Hybrid Landscapes – From Posthistoric to Posthuman

spiritual-phenomena-other-dimensions

By Kingsley L. Dennis

Source: Reality Sandwich

The collective psyche seems to be in the grip of a powerful archetypal dynamic in which the long-alienated modern mind is breaking through, out of the contractions of its birth process, out of what Blake called its “mind-forg’d manacles,” to rediscover its intimate relationship with nature and the larger cosmos.
Richard Tarnas

Reality, it seems, has been deregulated, and nothing is business as usual anymore….as ancient mapmakers used to mark on the watery unknown, “Here be dragons”
Erik Davis

Here be dragons, indeed. Our human exploration is swinging through a momentum that includes knowledge of the finer forces at work within the cosmos, which includes how we experiment in our interactions with not only the environment but also our bodies. In this article I will explore these themes, looking at memes of meta-programming to post-body scenarios – all in the framework of a human search along the sacred path of understanding our very selves.

American writer Philip K. Dick is famous mostly for his science-fiction books that question the nature and validity of our reality-matrix. In “The Android and the Human,” a speech that Dick gave in the early 1970s, he spoke about this blurring of the boundaries between body and environment:

[O]ur environment, and I mean our man-made world of machines, artificial constructs, computers, electronic systems, interlinking homeostatic components – all of this is in fact beginning more and more to possess what the earnest psychologists fear the primitive sees in his environment: animation. In a very real sense our environment is becoming alive, or at least quasi-alive, and in ways specifically and fundamentally analogous to ourselves.1 

The human-body-environment is increasingly being reconfigured as a site for a new magical animism, as distinct from the previous archaic notion of animism. Writer-philosopher Erik Davis has referred to this as a sort of ‘techno-animism’ whereby we give life to our technologies based on our imaginations.2 This new configuration is no longer anymore about technologies and us, but rather our technological bodies that now inhabit our ‘techno-imaginal’ realm. The body is becoming back into vogue as a site for experience and experimentation, as a vessel that interacts, intercedes, and interprets the sacred-mystical reality-matrix that encloses us. As modern quantum science has now aptly demonstrated, we do not inhabit a subject-object type of us-and-it world.[1] All materiality is enmeshed within a quantum entangled universe, and our bodies are somatically communicating with this energy field simultaneously.

Much of the western spiritual (Gnostic) mystical practice is interpreted as a somatically felt experience. The body is the instrument that receives and grounds the experience, whether it be in terms of the ‘great flash’, ‘illuminating light’ or the ‘bodily rush.’ The body is the human instrument for attracting and centralizing (receiving, transcribing, and sometimes transferring) the developmental energy. There are many ‘bodies’ in spiritual-mystic traditions, including the etheric, the spiritual, the ecstatic, the subtle, the higher, and others, so that the purely physical-material body is recognized as the densest and least mobile of them all. As cultural historian Morris Berman has noted, the body in history has always been a site/sight of focus.3 It has helped define the experience of the Self/Other, the Outer/Inner, and to be a material vessel for the spiritual impulse. Our earlier ancestors, who exhibited more of an animist relationship to the world, saw less distinction between the physical body and its environment. The rise of the philosophy of dualism and the mind-body split, which was supported by the mechanistic worldview, saw our modern societies further strengthen the mind/body rift. This was publicly endorsed by Orthodox/organized religions that have been quick to spurn and even demonize the body. Many so-called ‘modern’ societies around the world have, at one time or another, attempted to suppress the power and expression of the human body. The body has always been a site for the convergence of power and control. Perhaps no one in recent times has done more to expose this body-power relationship than the work of French philosopher Michel Foucault.[2] Foucault has deconstructed, in the body of work that he refers to as a critical history of modernity, how the body has been fought over as a site of power. The physical body is a location of resistance against the establishment; it is a fixed place where an individual can be located, found, and held accountable. If we cannot escape from our bodies then, it seems, we are forever within the system. The body-in-system has always been taken to represent the form of something, as a socially tangible entity. We have bodies in terms of social institutions, such as the body politic, or the social body, the scientific body, the medical body, or the body of an organization, etc. The once sacred site of the body, which was the vessel for somatic spiritual experiences, has become the subject of control and suppression.

In Gnostic terms the body’s site of power has been referred to as those of the ‘sleepers’ and ‘wakers.’ The ‘sleepers’ being those whose conscious self has yet to break through the layers of the body’s social conditioning. The spiritual-somatic experience has been seen as a threat to hierarchical societies because it exists beyond their bounds of power. This is one reason why ecstatic experiences – whether through spiritual or other means – have been suppressed, outlawed, and discredited by religions and mainstream institutions alike. Ecstatic experiences that can break down human thinking patterns and conditioning structures are unnerving for institutions of social-political power. How can you control, regulate, and discipline a body/energy/experience that has no physical location? Such intangible forces, such as the power of baraka,[3] is positively infectious and beyond bounds. As Berman notes,

The goal of the Church (any church) is to obtain a monopoly on this vibratory experience, to channel it into its own symbol system, when the truth is that the somatic response is not the exclusive property of any given religious leader or particular set of symbols. 4 

The spiritual-occult renaissance of the 20th century strove to rejuvenate and strengthen the presence of the somatic experience. This intangible flow of spiritual blessing, grace, and power is also a resurging undercurrent in the sacred revival.

In more recent times there has been an increasing focus on what is termed the innate consciousness (of the body), and which has been revealed through such techniques as muscle testing. It is innate because it is inborn (born in and of the body), and it is instinctual. Somatic consciousness then is another word for our intuitive intelligence. As I discussed in a previous book,[4] many of those now being born into the world are displaying a stronger sense of intuitive intelligence. However, in our modern haste we have, in the words of French philosopher Bruno Latour, never really been modern at all since we continue to exist in an anthropological matrix where nature and culture cannot be neatly divided. As Latour points out, this matrix is composed of hybrids where natural/cultural, real/imagined, and subject/object merge. Moreover, this hybridity is being further enforced and coalesced through genetic engineering, implants, virtual reality, and NBIC sciences (Nanotechnology, Biotechnology, Information technology and Cognitive science). Latour is right in saying that humanity has never exited from what he refers to as our pre-modern ancestors’ world. We are, and always have been, a hybrid of body-mind-environment. Yet unlike Latour, I contest that we are modern – or rather we are past the post of post-modern, in how we are merging our lives into a new hybrid fusion.

Our ancestors made no such division between nature and society because their state of consciousness did not allow them to – they simply did not perceive it. However, the state of human consciousness today is far different in its capability and lucidity to perceive and acknowledge the relationship with our external world. Saying this, of course, in our development ‘to be modern’ we left behind the sacred component of perceiving just how entangled our reality truly is. Yet the succeeding ‘post-modern’ stage then worked on breaking down these ‘perceptions of containment.’ As William Irwin Thompson says,

The project of Modernism was to expel preindustrial magic and mysticism and stabilize consciousness in materialism, but the projects of postmodernism have broken down the walls that once contained us in a solidly materialistic and confidently middle class worldview. 5 

This breakdown has now moved into a more advanced stage with the advent of the internet and digital technologies. We have now entered what Thompson refers to as the ‘astral plane, a bardo realm, in which everything is out there at once, a technologized form of the collective unconscious…a place where the physical body is either dead or absent.’ 6

Thompson prefers to view this technologized-bardo realm, where the physical body is either dead or absent, not as post-modern but as postcivilization – or even posthistoric.7 We are in a new phase of planetary culture where we are no longer simply reacting to emerging technologies, but rather our evolving state of consciousness is drawing forth these new technologies. In other words, it is as if new technologies come into being in accordance with shifting states of human consciousness. Like a good magician, we are pulling new technological innovations out of the hat of our collective consciousness – archetypes into manifestation. Whereas modernity was about ‘coming to our senses’ in a rather conservative way, the posts we have passed now – whether they be modern, civilization, or historic – are about shifting beyond our senses. As one well-placed commentator put it,

The human being’s organism is producing a new complex of organs in response to such a need. In this age of the transcending of time and space, the complex of organs is concerned with the transcending of time and space. What ordinary people regard as sporadic and occasional bursts of telepathic or prophetic power are…nothing less than the first stirrings of these same organs.8 

As a new historical phase unfolds within the human species – as part of a shift toward a planetary civilization – it appears that new needs are pushing out – or birthing – novel organs or faculties within the human being.

This brings to mind the Richard Tarnas quote that headed up this article, where he stated that the once alienated (read ‘sacred’) mind is now breaking through, as if in a birth process, out of what Blake called its “mind-forg’d manacles,” to ‘rediscover its intimate relationship with nature and the larger cosmos.’ Note that Tarnas said ‘rediscover,’ suggesting it is a recovery, a revival, and not a new birth. The sacred revival of which I speak is literally carving out a new topography for itself.

