Monthly Archives: August 2016

Confirmed: “Draw Mohammed” Contest Attackers Were Managed by FBI

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Anti-Muslim activists Pamela Geller and David Yerushalmi

UPDATE: Readers should backtrack to CNN’s 2015 coverage of the Garland, Texas shooting to see just how badly they are being deceived. As readers watch CNN’s video coverage and read the article, they must keep in mind that the FBI had been in contact with the suspects for years, and encouraged them to carry out the attack.

By Tony Cartalucci

Source: Land Destroyer

To some the 2015 shooting in Garland Texas at a “Draw Mohammed” contest organized by state-sponsored agitators seemed all too convenient.

The protest was meant to prove Muslims were irrational and violent, and amid the protest two armed men did indeed attack, both killed by police who were already on the scene.

The event was meant to reinforce the narrative that Islam is an irrational and dangerous ideology, that Muslims pose a danger to America and the West in general, and that both Islam and Muslims should be actively resisted culturally, politically, and militarily.

It was the culmination of years of agitation through networks maintained by Washington politicians and policymakers, particularly those who have – ironically – not only engineered America’s various and unending wars begun during the so-called “War on Terror,” but who have also armed and funded some of the most dangerous terrorist organizations on Earth via America’s Persian Gulf allies.

Now it is revealed that not only was the protest organized by politicians and organizations associated with Washington, but the shooting was as well.

The two suspects were being directed by undercover FBI agents, one of which reportedly told one of the shooters shortly before the attack to “tear up Texas.”

The Daily Beast in its article, “FBI Agent Apparently Egged on ‘Draw Muhammad’ Shooter,” would report that:

Days before an ISIS sympathizer attacked a cartoon contest in Garland, Texas, he received a text from an undercover FBI agent. 

“Tear up Texas,” the agent messaged Elton Simpson days before he opened fire at the Draw Muhammad event, according to an affidavit (pdf) filed in federal court Thursday.

The Daily Beast would also report:

That revelation comes amidst a national debate about the use of undercover officers and human sources in terrorism cases. Undercover sources are used in more than half of ISIS-related terror cases, according to statistics kept by the George Washington University Program on Extremism, and civil liberties advocates say some of those charged might not have escalated their behavior without those interventions.

This latest development regarding the 2015 incident reveals how the entire event and attack were organized by the state for the expressed purpose of creating fear, hysteria, and division within American society. It is very likely that similar attacks both in the United States and across Europe are also the work of concerted efforts by Western governments to manipulate public perception.

The toxic climate created by a phenomenon known as “Islamophobia” is helping the West justify an increased police state at home and wider wars abroad. It is also playing a role in helping to radicalize Muslims sorely needed to fill the ranks of the West’s militant fronts in nations like Syria where they are being used to target and overthrow governments obstructing American special interests.

Despite the rhetoric, there are approximately 1.6 billion Muslims on Earth today, meaning that if even 1% were truly as they are characterized by state-sponsored propaganda – as violent fanatics bent on global conquest – that would constitute an army of some 16 million strong – or in other words – an army larger than all of the military forces of the industrialized world combined.

In reality, the number of extremists is extremely low – a fraction of 1% of the total global Muslim population – and the vast majority of these extremists are indoctrinated by US-Saudi funded and facilitated “madrases,” trained, funded, and armed by US and its Persian Gulf allies, and “coincidentally” waging war on all of the West’s enemies – ranging from the now toppled government of Libya to the current governments of Syria and Iraq, as well as even Russia and China.

Those feeding into Islamophobia – then – are in fact aiding and abetting the cycle of violence, ignorance, and fear that keeps viable the West’s use of terrorism as a geopolitical tool both at home and abroad. It is particularly ironic that the “radical Islam” many Westerners are now paralyzed in fear over, is in fact a creation of the modern Western state, springing out of Washington-based policy papers, not the pages of the Qu’ran.

You Should Be Terrified That People Who Like “Hamilton” Run Our Country

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The American elite can’t get enough of a musical that flatters their political sensibilities and avoids discomforting truths.

By Alex Nichols

Source: Current Affairs

In 2012, Captain Dan and his Scurvy Crew, a four-man hip-hop ensemble trying to cement “pirate rap” as a tenable subgenre, appeared on America’s Got Talent. The quartet had clearly put some thought, or at least effort, into the act; their pirate costumes might even have passed historical muster were it not for the leftmost crewmember’s Ray-Bans and Dan’s meticulously groomed chinstrap beard.

The routine itself went precisely in the direction one might have expected:

Captain Dan: When I say yo, you say ho. Yo!

Scurvy Crew: HO!

Captain Dan: YO!

Scurvy Crew: HO!

The group managed to rattle off two-and-a-half stilted lines before the judges began sounding their buzzers. Howard Stern was the last to give them the red “X,” preferring to let the audience’s boos come to a crescendo before he cut the Scurvy Crew off. Stern seemed to take great pleasure in calling the group “stupid,” “moronic,” “idiotic,” and “pathetic” on a national stage (Captain Dan grimaced through his humiliating dressing-down while his bandmates laughed it off, exposing a gap in emotional investment in the project between captain and crew, one that likely led to some intra-group tension during the post-show commiseration drinks).

Howie Mandel: They have restaurants like this—like Medieval Times—where you go and you get a pirates thing and you get a chicken dinner. We didn’t get a chicken dinner with this.

In 2012, everyone (save for Captain Dan himself, along with people whose tastes range from “music from video games” to “music about video games”) was in agreement that performing high-school-history-project rap in Colonial Williamsburg garb was culturally unconscionable. Right?

Wrong. The world in which we live now includes Hamilton, a wildly successful “hip-hop musical” about the first Secretary of the Treasury of the United States of America.

Now, perhaps the America’s Got Talent audience isn’t an accurate sample of the American population as a whole. Perhaps they actually thought “when I say yo, you say ho” was clever , but were directed to boo by an off-screen neon sign. Or perhaps something happened in the past four years that made everyone really stupid.

