Tag Archives: Gong Yoo

Saturday Matinee: The Suspect

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An utterly ridiculous and over-the-top action movie from director Won Shin-yeon (Seven Days, A Bloody Aria), but at least it knows what it is…

By Andrew Heskins

Source: Eastern Kicks

The suspect in question is Dong-cheol (Gong Yoo, Silenced, Finding Mr. Destiny, Coffee Prince), a North Korean defector accused of murdering Chairman Park, a businessman with connections with Pyongyang for whom he worked as a chauffeur. He didn’t do it, of course; framed by high-ranking NIS bureaucrat Kim Seok-Ho (Cho Seong-Ha, Pluto, Helpless, The Yellow Sea, Spider Forest), who is in fact playing both sides for his own personal gain. In his dying breath, Park gives Dong-cheol a pair of glasses with instructions to ‘bury them’. But Dong-cheol had his own agenda for defecting to the South: to seek revenge on the murder of his family.

Holding a personal grudge against Dong-cheol, Colonel Min Se-hoon (Park Hee-soon, Behind the Camera, Hansel and Gretel, Seven Days, Three: ‘Memories’) is called back from training cadets to chase him down, as the authorities use surveillance across Seoul in what could easily be a nod to Tony Scott’s a Enemy Of a The State. There with old friend Captain Jo (Jo Jae-Yun, Miracle in Cell No.7, The Man From Nowhere, Romance Joe), they begin to cotton on to there being more going than a manhunt for a defector gone wild. Meanwhile, Dong-cheol discovers his daughter could still be alive. Turning to his only ally, reporter Choi Gyung-Hee (You Da-In, The Client, Re-encounter) – allegedly working on a documentary about former defectors, but actually working on something more significant, hidden away in a Sympathy For Mr. Vengeance DVD case – they begin to unravel the truth.

As is typical in such roles, Gong Yoo makes for a rather anodyne hero. Part Won Bin in The Man From Nowhere, part Yoon Kye-sang in Poongsan (who was originally cast in the role before he backed out), with maybe a smidgen of Ha Jung-woo in The Berlin File, there’s little character to get behind. Instead, it falls on Park Hee-soon to bring some flavour to the film. Established as a hard arse in his first scene in an utterly outrageous (and actually completely unnecessary) sequence where he is shown jumping out of a plane to save a cadet who’s parachute has malfunctioned. The on screen ribbing between Park and his more ambitious friend Jo Jae-Yun crackles believably.

But it’s the character of Kim Seok-Ho who gets the films best lines, with actor Cho Seong-Ha relishing every moment. ‘Go kill Dong-cheol. Have a duel like you proper commies do!’ he smirks in one scene. Later declaring, ‘Money trumps everything in this country.’ He’s proved wrong, naturally.

It all leads to an ending not unlike Ryoo Seung-wan‘s The Berlin File, with some fantastical salvation thrown in for the famine in North Korea (it’s better you don’t ask). There’s little question that this film tries to follow Ryoo’s model, but thankfully takes itself less seriously. Far less seriously, also circumnavigating the stabbing satire of the Kim Ki-duk scripted Poongsan, or any motivation beyond the desire to make a cracking action film. And largely it succeeds.

The action is well handled by director Won Shin-yeon (Seven Days, The Wig, A Bloody Aria), with chases through malls, shootouts, and close shot hand-to-hand combat. It might not be as inventive as, say, Ryoo might direct, but it’s well choreographed nonetheless, with lead Gong having specially learned Russian martial art Systema for the role. It’s in the car scenes that The Suspect displays the bigger budget of a Showbox production, with a crash tally that might do The Blues Brothers‘ John Landis proud. As well as head on impacts, there’s a lot of high speed driving in reverse down busy roads or even narrow, steep stairways. (Though I have to say from my visit to Korea, random reversing is hardly uncommon!)