Hybrid Landscapes

Our millennial era is still trying to decide how to define and view the physical biological body. At this stage the landscape is literally littered with a thousand voices, all howling ‘for the ancient heavenly connection to the starry dynamo in the machinery of night.[5] Some voices see the human body as a hindrance upon the evolutionary journey toward an immortal society that is destined for the stellar neighbourhood. Others view it as a field for experimentation; to tinker and adapt toward a genetically modified hybrid. There are still others who see the body as a site to blur the boundaries between the digital and physical worlds. And then there are those voices who view the biological body as undergoing its own intrinsic in-built modification, or upgrade, through a self-adapting nervous system, programmed by emerging DNA programs hitherto latent.

In the latter part of the 20th century we had a wave of trends that all converged upon the body-mind-spirit matrix. These streams included the physical (bodily) research fields of cybernetics, computer programming, and artificial intelligence. These streams then interwove with the mind-spirit tropes of psychedelic experimentation (LSD, peyote, etc), mystical philosophies (Gurdjieff, Castaneda, etc) and transcendental movements. You would literally need a whole book dedicated to this topic alone to even begin to make a credible dent into this yellow brick road bricolage of body-mind-spirit convergences. Just to give a slight taste from the tip of the iceberg I will ever so briefly mention how the computer metaphor gave rise to notions of programming – and meta-programming – the human body as a biocomputer. This image was reinforced by Dr. John C. Lilly’s bookProgramming and Metaprogramming in the Human Biocomputer that described some of his experiments on human consciousness and human-dolphin communication. Meta-programming became a core theme of the writings of Timothy Leary and Robert Anton Wilson who produced such works as Exo-Psychology: A Manual on the Use of the Human Nervous System According to the Instructions of the Manufacturers and Prometheus Rising respectively. Both these works discuss an eight-circuit model of consciousness that is part of a path in neurological evolution. Both authors, Leary especially, took it upon themselves to evolve a philosophy stating that the future evolution of human civilization was encoded in our DNA. Hence, the new sacred technology is our nervous system itself, and our DNA is already hard-wired for evolutionary mutation. Similarly, running through some of these streams were the ideas of Caucasian mystic G. I. Gurdjieff who spoke of the human being in terms of a ‘man-machine’ that was asleep to life and could be triggered into wakeful activation. Leary, as if in Gurdjieffian overtones, would call for humanity to ‘wake up, mutate, and ascend.’9 The new sacred magic had mutated into practices (rituals) to reprogram the apparatus that receives, according to the authors, our biofields as well as human consciousness; namely, DNA. Interestingly, recent advances in quantum biology have outlined how DNA emits biophotons that produces a coherent biological field that may be susceptible to impact and influence (read ‘reprogramming’ here).10[6]

Whether or not the new game in town was actively to epigenetically re-program the DNA through a fusion of transcendental and/or psychedelic practices, it was very much about work on oneself. Gurdjieff’s program of study – called The Fourth Way – was a kind of blend of Eastern dervish yoga with western scientism. As Gurdjieff famously proclaimed – Take the understanding of the East and the knowledge of the West and then seek. This blend of eastern understanding and western knowledge became known amongst its adherents simply as The Work. The western melting pot of sacred angst and survivalist spirituality saw an emergence of similar tropes such as E.J. Gold’s The Human Biological Machine as a Transformational Apparatus. The western playing field in the second half of the 20th century was open to the new Great Game – and it involved inner spaces and the body-mind matrix. Robert S. de Ropp aptly called it the Master Game in his book Master Game: Pathways to Higher Consciousness Beyond the Drug Experience. For a sense of what was bubbling up around this Master Game sacred revival, in the US especially, one needs to understand a history of the Esalen Institute, co-founded by Michael Murphy and Richard Price on the Californian shores.[7] An excellent, if exhaustive, study of the body-mind matrix based upon the fizzy, fired-up tropes of the time is Michael Murphy’s Future of the Body: Explorations into the Further Evolution of Human Nature. These explorations, however, were all based upon expanding and amplifying the potentials of our current human biological body-mind. That was before the computer trope really got going – and science-fiction became research grant.

The rise of the robots literally happened after the Dartmouth Summer Research Project on Artificial Intelligence (AI), in the summer of 1956, announced the beginning of the AI field. College campuses and defence departments suddenly began the earnest journey along the stony research road that finally spawned the controversial concept of consciousness upload. One of the more vocal supporters of this ‘mind-in-machine’ notion is robotics researcher Hans Moravec. Moravec, whose books include Mind Children and Robot, outlines a future where the human mind can be uploaded as a precursor to full artificial intelligence. Similarly, cognitive scientist Marvin Minksy (who was one of the 1956 gang who coined the AI field) espoused a philosophy that saw no fundamental difference between humans and machines – as put forward in such works as his Society of Mind. Artificial Intelligence is uncannily consistent with the Christian belief in resurrection and immortality – does this make AI research into a sacred, god-like enterprise? It does make us wonder. Historian of technology David F. Noble notes also that the AI project is imbued with its own trajectory of transcendence:

The thinking machine was not, then, an embodiment of what was specifically human, but of what was specifically divine about humans – the immortal mind…the immortal mind could evolve independently into ever higher forms of artificial life, reunited at last with its origin, the mind of God.11

Other streams have been quick to spring up around this fertile theme, including several futurist movements and their manifestos. These have included, but not limited to, the Upwingers (F. M. Esfandiary), Extropians, Transhumanists; and then later came the high-profile members that announced the Technological Singularity.

F.M. Esfandiary’s ‘Upwingers Manifesto’ (by now Esfandiary was known as FM-2030) announced in the 1970s our glorious moment in human evolution. According to their manifesto:

We UpWingers are resigned to nothing. We consider no human problems irreversible – no goals unattain-able. For the first time in history we have the ability, the resources, the genius to resolve ALL our age-old problems. Attain ALL our boldest visions.[8]

Similarly, in the 1980s Max Moore and Natasha Vita-More expounded on Extropian principles which later came to be formulated as: Perpetual Progress; Self-Transformation; Practical Optimism; Intelligent Technology; Self-Direction; and Rational Thinking. And for the Moores, Intelligent Technology meant ‘Applying science and technology creatively and courageously to transcend “natural” but harmful, confining qualities derived from our biological heritage, culture, and environment.’ [9] The Transhumanist movement is still going strong and is not definable to any one particular group, although Humanity Plus (H+) is one of its most recognized institutions. There are streams and sub-groups under the transhumanist umbrella, and yet they all share a similar goal in viewing the human condition as being open to transformation through the use of sophisticated technologies. In other words, the goal is to give humanity a technological upgrade to its current bodily and mental capacities.

From Gurdjieff’s ‘man-machine,’ to Moravec and Minsky, to Max and Natasha Vita-More and Ray Kurzweil, the list goes on. And recently we have had the call for a new speciation along the homo sapiens evolutionary line – into Homo evolutis. In their TED talk and subsequent book Homo Evolutis Juan Enriquez and Steve Gullans present how we have already gone through twenty-five speciation events before arriving at our current species. Enriquez and Gullans consider it an anomaly to think that no other humanoid will ever evolve; and so they ask the question – ‘what would the next human species look like?’ They say that ‘We are transitioning from a hominid that is conscious of its environment into one that drastically shapes its own evolution…We are entering a period of hypernatural evolution…Homo evolutis.’12 This brings us back again to Latour’s concept of the anthropological matrix where nature and culture is mixed together without clear boundaries. With the NBIC sciences of nanotechnology, biotechnology, information technology and cognitive science we are meshing our genetic and cultural DNA. We are 3-D printing buildings as well as human body parts. We are now as a species consciously and deliberately experimenting, shaping, and morphing our environments, as well as journeying and mapping our inner spaces. We are the inhabitants and psychonauts of hybrid landscapes. And yet why should all this be part of an observation on the sacred revival? Because this transmutation of the human condition is what we, as a sentient sapien species, have always been doing.