But what if the American public’s taste hasn’t devolved? What if Hamilton’s success is the result of something else altogether?

Brian Eno once said that the Velvet Underground’s debut album only sold a few thousand copies, but everyone who bought it started a band. The same principle likely applies to Hamilton: only a few thousand people could afford to see it, but everyone who did happened to work for a prominent New York/D.C. publication.

The media gushing over Hamilton has been downright torrential. “I am loath to tell people to mortgage their houses and lease their children to acquire tickets to a hit Broadway show,” wrote Ben Brantley of the New York Times. “But Hamilton… might just about be worth it.” The hyperbolic headlines poured forth unceasingly: “Is Hamilton the Musical the Most Addicting Album Ever?” “Hamilton is the most important musical of our time.” “Hamilton Haters Are Why We Can’t Have Nice Things.” The media then got high on their own supply, diagnosing all of America with a harrowing ailment called “Hamilton mania.” The work was “astonishing,” “sublime,” the “cultural event of our time.” Clarence Page of the Chicago Tribune said the musical was “even better than the hype.” Given the tenor of the hype, one can only imagine the pure, overpowering ecstasy that must comprise the Hamilton-viewing experience. The musical even somehow won a Pulitzer Prize this year, alongside Nicholas Kristof and that book by Ta-Nehisi Coates you bought but never read.

One of the publications to enter swooning raptures over Hamilton was BuzzFeed, which called it the smash musical “that everyone you know has been quoting for months.” (Literally nobody has ever quoted Hamilton in my presence.) BuzzFeed’s workplace obsession with the musical led to the birthing of the phrase “BuzzFeed Hamilton Slack.” That three-word monstrosity, incomprehensible to anyone outside the narrowest circle of listicle-churning media elites, describes a room on the corporate messaging platform “Slack” used exclusively by BuzzFeed employees to discuss Hamilton. J.R.R. Tolkien said that “cellar door” was the most beautiful phonetic phrase the English language could produce. “BuzzFeed Hamilton Slack,” by contrast, may be the most repellent arrangement of words in any tongue.

Those of us unfortunate enough not to work media jobs can never be privy to what goes on in a “BuzzFeed Hamilton Slack.” But the Twitter emissions of the Slack’s denizens suggest a swamp into which no man should tread. A tellingly ominous and thoroughly representative Tweet:

“When the Buzzfeed #Hamilton slack room has a heated debate about which Hogwarts houses the characters belong to” —@Arielle07

“Nerdcore” music (Wikipedia: “a genre of hip hop music characterized by themes and subject matter considered to be of general interest to nerds”) has always had trouble getting off the ground. The “first lady of nerdcore,” rapper MC Router (responsible for the song “Trekkie Pride”), never achieved the critical success for which she had seemed destined, instead ending up on the Dr. Phil show after an acrimonious dispute with her family over her unexpected conversion to Islam. Similarly, the YouTube series “Epic Rap Battles of History,” however numerous its subscribers may have been, has consistently been unjustly robbed of the Pulitzer. Now, finally, nerd rap has apparently found in Hamilton its own Sgt. Pepper, a lofty, expansive work that wins the hearts and minds of previously skeptical elite critics.

One should have no doubt that “expensively-staged nerdcore” is a perfectly accurate, even generous description of Hamilton. Doubters need only examine a brief lyrical snippet. Consider this, from “The Election of 1800”:

Madison: It’s a tie! …

Jefferson: It’s up to the delegates!…

Jefferson/Madison: It’s up to Hamilton!

Hamilton: Yo.

The people are asking to hear my voice ..

For the country is facing a difficult choice.

And if you were to ask me who I’d promote …

Jefferson has my vote.

Perhaps marginally less embarrassing than “when I say yo, you say ho.” But only ever so marginally.

One could question the fairness of appraising a musical before putting one’s self through its full three-hour theatrical experience. But if nobody could criticize Hamilton without having seen it, then nobody could criticize Hamilton. One of the strangest aspects of the whole “Hamiltonmania” public relations spectacle is that hardly anyone in the country has actually attended the musical to begin with. The show is exclusive to Broadway and has spent most of its run completely sold out, seemingly playing to an audience comprised entirely of people who write breathless BuzzFeed headlines. (Fortunately, when you can get off the waitlist it only costs $1,200 a ticket—so long as you can stand bad seats.) Hamilton is the “nationwide sensation” that only .001% of the nation has even witnessed.

There’s something revealing in the disjunction between Hamilton’s popularity in the world of online media and Hamilton’s popularity in the world of actual human persons. After all, here we have a cultural product whose appeal essentially consists of a broad coalition of the worst people in America: New York Times writers, 15-year-olds who aspire to answer the phone in Chuck Schumer’s office, people who want to get into steampunk but have a copper sensitivity, and “wonks.” Yet because a large fraction of these people are elite taste-makers, Hamilton becomes a topic of disproportionate interest, discussed at unendurable length in The New Yorker and Slate and The New York Times Magazine, yet totally inaccessible to anyone besides the writers and members of their close social networks. When The New Yorker writes about a book that nobody in America wants to read, at least they could theoretically go out and purchase it. But Hamilton theatergoing is solely the provenance of Hamilton thinkpiece-writers. The endless swirl of online Hamilton-buzz shows the comical extreme of cultural insularity in the New York and D.C. media. The “cultural event of our time” is totally unknown to nearly all who actually live in our time.

Given that Hamilton is essentially Captain Dan with an American Studies minor, one might wonder how it became so inordinately adored by the blathering class. How did a ten-million-dollar 8th Grade U.S. History skit become “the great work of art of the 21st century” (as the New Yorker’s Adam Gopnik says those in his circle have been calling it)?

