How The Deep State’s Two-Dimensional Engineered Reality Actually Works

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By Bernie Suarez

Source: Waking Times

It is refreshing to see more and more of humanity wake up to the functional real-time political reality of the world we now live in. There are many human beings throughout the planet who now understand that corruption has taken over. They understand that criminals run the world. They understand that in America a powerful ruling elite bought out politicians and corporations to get what they want. They understand that the ruling elite operate in networks that transcend the boundaries of nation states in an agenda intended to lead to global domination using their military might.

People are understanding that government propaganda is real, and that the U.S. government has gotten away with one false flag attack on its own people after another; 9/11 being just one of them, all for the purposes of justifying endless war. People also understand that the war on terror, which was ushered in by 9/11, is a lie and that because of this phony war on terror the Pentagon and U.S. military is swimming in billions of dollars of free money to do whatever they want. But what does all of this mean? Do we really understand how they’ve done it and how all of this works?

In 1999 Directors Andy and Lana Wachowski brought us an interesting film called The Matrix which nicely depicts how two alternate realities simultaneously exist: one in which the people in it have no clue what is real and what is not because the sum of the two-dimensional parts they are exposed to seems real, even though it’s not, and another reality where you are irreversibly awakened from that fictional reality.

Over the past 17+ years since the release of The Matrix film many people have awakened to the political reality we live in. For many people it is not difficult to see the parallels between the world we live in and the world depicted in The Matrix. We can see that there is an artificial reality in play that looks and feels real, but it is not. It’s a system designed to keep you enslaved, keep you disempowered, keep you in fear and keep you dependent on big government for survival. Most importantly it’s a system designed to keep itself in power and to preserve whatever agenda it has. Ultimately, this artificial reality is tending towards a global order where the ruling elite hope to absolutely control humanity forever in a way that is absolutely and uncompromisingly in line with their wishes.

The question we should be asking is, How does this matrix work and how does it relate to the three-dimensional physical reality we live in? To answer that, the concept of the “Deep State” was originally proposed to describe the political corruption in Turkey as a secret state acting within a state.

Though we had been warned about these ruling elite, banksters and shadow government by previous presidents going back 200+ years, following the post 9/11 period more and more people began wrapping this concept around their heads. To many, the idea of a group of elite running the world, deemed for years by the U.S. mainstream media and propaganda machine as lunatic “conspiracy theories”, suddenly didn’t seem so crazy after all. Today the concept of a “Deep State,” perhaps because of its roots in Turkey, is much more believable and is seen as more plausible.

In an interview for his book The Road to 9/11, author Peter Dale Scott describes the “Deep State” saying:

It refers to a parallel secret government, organized by the intelligence and security apparatus, financed by drugs, and engaging in illicit violence, to protect the status and interests of the military against threats from intellectuals, religious groups, and occasionally the constitutional government. In this book, I adapt the term somewhat to refer to the wider interface in America between the public, the constitutionally established state, and the deep forces behind it of wealth, power, and violence outside the government. You might call it the back door of the Public state, giving access to dark forces outside the law.

Since the publishing of Scott’s book, the term “Deep State” has gained increased attention and now serves as a practical model to describe how the shadow government operates.

And as humanity continues to awaken to the political reality that surrounds us, the concept of the Deep State becomes more a reality and much less fictional than the idea of the “matrix”, though these two are very intricately related as we’ll see.

The Matrix refers to the illusory engineered pseudo-reality that many people live in. The Deep State is the apparatus that allows that engineered and artificial two-dimension reality to be put out by the control system for daily consumption by the masses.

In order to appreciate this relationship consider the quote from former CIA director William Casey in 1981 when he said that:

We’ll know our disinformation program is complete when everything the American public believes is false.

This is an example of how the Deep State, which is led by Intelligence and their control and manipulation of news, is at the root of the creation of the false engineered world of lies that many people live in. As we can see by the Casey comment, the goal is not to tell a few lies but to actually create an entire reality based on those lies (think Sandy Hook, Bin Laden death hoax, etc).

