Saturday Matinee: Nothing

“Nothing” (2003) is an existential comedy and third feature film from director Vincenzo Natali (Cube). The plot follows two friends and roommates: Andrew, an antisocial travel agent who works from home, and Dave, a prototypical office drone. After experiencing the worst day of their lives, they somehow will the world outside of their house out of existence. While this creates a temporary respite it also leads to new problems mainly in the form of boredom and cabin fever.  Will the two protagonists manage to keep their sanity and find their way out of nothingness?

Watch the full film here.

Saturday Matinee: Shadows of Liberty

Synopsis from ShadowsofLiberty.org:

Shadows Of Liberty reveals the extraordinary money and power behind the news media dictating censorship, cover‐ups and corporate control.

Filmmaker Jean‐Philippe Tremblay takes an intrepid journey through the dark corridors of the American media landscape where global conglomerates call the shots. For decades their overwhelming influence has distorted journalism and compromised its values.

In highly revealing stories, renowned journalists, activists and academics give insider accounts of a broken media system. Controversial news reports are suppressed, people are censored for speaking out, and lives are shattered as the arena for public expression is turned into a private profit zone.

Tracing the story of media manipulation through the years, Shadows Of Liberty poses a crucial question: why have we let a handful of powerful private corporations write the news? We’re left in no doubt, ‘…what will save us is when we really know what’s going on, media not filtered through the lens or the microphone of a corporation.’

Saturday Matinee: BrainDead

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“BrainDead” (2016) is a political/sci fi satire created by Robert and Michelle King. It originally aired last Summer (on CBS!) in the midst of the heated presidential campaign and the story takes place in the same time-frame following aspiring filmmaker Laurel Healy (Mary Elizabeth Winstead) as she gradually uncovers a plot hatched by a parasitic alien species to divide and conquer the country via covert takeover of DC. The necessary tonal shifts of the plot are handled surprisingly well, balancing horror, comedy, romance, and conspiracy thriller. Instead of traditional plot recaps, episodes feature a clever musical synopsis by Jonathan Coulton. While enjoyable and provocative (for network TV at least), the writers missed an opportunity to incorporate the bizarre presidential campaign directly into the plot (though the connection is implied). While the plot serves as a satisfying allegory it fails to explain brain dead behavior of politicians and pundits before and after the alien invasion. Unfortunately this won’t be addressed in future episodes since the series wasn’t renewed.

You can watch the first and only season of BrainDead here.

(Note: due to spam ads it may take several clicks to get the videos to play. Pop-up windows or tabs should be immediately closed to prevent slowdowns).

Saturday Matinee: Battle Royale 2

“Battle Royale 2: Requiem” (2003) is an under-appreciated yet boldly provocative sequel taking place three years after the events of the first Battle Royale. The protagonists of the previous film have joined other survivors of past Battle Royales to form a terror cell known as Wild 7. After a major bomb attack, a new class of high-schoolers kidnapped by the government are forced to raid Wild 7’s island hideout and assassinate the group within 72 hours. Battle Royale 2 was director Kinji Fukasaku’s final project, who died of cancer shortly after filming began. The majority of the the film was directed by his son Kenta Fukasaku who wrote the screenplays for both films.

Watch the film with English subtitles here.

Saturday Matinee: Helio

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Helio is a short, visceral film centered on a post apocalyptic underground society where miners work for light to survive. But when a dying rebel thrusts the unexpected onto an unassuming worker’s lap, all hell breaks loose. What begins as one man’s race to escape the hostile government quickly escalates into a city-wide uprising of the people.

The “White Helmets” Go To Hollywood

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By Rick Sterling

Source: TruePublica

The netflix movie “The White Helmets” may win an Oscar in the “short documentary” category at the Academy Awards on Sunday February 26.  It will not be a surprise, despite the fact that the group is a fraud and the movie is a contrived infomercial.

