Celluloid and Simulation

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By Cary Hill

Source: Moviepilot

The medium is the message. This is merely to say that the personal and social consequences of any medium – that is, of any extension of ourselves – result from the new scale that is introduced into our affairs by each extension of ourselves, or by any new technology. — Marshall McLuhan

A friend recently remarked to me that it felt increasingly more like his childhood was being repackaged and sold back to him. We were discussing the recent rash of movies, toys, and TV shows based on things from our childhood: GI Joe, Transformers, etc. New Hollywood franchises (including merchandise) are being launched from shows we watched 30 years ago, targeting our generation and our children. Nostalgia is now big business.

So I wondered: If the majority of Hollywood’s efforts are being put to resurrecting original content from decades ago in an attempt to exploit nostalgia, what happens when all new films and toys are based on prior existing material? We’ve seen Hollywood not even balk at rebooting an existing franchise (Spiderman, Batman, Teenage Mutant Ninja Turtles, The Hulk), but with the lack of original content (OC) it could reach a theoretical point — or singularity — where there is no original content to recycle.

A reboot or remake is, at the bottom level, a copy. It may have different characters or actors, but the story remains the same. Marc Webb’s The Amazing Spider-Man was essentially the same story as Sam Raimi’s Spider-Man (yes, the villain was different but it was still his origin story). And Raimi’s film was based on Stan Lee’s comic. So Webb’s film is a copy of a copy. The upcoming sequel to Webb’s film creates an extension of the copy’s copy. Even if you claim Webb’s film adapts Lee’s comic directly, it still becomes a copy of Raimi’s film which adapted the same source.

Teenage Mutant Turtles is perhaps a better example. Originally a 1980s comic by Kevin Eastman and Peter Laird, it was adapted into a cartoon series (and toys) and then a feature film. It spawned two sequels then an animated remake in 2007, and finally a live (with heavy CGI) remake last year. This order of simulacra, is chronologically correct in my generation’s minds because we lived through it. Our memory can align which came first and trace the comic book origin back to 1984. But for our children’s generation, there is merely a group of copies to choose from with no memory attached.

So if our nostalgia is packaged and sold as a reimagining, reboot, reset, or remake, there has to be something from our childhood to appeal to us. There is that OC that remember being so new, so awesome, and so…unique. If there is a lack of original content and new franchises, studios are further pushed to recycle existing properties. Recycling begets recycling as all resources are consumed to merely recreate a film or property that already exists. And as there are less and less original films, the risks becomes even greater to take a chance on something novel.

This is, of course, theoretical. I’m sure readers are quick to point out “new” franchises like The Hunger Games that are doing well at the box office. After all, these Young Adult books have become a hot-ticket item, perfect fodder for Hollywood’s most cherished demographic: the teenager. These books (and films) aren’t that revolutionary in plot or story, and seem to share a lot of common themes among them. Regardless, they can play out as something “different” for the purposes of this article. However, given their box office take, one wouldn’t be too shocked to see them remade anyway.

In our theoretical, Simulacra and Simulation-esque (The Matrix, anyone?), Baudrillard vision of Hollywood, at some point the entire palate of films would consist of pre-existing material. The 80s and 90s childhoods repackaged and consumed by the same people (now adults) and their children of the 2000s and 2010s. So in the 2020s and 2030s, can nostalgia be repackaged if there’s no OC from the 2000s/2010s to resurrect? Or do you repackage the repackage?

Baudrillard’s 3rd stage of Simulacra:

The third stage masks the absence of a profound reality, where the simulacrum pretends to be a faithful copy, but it is a copy with no original. Signs and images claim to represent something real, but no representation is taking place and arbitrary images are merely suggested as things which they have no relationship to.

What makes this even more head-spinning is the fact that film is, by definition, simulacrum. Cinema is a representation of something else (a story, or screenplay), played out by actors pretending to be characters. In a decade or two or repackaging, you would have a copy of a copy of a copy of a simulacra. The result, according to Baudrillard’s book, is a decay of meaning through each additional simulacrum.

And maybe that’s just it. Baudrillard’s decay of meaning makes the reboot less effective — people don’t bother to see a fourth or fifth reboot of Teenage Mutant Turtles. At some point it just couldn’t be that different, right? So if the reboot carries no value, it makes it unmarketable by Hollywood to sell. Perhaps at this point all reboots are done away with and there is only original content. A child born in 2030 could have three or four versions of the same franchise to watch, and with so much selection why go to the theater to see that fifth version?

Then again, the “Greatest Story Ever Told,” the birth and death of Jesus Christ, remains a popular adaptation to make over and over since Griffith’s Intolerance (1916) . If Spider-Man and other superheroes are a post-modern, cinematic parallel to Christ, then perhaps their stories too will always be remade over and over.

 

Jodorowsky’s new film ENDLESS POETRY (Poesía Sin Fin)

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By Satori Films

Source: Kickstarter

Alejandro Jodorowsky, father of the midnight movie, wants to exchange your money into Poetic Money to make his latest film.

About this project

I was trying not to prepare anything. I didn’t want to prepare what I was going to say to you. Why? Because I am searching for my inner truth, I want to know what will I say. In two more days I will be 86 years old… it’s a lot. Why, at 86 years of age, am I fighting to make a picture? Why? Nothing is that important for me. Is it so important for a person who can die one day to the other, to make a picture? Because when you are 86 years old, every morning you awake and you say “I am still alive”. You are happy to be alive but you are maybe at the end of something. Why make a picture? What is a picture? Some pictures are only fun and show. It’s necessary, because in the world we are all nervous about everything that’s happening, no? They even say we are destroying the planet. So we need to go, to see a picture, to forget ourselves. Perhaps this is necessary, but for me a picture is not that. For me a picture is for remembering your self, not for forgetting yourself. But what does it mean to remember your self? What can we remember? For me, movies are really an art. And what is art? It is the search for your inner beauty. That is art. I don’t want to make a picture in order to make money. But if money comes, I open the pocket in order to make more pictures. But that’s not the finality. It’s not the finality to being admired by others. It’s not the finality to lie and invent things you’ve never lived.

In order to say something you need to know the thing you’re speaking of. It needs to be an experience, what you show on the screen. What will I show in this picture? What are human beings, art, museums and movie theatres showing to us? Are we those anti-heroes? Those people who have no dignity? We are slaves? We are liars? Thieves? What are we now? I don’t want to show that kind of person. I don’t know how to make pictures of everyone fighting one another, to have money, to steal money Why ?! I don’t want to speak about “love” either; about this “love” that isn’t real, that’s a fairytale. Love is something great, incredible, “sublime”… I don’t know how you say “sublime” in English… The most beautiful thing. Marpa was a saint in Tibet and he said “ Life, everything, is an illusion”. One day his son died, his young son died and he was crying and crying and crying and the disciples asked Marpa “Why are you crying? Your son is an illusion.” “Yes, my son is an illusion. But he is the most beautiful illusion.” Movies are an illusion but need to be the most beautiful illusion. I know what it’s like to scream because one of your sons died. It’s terrible. It’s terrible And in that moment you ask yourself, “ Why am I doing art, movies? Why?!” and then you say I am making movies and art in order to heal my soul. I need to open! Open ! open ! myself, in order to fin myself. To remember what the human being is. The beautifulness of the human being. The beautifulness of you. I need to show how beautiful the human being is. Now.

In Chile, in the forties, I was 24 years old… it was a fantastic moment. The war was all over the planet, and in Chile : no war. Because we are far and separate of the world: no television, mountains, ocean, peace! It was so peaceful. It was beautiful. And then a miracle happened : Poetry came to the country. Great poets started to write marvelous, marvelous poems; two of them have the Nobel Prize, Pablo Neruda and Gabriela Mistral – our father and our mother.

And then, everything was poetry. We were living our adolescence in this situation: poetry everywhere. And we started to search for the “poetical act”. For how it was to live with beautifulness. How it was to live in the mind: free! In heart : in union with world. In the sex: in full creativity.

How to make poetical action in order to discover the beautifulness of Life. There it was. In that time, the poetry was there. The human being was there. We had love, we had artists, we discovered all kinds of art.

And that suddenly disappeared. When I was 24 I left this paradise, and went to Europe where the world is illusion or disillusion, you don’t know.