Our early ancestors were obsessed with the transmutation of the human body-mind as far back as 35,000 years ago. The existence of rock paintings of therianthropes (shape-shifting forms from human to animal) that date back 35,000 years are speculated to be the early origins of human religious traditions. The symbolic paintings and drawings on cave walls and traces of ancient rituals which appear throughout the Palaeolithic era display a ‘primitive’ people in touch with the unseen realm. They display a fascination with a creative world beyond that of the human reality-matrix. These numerous examples of sacred, ritualistic art show how early humans were communing with a transcendental realm which modern humans have never stopped attempting to access. Noted anthropologist David Lewis-Williams has built a theory which explains how the people of the Upper Palaeolithic era harnessed altered states of consciousness to fashion their society, and used such imagery as a means of establishing and defining social relationships.13 The rock art of shape-shifting therianthropes also suggests a ‘primitive’ spiritual belief in the human soul as being connected to that of an animal or another being. Here we have a clear indication of our early ancestors creating sacred ritual around the transmutation and transcending of the human body-mind matrix. And this, in a nutshell, is part of the wisdom stream of shamanism.

It appears then that the human body-mind matrix has always, since earliest known cultural records, been a site for practicing sacred transcendentalism not far off from current transhumanist notions. As a species ‘in-transmutation’ we are increasingly having out-of-body experiences that meld cosmic consciousness with cultural artefacts. From the published out-of-body flights of Robert Monroe[10] to the rise in channelled texts and audio, we have passed beyond our senses into a totally different multifaceted realm. We are not wanderers in an anthropological matrix but waves and particles in a holographic field where each flash and speck contains and reflects the whole. Enmeshed and entangled within this field-matrix we are akin to the famous Buddhist Indra’s Net analogy:

Far away in the heavenly abode of the great god Indra, there is a wonderful net that has been hung by some cunning artificer in such a manner that it stretches out infinitely in all directions. In accordance with the extravagant tastes of deities, the artificer has hung a single glittering jewel in each “eye” of the net, and since the net itself is infinite in all dimensions, the jewels are infinite in number. There hang the jewels, glittering like stars of the first magnitude, a wonderful sight to behold. If we now arbitrarily select one of these jewels for inspection and look closely at it, we will discover that in its polished surface there are reflected all the other jewels in the net, infinite in number. Not only that, but each of the jewels reflected in this one jewel is also reflecting all the other jewels, so that there is an infinite reflecting process occurring.14

We are also reflections of ourselves in other universes as our reality-matrix bends and curves throughout countless cosmic contortions. According to physicist Paul Davis we co-exist alongside countless billions of other universes ‘some almost identical to ours, others wildly different, inhabited by myriads or near carbon-copies of ourselves in a gigantic, multifoliate reality of parallel worlds.’15 We no longer know what it means to live in a dualistic subject/object type of world. Our dualistic prison walls have disintegrated around us like a simulacrum or, in more popular parlance, like a rebooting video game.

We have already passed the post into a posthistoric era. Almost everything is up for grabs, which makes this era one of spectacular possibilities as well as gravest dangers. It would appear to any off-world observer that we are in the midst of a western slipstream of creative nihilism that is creeping its way around the fringes of tech-geekism and apocryphal-apocalyptic mysticism that says Take Nothing for Granted! As the ancient mapmakers used to scribe over unknown watery territories, Here be dragons – and here indeed they be, like lounging lizards waiting to lick at our heels. These are adventurous times as we innovate with outer form, and forge ahead into the inner spaces of essence. These are the features that adorn the sacred – the multifaceted faces of the body-mind-nature matrix that weaves the cosmic with the social, and which collapses the wave of duality. Lifepass the post is where we experiment with ourselves, as a species, and as a vessel of consciousness. And this, if done in a right relationship within our reality-matrix, is at its core a sacred art. Our cultural canvas is a palimpsest upon which new fictions and artefacts are engraved. And these fictions are the channels through which the sacred revival is raising its head and smiling the seven rays of emanation.

1 Cited in Davis, Erik (1998) Techgnosis: myth, magic and mysticism in the age of information. New York, Three Rivers Press, p187

2 Davis, Erik (1998) Techgnosis: myth, magic and mysticism in the age of information. New York, Three Rivers Press

3 Berman, Morris (1990) Coming to Our Senses: Body and Spirit in the Hidden History of the West. New York, HarperCollins.

4 Berman, Morris (1990) Coming to Our Senses: Body and Spirit in the Hidden History of the West. New York, HarperCollins, p146

5 Thompson, William Irwin (1998) Coming Into Being: Artifacts and Texts in the Evolution of Consciousness. New York, St. Martin’s Griffin, p307

6 Thompson, William Irwin (1998) Coming Into Being: Artifacts and Texts in the Evolution of Consciousness. New York, St. Martin’s Griffin, p307

7 Thompson, William Irwin (1998) Coming Into Being: Artifacts and Texts in the Evolution of Consciousness. New York, St. Martin’s Griffin.

8 Shah, I. (1982) The Sufis. London: Octagon, p54

9 Leary, Timothy (1988) Info-Psychology. New Mexico, New Falcon Publications.

10 Ho, Mae-Wan (1998) The Rainbow and the Worm: The Physics of Organisms. Singapore, World Scientific.

11 Noble, David F. (1999) The Religion of Technology: The Divinity of Man and the Spirit of Invention. London, Penguin, p148-9

12 Enriquez, Juan and Gullans, Steve (2011) Homo Evolutis. TED Books – ebook only.

13 Lewis-Williams, David (2004) The Mind in the Cave: Consciousness and the Origins of Art. London, Thames & Hudson.

14Cited in Davis, Erik (1998) Techgnosis: myth, magic and mysticism in the age of information. New York, Three Rivers Press, p319

15 Cited in Thompson, William Irwin (1998) Coming Into Being: Artifacts and Texts in the Evolution of Consciousness. New York, St. Martin’s Griffin, p217        


[1] See Dawn of the Akashic Age: New Consciousness, Quantum Resonance, and the Future of the World by Ervin Laszlo and Kingsley L. Dennis

[2] See especially Michel Foucault’s Discipline and Punish.

[3] Baraka, a prominent concept in Islamic mysticism, refers to a flow of grace and spiritual power that can be transmitted.

[4] See The Phoenix Generation: A New Era of Connection, Compassion, and Consciousness

[5] Taken from part 1 of Allen Ginsberg’s poem Howl

[6] See also Dennis, Kingsley L. (2010) ‘Quantum Consciousness: Reconciling Science and Spirituality Toward Our Evolutionary Future(s)’, World Futures, 66: 7, 511 — 524

[7] See Esalen: America and the Religion of No Religion by Jeffrey J. Kripal

[8] http://transhumanism.org/index.php/WTA/more/upwingers/

[9] https://web.archive.org/web/20131015142449/http://extropy.org/principles.htm

Saturday Matinee: BoJack Horseman Christmas Special

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For those not familiar with the animated series “BoJack Horseman”, it’s a satire of Hollywood and celebrity culture centering on BoJack, a washed-out and self-destructive former star of a 90’s sitcom. In the BoJack Horseman Christmas Special: Sabrina’s Wish, BoJack and slacker friend Todd attempt to overcome holiday depression with a viewing of a Christmas episode of his old sitcom “Horsin’ Around”. Features the voices of Will Arnett, Amy Sedaris, Alison Brie, Aaron Paul, Fred Savage and Stanley Tucci.

Watch the full episode here:

Saturday Matinee: Hardware Wars/TROOPS

From Open Culture:

Hardware Wars: The Mother of All Star Wars Fan Films (and the Most Profitable Short Film Ever Made)

Back in 1977, San Francisco filmmaker Ernie Fosselius had the brainwave to make a spoof of a movie that had just come out. It was a risky move. Nobody had any sense that Star Wars would become the worldwide cultural phenomenon that it did. And just as George Lucas’s space opera earned staggering amounts of money, so did Fosselius’s parody, Hardware Wars. You can watch it above. Made for a mere eight grand, the 13-minute movie became a pre-internet viral hit and a staple on the festival circuit, ultimately earning over $1,000,000 – an unheard of haul for a short film. In fact, in terms of money spent versus money earned, Hardware Wars ended up being far more profitable than Star Wars. And it’s considered the most profitable short film ever made.

“I think a lot of the charm of that movie is the fact that we didn’t really know what we were doing,” said Scott Mathews, who donned a blonde wig to play the movie’s lead, Fluke Starbucker. The movie’s production is so gleefully cheap and half-assed that you can’t help but be charmed by it. Irons, toasters, and tape players are used in place of spaceships.

A canister vacuum cleaner stands in for R2D2, and Chewbacca appears to be a Cookie Monster puppet dyed brown. At one point, while on a desert planet of Tatooine, you see a beach-goer sauntering in the background. And Star Wars’s famous cantina scene is in this movie simply a stroll through a crowded tavern. If you know anything about the bar scene in 1970s San Francisco, you know that it was at least as weird as anything George Lucas managed to put up on the screen.

