Journey Back Inward

Though I can’t speak for everyone who has suffered spinal cord injury, my experience had destabilized every aspect of my life to the point where I questioned who I was. Delving into memories was one way to ground myself, but at the time more recent memories were all too painful reminders of what I had lost.

Another strategy which I gravitated towards intuitively was to create a narrative. I began thinking about how to put such an overwhelming experience into words as if it was a book or screenplay. My goal wasn’t to actually create media but to entertain myself during long sleepless nights, though some of these musings were memorized and included in these posts.

Creating a narrative also helped integrate pre and post-crash lives (which at times still seems as disconnected and dissociated as my mind from my body). Part of it involved making sense of the senseless, a struggle which also draws people towards religion and philosophy in times of crisis. I’ve had an interest in both for a long time, sparked in part by cannabis and entheogen experimentation throughout my early to mid 20s. However, the perspective provided by spinal cord injury opened up a deeper emotional and experiential appreciation.

Oddly, qualities which one might think would prepare me for my fate also presented unique challenges. For example, pre-injury I often felt I was “living in my head”, preoccupied by fictional, theoretical, and speculative topics. Much of my waking hours are now focused on pragmatic matters like correspondences and research related to health, bills, insurance, social security, etc. which is still in the mind but in a way not previously accustomed to. This is partly why my writing been more sporadic lately.

Similarly, pre-injury I was often immersed in multimedia of a wide variety of genres. While I fortunately still have access to electronic media, my interest in physical media has significantly decreased. I thought about my library of rare and obscure books collected over many years I was once so proud of. Not being able to read them without help nor able to enjoy the tactile pleasure of holding them, I lost interest in owning the books. I could only hope to get help selling them on Ebay or giving them to people who might value them as I once did.

I was and still am somewhat of a loner, though I can and do reach out to people when I want to via internet. Having “alone time” has always been important and I still get enough of it, but what’s different now is that activities that were previously private (ie. showers, bathroom, toothbrushing, etc.) are now shared with a caregiver out of necessity.

Prior to my injury I was fortunate to have never needed to be hospitalized for anything major other than a minor stroke in 2019 (which I completely recovered from within a month). I had long been semi-health-conscious, eating healthy most of the time and structuring my life to stay somewhat fit without having to go to the gym. My goal used to be longevity with a focus on quality of life. Now my goal is pain management, preventing my health from deteriorating, and regaining as much health as I once had as possible.

Even while relatively healthy, for some reason for much of my life I just didn’t feel comfortable in my skin. It seems humorous thinking back on it now because I’d do anything to feel as comfortable in my skin as anytime before the crash. Especially right after it happened, my body never felt so alien, hostile, and confining.

Bukowski on Quitting a Soul-Sucking Job to Become a Full-Time Writer

Charles_Bukowski_smokingTomorrow marks the birthday of working class poet and author Charles Bukowski (he would have been 94). Bukowski’s creativity had been stifled for most of his adult life as a wage slave until at age 49 he seized an opportunity to break free. Bukowski showed his gratitude to his benefactor, Black Sparrow Press, by publishing most of his subsequent major works with them while supporting countless other independent presses across the country with numerous poetry and short story submissions. He also wrote a letter of thanks to John Martin, owner of Black Sparrow Press in 1986, (also containing thoughts on modern life many of us can relate to) featured in the following article:

Bukowski’s Letter of Gratitude to the Man Who Helped Him Quit His Soul-Sucking Job and Become a Full-Time Writer

By Maria Popova

Source: Brain Pickings

“To not have entirely wasted one’s life seems to be a worthy accomplishment, if only for myself.”

“Unless it comes unasked out of your heart and your mind and your mouth and your gut,” Charles Bukowski wrote in his famous poem about what it takes to be a writer, “don’t do it.” But Bukowski himself was a late bloomer in the journey of finding one’s purpose, as his own “it” — that irrepressible impulse to create — took decades to coalesce into a career.

