steps forward, and despite being reminded that this is a game by Arthur, beheads the Green Knight. The mythical creature picks up his head, which doesn’t seem too concerned about its detachment, and laughs as it rides off. Gawain is about to have a long year.

This is all really prologue to “The Green Knight,” the bulk of which consists of Sir Gawain’s journey to the Green Chapel to meet his fate. Along the way, he meets a scavenger played by Barry Keoghan, a mysterious young woman played by Erin Kellyman, and a Lord played by Joel Edgerton. Lowery’s script deftly matches the poetic structure of its source, circling back to themes like the rhyming structure of a poem, and unfolding his story in what almost feel like cinematic stanzas that repeat and comment on each other. Gawain’s journey becomes a spiral, feeling more and more like a dream, as if he never really left that banquet with the Green Knight to begin with, and the film gains momentum through a cumulative sense of disorientation. It becomes not so much a story of a physical journey but a mental and emotional one, a series of challenges before a young man faces his ultimate fate.

With its loose storytelling structure, the tech elements of “The Green Knight” become even more essential to its success. Lowery has brought his remarkable team, including regular composer Daniel Hart and cinematographer Andrew Droz Palermo. (He edits the film himself, and reportedly re-cut it dramatically from the version that was supposed to premiere at SXSW in March of 2020.) The fluid cinematography alternates between dreamlike and something deeply connected to Mother Nature. “The Green Knight” is about many things—and some of the best film writing of this year will unpack its themes in more depth—but a sense of man’s relatively minor role in the grand scope of history and nature is essential, and Palermo beautifully captures the lush greens of the world around Gawain, as if the Knight himself is already everywhere. Vikander gets a phenomenal speech about how much we all return to the earth and Gawain is constantly being reminded of his insignificance and fragility. If The Green Knight doesn’t get him, something else will.

While it may be his most ambitious film, Lowery has played with complex themes before in projects like “A Ghost Story,” and this reflects that film’s questioning of meaning in the relatively small window of a human existence. Once again, Lowery leaves just enough open to interpretation and yet never lacks in confidence. That’s the incredibly fine line that great films often walk—when a work can feel both assured in the voices of its creators and yet open enough to spark conversation. “The Green Knight” is one of those films. One never questions that Lowery knows exactly what he’s doing, and yet people will walk away with very different readings of “The Green Knight.” Again, that’s akin to a great poem that means something unique to each person that reads it, and some of those readings may even surprise the original author. 

“The Green Knight” asks a lot of its viewers—to stay engaged with what could be called its slow pace, to consider its themes without them being underlined for easy consumption, to be willing to see a film about famous knight that contains very little in the way of traditional heroism. It is scary, sexy, and strange in ways that American films are rarely allowed to be, culminating in a sequence that cast the whole film in a new light for this viewer. We’re all just sitting in that banquet hall, listening to the story requested by King Arthur, told by a master storyteller.

US Gov’t Remaining Silent on American Detained in Ukraine for His Political Views

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Detained by Security Service of Ukraine (SBU) due to his political views on the conflict…

By Dave DeCamp

Source: The Free Thought Project

The State Department has refused to say if it’s engaging with the Ukrainian government over American citizen Gonzalo Lira, who was detained by the Security Service of Ukraine (SBU) due to his political views on the conflict with Russia.

Lira has a popular YouTube channel and a large following on Twitter and Telegram. He is also a writer who has contributed to several media outlets, including Business Insider. Lira was born in California and is a dual citizen of the US and Chile and had been living in Kharkiv, Ukraine, throughout the war.

Lira is a critic of the Ukrainian government and was arrested by the SBU on charges of justifying the Russian invasion. “After the start of the full-scale invasion, the blogger was one of the first to support the Russian invaders and glorify their war crimes,” the SBU said in a press release referring to Lira.

The SBU also accused Lira of “discrediting the top military and political leadership and the Defense Forces of our state.” He was charged under sections 2 and 3 of Article 436-2 of Ukraine’s criminal code, which outlaws the “distribution of materials” that justify Russia’s actions going back to 2014.

Epoch Times reporter Liam Cosgrove asked State Department spokesman Matthew Miller if the administration was aware of Lira’s detainment and how the US feels about Ukraine arresting an American for speech.

“So I will say in general that we’re aware of the report. We obviously support the exercise of freedom of speech anywhere in the world, and I’ll leave it at that,” Miller said.

When asked if the administration was working to secure Lira’s release, Miller said, “I’m going to leave my comments where I just left them.”

https://twitter.com/cosgrove_iv/status/1662896498596560896

Cosgrove also asked Reps. Ted Lieu (D-CA) and Marjorie Taylor Greene (R-GA) about Lira’s detainment. Lieu said that he wasn’t aware of the case but said US citizens should “have the ability to express their thoughts and views” and that he would look into the arrest.

