The patriotism of killing and being killed

Why are patriotism and war so intertwined in U.S. media and politics?

By Norman Solomon

Source: Nation of Change

The Fourth of July—the ultimate patriotic holiday—is approaching again. Politicians orate, American Flags proliferate and, even more than usual, many windows on the world are tinted red, white and blue. But an important question remains unasked: Why are patriotism and war so intertwined in U.S. media and politics?

The highest accolades often go to those who died for their country. But when a war is based on deception with horrific results, as became clear during the massive bloodshed in Vietnam, realism and cynicism are apt to undermine credulity. “War’s good business so give your son,” said a Jefferson Airplane song in 1967. “And I’d rather have my country die for me.”

Government leaders often assert that participating in war is the most laudable of patriotic services rendered. And even if the fighters don’t know what they’re fighting for, the pretense from leadership is that they do. When President Lyndon Johnson delivered a speech to U.S. troops at Cam Ranh Bay in South Vietnam, he proclaimed that “you know what you are doing, and you know why you are doing it—and you are doing it.”

Five decades later, long after sending U.S. troops to invade Panama in 1989 and fight the 1991 Gulf War, former President George H.W. Bush tweeted that he was “forever grateful not only to those patriots who made the ultimate sacrifice for our Nation—but also the Gold Star families whose heritage is imbued with their honor and heroism.” Such lofty rhetoric is routine.

Official flattery elevates the warriors and the war, no matter how terrible the consequences. In March 2010, making his first presidential visit to Afghanistan, Barack Obama told the assembled troops at Bagram Air Base that they “represent the virtues and the values that America so desperately needs right now: sacrifice and selflessness, honor and decency.”

From there, Obama went on to a theme of patriotic glory in death: “I’ve been humbled by your sacrifice in the solemn homecoming of flag-draped coffins at Dover, to the headstones in section 60 at Arlington, where the fallen from this war rest in peace alongside the fellow heroes of America’s story.” Implicit in such oratory is the assumption that “America’s story” is most heroic and patriotic on military battlefields.

A notable lack of civic imagination seems to assume that there is no higher calling for patriotism than to kill and be killed. It would be an extremely dubious notion even if U.S. wars from Vietnam to Afghanistan and Iraq had not been based on deception—underscoring just how destructive the conflation of patriotism and war can be.

From Vietnam to Iraq and beyond, the patriotism of U.S. troops—and their loved ones as well as the general public back home—has been exploited and manipulated by what outgoing President Dwight Eisenhower called the “military-industrial complex.” Whether illuminated by the Pentagon Papers in 1971 or the absence of the proclaimed Iraqi weapons of mass destruction three decades later, the falsehoods provided by the White House, State Department and Pentagon have been lethal forms of bait-and-switch.

Often lured by genuine love of country and eagerness to defend the United States of America, many young people have been drawn into oiling the gears of a war machine—vastly profitable for Pentagon contractors and vastly harmful to human beings trapped in warfare.

Yet, according to top officials in Washington and compliant media, fighting and dying in U.S. wars are the utmost proof of great patriotism.

We’re encouraged to closely associate America’s wars with American patriotism in large part because of elite interest in glorifying militarism as central to U.S. foreign policy. Given the destructiveness of that militarism, a strong argument can be made that true patriotism involves preventing and stopping wars instead of starting and continuing them.

If such patriotism can ever prevail, the Fourth of July will truly be a holiday to celebrate.

The Other Side of the Post’s Katharine Graham

By Norman Solomon

Source: Consortium News

Movie critics are already hailing “The Post,” directed by Steven Spielberg and starring Meryl Streep as Washington Post publisher Katharine Graham. Millions of people will see the film in early winter. But the real-life political story of Graham and her newspaper is not a narrative that’s headed to the multiplexes.

“The Post” comes 20 years after Graham’s autobiography Personal History appeared and won enormous praise. Read as a memoir, the book is a poignant account of Graham’s long quest to overcome sexism, learn the newspaper business and gain self-esteem. Read as media history, however, it is deceptive.