But now I want to show what a spiritual paradise is: a young person, searching for the beautifulness of poetry. That is all that I want. I want to express… how to say it in English?… How I am obliged to this past… because I knew how it was to live in poetry. I knew that. And I want to show the world that it’s possible. It’s possible to remember your self. It’s possible to open your mind. It’s possible to open your heart. It’s possible to open your creativity. To live with less, but to live well. Well. That is what I want. Poetry without end. Endless Poetry. That is what I will do.

 

ENDLESS POETRY(Poesía Sin Fin) Official site: http://www.poesiasinfin.com/

After a 23 yearlong absence, the director of cult classics El Topo (1969) and Holy Mountain (1973) made his comeback in film direction in 2013 with The Dance of Reality. The film was based on the first part of Alejandro Jodorowsky’s homonymous autobiographical book, depicting his childhood years in Tocopilla, Chile. His new film ENDLESS POETRY (Poesía Sin Fin) will be based on the latter half of the same book, depicting the author’s youth in lively Santiago de Chile.

Our world is suffering from a devastating absence of poetry. Naïvely we sometimes hope to reconnect with it through film. But the greed-riddled industry, having colonized this magnificent art form, has done everything to strip it of its poetic power. With this film, Jodorowsky directs his energy more than ever into creating a film that can serve as a vehicle for awaking consciousness. It is our duty to enable all efforts to fight the powers that insist on lowering cinema to just a product in a commercial market. This film will bring forth an example of film’s poetic power.

ENDLESS POETRY (Poesía Sin Fin) flashes back to those decisive years in Alejandro Jodorowsky’s youth; years that defined the principle that would reign over his entire life: Poetry. The director’s life has been a constant effort to expand his imagination and push back against his own limits in order to apprehend and harness the potential for liberation that lies within each and every one of us. His career has been an open invitation to follow him in his efforts.

ENDLESS POETRY (Poesía Sin Fin) will be carried out as an offering both to film and to the general audience, who are infinitely more profound, intelligent and sensitive than the Hollywood industry would like to admit.

ENDLESS POETRY (Poesía Sin Fin) explores the magic reality underlying our surrounding world. The film seeks to inspire and encourage us all to dare to find our true selves. It is an invitation to Life.

Synopsis

Leaving his childhood and his native Tocopilla behind, the adolescent Alejandro Jodorowsky follows his parents to Santiago de Chile. Between his lack of self-confidence and the family pressure he is under, Alejandro struggles to express his desires and find his own path. But the flourishing capital, filled with artists and poets offers the perfect setting for him to grow out of his cage. Thinking he’d fit in well, Alejandro’s cousin Ricardo takes the young boy to the home of Veronica and Carmen Cereceda, where puppeteers, dancers, sculptors and painters all live and create together. There, defying all of his old limitations, Alejandro takes the first step on his path to becoming a poet in the Chilean artistic epicenter of the 1940s. Alongside rising poets like Enrique Linh, Nicanor Parra and in the arms of his first love, Stella Diaz, Alejandro’s poetic destiny takes form and a new world unravels … changing his life forever.

Production Schedule and Budget

The film will be shot in Santiago de Chile from July to August 2015 for eight weeks. Its post-production such as editing, music tracks, visual effects and so forth will take place in Paris and Tokyo with completion slated for the end of February 2016. The total buget will be about three million dollars.

Why Kickstarter?

Alejandro Jodorowsky says; « The necessity for expression is more important than the type of film you want to make. I make a film when I have something I need to express. I don’t think about investors, industries or commercialisation. I just need to express myself.

In order to realize Jodorowsky’s new film production, we need the support of micro producers across the world who understand his vision of cinema.

Jodorowsky’s Poetic Money

Jodorowsky thinks that all money should be transformed into poetry. And so that is what he will do with this Kickstarter project. No matter what level you pledge at, Jodorowsky will exchange your pledge into his brand new Poetic Money (DINERO POÉTICO) and send it back to you. This money can’t be spent on any material goods — only on the poetry of the universe.

The exchange rate is 1US$=1DP.

(In the case of $10,000 or more pledge, it is 0.5US$=1DP)

There are 3 bill denominations: 1DP, 10DP and 100DP. Each bill has an original money-related poem written by Jodorowsky printed on it in Spanish. There are two versions of each DP bill, each version of the bill presenting a different poem. There are 6 kinds of bills in total.

Jodorowsky wants to fill the world with poetry. So when you pledge, please mumble a poem in your heart. If you have a twitter account, please tweet a poem with #EndlessPoetryMyPoem. Your poem will be on the official site of ENDLESS POETRY (Poesía Sin Fin).

Jodorowsky’s Poems About Money and Wealth

 <1 Dinero Poético>

1 dinero poético – A
Money is like the Buddha; you can’t obtain it unless you work for it. If you keep it from flowing, it disappears.

1 dinero poético – B
To those who use it to make the flower of the world blossom, money gives its light. Those who glorify themselves, mistaking wealth for the soul, money destroys.

<10 Dinero Poético>

10 dinero poético – A
In pursuance of wealth I throw a spear through the Goddess and bathe in her blood.

10 dinero poético – B
Just as gold does not cease to shine when clouds cover the sun, the soul, beneath flesh and bone, continues to glow with its own light.

<100 Dinero Poético>

100 dinero poético – A
There is no difference between money and consciousness.
There is no difference between consciousness and death.
There is no difference between death and wealth.

100 dinero poético – B
Money is like blood: it gives life if it flows.
Money is like the Christ: it blesses you if you share it.
Money is like a woman: it offers itself to you if you cherish it.

Read more and/or back the project at Jodorowsky’s Kickstarter Page.

 

Malcolm X Was Right About America

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(Editors note: Tomorrow marks the 50th anniversary of the passing of Malcolm X. The venerated activist would surely have approved of Hedges’ radical appraisal of his philosophy and principles.)

By Chris Hedges

Source: Axis of Logic

Malcolm X, unlike Martin Luther King Jr., did not believe America had a conscience. For him there was no great tension between the lofty ideals of the nation—which he said were a sham—and the failure to deliver justice to blacks. He, perhaps better than King, understood the inner workings of empire. He had no hope that those who managed empire would ever get in touch with their better selves to build a country free of exploitation and injustice. He argued that from the arrival of the first slave ship to the appearance of our vast archipelago of prisons and our squalid, urban internal colonies where the poor are trapped and abused, the American empire was unrelentingly hostile to those Frantz Fanon called “the wretched of the earth.” This, Malcolm knew, would not change until the empire was destroyed.

“It is impossible for capitalism to survive, primarily because the system of capitalism needs some blood to suck,” Malcolm said. “Capitalism used to be like an eagle, but now it’s more like a vulture. It used to be strong enough to go and suck anybody’s blood whether they were strong or not. But now it has become more cowardly, like the vulture, and it can only suck the blood of the helpless. As the nations of the world free themselves, then capitalism has less victims, less to suck, and it becomes weaker and weaker. It’s only a matter of time in my opinion before it will collapse completely.”

King was able to achieve a legal victory through the civil rights movement, portrayed in the new film “Selma.” But he failed to bring about economic justice and thwart the rapacious appetite of the war machine that he was acutely aware was responsible for empire’s abuse of the oppressed at home and abroad. And 50 years after Malcolm X was assassinated in the Audubon Ballroom in Harlem by hit men from the Nation of Islam, it is clear that he, not King, was right. We are the nation Malcolm knew us to be. Human beings can be redeemed. Empires cannot. Our refusal to face the truth about empire, our refusal to defy the multitudinous crimes and atrocities of empire, has brought about the nightmare Malcolm predicted. And as the Digital Age and our post-literate society implant a terrifying historical amnesia, these crimes are erased as swiftly as they are committed.

“Sometimes, I have dared to dream … that one day, history may even say that my voice—which disturbed the white man’s smugness, and his arrogance, and his complacency—that my voice helped to save America from a grave, possibly even fatal catastrophe,” Malcolm wrote.

The integration of elites of color, including Barack Obama, into the upper echelons of institutional and political structures has done nothing to blunt the predatory nature of empire. Identity and gender politics—we are about to be sold a woman president in the form of Hillary Clinton—have fostered, as Malcolm understood, fraud and theft by Wall Street, the evisceration of our civil liberties, the misery of an underclass in which half of all public school children live in poverty, the expansion of our imperial wars and the deep and perhaps fatal exploitation of the ecosystem. And until we heed Malcolm X, until we grapple with the truth about the self-destruction that lies at the heart of empire, the victims, at home and abroad, will mount. Malcolm, like James Baldwin, understood that only by facing the truth about who we are as members of an imperial power can people of color, along with whites, be liberated. This truth is bitter and painful. It requires an acknowledgment of our capacity for evil, injustice and exploitation, and it demands repentance. But we cling like giddy children to the lies we tell ourselves about ourselves. We refuse to grow up. And because of these lies, perpetrated across the cultural and political spectrum, liberation has not taken place. Empire devours us all.