Responding to the news, Greene told Cosgrove: “America is providing weapons, equipment for the defense of their country, but the Ukrainian government is not going to defend any American’s freedom of speech, and that’s a real problem.”

Lira’s arrest received virtually no attention in Western media. One of the few outlets to cover it was the Daily Beast, which smeared the American instead of questioning the charges. According to the Beast, Lira is facing five to eight years in prison.

Conspirators for the Constitution: When Anti-Government Speech Becomes Sedition

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By John & Nisha Whitehead

Source: The Rutherford Institute

“In a time of deceit telling the truth is a revolutionary act.”— George Orwell

Let’s be clear about one thing: seditious conspiracy isn’t a real crime to anyone but the U.S. government.

To be convicted of seditious conspiracy, the charge levied against Stewart Rhodes who was sentenced to 18 years in prison for being the driving force behind the January 6 Capitol riots, one doesn’t have to engage in violence against the government, vandalize government property, or even trespass on property that the government has declared off-limits to the general public.

To be convicted of seditious conspiracy, one need only foment a revolution.

This is not about whether Rhodes deserves such a hefty sentence.

This is about the long-term ramifications of empowering the government to wage war on individuals whose political ideas and expression challenge the government’s power, reveal the government’s corruption, expose the government’s lies, and encourage the citizenry to push back against the government’s many injustices.

This is about criminalizing political expression in thoughts, words and deeds.

This is about how the government has used the events of Jan. 6 in order to justify further power grabs and acquire more authoritarian emergency powers.    

This was never about so-called threats to democracy.

In fact, the history of this nation is populated by individuals whose rhetoric was aimed at fomenting civil unrest and revolution.

Indeed, by the government’s own definition, America’s founders were seditious conspirators based on the heavily charged rhetoric they used to birth the nation.

Thomas Jefferson, Thomas Paine, Marquis De Lafayette, and John Adams would certainly have been charged for suggesting that Americans should not only take up arms but be prepared to protect their liberties and defend themselves against the government should it violate their rights.

“What country can preserve its liberties if their rulers are not warned from time to time that their people preserve the spirit of resistance. Let them take arms,” declared Jefferson. He also concluded that “the tree of liberty must be refreshed from time to time with the blood of patriots and tyrants.”

“It is the duty of the patriot to protect his country from its government,” insisted Paine.

“When the government violates the people’s rights,” Lafayette warned, “insurrection is, for the people and for each portion of the people, the most sacred of the rights and the most indispensable of duties.”

Adams cautioned, “A settled plan to deprive the people of all the benefits, blessings and ends of the contract, to subvert the fundamentals of the constitution, to deprive them of all share in making and executing laws, will justify a revolution.”

Had America’s founders feared revolutionary words and ideas, there would have been no First Amendment, which protects the right to political expression, even if that expression is anti-government.

No matter what one’s political persuasion might be, every American has a First Amendment right to protest government programs or policies with which they might disagree.

The right to disagree with and speak out against the government is the quintessential freedom.

Every individual has a right to speak truth to power—and foment change—using every nonviolent means available.

Unfortunately, the government is increasingly losing its tolerance for anyone whose political views could be perceived as critical or “anti-government.”

All of us are in danger.

In recent years, the government has used the phrase “domestic terrorist” interchangeably with “anti-government,” “extremist” and “terrorist” to describe anyone who might fall somewhere on a very broad spectrum of viewpoints that could be considered “dangerous.”

The ramifications are so far-reaching as to render almost every American with an opinion about the government or who knows someone with an opinion about the government an extremist in word, deed, thought or by association.

You see, the government doesn’t care if you or someone you know has a legitimate grievance. It doesn’t care if your criticisms are well-founded. And it certainly doesn’t care if you have a First Amendment right to speak truth to power.

What the government cares about is whether what you’re thinking or speaking or sharing or consuming as information has the potential to challenge its stranglehold on power.

Why else would the FBI, CIA, NSA and other government agencies be investing in corporate surveillance technologies that can mine constitutionally protected speech on social media platforms such as Facebook, Twitter and Instagram?

Why else would the Biden Administration be likening those who share “false or misleading narratives and conspiracy theories, and other forms of mis- dis- and mal-information” to terrorists?

Why else would the government be waging war against those who engage in thought crimes?

Get ready for the next phase of the government’s war on thought crimes and truth-tellers.

For years now, the government has used all of the weapons in its vast arsenal—surveillance, threat assessments, fusion centers, pre-crime programs, hate crime laws, militarized police, lockdowns, martial law, etc.—to target potential enemies of the state based on their ideologies, behaviors, affiliations and other characteristics that might be deemed suspicious or dangerous.

For instance, if you believe in and exercise your rights under the Constitution (namely, your right to speak freely, worship freely, associate with like-minded individuals who share your political views, criticize the government, own a weapon, demand a warrant before being questioned or searched, or any other activity viewed as potentially anti-government, racist, bigoted, anarchic or sovereign), you could be at the top of the government’s terrorism watch list.

