Saturday Matinee: Terror in Resonance

9abcdefghijk_k31463y

“Terror in Resonance” is an 11 episode anime series directed by Shinichirō Watanabe (director of a number of cult anime titles such as Cowboy Bebop, Space Dandy and Samurai Champloo). This latest series (known in Japan as Terror in Tokyo) centers on two teenage terrorist masterminds code-named Nine and Twelve who collectively go by the name Sphynx. They set off a number of targeted bombs around the city while releasing videos designed to communicate cryptic messages to authorities. What starts off as a conventional “cat & mouse” detective story gradually becomes an even more intriguing parapolitical parable. Terror in Resonance stands out for its mixture of elements from Akira, Dark Angel and V for Vendetta and references to familiar topics in the conspiracy milieu such as thermite bombs, remotely piloted planes, EMPs and human experimentation.

Watch the first five episodes for free on Hulu:

Saturday Matinee: Reefer Madness the Movie Musical

MI0000825539

The earliest version of Reefer Madness was released in 1936. It was financed by a church group who intended it to be a morality tale warning parents of supposed dangers of cannabis use and helped prime the public for prohibitionist Harry Anslinger’s Marihuana Tax Act introduced a year later. In spring of 72, the founder of NORML, Keith Stroup, rediscovered the film and organized college campus screenings throughout California to raise funds for the California Marijuana Initiative which would potentially legalize cannabis in the 1972 fall elections. Though the initiative failed to pass, Reefer Madness was soon after elevated to the status of cult classic and became notorious for midnight movie screenings with spirited audience participation including mass pot smoking during key scenes.

Reefer Madness was “re-imagined” as a musical comedy by Kevin Murphy and premiered in Los Angeles in 1998 and in 2005 Showtime created the cable movie version directed by Andy Fickman and starring Kristen Bell, Christian Campbell, and John Kassir reprising their stage roles.

3 Ways to Overcome the System and Start Your Own Revolution

F9uXOjIj4WQq6disjprvezl72eJkfbmt4t8yenImKBVvK0kTmF0xjctABnaLJIm9

By Gary ‘Z’ McGee

Source: ZenGardner.com

How does it become a man to behave toward the American government today? I answer, that he cannot without disgrace be associated with it. I cannot for an instant recognize that political organization as my government which is the slave’s government also.” ~Henry David Thoreau

Here’s the thing: starting a revolution is a daunting task. Being a revolution, really living it, is still challenging, but it’s considerably less daunting. Raging against the machine has its place, and it can be fun as hell pissing in the Cocoa Puffs of the powers-that-be, but when it comes down to it, rebellious antics against the murderous man-machine are a flash in the pan compared to living the revolution day-in and day-out.

Don’t get me wrong, defending ourselves against machine-men with machine-hearts is a vital aspect of living the revolution, but it isn’t primary. What is primary is being the change we seek, and not allowing ourselves the easy path toward becoming machines ourselves. Whether it’s downsizing our carbon footprint or rebuilding our community blueprint, living the revolution is less about directly fighting the system and more about building a healthier one. Like Buckminster Fuller advised, “You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”

Which I only half agree with. Truly living the revolution is doing both: fighting the existing system while also building a new one. With this in mind, the following three tactics are primary actions we all must take in order to overcome the unhealthy, unsustainable, and violent man-machine of the all-too-cliché Matrix.

1. Overcome the Appropriation of Your Freedom

“To put it still more plainly: the desire for security and the feeling of insecurity are the same thing. To hold your breath is to lose your breath. A society based on the quest for security is nothing but a breath-retention contest in which everyone is as taut as a drum and as purple as a beet.” ~Alan Watts

Don’t give into the hype of state-driven human governance. The hype is diabolically hyperreal, an abstraction of an abstraction, and it’s preventing you from being authentically free. Stop drinking the Kool-Aid the system has been trying to pour down your throat your entire life. Flip over the punchbowl instead. It’s distracting you from the following three truths: everything is connected; you are the world and the world is you; and you are independent because you are interdependent upon a healthy environment. Otherwise your independence is nothing more than a tool of your ego and your ego is nothing more than a pawn for the unhealthy system.

