Like many great humanitarians who had the power to inspire and lead large mass movements against the establishment, Martin Luther King Jr. was assassinated. King’s family believe the assassination was the result of a conspiracy involving the US government, and they’re probably right. The following article by Jim Douglas, originally published by Probe Magazine and currently hosted at David Ratcliffe’s Ratical.org site, explores revelations from a 1999 wrongful death lawsuit by the King family against Loyd Jowers and “other unknown co-conspirators”:
The Martin Luther King Conspiracy
Exposed in Memphis
by Jim Douglass
Spring 2000
Probe Magazine
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According to a Memphis jury’s verdict on December 8, 1999, in the wrongful death lawsuit of the King family versus Loyd Jowers “and other unknown co-conspirators,” Dr. Martin Luther King Jr. was assassinated by a conspiracy that included agencies of his own government. Almost 32 years after King’s murder at the Lorraine Motel in Memphis on April 4, 1968, a court extended the circle of responsibility for the assassination beyond the late scapegoat James Earl Ray to the United States government. I can hardly believe the fact that, apart from the courtroom participants, only Memphis TV reporter Wendell Stacy and I attended from beginning to end this historic three-and-one-half week trial. Because of journalistic neglect scarcely anyone else in this land of ours even knows what went on in it. After critical testimony was given in the trial’s second week before an almost empty gallery, Barbara Reis, U.S. correspondent for the Lisbon daily Publico who was there several days, turned to me and said, “Everything in the U.S. is the trial of the century. O.J. Simpson’s trial was the trial of the century. Clinton’s trial was the trial of the century. But this is the trial of the century, and who’s here?” What I experienced in that courtroom ranged from inspiration at the courage of the Kings, their lawyer-investigator William F. Pepper, and the witnesses, to amazement at the government’s carefully interwoven plot to kill Dr. King. The seriousness with which U.S. intelligence agencies planned the murder of Martin Luther King Jr. speaks eloquently of the threat Kingian nonviolence represented to the powers that be in the spring of 1968. In the complaint filed by the King family, “King versus Jowers and Other Unknown Co-Conspirators,” the only named defendant, Loyd Jowers, was never their primary concern. As soon became evident in court, the real defendants were the anonymous co-conspirators who stood in the shadows behind Jowers, the former owner of a Memphis bar and grill. The Kings and Pepper were in effect charging U.S. intelligence agencies – particularly the FBI and Army intelligence – with organizing, subcontracting, and covering up the assassination. Such a charge guarantees almost insuperable obstacles to its being argued in a court within the United States. Judicially it is an unwelcome beast.
Many qualifiers have been attached to the verdict in the King case. It came not in criminal court but in civil court, where the standards of evidence are much lower than in criminal court. (For example, the plaintiffs used unsworn testimony made on audiotapes and videotapes.) Furthermore, the King family as plaintiffs and Jowers as defendant agreed ahead of time on much of the evidence. But these observations are not entirely to the point. Because of the government’s “sovereign immunity,” it is not possible to put a U.S. intelligence agency in the dock of a U.S. criminal court. Such a step would require authorization by the federal government, which is not likely to indict itself. Thanks to the conjunction of a civil court, an independent judge with a sense of history, and a courageous family and lawyer, a spiritual breakthrough to an unspeakable truth occurred in Memphis. It allowed at least a few people (and hopefully many more through them) to see the forces behind King’s martyrdom and to feel the responsibility we all share for it through our government. In the end, twelve jurors, six black and six white, said to everyone willing to hear: guilty as charged. We can also thank the unlikely figure of Loyd Jowers for providing a way into that truth. Loyd Jowers: When the frail, 73-year-old Jowers became ill after three days in court, Judge Swearengen excused him. Jowers did not testify and said through his attorney, Lewis Garrison, that he would plead the Fifth Amendment if subpoenaed. His discretion was too late. In 1993 against the advice of Garrison, Jowers had gone public. Prompted by William Pepper’s progress as James Earl Ray’s attorney in uncovering Jowers’s role in the assassination, Jowers told his story to Sam Donaldson on Prime Time Live. He said he had been asked to help in the murder of King and was told there would be a decoy (Ray) in the plot. He was also told that the police “wouldn’t be there that night.” In that interview, the transcript of which was read to the jury in the Memphis courtroom, Jowers said the man who asked him to help in the murder was a Mafia-connected produce dealer named Frank Liberto. Liberto, now deceased, had a courier deliver $100,000 for Jowers to hold at his restaurant, Jim’s Grill, the back door of which opened onto the dense bushes across from the Lorraine Motel. Jowers said he was visited the day before the murder by a man named Raul, who brought a rifle in a box. As Mike Vinson reported in the March-April Probe, other witnesses testified to their knowledge of Liberto’s involvement in King’s slaying. Store-owner John McFerren said he arrived around 5:15 pm, April 4, 1968, for a produce pick-up at Frank Liberto’s warehouse in Memphis. (King would be shot at 6:0l pm.) When he approached the warehouse office, McFerren overheard Liberto on the phone inside saying, “Shoot the son-of-a-bitch on the balcony.“ Café-owner Lavada Addison, a friend of Liberto’s in the late 1970’s, testified that Liberto had told her he “had Martin Luther King killed.” Addison’s son, Nathan Whitlock, said when he learned of this conversation he asked Liberto point-blank if he had killed King.