The often litigious Lucas reportedly really liked the movie, called it “cute.” He even invited Fosselius to voice the inconsolable sobs of Jabba the Hutt’s animal trainer after his beloved Rancor gets killed by Luke Skywalker in Return of the Jedi.

Hardware Wars ended up launching an entire subgenre of movie – the Star Wars fan film. And with the advent of Youtube and digital filmmaking technology, the ability of nerds and mavens to make increasingly sophisticated takes on Lucas’s universe became easier and easier. One of the better, and older, ones is Troops. A mash up of Star Wars and the reality TV series Cops, the short shows the challenges and the struggles of being an Imperial Stormtrooper. Check it out below.

6 The Enlightened Madness of Philip K. Dick: The Black Iron Prison and Wetiko

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(Editor’s note: Today happens to mark the anniversary of the birth of Philip K. Dick on December 16, 1928.)

By Paul Levy

There is something terribly wrong in our world. The Native American people have a term—wetiko—that can really help us to contextualize and get more of a handle on the ever-unfolding catastrophe playing out all over our planet. As my research deepens, I am continually amazed that so many different spiritual wisdom traditions, as well as creative artists, are each in their own unique ways, pointing out wetiko. Wetiko—which can be likened to a virus of the mind—works through our unconscious blind spots, which is to say that it depends upon our unawareness of its covert operations within our own minds to keep itself in business. There is no one definitive model that fully delineates the elusive workings of wetiko disease, but when all of these unique articulations are seen together, a deeper picture begins to get in focus that can help us to see it. Seeing how wetiko works—both out in the world and within our own minds—is its worst nightmare, for once we see how it is playing us, its gig is up.

Recently, I have been delighted to learn that the science fiction author Philip K. Dick (henceforth PKD) was, in his own completely unique and “Philip K. Dickian” way describing wetiko—the psycho-spiritual disease that afflicts our species—to a T. Considered to be one of the pre-eminent sci-fi writers of his—or any—time, PKD had one of the most unique, creative, unusual and original minds I have ever come across. Way ahead of his time, he was a true visionary and seer, possibly even a prophet. To say that PKD had an unfettered imagination is an understatement of epic proportions—it is hard to imagine an imagination more unrestrained. Continually questioning everything, he was actually a very subtle thinker whose prime concern was the question “What is reality?”

Though mainly a writer of fiction, PKD didn’t consider himself a novelist, but rather, a “fictionalizing philosopher,” by which he meant that his stories—what have been called “his wacky cauldron of science fiction and metaphysics”[1]—were employed as the medium for him to formulate his perceptions. In other words, his fiction was the way he was trying to figure out what was going on in this crazy world of ours, as well as within his own mind. As the boundary dissolved between what was real and what wasn’t, he even wondered whether he had become a character in one of his own novels (in his own words, “I’m a protagonist from one of PKD’s books”). Through his writing, PKD tapped into the shamanic powers of language to shape, bend and alter consciousness, thereby changing our view and experience of reality itself.

From all accounts, it is clear that PKD’s life involved deep suffering; his process included bungled suicide attempts, self-described psychotic episodes, psychiatric hospitalizations and abuse of drugs (he was a “speed writer,” in that most of his writing was fueled by speed—amphetamines). We shouldn’t throw the baby out with the bathwater, however, and use these facts to invalidate his insights or dismiss the profundity of his work. Though much of what he wrote came out of whatever extreme state he was in at the moment, he was definitely (in my opinion) plugged into something profound. PKD was a true creative artist who, in wrestling with his demons, left us a testament that can help us illumine our own struggles.

In 1974 Dick had—at least from his point of view—an overwhelming mystical experience, which he spent the rest of his life trying to understand and integrate. He was thrown into a “crisis of revelation,” feeling an inner demand to understand what had been revealed to him. I love that he didn’t have a fixed point of view in his inquiry, but, depending on the day, wondered whether he had become, in his words, a saint or schizophrenic. He continually came up with new theories and viewpoints, depending upon who knows what. There is no psychiatric category yet devised that could do justice to the combination of genius and high weirdness that characterized PKD’s process. It is clear from his philosophical writings, letters and personal journal (his “Exegesis”) that whatever it was he experienced in 1974 radically changed his whole perception of the universe and his—and our—place in it.

PKD confesses in his letters that the world has always seemed “dreamlike” to him. To quote PKD, “The universe could turn into a dream because in point of fact our universe is a dream.”[2] We are asleep—in a dream state—and mistakenly think we are awake. PKD writes in his journal, “We are forgetful cosmocrators [i.e., rulers], trapped in a universe of our own making without our knowing it.”[3] It is as if we are living inside of a dreamlike universe, but in our state of amnesia we have forgotten that we are the dream’s creators—the dreamers of the dream—and hence, have become trapped inside of a world that is our own creation. As PKD points out, “one of the fundamental aspects of the ontological category of ignorance is ignorance of this very ignorance; he not only does not know, he does not know that he does not know.”[4] We ignore—and remain ignorant of—what PKD is pointing at to our own peril.

I imagine that if PKD were here today he would be most pleased to learn that his mind-blowing revelations were helping us to wrap our minds around the over-the-top craziness that is getting acted out in every corner of our world. Not only precisely mapping the covert operations of the destructive aspects of wetiko, PKD offers psycho-activating insights into how to deal with its insidious workings that are novel beyond belief, insights that can therefore add to the ever-growing corpus of studies on wetiko. Like a modern-day shaman, PKD descended into the darkness of the underworld of the unconscious and took on—and into himself—the existential madness that afflicts humanity, and in his creative articulations of his experience, is offering gifts for all the rest of us. For this we should be most grateful.

The Black Iron Prison

We are trapped in a dream of our own making. PKD writes, “We are in a kind of prison but do not know it.”[5] Becoming aware of our imprisonment, however, is the first, crucial step in becoming free of it. One of the main terms PKD coined to describe wetiko is the “Black Iron Prison” [henceforth BIP]. PKD writes, “The BIP is a vast complex life form (organism) which protects itself by inducing a negative hallucination of it.”[6] By negative hallucination, PKD means that instead of seeing what is not there, we cannot see whatis there. In PKD’s words, “The criminal virus controls by occluding (putting us in a sort of half sleep)…. The occlusion is self-perpetuating; it makes us unaware of it.”[7] Being self-perpetuating, this occlusion in our consciousness will not go away of its own accord; it acts as a feedback loop (in PKD’s words, “a positive feedback on itself”) that perpetually self-generates until we manage to break its spell. PKD writes, “the very occlusion itself prevents us from assessing, overcoming or ever being aware of the occlusion.”[8]

An intrinsic challenge to our investigation of wetiko/BIP is that it is incarnating in and through the very psyche which itself is the means of our inquiry. Speaking about the difficulty of seeing wetiko/BIP, PKD writes, “we alter it by perceiving it, since we are not outside it. As our views shift, it shifts. In a sense it is not there at all.”[9] Similar to how an image in a dream doesn’t exist separate from the mind of the dreamer, wetiko/BIP does not objectively exist, independent from the mind that is perceiving it. In our encounter with wetiko, we find ourselves in a situation where we are confronted—practically face-to-face—with the unconscious, both its light and darker halves.

There is another problem with seeing wetiko/BIP. Because it is invisible to most people, seeing it can be an isolating experience. When we see wetiko/BIP, we are, in PKD’s words, “seeing what is there—but no one else does, hence no semantic sign exists to depict the entity and therefore the organism cannot continue an empathic relationship with the members of his society. And this breakdown of empathy is double; they can’t empathize his ‘world,’ and he can’t theirs.”[10] This points to the important role language plays in human life—it is the cardinal instrument through which individual worldviews are linked so that a shared, agreed-upon, and for all intents and purposes common reality is constructed. Hence, creating language and finding the name—be it wetiko, the Black Iron Prison or whatever we call it—is crucial for getting a handle on this elusive mind-virus.

It is as if our species is suffering from a thought-disorder. PKD writes, “There is some kind of ubiquitous thinking dysfunction which goes unnoticed especially by the persons themselves, and this is the horrifying part of it: somehow the self-monitoring circuit in the person is fooled by the very dysfunction it is supposed to monitor.”[11] When we have fallen under the spell of the wetiko virus, we aren’t aware of our affliction; from our point of view we are normal, oftentimes never feeling more ourselves (while the exact opposite is actually true; i.e., we have been taken over by something alien to ourselves). Working through the projective tendencies of the mind, wetiko distracts us by exploiting our unconscious habitual tendency to see the source of our problems outside of ourselves.