“We’re anti-evil, anti-oppression, anti-lynching,” Malcolm said. “You can’t be anti- those things unless you’re also anti- the oppressor and the lyncher. You can’t be anti-slavery and pro-slavemaster; you can’t be anti-crime and pro-criminal. In fact, Mr. Muhammad teaches that if the present generation of whites would study their own race in the light of true history, they would be anti-white themselves.”

Malcolm once said that, had he been a middle-class black who was encouraged to go to law school, rather than a poor child in a detention home who dropped out of school at 15, “I would today probably be among some city’s professional black bourgeoisie, sipping cocktails and palming myself off as a community spokesman for and leader of the suffering black masses, while my primary concern would be to grab a few more crumbs from the groaning board of the two-faced whites with whom they’re begging to ‘integrate.’ ”

Malcolm’s family, struggling and poor, was callously ripped apart by state agencies in a pattern that remains unchanged. The courts, substandard schooling, roach-filled apartments, fear, humiliation, despair, poverty, greedy bankers, abusive employers, police, jails and probation officers did their work then as they do it now. Malcolm saw racial integration as a politically sterile game, one played by a black middle class anxious to sell its soul as an enabler of empire and capitalism. “The man who tosses worms in the river,” Malcolm said, “isn’t necessarily a friend of the fish. All the fish who take him for a friend, who think the worm’s got no hook on it, usually end up in the frying pan.” He related to the apocalyptic battles in the Book of Revelation where the persecuted rise up in revolt against the wicked.

“Martin [Luther King Jr.] doesn’t have the revolutionary fire that Malcolm had until the very end of his life,” Cornel West says in his book with Christa Buschendorf, “Black Prophetic Fire.” “And by revolutionary fire I mean understanding the system under which we live, the capitalist system, the imperial tentacles, the American empire, the disregard for life, the willingness to violate law, be it international law or domestic law. Malcolm understood that from very early on, and it hit Martin so hard that he does become a revolutionary in his own moral way later in his short life, whereas Malcolm had the revolutionary fire so early in his life.”

There are three great books on Malcolm X: “The Autobiography of Malcolm X: As Told to Alex Haley,” “The Death and Life of Malcolm X” by Peter Goldman and “Martin & Malcolm & America: A Dream or a Nightmare” by James H. Cone.

On Friday I met Goldman—who as a reporter for a St. Louis newspaper and later for Newsweek knew and covered Malcolm—in a New York City cafe. Goldman was part of a tiny circle of white reporters Malcolm respected, including Charles Silberman of Fortune and M.S. “Mike” Handler of The New York Times, who Malcolm once said had “none of the usual prejudices or sentimentalities about black people.”

Goldman and his wife, Helen Dudar, who also was a reporter, first met Malcolm in 1962 at the Shabazz Frosti Kreem, a Black Muslim luncheonette in St. Louis’ north-side ghetto. At that meeting Malcolm poured some cream into his coffee. “Coffee is the only thing I liked integrated,” he commented. He went on: “The average Negro doesn’t even let another Negro know what he thinks, he’s so mistrusting. He’s an acrobat. He had to be to survive in this civilization. But by me being a Muslim, I’m black first—my sympathies are black, my allegiance is black, my whole objectives are black. By me being a Muslim, I’m not interested in being American, because America has never been interested in me.”

He told Goldman and Dudar: “We don’t hate. The white man has a guilt complex—he knows he’s done wrong. He knows that if he had undergone at our hands what we have undergone at his, he would hate us.” When Goldman told Malcolm he believed in a single society in which race did not matter Malcolm said sharply: “You’re dealing in fantasy. You’ve got to deal in facts.”

Goldman remembered, “He was the messenger who brought us the bad news, and nobody wanted to hear it.” Despite the “bad news” at that first meeting, Goldman would go on to have several more interviews with him, interviews that often lasted two or three hours. The writer now credits Malcolm for his “re-education.”

Goldman was struck from the beginning by Malcolm’s unfailing courtesy, his dazzling smile, his moral probity, his courage and, surprisingly, his gentleness. Goldman mentions the day that psychologist and writer Kenneth B. Clark and his wife escorted a group of high school students, most of them white, to meet Malcolm. They arrived to find him surrounded by reporters. Mrs. Clark, feeling that meeting with reporters was probably more important, told Malcolm the teenagers would wait. “The important thing is these kids,” Malcolm said to the Clarks as he called the students forward. “He didn’t see a difference between white kids and kids,” Kenneth Clark is quoted as saying in Goldman’s book.

James Baldwin too wrote of Malcolm’s deep sensitivity. He and Malcolm were on a radio program in 1961 with a young civil rights activist who had just returned from the South. “If you are an American citizen,” Baldwin remembered Malcolm asking the young man, “why have you got to fight for your rights as a citizen? To be a citizen means that you have the rights of a citizen. If you haven’t got the rights of a citizen, then you’re not a citizen.” “It’s not as simple as that,” the young man answered. “Why not?” Malcolm asked.

During the exchange, Baldwin wrote, “Malcolm understood that child and talked to him as though he was talking to a younger brother, and with that same watchful attention. What most struck me was that he was not at all trying to proselytize the child: he was trying to make him think. … I will never forget Malcolm and that child facing each other, and Malcolm’s extraordinary gentleness. And that’s the truth about Malcolm: he was one of the gentlest people I have ever met.”

“One of Malcolm’s many lines that I liked was ‘I am the man you think you are,’ ” Goldman said. “What he meant by that was if you hit me I would hit you back. But over the period of my acquaintance with him I came to believe it also meant if you respect me I will respect you back.”

Cone amplifies this point in “Martin & Malcolm & America”:

Malcolm X is the best medicine against genocide. He showed us by example and prophetic preaching that one does not have to stay in the mud. We can wake up; we can stand up; and we can take that long walk toward freedom. Freedom is first and foremost an inner recognition of self-respect, a knowledge that one was not put on this earth to be a nobody. Using drugs and killing each other are the worst forms of nobodyness. Our forefathers fought against great odds (slavery, lynching, and segregation), but they did not self-destruct. Some died fighting, and others, inspired by their example, kept moving toward the promised land of freedom, singing ‘we ain’t gonna let nobody turn us around.’ African-Americans can do the same today. We can fight for our dignity and self-respect. To be proud to be black does not mean being against white people, unless whites are against respecting the humanity of blacks. Malcolm was not against whites; he was for blacks and against their exploitation.

Goldman lamented the loss of voices such as Malcolm’s, voices steeped in an understanding of our historical and cultural truths and endowed with the courage to speak these truths in public.

“We don’t read anymore,” Goldman said. “We don’t learn anymore. History is disappearing. People talk about living in the moment as if it is a virtue. It is a horrible vice. Between the twitterverse and the 24-hour cable news cycle our history keeps disappearing. History is something boring that you had to endure in high school and then you are rid of it. Then you go to college and study finance, accounting, business management or computer science. There are damn few liberal arts majors left. And this has erased our history. The larger figure in the ’60s was, of course, King. But what the huge majority of Americans know about King is [only] that he made a speech where he said ‘I have a dream’ and that his name is attached to a day off.”

Malcolm, like King, understood the cost of being a prophet. The two men daily faced down this cost.

Malcolm, as Goldman writes, met with the reporter Claude Lewis not long before his Feb. 21, 1965, murder. He had already experienced several attempts on his life.

“This is an era of hypocrisy,” he told Lewis. “When white folks pretend that they want Negroes to be free, and Negroes pretend to white folks that they really believe that white folks want ’em to be free, it’s an era of hypocrisy, brother. You fool me and I fool you. You pretend that you’re my brother, and I pretend that I really believe you believe you’re my brother.”

He told Lewis he would never reach old age. “If you read, you’ll find that very few people who think like I think live long enough to get old. When I say by any means necessary, I mean it with all my heart, my mind and my soul. A black man should give his life to be free, and he should also be able, be willing to take the life of those who want to take his. When you really think like that, you don’t live long.”

Lewis asked him how he wanted to be remembered. “Sincere,” Malcolm said. “In whatever I did or do. Even if I made mistakes, they were made in sincerity. If I’m wrong, I’m wrong in sincerity. I think that the best thing that a person can be is sincere.”