The jury also heard a tape recording of a two-hour-long confession Jowers made at a fall 1998 meeting with Martin Luther King’s son Dexter and former UN Ambassador Andrew Young. On the tape Jowers says that meetings to plan the assassination occurred at Jim’s Grill. He said planners included undercover Memphis Police Department officer Marrell McCollough (who now works for the Central Intelligence Agency, and who is referenced in the trial transcript as Merrell McCullough), MPD Lieutentant Earl Clark (who died in 1987), a third police officer, and two men Jowers did not know but thought were federal agents. Young, who witnessed the assassination, can be heard on the tape identifying McCollough as the man kneeling beside King’s body on the balcony in a famous photograph. According to witness Cobey Vernon Smith, McCollough had infiltrated a Memphis community organizing group, the Invaders, which was working with the Southern Christian Leadership Conference. In his trial testimony Young said the MPD intelligence agent was “the guy who ran up [the balcony stairs] with us to see Martin.” Jowers says on the tape that right after the shot was fired he received a smoking rifle at the rear door of Jim’s Grill from Clark. He broke the rifle down into two pieces and wrapped it in a tablecloth. Raul picked it up the next day. Jowers said he didn’t actually see who fired the shot that killed King, but thought it was Clark, the MPD’s best marksman. Young testified that his impression from the 1998 meeting was that the aging, ailing Jowers “wanted to get right with God before he died, wanted to confess it and be free of it.” Jowers denied, however, that he knew the plot’s purpose was to kill King – a claim that seemed implausible to Dexter King and Young. Jowers has continued to fear jail, and he had directed Garrison to defend him on the grounds that he didn’t know the target of the plot was King. But his interview with Donaldson suggests he was not naïve on this point. Loyd Jowers’s story opened the door to testimony that explored the systemic nature of the murder in seven other basic areas:
[The seven areas listed below each link to the given subject in Dr. William Pepper’s Closing Statement on 8 December 1999.]
The vision behind the trial In his sprawling, brilliant work that underlies the trial, Orders to Kill (1995), William Pepper introduced readers to most of the 70 witnesses who took the stand in Memphis or were cited by deposition, tape, and other witnesses. To keep this article from reading like either an encyclopedia or a Dostoevsky novel, I have highlighted only a few. (Thanks to the King Center, the full trial transcript is available online at http://www.thekingcenter.com/tkc/trial.html.) [The transcript is no longer available at the King Center. Hypertext, PDF, and text-only representations are available at ratical.org/ratville/JFK/MLKACT/ –Editor] What Pepper’s work has accomplished in print and in court can be measured by the intensity of the media attacks on him, shades of Jim Garrison. But even Garrison did not gain the support of the Kennedy family (in his case) or achieve a guilty verdict. The Memphis trial has opened wide a door to our assassination politics. Anyone who walks through it is faced by an either/or: to declare naked either the empire or oneself. The King family has chosen the former. The vision behind the trial is at least as much theirs as it is William Pepper’s, for ultimately it is the vision of Martin Luther King Jr. Coretta King explained to the jury her family’s purpose in pursuing the lawsuit against Jowers: “This is not about money. We’re concerned about the truth, having the truth come out in a court of law so that it can be documented for all.” “I’ve always felt that somehow the truth would be known, and I hoped that I would live to see it. It is important I think for the sake of healing so many people – my family, other people, the nation.” Dexter King, the plaintiffs’ final witness, said the trial was about why his father had been killed: “From a holistic side, in terms of the people, in terms of the masses, yes, it has to be dealt with because it is not about who killed Martin Luther King Jr., my father. It is not necessarily about all of those details. It is about: Why was he killed? Because if you answer the why, you will understand the same things are still happening. Until we address that, we’re all in trouble. Because if it could happen to him, if it can happen to this family, it can happen to anybody.