The White Helmets are a “feel good” story like a Disney hero movie: 90% myth and fabrication. Most of what is claimed about the Syrian rescue group is untrue. They are not primarily Syrian; the group was initiated by British military contractor James LeMesurier and has been heavily funded (about $100 million) by the USA, UK and other governments. They are not volunteers; they are paid. This is confirmed in the Al Jazeera video which shows some White Helmet “volunteers’ talking about going on strike if they don’t get paid soon. Most of the heavy funding goes to the marketing which is run by “The Syria Campaign” based in New York. The manager is an Irish America woman Anna Nolan who has never been to Syria. As an example of its deception, “The Syria Campaign” website features video showing children dancing and playing soccer implying they are part of the opposition demand for a “free and peaceful” Syria . But the video images are taken from a 2010 BBC documentary about education in Syria under the Baath government.

When eastern Aleppo was finally freed from the armed militants, it was discovered that the White Helmets headquarters were alongside the headquarters of the Al Qaeda Syrian militant group. Civilians from east Aleppo reported that the White Helmets primarily responded when the militants were attacked. Soon after departing Aleppo in government supplied buses (!) the White Helmets showed up in the mountains above Damascus where they allied with terrorist groups in poisoning then shutting off the water source for five million people in Damascus.

The White Helmets’ claim to be neutral and independent is another lie. They only work in areas controlled by the rebel groups, primarily Nusra/ Al Qaeda.  Their leaders actively call for US and NATO intervention in Syria. Video shows White Helmet workers picking up the corpse of a civilian after execution and celebrating Nusra / Al Qaeda terrorist battle wins.

The movie is as fraudulent as the group it tries to heroize. The film-makers never set foot in Syria. Their video footage takes place in southern Turkey where they show White Helmet trainees in a hotel and talking on cell phones. Thrilling. There is some footage from inside Syria but it looks contrived.  The opening scene depicts a White Helmet “volunteer” going to work and beseeching his son not to give mommy a hard time. Real or scripted?

The message is simple: here are people we can support; they are under attack by the brutal “regime”…shouldn’t we “do something” to stop it??!

Khaled Khatib is said to be the person who filmed the footage from inside Syria. He has reportedly received a US visa and will attend the Oscars. This will likely garner special media attention. Ironically, some of those who have exploited the refugee issue for their own fund-raising campaigns, like Human Rights Watch, are groups which promote the war which created the refugee crisis.

Khatib has tweeted the first video he took showing the White Helmets. It looks remarkably unrealistic, with a girl who was totally buried being removed without injuries or wounds or even much dirt. Is it really possible to rescue people that quickly? In the real world, rescue workers are told to work slowly so as to not damage or exacerbate body injuries. The original video has the logo of Aleppo Media Center (AMC) which was created by the Syrian Expatriates Organization.  Their address on K Street in Washington DC suggests this is yet another Western funded media campaign driven by political objectives.

In the past few days, with perfect timing for the upcoming Oscars, there is yet another “miracle” rescue …. another girl totally buried but then removed and whisked away in record breaking time – perfect for social media.  Is it real or is it contrived?

This raises a question regarding the integrity of the Oscar Academy Awards. Are awards given for actual quality, authenticity, skill and passion?  Or are Oscar awards sometimes given under political and financial influence?  There is political motivation to promote the White Helmets as part of the effort to prevent the collapse of the Western/Israeli/regional campaign to overthrow the Syrian government.  These same governments have given boatloads of money to fuel the propaganda campaign. Last week Syria Solidarity Movement reached out to three marketing firms in the LA area to request help challenging the White Helmets nomination.  Two of the firms declined and the third said they were already being paid to promote the nomination!

The true source and purpose of the White Helmets was exposed almost two years ago. More recently Vanessa Beeley has documented the fact there is a REAL Syrian Civil Defence which was begun in the 1950’s and is a member of the International Civil Defense Organizations. This organization is opposite to the group created in Turkey in 2013. According to on-the-ground interviews in Aleppo, terrorists began by killing real Syrian rescue workers and stealing their equipment.  Since then the White Helmets have been supplied, by the West through Turkey, with brand new ambulances and related rescue equipment.

Max Blumenthal has written a two part detailed examination of the “shadowy PR firm” behind the “White Helmets”. And Jan Oberg has written an overview survey of the “pro” and “con” examinations in his work “Just How Gray are the White Helmets”.