“The price of freedom,” Malcolm said shortly before he was killed, “is death.”

Life in the Algorithm

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By Douglas Haddow

Source: Adbusters

The searches we make, the news we read, the dates we go on, the advertisements we see, the products we buy and the music we listen to. The stock market. The surveillance society. The police state, and the drones. All guided by a force we never see and few understand.

A series of calculation procedures that come together to constitute capitalism’s secret ingredient — the all holy algorithm, that which binds and optimizes. Those strange numerical gods who decide whether or not you’re a terrorist and what kids’ toy is going to set the market on fire this Christmas. But what are they, where did they come from and how did they get so powerful?

Algorithms are not new. You can trace their origin all the way back to a 9th century Persian mathematician by the name of Muhammad ibn Musa al–Khwarizmi (Algoritmi in Latin) from whom the word derives its name. Then there was Abu Yusaf Ya’qub ibn Ishaq al–Kindi, a contemporary of al–Khwarizmi’s at Baghdad’s House of Wisdom. He discovered and developed the science of frequency analysis, or code–breaking, providing a basis for code breaker Alan Turing to develop his Turing Machine, the theoretical prototype for the 9 billion devices currently sending and receiving signals through the Internet.

When we talk about algorithms, when they come up in conversation, often tied to latent and emerging fears, we’re not talking about the mathematical models behind them, we’re talking about the models that the models were modeled on. Most people have never heard of a polytope, Boolean Logic or the Hirsch Conjecture. But everyone has a credit score, whether they like it or not.

If we want to interrogate the true nature of these numbers, the wizard behind the ghost in the machine, we need to look no further than Adam Smith, that dour Scot who lived with his mum and accidentally created the modern world.

Smith was neither a modernist nor a cosmopolitan. He was an absent’minded hermit who never married, had few friends, suffered from alternating fits of depression and hypochondria, travelled outside Britain on just one occasion and demanded that all his personal writing be burned upon his death. He was the supreme king of unintended consequences, a humble and misunderstood moral philosopher who became the patron saint of greed.

Most famously, and most tragically, Smith was an ambitious writer who got a bit flowery with his language on occasion, and, as a result, his entire legacy was reduced to two words: invisible and hand. As in, the Invisible Hand — that mysterious market force that secretly and surreptitiously guides all our actions and decisions. Or so we’ve been told.

In The Wealth of Nations, the blueprint for what became known as capitalism, Smith drops the phrase but once. It’s situated in a rather dry discussion on trade policy and is used as a metaphor in a straightforward critique of mercantilism’s excessive restrictions.

And that’s it. Just a cursory metaphor used for poetic flourish in an otherwise obscure and forgettable passage. And for the 150 years that followed the book’s publication, that’s exactly what it was — obscure and forgotten. Smith didn’t mention it, his contemporaries didn’t mention it, nor did his critics. Nary a soul on Earth repeated those two words or paid them any heed.

That is, until 1948, when everything changes.

If you look at a Google NGRAM chart of “invisible hand,” you’ll see that there was little to no interest in the phrase up until the 1930s and ’40s, at which point it begins to bubble up a bit, gaining traction in a few peripheral spheres here and there. Then in ’48, Chicago School economist Paul Samuelson writes a book called Economics: An Introductory Analysis, which would go on to become the best–selling economics book of all time.

In his book, Samuelson grabs hold of Smith’s wordplay and freebases meaning from it until a mere metaphor mutates into the economic doctrine that would define the shape and form of global finance for the remainder of the century, and beyond.

“Every individual, in pursuing only his own selfish good, was led, as if by an invisible hand, to achieve the best good for all, so that any interference with free competition by government was almost certain to be injurious,” writes Samuelson. And with that, not only is it justifiable to be callous in the pursuit of wealth, your callousness will somehow, vis–à–vis the invisible hand, uplift those you trample on your way to the top.

Picture Gordon Gekko, hair trickling with high–end product, walking with the gait of limitless sprezzatura, saying, “Greed is right, greed works. Greed clarifies, cuts through and captures the essence of the evolutionary spirit. Greed, in all of its forms; greed for life, for money, for love, knowledge has marked the upward surge of mankind.”

Samuelson would later go on to regret the liberties he took with Smith’s words, but the meme had already been injected into the passive hive mind of economics. What followed was a long and tangled game of economic telephone wherein Smith’s fatalistic conceit gradually took on mythical qualities. From turn of phrase to doctrine, from doctrine to dogma, from dogma to metaphysical law. The invisible hand became the celestial justification of the free market and the economic rationalist’s negation of anything that stood in its way.

Austrian economist Friedrich Hayek even went so far as to develop an entire theory of human interaction based on the myth. It was called Catallactics, and proposed that we did not live within an economy, but rather, a Catallaxy — a complex and self–organizing system in which every individual sent out a constant stream of complex signals that mixed to create overall market behavior.

Knowledge, Hayek argued, was distributed on an individual level, each person containing their own fraction of the whole.

The vast repository of human knowledge was inherently decentralized. Because of this, no central body or government agency could ever hope to contain enough of it to know what was really going on. But if allowed to move freely without meddling, these messages would come together to create order and equilibrium in the market.

This, he argued, is why the government should never meddle in the market. And why order could never be “planned,” and was instead “brought about by the mutual adjustment of many individual economies in a market.” As long as the signals, our private info–snowflakes, could float freely, the market would reach equilibrium.

Through Hayek, dogma became revelation — the invisible hand was not merely a magical presence promising equilibrium, it was also pointing us toward a not–too–distant utopia. And if we didn’t follow the hand? Oppression and despair would follow mankind into a dark hole of tyranny.

Hayek’s ideas spread swiftly through a series of think tanks connected to his economic clique, The Mont Pelerin Society, which counted Karl Popper, Ludwig von Mises and, of course, who else but Milton Friedman among its members. Together they successfully launched what we now call “neoliberalism” into the political consciousness.

Neoliberalism found its champions in Margaret Thatcher and Ronald Reagan. Thatcher regularly corresponded with Hayek and used the slogan There Is No Alternative (TINA) to explain her affection for its concepts. Reagan hired Friedman to be his economic advisor. And together they carried out an economic revolution that smashed trade unions and deregulated and privatized anything and everything that could be guillotined. From this axis of Anglos, it spread to other parts of the Commonwealth, then to Europe, Asia, South America and beyond.

But no matter how much they stripped away government meddling, somehow the “abstract signals” still weren’t getting through. The hand remained clenched and crises endemic. Asia, Argentina, the Eurozone, the 2008 meltdown, the flash crash. The market continually failing to magically self–correct and achieve equilibrium.

The faithful kept their faith and stuck to the program. The crisis, both economic and existential, were met with a recommitment to the faith in the form of austerity and technology and the dream persisted.

The problem was obvious to anyone outside the neoliberal thought–bubble: the invisible hand wasn’t real and it didn’t exist. It never had existed. It wasn’t just invisible, but immaterial, made from the twisted fantasies of economists obsessed with achieving an impossible “equilibrium.” You couldn’t touch it, and it couldn’t touch you.
Until now.

In 2010, when the Dow Jones Industrial dropped 1000 points in under a minute, the biggest one–day point decline in history, it received far less attention then it deserved, because everything returned to normal a few seconds later. Now, miniature flash crashes occur constantly throughout the day. But this crash was a turning point, demonstrating that something had changed. That something was that the neoliberals had achieved what communists, socialists and Christians never could: they made their god real, and in doing so, achieved their utopia. They just didn’t let the rest of us in on it.

The critical flaw in Hayek’s vision of the hand was that a “central body” could never gather enough information. We know this to be untrue, and with big data and the analysis and manipulation of that data through algorithmic equation, the missing link between money and the machine was discovered.

The searches we make, the news we read, the dates we go on, the advertisements we see, the products we buy and the music we listen to. The stock market … All informed by this marriage between mathematics and capital, all working together in perfect harmony to achieve a singular goal — equilibrium. But it’s a curious sort of equilibrium. Less to do with the relationship between supply and demand, and more about the man and the market.

All these algorithms we encounter throughout the day, they’re working toward a greater goal: solving problems and learning how to think. Like the advent and rise of high–frequency trading, they’re part of an optimization trend that leads to a strange brand of perfection: automated profit.

