Following the modest successes of “Repo Man” and “Sid and Nancy”, director Alex Cox took a chance on an Acid Western filmed in Nicaragua about soldier-of-fortune William Walker. Featuring a script by cult screenwriter Rudy Wurlitzer, a great soundtrack by Joe Strummer of the Clash, and an excellent performance by Ed Harris in the title role, “Walker” (1987) is unlike any historical biopic made before or since. The stylistic madness of the film reflects the madness of Walker’s misadventures. A sense of absurdity and inevitability is added to the proceedings through intentional anachronisms. While this may take viewers out of the story, it also makes it impossible to ignore parallels between the colonialist, imperialist attitudes of Walker’s time and U.S foreign policy of the 1980s and today.
While the film failed at the box-office in the U.S., it became the second highest grossing film in Nicaragua at the time. Walker is a rare film that not only has a radical message but its production was a radical political act in itself, having economically supported the Sandinista government.
On November 6, 2013 Infowars.com sponsored a “We Will Resist TSA & NSA Tyranny” video contest. One of the participants, Telly “Leatherface” Blackwood, received a call regarding his entry from a man claiming to be from the TSA on Monday afternoon. According to a statement posted with a recording of a follow-up call on YouTube:
I received a call from a man named John on January 19 claiming to be from the TSA and had some questions for me. I asked him to call me back next day that I couldn’t hear him well. He agreed and within an hour or two I download an app so I can record phone calls. Today January 20th around 5:42pm while sitting outside he called back and I was able to record the whole thing. It was a strange call but very laughable. Sounds like one irritated TSA agent had enough of my video.
The contentious video from Blackwood’s comedy group “Off the Hook Television”:
In 2012, a TSA video from Natural News was suppressed by YouTube’s age restrictions (though this reposting got around it):
This is Joy Camp’s submission to the Infowars contest:
Bonus Clip: A new Joy Camp video mocking the contemporary pop music scene:
By Gabriel Roberts
originally posted at Disinfo.com
What follows is a bit of my own internal dialogue that’s been built into why it would even be worth the effort to launch an international tour to speak about how gnosis is a term that we should all have a good grasp of.
In the discussions of what our real ends are, some ideas have come up that have sent me into a back and forth about the actual value of any of it.
Have you ever felt yourself slip into an existential funk in which ask, “Why the fuck should I even care? Why the fuck should I try?” I mean what’s the point? Many of us have been long disenchanted with Religion, Politics, Love and pretty much every other institution of this mad consensus reality that we call life.
Take for instance the viewpoint of Nisargadatta Maharaj, a Spiritual teacher in the Advaita Vedanta tradition in his exchange with an interviewer:
Q: There is suffering and bloodshed in East Pakistan at the present moment. How do you look at it? How does it appear to you, how do you react to it?
M: In pure consciousness nothing ever happens.
Q: Please come down from these metaphysical heights! Of what use is it to a suffering man to be told that nobody is aware of his suffering but himself? To relegate everything to illusion is insult added to injury. The Bengali of East Pakistan is a fact and his suffering is a fact. Please, do not analyse them out of existence! You are reading newspapers, you hear people talking about it. You cannot plead ignorance. Now, what is your attitude to what is happening?
M: No attitude. Nothing is happening.
Q: Any day there may be a riot right in front of you, perhaps people killing each other. Surely you cannot say: nothing is happening and remain aloof.
M: I never talked of remaining aloof. You could as well see me jumping into the fray to save somebody and getting killed. Yet to me nothing happened. Imagine a big building collapsing. Some rooms are in ruins, some are intact. But can you speak of the space as ruined or intact? It is only the structure that suffered and the people who happened to live in it. Nothing happened to space itself. Similarly, nothing happens to life when forms break down and names are wiped out. The goldsmith melts down old ornaments to make new. Sometimes a good piece goes with the bad. He takes it in his stride, for he knows that no gold is lost.
Q: It is not death that I rebel against. It is the manner of dying.
M: Death is natural, the manner of dying is man-made. Separateness causes fear and aggression, which again cause violence. Do away with man-made separations and all this horror of people killing each other will surely end. But in reality there is no killing and no dying. The real does not die, the unreal never lived. Set your mind right and all will be right. When you know that the world is one, that humanity is one, you will act accordingly. But first of all you must attend to the way you feel, think and live. Unless there is order in yourself, there can be no order in the world.