Moreover, as a New York Times editorial warns, you may be an anti-government extremist (a.k.a. domestic terrorist) in the eyes of the police if you are afraid that the government is plotting to confiscate your firearms, if you believe the economy is about to collapse and the government will soon declare martial law, or if you display an unusual number of political and/or ideological bumper stickers on your car.

According to one FBI report, you might also be classified as a domestic terrorism threat if you espouse conspiracy theories, especially if you “attempt to explain events or circumstances as the result of a group of actors working in secret to benefit themselves at the expense of others” and are “usually at odds with official or prevailing explanations of events.”

In other words, if you dare to subscribe to any views that are contrary to the government’s, you may well be suspected of being a domestic terrorist and treated accordingly.

There’s a whole spectrum of behaviors ranging from thought crimes and hate speech to whistleblowing that qualifies for persecution (and prosecution) by the Deep State.

Simply liking or sharing this article on Facebook, retweeting it on Twitter, or merely reading it or any other articles related to government wrongdoing, surveillance, police misconduct or civil liberties might be enough to get you categorized as a particular kind of person with particular kinds of interests that reflect a particular kind of mindset that might just lead you to engage in a particular kinds of activities and, therefore, puts you in the crosshairs of a government investigation as a potential troublemaker a.k.a. domestic extremist.

Chances are, as the Washington Post reports, you have already been assigned a color-coded threat score—green, yellow or red—so police are forewarned about your potential inclination to be a troublemaker depending on whether you’ve had a career in the military, posted a comment perceived as threatening on Facebook, suffer from a particular medical condition, or know someone who knows someone who might have committed a crime.

In other words, you might already be flagged as potentially anti-government in a government database somewhere—Main Core, for example—that identifies and tracks individuals who aren’t inclined to march in lockstep to the police state’s dictates.

As The Intercept reported, the FBI, CIA, NSA and other government agencies have increasingly invested in corporate surveillance technologies that can mine constitutionally protected speech on social media platforms such as Facebook, Twitter and Instagram in order to identify potential extremists and predict who might engage in future acts of anti-government behavior.

Where many Americans go wrong is in naively assuming that you have to be doing something illegal or harmful in order to be flagged and targeted for some form of intervention or detention.

In fact, all you need to do these days to end up on a government watch list or be subjected to heightened scrutiny is use certain trigger words (like cloud, pork and pirates), surf the internet, communicate using a cell phone, limp or stutter, drive a car, stay at a hotel, attend a political rally, express yourself on social media, appear mentally ill, serve in the military, disagree with a law enforcement official, call in sick to work, purchase materials at a hardware store, take flying or boating lessons, appear suspicious, appear confused or nervous, fidget or whistle or smell bad, be seen in public waving a toy gun or anything remotely resembling a gun (such as a water nozzle or a remote control or a walking cane), stare at a police officer, question government authority, or appear to be pro-gun or pro-freedom.

And then at the other end of the spectrum there are those such as Julian Assange and Chelsea Manning, for example, who blow the whistle on government misconduct that is within the public’s right to know.

In true Orwellian fashion, the government would have us believe that it is Assange and Manning who are the real criminals for daring to expose the war machine’s seedy underbelly.

Since his April 2019 arrest, Assange has been locked up in a maximum-security British prison—in solitary confinement for up to 23 hours a day—pending extradition to the U.S., where if convicted, he could be sentenced to 175 years in prison.

This is how the police state deals with those who challenge its chokehold on power.

This is also why the government fears a citizenry that thinks for itself: because a citizenry that thinks for itself is a citizenry that is informed, engaged and prepared to hold the government accountable to abiding by the rule of law, which translates to government transparency and accountability.

After all, we’re citizens, not subjects.

For those who don’t fully understand the distinction between the two and why transparency is so vital to a healthy constitutional government, Manning explains it well:

When freedom of information and transparency are stifled, then bad decisions are often made and heartbreaking tragedies occur – too often on a breathtaking scale that can leave societies wondering: how did this happen? … I believe that when the public lacks even the most fundamental access to what its governments and militaries are doing in their names, then they cease to be involved in the act of citizenship. There is a bright distinction between citizens, who have rights and privileges protected by the state, and subjects, who are under the complete control and authority of the state.

This is why the First Amendment is so critical. It gives the citizenry the right to speak freely, protest peacefully, expose government wrongdoing, and criticize the government without fear of arrest, isolation or any of the other punishments that have been meted out to whistleblowers such as Edwards Snowden, Assange and Manning.

The challenge is holding the government accountable to obeying the law.

A little over 50 years ago, the U.S. Supreme Court ruled 6-3 in United States v. Washington Post Co. to block the Nixon Administration’s attempts to use claims of national security to prevent The Washington Post and The New York Times from publishing secret Pentagon papers on how America went to war in Vietnam.