And their current day use, no matter how impressive the specs, is still rooted in 7th century code–breaking. Only now it’s about breaking our individual codes. Throughout the day we send out thousands of our own individual abstract signals and the algorithms figure out how best to streamline our existence into the market’s needs. We’re all just cyphers waiting to get cracked.

This is not the stuff of Orwell and Huxley, but Amazon and the NSA.

There is an overwhelming feeling of inevitability surrounding all of this. With computational capacity still threatening to double every two years, the algorithmic estate will continue to expand and become more sophisticated. All of this development, testing and research is leading to a predictable outcome. Given that they are leading investment and research in the sector, Wall Street financiers will develop the world’s first fully functioning Artificial Intelligence.

If any of this feels inevitable, it’s because it was designed to make us feel that way. If the algorithms that organize the world of money were turned on their head and used to analyze the defects in their guiding philosophy, they would shred it all on one razor sharp fact: the world beyond the market is still a real one. And no matter how sophisticated the math, how brilliant the AI, we will always be living in it.

Outside of The Wealth of Nations, Smith employed the Invisible Hand concept on only two other occasions. Once in his Theory of Moral Sentiments, where he slags off the rich, and the other in the History of Astronomy, where he says:

For it may be observed, that in all Polytheistic religions, among savages, as well as in the early ages of Heathen antiquity, it is the irregular events of nature only that are ascribed to the agency and power of their gods. Fire burns, and water refreshes; heavy bodies descend, and lighter substances fly upwards, by the necessity of their own nature; the invisible hand of Jupiter was never apprehended to be employed in those matters.

These days, the “savages” kick back, polish their yachts and let the machines do their thinking for them. Their god is a primitive and cruel one. Worse yet, it lacks imagination. The future it sees is just an optimized version of the present. Everything that falls within its gaze is predictable, because mathematical sequences are predictable. What remains to be seen is whether or not human beings are as predictable as the machines think we are.

How to Reclaim your Mind and Life from the Cultural Engineers

terence_piv

By Paul Fassa

Source: RealFarmacy.com

“We tend to disempower ourselves. We tend to believe that we don’t matter. And in the act of taking that idea to ourselves we give everything away to somebody else, to something else.”
– Terence McKenna [1]

Terence Kemp McKenna (November 16, 1946 – April 3, 2000) was a philosopher, social critic, psychonaut, ethnobotanist, lecturer, writer who authored several books. He examined, deconstructed and expounded on a variety of subjects, including: plant-based entheogens, shamanism, metaphysics, psychedelic drugs, epistemology, alchemy, language, culture, technology and theories about the origins of human consciousness. He created a mathematical theory of time (novelty theory) based on patterns found in the I Ching. [1]

In this short video Terence McKenna explains the necessity reclaiming your mind and creativity from a dying, materialistic consumer oriented society.

“We have to stop consuming our culture. We have to create culture.” –Terrance McKenna [1]

It’s easy to get lost in the noise and hub of the daily grind – dead end jobs, UN-fulfilling careers, relentless consumerism and the constant drone like buzz of the big brother mind control media matrix.

The mass media’s [2] primary purpose and expertise is shaping and programming the “herd” mind with a steady stream of mostly dubious, fear based information overload combined with a cynical parade of buy this NOW advertising.

To say human consciousness has been commercialized is an enormous understatement. Just as day follows night, mass commodification of nature results in the commodification  of human consciousness.

The cultural engineers are obsessed with turning everything into things including people. The predominant value or worth of a person  is based primarily on how many things they can produce directly or indirectly and how many things they own and consume. The sacred intrinsic, non-temporal value of one’s soul is disregarded in favor of the culture’s contrived materialistic value system, which is centered on perishable commodities.

Under these conditions the soul is reified. To reify is to regard (something abstract) as a material or concrete thing. The sacred, inner life of the individual is systemically marginalized and crushed, ensuring  the majority will unblinkingly sell their soul to the externalized value system, which is by design seamlessly interlocked with survival and success on all levels.

“Within this totally jaded society the “individual” had little chance. In fact, his only hope was to escape in some fashion, perhaps into the woods where a person could rediscover the fundamental truths that nature revealed, or into hallucinogenic drugs that pushed the mind past the limitations drilled into it by education and upbringing, or into a completely different lifestyle grounded on more humane and authentic values.” [3]

For those who desire an authentic life created from the inside out and not the other way around, here are some steps that can help you reclaim your mind and life from the cultural engineers.

The burning question is do you really want to reclaim your mind from the gaudy over-commercialized, technological barbarism euphemistically referred to as a consumer oriented society. Are you finally bored with exploitative greed and debt slave materialism? You should be. Why?

“You are a divine being. You matter, you count. You come from realms of unimaginable power and light, and you will return to those realms.”
– Terence McKenna [1]

Assuming you’re ready to leap over the rotting corpse called modern culture and its Kafkaesque matrix society, unfasten your seat-belt and take a deep breath as we take a spin down the road rarely traveled. It’s an esoteric path that takes you back to the source of your creative spirit, intuitive wisdom and your unique connection to all that is or ever will be.

Obviously, a critical first step on this journey into the unknown is to resolutely refuse to be a compliant consumer of ideas, things, and dis-empowering belief systems. Be ready to break the chains of your conceptual prison and be willing to view life from the cracks that exist between ideas. The objective is to have a clear view of reality without the distorting lens of preconceived notions of our “borrowed” reality.

Also, you’ll begin to critically reexamine all the deeply held values that were inserted into your impressionable mind and soul at a very young age before you had the option to critically examine each value in the light and depth of your own consciousness. Unfortunately, at any age the saturation effect of the mass media can instill false values and a substitute reality.

“Personal empowerment means deconditioning yourself from the values and the programs of the society and putting your own values and programs in place.”
– Terence McKenna [1]

 

The primary tool of the cultural engineers use to control the masses is the media. In fact, for most the media is reality. The media actually creates reality; it does not merely reflect it.

How the media creates our reality:

“… television cultivates a perception of reality among its viewers. . . . “television … has acquired such a central place in daily life that it dominates our symbolic environment, substituting its message about reality for personal experience and other means of knowing about the world.” [2]

2 Simple Methods to Help You Reclaim Your Mind and Your Life:

“My technique is don’t believe anything. If you believe in something, you are automatically precluded from believing its opposite.”
– Terence McKenna [1]

 

One very practical method for discovering and occupying the unconditioned space between thoughts is by using an ancient Buddhist practice called mindfulness. Jon Kabat-Zinn, PhD, is a scientist, writer, professor, lecturer and meditation teacher who brought mindfulness into the realm of mainstream medicine and society at large.

Zinn’s definition of mindfulness: “Mindfulness means paying attention in a particular way; On purpose, in the present moment, and non- judgmentally.”[3] You cultivate detachment and equanimity of mind regardless of what life throws at you. It really gets interesting when you are finally able to move into the present moment and respond directly to life situations as they occur opposed to reacting to them based on past conditioning.”

With practice, mindfulness enables you to take control of your attention via your intention so you can willfully move your awareness into that clear space of the present moment without interference from the conditioned mind.

Normally our attention automatically drifts and gets stuck in the same ruts and grooves that have already created strong, magnetic like impressions in your mind. This tendency creates a mind lock where the attention is effectively caged in the past and rarely has the opportunity to freshly explore the actual moment that is life that is occurring now. In other words, our attention and thus our life is stuck in the past because where we focus our attention is what our life becomes.

Essentially to break the chains of the past you need to practice anchoring your attention in the present moment. This is when you consciously move beyond your current life “story” perception template into reality directly- moment by moment.

From that operating viewpoint you are free to create your desired reality without dragging the burden of the past or anxiety about the future into the equation. If you ignore the mental noise and turn your attention inward you will eventually discover the expansive space that exists between thoughts.

That space is where the raw, unconditioned power and unfettered freedom to create is found. It’s a timeless reservoir of unlimited possibilities. It’s a no-mind that’s empty with potential. Some refer to it as the quantum mind.

This is where artists go when they want to create something fresh and free from cultural or personal clichés. Sages and shamans are familiar with this space as well. They go there to listen not to think. If they are really good listeners they share what they heard or saw for the benefit of others.

“Half the time you think your thinking you’re actually listening.”
– Terence McKenna [1]

Of course, Terence McKenna primarily relied on various psychedelics and marijuana to help him enter that sacred space beyond the conceptual realm; he was a dedicated psychonaut, but that’s not the only way.