I bring this up because Maharaj is saying there is nothing to be done because there is nothing. ”Set your mind right and all will be right” he says as the interviewer poses the images of death and catastrophe.
So what are we to make of this idea? IF this were true, then our daily activities and cares about what present to buy x, or the immediate bill due to y mean absolutely nothing. We would be better off using our time, ‘setting our mind right’. Who wants to join a monastery with me?
Let’s switch gears to Christian theologian, William Stringfellow who has this to say about our institutions, both great and small:
According to the Bible, the principalities are legion in species, number, variety and name. They are designated by such multifarious titles as powers, virtues, thrones, authorities, dominions, demons, princes, strongholds, lords, angels, gods, elements, spirits…
Terms that characterize are frequently used biblically in naming the principalities: “tempter,” “mocker,” “foul spirit,” “destroyer,” “adversary,” “the enemy.” And the privity of the principalities to the power of death incarnate is shown in mention of their agency to Beelzebub or Satan or the Devil or the Antichrist…
And if some of these seem quaint, transposed into contemporary language they lose quaintness and the principalities become recognizable and all too familiar: they include all institutions, all ideologies, all images, all movements, all causes, all corporations, all bureaucracies, all traditions, all methods and routines, all conglomerates, all races, all nations, all idols. Thus, the Pentagon or the Ford Motor Company or Harvard University or the Hudson Institute or Consolidated Edison or the Diners Club or the Olympics or the Methodist Church or the Teamsters Union are principalities. So are capitalism, Maoism, humanism, Mormonism, astrology, the Puritan work ethic, science and scientism, white supremacy, patriotism, plus many, many more—sports, sex, any profession or discipline, technology, money, the family—beyond any prospect of full enumeration. The principalities and powers are legion.
Stringfellow continues on to death:
Death, after all, is no abstract idea, nor merely a destination in time, nor just an occasional happening, nor only a reality for human beings, but, both biblically and empirically, death names a moral power claiming sovereignty over all people and all things in history. Apart from God, death is a living power greater–because death survives them all–than any other moral power in this world of whatever sort: human beings, nations, corporations, cultures, wealth, knowledge, fame or memory, language, the arts, race, religion.
To me, Stringfellow is indeed a fellow with strings that tug on our existential feelings of futility. His observations have merit when we see that we do create a monster of sorts when we create the Ford Motor Company, or any of the other things in the laundry list. We can see the monsters all around and in our efforts to make something of ourselves just make more demons.
So to one learned man, Jesus is the answer and to the other a change of the perception of reality and our place within it is the answer. But both seem to show a very strong dislocation from the world in which we live and its edifices. So if by one hand we are exercising futility and by another creating new demons, why might we even make another effort toward anything? What’s it really worth? We’re just shitting ourselves right?
The chaos magician might say that life is our plaything and therefore we should ascribe meaning where we see fit and leave the rest to chaos, not necessarily without care, but understanding we can’t do everything and the sardonic smile of knowing we will all end up as worm food anyway.
But if one moves past the fear of death to where it no longer hold sway over us, then what? How does our fear of death control us and furthermore how do those most brooding about life as we speak of it head plunge headlong into it through the barrel of a gun, the top of a bridge, or the slice of the razor?
G. I. Gurdjieff has his own thoughts on the matter.
“There do exist enquiring minds, which long for the truth of the heart, seek it, strive to solve the problems set by life, try to penetrate to the essence of things and phenomena and to penetrate into themselves. If a man reasons and thinks soundly, no matter which path he follows in solving these problems, he must inevitably arrive back at himself, and begin with the solution of the problem of what he is himself and what his place is in the world around him.”
So for the sake of argument, we’ve purified ourselves and set our minds right, understood both the illusory and or demonic nature of our constructs and chosen a life of what? Asceticism? Quiet contemplation? The hero of the grimoir, The Black Pullet ends his story of achieving all power and wisdom with this statement:
My days passed between work, study, meditation, and walking exercise. I received a few visitors in my home, but nobody had an inkling of that which passed in my private life. To live happily, live concealed, as a Sage said.
