“Uncanny Valley” (2015, dir. Federico Heller) uses a documentary format and virtual reality scenarios to depict a frightening world in which damaged individuals rely on VR as a means to escape their depressing social reality while being used by the state.

“Hyper-Reality” (2016, dir. Keiichi Matsuda) depicts an average day in the life of a struggling precariat woman, that is, until she’s gang stalked by virtual and physical predators.