Saturday Matinee: Dragons Forever

By Chrichton

Source: Chrichton’s World

If the majority of the Peking Opera School brothers are involved then you just know it is going to be good. Next to usual suspects Jackie Chan, Sammo Hung and Yuen Biao Yuen Wah (on screen) and Corey Yuen (off screen) are brought into the mix to deliver this martial arts gem. The combination of action and comedy is nothing new to these guys. But romance? That one surprised me because that is not something they do often. And even when it borders to the more sentimental and cheesy kind I could appreciate it since most of it seemed sincere and convincing.

But there are other little surprises that makes Dragons Forever a lot of fun. The first one that sticks out is Yuen Biao’s character Timothy Tung. Timothy is not quite right in the head. No real explanation is given other than that even friend Jackie Lung is surprised by his insanity.  When Jackie visits his friend he is met with a lot of hostility. At first he thinks it’s because he doesn’t recognize him. But even when saying who he is and showing his face up close Timothy still has trouble recognizing him. It’s so weirdly disturbing that it becomes hilarious. Especially since throughout the film he seems to be living in his own little world and his friend Jackie just leaves him be. Dismissing his behaviour as quirky and lovable. For example his Goldfish don’t live in aquariums but in tubes placed all over in his home. Actually it looked really cool. It did look like the fish were enjoying themselves. The other surprise is Jackie as a ladies man. I remember him playing a character like this in City Hunter but prior to this I had never actually seen him coming on to women in this fashion. Because usually he plays the straight and righteous guy who rarely crosses the line and in this film he has no trouble being unethical or hiring his friends to do some spying on the plaintiff. Even going so far in allowing friend Luke Wong (Sammo Hung) to seduce the plaintiff and he himself to become more than amicable with the plaintiff’s niece who also is a witness in the court case. This is where the romantic elements come in. Surprisingly these elements gave this film an edge. That and the tone change in the third act. Up until that time Dragons Forever is pretty light and comedic. But then things become real serious and super dark. In most films tone changes like this don’t work. But here they do since in the first two acts you have gotten to know the main characters and that despite their silly antics they do have their hearts in the right place. 

On top of that the action is top notch. Mostly combat based and the kind I really like and enjoy. It’s beautifully choreographed and exciting. The fights between the three dragons also are delightful since they seemed to be having a lot of fun beating each other up. What I really liked was how this action was blended with the comedy and romantic elements. The film flowed incredibly well and not once did I think that any of the elements fell out of place. Even when it became super dark at the end. But I think we got Sammo Hung and Corey Yuen to thank for that since they both directed this film. 

I don’t think I am the type who uses this term very quickly but when I do you can be sure that I mean it wholeheartedly. Dragons Forever is a masterpiece. If you never have seen this film you owe it to yourself to do so. It is easily one of the best films in the genre. 

Saturday Matinee: Natural Born Killers

By Richard Propes

Source: The Independent Critic

Is “Natural Born Killers” an indictment of our current society that is so completely fascinated with crime, criminals and everything that waxes dramatic? Or, is it simply a glossy, stylized romp through random acts of violence?

Oliver Stone’s “Natural Born Killers” takes the life of two of society’s rejects, Mickey and Mallory, and allows them to fall in love and embark on a nationwide killing spree that becomes fodder for the press, an obsession for law enforcement and, ultimately, they become folk heroes to the common man across America.

The film, which on the surface appears to be incredibly and over-the-top violent, is actually far less violent than many films with a lesser rating. While we see shootings and killings, the vision is seldom graphic in nature. These events are much more about attitude and atmosphere than they are the violence itself.

The word “intoxication” is the word I think of most when I think of the film “Natural Born Killers.” Mickey (Woody Harrelson) and Mallory (Juliette Lewis) become intoxicated by killing and the fame it brings…Reporter Wayne Gale (Robert Downey, Jr.) becomes intoxicated by the story, the ratings, the spotlight…Warden McClusky (Tommy Lee Jones) is intoxicated by his power and justice.

The script, by Stone and Quentin Tarantino, vividly brings to life this intoxication in scenes that often resemble television shows and other times take on such a psychedelic feeling that it almost feels like we’re in the middle of one of those lava lamps where you look through the hole and you see different visions every time you look in it.

“Natural Born Killers”, for me, is a visionary film because it sees the truth of our society and where we are headed. We are living in a world where celebrity allows you to get away with most anything, such as in the O.J. Simpson trial, and where even the most heinous criminal becomes an overnight celebrity. In “Natural Born Killers,” Stone and Tarantino are, to me, clearly saying that we can’t just blame the criminals for the deterioration of our society…it’s all of us who buy into the drama, the glamour and the excitement that allows the cycle to perpetuate.

Stellar performances, a powerful, insightful script, groundbreaking camerawork and the unique vision of Oliver Stone combine to make “Natural Born Killers” a bold, visionary film that may shock, may offend, may alienate…but, in the end, it is a film you will remember.

Watch Natural Born Killers on Hoopla here: https://www.hoopladigital.com/title/14507250

Saturday Matinee: Din of Celestial Birds

By Jason Hoffman

Source: The Third Eye

Din of Celestial Birds (2006) A film by E. Elias Merhige. Black and white, sound, 16mm, 14 mins.

American filmmaker E. Elias Merhige’s experimental film Din of Celestial Birds (2006) is the second part of an as yet unfinished trilogy of films, the first part being his bold and visionary debut feature Begotten. Most people coming to Din of Celestial Birds will have watched Begotten and are presumably expecting more of the gruesome and haunting imagery that distinguished the style of that feature, however as the movie begins, we are reassured to “Not be afraid … Be comforted … Remember … Our origin…”.

“A transcendental meditation on creation and consciousness”

I came away from the film thinking of it as Begotten enacted on a microscopic scale: a depiction of the divine mystery of creation through an exploration of processes prior to it, but where Begotten did so as a metaphorical psychodrama, Din of Celestial Birds does this as if a nature documentary of life, in a style reminiscent of Man Ray and other Surrealists.

The opening credits actually attribute the film to Q6, a collective consisting of a visual philosopher (whatever that is), a computational visual neuroscientist, a multi-media performance artist, a composer, and a sculptor; all of whom Merhige collected around him to produce the movie in a hands-on fashion employing techniques used by the work of cinema pioneers like the Lumiere brothersFritz Lang, and Jean Cocteau, in addition to software and technology created specifically for the film.

Though Din of Celestial Birds arguably ploughs the same furrow as its conceptual predecessor, the film is nevertheless testament to a unique artistic vision, exploring representations of the fringes of consciousness by challenging the limits of cinema.