Manufacturing the 2-Dimensional Reality

What many people don’t realize is that this false world of lies and deceit which is presented to the masses as “reality” is nothing more than a series of two-dimensional items strung together by the controlled media to create an artificial reality. Like the individual frames in a movie reel, each frame seems insignificant until you look at all the frames in a timed sequence. The sequential frames then present an artificial perceived reality.

This is the reason why every time the controllers pull off a staged crisis actor event or a false flag attack like 9/11, those defending the event including the media never seem to think it’s important to provide actual evidence for their claims. That’s because the three-dimensional evidence that truth seekers ask for always conflicts with the two-dimensional presentation they are putting out. The organic presentation of the truth itself, however, is never two-dimensional. It is actual, concrete, multi-dimensional truth which can be reasonably, logically and scientifically verified in real-time on multiple levels and reproduced endlessly without government interference due to its realistic and often simplistic nature.

This is why the demand for “proof” of government and mainstream media claims surrounding false flags and staged events always tends to become the thing that gets truth seekers demonized, attacked, accused, and even profiled as a “harassers” and criminals.

I recently wrote about the attack on Truth that we are seeing today and how it’s not just Truth that is under attack but the very search for Truth. That’s because today, searching for truth is a direct threat to the Deep State, it’s hypnotic control of the masses and its web of lies that make up the matrix, which in turn is keeping people enslaved.

The last thing the ruling oligarchs want is for people to wake up from the matrix of lies which the Deep State has put in place. Thus identifying the Deep State then logically becomes the first step in all of this. Most people in the U.S. don’t realize the degree to which the CIA and the Pentagon are secretly controlling the illusion of government. Even in an election year like 2016, Americans continue to believe the illusion of choice and Democracy which is actually one of the most important features to the operation of the Deep State.

As I’ve written about recently, in 2016 too many Americans are going in circles, like Groundhog Day, believing the same exact lies and promises told to them by the puppet politicians who are running for president, not realizing that this is precisely how the Deep State works. They put out their puppets and pseudo-promises, they ratchet up the campaign hoopla, and they have the candidates tell you anything you want to hear before they select their next puppet president mouthpiece.

Though most Americans know full well that to repeatedly do the same thing over and over again while expecting different results constitutes insanity, they do this very thing each time a presidential election year comes around. These same Americans witness this process with their own eyes every 4 years; another election, another president, the same results.

The result every time is more war, billions of dollars to the Pentagon slush fund, more false flags to justify more wars, more corruption and less accountability from government officials who get caught lying and committing crimes, more lies and propaganda sold to us by CIA’s mainstream media, more police state and tyranny against the people, less freedoms, more staged mass shootings, more globalization and illegal trade agreements, more medical and scientific fraud and false claims to feed the pockets of the pharmaceutical industries and vaccine industries, and, among other things, bigger steps to get us closer and closer to the permanent establishment of a new world order to be sold as United Nations’ “sustainable” living and “global peace and prosperity.”

It is incredible to think that at the smallest level, all of this is possible because unaware and naive Americans continue to believe the phony, artificial and engineered two-dimensional reality presented to them every day by mainstream media and Hollywood. They continue to misconstrue fiction for reality.

That simple inability to discern two-dimensional proof of a claim (a picture, a video, an empty claim by mainstream media or politicians) from three-dimensional proof (all the factors that make a story true including the full collection of physical, and scientific easily reproducible proof, real non-crisis actor eyewitnesses, real blood, real logical spontaneously captured sequences of events, open investigations, etc.) now threatens the survival of the human race and is dooming humanity to a potentially very dark future. This is a future which only those who are awakened to the difference between the presented two-dimensional reality and the actual three-dimensional reality, can potentially save humanity from.