As Justice William O. Douglas remarked on the ruling, “The press was protected so that it could bare the secrets of government and inform the people. Only a free and unrestrained press can effectively expose deception in government. And paramount among the responsibilities of a free press is the duty to prevent any part of the government from deceiving the people and sending them off to distant lands to die of foreign fevers and foreign shot and shell.”

Fast forward to the present day, and we’re witnessing yet another showdown, this time between Assange and the Deep State, which pits the people’s right to know about government misconduct against the might of the military industrial complex.

Yet this isn’t merely about whether whistleblowers and journalists are part of a protected class under the Constitution. It’s a debate over how long “we the people” will remain a protected class under the Constitution.

Following the current trajectory, it won’t be long before anyone who believes in holding the government accountable is labeled an “extremist,” relegated to an underclass that doesn’t fit in, watched all the time, and rounded up when the government deems it necessary.

We’re almost at that point now.

Eventually, as I point out in my book Battlefield America: The War on the American People and in its fictional counterpart The Erik Blair Diaries, we will all be seditious conspirators in the eyes of the government.

We would do better to be conspirators for the Constitution starting right now.

Those ‘Dam’ Russians… Now They’re Flooding Themselves for Propaganda!

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By Finian Cunningham

Source: Strategic Culture Foundation

It’s not the Russians who are perverse and barbaric. It’s the Western regimes and their Nazi terrorist front in Ukraine.

Western media would have its consumers believe that Russians are the most devious, perverse, and self-destructive people on Earth. Following a flood of jaw-dropping, biblical proportions in the Russian-controlled Kherson region this week, the Western media amplified the Kiev regime’s talking points, which is to say, the Kiev regime’s Western sponsors’ talking points.

The Russians are destroying themselves for propaganda gain, according to those talking points.

The giant Kakhovka Hydroelectric Power Plant was spectacularly blown up by an explosion or explosions and its vast reservoir began flooding hundreds of cities and villages in the surrounding Kherson countryside. The nearby city of Nova Kakhovka with a population of 45,000 is being evacuated. Aerial images of the deluge show an unprecedented disaster with huge environmental, economic and social repercussions.

The damage from the dam’s collapse is catastrophic. The impact of displacement and destroyed livelihoods, businesses and industries will affect millions of Russian citizens. Kherson is one of the four former Ukrainian territories that voted to join the Russian Federation in referenda last year following Moscow’s military intervention in Ukraine to neutralize what was then ongoing aggression from the Kiev regime towards ethnic Russians.

Of the countless consequences from the dam’s destruction, there are two main specific impacts of priority concern. The Kakhovka power plant serves to supply water for the upstream Zaporozhye Nuclear Power Plant – Europe’s largest civilian nuclear power station. Disruption of the water supply could adversely impact the cooling systems at the nuclear plant, causing its reactors to blow up thereby creating a radiation disaster. The Zaporozhye nuclear station is in Russian-controlled territory and has been under Russian military protection since the beginning of Russia’s military intervention on February 24, 2022.

A second consequence from the dam’s collapse is the threat to cut off supply of drinking water to Russia’s Crimea Peninsula where some 3 million people live.

It is obvious who gains and who loses from the blowing up of the Kakhovka hydro facility. The NATO-backed Kiev regime has inflicted massive damage to Russian infrastructure in the Kherson region and beyond.

Yet, in spite of the patently obvious conclusion, Western media and governments are trying to tell the world that the dam was sabotaged by Russian “terrorists”. British foreign minister James (Not-So) Cleverly and the European Union’s Charles Michel were among the Western politicians who were immediately trying to cast the Kremlin as the villain.

It takes an inestimable capacity for double-think and debilitating Russophobia for such logic to be articulated with a straight face.

This a repeat of the same stultifying nonsense that followed the destruction of the Nord Stream gas pipelines last September. When the Russian-owned pipelines under the Baltic Sea were blown up, the Western governments and their dutiful media immediately blamed Russia for sabotaging its own infrastructure. It transpired later that the gas pipes were mined by the U.S. military, an act of terrorism that was ordered by President Joe Biden, according to respected veteran investigative journalist Seymour Hersh. Months later, the Western media ignored or censored out this most plausible cause as a means to delete European-Russian energy trade for America’s strategic interests.

The same double-think by Western governments and media has been deployed over the constant artillery attacks on the Zaporozhye nuclear plant. For months, the plant has been bombarded by the Kiev regime with U.S.-supplied HIMARS rockets. The unspeakable nefarious objective is to cause a nuclear catastrophe in Europe. The Russians are guarding the nuclear facility and have presented documentary evidence to the United Nations Security Council and the International Atomic Energy Agency of who is doing the shelling. Yet, the UN and IAEA as well as the Western media feign a cynical agnosticism about who the nuclear terrorists are, trying to leave question marks that Russia may be somehow inflicting self-sabotage.