To judge from the reviews, most of the appeal seems to rest with the forced diversity of its cast and the novelty concept of a “hip-hop musical.” Those who write about Hamilton often dwell primarily on its “groundbreaking” use of rap and its “bold” choice to cast an assemblage of black, Asian, and Latino actors as the Founding Fathers. Indeed, Hamilton exists more as a corporate HR department’s wet dream than as a biographical work.

The most obvious historical aberration is the portrayal of Washington and Jefferson as black men, a somewhat audacious choice given that both men are strongly associated with owning, and in the case of the latter, raping and impregnating slaves. Changing the races allows these men to appear far more sympathetic than they would otherwise be. Hamilton creator Lin-Manuel Miranda says he did this intentionally, to make the cast “look like America today,” and that having black actors play the roles “allow[s] you to leave whatever cultural baggage you have about the founding fathers at the door.” (“Cultural baggage” is an odd way of describing “feeling discomfort at warm portrayals of slaveowners.”) Thus Hamilton’s superficial diversity lets its almost entirely white audience feel good about watching it: no guilt for seeing dead white men in a positive light required. Now, The New York Times can delight in the novel incongruousness of “a Thomas Jefferson who swaggers like the Time’s Morris Day, sings like Cab Calloway and drawls like a Dirty South trap-rapper.” Indeed, it does take some getting used to, because the actual Thomas Jefferson raped slaves.

“Casting black and Latino actors as the founders effectively writes nonwhite people into the story, in ways that audiences have powerfully responded to,” said the New York Times. But fixing history makes it seem less objectionable than it actually was. We might call it a kind of, well, “blackwashing,” making something that was heinous seem somehow palatable by retroactively injecting diversity into it.

Besides, you don’t actually need to “write nonwhite people into the story.” As historians have pointed out, there were plenty of nonwhite people around at the time, people who already had fully-developed stories and identities. But none of these people appears in the play. As some have quietly noted, the vast majority of African American cast members simply portray nameless dancing founders in breeches and cravats, and “not a single enslaved or free person of color exists as a character in this play.” (Although Jefferson’s slave and mistress Sally Hemings gets a brief shout-out.)

Slavery is left out of the play almost completely. Historian Lyra Monteiro observes that “Unless one listens carefully to the lyrics—which do mention slavery a handful of times—one could easily assume that slavery did not exist in this world.” The foundation of the 18th century economic system, the vicious practice that defined the lives of countless black men and women, is confined to the odd lyrical flourish here and there.

Miranda did consider adding a slavery number. But he cut it from the show, as he explains:

There was a rap battle about slavery, where it was Hamilton and Jefferson and Madison knocking it from all sides of the issue. Jefferson being like, “Hey, I wrote about this, and no one wanted to touch it!” And Hamilton being very self-righteous, like, “You’re having an affair with one of your slaves!” And Madison hits him with a “You want to talk about affairs?” And in the end, no one does anything. Which is what happened in reality! So we realized we were bringing our show to a halt on something that none of them really did enough on.

Miranda found that by trying to write a song about his main characters’ attitudes toward slavery, he ran into the inconvenient fact that all of them willfully tolerated or participated in it. That made it difficult to square with the upbeat portrayals he was going for, and so slavery had to go. Besides, dwelling on it could “bring the show to a halt.” And as cast member Christopher Jackson, who plays George Washington, notes: ‘‘The Broadway audience doesn’t like to be preached to.” Who would want to spoil the fun?

Instead, Hamilton’s Hamilton is what Slate called simply “lovable—a product of the play’s humanizing focus on Hamilton’s vulnerabilities and ambitions.” The play avoids depicting his unabashed elitism and more repellent personal characteristics. And in the brief references that are made to slavery, the play even generously portrays Hamilton as far more committed to the cause of freedom than he actually was. In this way, Hamilton carefully makes sure its audience is neither challenged nor discomforted, and can leave the theater without having to confront any unpleasant truths.

Just as Hamilton ducks the question of slavery, much of the actual substance of Alexander Hamilton’s politics is ignored, in favor of a story that stresses his origins as a Horatio Alger immigrant and his rivalry with Aaron Burr. But while Hamilton may have favored opening America’s doors to immigration, he also proposed a degree of economic protectionism that would terrify today’s free market establishment.

Hamilton believed that free trade was never equal, and worried about the ability of European manufacturers (who got a head start on the Industrial Revolution) to sell goods at lower prices than their American counterparts. In Hamilton’s 1791 Report on Manufactures, he spoke of the harms to American industry that came with our reliance on products from overseas. The Report sheds light on many of the concerns Americans in the 21st century have about outsourcing, sweatshops, and the increasing trade deficit, albeit in a different context. Hamilton said that for the U.S., “constant and increasing necessity, on their part, for the commodities of Europe, and only a partial and occasional demand for their own, in return, could not but expose them to a state of impoverishment, compared with the opulence to which their political and natural advantages authorise them to aspire.” For Hamilton, the solution was high tariffs on imports of manufactured goods, and intensive government intervention in the economy. The prohibitive importation costs imposed by tariffs would allow newer American manufacturers to undersell Europe’s established industrial framework, leading to an increase in non-agricultural employment. As he wrote: “all the duties imposed on imported articles… wear a beneficent aspect towards the manufacturers of the country.”

Does any of this sound familiar? It certainly went unmentioned at the White House, where a custom performance of Hamilton was held for the Obamas. The livestreamed presidential Hamilton spectacular at one point featured Obama and Miranda performing historically-themed freestyle rap in the Rose Garden.

The Obamas have been supporters of Hamilton since its embryonic days as the “Hamilton Mixtape song cycle.” By the time the fully-fledged musical arrived in Washington, Michelle Obama called it the “best piece of art in any form that I have ever seen in my life,” raising disquieting questions about the level of cultural exposure offered in the Princeton undergraduate curriculum.