After much dancing around with these ideas, I’ve come to respect each perspective and identify with a number of aspects of each, regardless of wisdom tradition which each is affiliated with, but it hasn’t made me feel any better or brought us any closer to what we should do with our lives in order to get the most out of it, so here’s my personal approach:
1. In relationships to all other humans and other living beings as well: Increasingly improve your output of love and compassion. Make generosity the benchmark of your life in whatever way you can possibly think.
2. In relationship to work: Find something that you love to do and commit to it and lay out everything else around it. You can’t have a body without a frame.
3. In relationship to whether or not to participate: I believe it is each individual’s choice how they choose to do this, but for me I choose to pick up the paintbrush and paint and make the canvass of my life its own work of art. After all, art is not often seen as a necessity, but it can take you to new places and show you things you’ve never seen before. Whether real or illusory, the world is a better place with a couple ‘paintings’ on the walls.
Perhaps there is no world to be saved, no actual causes to fight for and no actual tragedies. Perhaps our mind is the only thing and our internal work is the prime thing for us to work on. If so,I choose for my actions to reflect my internal process coming to life and translate that to an experience of creation, evolution and art.
I choose to participate in this walking meditation of sorts because I have decided I wish to keep growing, learning, struggling and increasing in love and compassion. I can’t think of many better ways to do so than by getting into a vehicle and operating in exchange with all of you out there; people I will soon be unable to imagine myself without.
Yes, it is permissible to NOT go, to NOT participate, but I choose to and perhaps in my own way I can make the perfect demon of sorts.
“I, Pet Goat II” is an award winning animated short released in the spring of 2012 by Louis Lefebvre and canadian art collective Heliofant. It quickly gained a following among alternative news/independent media communities for its cryptic symbolism and allusions to recent history weaved with parapolitical concepts. The meaning of some of the more archetypal symbols are easy enough to intuit, but in case you’re curious about the artist’s intent, the following information is from the Heliofant site:

fire of truth
That’s YOU!!! when you stand in the awareness of your sonship with the Divine and the brotherhood of mankind!!!
BO/B
The left-right puppet and additional layer of disenfranchisement, keeping you distracted while Drako weaves his web.
Lily
And suddenly a startling realization arose in Lily: “This apple is not mine”, she thought. “It belongs to someone else.”
Sun-Sue
Opposing courageously those who would enslave her.
Aali
The whirling heart of Islam awakened to the one true God! He is free and needs no control.
Juan “Pepito”
After years of economic exploitation and the environmental degradation, Juan “Pepito” has a decidedly sinking feeling.
L’enfant bleu
The keeper of the flame.
Madame Q
Madame Q’s point of suffering is sex. Is it repression or indulgence?
We don’t know. Yet there is definitely shame there.

Ludovic
In Latin, ludo means to play and ovis (ovum/ovis) can mean egg. The egg is a symbol of the potential, genetics, and of the soul.
Ovis can also mean sheep in Latin.
But in reality, Ludovic comes from a Germanic name meaning illustrious in combat.
Drako
The Sorcerer, the unseen hand and spirit of madness seeking ever more control through trickery, lies, poisons, false-flag events, wars, and mountains of beauracratic and legal framework to siphon off the energy of the inhabitants of the earth. He fears the light of day as he fears life itself, and operates in the shadows. His greatest power is his hold on the issuance of the currency.
Preface
I would like to start off by saying that the film came to me in its visual form, much like a painter who sees colors and forms in his mind’s eye. And I tried to be faithful to what I saw visually without necessarily understanding what the symbols were alluding to. Some of the symbols were pretty obvious to decipher, whereas some scenes had me scratching my head and took me some time to understand.
I do not pretend to be an expert in symbology and am learning this as I go along. I do not claim any truth. As I understand it, language is an outpouring of archetypes which are much more profound and more encompassing. To try and explain the symbols with common language is slightly reductive. It’s like trying to explain a poem.
Having said that, many people have asked me to explain my work and I am sensitive to their request. So I will try to provide some possible suggestions for the interpretation to the most commonly asked questions, but hope you will keep in mind that your answer is probably better. The hope is that it will provide some stimulation for inquiry and discussion.