Overcoming the appropriation of your freedom is first realizing that everything is connected. The system doesn’t want you to understand this, because then the jig is up. The system wants you to believe that you need it in order to survive. But all you actually need is food, water, shelter, and healthy human companionship in a clean environment. As it stands, the system locks up your food, it unsustainably bottles your water, it brainwashes you into believing that’s all okay, while devastating entire ecosystems behind the scenes and calling it “progress.” Exactly the opposite of what we need as a healthy species.

If, as Albert Camus said, “In order to understand the world, one has to turn away from it on occasion,” then it behooves us to turn away from the Matrix and face the Desert of the Real so that we can get the horse of progressive, sustainable evolution back in front of the cart of outdated, unsustainable “progress.” In order to understand the world as it really is, we must be able to turn away from anyone or any system that undermines the health of the world as an interconnected organism. It begins by looking into the mirror and changing your worldview from “you versus the world” to “you are the world.”

2. Overcome the Hijacking of Your Imagination

“The best use of imagination is creativity. The worst use of imagination is anxiety.” ~Deepak Chopra

Choose acceptance over anxiety. Use your imagination to flip the script. There’s more ways to be in this world than the way you’ve been spoon-fed into believing. Understand that the system is designed to keep you indebted to it, then turn the tables by realizing that debt is ultimately an illusion, a cartoon in your head, a hyperreal abstraction that has your brain tied up in knots. Accept that you’ve been swallowing the blue pill of deceit your entire life, and then have the courage to swallow the red pill of truth instead.

As Chuck Palanuik warns, “Big Brother is making sure your imagination withers. Until it’s as useful as your appendix. He’s making sure your attention is always filled. With the system always filling you, no one has to worry about what’s in your mind. With everyone’s imagination atrophied, no one will ever be a threat to the system.”

As it stands, inside the system, you’ve been tranquilized by the trivial. Your creativity has been syphoned into mindless jobs and fed back to you as colorful placation. Devoid of imagination, you live in a sea of hyper-realities that have dulled your senses to what it truly means to be free. Break the cycle. Don’t allow the conquer-control-consume-destroy-repeat, knee-jerk reaction of culture to destroy your imagination. Don’t allow your life to be turned into a commodity. Be creative despite the crippling status anxiety of the system.

Take back the airplane of your imagination. You are the pilot, not them. So the system hijacked your imagination? Hijack it right back. The only “war” you need to worry about is going on in your head. As Diane Di Prima said, “The only war that matters is the war against imagination. All other wars are subsumed by it.” Indeed, seek that sacred space where imagination reimagines itself.

3. Overcome the Suppressing of Your Spirituality

“Which is more likely — that the whole natural order is to be suspended, or that a Jewish minx should tell a lie?” ~David Hume

You have to choke on the finite God that’s been shoved down your throat before you can digest the infinite God that wakes you up. The finite God is religion. The infinite God is spirituality. The suppression of our spirituality by both the church and the state is a tough one to overcome. After all, it is human nature to cling to beliefs, no matter how absurd. But overcome it we must if we are to evolve as a healthy species, let alone to thrive despite the unhealthy system surrounding us.
Religion is rigid, dogmatic, and divisive, and when taken too seriously, it’s violent. Spirituality is flexible, open-minded, harmonious, holistic, and antithetical to violence. Religion is based upon politics and belief. Spirituality is based upon mystery and awe. Spirituality is everything religion claims to be, but isn’t. Religion assumes. Spirituality subsumes. The system (church and state) wants you to assume that it has your best interest at heart, when really it relies upon you being ignorant and apathetic. Spirituality is antithetical to the system precisely because it encourages awareness and empathy. Spirituality attempts to rejuvenate sacred and moral traditions that have disintegrated because of the divisiveness of the church and state; a divisiveness that has caused worldwide disorientation and dissociation.

At the end of the day, being the revolution isn’t a fad, it’s a lifestyle. This isn’t a diet that you go on for a week and then go back to your old, rigid, destructive, consumerist ways devoid of any deep, spiritual meaning. No. This is a life-link. This is interdependent freedom. This is reimagining imagination. This is reconnecting the spiritual disconnect between nature and the human soul. It will be the brave and audacious minority –who dare to live the revolution despite the cow-eyed majority that are codependent on an unhealthy system –who will change the world.