In introducing the White House performance, Barack Obama gave an effusive speech worthy of the BuzzFeed Hamilton Slack:

[Miranda] identified a quintessentially American story in the character of Hamilton — a striving immigrant who escaped poverty, made his way to the New World, climbed to the top by sheer force of will and pluck and determination… And in the Hamilton that Lin-Manuel and his incredible cast and crew bring to life — a man who is “just like his country, young, scrappy, and hungry” — we recognize the improbable story of America, and the spirit that has sustained our nation for over 240 years… In this telling, rap is the language of revolution. Hip-hop is the backbeat. … And with a cast as diverse as America itself, including the outstandingly talented women — (applause) — the show reminds us that this nation was built by more than just a few great men — and that it is an inheritance that belongs to all of us.

Strangely enough, President Obama failed to mention anything Alexander Hamilton actually did during his long career in American politics, perhaps because the Obama Administration’s unwavering support of free trade and the tariff-easing Trans-Pacific Partnership goes against everything Hamilton believed. Instead, Obama’s Hamilton speech stresses just two takeaways from the musical: that America is a place where the poor (through “sheer force of will” and little else) can rise to prominence, and that Hamilton has diversity in it. (Plus it contains hip-hop, an edgy, up-and-coming genre with only 37 years of mainstream exposure.)

The Obamas were not the only members of the political establishment to come down with a ghastly case of Hamiltonmania. Nearly every figure in D.C. has apparently been to see the show, in many cases being invited for a warm backstage schmooze with Miranda. Biden saw it. Mitt Romney saw it. The Bush daughters saw it. Rahm Emanuel saw it the day after the Chicago teachers’ strike over budget cuts and school closures. Hillary Clinton went to see the musical in the evening after having been interviewed by the FBI in the morning. The Clinton campaign has also been fundraising by hawking Hamilton tickets; for $100,000 you can watch a performance alongside Clinton herself.

Unsurprisingly, the New York Times reports that “conservatives were particularly smitten” with Hamilton. “Fabulous show,” tweeted Rupert Murdoch, calling it “historically accurate.” Obama concluded that “I’m pretty sure this is the only thing that Dick Cheney and I have agreed on—during my entire political career.” (That is, of course, false. Other points of agreement include drone strikes, Guantanamo, the NSA, and mass deportation.)

The conservative-liberal D.C. consensus on Hamilton makes perfect sense. The musical flatters both right and left sensibilities. Conservatives get to see their beloved Founding Fathers exonerated for their horrendous crimes, and liberals get to have nationalism packaged in a feel-good multicultural form. The more troubling questions about the country’s origins are instantly vanished, as an era built on racist forced labor is transformed into a colorful, culturally progressive, and politically unobjectionable extravaganza.

As the director of the Hamilton theater said, “It has liberated a lot of people who might feel ambivalent about the American experiment to feel patriotic.” “Ambivalence,” here, means being bothered by the country’s collective idol-worship of men who participated in the slave trade, one of the greatest crimes in human history. To be “liberated” from this means never having to think about it.

In that respect, Hamilton probably is the “musical of the Obama era,” as The New Yorker called it. Contemporary progressivism has come to mean papering over material inequality with representational diversity. The president will continue to expand the national security state at the same rate as his predecessor, but at least he will be black. Predatory lending will drain the wealth from African American communities, but the board of Goldman Sachs will have several black members. Inequality will be rampant and worsening, but the 1% will at least “look like America.” The actual racial injustices of our time will continue unabated, but the power structure will be diversified so that nobody feels quite so bad about it. Hamilton is simply this tendency’s cultural-historical equivalent; instead of worrying ourselves about the brutal origins of the American state, and the lasting economic effects of those early inequities, we can simply turn the Founding Fathers black and enjoy the show.

Kings George I and II of England could barely speak intelligible English and spent more time dealing with their own failed sons than ruling the Empire —but they gave patronage to Handel. Ludwig II of Bavaria was believed to be insane and went into debt compulsively building castles — but he gave patronage to Wagner. Barack Obama deported more immigrants than any other president and expanded the drone program in order to kill almost 3,500 people — but he gave patronage to a neoliberal nerdcore musical. God bless this great land.

Related Article:

 The Hardest Politics to Catch: Lin-Manuel Comes to Puerto Rico

ANOTHER MYSTERIOUS DEATH – Activist and Sanders Supporter Who Served Papers to DNC on Fraud Case Found Dead

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By Jim Hoft

Source: Gateway Pundit

On July 3, 2016, Shawn Lucas and filmmaker Ricardo Villaba served the DNC Services Corp. and Chairperson Debbie Wasserman Schultz at DNC’s headquarters in Washington, D.C., in the fraud class action suit against the Democrat Party on behalf of Bernie Sanders supporters.

Shawn Lucas was thrilled about serving the papers to the DNC before Independence Day.

** This was before Wikileaks released documents proving the DNC was working against the Sanders campaign during the 2016 primary.

Shawn Lucas was found dead this week.

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According to Snopes Lucas was found dead on his bathroom floor.

We contacted Lucas’ employer on 4 August 2016 to ask whether there was any truth to the rumor. According to an individual with whom we spoke at that company, Shawn Lucas died on 2 August 2016. The audibly and understandably shaken employee stated that interest in the circumstances of Lucas’ death had prompted a number of phone calls and other queries, but the company had not yet ascertained any details about Lucas’ cause of death and were unable to confirm anything more than the fact he had passed away.

An unconfirmed report holds that Lucas was found lying on the bathroom floor by his girlfriend when she returned home on the evening of 2 August 2016. Paramedics responding to her 911 call found no signs of life.

This follows the death of 27 year-old Democratic staffer Seth Conrad Rich who was murdered in Washington DC on July 8. The killer or killers appear to have taken nothing from their victim, leaving behind his wallet, watch and phone. Shortly after the killing, Redditors and social media users were pursuing a “lead” saying that Rich was en route to the FBI the morning of his murder, apparently intending to speak to special agents about an “ongoing court case” possibly involving the Clinton family.

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And on June 22, 2016, former UN official John Ashe “accidentally” crushed his own throat and died a week before he was scheduled to testify against the Clintons and Democrat Party.

