Tag Archives: Gakuryû Ishii

Saturday Matinee: Kyoshin (aka Mirrored Mind)

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Synopsis from Dejima Japanese Film Festival

Renowned cyber-punk director ISHII Sogo strays from his roots, entering the realm of the subconscious with Mirrored Mind, a composed, contemplative and also a very personal film. Guiding us along with an actress who suffers an identity crisis when all at once she finds herself spirited away from the bustle of Tokyo to a tropical paradise, director ISHII poses philosophical questions about the origins of our soul. A visually stunning ode to the need for a spiritual and tranquil life. Mirrored Mind is the feature length version of the short by the same name, which was made as part of the Jeonju International Film Festival initiated Digital Short Films by Three Filmmakers 2004.

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Saturday Matinee: Tokyo Blood

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“Tokyo Blood” (1993) is an anthology film consisting of four experimental shorts directed by Gakuryû Ishii (formerly known as Sogo Ishii) thematically connected by the theme of entrapment in Tokyo’s urban landscape and desire to escape. The opening film, “Street Noise” is an impressionistic audio/visual collage depicting an anonymous salaryman’s state of mind as he breaks down from sensory overload. The second vignette, “Bicycle” follows the journey of two young strangers bonded by alienation who aimlessly explore the city by bike after a chance encounter. The third chapter begins as a parody of structuralist film theory (not unlike early works by Peter Greenaway) but soon descends into the hyper-kinetic chaos reminiscent of films by fellow Japanese avant-garde director Shinya Tsukamoto (The Tetsuo Trilogy). The concluding film, “Heart of Stone” is seemingly a transmission from a post-human feature combining the styles of Chris Marker’s essay films and Craig Baldwin’s found-footage narratives.

https://www.youtube.com/watch?v=NG4rqe0amGA