The same shelling tactics have been used to hit the Kakhovka dam over many months by Kiev regime forces. It was Russia that has repeatedly warned of the imminent danger of flooding if the hydro plant was crippled. That warning has come to reality, though the Western media are defying cause, motive and past record to invert the accusations.

The Kiev regime has claimed that Russia bombed the Kakhovka dam in order to hamper its planned counteroffensive. This week saw intensified efforts along the 1000-kilometer front line between Ukrainian forces and Russian-held territory. Moscow said it repelled the attacks with heavy losses incurred by the Ukrainian side. Those battles occurred much further to the north from the Kherson region on the Black Sea where the dam was blown.

Adding two and two and getting five is the usual Western media formula because, more than ever, this media system is shown to be a propaganda service, both private and state-owned.

The shamelessness of such media’s double-think is breathtaking to any rational observer. What’s more, the Western public can more and more see through the lies and preposterous pretensions of “independent journalism”. The Western media is a war ministry aiming to demonize Russia as barbarians whose level of sub-humanity, it is implied, is deserving of war and destruction.

In case you didn’t notice, such a mindset is consistent with Nazi ideology.

It’s not the Russians who are perverse and barbaric. It’s the Western regimes and their Nazi terrorist front in Ukraine.

EU’s Voluntary Disinformation Code Is Compulsory: Obey or Die

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By Declan Hayes

Source: Strategic Culture Foundation

Though Musk is still playing at being NATO’s token non-conformist, the EU is essentially telling him and all of us that any dissent from its Russophobic, Slavophobic and Sinophobic narratives will be severely punished.

The European Union’s enforcers have told Twitter owner Elon Musk that the EU’s voluntary information code is not voluntary and that the EU will fine the pants off Twitter if Musk does not play by NATO’s self-serving rules. Though Musk is still playing at being NATO’s token non-conformist, the EU is essentially telling him and all of us that any dissent from its Russophobic, Slavophobic and Sinophobic narratives will be severely punished.

From the point of view of von der Leyen and NATO’s other EU puppets, that makes absolutely perfect sense. As legacy media’s active shelf life is fast expiring, that just leaves the EU with alternative media to kill off with massive fines in Twitter’s case or, more generally, by crowding out and muzzling any and all truth tellers.

Look at the treatment being meted out to Pink Floyd’s Roger Waters, a life-long anti-fascist, whose father was killed in action fighting the Nazis but which the usual suspects, led as always by the BBC and the Guardian, are trying to ban for supposedly being a Jew-hating Nazi simply because of his support for Palestinian rights, for Julian Assange and for being stupid enough to still be doing live concerts with those unreconstructed views, as he touches 80 years of age.

The EU’s code Waters and Musk are falling foul of “aims to prevent profiteering from disinformation and fake news, as well as increasing transparency and curbing the spread of bots and fake accounts”.

By disinformation, in addition to Waters, von der Leyen’s thugs mean the work of folk like our own excellent Stephen Karganovic, who is not only a quality thinker and writer, but is on every EU and NATO hit list imaginable because he speaks his truths to their power. And others like Fyodor Lukyanov and Timur Fomenko, who file excellent analytical copy for Russia Today which, with this site, is subject to a string of sanctions and name-calling that are as libellous and ignorant as those these EU and NATO morons throw at Waters or any other of their betters.

The objective in labelling SCF, Russia Today, Waters and even Masha and Mishka as dis-information is to control the common space and not to give the ideas of heretics like Jeremy Corbyn, Robert F Kennedy Junior or their type space to survive.

With fake news, the EU is primarily concerned with folk who expose their crimes, family folk like Roger Waters and Julian Assange, who has now done the equivalent of a life tariff for exposing the tiniest fracton of the war crimes the Yanks committed in Iraq, crimes which, remember, included the gang rape of little girls by these harbingers of US-style democracy.

And then there is Gonzalo Lira, who is in the worst of all places, in Ukraine, whose soldiers rape corpses, and whose politicians ban all opposition parties, all opposition media and all religions that do not worship their utterly corrupt system but yet, as the corpse rapists do God knows what to Gonzalo Lira in God knows where, Ukraine has seen its ranking in NATO’s Press Freedom and Transparency Indexes soar like an American bald eagle that is oblivious to the stench below. The Nazi rump Reich is, the EU’s disinformation experts proclaim, the land of the free and the land of the brave, even as it is hell on earth for Lira and millions of Zelensky’s other victims.

The torture of Assange and Lira has silenced countless others and thereby made way for NATO’s own quack journalists to fill the void with their own fake news, which was presented to us up till recently by sexual predators like Philip Schofield, ITV’s equivalent of the BBC’s Jimmy Savile.

