Tag Archives: Office of War Information

Hollywood and it’s Useful Idiots: Propaganda for the War in Ukraine, Big Pharma, and Every Other Globalist Agenda

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By Timothy Alexander Guzman

Source: Silent Crow News

Alistair Cooke, a British-born writer who became a BBC film critic early in his career who worked mainly in the United States as a journalist, television personality, radio broadcaster had expressed his honest point of view on Hollywood’s film industry when he said that “I believe that Hollywood is the most effective and disastrous propaganda factory there has ever been in the history of human beings.” Since World War II, Hollywood has been one of the main instruments of propaganda for globalist agendas. It began with US President, Franklin D. Roosevelt who established the US Office of War Information (OWI) from June 1942 until September 1945 whose job was to regulate newspapers, radio broadcasts, Hollywood films and all other forms of media in order to propagandize the public in an effort to gain support for America’s involvement in the war. The OWI launched a global propaganda campaign that oversaw revisions in collaboration with Hollywood producers, and at times, even rejected film scripts that portrayed the US as a negative force on the world stage.  The OWI’s main job was to reject any film that had anti-war material.  There was also the Bureau of Motion Pictures (BMP) which was a division under the OWI that worked with Hollywood executives to decide which movies could benefit the war effort, for example, it authorized several films that had anti-Japanese propaganda, sort of like todays anti-Russia propaganda you find in many Hollywood films. However, over the last 20 years or so, Hollywood propaganda has even become even worse with the help of its Hollywood celebrities who have become mouthpieces for globalist agendas, so let’s call them for what they really are, ‘Useful Idiots.’

It’s amazing that for the last couple of decades many Hollywood celebrities have become self-described experts and spokespeople for US wars, Big Pharma, climate change and other globalist agendas.  Hollywood celebrities act and sing for a living, wear expensive name-brand clothing, and in some cases exploit their children to be part of the new woke culture. The so-called “Hollywood activists” such as George Clooney, U2 lead singer Bono, and the rest of them are phony as they can be. However, in all fairness, there are a handful of celebrities who do not, in any way fall into that category including Mel Gibson who is outspoken critic on Jewish power in Hollywood, comedian and actor George Carlin (R.I.P.), Marlon Brando, John Lennon (R.I.P.) and a handful of others.  When it comes to Israeli occupation and genocide against the Palestinians, Javier Bardem, Penelope Cruz, singer-songwriter and composer Roger Waters, Natalie Portman, and actress Vanessa Redgrave come to mind. In 1978, Vanessa Redgrave won an Oscar for best supporting actress in the film ‘Julia’ gave an acceptance speech at the 50th Academy Awards which she denounced Israel’s war against the Palestinians.  Redgrave said that “a small bunch of Zionist hoodlums whose behavior is an insult to the stature of Jews all over the world.”  The British actress had claimed in the past that far-right Jewish Defense League targeted her for producing the 1977 documentary ‘The Palestinian’. 

Most Hollywood celebrities who toe the line will do and say anything to remain relevant in the film and television industries, so they also follow the mainstream media narratives or listen to their Hollywood bosses, or maybe they are just dumbed-down individuals, just ask outspoken actor and comedian Ricky Gervais who had an iconic opening monologue in the Golden Globe awards ceremony in 2020 that will be remembered for the ages:

So, if you do win an award tonight, don’t use it as a platform to make a political speech. You’re in no position to lecture the public about anything. You know nothing about the real world. Most of you spent less time in school than Greta Thunberg.

So if you win, come up, accept your little award, thank your agent, and your God and fuck off, OK? It’s already three hours long. Right, let’s do the first award

Sean Penn and Ben Stiller: War against Russia

Although talented, two of the most idiotic actors in Hollywood when it comes to the war in Ukraine is Sean Penn and Ben Stiller.  Last month, Sean Penn recently visited and lent Ukrainian President Volodymyr Zelensky his Oscar while Zelensky awarded Penn the Order of Merit honor because he is “doing everything to help us gather international support” according to Reuters.  The article ‘Sean Penn visits Ukraine’s Zelensky, loans him an Oscar’ stated that “Hollywood actor and director Sean Penn, sanctioned by Russia for criticizing its war in Ukraine, loaned his Oscar statuette to Ukrainian President Volodymyr Zelenskiy during a visit to Kyiv on Tuesday.” 

