“Uncanny Valley” (2015, dir. Federico Heller) uses a documentary format and virtual reality scenarios to depict a frightening world in which damaged individuals rely on VR as a means to escape their depressing social reality while being used by the state.
“Hyper-Reality” (2016, dir. Keiichi Matsuda) depicts an average day in the life of a struggling precariat woman, that is, until she’s gang stalked by virtual and physical predators.

“Attack the Block” (2011) is a British sci-fi/horror/comedy written and directed by Joe Cornish. The plot takes place in London on Guy Fawkes night following a teenage street gang who, with the help of neighbors, drug dealers, a nurse and college student, hatch a scheme to save their city from an alien invasion. The film was produced from the creators of Shaun of the Dead and features a cameo by Nick Frost as well as a stand-out lead performance (and film debut) by John Boyega who later played Finn in Star Wars: The Force Awakens.
Watch the full movie here.

“Mars Attacks!” (1996) is a satirical alien invasion film directed by Tim Burton and starring a surprisingly large cast of familiar actors. It’s easy to forget that Burton, now a friend of the establishment, once made films with a misanthropic subversive element. This is in full view in Mars Attacks! which (similar to Verhoeven’s Starship Troopers) embraces its inherently xenophobic premise and pushes it over-the-top to skewer society’s most cherished institutions (ie. government, media, religion, and business). The movie bombed when first released but perhaps it was just a little ahead of its time?
Watch the full film here.

Synopsis from Wikipedia:
Carnival of Souls is a 1962 American independent horror film starring Candace Hilligoss. The film was produced and directed by Herk Harvey for an estimated $33,000. Carnival of Souls did not gain widespread attention when originally released as a double feature with The Devil’s Messenger. Today, however, it is regarded as a cult classic. Its plot follows a young woman whose life is disturbed after a car accident, finding herself drawn to the pavilion of an abandoned carnival.
Set to an organ score by Gene Moore, Carnival of Souls relies more on atmosphere than on special effects to create a mood of unease and foreboding. The film has a large cult following and is occasionally screened at film and Halloween festivals. It has been cited as an important influence on the films of both David Lynch and George A. Romero.
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