Saturday Matinee: Hardware Wars/TROOPS

From Open Culture:

Hardware Wars: The Mother of All Star Wars Fan Films (and the Most Profitable Short Film Ever Made)

Back in 1977, San Francisco filmmaker Ernie Fosselius had the brainwave to make a spoof of a movie that had just come out. It was a risky move. Nobody had any sense that Star Wars would become the worldwide cultural phenomenon that it did. And just as George Lucas’s space opera earned staggering amounts of money, so did Fosselius’s parody, Hardware Wars. You can watch it above. Made for a mere eight grand, the 13-minute movie became a pre-internet viral hit and a staple on the festival circuit, ultimately earning over $1,000,000 – an unheard of haul for a short film. In fact, in terms of money spent versus money earned, Hardware Wars ended up being far more profitable than Star Wars. And it’s considered the most profitable short film ever made.

“I think a lot of the charm of that movie is the fact that we didn’t really know what we were doing,” said Scott Mathews, who donned a blonde wig to play the movie’s lead, Fluke Starbucker. The movie’s production is so gleefully cheap and half-assed that you can’t help but be charmed by it. Irons, toasters, and tape players are used in place of spaceships.

A canister vacuum cleaner stands in for R2D2, and Chewbacca appears to be a Cookie Monster puppet dyed brown. At one point, while on a desert planet of Tatooine, you see a beach-goer sauntering in the background. And Star Wars’s famous cantina scene is in this movie simply a stroll through a crowded tavern. If you know anything about the bar scene in 1970s San Francisco, you know that it was at least as weird as anything George Lucas managed to put up on the screen.

The often litigious Lucas reportedly really liked the movie, called it “cute.” He even invited Fosselius to voice the inconsolable sobs of Jabba the Hutt’s animal trainer after his beloved Rancor gets killed by Luke Skywalker in Return of the Jedi.

Hardware Wars ended up launching an entire subgenre of movie – the Star Wars fan film. And with the advent of Youtube and digital filmmaking technology, the ability of nerds and mavens to make increasingly sophisticated takes on Lucas’s universe became easier and easier. One of the better, and older, ones is Troops. A mash up of Star Wars and the reality TV series Cops, the short shows the challenges and the struggles of being an Imperial Stormtrooper. Check it out below.

Saturday Matinee: The Last Minute

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“The Last Minute” (2001) is a visually striking and one-of-a-kind film directed by Stephen Norrington, best known as the director of The Blade. The film follows the downward spiral of Billy Byrne (Max Beesley) an artist obsessed with time whose career, just on the verge of exploding, instead implodes leading him to an underworld of robbery, murder, drugs and talent agents. Features eclectic performances from Beesley, Kate Ashfield, Udo Kier, and Stephen Dorff and eclectic electronica soundtrack featuring Aphex Twin, DJ Krush, and Richie Hawtin.

Watch “The Last Minute” here.

Saturday Matinee: The Chocolate War

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“The Chocolate War” (1988) is the film version of the classic YA novel by Robert Cormier. It was the debut feature film from actor Keith Gordon (The Legend of Billie Jean) who directed as well as wrote the screenplay. The film depicts the rebellion of new student Jerry Renault (Ilan Mitchell-Smith) against his school’s official and unofficial structures of power while coming to terms with his mother’s death. The Chocolate War features solid acting from the entire cast, especially John Glover and Wallace Langham as the main antagonists and Bud Cort (Harold and Maude) in a memorable cameo appearance. The film also features a fine soundtrack of 80s artists such as Yaz, Kate Bush and Peter Gabriel.

Watch the The Chocolate War here.

Saturday Matinee: In the Year of the Pig

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“In the Year of the Pig” (1968) by Emile De Antonio (Point of Order, Underground, Rush to Judgement) was one of the earliest Vietnam War documentaries and was often greeted with hostility during its run in theaters by pro-war audiences. It combines interviews with a wide range of journalists, politicians, activists and key military personnel (including Harry Ashmore, Daniel Berrigan, Philippe Devillers, David Halberstam, Roger Hilsman, Jean Lacouture, Kenneth P. Landon, Paul Mus, Charlton Osburn, Harrison Salisbury, Ilya Todd, John Toller, David K. Tuck, David Werfel and John White), international newsreels and archival footage to create a scathing portrait of America’ escalating involvement in Vietnam. Horrific images speak for themselves in the most controversial film of de Antonio’s career.

http://www.dailymotion.com/video/xm7wme_in-the-year-of-the-pig_shortfilms

Saturday Matinee: League of Gods

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“League of Gods” (2016) is a Hong Kong/Chinese production directed by Koan Hui (co-screenwriter of The Blade) and starring Jet Li, Tony Leung, Fan Bingbing, Louis Koo, Huang Xiaoming, Angelababy, Wen Zhang, and Jacky Heung. It’s an adaptation of Fengshen Yanyi, a 16th century novel by Xu Zhonglin widely viewed as one of the great works of Chinese literature. The story is a mythologized retelling of the fall of the Shang dynasty combining elements of history, folklore and fantasy and has previously been adapted as a manga, anime, TV series and video game.

