Saturday Matinee: A Letter to Momo

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“A Letter to Momo” (2011) is an animated supernatural comedy/drama written and directed by Hiroyuki Okiura (Jin-Roh). The story focuses on adolescent Momo and her mother Ikuko who, after a death in the family, move to a rural island to be closer to relatives. Momo, who preferred her previous life in the big city, has difficulty adjusting  but learns to overcome her grief and repair her relationship with her mother with the help of three goblins (known as Yokai) and her new community.

Watch the full English-subtitled film here.

A ‘Brexit’ Blow to the Establishment

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By Robert Parry

Source: Consortium News

The United Kingdom’s “Brexit” vote may cause short-term economic pain and present long-term geopolitical risks, but it is a splash of ice water in the face of the West’s Establishment, which has grown more and more insular, elitist and unaccountable over recent decades.

The West’s powers-that-be, in both the United States and the European Union, too often display contempt for real democracy, maintaining only the façade of respecting the popular will, manipulating voters at election time with red-meat politics and empty promises – before getting back to the business of comforting the comfortable and letting the comfortable afflict the afflicted.

That has been the grim and tiresome reality with America’s two parties and with the E.U.’s bureaucrats. The average American and the average European have every reason to see themselves as a lesser concern to the politicians and the pundits than the special interests which pay the money and call the tune.

In the stunning “Brexit” vote – with 52 percent wanting to abandon the 28-nation European Union – U.K. voters rejected the West’s politics-as-usual despite dire warnings about the downsides of leaving. They voted, in effect, to assert their own nationalistic needs and aspirations over a commitment to continental unity and its more universal goals.

But, in the vote, there was also a recognition that the West’s Establishment has grown corrupt and arrogant, routinely imposing on the people “experts” who claim to be neutral technocrats or objective scholars but whose pockets are lined with fat pay checks from “prestigious” think tanks funded by the Military-Industrial Complex or by lucrative revolving-door trips to investment banks on Wall Street or The City.

Despite the Establishment’s self-image as a “meritocracy,” its corrupted experts and haughty bureaucrats don’t even demonstrate basic competence anymore. They have led Europe and the United States into catastrophe after catastrophe, both economically and geopolitically. And, there is another troubling feature of this Establishment: its lack of accountability.

In the United States, the rewards and punishments have been turned upside-down, with the benighted politicians and pundits who pushed for the Iraq War in 2003 still dominating the government and the media, from Hillary Clinton’s impending Democratic presidential nomination to the editorial pages of The New York Times and The Washington Post.

And, the Iraq War disaster was not a one-off affair. The neocons and their liberal interventionist sidekicks have their fingerprints on other “regime change” messes, from Libya to Ukraine to Syria (still in the works), with their predictable recommendations for more violence and more belligerence. Yet, they have impunity for their crimes and incompetence. They fail up.

Establishment Doesn’t Know Best

So, the West’s Establishment can’t even argue that it knows best anymore, which always had been its ace in the hole. The various insurgents could be painted as the dangerous option – and that is sometimes true as we’ve seen with Donald Trump – but it is arguably a toss-up as to whether Clinton or Trump would be the bigger risk to the world’s future.

Trump may be a blustering buffoon but he challenges the neocon “group thinks” about the wisdom of expanding the West’s war in Syria and launching a costly and existentially risky New Cold War against nuclear-armed Russia and China. Clinton surrounds herself with neocons and liberal hawks and shares their obsession with overthrowing the government of Syria and provoking Russia and China with military operations near their borders.

Trump and “Brexit” advocates also reject the Establishment’s neoliberal consensus on “free trade,” which has depressed (or eliminated) the wages of American and European workers while the benefits accrue mostly to financial and political elites. The Establishment’s embrace of the “winners” and its disdain for the “losers” have further enflamed today’s populism.

Yet, there are undeniably ugly features in the populist sentiment sweeping the U.S. and Europe. Some of it is driven by bigotry toward non-whites, especially immigrants. Some is inspired by wild conspiracy theories from a population that has understandably lost all faith in what it hears from Washington, Brussels and other capitals. Trump has espoused the scary know-nothing notion that the scientific evidence of global warming is “a hoax.”