“I don’t believe that whom I was or wasn’t friends with interfered with our reporting at any of our publications,” Graham wrote. However, Robert Parry — who was a Washington correspondent for Newsweek during the last three years of the 1980s — has shed some light on the shadows of Graham’s reassuring prose. Contrary to the claims in her book, Parry said he witnessed “self-censorship because of the coziness between Post-Newsweek executives and senior national security figures.”

Among Parry’s examples: “On one occasion in 1987, I was told that my story about the CIA funneling anti-Sandinista money through Nicaragua’s Catholic Church had been watered down because the story needed to be run past Mrs. Graham, and Henry Kissinger was her house guest that weekend. Apparently, there was fear among the top editors that the story as written might cause some consternation.” (The 1996 memoir of former CIA Director Robert Gates confirmed that Parry had the story right all along.)

Graham’s book exudes affection for Kissinger as well as Robert McNamara and other luminaries of various administrations who remained her close friends until she died in 2001. To Graham, men like McNamara and Kissinger — the main war architects for Presidents Lyndon Johnson and Richard Nixon — were wonderful human beings.

In sharp contrast, Graham devoted dozens of righteous pages to vilifying Post press operators who went on strike in 1975. She stressed the damage done to printing equipment as the walkout began and “the unforgivable acts of violence throughout the strike.” It is a profound commentary on her outlook that thuggish deeds by a few of the strikers were “unforgivable” — but men like McNamara and Kissinger were lovable after they oversaw horrendous slaughter in Southeast Asia.

Graham’s autobiography portrays union stalwarts as mostly ruffians or dupes. “Only a handful of [Newspaper Guild] members had gone out for reasons I respected,” she told readers. “One was John Hanrahan, a good reporter and a nice man who came from a longtime labor family and simply couldn’t cross a picket line. He never did come back. Living your beliefs is a rare virtue and greatly to be admired.”

But for Hanrahan (whose Republican parents actually never belonged to a union) the admiration was far from mutual. As he put it, “The Washington Post under Katharine Graham pioneered the union-busting ‘replacement worker’ strategy that Ronald Reagan subsequently used against the air-traffic controllers and that corporate America — in the Caterpillar, Bridgestone/Firestone and other strikes — used to throw thousands of workers out of their jobs in the 1980s and the ’90s.”

The Washington Post deserves credit for publishing sections of the Pentagon Papers immediately after a federal court injunction in mid-June 1971 stopped the New York Times from continuing to print excerpts from the secret document. That’s the high point of the Washington Post’s record in relation to the Vietnam War. The newspaper strongly supported the war for many years.

Yet Graham’s book avoids any semblance of introspection about the Vietnam War and the human costs of the Post’s support for it. Her book recounts that she huddled with a writer in line to take charge of the editorial page in August 1966: “We agreed that the Post ought to work its way out of the very supportive editorial position it had taken, but we couldn’t be precipitous; we had to move away gradually from where we had been.” Vast carnage resulted from such unwillingness to be “precipitous.”

Although widely touted as a feminist parable, Graham’s Pulitzer Prize-winning autobiography is notably bereft of solidarity for women without affluence or white skin. They barely seemed to exist in her range of vision; painful realities of class and racial biases were dim, faraway specks. Overall the 625-page book gives short shrift to the unrich and unfamous, whose lives are peripheral to the drama played out by the wealthy publisher’s dazzling peers. The name of Martin Luther King Jr. does not appear in her star-studded, history-drenched book.

Katharine Graham’s decision to publish the Pentagon Papers was indeed laudable, helping to expose lies that had greased the wheels of the war machinery with such horrific consequences in Vietnam. But the Washington Post was instrumental in avidly promoting the lies that made the Vietnam War possible in the first place. No amount of rave reviews or Oscar nominations for “The Post” will change that awful truth.

 

Norman Solomon is the coordinator of the online activist group RootsAction.org and the executive director of the Institute for Public Accuracy. He is the author of a dozen books including “War Made Easy: How Presidents and Pundits Keep Spinning Us to Death.”