Not to put too fine a point on it, but corrupt countries and institutions that elevate Jimmy Saville, Philip Schofield, Ghislaine Maxwell, Lord Boothby, Tom Driberg MP, Jeffrey Epstein, Sir Ted Heath, Cyril Smith, Karim Ahmad Khan, Imran Ahmad Khan and Prince Andrew to positions of power and authority are not in a position to lecture to anyone on transparency or to spin their fake news line on their own terrorist attack on Nordstream.

As regards bots and fake accounts, that smear should have died a death with the end of Russiagate, one of a number of massive CIA/EU efforts to disseminate fake news and opaqueness through their own bots and fake accounts.

But why, the Clinton, Biden, Obama and other organised crime families would ask, re-invent the wheel, when the old smears NATO’s media spin work as well as ever?

What we have with all these rafts of EU laws, fines, sanctions, bluster and bluff is a sort of NATO Cosplay, where von der Leyen and her fellow Cosplay conspirators get to moralise, whilst the Biden, Kerry and Pelosi families get to sprinkle Ukraine with enough bio labs to take out half of Europe’s population, and the New York Post, the only media outlet that reported on the crimes Hunter Biden’s laptop revealed, gets banned and harassed by the FBI goon squads.

Von der Leyen’s Digital Services Act will further criminalise offensive humour such as comparing French dictator Macron to Hitler (though Waters will remain fair game). Some 19 companies, including Alphabet’s Google Maps, Google Play, Google Search, Google Shopping, YouTube, Meta’s Facebook and Instagram, Amazon’s Marketplace, Apple’s App Store, Twitter, Microsoft’s two units LinkedIn and Bing, booking.com, Pinterest, Snap Inc’s Snapchat, TikTok, Wikipedia, Zalando, and Alibaba’s AliExpress will all have to obey von der Leyen’s diktats “to make the internet safer” by erasing so-called disinformation in whatever way von der Leyen and her fellow plagiarists decide to define it from one moment to the next.

Not that war is their only earner needing the censor’s protection. Over 3,400 peer-reviewed papers questioning NATO’s Covid narrative have also been sidelined and ignored. Fake news, Russian propaganda, dis-information or some such stuff. I am one of many who did not take the vaccine von der Leyen’s husband made a fortune pimping. And I am glad I didn’t fall for their dancing nurses and their relentless marketing, irrespective of whether they were peddling fake news with their fake vaccines or not. I have no idea whether those vaccines are effective or not. I am not qualified to opine.

But what I do know is this. There are large groups of American and European politicians, like American fugitive Lindsey Graham who have been promoted because, thick as bricks though they are, they are sufficiently spineless to pimp the wars, vaccines and other societal wrecking balls those who fund and control them are selling.

Speaking of war, NATO and KFOR mercenaries have just slaughtered a bunch of Serbs in Zvecan (northern Kosovo). Though I look forward with interest to getting a proper analysis of this latest NATO war crime from Fyodor Lukyanov, Timur Fomenko and our own excellent Stephen Karganovic, I do know that not only will their take be totally at odds with that of the EU’s semi-literate fact-checkers but that Russia Today and Karganovic will be much nearer to the truth than any of von der Leyen’s minions could ever be because those EU yellow packs are groomed to paint over and hide the crimes against Serbs and Palestinians this article and a thousand others on this site draw attention to.

America’s Addiction to War Comes with a 15 Trillion Dollar Price Tag

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To surmount the debt crisis, America needs to stop feeding the Military-Industrial Complex, the most powerful lobby in Washington.

By Jeffrey D. Sachs

Source: Information Clearing House

In the year 2000, the U.S. government debt was $3.5 trillion, equal to 35% of the Gross Domestic Product (GDP). By 2022, the debt was $24 trillion, equal to 95% of GDP. The U.S. debt is soaring, hence America’s current debt crisis. Yet both Republicans and Democrats are missing the solution: stopping America’s wars of choice and slashing military outlays.

Suppose the government’s debt had remained at a modest 35% of GDP, as in 2000. Today’s debt would be $9 billion, as opposed to $24 trillion. Why did the U.S. government incur the excess $15 trillion in debt?

The single biggest answer is the U.S. government’s addiction to war and military spending. According to the Watson Institute at Brown University, the cost of U.S. wars from fiscal year 2001 to fiscal year 2022 amounted to a whopping $8 trillion, more than half of the extra $15 trillion in debt. The other $7 trillion arose roughly equally from budget deficits caused by the 2008 financial crisis and the Covid-19 pandemic.

Facing down the military-industrial lobby is the vital first step to putting America’s fiscal house in order.

To surmount the debt crisis, America needs to stop feeding the Military-Industrial Complex (MIC), the most powerful lobby in Washington. As President Dwight D. Eisenhower famously warned on January 17, 1961, “In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military-industrial complex. The potential for the disastrous rise of misplaced power exists and will persist.” Since 2000, the MIC led the U.S. into disastrous wars of choice in Afghanistan, Iraq, Syria, Libya, and now Ukraine.