Because this is so, those who realize the reality of the Deep State are therefore the greatest threat to the plans of the ruling elite who run the Deep State. This is why so many online trolls and shills are actually paid to spread State propaganda, lies, create division, insert doubt about topics and post State-sponsored “rebuttals” to key arguments on blog sites and social media. This is why they are fighting so hard to control the Internet, to criminalize activists, and to profile them as “domestic extremists”. This is also why sports fans are mesmerized with pro-military propaganda commercials and fake military worship pre-game ceremonies. This is why so many video games have pro-military and pro-war components to them. This is also why America is always told to “honor” the military. That’s because the military and the Intelligence is the enforcement arm of this evil Deep State. But they do know that as long as they deliver you entertainment, laughter and fun times, you’ll never question what or who the Deep State is. To the blind sheep it’s not something worth interrupting their life to believe, to try to recognize or to find answers for.

In the end, you can call it whatever you want but it’s still the matrix of lies we live in. It operates simultaneously with reality. It looks, feels and tastes real even though it is not. Can you taste it? Can you feel it? It’s all around us as we speak, but whether you see it for what it is, is entirely up to you.

Saturday Matinee: La Jetée

“La Jetée” (1962) is a short sci-fi feature directed by filmmaker, poet, novelist, photographer, editor, videographer and digital multimedia artist Chris Marker. Comprised entirely of narration over still photos (except for one crucial scene), La Jetée tells the story of a post-nuclear war time travel experiment and is considered one of the most influential and radical science-fiction films ever made (directly inspiring Terry Gilliam’s “12 Monkeys”).

https://vimeo.com/31209852

Saturday Matinee: Seances

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“Seances” is an experimental film project from Guy Maddin which began as an art installation piece shot in public over 18 days at the Centre Pompidou in Paris and over another 13 days at the Phi Centre in Montreal.  It’s intention is to mystically conjure long-forgotten stories of lost films from periods such as Hollywood’s silent era. Maddin invited the sad spirits of lost films to possess his assembled actors (including Mathieu Amalric, Charlotte Rampling, Udo Kier, and Geraldine Chaplin among others) and compel them to act out the old stories, while the spirit-photographer/director captured the precious narratives. The project’s website, which is currently the only way to view the project, randomly combines clips of the material in different combinations for every viewer creating a unique experimental short film that will never be seen again.

Watch it now here: http://seances.nfb.ca/

Saturday Matinee: True Legend

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“True Legend” (2010) was directed by legendary director/fight choreographer Yuen Woo-Ping (best known for Drunken Master, Iron Monkey, Wing Chun, and his work on films such as The Matrix, Kung Fu Hustle, and Fist of Legend among other classics of the genre). The film’s plot is not unlike countless old school martial arts films, following the journey of former general Su Can (Vincent Zhao of The Blade) whose life is shattered by a jealous adopted brother (Andy On). With support from his wife (Xun Zhou), his doctor (Michelle Yeoh), the God of Wushu (Jay Chou) and an old sage (Gordon Liu), Su Can strives to overcome great odds to reunite his family. If you ever hoped to see a Shaw Brothers film with a larger budget and made using modern film techniques, True Legend won’t disappoint. The cast of martial arts veterans are great across the board as are David Carradine (in one of his last roles) and assorted lesser-known western actors as minions.

Watch the full English subtitled film here.

Govt-Hollywood Complex to Sell “Patriotic” Martial Law Lockdown in New Boston Bombing Films

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By Berie Suarez

Source: Truth and Art TV

A massive wave of government propaganda is coming and the method of transmission will be Hollywood. Hollywood is one of the most important brainwashing tools to keep the masses ignorant of reality and government corruption. And as we’ve seen in the past, it is designed to reinforce numerous government lies the masses are supposed to believe. Whenever Hollywood releases a film endorsing a government narrative it usually represents the final phase of a false flag, staged event narrative being sold.