Speaking of the BIP, PKD writes, “We are supposed to combat it phagocyte-wise, but the very valence of the (BIP) stasis warps us into micro-extensions of itself; this is precisely why it is so dangerous. This is the dread thing it does: extending its android thinking (uniformity) more and more extensively. It exerts a dreadful and subtle power, and more and more people fall into its field (power), by means of which it grows.”[12] “Android thinking,” i.e., robotic, machine-like group-thinking (with no creativity programmed in), is one of the qualities of a mind taken over by wetiko/BIP. Just as someone bit by a vampire becomes a vampire themselves, if we don’t see how wetiko/BIP works through our unconscious blind spots, it “warps us into micro-extensions of itself” such that we unwittingly become its purveyors, which is how it propagates itself in the field.

Masses are breeding grounds for this nefarious mind virus to flourish. Wetiko/BIP is not just something that afflicts individuals—it is a collective psychosis that can only work the full power of its black magic through groups of people. In his bookThe Divine Invasion, PKD has one of his characters say, “Sometimes I think this planet is under a spell…. We are asleep or in a trance.” Along similar lines, in hisExegesis, PKD writes, “We got entangled in enchantment, a gingerbread cottage that beguiled us into enslavement and ruin…we are not merely enslaved, we are trapped.”[13] As if living within a mythic or fairy tale-like reality, our species is under a bewitchment—a seeming curse—of massive proportions. Contemplating “the basic condition of life,” PKD writes that each one of us will “be required to violate your own identity…this is the curse at work, the curse that feeds on all life.”[14] This curse that feeds on life is another name for wetiko/BIP. Thankfully, in his writings PKD gives us clues regarding how to break out of this curse.

We can’t break out of the curse, however, without first shedding light on the nature of the darkness we have fallen into that is informing the curse. Giving a precise description of how wetiko/BIP works, PKD writes, “This is a sinister life form indeed. First it takes power over us, reducing us to slaves, and then it causes us to forget our former state, and be unable to see or to think straight, and not to know we can’t see or think straight, and finally it becomes invisible to us by reason of what it has done to us. We cannot even monitor our own deformity, our own impairment.”[15] A complex and seemingly malevolent life form, wetiko/BIP works through the cover of the unconscious, rendering itself invisible to our conscious awareness. It feeds off of and into our unawareness of it.

Further elaborating the BIP, PKD writes, “It can not only affect our percept systems directly but can alter our memories.”[16] We become convinced that our—i.e., “its”—memories are objectively real, therefore feeding into the self-limiting and self-defeating narrative the virus wants us to believe about ourselves. We then tell stories—both to others as well as ourselves—about who we are and what happened to us in the past to make us this way in a manner that reifies us into a solidified identity. In The Divine Invasion, PKD has a character say, “something causes us to see what it wants us to see and remember and think what it wants us to remember and think.” Are these the ravings of a paranoid madman, or insights of someone who is seeing through the illusion, snapping out of the spell and waking up?

PKD writes, “It is as if the immune system has failed to detect an invader, a pathogen (shades of William Burroughs: a criminal virus!). Yes, the human brain has been invaded, and once invaded, is occluded to the invasion and the damage resulting from the invasion; it has now become an instrument for the pathogen: it winds up serving as its slave, and thus the ‘heavy metal speck’ [i.e., the BIP] is replicated (spread through linear and lateral time, and through space).”[17] The mind invaded becomes an unwitting channel for the pathogen to further propagate and spread itself in and through the field.

To quote PKD, “We may not be what we seem even to ourselves.”[18] Wetiko/BIP is a shape-shifting bug; it cloaks itself in and assumes our form, impersonating us such that we then identify with its limited and impoverished version of who we are while we simultaneously dissociate from—and forget—who we actually are. Wetiko/BIP is in competition with us for a share of our own mind; it literally does everything it can to think in our place, sit in our seat and occupy—and possess—our very selves. Speaking of this very situation, PKD writes, “A usurper is on the throne.”[19]

Having no creativity on its own, once wetiko “puts us on,” i.e., fools us into buying into its version of who we are, it can then piggyback onto and plug into our intrinsic creativity, co-opting our creative imagination to serve its malevolent agenda. PKD writes, “Being without psyche of its own it slays the authentic psyches of those creatures locked into it, and replaces them with a spurious microform of its own dead psyche.”[20] Sometimes using the phrase the “Black Iron Prison Police State” (which is mirrored externally in the ever-increasing “police state” of the world), PKD also describes this state as one where the person so afflicted becomes “frozen” (as in trauma), in a “corpse-state” (i.e., spiritually dead).

Wetiko/BIP can be conceived of as a cancer of the psyche that slowly metastasizes, gradually subsuming all of the healthy parts of the psyche into itself to serve its sinister agenda. Speaking of the part of the psyche that has been captured by the BIP, PKD comments, “This section died. It became fossilized, and merely repeats itself. This is scary; it is like mental illness: ‘one day nothing new ever entered his mind—and the last thought just recirculated endlessly.’ Thus death rules here…The BIP is the form of this death, its embodiment—of what is wrong, here.”[21] Like a vampire, wetiko/BIP is—and turns us into—one of the undead; it is death taking on living human form so as to take life. Wetiko/BIP, like a virus, is “dead” matter, it is only in a living creature that viruses acquire a “quasi-life.” When we fall under wetiko’s spell, our life-force and God-given creativity become vampirically drained, as we are bled dry of what really counts.

Commenting on the BIP, PKD continues, “To see it is to see the ailment, the complex which warps all other thoughts to it.”[22] To see the BIP is to begin to heal it; there is no healing it without first seeing it. Once wetiko/BIP entrenches itself within a psyche, however, the personality then becomes one-sided, self-organizing an outer display of coherence around this pathogenic core, which masks the inner dysfunction, making it hard to recognize. In a psychic coup d’état, the wetiko bug can usurp and displace a person—or a group of people—who become its puppet and marionette. To quote PKD, “We’re a fucking goddam “Biosphere” ruled by an entity who—like a hypnotist—can make us not only quack like a duck on cue, but imagine, to boot, that we wanted (decided) to quack.”[23]

PKD comments that when “we begin to see what formerly was concealed to us, or from us, and the shock is great, since we have, all our lives, been trading (doing business) with evil.”[24] This is one of the reasons it is so hard to see wetiko/BIP—there is a counterincentive built into seeing it, as we have to be strong enough to bear the trauma of seeing our own collusion with darkness. If we choose to look away from how the BIP occludes us and become resistant to bringing awareness to the nature of our situation, we are then being unconsciously complicit in our own imprisonment. To quote PKD, “So there was a base collusion between us andthe BIP: it was a kind of pact!”[25] He conjectures, “we’re sources of psychic/psychological energy to it: we help power it.”[26]

As if we are in a double-bind with no exit, PKD points out that “the enslaved people cannot be rescued by departing the Empire [the BIP] because the Empire is worldwide.”[27] Existing within the collective unconscious itself, wetiko/BIP/Empire is ubiquitous; being nonlocal it can’t be located within the third-dimensional space-time matrix, and yet, there is no place where it is not. Its very root—as well as the medium through which it operates—is the psyche, which is somehow able to inform, extend itself and give shape to events in our world. To think that the ultimate source of the horrors that are playing out in our world is to be found somewhere other than within the human psyche is to be truly dis-oriented, i.e., looking in the wrong direction.

PKD writes, “The very doctrine of combating the ‘hostile world and its power’ has to a large extent been ossified by and put at the service of the Empire.”[28] In fighting the seeming demonic power of wetiko/BIP/Empire, we are playing its game and have already lost, as it feeds off of polarization. PKD warns that “the BIP warps every new effort at freedom into the mold of further tyranny.”[29] Even our thoughts regarding how to solve the BIP only “fuel” the seeming reality of the BIP. The Empire/BIP/wetiko will subvert every attempt at shedding light on its darkness in such a way as to feed the very darkness we are trying to illumine. And yet, if we don’t fight it, then we have no chance. What are we to do?

PKD opines, “The idea is to break the BIP’s power by revealing more and more about it.”[30] Just as a vampire loses its power in the light of day, wetiko/BIP has no power in the light of conscious awareness. To quote PKD, “The Empire is only a phantasm, lingering because we have gone to sleep.”[31] It is as if the Empire/BIP/wetiko is an after-image that we have mistaken for being real; PKD refers to it as a “deceitful corpse” that apes life. The idea is to shed light on darkness—what good is seeing the light if our vision doesn’t illumine the darkness? The Gnostic text The Gospel of Philip says, “So long as the root of wickedness is hidden, it is strong. But when it is recognized, it is dissolved. When it is revealed, it perishes…. It is powerful because we have not recognized it.” (II, 3, 83.5-30.)