The other actor is Ben Stiller who played an idiotic model in Zoolander and many other films called Zelensky his hero.  According to NBC News ‘Ben Stiller meets with Zelenskyy in Kyiv, tells Ukrainian leader ‘You’re my hero’ said that “The comedy star praised the Ukrainian president — himself a former comedian and actor — as a hero during the meeting, telling him: “You’re amazing” and that “It’s a great honor for me,” Stiller, who was appointed a UNHCR goodwill ambassador in July 2018, said in video capturing the meeting. “It’s really wonderful, you’re my hero. You’re amazing.”  So Stiller jumps on the Zelensky bandwagon just like most of his Hollywood friends to help the Western narrative that the war in Ukraine is about “freedom and democracy.”

But I want to go back to Sean Penn and his incredible hypocrisy when it comes to US wars and regime change.  In 2011, US President Barack Obama and Hillary Clinton gave US forces and NATO the greenlight to remove Libyan President, Muammar Gaddafi from power which destroyed Libya in the process.  Here is the interview with Sean Penn on CNN on his claim that it was all Gaddafi’s fault:

Obviously, the war on Libya was run by the Democratic Party so for Penn it was justified.  Now here is Sean Penn questioning the Bush Administration on WMDs in Iraq on December 15th, 2002.  The war on Iraq was basically a Republican Party affair under the Bush neocons:

Sean Penn’s hypocrisy is clearly staggering. He is a total propagandist for the US war machine.  Although Sean Penn has supported Venezuela’s revolution and other causes such as the Haiti’s earthquake in 2010 where he founded the J/P Haitian Relief Organization which operated a 55,000 person tent camp for victims of the earthquake, he is still a mouthpiece for the Democratic party and any regime change operation they deem necessary, so it is fair to say that both, Sean Penn and Ben Stiller are useful idiots.

Celebrities who Proudly Received their Covid-19 Vaccines

I am not going to get into the global lockdown and the dangers of the Covid-19 vaccine and the ridiculous enforcement of wearing facemasks or social distancing rules, so here are what several celebrities have posted on Instagram and twitter after they received their shots :

Lady Gaga:

“Double vaxed + boosted…don’t 4get to still wear a mask this sh*ts contagious ,

America Ferrara:

“Boosted for the holidays!  Thankful for the miracle of science and medicine allowing me to be with my loved ones safely this year 

Amber Heard:

 “Did someone say ‘vaccine queen’?! ” 

Sean Penn (No Surprise here!):

“I’m a lucky man. Lucky to work alongside the ⁦@LAFD & our great frontline @CoreResponse staff, our partners at Carbon Health, USC, & Curative Lab,” he tweeted. “We test & vaccinate thousands per day. We need your support to get more people lucky. Text CORE to 707070 to donate.”

*Note: Sean Penn was interviewed by Yahoo Entertainment and said that “My deep belief personally, is that these [vaccines are] no different than having everybody being able to drive 100 miles an hour in a car” he continued “This is one of those things that should be mandatory. That we all get with the exception — the very few exceptions — for those people who, for whatever medical condition, might offset it, but I do think that vaccines need to be mandatory, and I do think that business — all businesses, the movie business, all businesses — need to take the lead and to be not so timid in dealing with their collective bargaining agreement partners.”

Arnold Schwarzenegger:

 “All right, I just got my vaccine, and I would recommend it to anyone and everyone, come with me if you want to live.”

Despite all the evidence that the Covid-19 vaccines are dangerous and that wearing a facemask or social distancing does not work which brings me to the conclusion that these Hollywood celebrities are either brainwashed by the mainstream media, or they are just following the lies of Anthony Fauci who was elevated to celebrity status during the Covid-19 “pandemic”.  These people are not role models, they are just following what the medical establishment has prescribed to the public.  They are propagandizing the public to take Covid-19 killer shots which demonstrates that no one should listen to these people. Once you inject the MRNA technology into your body, its forever, its permanent and you cannot detox to get rid of it.  So in other words, don’t listen to these fools.