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John Ashes died before his court appearance.

 

Related Podcast:

The Opperman Report – 08.07.16 Niko House; DNC Infiltration, Rigging, Deaths

 

 

 

Fellow Americans, Wake Up & Escape The Matrix

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Where Do Matters Stand?

On the eve of World War II the United States was still mired in the Great Depression and found itself facing war on two fronts with Japan and Germany. However bleak the outlook, it was nothing compared to the outlook today.

By Paul Craig Roberts

Source: Covert Geopolitics

Has anyone in Washington, the presstitute Western media, the EU, or NATO ever considered the consequences of constant military and propaganda provocations against Russia? Is there anyone in any responsible position anywhere in the Western world who has enough sense to ask: “What if the Russians believe us? What if we convince Russia that we are going to attack her?”

The same can be asked about China.

The recklessness of the White House Fool and the media whores has gone far beyond mere danger. What do the Russians think when they see that the Democratic Party intends to elect Hillary Clinton president of the US? Hillary is a person so crazed that she declared the president of Russia to be “the new Hitler” and organized through her underling, neocon monster Victoria Nuland, the overthrow of the democratically elected government of Ukraine. Nuland installed Washington’s puppet government in a former Russian province that until about 20 years ago was part of Russia for centuries.

I would bet that this tells even the naive pro-western part of the Russian government and population that the United States intends war with Russia.

Ever since Russia stood up to Obama over Syria, the Russians have been experiencing hostile propaganda and military operations on their borders. These provocations are justified by Washington and its NATO vassals as a response to “Russian aggression.” Russian aggression consists of nothing but obviously false assertions that Russia is about to invade the Baltics, Poland, and Romania and recreate the Soviet Empire, the Eastern European part of which, together with the former Russian provinces of Georgia and Ukraine, now belong to the American Empire.

The Russians know that the propaganda about “Russian aggression” is a lie. What is the purpose of the lie other than to prepare the Western peoples for war with Russia?

There is no other explanation.

Even morons such as Obama, Merkel, Hollande, and Cameron should be capable of understanding that it is extremely dangerous to convince a major military power that you are going to attack. To simultaneously also convince China doubles the danger.

Clearly, the West is incapable of producing leadership capable of preserving life on earth.

What can be done when the entire West demonstrates a death wish for Planet Earth?

Until the criminal regimes of Clinton, George W. Bush, and Obama, American presidents from John F. Kennedy forward worked to reduce tensions with the Soviets. Kennedy worked with Khrushchev to reduce tensions caused by US missiles in Turkey and Soviet missiles in Cuba. President Nixon negotiated SALT I (the Strategic Arms Limitation Treaty) and the Anti-Ballistic Missile Treaty. President Carter negotiated SALT II, which was never ratified by the US Senate but was observed by the executive branch. President Reagan negotiated with Soviet leader Gorbachev the end of the Cold War. President George H.W. Bush in exchange for Gorbachev’s agreement to the reunification of Germany promised that NATO would not move one inch to the East.

All of these achievements were thrown away by the neoconized Clinton, George W. Bush, and Obama regimes, each a criminal regime on par with Nazi Germany.

Today life on Planet Earth is far less secure than during the darkest days of the Cold War. Whatever threat global warming poses, it is miniscule compared to the threat of nuclear winter. If the evil that is concentrated in Washington and its vassals perpetrates nuclear war, cockroaches will inherit the earth.

I have been warning about the growing danger of a nuclear war resulting from the arrogance, hubris, ignorance, and evil personified by Washington. Recently, four knowledgable Russian-Americans spelled out the likely consequences of trying to drive Russia to submission with war threats: http://www.paulcraigroberts.org/2016/06/03/41522/

See also: http://www.paulcraigroberts.org/2016/05/28/as-our-past-wars-are-glorified-this-memorial-day-weekend-give-some-thought-to-our-prospects-against-the-russians-and-chinese-in-world-war-iii/

Don’t expect the brainwashed American population to have the moral conscience and fortitude to prevent nuclear war or even the intelligence to prevent their own vaporization. In a recent article in the Wall Street Journal Scott Sagan and Benjamin Valentino report that 59% of the US population support attacking Iran with nuclear weapons in the event that Iran sank one US Navy ship: http://www.wsj.com/articles/would-the-u-s-drop-the-bomb-again-1463682867

Republicans were much more likely than Democrats to approve attacking Iran with nuclear weapons with 81% of Republicans approving nuclear war compared to 47% of Democrats. Yet, the Democrats are behind Hillary who would be the first to use nuclear weapons. After all, a feminized woman has to prove how tough she is, just as Margaret Thatcher was “the Iron Lady.”

Before it is too late for Americans and all of humanity, arrogant Americans need to recall that “those who live by the sword, die by the sword.”

The economic picture is equally dismal and unpromising. The latest payroll jobs report was even more awful than reported. Hardly any new jobs were created, but what largely escaped reporting is the fact that the economy actually lost 59,000 full-time jobs.

Increasingly the US economy consists of part-time jobs that cannot support an independent existence. Thus, more Americans age 19-34 live at home with parents than independently with spouses or partners. Fully half of 25-year old Americans live in their childhood rooms in their parents’ homes.

This is the “New Economy” that the filthy lying neoliberal economists promised would be reward for the American work force giving up their manufacturing and professional skill jobs to foreigners. What a monstrous lie the neoliberal economists told so that corporate executives and shareholders could put into their own pockets the living wage of the American work force. These neoliberal economists, and, alas, libertarian “free market” ones, have not been held accountable for their impoverishment of the American work force deeply buried in debt with no future prospects.

Those few Americans who have any awareness are beginning to realize that the One Percent and the western governments that serve them are re-establishing feudalism. The brilliant and learned economist, Michael Hudson, has labeled our era the era of neo-feudalism.

He is correct. The majority of young Americans come out of university heavily indebted, primed for debtor prison. When half of 25-year olds cannot marry and form households, how can anyone believe that housing sales and prices are rising except as a result of speculative investors banking on rental income from a population that cannot even pay its student loans.