The Military-Industrial Complex long ago adopted a winning political strategy by ensuring that the military budget reaches into every Congressional district. The Congressional Research Service recently reminded Congress that, “Defense spending touches every Member of Congress’s district through pay and benefits for military servicemembers and retirees, economic and environmental impact of installations, and procurement of weapons systems and parts from local industry, among other activities.” Only a brave member of Congress would vote against the military-industry lobby, yet bravery is certainly no hallmark of Congress.

America’s annual military spending is now around $900 billion, roughly 40% of the world’s total, and greater than the next 10 countries combined. U.S. military spending in 2022 was triple that of China. According to Congressional Budget Office, the military outlays for 2024-2033 will be a staggering $10.3 trillion on current baseline. A quarter or more of that could be avoided by ending America’s wars of choice, closing down many of America’s 800 or so military bases around the world, and negotiating new arms control agreements with China and Russia.

Yet instead of peace through diplomacy, and fiscal responsibility, the MIC regularly scares the American people with a comic-book style depictions of villains whom the U.S. must stop at all costs. The post-2000 list has included Afghanistan’s Taliban, Iraq’s Saddam Hussein, Syria’s Bashar al-Assad, Libya’s Moammar Qaddafi, Russia’s Vladimir Putin, and recently, China’s Xi Jinping. War, we are repeatedly told, is necessary for America’s survival.
 

A peace-oriented foreign policy would be opposed strenuously by the military-industrial lobby but not by the public. Significant public pluralities already want less, not more, U.S. involvement in other countries’ affairs, and less, not more, US troop deployments overseas. Regarding Ukraine, Americans overwhelmingly want a “minor role” (52%) rather than a “major role” (26%) in the conflict between Russia and Ukraine. This is why neither Biden nor any recent president has dared to ask Congress for any tax increase to pay for America’s wars. The public’s response would be a resounding “No!”

While America’s wars of choice have been awful for America, they have been far greater disasters for countries that America purports to be saving. As Henry Kissinger famously quipped, “To be an enemy of the United States can be dangerous, but to be a friend is fatal.” Afghanistan was America’s cause from 2001 to 2021, until the U.S. left it broken, bankrupt, and hungry. Ukraine is now in America’s embrace, with the same likely results: ongoing war, death, and destruction.

The military budget could be cut prudently and deeply if the U.S. replaced its wars of choice and arms races with real diplomacy and arms agreements. If presidents and members of congress had only heeded the warnings of top American diplomats such as William Burns, the U.S. Ambassador to Russia in 2008, and now CIA Director, the U.S. would have protected Ukraine’s security through diplomacy, agreeing with Russia that the U.S. would not expand NATO into Ukraine if Russia also kept its military out of Ukraine. Yet relentless NATO expansion is a favorite cause of the MIC; new NATO members are major customers of U.S. armaments.

The U.S. has also unilaterally abandoned key arms control agreements. In 2002, the U.S. unilaterally walked out of the Anti-Ballistic Missile Treaty. And rather than promote nuclear disarmament—as the U.S. and other nuclear powers are required to do under Article VI the Nuclear Non-Proliferation Treaty—the Military-Industrial Complex has sold Congress on plans to spend more than $600 billion by 2030 to “modernize” the U.S. nuclear arsenal.

Now the MIC is talking up the prospect of war with China over Taiwan. The drumbeats of war with China are stoking the military budget, yet war with China is easily avoidable if the U.S. adheres to the One-China policy that properly underpins U.S.-China relations. Such a war should be unthinkable. More than bankrupting the U.S., it could end the world.

Military spending is not the only budget challenge. Aging and rising healthcare costs add to the fiscal woes. According to the Congressional Budget Office, debt will reach 185 percent of GDP by 2052 if current policies remain unchanged. Healthcare costs should be capped while taxes on the rich should be raised. Yet facing down the military-industrial lobby is the vital first step to putting America’s fiscal house in order, needed to save the U.S., and possibly the world, from America’s perverse lobby-driven politics.

Bono Is Doing Illustrations For The Atlantic Now, Because Everything’s Fake And Stupid

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By Caitlin Johnstone

Source: CaitlinJohnstone.com

So U2 singer Bono is literally just doing illustrations for the imperialist propaganda rag The Atlantic now, because that’s the sort of thing that happens in a dystopian civilization during the death throes of a globe-spanning empire.

A Washington Post article titled “Bono likes to sketch Atlantic covers, so the magazine hired him” reports that “Bono is into Atlantic cover fanfic — so much so that he was invited to illustrate the magazine’s June cover featuring Ukrainian President Volodymyr Zelensky.” 