Fake Fakes

Wetiko/BIP can be likened to an “anti-information” virus—not only does it block the reception of information, but it substitutes false information for the real thing. PKD writes, “the bombardment of pseudorealities begins to produce inauthentic humans very quickly [in his words ‘spurious humans’].”[32] PKD writes of the BIP, “it has grown vine-like into our information media; it is an information life form.”[33] It is an info life form (composed of and creating living dis-information) that lies to us—PKD compares this to the figure of Satan, who is “the liar.” Wetiko/BIP has co-opted the mainstream, corporatized media to be its propaganda organ, which becomes its instrument for creating—and delivering into our minds—fictitious realities. These institutions have, to quote PKD “an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing. It is my job to create universes.”[34]

PKD was intensely interested in what makes an authentic human being. He continues, “Fake realities will produce fake humans. Or, fake humans will produce fake realities and then sell them to other humans, turning them, eventually, into forgeries of themselves.”[35] An authentic human being, on the other hand, to quote PKD, “cannot be compelled to be what they are not.”[36] He elaborates, “The power of spurious realities battering at us today—these deliberately manufactured fakes never penetrate to the heart of true human beings.”[37]

Wetiko/BIP has no creativity on its own, but is a master of imitation—it apes, mimes and impersonates both our world and ourselves, such that, if we identify with its version of the way things are, we have then given ourselves away. Succinctly stating the problem, PKD writes, “The problem is that a mock creation has filtered in, which must be transubstantiated into the real.”[38] Our universe is a collectively shared dream or hallucination that appears real; in PKD’s words, “our reality is a cunning counterfeit, mutually shared.”[39] To imbue our world with an intrinsic, objective reality that exists separate from the mind that is observing it would be, in PKD’s words, “a dreadful intellectual error.”

Pointing directly at wetiko/BIP, PKD writes that “there is a vast life form here, that has invaded this world and is camouflaged.”[40] He marvels at how it camouflages itself; in PKD’s words, it “simulated normal objects and their processes so as to copy them and in such an artful way as to make himself [the BIP] invisible within them.”[41] Through its mimicry of real phenomenal objects, the BIP, in PKD’s words, “steadily, stealthily replaces them and mimics—assumes their form.”[42] Though PKD’s writings appear “out there,” and can easily sound crazy, paranoid and conspiratorial, it should be pointed out that what he is pointing at is exactly what an apocryphal text of the Bible is referring to when it speaks of a “counterfeiting spirit.”[43]

PKD has articulated wetiko’s/BIP’s counterfeiting ability—and how the universe responds—in a way that only he can. He has realized that the very ground of being itself—PKD refers to it by various names—Christ, God, the Savior, the Urgrund (a German term used by both Meister Eckhart and Jacob Boehme to describe ultimate reality)—is responding to wetiko/BIP in a very unique and revelatory way. As the BIP mimes reality so as to create a counterfeit of the real thing, the ground of reality, in PKD’s words, “counterfeits the counterfeit.” In PKD’s words, “So originally the bogus info mimicked the actual successfully enough to fool us, and now we have a situation in which the actual has returned in a form mimicking the bogus.”[44]

Wetiko/BIP has created an illusory, fake world, and the ground of being itself, in a radically new ontological category that PKD calls a “fake fake,” has imitated the imitation. Delighted by this new idea, PKD asks the question, “Is a fake fake more fake than just a fake, or null-fake?”[45] In other words, if a fake fake is not more fake than a fake, is it the real thing? PDK’s idea of a fake fake is cognate to the indeterminacy between originals and simulacra that is the hallmark of the world of virtual reality. To quote PKD, “A fake fake = something real. The demiurge [the false God in Gnosticism] unsuccessfully counterfeited the pleroma, and now God/the Savior is mimicking this counterfeit cosmos with a stealthily growingrealone.”[46] In other words, God/the ground of being is assimilating our seemingly counterfeit universe into and as itself.

Writing about the Savior, PKD writes that “it doesn’t want its adversary to know it’s here, so it must disguise (randomize) its presence, including by giving out self discrediting information; as if mimicking a hoax.”[47] Just like the BIP tricks us into identifying with its world, the true ground of being tricks the BIP by surreptitiously imitating and becoming it; i.e., taking it on (and into itself). It doesn’t want to let the BIP know it is doing this, which would defeat the purpose of its counter-ploy; the Savior does its mimicry on the sly. PKD comments, “The Urgrund does not advertise to the artifact [i.e., wetiko/BIP] that it is here.”[48] Just as the BIP works through our blind spots, the ground of being works through the BIP’s blind spots. PKD comments, “the artifact is as occluded as to the nature and existence of the Urgrund as we are to the artifact.”[49] Like an underground resistance movement, the Urgrund’s activities, in PKD’s words, “resemble the covert advance of a secret, determined revolution against a powerful tyranny.”[50]

Speaking of Christ as another reference for the ground of being, Dick writes, “Through him the properly functioning (living and growing) total brain replicated itself here in microform (seed-like) thereafter branching out farther and farther like a vine, a viable life form taking up residence within a dead, deranged and rigid one [BIP]. It is the nature of the rigid region to seek to detect and ensnare him, but his discorporate plasmatic nature ensures his escape from the intended imprisonment.”[51] In other words, the spirit can’t be pinned down; in PKD’s words, “He is everywhere and nowhere.”[52]

Describing this deeper process of how the ground of being potentially saves us—and itself—from wetiko/BIP, PKD comments, “a criminal entity [BIP] has been invaded by life giving cells [Christ, God, the Urgrund] which it can’t detect, and so it accepts them into itself, replacing the ‘iron’ ones.”[53] PKD is describing transubstantiation in the flesh. Speaking of the savior, PKD writes, “like a gas (plasma) he begins invisibly to expand and fill up the whole of BIP.”[54]

What I so appreciate about PKD’s vision is that he’s not just describing the life-destroying workings of wetiko/BIP, but he’s also articulating the other half of this process, which is the response from the living intelligence of the universe as a whole. To quote PKD, “The key to everything lies in understanding this mimicking living stuff.”[55] PKD equates this “form-mimicker” with the Deus Absconditus, the dark and hidden God. The idea is that God reveals Itself through its darker half.

This makes me think how the unconscious responds to a one-sided situation in our psychic lives by sending compensatory forms—like symbols in a dream—so as to bring us back into balance. To quote PKD, “If the universe is a brain the BIP is a rigid ossified complex, and Zebra [another of PKD’s names for the savior] is metabolic toxin (living info) designed to melt it out of existence by restoring elasticity to it, which means to cause it to cease recirculating the same thought over and over again.”[56]Seen psychologically, the BIP is a rigidified complex which has developed an autonomy and has gone rogue, seemingly having an independent life and a will of its own that is antithetical to and at odds with our own. In psychological-speak, until this “autonomous complex” (what indigenous people refer to as a “demon”) is dissolved and rejoins the wholeness of the psyche, “the organism,” to quote PKD, “is stuck in its cycle, in cybernetic terms; it won’t kick over—which fits with my idea that we are memory coils which won’t kick over and discharge their contents.”[57] We are like malfunctioning memory coils in a quasi-dream state; in PKD’s words, “we are an impaired section of the megamind.”[58]

These contemplations helped PKD to contextualize, and hopefully integrate his overwhelming spiritual experience of 1974. He writes that his experience is “an achievement by the Urgrund in reaching its objective of reflecting itself back to itself, using me as a point of reflection.”[59] In other words, PKD realized that we are all potentially reflecting mirrors for the divine ground of being to wake up to itself. This is to say that we play a crucial role in the deeper archetypal process of the Incarnation of the deity. PKD writes in his journal, “Perhaps the transformation of and in me in 3-74 [i.e., March, 1974] was when this mimicking ‘plasma’ reached me and replaced me—although I appeared outwardly the same (i.e., my essence changed—a new self replaced the old)…my ‘me’ was covertly replaced by a greater other ‘me’ I’d never seen or known before.”[60] This greater self that replaced PKD’s ego goes by many names: the greater personality, the Self, our true nature, Buddha nature and Christ, to name but a few.