The United States is the sickest place on earth. There is no public or political discussion of any important issue or of the multiple crises that confront America or the crises that America brings to the world.

The American people are so stupid and unaware that they are capable of electing a criminal and a warmonger like Hillary president of the United States and be proud of it.

These “tough” Americans are so frightened of hoax dangers, such as “Muslim terrorists” and “Russian aggression” that they willingly sacrificed their depleted pocketbooks, the Constitution of the United States—an act of treason on the part of the American people who utterly failed their responsibility to protect the Constitution—and their own liberty to a universal police state that has all power over them.

It is extraordinary that once-proud, once-great European peoples look for leadership from a country of moronic non-entities who have pissed away the liberty, security, and prosperity that their Founding Fathers gave to them.

Fellow Americans, if you care to avoid vaporization and, assuming we do avoid it, live a life other than serfdom, you must wake up and realize that your most deadly enemy is Washington, not the hoax of “Russian aggression,” not the hoax of “Muslim terrorism,” not the hoax of “domestic extremism,” not the hoax of welfare bankrupting America, not the hoax of democracy voting away your wealth, which Wall Street and the corporations have already stolen and stuck in their pockets.

If you cannot wake up and escape The Matrix, your doom will bring the doom of the planet.

Saturday Matinee: Megaplex

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Megaplex-Spectacle

Source: Smash TV

Megaplex is the most insane double feature the world has ever seen. With a running time of 80 minutes and thousands of cuts from more than 80 movies, Smash TV has spent the past year and a half cramming the most entertainment possible into every second. It’s dense enough to pressurize these diamonds in the rough into gleaming treasures.

Megaplex is the long awaited followup to the critically acclaimed Skinemax, much more fully realized, utilizing myriad editing and layering tricks picked up over the past five years. Deeper, darker, and definitely more bizarre.

Borrowing from the Grindhouse tradition and from Tarantino’s more recent tribute, Megaplex is a double feature that both members of Smash TV worked on independently.

As a palette cleanser in between, Smash TV is proud to present Coming Attractions, a 15 minute collection of vignettes editing together previously unexplored genres and styles.

Please support the original works, these are film makers and musicians that have upheld the values of originality and creativity.

This video is protected under fair use copyright law. It is presented for the purposes of entertainment, education, and criticism/commentary only. No infringement is intended.

TURBO

STARRING MICHAEL JACKSON

Edited by Ben Craw

Rated R

Turbo, Side A of Smash TV’s Megaplex, is the coolest thing you’ve ever seen if you were a late-night-movie-brainwashed 8 year old in 1990. It is the ultimate in-your-face, balls to the wall, no holds barred, over the top, end of the world electric boogaloo dance party, fueled by neon, spandex, ooze, and steroids. So many steroids.

It’s the movie you and your best friends stumble across at the end of the night after frying your brain with nine straight hours of Sonic 2, Streets of Rage 2, and ToeJam & Earl on your Sega Genesis. Or is the whole thing just a Pepsi-induced sugar coma fever dream? It’s impossible to say. But you probably shouldn’t have drunk that fifth two-liter bottle.

Turbo is utterly shameless in its love for the most ridiculous and awesome movies that the 1980s and early 90s had to offer. It’s what would happen if Cannon Films and New Line Cinema got a little crazy at the club and ended up boning in the bathroom. It’s the nights from your childhood that you’ll never forget. Those nights are gone. But Turbo lives on in your dreams forever…and Beyond…

Tracklist
Download Mix: bit.ly/1TSe1sQ

HBO 1983 Intro
Mr. Oizo – Hun
Actress – Image
Stephen Farris – Pepper
Jean Michel Jarre – Zoolookologie
VHS Head – Camera Eyes
Phono Ghosts – Suntan Spies
Harold Faltermeyer – Fletch Theme
Oliver – Light Years Away
Tiger & Woods – Gin Nation
Solar Bears – A Sky Darkly

COMING ATTRACTIONS

Edited by Brendan Shields

Coming Attractions is a collection of vignettes exploring different genres and themes. Comprised of fake trailers, genre retrospectives, and tributes to luminary actors and directors, it acts as a palette cleanser in between the two halves and provides an opportunity to experiment on a smaller scale.

Tracklist:

Intermission
Music: Midnight Television – Commercial Dreams

American Hunk
Music: Sparkles_161244545 – IDEALISMム

Atari Summer
Music: Suzanne Ciani – Atari Summer

Safari Ice
Music: Miki Matsubara – Safari Eyes

Miyazaki
Music: Suzanne Ciani – The First Wave: Birth Of Venus

Sunday Will Never Be The Same
Music: Spanky And Our Gang – Sunday Will Never Be The Same

Odyssey
Music: Autechre – d-sho qub

Inside Story
Music: Suzanne Ciani – Inside Story

BEYOND

STARRING SKELETOR

Edited by Brendan Shields

Rated R

Beyond, Side B of Megaplex, is a psychedelic vision quest for B-movie lovers. Comprised of some of the strangest imagery from the 80s and early 90s, Beyond is a hallucinatory experience designed to amaze, bewilder, and terrify.

Highlighting choice cuts from a strange time in the horror, sci-fi, and fantasy genres, Beyond harkens back to late nights of channel surfing, catching out of context glimpses of the bizarre and fascinating. Something unlike anything you’d ever seen before…something you weren’t supposed to see…

Combining the darkest moments of Skinemax with the layering experiments of Memorex, Beyond is a descent into euphoric madness as reality begins to unravel.

It’s the unmarked tape lying in wait at an abandoned Blockbuster, anticipating its next victim.

An Ayahuasca trip at 24 frames per second.

Fantasia meets Videodrome.