Discover your Imagination

“If you don’t have a plan, you become part of somebody else’s plan.”
– Terence McKenna [1]

The best plan is to first get in touch with reality via direct experience – ditching the ingrained conceptual template your culture indoctrinated into you from birth. That’s when you can really start to harness the true power of your imagination and use it to intentionally create the personal reality you desire to walk into beyond prevailing ideologies. From the perspective of raw imagination there is no past or future, just now. And that is where your essential power lies, in the present moment.

Forget about slavishly following the yellow brick road – create your own experiential road show starting with your imagination. Venture beyond the  current ideological and spiritual constraints and institutionally sanctioned belief systems that tell you what reality is and decide to boldly experience reality directly and journey into terra incognita.

To create a new reality requires skillfully engaging your intention and imagination utilizing all the senses including: visual (seeing), auditory (hearing), kinesthetic (touch), olfactory (smelling) or even gustatory (tasting). Now with your imagination fully engaged, create a subtle imaginary version that exactly reflects your desired intention.  This is basically how one creates a new reality beyond past conditioning.

From a CNN article titled:

The power of perceptions: Imagining the reality you want

“What we are fighting for, Benjamin (Ruha Benjamin, sociology professor) says, is our imagination — the right to imagine a life and relationships and a social world that are happier, less anxious, more harmonious and more just. We are not being diligent enough or deliberate enough about cultivating our imagination. We have to fight, for the ability to imagine the world we want. Because one form of oppression is telling people that they’re not allowed [or can’t] to imagine something better and happier.”

“Either there are no illusions or everything is an illusion,” (…) “And given that we are pretty much all delusional, you might as well choose your delusion.” –  Beau Lotto, neuroscientist and artist[6]

Paul Fassa is a contributing staff writer for REALfarmacy.com. His pet peeves are the Medical Mafia’s control over health and the food industry and government regulatory agencies’ corruption. Paul’s valiant contributions to the health movement and global paradigm shift are world renowned. Visit his blog by following this link and follow him on Twitter here.

Sources:
[1] http://www.endalldisease.com/73-mindblowing-terence-mckenna-quotes/
[2] http://people.missouristate.edu/MichaelCarlie/what_I_learned_about/media.htm NOTE: The term “mass media” refers to the Internet, radio, television, commercial motion pictures, videos, CDs, and the press (newspapers, journals, and magazines) – what are referred to collectively as broadcast and print media.
[3] http://www.shmoop.com/1960s/culture.html
[4] http://www.webmd.com/jon-kabat-zinn (bio)
[5] http://www.wildmind.org/applied/daily-life/what-is-mindfulness
[6] http://www.cnn.com/2012/04/11/health/enayati-power-perceptions-imagination/

Decentralization and the Future World Order – Part I: The Revolution Is On

Bitcoin-Decentralized-World

Source: Thought Infection

A technological revolution is underway. An array of technologies are being developed that aim to do nothing less than disrupt the deepest fabric of the current world order. In a world where trust is power, decentralization steals the power from the hands of centralized institutions like corporations, banks, and even governments and puts it into the hands of the network. The revolution is beginning with a race to build the next generation of decentralized technologies that may soon replace internet giants like Dropbox or Facebook, but this is only the beginning of a transition to a future world order of decentralized power.

Lets start with a simple question: What is decentralization?

Many people equate decentralization with cryptographic networks like Bitcoin, which combine cryptography with decentralization, but decentralized applications do not inherently require encryption. The prototypical example of a modern decentralized technology would be Bittorrent, a technology with no inherent requirement for encryption. At its base, decentralization is the simple process of taking information and distributing copies among some sort of network so as to enhance data accessibility, security, redundancy, and congruence (consistency between parties).

The idea of decentralization is actually as old as communication itself. Cavemen would share their knowledge of hunting techniques and weapon technology among their tribe in order to be sure that the loss of no single individual would mean the loss of vital information. As humans created increasingly elaborate systems of exchange, organizations learned that keeping two or more copies of important documents was essential to ensuring their security.

The central problem of decentralization is that it also greatly increases the likelihood that information could fall into the hands of untrusted individuals. Thus, balancing the need for privacy and security meant finding a balance between centralized and decentralized structures for information sharing. To solve the age-old problem of privacy in shared information, cryptographic encoding or information was developed. Since at least Medieval times, people have been using simple ciphers to encode messages which they wished to share with only specific individuals.

In the 20th century, cryptography advanced greatly particularly during the world wars, when warring nations needed to be able to move around large amounts of information while preventing it from falling into the hands of the enemy. This spurned great innovations in both encryption and decryption, with both sides pouring resources into figuring out what their enemy was planning. It is widely believed, that the breaking of the Enigma code by British code-breakers which included one of the greatest minds of the 20th century, Alan Turing, was key to winning the war.

With the help of the universal computers Alan Turing helped invent, increasingly secure encryption algorithms were developed over the last half of the 20th century. Using these modern encryption algorithms, we can hide information well enough to confidently exchange sensitive financial information over a network which is essentially open (the internet). Thus, cryptography means that anyone eavesdropping on your web communications with your bank would have no way to understand the messages.

The Bitcoin blockchain is a distributed, encrypted ledger which stores the holdings of users of the network in individually encrypted data. This way, those using the network can be sure to agree on what amount of Bitcoin each user has, while only allowing those with the keys to be able to unlock their data and send some amount of Bitcoin to another user (see more here). Using the encrypted blockchain, Bitcoin is able to seamlessly transfer a limited supply of units of value between individuals in a way which does not rely on backing from any one central authority to provide value to the currency.

The core advance of the blockchain is that it allows the distribution of highly secure and highly congruent information throughout a network with no need for a centralizing authority.

As a side-thought, I would like to point out that although the software instantiation of the blockchain which underlies Bitcoin is totally dependent on digital computation, I see no reason a similar system based on mechanical encryption could not also be possible. Even if we never had invented computers I think we eventually would have come up with a sort of steam punk Bitcoin through which we could distribute value or congruent information using a cryptographic ledger system. 

Bittorrent was the first application to show that sharing of encrypted information over a decentralized network could be used to transfer value securely and efficiently, but there is no reason that decentralized technology could not be used to share any kind of information in a trustless network.

The MaidSafe and Storj projects have the ambitious goal of allowing anyone to share anything securely and efficiently over a decentralized network, something that could have deep consequences for the way that the internet works. If anyone can use the distributed network to share a website, then this could eliminate the needs for centralized servers which currently serve up websites when you visit them. Under these protocols, the cost of storing and sharing data with other users of the network who donate some part of their bandwidth and hard-drive space in exchange for the right to use the network. While some might worry that such a network would be used primarily for content piracy (as has been the case for Bittorrent), the integration of the Safecoin cryptocurrency with the MaidSafe network may actually make it easier than ever for content producers to monetize their content.

According to the project leader, both Maidsafe and Storj could be used to develop alternative, distributed versions of popular services such as Dropbox, Facebook, or even Google. Distributed versions of these centralized services could offer advantages for security and failure resistance. MaidSafe could also dramatically lower the barriers to entry for new players trying to compete such internet institutions as Facebook. While I have doubts whether the massive data-crunching necessary for Google could be pulled off on a decentralized network, a decentralized social network seems an obvious applications for MaidSafe.

Whereas MaidSafe, Storj and Bitcoin are specific applications of distributed technology, the Ethereum project aims to go much further and create a general distributed computer language on top of which anyone could easily develop an application like MaidSafe or Bitcoin. They are essentially trying to create a sort of decentralization operating system on top of which it would be possible to build any sort of program. By allowing the secure sharing of computer programs, Ethereum could allow the creation of advanced smart contracts with defined limits on how and when their funds could be disperse, or potentially even much more complex entities such a corporations.

2014 was a bit of a down year for Bitcoin, with coins falling from a value as high as $1000 to around $230 today. While this might be taken as a sign that the future of Bitcoin is in some danger, it is absolutely clear that it does not reflect at all on the wider cryptocurrency ecosystem. The ability to distribute trust through a network through the use of a Blockchain is a world changing technology, and the value of one currency does nothing to change its utility as a method of exchange. Saying that a drop in the price of bitcoin makes it irrelevant is like saying that the drop in the price of computer chips makes them irrelevant. Bitcoin is just the first in a series of decentralized applications that are already beginning to compete with centralized services.

Decentralization is becoming the gold standard for when you truly need to trust something, and in a world where trust is power it seems inevitable that decentralized technologies are destined to become the new nexus of power. In my next post I will discuss the past present and future of trust and power, and how that has been reshaped by decentralization.