PKD writes, “A human can evolve into Christ if Christ ignites his own self in the human and takes the human over[61]…it is at the moment of when the ultimate blow (of pain, murderous injury, humiliation and death) is struck, it is Christ who is there, replacing the victim and taking the blow himself. This is what happened to me in 3-74.”[62] He continues, “So flight from suffering inexorably involves a flight from life (reality)…. But the secret, mysterious opposite from this is a full facing of suffering—a non-flinching—that can lead to a magic alchemy: suddenly it is you/suddenly it is Christ/so you must equal (be) Christ.”[63] In psychological speak, the “genuine suffering” (to use Jung’s words) that PKD went through enabled him to withdraw his unconscious projections from an outward historical or metaphysical figure and wake up the Christ within himself. In other words, he was able to introject this sacred figure, i.e., realize that Christ (i.e., the Self) lived in him and was not an external figure separate and different from himself.[64]

Dreamlike Cosmology

According to PKD’s cosmology, it is as if God the creator has allowed himself to become captured, enslaved by and hostage to his own creation. PKD writes, “He, the living, is at the mercy of the mechanical. The servant has become the master, and the master the servant.”[65] PKD’s words have a particular ring of truth in this technological age of ours, where many people think that one of the greatest dangers that faces humanity is that AI (artificial intelligence) can potentially enslave its human creators. PKD continues, “But the artifact is teaching him, painfully, by degrees, over thousands of years, to remember—who he is and what he is. The servant-become-master is attempting to restore the master’s lost memories and hence his true identity.”[66]

PKD’s contemplations shed light on what might be the hidden purpose of the emergence of wetiko/BIP in our world. PKD comments, “The artifact enslaves us, but on the other hand it is attempting to teach us to throw off its enslavement.”[67] Wetiko/BIP tests us so as to make sure that we will make optimal use of our divine endowment. As PKD points out, the fundamental dialectic at work is liberation vs. enslavement. Here’s what I wrote in Dispelling Wetiko, “Wetiko literally demands that we step into our power and become resistant to its oppression such that we discover how to step out of bondage and become free, or else!”[68] In a sense wetiko/BIP is the guardian of the threshold of our evolution.

PKD has created a parable in which a fallen and amnesiac God has fallen prey to Its own creation and is in need of redemption. Lest we think that PKD’s cosmological imaginings are the ravings of a madman, it should be pointed out that his theories are fully resonant with those found in the profound wisdom traditions of alchemy, Gnosticism, Kabbalah and Christianity. Evoking “Christ as the salvator salvandus,” PKD writes of “the savior who must be saved and who is in a certain real sense identical with those he saves.”[69]

In PKD’s words, “The creator can afford to descend into his own creation. He can afford to shed his memories (of his identity) and his supernatural powers…. The creator deliberately plants clues in his irreal creation—clues which he cunningly knows in time (eventually) will restore his memory (anamnesis) of who he is…. So he has a fail-safe system built in. No chance he won’t eventually remember. Makes himself subject to spurious space, time and world (and death, pain, loss, decay, etc.), but has these disinhibiting clues or stimuli distributed deliberately strategically in time and space. So it is he himself who sends himself the letter which restores his memory (Legend of the Pearl). No fool he!”[70]

It is as if we, or more accurately, our true identity as the Self (which is whole and connected with the whole) plants alarm clocks in the waking dream—what PKD calls “a perturbation in the reality field”—that are set to go off at just the right time, acting as a catalyst to wake us up. In PKD’s words, “The megamind is attempting to stimulate us back to being in touch with itself.”[71] Once these clues—which can be conceived of as a higher dimension of our being signaling to us—are deciphered, we can discover, as PKD suggests, that we’ve composed them ourselves. What PKD calls “disinhibiting clues” (what he also calls “Logos triggering agents,” and what I call “lucidity stimulators”) are like keys that open up the lock encasing our minds so that we can remember who we are and our life’s mission, i.e., what we are here to do. PKD writes, “Zebra is trying to find—reach—us and make us aware of it—more primarily, it seeks to free us from the BIP, to break the BIP’s power over us.”[72]

Our classical, materialist mechanistic worldview is, as PKD rightfully points out, “shabby and cracking apart and fading away.”[73] PKD writes that there is a “universe lying behind ours, concealed within—yes, actually concealed within ours!”[74] The universe we see simultaneously conceals and reveals the universe lying behind ours. It is PKD’s opinion that in order to construct a new worldview to replace the one that is cracking apart, we need to see—to re-cognize—the universe concealed within ours. “The world is not merely counterfeit,” PKD writes, “there is more: it is counterfeit, but under it lies another world, and it is this other world, this Logos world, which filters or breaks through.”[75] He continues, “But in truth, in very truth, this is a shadow universe we see, a reflection in the mirror of another universe behind it, and that other universe can be reached by an individual directly, without the help of any priest.”[76] This other universe—a universe that we are not separate from and is not separate from our consciousness—doesn’t need an external mediator to be accessed, but can be reached through direct experience.

I call this other, higher-dimensional world that underlies and is concealed within ours (borrowing a term from physics) the “nonlocal field,” which is a field that contains, pervades and expresses itself through our third-dimensional world (while at the same time not being constrained by the third-dimensional laws of space and time). The nonlocal field connects us with everything. When the nonlocal field, or in PKD’s words, the “Logos world” breaks through consensus reality and reveals itself are when we experience synchronicities—what physicist F. David Peat calls “‘flaws’ in the fabric of reality.” Synchronistic phenomena are, in Peat’s words “momentary fissures that allow us a brief glimpse of the immense and unitary order underlying all of nature.”

Just like the BIP/artifact/Empire/wetiko will co-opt and subvert any of our attempts at illumining it to feed into and serve its nefarious agenda, God/Christ/Zebra/Urgrund/Savior will use the BIP/artifact/Empire/wetiko’s attempts at imprisonment to ultimately serve our freedom. Speaking of the artifact’s agenda of “enslavement, deception and spiritual death” PKD writes, “even this is utilized by the Urgrund, which utilizes everything, [this] is a sacred secret.”[77] PKD points out that one way of expressing the fundamental dialectic is information vs. anti-information (remember: wetiko is an anti-information virus). To quote PKD, “The Empire, which by suppressing information is therefore in a sense the anti-Christ, is put to work as half of the dialectic; Christ uses everything (as was revealed to me): in its very act of suppressing information, the Empire aids in the building of the soma of the Cosmic Christ (which the Empire does not realize).”[78] This is to say that the Cosmic Christ is, in essence, generated by its antithesis (the anti-Christ).

This brings to mind Goethe’s masterpiece Faust, in which Faust asks Mephistopheles (who represents the devil) who he is, and Mephistopheles replies that he is the “part of that force which would do evil, yet forever works the good.” It is a Kabbalistic idea that, though at cross purposes to the good at its core, evil is the very condition and foundation of the highest good’s very realization.

Bodhisattvic Madness

A collective psychosis, wetiko is a psycho-spiritual disease of the soul that pervades the collective unconscious of humanity. To quote PKD, “The only question is, which kind of madness will we choose?…. We are, then, all mad, but I, uniquely, choose to go mad while facing pain, not mad while denying pain.”[79]PKD is delineating two different ways of facing the pain of reality; in his writings he makes it clear that his (“non-flinching”) way of facing pain isn’t necessarily better, it just “hurts more.” PKD writes, “In a very real sense the pain we feel as living creatures is the pain of waking up…the pressure of this pain motivates us to seek an answer; which is to say, motivates us toward greater and greater consciousness.”[80] PKD is professing a point of view that can help us to recontextualize what seems to be meaningless suffering; one of the things that’s hardest for human beings to bear are experiences bereft of meaning. “The artifact,” PKD explains, speaking of and from his own experience, “by inflicting too much pain on me it had, in a certain real sense, awakened me.”[81]

In his novel Valis, PKD writes, “It is sometimes an appropriate response to reality to go insane.” PKD writes, “My insanity, facing an insane world, is, paradoxically, a facing of reality, and this is sane; I refuse to close my eyes and ears.”[82]Paradoxically, PKD’s form of insanity is the most sane response of all. PKD wonders, “Perhaps if you know you are insane you are not insane.”[83] He elaborates, “The distinction between sanity and insanity is narrower than a razor’s edge, sharper than a hound’s tooth, more agile than a mule deer. It is more elusive than the merest phantom. Perhaps it does not even exist; perhaps it is a phantom.”[84]

Never one to shy away from the tough questions, PKD asks, “So, then, in what sense am I insane? I am insane in that I continue to face the truth without the ability to come up with a workable answer…. I really do not know anything in terms of the solution; I can only state the problem. No other thinker has ever stated a problem and so miserably failed to solve it in human histories; human thought is, basically, problem-solving, not problem stating.”[85]

I personally don’t think PKD is giving himself enough credit. For in fact, it is clear in his writings that he did come up with a “workable answer,” one that is universal and is common to all wisdom traditions. PKD likened our existential situation to being in a maze, what he refers to as “one colossal and absolute Chinese finger trap.” The harder we try to get out, the more trapped we become; this is to say that we are not able to find our way out through ordinary means. Seemingly alive and sentient, the maze has a peculiar nature of shifting as we become aware of it. It isas if it is aware of—and responds to—our awareness of it.