Remember what former CIA director William Casey said. Until EVERYTHING that everyone believes is a lie, the control system feels they are not done lying to you yet.

When it comes to propaganda Hollywood operates under a different set of rules as they have the liberty to fictionally represent a story under the guise of “entertainment” without having to be accurate about what really happened. A close look at this issue reveals how powerful and effective the Hollywood-Government complex is at cementing massive government lies in the psyche of the general public.

So it shouldn’t surprise us that it is being reported that Hollywood producers are in race to put out not one but two films about the Boston bombing hoax staged in April of 2013 featuring numerous crisis actors. One film “Patriots Day” will serve to not only reinforce the Boston bombing staged event but to glorify “lockdown” and deceive viewers into worshiping police and psychologically re-accepting that lockdown was necessary to catch the “bad guys”, thus serving to authenticate future lockdowns as necessary as well. Another film being scheduled for release this year “Boston Strong” is also based on the Boston bombing false flag event and the concept of heroism. Both films appear to correlate “strength” with obedience to lockdown as well as “patriotism” and obedience to lockdown, and both are psychological operations on the general public being likely secretly funded by the state.

So without any shame, the storyline behind Patriots Day admits the idea is to sell the manhunt against the Tsarnaev accused patsy brothers itself and the lockdown of Watertown which ensued. The lockdown itself seems to be the focus of the emotion and heroism in these movies more so than the overall false flag narrative which has been debunked and exposed on many levels.

The story of course, is told by lucky Ed Davis, the commissioner that just so happened to get a phone call right at the time of the pressure cooker detonation, and like lucky Larry Silverstein on 9/11 he wasn’t blown up. Davis was just as “lucky” as all those “Craft International” operatives clearly seen all over the place with suspicious backpacks and communicating suspiciously before during and after the explosion.

Commissioner Davis, who was right there are the marathon finish line and walked away to take a phone call moments before the blast occurred, played an integral role working with the FBI, Watertown Police Department, Boston Police Department, Massachusetts State Police and local first responders to track, identify and apprehend the suspected bombers. Their tactics included the use of sophisticated identity technology (they actually discovered the murderers acting differently than the crowd) and giving the historic order to put the city of Boston on lockdown as they rushed to catch the suspects.

The story is envisioned as an intense thriller, spanning the five-day search up to the infamous siege where Dzhokhar Tsarnaev was pulled from a boat in Watertown. Three lost their lives at the Marathon blast site, 264 were injured, and a police officer was killed and several injured in the shootout that ended in the death of Tsarnaev’s older brother, Tamerlan. The younger mass murderer is currently on trial. Victims were eulogized in a touching ceremony at Fenway Park, something that most certainly will be part of each of those feature films, including an unforgettable exhortation of defiance by Red Sox slugger David Ortiz.

This is a clever attempt to appeal to everyone’s emotional and “patriotic” feelings, 9/11 Bush Jr style, while selling them that martial law lockdown is somehow “patriotic” because it helped catch the bad guys.

“There is nothing more compelling than a real story populated by real heroes,” said CBS Films President Terry Press. “The team that we have assembled for this project is determined to give audiences a very personal look at what occurred during the days when the eyes of the world were on the city of Boston and how a group of contemporary patriots faced this crisis.”

Anyone who cares about truth, freedom, and morality should be outraged by this in-your-face propaganda. This also serves as a warning of things to come. Very likely they are rushing these two films because something is coming and they need to condition the masses for a major lockdown.

I’m calling for readers to help take a stand against “lockdown” now before it’s too late. I’m currently in the process of researching how to properly draft a petition that can be used broadly across the U.S. to demand that lockdown is criminalized as illegal, not to mention it’s an ineffective and unproven tactic for catching law breakers. If anyone wants to help and contribute to the process please do or by all means carry out the idea yourself.

This entire effort by the Hollywood-Government complex to expedite the production of these two films which will glorify lockdown should concern everyone. Ask yourself: Why are they moving so fast to glorify lockdown? And why now? I’m sure we’ll soon find out.