As Henri Bergson profoundly articulated:

“Fortunately, some are born with spiritual immune systems that sooner or later give rejection to the illusory worldview grafted upon them from birth through social conditioning. They begin sensing that something is amiss, and start looking for answers. Inner knowledge and anomalous outer experiences show them a side of reality others are oblivious to, and so begins their journey of awakening. Each step of the journey is made by following the heart instead of following the crowd and by choosing knowledge over the veils of ignorance.”

 

About the Author

Gary ‘Z’ McGeea former Navy Intelligence Specialist turned philosopher, is the author of Birthday Suit of God and The Looking Glass Man. His works are inspired by the great philosophers of the ages and his wide awake view of the modern world.

This article (3 Ways to Overcome the System and Start Your Own Revolution) was originally created and published by Waking Times and is printed here under a Creative Commons license with attribution to Gary ‘Z’ McGee and WakingTimes.com. It may be re-posted freely with proper attribution, author bio, and this statement of copyright.

Saturday Matinee: Crash! (1971)

Crash_Spain_525

From Open Culture:

The Very First Film of J.G. Ballard’s Crash, Starring Ballard Himself (1971)

The Collins English Dictionary defines “Ballardian” as “resembling or suggestive of the conditions described in J. G. Ballard’s novels and stories, especially dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments.” You’ll find no more distilled dose of the Ballardian than in Ballard’s book The Atrocity Exhibition, a 1969 experimental novel, or collection of fragments, or what’s been called a collection of “condensed novels.” Subject to an obscenity trial in the United States and the subsequent pulping of nearly a whole print run, the book has earned a permanent place in the canon of controversial literature. Its twelfth chapter, “Crash!”, even provided the seed for a Ballard novel to come: 1973’s Crash, a story of symphorophilia which David Cronenberg adapted into a film 23 years later. The movie, in its turn, stoked a furor in the United Kingdom, culminating in a Daily Mail campaign to ban it. But as far as filming material born of Ballard’s fascination with the intersection of auto wrecks and sexuality, Cronenberg didn’t get there first.

Susan Emerling and Zoe Beloff drew from Crash the novel to make the still-unreleased Nightmare Angel in 1986, but fifteen years before that, Harley Cokeliss turned “Crash!” the chapter into Crash! the short film (also known as The Atrocity Exhibition). Casting Ballard himself in the starring role and Gabrielle Drake (sister of singer-songwriter Nick Drake) opposite, Cokeliss crafts a vision almost oppressively of the seventies: the protagonist’s wide, striped shirt collar dominates his even wider jacket collar below the grim visage he wears while ensconsed in the suit of armor that is his hulking American vehicle. “I think the key image of the twentieth century is the man in the motor car,” Ballard says in voiceover. “Have we reached a point now in the seventies where we only make sense in terms of these huge technological systems? I think so myself, and that it is the vital job of the writer to try to analyze and understand the huge significance of this metallized dream.” If this Ballardian vision resonates with you, see also Simon Sellars’ thorough essay on the film at fan site Ballardian.

Saturday Matinee: Tere Bin Laden

Statu_With_Ali_Poster_With_Date

“Tere Bin Laden” (2010) is a Bollywood comedy written and directed by Abhishek Sharma. Pakistani pop star Ali Zafar stars as Ali Hassan, a TV reporter for a low budget news station in Karachi. Determined to find success in America despite previously being deported after being mistaken for a terrorist, he hatches a plan to raise funds for a fake ID with a sensational video using Noora (Pradhuman Singh), a dimwitted chicken farmer who happens to be a convincing Bin Laden lookalike. The plan rapidly spins out of control when it gets the attention of US government officials and the Pakistani intelligence agency. Though some gags dependent on regional references and wordplay may be lost on western audiences, much of it is broad enough to transcend cultures (especially bits mocking the paranoid and xenophobic post 9/11 milieu). Not surprisingly, the film was banned upon release in the US and several countries in the Middle East including Pakistan. The sequel Tere Bin Laden: Dead or Alive was released last February.