Taken at face value, The Suspect is a surprisingly enjoyable once it gets in gear. (The first half hour seems sluggish, and the film is easily some 20 minutes too long.) A daft action film with sparkling dialogue in Lim Sang-Yoon’s (A Company Man) script; it knows exactly what it is. Perhaps you shouldn’t end up rooting for the bad guy quite as much, but it’s hardly the first action that is true of…

Watch The Suspect for free on Pluto TV here: https://pluto.tv/en/on-demand/movies/the-suspect-2014-1-1?utm_medium=textsearch&utm_source=google

Saturday Matinee: Seobok

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REVIEW: ‘Seobok: Project Clone’ Is a Well-balanced Philosophical Sci-Fi Action Film

By Ricardo Gallegos

Source: But Why Tho?

Lee-Yong Ju’s science fiction film Seobok: Project Clone delves into one of the genre’s most prominent philosophical concerns: the fate of men. And even though it tends to ponder on too many ideas, it manages to create food for thought while providing jaw-dropping setpieces.

Former intelligence agent Min Ki-hun (Gong Yoo) is struggling both physically and emotionally. The regret of his past is consuming him and a brain tumor has left him with little time to live. One day, he’s asked by former boss Ahn (Jo Woo-jin) to return to action in a secret mission involving the protection of project Seobok (Park Bo-gum), the first human clone who, besides possessing pressure bending powers, is immortal and therefore is the key to the research that could save Ki-hun’s life. However, what seems like a straightforward task soon puts Ki-hun in the middle of a war to possess (or kill) Seobok that involves American mercenaries, government officials, and the laboratory involved in the research. Still unsure on who to trust, Ki-hun sticks to protecting Seobok, and, together, they go on the run.

With a strong sci-fi core, Seobok: Project Clone tips its toes into the road movie genre in a second act full of ethical conundrums. From very different angles, Ki-hun and Seobok are forced to reflect on their mortality while driving through highways and cities. The former realizes that in order to be cured, Seobok has to be exploited, which is something other characters see as perfectly fine given that he’s, after all, some sort of sub-human experiment. Does Seobok have moral rights? What are their limits? If he was created for research only, shouldn’t his suffering and exploitation be unimportant? The movie asks these questions to both the audiences and Ki-hun, whose condition worsens as time goes by.

Meanwhile, Seobok learns about humanity with every interaction and blood-soaked encounter and eventually asks himself what the meaning of immortality is. Should he allow humans to stop death by researching him? As Seobok ponders on this question, the inhumanity around him grows, and soon, the true colors of our world make clear that, ultimately, only wealthy men would be able to get the ‘benefits’ from immortality.

Gong Yoo and Park Bo-gum’s beautifully nuanced performance gives power to these thoughts, but they can’t stop the whole road movie section from being bogged down by the high number of philosophical queries the film lays out, none of which are thoroughly explored. Because of this, you’ll find yourself losing interest in the motivation of the characters, even more, due to the dull pace of the editing.

Eventually, your patience and investment are rewarded when Lee-Yong Ju successfully transforms these philosophical conundrums into emotional fuel for a spectacular action-packed third act where everything comes full circle. Aided by top-notch VFX work and sound design, as well as an extraordinary score by Yeong-wook Jo, Seobok’s powers are used in a terrifying manner to lead the film toward an outstanding conclusion that provides audiovisual and narrative satisfaction; and thanks to the correct development of his character arc throughout the film, Seobok’s never reduced to a just a killing tool. His actions and realizations are consequences of his experiences outside the laboratory and his interactions with Ki-hun.

Seobok: Project Clone is a riveting balance of philosophy, sci-fi, and action with a hint of road movie goodness that never sacrifices its complex questions in lieu of cheap entertainment. The issues at hand are never forgotten even when the most visual effects-heavy scenes fill the screen, and that’s something not many films of this nature are able to do.

Watch Seobok on Hoopla here: https://www.hoopladigital.com/title/14858932