In his closing argument, William Pepper identified economic power as the root reason for King’s assassination:
Pepper went a step beyond saying government agencies were responsible for the assassination. To whom in turn were those murderous agencies responsible? Not so much to government officials per se, Pepper asserted, as to the economic powerholders they represented who stood in the even deeper shadows behind the FBI, Army Intelligence, and their affiliates in covert action. By 1968, Pepper told the jury, “And today it is much worse in my view” – “the decision-making processes in the United States were the representatives, the footsoldiers of the very economic interests that were going to suffer as a result of these times of changes [being activated by King].” To say that U.S. government agencies killed Martin Luther King on the verge of the Poor People’s Campaign is a way into the deeper truth that the economic powers that be (which dictate the policies of those agencies) killed him. In the Memphis prelude to the Washington campaign, King posed a threat to those powers of a non-violent revolutionary force. Just how determined they were to stop him before he reached Washington was revealed in the trial by the size and complexity of the plot to kill him. Dexter King testified to the truth of his father’s death with transforming clarity:
When pressed by Pepper to name a specific amount of damages for the death of his father, Dexter King said, “One hundred dollars.” The jury returned with a verdict after two and one-half hours. Judge James E. Swearengen of Shelby County Circuit Court, a gentle African-American man in his last few days before retirement, read the verdict aloud. The courtroom was now crowded with spectators, almost all black. “In answer to the question, ‘Did Loyd Jowers participate in a conspiracy to do harm to Dr. Martin Luther King?’ your answer is ‘Yes.’” The man on my left leaned forward and whispered softly, “Thank you, Jesus.” The judge continued: “Do you also find that others, including governmental agencies, were parties to this conspiracy as alleged by the defendant?’ Your answer to that one is also ‘Yes.’” An even more heartfelt whisper: “Thank you, Jesus!”
David Morphy, the only juror to grant an interview, said later: “We can look back on it and say that we did change history. But that’s not why we did it. It was because there was an overwhelming amount of evidence and just too many odd coincidences. “Everything from the police department being pulled back, to the death threat on Redditt, to the two black firefighters being pulled off, to the military people going up on top of the fire station, even to them going back to that point and cutting down the trees. Who in their right mind would go and destroy a crime scene like that the morning after? It was just very, very odd.” I drove the few blocks to the house on Mulberry Street, one block north of the Lorraine Motel (now the National Civil Rights Museum). When I rapped loudly on Olivia Catling’s security door, she was several minutes in coming. She said she’d had the flu. I told her the jury’s verdict, and she smiled. “So I can sleep now. For years I could still hear that shot. After 31 years, my mind is at ease. So I can sleep now, knowing that some kind of peace has been brought to the King family. And that’s the best part about it.” Perhaps the lesson of the King assassination is that our government understands the power of nonviolence better than we do, or better than we want to. In the spring of 1968, when Martin King was marching (and Robert Kennedy was campaigning), King was determined that massive, nonviolent civil disobedience would end the domination of democracy by corporate and military power. The powers that be took Martin Luther King seriously. They dealt with him in Memphis. Thirty-two years after Memphis, we know that the government that now honors Dr. King with a national holiday also killed him. As will once again become evident when the Justice Department releases the findings of its “limited re-investigation” into King’s death, the government (as a footsoldier of corporate power) is continuing its cover-up – just as it continues to do in the closely related murders of John and Robert Kennedy and Malcolm X. The faithful in a nonviolent movement that hopes to change the distribution of wealth and power in the U.S.A. – as Dr. King’s vision, if made real, would have done in 1968 – should be willing to receive the same kind of reward that King did in Memphis. As each of our religious traditions has affirmed from the beginning, that recurring story of martyrdom (“witness”) is one of ultimate transformation and cosmic good news. |