The Truth about Hollywood

There is no doubt that Hollywood has produced good films in the past but the Hollywood of today should focus on producing better movies and TV shows because most of their films are made only for propaganda purposes. In fact, many films today have no originality, better yet, there should be an alternative Hollywood that produces films without any form of propaganda that are worth watching. They can produce films that tells us real stories from around the world, like stories that come out of the Palestinian struggle or what is happening in certain parts of Africa as in the Hollywood movie ‘Blood Diamond’ with Leonardo DiCaprio and Djimon Hounsou that tells the story about the Diamond industry and its effects on the African people. Instead they produce propaganda films based on the US Military fighting for democracy or numerous films based on the Jewish Holocaust. When was the last time you saw a film based on the genocide of a Native American tribe on the North American continent?

However, Hollywood is pretty good at producing movies that offend different nationalities and cultures.  As we all know who really runs Hollywood, one documentary that shows some of the most offensive films based on the Muslim world is called ‘Reel Bad Arabs: How Hollywood Vilifies a People’ by Dr. Jack Shaheen. 

Hollywood and their useful idiot celebrities are propagandists who support the war in Ukraine, the Covid-19 vaccines and other globalist agendas including the concept of eating bugs as recommended by the World Economic Forum.  The bottom line is that Hollywood and their useful idiot celebrities are a bunch of clowns that should not be taken seriously, so why do people around the world idolize these people in the first place is beyond me.

Social media fact-checking, brought to you by the Deep State

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By Daniel Espinoza

Source: Off-Guardian

Almost four years of mainstream media hype about “fake news” and “Russian meddling” propaganda has brought to the world exactly what they were intended to bring: an effective mechanism for internet and social media censorship.

In the center of this move toward global discourse control is an organization called the Poynter Institute, home to the International Fact-Checking Network (IFCN), a body created to coordinate, promote and train dozens of fact-checkers from around the world.

The IFCN and many non-profits working in the same field are funded by the big capitalist “philanthropists” of our era, like George Soros, Pierre Omidyar, Bill Gates, and even the Koch brothers…but also by the US Department of State and a shady “aid” – in reality, political meddling – organization, the National Endowment for Democracy (NED), historically linked to the CIA and regime change operations.

Google and Facebook – itself tied to the warmongering Atlantic Council and its “Digital Forensic Research Lab” – are also associated with Poynter, by funding and partnerships to fight “fake news” (including the development of an “automated” fact-checking program for the upcoming 2020).

The marriage between Poynter’s IFCN, politically inclined billionaires, the State Department – and the whitewashed public face of the Deep State – suggest that the institute is probably working in what Nelson Poynter, its founder, worked on for a key part of his life: propaganda and censorship for the US government.

Although this information is not available in Nelson Poynter’s Wikipedia profile or in poynter.org’s history page, his work for a government propaganda agency is not exactly a secret. A resemblance of his wife, Henrietta, also at the institute’s website, quickly passes over the fact that Poynter did work for the Office of War Information (OWI) during WWII, but his specific role as a government censor and propagandist is never mentioned.

Nevertheless, Hollywood Goes to War, a book written in 1987 by Clayton R. Koppes and Gregory D. Black, is one of the many historical sources that tell the details of Poynter’s job.

FILM CENSORSHIP AND THE BIRTH OF THE VOICE OF AMERICA

Nelson Poynter was recruited by the OWI with his wife Henrietta, who worked as assistant program chief under Elmer Davis, head of the agency. She came up with the name for the “Voice of America”, the famous psychological war operation of the US government.

The radio project was established in February 1942 and soon grew to be the most important US overt propaganda arm of the Cold War.

Unlike his wife’s job, Poynter’s regarded not radio – or his previous line of work, journalism – but movies. In 1942, the OWI’s Bureau of Motion Pictures (BMP) set up office in Hollywood, naming Poynter as its head. His mission was to act as liaison between the agency and the owners of Warner Brothers, Twentieth Century Fox, MGM and the other big studio names.