The Meaning
There are many themes interwoven into the film, but the main story is about the crumbling away of the hierarchical world based on control and oppression, and the rising up of spiritual man, awake to his divine nature, free of intermediaries, fire in his eyes.
About the Egyptian Symbology
The Christ character in his boat is reminiscent of Ra, the Egyptian sun god who travels the sky in his celestial boat. In the evening he descends into the underworld, a sort of death. And in the morning he is resurrected and lights up the sky. The theme of resurrection was an important motif in the life of Egyptians.
Anubis, the jackal-headed god, is the Greek name for the earlier Egyptian Deity Anapa. He is associated with the afterlife and protects the souls of men in their journey through the underworld. He also weighs the truth and the heart of those souls before deciding their fate.
Anubis is often associated with Wepwawet who has a wolf’s head and is a war deity of Egypt. He is called the opener of ways. He opens up the way for the army to move in.
I have heard many people say that the symbology is satanic in nature. I do not believe it is. It is more about the intent invested in them. In all religions there are truth seeking souls and people who corrupted the intent of the original symbols. The fear is that the film subverts the Christ symbol to the message of Satanism. I would say it is the opposite. It is about taking back the symbology that has been corrupted to degrade the human spirit and control man, and redressing those symbols, by placing the Christ at the center of the narration.
The all-seeing eye, in the elite world view, is about control and surveillance of every person and aspect of society. When placed on the Christ character, it means the opening up of the third eye or pineal gland that permits a unhindered communication with God, as well as other dimensions. In other words, clear spiritual vision. The triangle on his forehead represents Divinity and is actually a symbol found in many churches to represent the Divine Source. This is opposed to the pyramids in the final shot which represent a top down control system where each layer is manipulated through deception by the layer above it, giving the very few at the apex incredible power.
The Apple
Little Lily, our girl dressed in white, symbolizes purity. She is like the bride and holds the apple which very much looks like a stain on her immaculate dress. The apple is a symbol of sin, and shame, and all her inward divisions about herself, that have been cultivated by the rulers of society in order that she remain in her place, subservient, like the children driven to apathy behind the barbed wires. Lily sees the ridiculous spectacle in front of her and is completely exhausted. It seems she has been holding this apple forever. So she just let’s it slip away.
You’ll notice that she sits in a circle, a symbol of her wholeness and alignment in spirit. She is centered. Behind her are the symbols of nature all around, intimating that her true nature is this wholeness.
…
This is a starting point to the commentary. We will be expanding on this in the days and weeks to come. We hope to add a feature which will enable you to add your interpretation as well. We’ll see…
Here are two other interpretations you might find useful:
The Esoteric Symbolism of the Viral Video “I, Pet Goat II” by Vigilant Citizen
And a more complex deciphering:
The Hidden Themes of Heliofant’s “I, Pet Goat II” by Xtraeme at abovetopsecret.com
Thanks!
Notes by Other Cinema:
Ultimately stunning in its revelations, Lutz Dammbeck’s The Net explores the incredibly complex backstory of Ted Kaczynski, the infamous Unabomber. This exquisitely crafted inquiry into the rationale of this mythic figure situates him within a late 20th Century web of technology—a system that he grew to oppose. A marvelously subversive approach to the history of the Internet, this insightful documentary combines speculative travelogue and investigative journalism to trace contrasting countercultural responses to the cybernetic revolution.
For those who resist these intrusive systems of technological control, the Unabomber has come to symbolize an ultimate figure of Refusal. For those that embrace it, as did and do the early champions of media art like Marshall McLuhan, Nam June Paik, and Stewart Brand, the promises of worldwide networking and instantaneous communication outweighed the perils. Dammbeck’s conceptual quest links these multiple nodes of cultural and political thought like the Internet itself. Circling through themes of utopianism, anarchism, terrorism, CIA, LSD, Tim Leary, Ken Kesey and the Merry Pranksters, The Net exposes a hidden matrix of revolutionary advances, coincidences, and conspiracies.
INDIAN COUNTRY NEWS
"It is the duty of every man, as far as his ability extends, to detect and expose delusion and error"..Thomas Paine
Human in Algorithms
From the Roof Top
I See This
blog of the post capitalist transition.. Read or download the novel here + latest relevant posts
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