For more information about the King family’s lawsuit, read “An Act of State” by their lawyer, Dr. William F. Pepper. David Ratcliffe wrote an excellent detailed review of it posted here: http://www.ratical.org/ratville/JFK/MLKactOstate.html
William Pepper was recently on the Progressive Commentary Hour and Guns and Butter. You can listen to both interviews here:
“I, Pet Goat II” is an award winning animated short released in the spring of 2012 by Louis Lefebvre and canadian art collective Heliofant. It quickly gained a following among alternative news/independent media communities for its cryptic symbolism and allusions to recent history weaved with parapolitical concepts. The meaning of some of the more archetypal symbols are easy enough to intuit, but in case you’re curious about the artist’s intent, the following information is from the Heliofant site:

fire of truth
That’s YOU!!! when you stand in the awareness of your sonship with the Divine and the brotherhood of mankind!!!
BO/B
The left-right puppet and additional layer of disenfranchisement, keeping you distracted while Drako weaves his web.
Lily
And suddenly a startling realization arose in Lily: “This apple is not mine”, she thought. “It belongs to someone else.”
Sun-Sue
Opposing courageously those who would enslave her.
Aali
The whirling heart of Islam awakened to the one true God! He is free and needs no control.
Juan “Pepito”
After years of economic exploitation and the environmental degradation, Juan “Pepito” has a decidedly sinking feeling.
L’enfant bleu
The keeper of the flame.
Madame Q
Madame Q’s point of suffering is sex. Is it repression or indulgence?
We don’t know. Yet there is definitely shame there.

Ludovic
In Latin, ludo means to play and ovis (ovum/ovis) can mean egg. The egg is a symbol of the potential, genetics, and of the soul.
Ovis can also mean sheep in Latin.
But in reality, Ludovic comes from a Germanic name meaning illustrious in combat.
Drako
The Sorcerer, the unseen hand and spirit of madness seeking ever more control through trickery, lies, poisons, false-flag events, wars, and mountains of beauracratic and legal framework to siphon off the energy of the inhabitants of the earth. He fears the light of day as he fears life itself, and operates in the shadows. His greatest power is his hold on the issuance of the currency.
Preface
I would like to start off by saying that the film came to me in its visual form, much like a painter who sees colors and forms in his mind’s eye. And I tried to be faithful to what I saw visually without necessarily understanding what the symbols were alluding to. Some of the symbols were pretty obvious to decipher, whereas some scenes had me scratching my head and took me some time to understand.
I do not pretend to be an expert in symbology and am learning this as I go along. I do not claim any truth. As I understand it, language is an outpouring of archetypes which are much more profound and more encompassing. To try and explain the symbols with common language is slightly reductive. It’s like trying to explain a poem.
Having said that, many people have asked me to explain my work and I am sensitive to their request. So I will try to provide some possible suggestions for the interpretation to the most commonly asked questions, but hope you will keep in mind that your answer is probably better. The hope is that it will provide some stimulation for inquiry and discussion.
The Meaning
There are many themes interwoven into the film, but the main story is about the crumbling away of the hierarchical world based on control and oppression, and the rising up of spiritual man, awake to his divine nature, free of intermediaries, fire in his eyes.
About the Egyptian Symbology
The Christ character in his boat is reminiscent of Ra, the Egyptian sun god who travels the sky in his celestial boat. In the evening he descends into the underworld, a sort of death. And in the morning he is resurrected and lights up the sky. The theme of resurrection was an important motif in the life of Egyptians.
Anubis, the jackal-headed god, is the Greek name for the earlier Egyptian Deity Anapa. He is associated with the afterlife and protects the souls of men in their journey through the underworld. He also weighs the truth and the heart of those souls before deciding their fate.