Elmer Davis, head of the OWI, regarded films as:

The easiest way to inject a propaganda idea into most people’s minds”, in part, because they “do not realize that they are being propagandized”.

Davis was a career journalist who worked for ten years for the New York Times before being recruited by the government. Franklin D. Roosevelt’s White House needed the film industry to incorporate specific themes in their movies, ideas that promoted the notion of WWII as being a “popular” war, fought to defend his Four Freedoms.

But at first, Poynter’s office in Hollywood had little veto power over what the industry could produce – for the entire Western world – limiting itself to suggest cosmetic changes here and there, or the toning down of reactionary and racist imagery and language, an inherent feature in the Hollywood of that era.

The heads of the studios were in fairly good terms with the US Army, historically close to the industry. Its owners were happy to portrait US wars abroad as heroic, in exchange for the lending of military equipment, installations and expert advice.

But in most cases, a disappointed Poynter complained, war ended up only as “a backdrop” for shallow romance, cheap comedies and other proven formulas. Poynter and his boss at the BMP, Lowell Mellett, also hired a former assistant of Harold Lasswell, a famous social researcher who said – back in the 30s – that democracy needed propaganda because people were not the best judges of their own interest.

Eventually, the team devised a way to exert more power over the unruly, reactionary and overly commercial Hollywood studios. They decided to ask the US Office of Censorship to weight in and threat them with banning “offending” films from export, seriously reducing their potential earnings.

According to Koppes and Black’s Hollywood Goes to War, it was a success, prompting MGM, Warner and the other big names to start turning their scripts for review to the Poynter. The BMP knew it was important to intervene right at that stage, before big amounts of money were spent in production.

Poynter was a diligent censor and propagandist, going as far as to suggest dialogues for the movie scripts he was reviewing, breaching “one of the industries taboos” and provoking the powerful tycoons, according to the authors mentioned above.

When the war ended, Poynter went back to journalism. He eventually took over the St. Petersburg Times (renamed Tampa Bay Times in 2012), owned by his father. He also founded the Congressional Quarterly with his wife Henrietta, who died in 1968. As we can read in the Poynter institute’s website:

When Henrietta died suddenly at the age of 66, Nelson mourned deeply. ‘Her passing marked the end of an era for Mr. Poynter,’ said David Shedden, former research librarian at The Poynter Institute. ‘He started looking to the future and thinking about his legacy. He focused on creating a school for journalists, which of course became the Modern Media Institute, and then the Poynter Institute’.”

Nevertheless, historian W.C. Bourne explains that many of the OWI’s top brass – as Elmer Davis and Nelson Poynter, former journalists – returned to the corporate media after the war, but “retained an abiding belief in the things for which OWI stood and the possibilities of accomplishment in the international information picture”.

Many of them also retained the Deep State contacts and a nationalistic “spirit of collaboration”.

A LEGACY OF CENSORSHIP

Nelson Poynter’s work for the government ended many decades ago, and it would be reasonable to suggest that his ties to the US government and its propaganda apparatus probably never involved the journalism institution he founded years after leaving the OWI.

But we have evidence pointing precisely in the opposite direction.

Firstly, the obvious – and open – ties between the institute and today’s version of the foreign meddling machine installed by the US during the Cold War (i.e. the NED). As informed on many occasions by independent journalists, one of the founders of the National Endowment for Democracy once admitted that:

A lot of what we do today was done covertly twenty-five years ago by the CIA.”

Secondly, the intimate ties between the Poynter Institute and the US State Department, which selected it to conduct the “Edward Murrow Program for Journalists”. It brings together “more than 100 emerging international journalists from around the world to examine journalistic practices in the United States”.

In other words, to be indoctrinated in Western corporate journalism and culture and start a relationship with a potential foreign opinion leader.

The State Department’s Murrow program is part of Bureau of Educational and Cultural Affairs (ECA), an agency dedicated to “cultural diplomacy”, intimately tied to intelligence and foreign policy since way before the Cold War. The participants to be trained by Poynter are chosen by US embassies abroad.