There is always something unsettling when an incipient revolution takes shape and starts tearing down the old order. What follows is not always better.

In the end, the American election – like the “Brexit” referendum – may come down to whether voters feel more comfortable sticking with the status quo at least for a while longer or whether they want to blow up the Establishment and gamble on the consequences.

Right now, Clinton and the Democrats are carrying the banner of the Establishment, while Trump and his Republican insurgents fly the Jolly Roger. In a political year when the anti-establishment wave seems to be cresting, the Democrats may regret their choice of a legacy, status-quo candidate.

 

[For more on this topic, see Consortiumnews.com’s “Two Corrupt Establishments”; “Democrats – Too Clever by Half on Clinton”; “The Coming Democratic Crack-up”; “Neocons and Neolibs: How Dead Ideas Kill“; and “The State Department’s Collective Madness.”]

Investigative reporter Robert Parry broke many of the Iran-Contra stories for The Associated Press and Newsweek in the 1980s. You can buy his latest book, America’s Stolen Narrative, either in print here or as an e-book (from Amazon and barnesandnoble.com).

Related Articles:

¡Basta Ya, Brussels! British Voters Reject EU Corporate Slavestate

Global Elite Makes Good on Threats to “Make All of You Poorer” After Britain Independence

Where is the UK Heading Now Due to Cameron’s Policies?

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Saturday Matinee: The Nostalgist

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From TheNostalgistFilm.com :

SYNOPSIS

With properly tuned ImmerSyst eyes™ & ears™ the futuristic city of Vanille can look and sound like a paradise. But the life of a father and his son threatens to disintegrate when the father’s Immersyst begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture into a city where violence and danger brew beneath a veneer of beautiful illusion.

THE PROJECT

The Nostalgist is a science fiction short film project based on Daniel H Wilson‘s short story of the same name. The Year’s Best Science Fiction: 2009 Finalist, the story was first published on Tor.com in July 2009 and is also available for download from major e-book retailers.

The short film version was developed by Wonder Room Productions, a London-based film production company formed by writer/director/producer Giacomo Cimini (City in the Sky) and producers Tommaso Colognese and Pietro Greppi. The team assembled a crew of highly skilled professionals and a cast led by Lambert Wilson (Of Gods and Men, The Matrix Reloaded) and Samuel Joslin (Paddington, The Impossible), and shot a short film version in early 2013, adapted and directed by Cimini.

The short was completed in May 2014 after an extensive period of VFX and post-production, headed by Milan and London-based post-production and VFX house Inky Mind, with key expertise in CG character creation provided by Barcelona-based MinimoVFX, and extensive compositing work provided by London based NOSEAMS VFX.

VFX artist Giacomo Bargellesi additionally joined Wonder Room as a partner and co-producer and provided further overall VFX supervision for the company, heading up the 2D compositing work.

The substantial post-production costs were covered thanks to the participation of Wonder Room’s VFX partners as well as the completion of a successful Kickstarter campaign, which raised a total of £32,800 from 460 backers.

The Nostalgist received its festival premiere at the Palm Springs Short Fest in June 2014, where it was awarded the runner-up prize for live-action short above 15 minutes, and it has since screened at a number of festivals, including the Giffoni Film Festival in Italy, where it was awarded the first prize as Best Short Film in the Generator 18+ (fiction) section.

Saturday Matinee: Immortal (aka Immortel, ad vitam)

hqdefault“Immortal” (2004) is a French-produced live-action/animated feature directed by Enki Bilal and based on his graphic novel The Carnival of Immortals. It was one of the first major films (along with Casshern and Sky Captain and the World of Tomorrow) to be shot entirely with a digital backdrop, blending live actors with computer generated surroundings.

The film takes place in New York City circa 2095 where genetically altered humans mingle with unaltered men and women and Central Park has been mysteriously encased in an energy field which kills people who attempt to enter. A strange pyramid has appeared over the city in which Egyptian gods decide Horus must end his immortality. Before dying, Horus, while searching for a host body with which to procreate and continue his bloodline, also finds potential demi-god Jill.