Anubis is often associated with Wepwawet who has a wolf’s head and is a war deity of Egypt. He is called the opener of ways. He opens up the way for the army to move in.
I have heard many people say that the symbology is satanic in nature. I do not believe it is. It is more about the intent invested in them. In all religions there are truth seeking souls and people who corrupted the intent of the original symbols. The fear is that the film subverts the Christ symbol to the message of Satanism. I would say it is the opposite. It is about taking back the symbology that has been corrupted to degrade the human spirit and control man, and redressing those symbols, by placing the Christ at the center of the narration.
The all-seeing eye, in the elite world view, is about control and surveillance of every person and aspect of society. When placed on the Christ character, it means the opening up of the third eye or pineal gland that permits a unhindered communication with God, as well as other dimensions. In other words, clear spiritual vision. The triangle on his forehead represents Divinity and is actually a symbol found in many churches to represent the Divine Source. This is opposed to the pyramids in the final shot which represent a top down control system where each layer is manipulated through deception by the layer above it, giving the very few at the apex incredible power.
The Apple
Little Lily, our girl dressed in white, symbolizes purity. She is like the bride and holds the apple which very much looks like a stain on her immaculate dress. The apple is a symbol of sin, and shame, and all her inward divisions about herself, that have been cultivated by the rulers of society in order that she remain in her place, subservient, like the children driven to apathy behind the barbed wires. Lily sees the ridiculous spectacle in front of her and is completely exhausted. It seems she has been holding this apple forever. So she just let’s it slip away.
You’ll notice that she sits in a circle, a symbol of her wholeness and alignment in spirit. She is centered. Behind her are the symbols of nature all around, intimating that her true nature is this wholeness.
…
This is a starting point to the commentary. We will be expanding on this in the days and weeks to come. We hope to add a feature which will enable you to add your interpretation as well. We’ll see…
Here are two other interpretations you might find useful:
The Esoteric Symbolism of the Viral Video “I, Pet Goat II” by Vigilant Citizen
And a more complex deciphering:
The Hidden Themes of Heliofant’s “I, Pet Goat II” by Xtraeme at abovetopsecret.com
Thanks!
Last week, French comedian, actor and activist Dieudonné M’Bala M’Bala gained international attention when, in a move backed by French President Francois Hollande and the country’s highest court, his comedy tour was banned in several French cities. The bannings followed a January 6 announcement from France’s interior minister Manuel Valls that he considered Dieudonné’s performances anti-semitic and a “a grave disturbance of public order”.
To be honest, I can’t say I’m familiar enough with Dieudonné to know whether he is anti-semitic or, as has happened to many others, he was given that label because he’s anti-Zionist or just critical of certain policies of the Israeli government. However, given his background it’s highly unlikely that he’s racist. He himself is of mixed race, his father being a white artist and his mother a black accountant originally from Cameroon. He was raised mostly by his mother since they divorced when he was one. His first comedy partner and childhood friend was Jewish, and in the 1997 and 2001 legislative elections in Dreux, he campaigned against racism and ran against the National Front.
Even if Dieudonné was a racist and anti-semite he should not have been censored (though it’s true if his performances weren’t banned I may not have heard of him). No matter how offensive one might find someone’s words and ideas, the best policy is open discussion and debate so people can decide for themselves what to believe and what to reject.
In “Bad Boy Bubby” (1993), an Australian film by writer/director Rolf de Heer, Nicholas Hope gives a brilliant performance as Bubby, a man who’s been kept confined and abused physically and emotionally by his mother for 35 years. He eventually escapes and has a number of chance encounters which reveal different aspects of himself and society. The first portion of the film is the most brutal, but as Bubby ventures out into the world the film’s tone lightens a bit and becomes more of a traditional (yet still twisted) dark comedy. Bad Boy Bubby is definitely not for all tastes and is initially difficult to watch, but is ultimately rewarding for its uniformly great performances, writing and direction.