Saturday Matinee: La Haine

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“La Haine” (1995) is the second feature film written and directed by Mathieu Kassovitz. The plot follows 19 hours in the lives of a multi-ethnic 20-something trio of friends from the housing projects of Paris where racism, police brutality and poverty have created a social pressure cooker. After finding a police pistol in the aftermath of a riot in which one of their friends was severely beaten by police, they navigate a series of perilous situations exemplifying simmering race and class hatred in French society (often escalated by the presence of the weapon). Though set in France, the basic storyline is all too relatable for disenfranchised people everywhere including the US. The film features great performances from the three leads (Hubert Koundé, Vincent Cassel and Saïd Taghmaoui), striking black and white cinematography by Pierre Aïm, and excellent writing/direction by Mathieu Kassovitz.

Watch the full film on Kanopy: https://www.kanopy.com/product/la-haine

Saturday Matinee: Bangkok Loco

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“Bangkok Loco” (2004) is a surreal Thai musical comedy (and feature film debut) from director Pornchai Hongrattanaporn. Actor/musician Krissada Terrence stars as Bay, a 70’s era drum prodigy with special skills taught to him by a monk. After getting framed for a murder, he becomes a fugitive but is aided by friend and fellow drummer Ton (Nountaka Warawanitchanoun). Together, they struggle to evade police, clear his name and win a climactic drum duel against “Devil’s Drums Master” Mr. David (Rang Sabian).

Watch the full film with English subtitles here. (May not stream on some portable devices.)

 

Saturday Matinee: Human

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Synopsis from Open Culture:

What is it that makes us human? And how best to ensure that we all get our fair say?

For director, photographer, and environmental activist Yann Arthus-Bertrand, the answers lay in framing all of his interview subjects using the same single image layout. The formal simplicity and unwavering gaze of his new documentary, Human, encourage viewers to perceive his 2,020 subjects as equals in the storytelling realm.

There’s a deep diversity of experiences on display here, arranged for maximum resonance.

The quietly content first wife of a polygamist marriage is followed by a polyamorous fellow, whose unconventional lifestyle is a source of both torment and joy.

There’s a death row inmate. A lady so confident she appears with her hair in curlers.

Where on earth did he find them?

His subjects hail from 60 countries. Arthus-Bertrand obviously went out of his way to be inclusive, resulting in a wide spectrum of gender and sexual orientations, and subjects with disabilities, one a Hiroshima survivor.

Tears, laughter, conflicting emotions… students of theater and psychiatry would do well to bookmark this page. There’s a lot one can glean from observing these subjects’ unguarded faces.

The project was inspired by an impromptu chat with a Malian farmer. The director was impressed by the frankness with which this stranger spoke of his life and dreams:

I dreamed of a film in which the power of words would resonate with the beauty of the world. Putting the ills of humanity at the heart of my work—poverty, war, immigration, homophobia—I made certain choices. Committed, political choices. But the men talked to me about everything: their difficulty in growing as well as their love and happiness. This richness of the human word lies at the heart of Human. 

In Volume I, above, the interviewees consider love, women, work, and poverty. Volume II deals with war, forgiveness, homosexuality, family, and the afterlife. Happiness, education, disability, immigration, corruption, and the meaning of life are the concerns of the third volume .

The interview segments are broken up by aerial sequences, reminiscent of the images in Arthus-Bertrand’s book, The Earth from Above. It’s a good reminder of how small we all are in the grand scheme of things.

Appropriately, given the subject matter, and the director’s longtime interest in environmental issues, the filming and promotion were accomplished in the most sustainable way, with the support of the GoodPlanet Foundation and the United Carbon Action program. It would be lovely for all humanity if this is a feature of filmmaking going forward.

The Google Cultural Institute has a collection of related material, from the making of the soundtrack to behind-the-scenes reminiscences of the interview team.