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I would like to make a recommendation for a subreddit and a podcast that I think that those stimulated by this article might enjoy following, /r/Rad_Decentralization and the Decentralize Podcast

Edward Abbey’s FBI File

ed-abbey

(Editor’s note: in honor of author/activist Edward Abbey, who was born on this day in 1927, you can learn a little more about his life through this overview of the FBI’s file on the courageous iconoclast beginning in his college days followed by a short video essay filmed in Moab.)

By David Gessner

Source: Orion Magazine

THE FILE BEGINS in 1947, when Abbey, just twenty and freshly back from serving in the army in Europe, posts a type-written notice on the bulletin board at the State Teacher’s College in Pennsylvania. The note urges young men to send their draft cards to the president in protest of peacetime conscription, exhorting them to “emancipate themselves.” It is at this point that Abbey becomes “the subject of a communist index card” at the FBI, and from then until the end of his life the Bureau will keep track of where Abbey is residing. They will note when he heads west and when, as acting editor of the University of New Mexico’s literary magazine, The Thunderbird, he decides to print an issue with a cover emblazoned with the words: “Man will not be free until the last king is strangled with the entrails of the last priest!” The quote is from Diderot, but Abbey thinks it funnier to attribute the words to Louisa May Alcott. And so he quickly loses his editorship while the FBI adds a few more pages to his file. Also quoted in full in his files is a letter to the editor of the New Mexico Daily Lobo, in which he writes: “In this day of the cold war, which every day shows signs of becoming warmer, the individual who finds himself opposed to war is apt to feel very much out of step with his fellow citizens.” He then announces the need to form a group to “discuss implications and possibilities of resistance to war.”

The files contain interviews with fellow students and teachers at the University of New Mexico, who talk of Abbey’s “instability and poor judgment,” with one interviewee saying that, as an editor, Abbey showed “a stubborn ego, a taste for shocking the reader, a lack of maturity.” Abbey, according to other colleagues, was “indiscreet in his individualism” and “demonstrated a somewhat radical rebellious quality . . .” Though the interviews are mildly damning, no one questioned the subject’s loyalty to his country.

One wonders how Abbey would have fared these days. Would the FBI, or the NSA, have simply kept tabs on him or actually called him in for questioning? So many of his views, and so much of his personality, match just the sort of profile we have come to associate with our rather broad definition of domestic terrorism. It isn’t just his gun advocacy, or his monkey wrenching. It’s his belief that wilderness is a place where the last free men can retreat when the tyrants take over. He writes:

Democracy has always been a rare and fragile institution. . . . As social conflict tends to become more severe . . . there will inevitably be a tendency on the part of the authoritarian element—always present in our history—to suppress individual freedoms, to utilize the refined techniques of police surveillance (not excluding torture of course) in order to preserve—not wilderness!—but the status quo . . .

It’s a type of sentiment that anticipates our government’s reaction to 9/11. Thoreau said that under a government that unjustly imprisons its own, “the true place for the just man is also a prison.” Prison is exactly where Abbey’s monkey wrenching and FBI record might have landed him in today’s world.

Abbey’s beliefs in freedom and resistance, and his message of aggressive nonconformity, of screw-you freedom, were perfect for the ’60s and ’70s. But it’s hard to imagine that the same message would get a similar reaction today, or to see, at least at first, how his spirit might be adapted to fit our times. For instance, isn’t monkey wrenching dead as a legitimate possibility for the environmental movement? I must admit that in my own grown-up life as a professor and father I don’t blow a lot of things up. For most of us who care about the environment, Wallace Stegner provides a much more sensible model.

But I don’t want to be so quick to toss Abbey on the scrap heap. If the times have changed, Abbey’s ideas about freedom have in some ways never been more relevant. Many of the things that he foresaw have come to pass: we currently live in an age of unprecedented surveillance, where the government regularly reads our letters (now called e-mails) and monitors our movements. Abbey offers resistance to this. Resistance to the worst of our times, the constant encroaching on freedom and wildness. He says to us: Question them, question their authority. Don’t be so quick to give up the things you know are vital no matter what others say.

David Gessner is the author of nine books, including the forthcoming All the Wild That Remains: Edward Abbey, Wallace Stegner, and the American West from which this essay is adapted. He is the founder of the journal Ecotone.


Production notes by Ned Judge:
An eight minute film essay that I co-produced and directed with Ed Abbey in 1985. At the time I was working for a network magazine show. The executive producer took me to lunch one day. He told me that he was having trouble with his son who was 18. The son thought his dad was a corporate whore. He had told his father if he had any balls at all he’d put Ed Abbey on his show. That’s why the EP was talking to me. Would I see if it was possible? I had an acquaintance who knew Ed and he passed the request along. Ed responded that he’d give it a try. He signed the contract and wrote a script. We met in Moab and went out to Arches National Park to shoot some practice sessions with a home video camera. We would review them at the motel in the evening. After a day or two, Ed was feeling pretty comfortable on camera so we scheduled the shoot. We were all happy with the way it went. But then we ran head-on into network reality. Roger Mudd, the show’s host, was extremely negative about putting an “eco-terrorist” on the show. The executive producer had no choice but to cave. So this Abbey essay was put on the shelf and never aired. Abbey died 3 years later in March 1989.

Zombie Apocalypse and the Politics of Artificial Scarcity

By Colin Jenkins

Source: The Hampton Institute

cdc_zombie_attacksDystopian narratives have long been an alluring and thought-provoking form of entertainment, especially for those who take an interest in studying social and political structures. From classics like Nineteen Eighty-Four and Brave New World to the current hit, The Hunger Games, these stories play on our fears while simultaneously serving as warning signs for the future.

Their attractiveness within American society is not surprising. Our lives are driven by fear. Fear leads us to spend and consume; fear leads us to withdraw from our communities; and fear leads us to apathy regarding our own social and political processes. This fear is conditioned as much as it is natural. The ruling-class handbook, Machiavelli’s The Prince, made it clear: “Since love and fear can hardly exist together, if we must choose between them, it is far safer to be feared than loved.”

The idea of apocalypse is a central tenet of human society. We’ve been taught about Armageddon, Kali Yuga, Judgement Day, Yawm ad-Dīn, nuclear holocaust, the end times, the four horsemen, and the Sermon of the Seven Suns. Hierarchical societal arrangements leave us feeling powerless. Exploitative systems like capitalism leave us feeling hopeless. And the widespread deployment of fear ultimately keeps us in our place, and out of the business of those who own our worlds.

The last half-century has brought us the zombie apocalypse – a fictional world where the human race has largely been transformed into a brainless, subhuman hoard of flesh-eaters, with only a few random survivors left to carve out any semblance of life they can find in a barren landscape. The emergence and immense popularity of the TV show The Walking Dead is the latest, and perhaps most influential, piece in a long line of narratives centered within themes of survival, human interaction, and scarcity.
Human Nature and Interaction

Behind all political battles, social critiques, and theoretical inquiries lies the most fundamental question: when left to our own accord, how will we interact with one another? How one answers this question usually goes a long way to how one perceives the world, and how issues are viewed and opinions are formed. To our dismay, potential answers are typically presented in dualities. Are we good or evil? Competitive or cooperative? Generous or greedy? Violent or peaceful?

A common theme among religion has been that human beings are “born into sin” and heavily influenced by “evil forces” to do harmful things. One who embraces this theme will tend to have less faith in humanity than one who does not. For, if we really are engaging in a daily struggle to resist the powers of evil, it is reasonable to assume that evil will take hold of many. How can we trust anyone who, at a moment’s notice, could potentially lose the ability to act on their own conscience? The common theme of our dominant economic system – capitalism – is that human beings are inherently competitive and self-centered. When combined, it is easy to see how such ideologies may create intensely authoritative and hierarchical systems. After all, people who are influenced by strong and evil metaphysical forces while also being drawn toward callous, self-interest certainly cannot be trusted with free will.

This lesson is drilled deep into our psyches with each episode of The Walking Dead, where the potential threat of flesh-eating zombie hoards become an afterthought to the clear and present danger of “evil” humans who are out to get one another. Whether it’s a sadistic governor charming an entire town with violent gladiator events, an outlaw gang with the obligatory pedophile, or a pack of hipster cannibals salivating at the thought of eating their next visitor, the intended theme is clear – human beings are not capable of co-existing, even in a world where they rarely interact.