Yesterday Amiri Baraka, a longtime activist and one of the great American poets, passed away at age 79. The cause of his death, at Beth Israel Medical Center in Newark, New Jersey, was not immediately released, but he was hospitalized in the facility’s intensive care unit since Dec. 21 and had a long struggle with diabetes.
Reflecting the exploratory and always-evolving nature of his mind, Amiri’s career path connected him to the Greenwich Village Beat community, the Black Nationalists, the Black Arts Movement (which he founded in 1964), and Marxist-Leninists. Though his beliefs during different stages of life may have different labels, he was consistently committed to justice, unity, social change and the struggle against oppression. As a revolutionary organizer, cultural critic, poet, novelist, essayist, historian, playwright, publisher and orator, Amiri Baraka’s words and ideas have influenced and inspired untold numbers of people around the world. His works have also been the source of much controversy, outrage and condemnation, at least during the initial time of their release.
One of Baraka’s last great acts as a rabble-rouser was his recitation of his poem “Somebody Blew Up America” before 2,000 people at the September 2002 Geraldine R. Dodge Poetry Festival held in Stanhope, New Jersey. This was incredibly courageous because throughout the country (especially on the East Coast) just one year after the attacks, questioning the official 9/11 story was enough to make one viewed as a conspiracy theorist, an apologist for terrorists, possibly traitorous, and/or insensitive to victims and their families. To do so and implicate the Israeli government, as Amiri Baraka did in his poem, led to accusations of antisemitism from the Anti-Defamation League. Many at the time believed the accusations even though under closer scrutiny it was obviously untrue because in the poem he clearly condemns the murder of Jews in the Holocaust and the lines in question could more accurately be described as anti-Zionist.
Who know why Five Israelis was filming the explosion And cracking they sides at the notion?
This is in reference to the well-documented case of the five dancing Israelis arrested on 9/11.
Who knew the World Trade Center was gonna get bombed Who told 4000 Israeli workers at the Twin Towers To stay home that day Why did Sharon stay away?
The most well-known incidence of Israeli foreknowledge are probably the reports from employees of instant messaging service Odigo. Other cases are listed here: http://911review.org/Wget/www.cooperativeresearch.org/wot/sept11/911mossad.html
Amiri Baraka was appointed Poet Laureate of New Jersey just one month before delivering “Somebody Blew Up America” to the public. Despite pressure from the powers that be to resign immediately, he steadfastly refused. In his own words, from an October 2, 2002 post on his website: “I WILL NOT ‘APOLOGIZE’, I WILL NOT ‘RESIGN!'” Governor Jim McGreevey and state legislators discovered there was no legal way to remove Poet Laureate appointees so in an act revealing their fear, hatred and desperation, they abolished the post in July 2003. This is just one chapter of many from Baraka’s often history-making career, but it’s emblematic of his courage, integrity, dedication to truth, and stubborn stance against injustice. This isn’t to say he was a saint or superhero. None of us are without fault, but what we can learn from Amiri is that development of political thought and civic engagement can and should be lifelong processes, and one can remain true to oneself yet open to new ideas and experiences. Above all, his life is a reminder that simple words (especially when composed and unleashed with skill at the right place and time) contain immense power; sometimes enough to change the world.
Somebody Blew Up America
They say its some terrorist, some barbaric A Rab, in Afghanistan It wasn’t our American terrorists It wasn’t the Klan or the Skin heads Or the them that blows up nigger Churches, or reincarnates us on Death Row It wasn’t Trent Lott Or David Duke or Giuliani Or Schundler, Helms retiring
It wasn’t The gonorrhea in costume The white sheet diseases That have murdered black people Terrorized reason and sanity Most of humanity, as they pleases
They say (who say?) Who do the saying Who is them paying Who tell the lies Who in disguise Who had the slaves Who got the bux out the Bucks
Who got fat from plantations Who genocided Indians Tried to waste the Black nation
Who live on Wall Street The first plantation Who cut your nuts off Who rape your ma Who lynched your pa
Who got the tar, who got the feathers Who had the match, who set the fires Who killed and hired Who say they God & still be the Devil
Who the biggest only Who the most goodest Who do Jesus resemble
Who created everything Who the smartest Who the greatest Who the richest Who say you ugly and they the goodlookingest
Who define art Who define science
Who made the bombs Who made the guns
Who bought the slaves, who sold them
Who called you them names Who say Dahmer wasn’t insane
Who? Who? Who?