Saturday Matinee: VR Short Double Feature

“Uncanny Valley” (2015, dir. Federico Heller) uses a documentary format and virtual reality scenarios to depict a frightening world in which damaged individuals rely on VR as a means to escape their depressing social reality while being used by the state.

“Hyper-Reality” (2016, dir. Keiichi Matsuda) depicts an average day in the life of a struggling precariat woman, that is, until she’s gang stalked by virtual and physical predators.

The real Hunger Games: the Capitalist recipe to maximise profits while ‘having fun’

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By Sky Wanderer

Source: Investment Watch

Introduce a political economy upon the arbitrary axiom that Capitalism is the one and only economic system for mankind, and introduce a narcissistic moral philosophy that you as a Capitalist represent unsurpassable objective moral virtues.

You as a Capitalist hire politicians to implement policy as per your moral and economic philosophy and redefine ‘democracy’ as the political system to sustain Capitalism. Then from such position of self-established authority, abolish unions and all labour-representation, thus force your employees into a race-to-the-bottom contest to compete for jobs by accepting lower and lower wages.

Give decent jobs and benefits to only those who belong to your noble circles. For everyone else reintroduce slavery in the form of “workfare”. The goal is that you pay the lowest wages for jobs done by the fittest slaves, who will survive the contest. If you wish, you can call the contest “real Hunger Games”.

To speed up the process, extend the race-to-the-bottom into global scope so that you will have access to the cheapest and fittest labour everywhere on the planet. Never mind that your slaves will have to live out of a suitcase and every time when you lay them off and labour demand calls them elsewhere, they will have to relocate to yet another continent.

To further accelerate the process, make good use of your 3rd-world colonies, your Mideast colonising wars and your secretly sponsored mercenaries (ISIS). Via your “leftist” assistants, organise a massive refugee crisis to import the cheapest possible workforce via your war-refugees and economic migrants. These migrants are the fittest contestants who – glad just to escape your bombs – will worship you as their saviours and will work for you for literally zero payment. The migrants will not only boost your profits to sky-high levels but will rapidly pull down the overall wages of your domestic employees.

Meanwhile keep increasing the prices so your slaves can’t pay for food, energy, heat and shelter from their next-to-zero incomes. If some of them attempt to survive by taking bank-loans to acquire shelter, education and meet other basic needs, but they can’t repay the loans from their low incomes, you can just evict them from their homes via your banks.

When you made them homeless this way, make sure their ugly presence won’t spoil the beauty of your city. Install pretty anti-homeless spikes, so when they crush onto the pavement they will die, and you can just collect their bodies. To project your capitalist moral virtues into eternity, incorporate the beauty of your anti-homeless spikes into the modern concept of art and beauty.

Introduce private banking to enable yourself to creating new money when you wish. This way you can easily indebt the entire society, soon you can even purchase the whole planet.

Meanwhile dismantle public healthcare, so those of your slaves who are still alive but get sick, will die without treatment. Eliminate (privatise) all affordable public services, destroy the public sphere, abolish all public spaces and welfare benefits. To have a dandy excuse for such policy, make sure to keep the country in ever increasing debt by taking countless £ billions of government loans, and transfer the responsibility of these odious debts onto your slaves. Refer to these debts as the reason for the crisis, then refer to the crisis as the reason for these debts, then refer to the debts and the crisis as the reason for austerity and spending cuts. Then you can increase the public debt again and continue the same loop ad infinitum.

Make sure your very own mainstream media and academia would never reveal the truth that the never-ending crisis and mass-unemployment are due to your private banking and debt- and profit-mongering dysfunctional capitalist system, and keep the real disastrous indicators of the state of economy in secret.

Instead of admitting the truth, use the divide et impera strategy to make your victims blame themselves and one another. To increase the fun, produce reality shows where the still active part of your slaves will blame the disabled and the unemployed, meanwhile make the local poor blame the immigrant poor for the overall misery that you inflicted. Then establish offices where the local poor dressed as fancy clerks will evict the immigrant poor, meanwhile watch how all of them are begging for their lives until they give up and commit suicide.

Enjoy!

Saturday Matinee: Attack the Block

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“Attack the Block” (2011) is a British  sci-fi/horror/comedy written and directed by Joe Cornish. The plot takes place in London on Guy Fawkes night following a teenage street gang who, with the help of neighbors, drug dealers, a nurse and college student, hatch a scheme to save their city from an alien invasion. The film was produced from the creators of Shaun of the Dead and features a cameo by Nick Frost as well as a stand-out lead performance (and film debut) by John Boyega who later played Finn in Star Wars: The Force Awakens.

Watch the full movie here.