Yet mainstream media, and some ‘alternative’ media, continue to uncritically promote the myth of the “White Helmets”. The promoters of the group absolutely deserve an award for marketing and advertising.  This is a field where truth and reality is irrelevant; it’s all about sales and manipulation. On that basis, the “White Helmets” has been an incredible success. The group was started as “Syria Civil Defense”  in Turkey in 2013.  It was re-branded as the “White Helmets” in 2014. It was heavily used in 2014 and 2015 by Nicholas Kristof, Avaaz and others to campaign for all out aggression against Syria.  In 2016 the group received the Rights Livelihood Award and was seriously considered for a Nobel Peace Prize.  These facts show how corrupt and politically and financially influenced the Rights Livelihood Award and Nobel Peace Prize can be.

The White Helmets movie is a tactic in the ongoing campaign of distortion and deception around Syria.  It’s a fraud, just like the fake kidnapping of NBC reporter Richard Engel. The Oscars will be a demonstration of the integrity of the Academy Awards.  The reporting on the story will be a test of the integrity and accuracy of media outlets. Ironically, the Israeli mainstream TV program I24 presented both sides and titled the segment “White Helmets: Heroes or Hoax?”.  In contrast, the highly popular and widely respected DemocracyNow has  only broadcast a puff piece promoting the “White Helmet” disinformation.  The coming days will reveal more about the ongoing information war against Syria.  Meanwhile on online petition continues to gather signatures to NOT give the Oscar to the White Helmets deception.

Saturday Matinee: Metropolis

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From Open Culture:

Today we bring you one of the most influential films of all time: Fritz Lang’s 1927 fable of good and evil fighting it out in a futuristic urban dystopia, Metropolis.

The melodrama is set in the year 2026. Metropolis is a beautiful high-tech city, but beneath the dazzling surface toil masses of enslaved workers. To keep the machinery running efficiently, the workers have been forced to become virtual machines themselves. The city is ruled by a heartless mastermind named Johann Fredersen, whose idealistic son, Freder, discovers the cruel conditions imposed on the workers and rebels against his father.

Freder falls in love with Maria, a messianic figure preaching love and reconciliation, but his father hatches an evil plot to turn the workers against Maria. He hires the mad scientist Rotwang to make a robotic counterfeit of Maria to wreak havoc among the workers, discrediting her and discouraging rebellion. An epic struggle ensues.

Lang actually detested the story, which was written mostly by his wife Thea Von Harbou. He told Peter Bogdanovich that Metropolis was “silly and stupid.” But from a visual standpoint the film is one of the great works of 20th century art. Lang said he got the idea of making a movie about a futuristic city while visiting New York in 1924. Standing at night on the deck of his ship in New York Harbor, the filmmaker looked up and was amazed:

I saw a street lit as if in full daylight by neon lights and, topping them, oversized luminous advertisements moving, turning, flashing on and off, spiraling…something that was completely new and nearly fairy tale-like for a European in those days….The buildings seemed to be a vertical veil, shimmering, almost weightless, a luxurious cloth hung from the sky to dazzle, distract, and hypnotize. At night the city did not give the impression of being alive; it lived as illusions lived. I knew then that I had to make a film about all of these sensations.

The iconic poster image above is reproduced from an extremely rare program printed for the March 21, 1927 London premiere of Metropolis. You can look through the entire 32-page program at the Web site of bookseller Peter Harrington. The page will open in a new window, so you can look at the program and stay here and watch the film.

There’s also a 2010 restoration of the film, supervised by the F.W. Murnau Foundation, which incorporates footage from an early print discovered in Buenos Aires, bringing the film closer to Lang’s original vision.

Saturday Matinee: Dust (2016)

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Dust is set in a dystopian world where most of humanity lives in walled cities to protect themselves from a chaotic environment where evolution occurs at breakneck speed, creating organisms which can be a deadly plague or miraculous medicine. It’s the job of a tracker to document the changes and, with the help of a black-market merchant, find a cure to save the society which he rejected.