Who stole Puerto Rico Who stole the Indies, the Philipines, Manhattan Australia & The Hebrides Who forced opium on the Chinese
Who own them buildings Who got the money Who think you funny Who locked you up Who own the papers
Who owned the slave ship Who run the army
Who the fake president Who the ruler Who the banker
Who? Who? Who?
Who own the mine Who twist your mind Who got bread Who need peace Who you think need war
Who own the oil Who do no toil Who own the soil Who is not a nigger Who is so great ain’t nobody bigger
Who own this city
Who own the air Who own the water
Who own your crib Who rob and steal and cheat and murder and make lies the truth Who call you uncouth
Who live in the biggest house Who do the biggest crime Who go on vacation anytime
Who killed the most niggers Who killed the most Jews Who killed the most Italians Who killed the most Irish Who killed the most Africans Who killed the most Japanese Who killed the most Latinos
Who? Who? Who?
Who own the ocean
Who own the airplanes Who own the malls Who own television Who own radio
Who own what ain’t even known to be owned Who own the owners that ain’t the real owners
Who own the suburbs Who suck the cities Who make the laws
Who made Bush president Who believe the confederate flag need to be flying Who talk about democracy and be lying
Who the Beast in Revelations Who 666 Who know who decide Jesus get crucified
Who the Devil on the real side Who got rich from Armenian genocide
Who the biggest terrorist Who change the bible Who killed the most people Who do the most evil Who don’t worry about survival
Who have the colonies Who stole the most land Who rule the world Who say they good but only do evil Who the biggest executioner
Who? Who? Who?
Who own the oil Who want more oil Who told you what you think that later you find out a lie
Who? Who? Who?
Who found Bin Laden, maybe they Satan Who pay the CIA, Who knew the bomb was gonna blow Who know why the terrorists Learned to fly in Florida, San Diego
Who know why Five Israelis was filming the explosion And cracking they sides at the notion
Who need fossil fuel when the sun ain’t goin’ nowhere
Who make the credit cards Who get the biggest tax cut Who walked out of the Conference Against Racism Who killed Malcolm, Kennedy & his Brother Who killed Dr King, Who would want such a thing? Are they linked to the murder of Lincoln?
Who invaded Grenada Who made money from apartheid Who keep the Irish a colony Who overthrow Chile and Nicaragua later
Who killed David Sibeko, Chris Hani, the same ones who killed Biko, Cabral, Neruda, Allende, Che Guevara, Sandino,
Who killed Kabila, the ones who wasted Lumumba, Mondlane, Betty Shabazz, Die, Princess Di, Ralph Featherstone, Little Bobby
Who locked up Mandela, Dhoruba, Geronimo, Assata, Mumia, Garvey, Dashiell Hammett, Alphaeus Hutton
Who killed Huey Newton, Fred Hampton, Medgar Evers, Mikey Smith, Walter Rodney, Was it the ones who tried to poison Fidel Who tried to keep the Vietnamese Oppressed
Who put a price on Lenin’s head
Who put the Jews in ovens, and who helped them do it Who said “America First” and ok’d the yellow stars
Who killed Rosa Luxembourg, Liebneckt Who murdered the Rosenbergs And all the good people iced, tortured, assassinated, vanished
Who got rich from Algeria, Libya, Haiti, Iran, Iraq, Saudi, Kuwait, Lebanon, Syria, Egypt, Jordan, Palestine,
Who cut off peoples hands in the Congo Who invented Aids Who put the germs In the Indians’ blankets Who thought up “The Trail of Tears”
Who blew up the Maine & started the Spanish American War Who got Sharon back in Power Who backed Batista, Hitler, Bilbo, Chiang kai Chek
Who decided Affirmative Action had to go Reconstruction, The New Deal, The New Frontier, The Great Society,
Who do Tom Ass Clarence Work for Who doo doo come out the Colon’s mouth Who know what kind of Skeeza is a Condoleeza Who pay Connelly to be a wooden negro Who give Genius Awards to Homo Locus Subsidere
Who overthrew Nkrumah, Bishop, Who poison Robeson, who try to put DuBois in Jail Who frame Rap Jamil al Amin, Who frame the Rosenbergs, Garvey, The Scottsboro Boys, The Hollywood Ten
Who set the Reichstag Fire
Who knew the World Trade Center was gonna get bombed Who told 4000 Israeli workers at the Twin Towers To stay home that day Why did Sharon stay away?