A 2017 report of the historical success of the educational exchange agency stated that:

…565 alumni of the ECA programs are current heads or former heads of state and government, and 31 alumni are heads of international organizations.”

Thirdly, the Poynter Institute, too, redacted an infamous blacklist of “fake news” sites, with the intention of marginalize and, in this case, deny many of them of any kind of advertisement money.

A BLACKLIST TO DEFUND THEM ALL

For this operation, launched on April 30, 2019, Poynter ganged-up with the rest of the fact-checking “cartel”, so to speak.

The institute gathered the blacklists and analysis done in recent years by Snopes, Fact-check.org, Politifact (owned by the Tampa Bay Times and Poynter), OpenSources and the Fake News Codex, and used them to create the mother of all blacklists, naming 515 “unreliable” news websites.

It was retracted shortly after its publication, on May 2, after coming under criticism for “unreliability and poor methodology”. The irony! And this should be understood as an indictment on the whole bunch. As one critic from the George Washington University noted:

Beneath the veneer of its precision, the fact-checking enterprise relies heavily on opinion and interpretation…If a list summarizing fact-checking results and verified by fact checkers is ultimately retracted by those same fact checkers for not being rigorous, it underscores the question of why we should trust anything from the fact-checking community.”

To add insult to injury, Poynter’s dubious list of “unreliable websites” was intended to cause financial harm to those named in it, by guiding advertisers and ad-technology applications to deny them of ads.

After the retraction, Stephen Gutowski, a writer from one of the affected websites, Free Beacon, wrote:

What a disgusting exercise in bad faith from an organization that’s supposed to be about improving and promoting journalism. Instead, they’re creating tabloid-level listicles to smear reporters without offering even a single piece of evidence. Shame on you, @Poynter.”

Philip Klein, from The Washington Examiner – also listed – thought it was:

…worrisome to call for advertisers blacklisting news organizations, especially given the opacity of the process and arbitrariness of many of the judgements [sic].”

THE “CARTEL”

Most of the non-profits behind Poynter’s blacklist share patrons, except for the controversial Snopes, that runs on less grant money than advertisement revenues.

The International Fact-checking Network and its more than a hundred “associated” – subordinated – smaller fact checkers around the globe, are also funded by the same “philanthropists”, like Bill Gates, whose foundation already finances tens of mainstream corporate news outlets with tens of millions of dollars, just like the Columbia Journalism Review recently uncovered.

Regarding Poynter and Gates, specifically:

…Poynter senior vice president Kelly McBride said Gates’s money was passed on to media fact-checking sites, including Africa Check, and noted that she is “absolutely confident” that no bias or blind spots emerged from the work, though she acknowledged that she has not reviewed it herself.”

In a blatant conflict of interests, those same fact-checkers often (try to) debunk information related to the Gates Foundation, just like a private PR agency.

Many lesser players in the global constellation of fact checkers are also funded directly by George Soros and his Open Society Foundation, the Ford Foundation, the US embassy and/or the NED.

When “fact-checking”, the members of this private-public consortium often limit themselves to copy/paste from their “parent” sources, like Poynter’s Politifact and Snopes.

As Emil Marmol and Lee Mager recently wrote for Project Censored, the “fake news” psychological operation was little more than a “Trojan horse for silencing alternative news and reestablishing corporate news dominance”:

The fake news hysteria created by those in government and echoed by the corporate news media is being harnessed and used as a pretext for the suppression of dissent and counterhegemonic viewpoints while re-establishing the corporate press’s preeminence as the sole purveyor and manufacturer of public opinion”.

The Covid-19 pandemic has accelerated the degenerative process under the guise of “protecting us”, prompting democratic governments to take dangerous paths, like arresting citizens for promoting street marches on Facebook.

The internet opened up a world of information to the regular citizen, we must keep it open so more of us can take a look.

 

Daniel Espinosa lives in Arequipa, second largest city of Peru. He graduated in Communication Sciences in Lima and started researching propaganda and mainstream media. He writes for a Peruvian in-print weekly, Hildebrandt en sus trece, since 2018, and collaborates with many online media. His writings are a critique of the role of mass media in society. You can read his previous work through his MuckRack profile.