Beyond the limits of good taste

Beyond the subconscious

Beyond the stars

Beyond…

Tracklist
Download Mix: bit.ly/1X7AOGU

Franco Micalizzi – Stridulum Theme
VHS Head – Farewell Africa
Gatekeeper – Serpent
VHS Head – Angels Never Sleep
Madlib – Gentle Pilz
ADR – Sidewinder
Public Image Ltd. – The Order Of Death
Fluorescent Grey – Gnoble Door Moo Rig Rig
VHS Head – Frozen
Trust – Bulbform
iamamiwhoami – Goods

https://vimeo.com/167795970

Obama’s Rape of Libya Part II

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By Stephen Lendman

Source: SteveLendmanBlog

In 2011, he and then secretary of state Hillary Clinton bore full responsibility for the rape and destruction of Libya, transforming Africa’s most developed country into a cauldron of endless violence, instability, turmoil and unspeakable human suffering – the aftermath of all US imperial wars.

They flagrantly violated international, constitutional and US statute laws – attacking another country threatening no others, killing tens of thousands of noncombatant men, women, children, the elderly and infirm.

They were warned in advance of chaotic conditions following an attack but went ahead anyway. They knew extremist groups would flourish in its aftermath – ISIS, Al Qaeda and others Washington supports.

Libya today has no central authority. Based in Tripoli, US-installed puppet rule (the so-called Government of National Accord – GNA) controls one small part of the country – a rival Benghazi government, disparate groups and tribes most of it.

Endless violence, disorder, human deprivation and misery reflect daily life – the legacy of America’s “humanitarian intervention” and “responsibility to protect” – code language for naked aggression, war OF terror on humanity, the horror no one can imagine without experiencing it firsthand.

Last year, war correspondent Jon Lee Anderson said “(t)here is no overstating the chaos of post-Qaddafi Libya.” Various elements compete for control. “Armed militias roam the streets…(N)early a third of the country’s population has fled across the border to Tunisia.” Others head for Europe – treated with disdain and internment under concentration camp conditions on arrival.

No country may attack another except in self-defense and only if authorized by Security Council members. In 2007, candidate Obama, a one-time University of Chicago Law School senior lecturer, said the following:

“The president does not have power under the Constitution to unilaterally authorize a military attack in a situation that does not involve stopping an actual or imminent threat to the nation.”

He’s terror-bombed seven countries and used terrorist foot soldiers to do his dirty work since taking office. He repeatedly lied to the public about his actions.

Time and again he’s proved lawless, ruthless and never to be trusted. Raping Libya a second time has nothing to do with protecting America’s “national security interests” or restoring stability to a war-torn country – everything to do with US imperial viciousness.

Obama saying the United States, Europe and other countries “have a great interest in seeing stability in Libya because the absence of stability has helped to fuel some of the challenges that we’ve seen in terms of the migration (sic) crisis in Europe and some of the humanitarian tragedies that we’ve seen in the open seas between Libya and Europe” ignored America’s responsibility for transforming a stable nation under responsible leadership into dystopian hellishness.

He massacred Libyans mercilessly while claiming he “did the right thing (by) preventing what could have been…a bloodbath in Libya…”

On Tuesday, he lied calling indefinite aggression a “30-day mission” – on the phony pretext of combating the scourge of ISIS Washington created and supports.

He’s raped Libya since 2011, new terror-bombing continuing where earlier assaults left off, virtually certain to go on indefinitely, perhaps with varying degrees of intensity, supplemented with US and other NATO special forces on the ground operating covertly.

His tenure ends in January. If Hillary succeeds him, perhaps she’ll turn the entire region and beyond ablaze.

 

Stephen Lendman lives in Chicago. He can be reached at lendmanstephen@sbcglobal.net. His new book as editor and contributor is titled “Flashpoint in Ukraine: US Drive for Hegemony Risks WW III.”

http://www.claritypress.com/LendmanIII.html

Related Article: Libya: The US is now bombing a state it has already destroyed

2016 election decides who controls the drug trade

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By Daniel Hopsicker

(Mad Cow Morning News)

In the Presidential Election of 2016, Republican and Democratic insiders are wrestling like two dogs over a bone over who controls the illegal drug trade.

To the victor go the spoils. Who wins the election wins control of America’s vast drug bazaar, largest in the world, whose proceeds prop up lucky bankers and politicians lapping at the trough of  the biggest richest slush fund in the history of the world.

It’s the smart play

It’s the biggest business in the world, and the No. 1 industry on the face of the planet, in terms of foreign trade. And if you didn’t know that about the illegal drug trade, then the vast amounts spent on propaganda and disinformation every year in the so-called “War on Drugs” is working.

The first industry to globalize vertically was the illegal drug business. It’s an open question whether drug trafficking drove globalization, or the other way around.

Negotiated by Bill Clinton, the chief beneficiary of NAFTA (North American Free Trade Agreement)—by dollar volume and impact on the economy—was the drug trade.

The Democrats, committed to globalization, will continue to farm out transportation and money laundering to, among others,  minions of Mexico’s President Enrique Nieto Pena, cronies of retired Colombian strongman Alvaro Uribe, and a host of eager bankers from the world’s largest banks.

Will a Republican victory will bring back Oliver North? No, it’ll be a Trump Administration appointee with a certain erect posture and short-but-stylishly-cut hair,  chosen to occupy the Oliver North seat on the National Security Council.

The Enterprise Lives. And prospers.

Why there’s no Global War on Johnnie Walker Red

Although America’s sun is slowly sinking  below the horizon, the country still boasts the biggest and the best illegal drug delivery pipeline on the planet, so efficient it’s sick, the and envy of the world. The UK and Europe may be nipping at our heels, growing bigger vis a vis the U.S. as drug consumers, but the U.S. remains the biggest market.

This market is what we sell to the world; one of a few businesses where we’re still No. 1, along with financial services, which basically means meaning laundering drug money, and movies based on comic books.

Here’s a statistic from the UN’s World Drug Report for 2016:

207,000 drug-related deaths globally.