One only escapes from the maze, to quote PKD, “when he decides voluntarily to return (to resubject himself to the power of the maze) for the sake of these others, still in it. That is, you can never leave alone, to leave you must elect to take the others out…the ultimate paradox of the maze, its quintessential ingenuity of construction, is that the only real way out is a voluntary way back in (into it and its power), which is the path of the bodhisattva.”[86] We would only voluntarily return to help others if we recognized that they are not separate from ourselves, which is to realize that we are all interdependent and interconnected—which is the very realization that simultaneously enlivens compassion and dissolves wetiko.

PKD writes, “when you think you are out of the maze—i.e., saved—you are in fact still in it.”[87] This brings to mind the insight that if we think we are free of wetiko and it is only “others” that are afflicted with it, this very perspective is, paradoxically, a symptom of having fallen under the spell of wetiko. To quote PKD, “If there is to be happiness it must come in a voluntary relinquishing of self in exchange for aware participation in the destiny of the total one.”[88]

In a very real sense, PKD did find the solution to humanity’s existential dilemma. He writes, “compassion’s highest power is the only power capable of solving the maze.”[89] As PKD points out, “The true measure of a man is not his intelligence or how high he rises in this freak establishment. No, the true measure of a man is this: how quickly can he respond to the needs of others and how much of himself he can give.”[90] In other words, the true measure of who we are is how much we are able to love.

PKD concludes, “If the final paradox of the maze is that the only way you can escape it is voluntarily to go back in (into it), then maybe we are here voluntarily; we came back in.”[91] In other words, perhaps we have chosen to incarnate at this very moment in time, i.e., our voluntary return to the maze has already happened (evidenced by the simple fact of our incarnation), which is to say that we have already solved the maze and simply have to recognize this fact. This is true anamnesis—a loss of forgetfulness—which is a remembering, a recollection of our dissociated members, as we re-member our rightful place as part of a greater whole, connected with all that is. “Anamnesis,” to quote PKD from a 1976 interview, “was the loss of amnesia. You remembered your origins, and they were from beyond the stars.”[92]

~

A pioneer in the field of spiritual emergence, Paul Levy is a wounded healer in private practice, assisting others who are also awakening to the dreamlike nature of reality. He is the author ofAwakened by Darkness: When Evil Becomes Your Father(Awaken in the Dream Publishing, 2015), Dispelling Wetiko: Breaking the Curse of Evil(North Atlantic Books, 2013) and The Madness of George W. Bush: A Reflection of Our Collective Psychosis (Authorhouse, 2006). He is the founder of the “Awakening in the Dream Community” in Portland, Oregon. An artist, he is deeply steeped in the work of C. G. Jung, and has been a Tibetan Buddhist practitioner for over thirty years. He is the coordinator for the Portland PadmaSambhava Buddhist Center. Please visit Paul’s websitewww.awakeninthedream.com. You can contact Paul at paul@awakeninthedream.com; he looks forward to your reflections.

[1] A phrase used by Richard Doyle to describe PKD’s writings, from the Afterword to PKD’s Exegesis, p. 899.

[2] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 553.

[3] Ibid., 778.

[4] Herron, Don, The Selected Letters of Philip K. Dick: 1980-1982(Nevada City, California: Underwood Books, 2009), p. 267.

[5] Ibid., 96.

[6] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 404.

[7] Ibid., 294.

[8] Ibid., 403.

[9] Ibid., 517.

[10] Sutin, Lawrence, ed., The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings (New York: Pantheon Books, 1995), p. 173.

[11] Herron, Don, The Selected Letters of Philip K. Dick: 1980-1982(Nevada City, California: Underwood Books, 2009), p. 146.

[12] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 473.

[13] Sutin, Lawrence, ed., The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings (New York: Pantheon Books, 1995), p. 310.

[14] From Do Androids Dream of Electric Sheep?

[15] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 405.

[16] Ibid., 357.

[17] Ibid., 405.

[18] Sutin, Lawrence, ed., The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings (New York: Pantheon Books, 1995), p. 310.

[19] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 828.

[20] Ibid., 319.

[21] Ibid., 391.

[22] Ibid.

[23] Ibid., 291.

[24] Ibid., 178.

[25] Ibid., 402.

[26] Ibid., 328.

[27] Ibid., 608.

[28] Ibid., 473.

[29] Ibid., 346.

[30] Ibid., 323.

[31] Ibid., 414.

[32] Ibid., 263.

[33] Ibid., 596.

[34] Sutin, Lawrence, ed., The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings (New York: Pantheon Books, 1995), p. 262.

[35] Ibid., 263-4.

[36] Ibid., 279.

[37] Ibid.

[38] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 554.

[39] Ibid., 289.

[40] Ibid., 596.

[41] Sutin, Lawrence, ed., The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings (New York: Pantheon Books, 1995), p. 251.

[42] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 222.

[43] Referred to as the antimimon pneuma in the Apocryphon of John (Apoc. John III, 36:17),

[44] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 327.

[45] Ibid., 419.

[46] Ibid., 277.

[47] Ibid., 316.

[48] Sutin, Lawrence, ed., The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings (New York: Pantheon Books, 1995), p. 308.

[49] Ibid., 285.

[50] Ibid., 309.

[51] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 391.

[52] Sutin, Lawrence, ed., The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings (New York: Pantheon Books, 1995), p. 295.

[53] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 332.

[54] Ibid., 315.

[55] Ibid., 222.

[56] Ibid., 332.

[57] Ibid., 414.

[58] Ibid., 278.

[59] Sutin, Lawrence, ed., The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings (New York: Pantheon Books, 1995), p. 296.

[60] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 222.

[61] Ibid., 290.

[62] Ibid., 294.

[63] Ibid., 317.

[64] This brings to mind the quote from the Bible, “It is no longer I who live, but Christ who lives in me.” (Galatians: 2:20).

[65] Sutin, Lawrence, ed., The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings (New York: Pantheon Books, 1995), p. xxiii.

[66] Ibid., 294.

[67] Ibid., 291.

[68] Levy, Paul, Dispelling Wetiko: Breaking the Curse of Evil (Berkeley: North Atlantic Books, 2013), pp. 261-2.

[69] Herron, Don, The Selected Letters of Philip K. Dick: 1980-1982(Nevada City, California: Underwood Books, 2009), p. 79.

[70] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 413.

[71] Ibid., 278.

[72] Ibid., 404.

[73] Ibid., 75.

[74] Ibid.

[75] Ibid., 272.

[76] Ibid., 76.

[77] Sutin, Lawrence, ed., The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings (New York: Pantheon Books, 1995), p. 289.

[78] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 612.

[79] Ibid., 692.

[80] Sutin, Lawrence, ed., The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings (New York: Pantheon Books, 1995), pp. 309-310.

[81] Ibid., 296.

[82] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), p. 692.

[83] From The Man in the High Castle, https://www.goodreads.com/author/quotes/4764.Philip_K_Dick?page=4

[84] From Valis, https://www.goodreads.com/author/quotes/4764.Philip_K_Dick?page=2

[85] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), pp. 692-3.

[86] Ibid., 877-878.

[87] Ibid., 878.

[88] Ibid., 296.

[89] Ibid., 877.

[90] https://www.goodreads.com/author/quotes/4764.Philip_K_Dick?page=1

[91] Jackson, Pamela and Lethem, Jonathan, eds., The Exegesis of Philip K. Dick(New York: Houghton Mifflin Harcourt, 2011), pp. 878.

[92] DePrez, Daniel, An Interview with Philip K. Dick, Science Fiction Review, No. 19, Vol. 5, no. 3, August (1976).

This article was originally published on Paul’s website, Awaken in the Dream

Saturday Matinee: The Last Minute

last_minute_dvd_03

“The Last Minute” (2001) is a visually striking and one-of-a-kind film directed by Stephen Norrington, best known as the director of The Blade. The film follows the downward spiral of Billy Byrne (Max Beesley) an artist obsessed with time whose career, just on the verge of exploding, instead implodes leading him to an underworld of robbery, murder, drugs and talent agents. Features eclectic performances from Beesley, Kate Ashfield, Udo Kier, and Stephen Dorff and eclectic electronica soundtrack featuring Aphex Twin, DJ Krush, and Richie Hawtin.

Watch “The Last Minute” here.