Bono’s latest contribution to the mountain of cringe-inducing Zelensky moments we’ve been seeing for the past year provides a cover image for an article by lifelong war propagandists Anne Applebaum and Jeffrey Goldberg. The article endorses a Ukrainian offensive to recapture Crimea, which experts largely agree would be the move most likely to trigger a nuclear war in this conflict.

Here’s a paragraph from Applebaum and Goldberg’s article, just to give you a taste of the infantile “Good Guys vs Bad Guys” framing that western liberals are being fed by mass media war propagandists these days:

“Sometimes, the war is described as a battle between autocracy and democracy, or between dictatorship and freedom. In truth, the differences between the two opponents are not merely ideological, but also sociological. Ukraine’s struggle against Russia pits a heterarchy against a hierarchy. An open, networked, flexible society—one that is both stronger at the grassroots level and more deeply integrated with Washington, Brussels, and Silicon Valley than anyone realized—is fighting a very large, very corrupt, top-down state. On one side, farmers defend their land and 20‑something engineers build eyes in the sky, using tools that would be familiar to 20‑something engineers anywhere else. On the other side, commanders send waves of poorly armed conscripts to be slaughtered—just as Stalin once sent shtrafbats, penal battalions, against the Nazis—under the leadership of a dictator obsessed with ancient bones. ‘The choice,’ Zelensky told us, ‘is between freedom and fear.’”

Many westerners felt their first stirrings of youthful rebellious passions while listening to U2 songs like “Sunday Bloody Sunday” and “Pride (In the Name of Love)”, but nowadays Bono’s voice is heard saying that he has “grown very fond” of war criminal George W Bush, praising capitalism at the World Economic Forum, teaming up with warmonger Lindsey Graham to promote US empire narratives about Syria, and  singing “Stand by Ukraine” in support of US empire narratives in a Kyiv subway. And just when it looks like he can’t become any more of a tool of the empire, he gets hired by one of the world’s worst militarist smut rags to draw a cover image of Zelensky.

Because that’s just how things go in a highly controlled society where mainstream culture is designed to serve the powerful. A society where the minds of the public are continually being shaped by mass-scale psychological manipulation to ensure that they keep thinking, speaking, working, consuming and voting in ways which serve the rich and powerful. Everything that gets elevated to the top of mainstream attention facilitates this agenda (or is at least harmless to it), and as soon as it becomes potentially threatening to this agenda it is either corrected or marginalized away from mainstream attention.

This dynamic can cause some truly jaw-dropping flotsam and jetsam to surface in the roilings of our cultural waters, like Simpsons characters waving Ukrainian flags, or an opera about a drone operator sponsored by General Dynamics.

Here’s Responsible Statecraft’s Connor Echols on that last one:

This fall, DC denizens will be treated to the world premiere of “Grounded,” an opera following an Air Force ace named Jess whose unexpected pregnancy forces her to leave behind her beloved F-16 and join the “chair force.”

Throughout the show, the “hot shot” pilot wrestles with the mental impact of firing rockets from a drone in Afghanistan from a trailer in Las Vegas. “As Jess tracks terrorists by day and rocks her daughter to sleep by night, the boundary between her worlds becomes dangerously permeable,” an ad tells us.

The production is brought to you by presenting sponsor General Dynamics, one of the world’s largest weapons companies (and, wouldn’t you know it, the maker of Jess’s favorite plane). Playwright George Brant wrote the libretto, which will be brought to life by mezzo-soprano Emily D’Angelo and Tony-winning composer Jeanine Tesori.

You’ll also see things like “humanitarian intervention” champion Samantha Power enthusiastically tweeting about the collaboration between the Sesame Street franchise and the CIA cutout USAID in Iraq:

You see things like this all the time under the shadow of the US empire, and individually they don’t look like much, but once you start noticing them you come to recognize them as symptoms of the profoundly diseased civilization that we are living in. One where our heart strings are pulled in the most obnoxious ways imaginable to get us to support capitalism, empire and oligarchy, where we are manipulated into espousing values systems which benefit powerful sociopaths under the cover of noble-sounding causes. Where we are trained like rats to support systems that are driving our species toward extinction because our rulers gave lip service to humanitarianism and waved a rainbow flag.

This is what dystopia looks like. Like a bunch of thought-controlled automatons mindlessly marching toward ecocide and omnicide to a beat played out by screens who tell them every day and in every way that there is no higher purpose than this. Like military industrial complex-funded feminist rock operas about drone operators and Cookie Monster helping Samantha Power psychologically colonize Iraqi children. Like Bono coming home from singing a heartfelt number about the assassination of Martin Luther King Jr to illustrate a cover for a war propaganda piece in The Atlantic.

It’s like they’re pouring concrete over our hearts. Sewing blindfolds over our souls. Numbing us, distracting us, sedating us, so that the local riff raff won’t interfere in the workings of the imperial machine. They’re killing off something beautiful and sacred in humanity, and they’re doing it to roll out some of the ugliest visions this planet has ever seen.