Like many celebrated authors who once had ordinary day jobs, Buk tried a variety of blue-collar occupations before becoming a full-time writer and settling into his notorious writing routine. In his mid-thirties, he took a position as a fill-in mailman for the U.S. Postal Service. But even though he’d later passionately argue that no day job or practical limitation can stand in the way of true creativity, he found himself stifled by working for the man. By his late forties, he was still a postal worker by day, writing a column for LA’s underground magazine Open City in his spare time and collaborating on a short-lived literary magazine with another poet.

In 1969, the year before Bukowski’s fiftieth birthday, he caught the attention of Black Sparrow Press publisher John Martin, who offered Buk a monthly stipend of $100 to quit his day job and dedicate himself fully to writing. (It was by no means a novel idea — the King of Poland had done essentially the same for the great astronomer Johannes Hevelius five centuries earlier.) Bukowski gladly complied. Less than two years later, Black Sparrow Press published his first novel, appropriately titled Post Office.

But our appreciation for those early champions often comes to light with a slow burn. Seventeen years later, in August of 1986, Bukowski sent his first patron a belated but beautiful letter of gratitude. Found in Reach for the Sun: Selected Letters 1978–1994 (public library), the missive emanates Buk’s characteristic blend of playfulness and poignancy, political incorrectness and deep sensitivity, cynicism and self-conscious earnestness.

August 12, 1986

Hello John:

Thanks for the good letter. I don’t think it hurts, sometimes, to remember where you came from. You know the places where I came from. Even the people who try to write about that or make films about it, they don’t get it right. They call it “9 to 5.” It’s never 9 to 5, there’s no free lunch break at those places, in fact, at many of them in order to keep your job you don’t take lunch. Then there’s overtime and the books never seem to get the overtime right and if you complain about that, there’s another sucker to take your place.

You know my old saying, “Slavery was never abolished, it was only extended to include all the colors.”

And what hurts is the steadily diminishing humanity of those fighting to hold jobs they don’t want but fear the alternative worse. People simply empty out. They are bodies with fearful and obedient minds. The color leaves the eye. The voice becomes ugly. And the body. The hair. The fingernails. The shoes. Everything does.

As a young man I could not believe that people could give their lives over to those conditions. As an old man, I still can’t believe it. What do they do it for? Sex? TV? An automobile on monthly payments? Or children? Children who are just going to do the same things that they did?

Early on, when I was quite young and going from job to job I was foolish enough to sometimes speak to my fellow workers: “Hey, the boss can come in here at any moment and lay all of us off, just like that, don’t you realize that?”

They would just look at me. I was posing something that they didn’t want to enter their minds.

Now in industry, there are vast layoffs (steel mills dead, technical changes in other factors of the work place). They are layed off by the hundreds of thousands and their faces are stunned:

“I put in 35 years…”

“It ain’t right…”

“I don’t know what to do…”

They never pay the slaves enough so they can get free, just enough so they can stay alive and come back to work. I could see all this. Why couldn’t they? I figured the park bench was just as good or being a barfly was just as good. Why not get there first before they put me there? Why wait?

I just wrote in disgust against it all, it was a relief to get the shit out of my system. And now that I’m here, a so-called professional writer, after giving the first 50 years away, I’ve found out that there are other disgusts beyond the system.

I remember once, working as a packer in this lighting fixture company, one of the packers suddenly said: “I’ll never be free!”

One of the bosses was walking by (his name was Morrie) and he let out this delicious cackle of a laugh, enjoying the fact that this fellow was trapped for life.

So, the luck I finally had in getting out of those places, no matter how long it took, has given me a kind of joy, the jolly joy of the miracle. I now write from an old mind and an old body, long beyond the time when most men would ever think of continuing such a thing, but since I started so late I owe it to myself to continue, and when the words begin to falter and I must be helped up stairways and I can no longer tell a bluebird from a paperclip, I still feel that something in me is going to remember (no matter how far I’m gone) how I’ve come through the murder and the mess and the moil, to at least a generous way to die.

To not to have entirely wasted one’s life seems to be a worthy accomplishment, if only for myself.

yr boy,

Hank

Complement with Bukowski’s “so you want to be a writer,” then revisit this essential compendium of advice on how to find your purpose and do what you love and the spectacular resignation letter Sherwood Anderson wrote when he decided to quit his soul-sucking corporate job and become a full-time writer.