But is this idea accurate? Are we really drawn toward conflict? Must we compete with one another to survive? Is it appropriate to apply Darwin’s evolutionary theories in a social sense where the “fit” are meant to gain wealth and power over the “weak”? Or are we, as Peter Kropotkin theorized in his classic Mutual Aid, more inclined to mimic most other species on Earth, which have been observed over the course of centuries to exhibit “Mutual Aid and Mutual Support carried on to an extent which made me suspect in it a feature of the greatest importance for the maintenance of life, the preservation of each species, and its further evolution?”

There is ample evidence that we are drawn to cooperation. “Caring about others is part of our mammalian heritage, and humans take this ability to a high level,” explains neuroscientist Sandra Aamodt. “Helping other people seems to be our default approach, in the sense that we’re more likely to do it when we don’t have time to think a situation through before acting. After a conflict, we and other primates-including our famously aggressive relatives, the chimpanzees-have many ways to reconcile and repair relationships.” Studies have shown that in the first year of life, infants exhibit empathy toward others in distress. Evolutionary Anthropologist Michael Tomasello has put “the concept of cooperation as an evolutionary imperative to the test with very young children, to see if it holds for our nature and not just our nurture. Drop something in front of a two-year-old, he finds, and she is likely to pick it up for you. This is not just learned behavior, he argues. Young children are naturally cooperative.”

So, if we are truly inclined to cooperate with one another, why is there so much division and turmoil in the world? The answer to this question may be found by assessing not only the mechanisms of capitalism, but more importantly in the creation of artificial scarcity as a means to maintain hierarchies.
Capitalism and Artificial Scarcity

It is no secret that capitalism thrives off exploitation. It needs a large majority of people to be completely reliant on their labor power. It needs private property to be accessible to only a few, so that they may utilize it as a social relationship where the rented majority can labor and create value. It needs capital to be accessible to only a few, so that they may regenerate and reinvest said capital in a perpetual manner. And it needs a considerable population of the impoverished and unemployed – “a reserve army of labor,” as Marx put it – in order to create a “demand” for labor and thus make such exploitative positions “competitive” to those who need to partake in them to merely survive. It needs these things in order to stay intact – something that is desirable to the 85 richest people in the world who own more than half of the world’s entire population (3.6 billion people).

But wealth accumulation through alienation and exploitation is not enough in itself. The system also needs to create scarcity where it does not already exist. Even Marx admitted that capitalism has given us the productive capacity to provide all that is needed for the global population. In other words, capitalism has proven that scarcity does not exist. And, over the years, technology has confirmed this. But, in order for capitalism to survive, scarcity must exist, even if through artificial means. This is a necessary component on multiple fronts, including the pricing of commodities, the enhancement of wealth, and the need to inject a high degree of competition among people (who are naturally inclined to cooperation).

Since capitalism is based in the buying and selling of commodities, its lifeblood is production. And since production in a capitalist system is not based on need, but rather on demand, it has the tendency to produce more than it can sell. This is called overproduction. Michael Roberts explains:

Overproduction is when capitalists produce too much compared to the demand for things or services. Suddenly capitalists build up stocks of things they cannot sell, they have factories with too much capacity compared to demand and they have too many workers than they need. So they close down plant, slash the workforce and even just liquidate the whole business. That is a capitalist crisis.

When overproduction occurs, it must be addressed. There are multiple ways to do this. Marx addressed three options: “On the one hand by enforced destruction of a mass of productive forces; on the other, by the conquest of new markets, and by the more thorough exploitation of the old ones.” Another is through the destruction of excess capital and commodities. Whichever measure is taken, it is paramount that the economy must emerge from a starting point that is different from the ending point where the crisis began. This is accomplished through creating scarcity, whether in regards to labor, production capacity, or commodities and basic needs.

Maintaining scarcity is also necessary for wealth enhancement. It is not enough that accumulation flows to a very small section of the population, but more so that a considerable portion of the population is faced with the inherent struggles related to inaccessibility. For example, if millions of people are unable to access basic needs such as food, clothing, shelter, and healthcare, the commodification of those needs becomes all the more effective. On the flip side, the mere presence of accessibility – or wealth – which is enjoyed by the elite becomes all the more valuable because it is highly sought after.

In this sense, it is not the accumulation of personal wealth that creates advantageous positions on the socioeconomic ladder; it’s the impoverishment of the majority. Allowing human beings access to basic necessities would essentially destroy the allure (and thus, power) of wealth and the coercive nature of forced participation. This effect is maintained through artificial scarcity – the coordinated withholding of basic needs from the majority. These measures also seek to create a predatory landscape – something akin to a post-apocalyptic, zombie-filled world where manufactured scarcity pits poor against poor and worker against worker, all the while pulling attention away from the zombie threat.
Control through Commodification

A crucial part of this process is commodification – the “transformation of goods and services, as well as ideas or other entities that normally may not be considered goods, into commodities” that can be bought, sold, used and discarded. The most important transformation is that of the working-class majority who, without the means to sustain on their own, are left with a choice between (1) laboring to create wealth for a small minority and accepting whatever “wages” are provided, or (2) starving.

In The Socioeconomic Guardians of Scarcity, Philip Richlin tells us that:

“When society deprives any community or individual of the necessities of life, there is a form of violence happening. When society commodifies the bare necessities of life, they are commodifying human beings, whose labor can be bought and sold. Underneath the pseudo-philosophical rationalizations for capitalism is a defense of wage slavery. For, if your labor is for sale, then you are for sale.”

We are for sale, and we sell ourselves everyday – in the hopes of acquiring a wage that allows us to eat, sleep, and feed our families. In the United States, the 46 million people living in poverty haven’t been so lucky. The 2.5 million who have defaulted on their student loans have been discarded. The 49 million who suffer from food insecurity have lost hope. The 3.5 million homeless are mocked by 18.6 million vacant homes. And the 22 million who are unemployed or underemployed have been deemed “unfit commodities” and relegated to the reserve army of labor.

The control aspect of the commodification of labor comes in its dehumanizing effect – an effect that was commonly recognized among 18th and 19th century thinkers. One of those thinkers, Wilhelm Von Humboldt, when referring to the role of a wage laborer, explained “as whatever does not spring from a man’s free choice, or is only the result of instruction and guidance, does not enter into his very nature; he does not perform it with truly human energies, but merely with mechanical exactness, suggesting that “we may admire what he (the laborer) does, but we despise what he is,” because he is essentially not human.

The worker, in her or his role in the capital-labor relationship, exists in a position of constant degeneration. This is especially true with the onset of mass production lines and the division of labor – both of which are inevitable elements within this system. “As the division of labor increases, labor is simplified,” Marx tells us. “The special skill of the worker becomes worthless. He becomes transformed into a simple, monotonous productive force that does not have to use intense bodily or intellectual faculties. His labor becomes a labor that anyone can perform.” As automation and technology progress, such specialized task-mastering even seeps into what was once considered “skilled” labor, thus broadening its reach.

In this role, workers are firmly placed into positions of control within a highly authoritative and hierarchical system.
A World beyond Profit

Dystopian narratives are no longer fiction. From birth, we are corralled into a system that scoffs at free will, stymies our creative and productive capacities, and leaves us little room to carve our own paths. The constructs directed from above are designed to strip us of our inclination to care and cooperate, and make us accept the need to step over one another to get ahead. This is not our nature. Whether we’re talking about Kropotkin’s studies in “the wild” or Tomasello’s experience with children, observable evidence tells us we’ve been duped.

Another world is not just possible; it is inevitable if we are to exist in the long-term. In Post-Scarcity Anarchism, Murray Bookchin offers a glimpse into this world not constructed on labor, profit, and artificial scarcity:

“It is easy to foresee a time, by no means remote, when a rationally organized economy could automatically manufacture small “packaged” factories without human labor; parts could be produced with so little effort that most maintenance tasks would be reduced to the simple act of removing a defective unit from a machine and replacing it by another-a job no more difficult than pulling out and putting in a tray. Machines would make and repair most of the machines required to maintain such a highly industrialized economy. Such a technology, oriented entirely toward human needs and freed from all consideration of profit and loss, would eliminate the pain of want and toil-the penalty, inflicted in the form of denial, suffering and inhumanity, exacted by a society based on scarcity and labor.”

The barren landscape for which we’ve been placed has a future beyond Hershel’s overrun farm, the confines of a prison, the Governor’s creepy town of Woodbury, and the trap known as Terminus. It has a future beyond the artificial constructs of capitalism and hierarchy. Human nature is talking to us… and we’re starting to listen.