Compare that with this fact from the UN’s World Health Organization:

“In 2012, 3.3 million deaths, or 5.9 percent of all global deaths, were due to alcohol consumption.”

If the U.S. cares about the health of its citizens we’ll soon have a Liquor Enforcement Administration(an LEA), with approximately sixteen times the funding that the War on Drugs receives every year, which is 40 billion dollars.

That’s within reach of the Pentagon budget; its safe to say it ain’t gonna happen.

It doesn’t happen, becauses of the banks, and also because, as the UN World Drug Report also states, and flatly, worldwide people spend more money on drugs every day than on food.

Yup. You can look it up.

An even bigger reason: Global Too Big to Jail Banks.

London’s Financial Times has warning for global elite

Even when you think you’re talking about something else, you’re talking about drugs, even if you don’t know it. London’s Financial Times briefly surfaced from the 19th Century with a headline reading “Global elites must heed the warning of populist rage’

“The explanation for the prolonged stagnation in real incomes are repeated financial crises and subsequent weak recoveries, which have destroyed popular confidence in the competence and moral principles, honesty, and decency of the elite.”

The greedy parasitic elite that betrayed the middle class, and the country.

The Times continues, “The role of finance is excessive. The financial system remains riddled with perverse incentives.”

Without drug money there is no financialization. Because the banks by themselves don’t have the capital. Some say that sounds like a good thing.

“Air America meets  Traffic meets Pineapple Express”

A steady diet of movies like the upcoming ‘Mena’ starring Tom Cruise playing the supposedly-swashbuckling former Air America  pilot Barry Seal, has given the movie-going public the idea that the real action in the illegal drug trade is in drug trafficking.

That’s not the case. The real action is in money laundering. Because if you can’t wash clean the money you end up with, it quickly becomes useless to anyone with more long-term goals than throwing the biggest party or longest orgy the world has ever seen. And because money weighs more than drugs—and is way more bulky unless you’re smuggling marijuana which is today considered more out of the stone age than old school.

So there’s a problem. Providing a solution are casinos, bodegas, cambios, Western Union, grocery stores, restaurants, even dry cleaners, and banks. Especially banks. In fact it they weren’t for laundering drug money, HSBC, JP Morgan, Barclays and Bank of America would have already gone the way of Mario Brothers or YAHOO, which only makes news anymore when pieces are sold off in foreclosure.

Three brief moments  in time in the drug trade

A Turkish boat carrying a massive 3.2 tonnes of high purity cocaine hidden in a ballast tank at the front of the MV Hamal was busted 100 miles east of the Aberdeenshire coast.

It was a record $673 million (£512 million) cocaine haul.The captain and second in command—Mumin Sahin and Emin Ozmen—were convicted, and sent to prison.

“The Captain and the second in command” are the drug trade’s equivalent of David Letterman Show favorites Mujibur and Sirajul, who ran a t-shirt shop in a tiny frontage near the Ed Sullivan Theater. They were ordinary people who Letterman found exceptional just because there were so ordinary.

Is there a shortage of people ready to take a chance smuggling a half-billion cargo?  Is that the plan?

“Operation SCREENPLAY” gets a tentative green light

“OPERATION Screenplay will go down as one of the all-time great UK drug busts,” enthused John McGowan, head of border investigations.

“To put it in perspective, the total seizure of cocaine by all police forces in England and Wales in 2014-15 was 3.4 tons. That was for everything.  This single seizure was 3.2 tons.”

In a blatant pitch for more government funding—so that he could presumably really go to town, he added, “And all we had was intelligence from the French that there was a considerable quantity of cocaine on board.”

The paper seemed not so sure. The report ended, “Despite the size of the seizure, anecdotal evidence suggests police did not record a dip in the amount of cocaine on our streets.”

Playing whack-a–mole around the world

An expert who testified at their trial about “recognised trade routes” for shipping cocaine was perhaps a little too candid. He told the jury:

“It is now south of Venezuela and Guyana because of a lot of enforcement activity by the USA patrolling the coast. It’s massive importation – unprecedented in my experience.”

Those sneaky traffickers. Always playing whack-a-mole.

Cocaine production in Colombia increased dramatically—shooting up a staggering 46 percent—last year.  The country now has the resources to produce 712 tons of cocaine annually. Growth exploded in lawless areas in the Sierra Nevada mountains in the north and in the Amazon region, on the Venezuelan and Ecuadorean borders and along the Pacific coast.

But cultivation dropped in central Colombia, where the people running  both Colombia’s government and drug trade of Colombia.

Huh. Imagine that.

The Mexican Navy left with many barrels of zesty condiments

The Mexican navy found 13 tons of cocaine inside barrels of hot sauce in Manzanillo, 500 miles west of Mexico City. The barrels full of zesty condiment and cocaine were believed to belong to the Sinaloa Cartel.

A week earlier, busy Mexican sailors discovered almost a ton of cocaine—more than 900 keys—floating in the open sea off the coast of Chiapas.

A ton of cocaine. Just… floating…100 miles from shore.

The world’s richest industries

How much money an industry makes is the best rule of thumb for how much clout that industry exerts on the countries in which it operates. The illegal drug trade has yearly revenues exceeding the 946 billion in annual revenue of Walmart, Microsoft, Google, Ebay, and British Petroleum, combined.

In the U.S., and almost everywhere else, it’s a cash cow of almost unimaginable proportions.

The richest industries are all based on at assets we use in our lives every day, from computers to entertainment, to oil, to shopping, to drugs. According to therichest.com, “They are industries we give our hard-earned money to out of necessity, desire, or a mix of the two. And they also tend to be the most valuable, and not just from a monetary standpoint.  Their value lies in the fact that they’re needed to help society advance and function smoothly.”

Imagine several hundred million people trying to get through Monday morning with coffee. Luckily, that won’t ever happen.

 

About Daniel Hopsicker

Daniel Hopsicker is an investigative journalist dubious about the self-serving assertion of U.S. officials that there are no American Drug Lords.