Who? Who? Who?
Explosion of Owl the newspaper say The devil face cd be seen
Who make money from war Who make dough from fear and lies Who want the world like it is Who want the world to be ruled by imperialism and national oppression and terror violence, and hunger and poverty.
Who is the ruler of Hell? Who is the most powerful
Who you know ever Seen God?
But everybody seen The Devil
Like an Owl exploding In your life in your brain in your self Like an Owl who know the devil All night, all day if you listen, Like an Owl Exploding in fire. We hear the questions rise In terrible flame like the whistle of a crazy dog
Like the acid vomit of the fire of Hell Who and Who and WHO who who Whoooo and Whooooooooooooooooooooo!
Copyright 2002. AMIRI BARAKA.
By Chris Carrington
The Daily Sheeple
January 9th, 2014
NOAA is predicting a geomagnetic storm later today as the CME from the X1 flare hits the Earths magnetosphere. The speed of the solar wind will spike at around 1.6 million miles per hour (700km/s).
The NOAA Space Weather Prediction Center (SWPC) has the following information for the 9th, 10th and 11th January:
January 9th
50-90% chance of major-severe geomagnetic storm depending on where you live. The further north you are the higher the percentage of risk
January 10th
50-85% chance of major-severe geomagnetic storm depending on where you live. The further north you are the higher the percentage of risk.
January 11th
1-50% chance of major-severe geomagnetic storm depending on where you live. The further north you are the higher the percentage of risk.
The risk from flares today stands at 80% for an M-class and 50% for an X-class. Any eruption is most likely to come from somewhere within AR1944, though it has grown so massive it’s hard to see where AR1943 ends and AR1944 begins.
Todays sunspot number is 178.
A good explanation of how all these things fit together is provided by NASA:
Coronal mass ejections are more likely to have a significant effect on our activities than flares because they carry more material into a larger volume of interplanetary space, increasing the likelihood that they will interact with the Earth. While a flare alone produces high-energy particles near the Sun, some of which escape into interplanetary space, a CME drives a shock wave which can continuously produce energetic particles as it propagates through interplanetary space. When a CME reaches the Earth, its impact disturbs the Earth’s magnetosphere, setting off a geomagnetic storm. A CME typically takes 3 to 5 days to reach the Earth after it leaves the Sun. Observing the ejection of CMEs from the Sun provides an early warning of geomagnetic storms. Only recently, with SOHO, has it been possible to continuously observe the emission of CMEs from the Sun and determine if they are aimed at the Earth.
One serious problem that can occur during a geomagnetic storm is damage to Earth-orbiting satellites, especially those in high, geosynchronous orbits. Communications satellites are generally in these high orbits. Either the satellite becomes highly charged during the storm, and a component is damaged by the high current that discharges into the satellite, or a component is damaged by high-energy particles that penetrate the satellite. We are not able to predict when and where a satellite in a high orbit may be damaged during a geomagnetic storm.
Another major problem that has occurred during geomagnetic storms has been the temporary loss of electrical power over a large region. The best known case of this occurred in 1989 in Quebec. High currents in the magnetosphere induce high currents in power lines, blowing out electric transformers and power stations. This is most likely to happen at high latitudes, where the induced currents are greatest, and in regions having long power lines and where the ground is poorly conducting.
The damage to satellites and power grids can be very expensive and disruptive. Fortunately, this kind of damage is not frequent. Geomagnetic storms are more disruptive now than in the past because of our greater dependence on technical systems that can be affected by electric currents and energetic particles high in the Earth’s magnetosphere.
Chris Carrington is a writer, researcher and lecturer with a background in science, technology and environmental studies. Chris is an editor for The Daily Sheeple. Wake the flock up!
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