Tag Archives: LSD

Saturday Matinee: Skidoo

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Skidoo: the LSD-fuelled Alcatraz movie with Groucho, Jackie Gleason, Carol Channing, Lurch, and everyone else

By Cory Doctorow

Source: BoingBoing

On our family holiday this summer, we had the great good fortune to be shown around Alcatraz Island by Ranger Craig Glassner — among other things, the Ranger responsible for the excellent documentary about the Occupation by Indians of All Tribes that is screened in the visitor center there. Craig let slip that his favorite Alcatraz movie is Skidoo, the 1968 Otto Preminger wacky stoner comedy with Groucho Marx, Jackie Gleason, Carol Channing, Burgess Meredith, Ted “Lurch” Cassidy, and just about every character actor you’ve ever enjoyed.

It’s an LSD-fuelled romp about a retired hit-man (Jackie Gleason) who voluntarily sends himself to Alcatraz to kill his best friend, who has betrayed the mob-boss of all bosses (played by Groucho Marx, who appears to either be stoned or simply method acting in many of his scenes). Meanwhile, the mobster’s daughter has fallen in with a wandering tribe of hippies who get taken in by her mother, Carol Channing, and end up involved in a jail-break that coincides with a mass dosing of Owsley’s finest LSD for everyone on the prison island.

It’s got trippy dance numbers, silly comedy, hippies, and, well, everything. It’s out on DVD after a long purgatory on the trashheap of history. I just watched it. It is something. It is something else.

Saturday Morning Matinee: The Net

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Notes by Other Cinema:

Ultimately stunning in its revelations, Lutz Dammbeck’s The Net explores the incredibly complex backstory of Ted Kaczynski, the infamous Unabomber. This exquisitely crafted inquiry into the rationale of this mythic figure situates him within a late 20th Century web of technology—a system that he grew to oppose. A marvelously subversive approach to the history of the Internet, this insightful documentary combines speculative travelogue and investigative journalism to trace contrasting countercultural responses to the cybernetic revolution.

For those who resist these intrusive systems of technological control, the Unabomber has come to symbolize an ultimate figure of Refusal. For those that embrace it, as did and do the early champions of media art like Marshall McLuhan, Nam June Paik, and Stewart Brand, the promises of worldwide networking and instantaneous communication outweighed the perils. Dammbeck’s conceptual quest links these multiple nodes of cultural and political thought like the Internet itself. Circling through themes of utopianism, anarchism, terrorism, CIA, LSD, Tim Leary, Ken Kesey and the Merry Pranksters, The Net exposes a hidden matrix of revolutionary advances, coincidences, and conspiracies.

http://www.youtube.com/watch?v=xLqrVCi3l6E